#you can't see it but she's actually terrified of that happening

[cherrylight]

ok

[strikersin]

If my Actual Real Life Father saw this blog I wouldn't even be able to die. I would just live. LOL. At that point I guess we have different things to worry about .

But I can see his confused and perplexuated reaction . Haha. It's actually cute

[genderqueerdykes]

people often talk about the amount of transfems who have to stay closeted for safety very often, and it is a lot of people, but it's very rarely acknowledged how many transmasculine people have to stay closeted for life as well. i really think it's important to talk about both sides of this, because so many people are affected by this issue.

society is openly hostile toward transmasculine, afab, intersex, and other ""non male"" people who genuinely try to pass as men. people like to say that it's accepted for afab people to crossdress-- but it's not. truly "crossdressing" as an afab person will get you mocked and threatened. before i transitioned, people would actually approach me and tell me that i couldn't wear men's clothing when i did. this never happened when i wore "masculine women's clothing." never. cishet people can tell by the subtle differences in the cuts of clothing, it's not that black and white.

attempts to behave in masculine and male ways will get you targeted. whenever i would hold open doors for men in my conservative redneck 1,000 person population home town, they would look at me like i had 3 heads when i was pre-transition. women aren't allowed to hold open doors for men, that's a man's place. women aren't allowed to use heavy machinery or tools. women aren't allowed to try to foot the bill. you get the picture. even certain masculine behaviors will get you yelled at or berated or worse.

going on testosterone is outright terrifying because unless the person responds to it poorly or doesn't take a very high dose, the effects are almost immediately noticeable, and many are completely irreversible. while most cishets don't know what a trans man is, they can instantly tell that they hate transmasculine people once they encounter one, especially one in very early medical transition. i had the worst time in the early days of my transition because i was such a "he-she". it really is hard, cishet people do NOT like this combination of features, either once they encounter it.

it's not easy for any of us, and it's tragic when any trans person has to live their entire life closeted for fear of safety. let's go ahead and acknowledge the transmascs, trans men, intersex, transneutral, nonbinary, genderqueer, drag king, crossdressing, transvestite, male impersonating, genderfluid, bigender and other folks in this sphere of transness who also have to hide for their own personal safety. we see you, you are beautiful, you are still trans even if you can't show the entire world who you are.

[becausegoodheroesdeservekidneys]

would love your opinion of the newest episode of DW, if you get the chance.

HAHAHAHA YES I HAVE MANY THOUGHTS

Alright okay so

I only have one complaint, which is that that wasn't a faerie ring. You could still have the shamble, no problem, but it should have been over the top of an actual faerie ring, which should be a mushroom (or, at a push, stone) circle. Not some cotton that would blow clean off the cliff edge in three minutes.

HOWEVER

This is the first time I've seen Doctor Who do a time travel story using, not Doctor Who time travel lore and rules, but Welsh faerie rules. (First time I've seen anything do it, in fact.) In Welsh myth, people who enter faerie rings or get entranced by the music become suspended in time, out of sync with the real world. They think they danced for a night, but when they return it's been 100 years, and they crumble to dust as soon as they eat/drink/step on land/etc.

In this case, this is what I think happened to Ruby. She spent that time in Annwfn, seeing what would happen if the binding on the ring was broken. When she 'dies', she returns to the spot and lasts long enough to give her younger self the warning, then crumbles to dust.

But, a time travelling Ruby is not the woman who follows her throughout the episode. That, in fact, is a gwyll.

The gwyllion were hag faeries, usually of mountain tops (though Pembrokeshire's liminal cliffs are 100% from Welsh mythology - it was said that if you found a faerie ring on one but only put one foot in, you could see the faerie islands in the sea. And that faeries used to visit the human markets in Pembrokeshire and Ceredigion. So while gwyllion are unusual there, it's not an impossible relocation.) They were malicious and sometimes vicious faeries who delighted in making people lose their way, could strike an uncontrollable and ungodly terror into travellers, and who feature in more that one myth as an old woman that someone tried to approach, but they always appeared at the same distance away, impossible to catch up.

CAN YOU SEE THE PARALLELS

And the best part!! Is that this is why she defeats UNIT!!!

Kate tells Ruby that her agents have necklaces of silver and salt to keep out the supernatural, but that's just generic fairytale shit. That doesn't work on gwyllion. Salt drawn in a line would provide a barrier, but the UNIT soldiers aren't trying to trap or block the gwyll; they're trying to capture her. What works, very specifically, is a knife. Iron or steel for preference of course, but it needs to be a knife.

But UNIT has no Welsh employees and the soldiers have guns, not knives. And so they all become entranced.

(This is also what I think the gwyll 'says' to everyone to turn them against Ruby. She doesn't say anything - she sings.)

This is also the first time I've ever encountered any mainstream media doing Welsh faeries and understanding the tone to strike, which is 'unknowable, unstoppable and fucking terrifying'. I think I've only ever read it in Catharine Fisher books, and she's a Welsh author so... yeah, obviously. But I basically vibrated with delight and excitement for the entire episode.

Oh my god, hang on, Roger ap Gwilliam! Okay, I have two theories about him.

My weaker theory and the one I don't like is the kind of boring and obvious one, which is that he is himself not human. A lot of Welsh folklore features the devil, and I get that vibe from his role in the story. But, I'm not keen, because I can't see the link to the gwyll.

But my strongest theory, and the one I have chosen to believe, is that he's a human who made a deal with the Fae for power, and then reneged. There's a Metric Fuckton of stories about humans fucking up Fae gifts in some way, and the punishment is usually something ironic but always results in the loss of the gift. It could be a faerie harp that makes everyone dance, and the Fae tell the giftee not to abuse it, but they cruelly force everyone to dance so long and so hard that the faerie returns, takes back the harp, and then takes the human's ability to ever make music again, so example (by taking fingers or eyes or tongues as well, often.)

So I think Mad Jack strikes a bargain for power - but, then tries to abuse that power (nuclear war). But part of the bargain is that the Fae cannot approach him directly ever again. In the real world, they therefore tempt him into the faerie ring and bind his soul there, problem solved - until the Doctor accidentally lets him out, and gets his own soul stuck. Ruby, therefore, becomes the instrument through which they manage to take that power away once again - and then, her final Fae gift for her service is that they use the temporal anomaly of the faerie ring to send her back, at the end of her life, and give her a second chance. This time, with Mad Jack's soul left bound in Annwfn.

The fun part is, RTD is a writer who understands the power of not explaining everything and leaving some things up to the viewer's imagination, so none of this is ever going to be explained lol. But yeah, that is a gwyll. The moment she appeared, I said out loud "Oh holy fuck, gwyllion." That was a gwyll.

As a final observation, I loved seeing Siân Phillips, and I choose to believe they filmed those scenes in a pub because they could only get Siân if they agreed to just come to her local. The woman is a queen.

[tititilani]

I can't stop thinking about if Simon had taken Edwin's offer

Like Charles finds Edwin in the hallway as ever but this time there's another boy there too, cowering against the wall next to him. Maybe the dollhead spider doesn't care about Simon, too busy focusing on its favorite target, so Charles is left standing in the hallway with Simon when Edwin is taken.

They get out of hell, but Edwin doesn't confess due to Simon hovering behind his elbow. He doesn't want to confess his emotions in front of his killer, who he probably hasn't even properly figured out how he's feeling towards yet.

The Night Nurse is pissed they came out with an extra soul but Niko's same loophole still applies and Simon stays.

"This is Simon," Edwin says when it's all said and done, finally introducing the boy that's been hiding behind him since the door closed. "He was a...classmate of mine."

"He saved me," Simon says, looking up at Edwin moony-eyed and Charles knows that look and something settles heavy in his stomach.

"Glad to have ya, mate," he tells him even though the words taste sour. This other boy knew Edwin when he was alive, the thought is slightly terrifying to him.

Simon settles in fine with the agency even if the agency feels a little crowded now with five people in it but he continues to moon over Edwin and Edwin just...never tells anyone how they actually knew each other. He reasons it just doesn't matter, that he can't find the right time, whatever.

Charles never really warms up to him, though he tries to hide it, but he sees the looks Simon gives Edwin, a soppy smitten look that is somehow worse than anything Monty or the Cat King ever tried with Edwin because of all of them, Simon arguably knows the most about like Edwardian courting. That, like Edwin, Simon has also survived hell. Charles hates the idea that someone could potentially understand Edwin more than he does.

He hates it so much that nothing further happens between him and Crystal because the idea of Edwin being left alone with Simon bothers him so much. He sees Simon adjusting Edwin's collar one (1) time and it makes him feel sick.

And then there's the fortune-teller.

They only go to her sometimes for cases because she never fails to freak Charles out but her prophecies tend to be accurate like 60% of the time which is pretty good for a fortune teller. She looks at the two of them at the end, because it is just the two of them for once, and then looks just at Edwin.

"How kind you are," she says, the words a compliment but the tone snide. "To house your killer. Pray tell it doesn't come back to you."

"What." Charles says. "The fuck."

Charles is furious, of course, and it takes Edwin a long time to talk him out of smashing Simon's face in with the new cricket bat.

"He's like me," he insists in that quiet but firm voice. Charles wants to scream that Simon is nothing like Edwin - that he doesn't have a fraction of Edwin's kindness or pissiness, that his blue eyes are not nearly as beautiful as Edwin's green - but before he can even open his mouth, Edwin continues. "He...He likes boys, Charles. He likes me."

Oh. Oh.

Charles stares at Edwin who is looking back at him, trying and failing to hide the fact he's terrified, and Charles doesn't give one shit that Edwin likes boys because he's his best mate forever. He's still pissed that Simon is apparently staying but he has to hug Edwin at that. "I'm still pissed you didn't tell me about him," is all he says, swallowing back the other words he wants to say.

Charles grows even more paranoid about Simon being around, who has to get used to the fact that Charles takes to swinging his cricket bat ominously every time he comes within ten feet of Edwin. He finds out that adjusting clothing was an Edwardian courting thing and wants to break something. The very idea the very person who killed his best mate is now trying to put the moves on said best mate pisses him off.

It also makes him think of numerous times Edwin had readjusted his collar or jacket in the past and it makes his non-existent stomach flip.

Eventually, Simon decides he's ready to move on to his after-life and Charles keeps his hands from fisting when he looks at Edwin with that same soppy look. He knows Edwin has forgiven Simon by now but Charles has always been better at holding a grudge and he knows what is going to come out of Simon's mouth before he even asks. He knows that if Edwin says yes, he won't stop him.

Charles also knows that if Edwin does, there is no way he is going to find any kind of his own afterlife.

"You could come with me," Simon says hopefully and the moment after is the longest in Charles' life.

"Thank you, Simon," Edwin says kindly and Charles has to keep himself from crying. "But I have no interest in going anywhere without Charles."

He steps back - away from Simon and back towards Charles. Ears suspiciously pink, Edwin links their hands and they watch as Simon follows the Night Nurse.

[english-history-trip]

Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.

The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.

Paolo Uccello, 1456

This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10

Horse thoughts: Maybe if I look at the ground it will be gone when I look up

Unknown artist, c. 1505

This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10

Horse thoughts: I am so glad I wore my mightiest feather helmet for this

Raphael, 1505

We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael

Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ

The Beauchamp Hours, c. 1401

We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10

Horse thoughts: Dehhhh

Book of Hours, c. 1480

Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10

Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening

Final dragons put behind this Read More for your safety:

Rogier van der Weyden, c. 1432

I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10

Horse thoughts: i got my hed stuk in a jar and now it is this way forever

Unknown artist, c. 15th century

I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die

Horse thoughts: I Have Smoked So Much Crack

Book of Hours, c. 1450

Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away

Horse thoughts: I Have Smoked So Much Weed

Book of Hours, c. 1415

This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10

Horse thoughts: ....yikes

And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road

Horse thoughts: Perhaps it is we who are the buttholes.

[inkskinned]

before you know about women, you hear that you do not need to love the man, just that you need to love him through his manhood. which is to say you have seen the future painted in lamb's blood over your eyes - how your mother shoots you a look about your father's inability to cook right. how your aunt holds her wineglass and says i'm gonna kill em. men, right! how your best friend bickers with her boyfriend, how she says i can't help it. i come back to him.

you learn: men are gonna cheat. men aren't going to listen when you're talking, because you're nagging. men think emotions are stupid. they think your life is vapid and your hobbies are embarrassing. men will slam things, but that's because men are allowed to be angry. if you get loud, you're hysterical. if a man gets loud - well, men are animals, men are dogs, men can't control their hands or their eyes or their bodies. they're going to make a snide comment about you in the locker room, about your body, about how you're so fucking annoying. you're going to give him kids, and he will give you the money for the kids, and you're going to be running the house 24/7 - but he gets to relax after a long day, because his job is stressful. the man is on stage, and is a comedian, and says "women!"

and you are supposed to love that. you are supposed to love men through how horrible they are to you - because that's what women do. that's what good women do. wife material. your father even told you once - it'll make sense when you're older. it was like staring down a very lonely tunnel.

it feels like something's caught in your throat, but it's all you know, so. it's okay that you see sex as a necessary tool, a sort of okay-enough ritual to keep him happy, even though he doesn't seem to care about happiness as-applied-to you. it is relationship upkeep. it is kissing him and smiling even though he didn't brush his teeth. it is getting on your knees and looking up and holding back a sigh because he barely holds you as you panic through the night. it's not like the sex is bad and you do like feeling wanted. and besides! he's a man! like... they're another species. you'll never be able to actually communicate, right. he isn't listening.

you just don't get it. you don't feel that sense of i'm gonna climb him like a tree. mostly it just feels fucking exhausting. you play the part perfectly. you smile and nod and are "effortlessly" charming. and it's fine! it's alright! you even love him, if you're looking. you could have good life, and a good family, and perfectly happy.

in the late night you google: am i broken. you google i'm not attracted to my husband. you google i get turned on by books but not by him. you google how to get better in bed.

the first time he yells at you, it almost feels like blankness. like - of course this is happening. this is always how it was going to end up. men get angry, and they yell, and you sit there in silence.

you mention it to your friend - just the once - while you're drunk. she shrugs and says it's like that with me too, i just try to forget and move on. men are always gonna hear what they want to. pick your battles and say sorry even though he's in the wrong. you play solitaire online for a month. you go to your therapist appointment and preach about how you're both so in love.

after all, you have a future to want. nobody lied about it - how many instagram posts say marriage is hard. say real love takes work. say we fight like cats and dogs but the best part is that we always make up. how many of your friends say happy anniversary to the best and worst thing to ever happen to me. if you really loved him - loved yourself too - you'd accept that men are just different from you.

the first time she kisses you, it's on a dare at a party. something large and terrifying whips through your body. you wake up sweating from dreams where her mouth is encrusted with pearls and you pick them off one by one with your teeth. fuck. you sit at the computer and your almost-finished game of sim city. you think about your potential perfect life and your potential future family. you google am i gay quiz with your little hands shaking.

you delete each letter slowly. you don't need to love him. you just need to keep going.

[kittyfrisk9]

IdeaDpxDc—There are better ways to meet someone.

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Dead On Main. Soul mates.

---

"Exactly... what does this ring do?" The shining ring was still attached to his finger. This wouldn't worry him if it weren't for the fact that, with each passing minute, the ring emitted more light, and that can't be good.

The cult leader refused to speak. He wouldn't even look at him, seeming particularly attentive to the material the floor was made of. Very funny that now he was scared of him when, an hour ago, he was giving a very cliché speech about how humanity was doomed because it would summon the evil of evils.

It wasn't very smart of him to perform his summoning precisely in Gotham City, home of the Dark Knight.

Red Hood was getting impatient. He placed the hand without the ring on his weapon; if words didn't work, a real threat to his life would. And this didn't really break Bruce's 'no killing' rule because the gun was only loaded with rubber bullets. However, just as he was about to advance and shoot the guy, he saw Batman grab the leader's tunic collar and lift him up.

The man, of course, screamed in fear. "Speak, what does that ring do?" No jokes. Batman's voice was deeper than usual, showing that he was upset, no, rather angry.

Or worried, but Jason could never consider that possibility. For the moment, he was only surprised, although it didn't show through his helmet.

"I-I don't know," the leader replied. Poor guy, he seemed about to cry. Batman, not content, tightened his grip even more; he wasn't willing to tolerate a lie this time.

Red Robin raised an eyebrow. "You managed to gather a bunch of magical artifacts for your summoning and you don't know what they do?"

The man looked away. "No..." The rest of the cult members also looked away. Very brave and stupid of them to all agree to lie to the bats. Jason himself wanted to mock them, but the ring kept shining. He couldn't mock when the ring kept shining and he didn't know what it meant.

From the communications, Robin could be heard. "Tt, this wouldn't be happening if Hood hadn't put on the ring." Jason suppressed a growl.

"Kid, I didn't put on the ring. This thing stuck to me the moment I touched it." It was true. In the middle of the operation to stop the ritual, Jason had pulled the ring, which at that moment was a kind of necklace by the chain that ran through it, from a member who was wearing it. The ring in his hand began to glow and suddenly teleported to his ring finger, then stopped shining. It was when everything calmed down that the ring began to release a different, but constant light.

Approximately ten minutes have passed since then, he thought as he looked at the ring, ignoring all the magical stuff; it was actually a very simple ring. Suddenly, the ring began to blink.

Oh, no. That couldn't be good.

Batman, fed up with the leader's silence and his followers, threw the man meters ahead. "Oracle, call Zatanna now, we need more information about the ring," he ordered as he approached the man who was in pain from the fall. The guy, terrified by the violent aura of the Dark Knight, tried to retreat.

Finally, Nightwing stepped between the man and the brutal beating he would receive if he didn't speak.

"It's okay, B, calm down." With his hand on his father's shoulder, Dick tried to ease the atmosphere. "I understand your concern. We are all worried about what the ring might do to Hood. But we can't let fear and anger control us. Hood is important to all of us. He is our brother, your son. We can't lose our cool now. Let's call Wonder Woman. If no one wants to talk, she can help us with the lasso of truth."

Total silence. Jason didn't know what to say; he didn't think his family would react like this over a blinking ring. That is... he doesn't know. Suddenly, the ring's light began to blink faster.

Batman, after Nightwing's words and seeing the change in the ring, understood that he couldn't waste time with someone who wouldn't talk. "You're right, thank you Nightwing." Looking at the others, he said: "We need to act quickly, we don't know the effects the ring might have on Hood. We need to take him to the cave for a thorough analysis, no discussions." The last part he said looking at Jason. "Until then, don't try to take it off or use it."

Jason scoffed, as if he would.

"Oracle, you heard, call Diana. Red Robin and I will take care of the rest of the cult. Nightwing, take Red Hood to the cave." Batman began giving orders as he reached the leader and began dragging him towards the rest of his cult. The leader, in a failed attempt, tried to resist. "Agent A, please prepare a stretcher. Understood?"

Everyone nodded.

On the other hand, the touching speech and the strange family moment of the bats seemed to soften the heart of a girl from the cult, who in a whisper said: "The ring, nothing will happen to him." Although she spoke quietly, everyone present heard her.

The leader, panicking that the information would be revealed, exclaimed: "Catrina, shut up!" However, he was struck by Batman, who was already fed up with the guy.

"What do you have to say about the ring?" he asked.

The woman hesitated to speak. "We thought of using the ring to subdue the king of the dead and make him listen to our orders..." She paused, not knowing how to continue. "There is a real legend about the ring. A long time ago, a witch wanted to know who her soulmate was, so she created the ring. This allows one to be guided to their soulmate through the red thread. I think everyone already knows what the red thread is." Nervous, she looked around. Only Nightwing nodded, and that was enough for her to continue telling. "Well, the witch's red thread connected with a prince. Unfortunately for everyone, the prince was not happy that his soulmate was a witch. So he had her killed." The girl looked at her hands; that part of the story was sad. "The witch was angry, but still wanted her soulmate to accept her, so she rewrote the ring's original purpose. It was no longer something that united you with your soulmate, but now it was something that allowed you to subdue your soulmate... uh, this." She pointed to a book that was lying in a corner. "With another spell, in fact, it can be used to subdue anyone, even a king of the dead."

With the whole story already told, Red Robin asked: "So, what is the ring doing to Red Hood?"

"It's tracking his soulmate. I... didn't get to put the other spell on it. I could only activate the ring's primary function. Your brother will be fine."

That definitely changes things. Jason swore he could hear his heart beating. A soulmate, wow. He admits he's read many romance novels and maybe once dreamed of it, but for it to actually happen, wow.

Suddenly, the ring stopped blinking. Five seconds later, everyone saw a red thread shoot out from the ring's gem. It quickly moved in one direction, went through the wall, and kept going. The process was like a fishing rod when it catches a fish.

"Does this mean it already found its soulmate?" Red Robin asked. Astonished by the red thread, he tried to touch it but his hand went through it; apparently, the thread was intangible to anyone else.

"Yes," the cultist also seemed astonished.

Jason felt a look on him, turned, it was his brother. Oh no, not that look, he knew that smile; Dick would tease him so much in the coming days. For his part, Batman sighed in relief. Well, it wasn't such an extreme danger, but it was still dangerous. "Agent A, cancel the stretcher." He never imagined this would mean a soulmate case. "Oracle, don't cancel the call to Zatanna or Wonder Woman, we need to verify the information. We'll stay here until the police arrive."

How nice it would be if everything ended like that, right? With Dick joking with Jason, Tim analyzing the thread, Barbara laughing at the turn of events, Bruce relieved and Damian surprised. However, one must remember the story.

The witch changed the ring's original purpose. Unexpectedly, the thread began to retract, as if it had caught something. It did so so quickly that Jason grabbed his hand in pain. It was then that everyone had a bad feeling. The wall the thread had previously passed through suddenly exploded, the noise and dust alerting everyone, especially when once the chaos disappeared, something horrific could be seen.

An arm. A fucking arm. Apparently freshly torn from its owner. Oh, no. What did it do to his soulmate?

...

Somewhere else in the world, somewhere in the United States, Danny gasped in pain. What the hell? What was that? Ancients! Where is his arm?

---

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Edited on 06/21/2024 - Note two: Thanks to redflagshipwriter, who continued this idea below. And to Sakuravalelp who made me laugh with the complement.

[thebearer]

please please please need a part two of the fight blurb 😭 what happens next 😭😭😭

should i make it into a full fic omg?? maybe?? lol

but on the real, i think that he would have to take a leave from the restaurant, which truthfully, everyone needed. this is just what broke him. the one time he actually tries to deal with his shit and not just blow up, get embarrassed, try to make it up, and repeat the cycle with no real change. i mean, you took his babies? anchovy and teddy. you're not returning his calls. richie, fak, and sweeps are alternating wellness check watches because they're terrified he's going to hurt himself, especially after the way he spiraled when he found your wedding ring.

he knows where you're at. he managed to become technologically savvy all of a sudden and figured out how to see your location, that you shared with him when you first started dating. fak wouldn't let him take his car. richie had put him on a full blown "psych ward type shit" lockdown until he "got his shit together, cousin".

"richie said-"

"-richie's a fuckin' moron, give me my fucking keys, fak!"

"carmen," fak frowns. "i-i can't."

so carmen walked. he walked to sugar and pete's house. nearly an hour walk through chicago. smoking so much he felt sick.

pete answered the door, face falling as soon as he saw carmen.

"carm, h-hey, man-"

"-where is she?" carmen wasn't interested on any sort of small talk, tunnel visioned to get to you.

"uh, i-i don't-"

"-pete, i really don't want you to fuck with me right now, alright." carmen took a deep breath, throat burning with tears. "i need to see- i-i need to see her pete." he couldn't bring himself to even say your name.

a tiny meow came from behind pete, anchovy skippering towards carmen with bright eyes, tail raised. it made carmen's jaw clench, tears blurring his vision. he knew you had to be close by. looking at the time, you were probably feeding teddy, maybe putting her down for a nap. he should have been more considerate, came later in the day, carmen thought.

pete looked at the cat, down the hall, then back at carmen. "carm..." pete hesitated, gripping the door, letting it shut gently, shielding something behind him. "you know i can't."

"what the fuck? pete that's- just let me in." anger surged through carmen's chest, trying to swallow it down. all he'd been was angry. angry and sick and distraught, a never ending cycle for weeks, just amplified by your leaving.

"you want to get her back? quit actin' like a goddam baby." richie sneered one night, just days ago, when carmen was especially awful and mean. "quit actin' like this isn't your fuckin' fault. like you didn't do this to yourself. take some fuckin' accountability, grow the fuck up, and get your motherfuckin' shit together. and maybe-maybe you'll get your family back."

carmen turned, running a hand over his face, trying to calm himself. keep himself from crying, from screaming, from pushing pete down and running back there so he could see you himself- throw himself at your feet and beg for forgiveness.

"pete, please? please?" carmen's voice wobbled, breaking gently. "please l-let me talk to her. just let me- let me tell her i'm sorry. don't-"

"-carmen?" sugar's voice came from behind pete. her face dropped, different than pete's, her's was angry. "what the fuck are you doing here?"

"why do you think i'm here, natalie? huh?-"

"-oh, you've got a lot of fucking nerve showing up here." natalie sneered, pulling the door open and stepping out. "pete, go inside."

"nat-"

"-i got it." natalie hissed, eyes narrowing at carmen. she waited until pete left, shaking her head at him. "you should be fucking ashamed-"

"-i am-"

"-mortified." sugar continued. "do you know what i came home to the other night? i came home to pete taking care of your baby because your wife came here sobbing- sobbing, because you screamed at her? what the fuck is wrong with you? huh?"

"i don't know." carmen's voice was tight, fighting a tremble. "i-i don't fuckin' know. i didn't- i-i didn't mean-" a tear fell, the final crack in his demeanor. carmen wasn't sure how he had tears left, how he could sob anymore. yet here he was, on his sister's porch, tears flowing again.

sugar didn't comfort him, didn't move, just watched him through glaring eyes. "please let me s-see her. let me se-ee teddy, sugar, don't-don't keep my kid from me-"

"-i'm not keeping your kid from you." sugar snapped. "i didn't take teddy away. you know who did? you. you did carmen."

carmen flinched, he knew it was true but it still stung. "i know you don't remember dad very well, but you're acting just like him." sugar sneered.

"and before you try and come up with an excuse-"

"-i-i'm not-"

"-i want you to know, that every day. every single fucking day, there's days i want to drink myself to sleep. that mj or maggie make me want to pull my hair out and scream, or pete does something that infuriates me, but you know what i don't do?" sugar stepped towards carmen, arms still crosses. "i don't yell at them, i don't drink myself incoherent, i don't fucking act like mom or dad because i know how that felt." sugar jabbed a finger in her chest, eyes holding carmen's gaze intensely.

"i know how that fucked me up, i know how it fucked them up, how it fucked you and mikey up too- how it fucked everything in our fucking life up!" natalie laughed humorlessly. "and the last thing, the very last thing i would want, is to do that to pete, to my kids, to anyone."

carmen felt sick and yet eerily calm all at once. his chest was tight, he was sure he couldn't breathe, but he couldn't stop listening. a damning realization- a shameful one.

"you need to make up your mind, right here, right now, before you see anyone else." natalie stepped back towards the door. "you need to decide if you're going to continue to be a selfish piece of shit, or if you're going to change. and i can tell you, change is uncomfortable- it's not easy. you have to fight for it every single day. but i would rather do that than not have my family."

she looked down at carmen, twisting the knob. "you decide that, then maybe- maybe you can see them." carmen flinched at the door slamming behind her, not moving from his place on the porch, head in his hands.

fak showed up nearly an hour later, wide eyed and rambling about "how the fuck did you just leave? i was playing ball buster and-and then you're gone-"

carmen ignores him, sliding into the car slowly. "carmen?"

"you uh," carmen's voice is hoarse, staring straight ahead. "you said that, uh, that richie's got.... got someone for me to talk to?"

fak blinks, nodding slowly. "the therapist? yeah-"

"-take me there." carmen looks over at sugar's house. he isn't sure if it's his imagination or not, but for a moment he swears he can see you, peeking through the blinds.

"a-are you ok?" fak is worried, a little rattled at the sudden change. especially since carmen had been so adamant about not seeing "your stupid fuckin' therapist, richie, clearly she's no fuckin' good because look at you! you're still fucked up!" carmen's enraged words from days ago.

"no," carmen admits, throat swelling with a growing lump. "but, uh, i-i wanna be." he admits quietly, looking over at fak. "i gotta get my shit together, fak. i-i gotta be better for them."

fak doesn't deny it, doesn't console him. just goes quiet with a nod, driving away. carmen watches sugar's house disappear in the rearview, his heart aching, breaking, but he knows natalie is right. he knows he'll be back once he's better, that he has to be better. for teddy. for you. for your family.

[dunmesh]

can't stop thinking about dungeon meshi btw. how it comes down to being able to appreciate the hard and painful times because of the moments of happiness you experienced along the way.

it's about falin being able to forgive and look beyond the harsh way things were done- be it their father announcing he will send her away from the village or laios leaving her behind- partly due to her personality, and how she used to prioritize her loved ones' needs and emotions over her own, but also because of the positive impact that road eventually had on her. she knows her family was trying to protect her but what truly made it impossible to regret the path she had to take were the precious memories she made later on- it was learning magic and seeing new places and becoming friends with marcille and of course she couldn't hate it all, she was happy. it's about laios feeling so utterly miserable because on his end, it seemed like nothing good or enjoyable happened to him after leaving home, aside from the letters written by falin. but how long can a child be satisfied with another's happiness which he never got to experience himself?

so it really is beautiful that the series started off with him realizing that this journey allowed him to finally feel that happiness he was yearning for-

-and ended with everyone else realizing it too. when you first read chapter 11 it's just a funny gag about people not understanding laios, but it genuinely was too early for them to share his sentiment. they needed to come to terms with it on their own, with chilchuck opening up to them and senshi resolving the hovering mystery of his past and izutsumi freeing herself and joining their party and marcille facing her greatest fear. the winged lion was taking advantage of the loneliness and anger and pain lingering in laios's heart, but even it couldn't deny this. how, despite everything, he couldn't be satiated and his own happiness couldn't be complete without his friends' happiness too. how it was always about everyone enjoying a meal together.

and then there's marcille, who refused to admit it until the very end. it's in the way she had such a hard time fully accepting eating monsters despite how tasty she found them, not just due to how weird they were but also because she tried rejecting and burying her own pleasure and joy during this entire journey. from the very beginning, she was only willing to endure the pain and suffering.

as if she couldn't accept feeling an ounce of comfort, satisfaction, let alone happiness while falin was suffering on her own. and it might've been laios's reaction as well if all of this had happend a decade ago- i mean, that's exactly what he did back then. blaming himself for leaving her behind, being tormented by her loneliness and absence while falin was actually slowly moving towards a brighter future. it was him that was stuck, not her. but he kept focusing on her pain to ignore how deep the hole in his own heart had become, consumed by guilt to ignore his own agony, or to make sense of it- because maybe he did deserve it after all he had done.

and for that reason marcille was so terrified of admitting there was warmth in what she considered the depths of hell. because it would mean accepting falin going ahead of her and leaving her behind, accepting the inevitable she was trying so hard to deny and the end of her dream.

but it was learning there's joy even in her worst nightmare that allowed her to finally embrace those moments of pleasure that made her life worth living, however short they were. she realized that her pursuit would take away the things that truly mattered to her, that if she had succumbed to her fear of loss she would've been the one hurting her loved ones, just as happened to thistle. laios asking her to use ancient magic for falin's resurrection and then encouraging her to not give up on her desires during the nightmare chapter was a direct parallel to delgal being the one to push thistle down the road of destruction, while both marcille and thistle were trying to protect the people most important to their friends.

but in marcille's case, laios was able to understand her at the end, pulling her back just before she descended to complete ruin. it's truly fascinating how the story is not only about laios being understood but also getting to understand others properly, deeply- it's about mutual understanding, the balance between two people he never managed to maintain before. and i think it's only after seeing thistle's tragedy that he was able to fully realize what might become of marcille down the line. so while delgal put the weight of the world on thistle's shoulders, laios was the one to tell marcille she doesn't have to do that. because even if falin's resurrection hadn't succeeded, they both already know- there's happiness even in the dungeon's pit. and it's by preparing a hearty meal made of her loved one's remains that marcille was able to truly accept it- thus allowing herself to enjoy it to the fullest, embracing the cycle of life, no matter how weird or painful or grotesque it is.

[azrielbrainrot]

Silent Voices Speak

Pairing: Azriel x F!Reader

Description: Both you and Azriel find yourselves with some sleep related problems. Who would have thought you could be each other's remedy?

Warnings: barely any angst

Word Count: 3400

Notes: I can't believe it took me so long to write a new story in the healer!reader universe, they're my first babies. Hope you enjoy!

Healer!Reader Universe Masterlist

The killings hadn't stopped. The, by now, tripled security slowed them down and allowed the Inner Circle to be made aware of any disturbances quicker, and the bodies hadn't been found by any innocent civilians since then either, thankfully saving a lot of fae from having to witness such gruesome sights, but the killings hadn't stopped.

Your research has given you some clues as to the motives behind the murders, though you still can't fully understand the ritual behind them. None of the information you've gathered has helped in stopping them from happening or finding the people responsible for them. Amren has traveled to the Day Court and is now searching the High Lord's extensive libraries to try and find more information on a lead she got but, for now, there wasn't enough to make anyone feel safer.

The streets of Velaris felt lifeless, bars and restaurants closing earlier than usual given the unofficial curfew every fae seemed to have set for themselves. The City of Dreamers, heart of the Night Court, was scared of the dark. Apart from the killings, that was what weighed the heaviest on the Inner Circle's minds.

Feyre and Rhysand had been forthcoming with information, letting the public know they were actively searching for the killers and sharing some of the details as a means to stop the rumors that kept going around that were only exaggerating the already awful murders the more they spread. Of course, they'd been careful not to reveal any of the more gruesome details, or the fact that everything pointed to the murders actually being sacrifices to what could be an old God or even worse.

Those had been the details keeping you up at night as you were now, sipping on chamomile tea in hopes of relaxing your body enough to get some sleep without any unwanted thoughts filtering through and spoiling it once again. You wanted to help as much as you could, and weren't considering talking to Rhys and backing down as Azriel had suggested multiple times, but you weren't used to witnessing this much cruelty, not like this.

When you'd been stationed as a healer during the war, you saw a lot of awful things, some of them you won't ever forget, but this felt different. Everything about these killings and the motives behind them had set off every alarm in your body.

The cup was empty before you realized, bringing it up to your mouth only to be met with nothing. You let out a sigh and look over to the comfortable bed, knowing you had to at least lay down and try to fall asleep, no matter how frustrating it was to toss and turn for hours on end or get woken up by terrifying dreams. At least this bed was a lot more comfortable than the one you had at home, it almost made you want to ask Rhysand where he got it from although you probably would never be able to afford it.

You're not entirely sure what brought it on but, after coming back from yet another fruitless mission, Azriel asked you to stay in the townhouse with him. You tried to decline, not entirely comfortable with staying at the High Lord's house indefinitely. You've spent some nights up in the House of Wind when you were helping with research, but this was different. You didn't want to take advantage of Rhysand and Feyre's kindness, but Azriel insisted, a tormented look you weren't used to seeing painted in the shadowsinger's face, and so you ended up accepting.

Just remembering your talk that night made you feel hopeless, wanting nothing more than to make him feel better and take some of the unbearable weight off his shoulders somehow.

“I'm not sure this is necessary,” you try to reason with him, “There haven't been any attacks in the city, with so many eyes on the streets it would be impossible.”

“It also seemed impossible for them to be able to hide for so long but even my shadows are blind to them.”

“I can't stay at my High Lord and Lady's home."

“I can't sleep not knowing you're safe,” the admission feels heavy between you, prompting you to study his face carefully, taking note of the fear and desperation behind his request. “I wouldn't forgive myself if something happened to you.”

“Azriel…”

You don't know what to say, not sure what this means for the two of you.

“Please.”

But with that little word he convinced you, not caring if it was Rhysand's house you were going to sleep in, or anyone else's, as long as it made Azriel feel at least a bit more at ease.

Your relationship has been changing ever since that fateful night when he kissed your cheek goodnight. It's a silly thought even now, that something so inconsequential as a peck to the cheek would end up meaning so much for the two of you.

Ever since that day your talks have gotten longer and more frequent, Azriel has also flown you to and from work a few times, has taken you on multiple outings that you can only classify as dates at this point. But things hadn't gotten further than that and more chaste kisses on the cheek.

The timing wasn't right. Not with everything that has been happening and the troubles filling both of your minds, the long hours Azriel had been putting his body through trying to find even the smallest clue about these murders, and your assistance in any research the Inner Circle needs as well as providing mental and physical aid to a terrified city.

Your feelings for him were impossible to deny - even though you've certainly tried to when everyone else asks about him, especially your High Lady, who you've come to learn is an avid busybody, - and you were more than confident that he cared for you just as much, but the timing wasn't right, and so you've been stuck between acting like friends and so much more.

You were still thinking about the shadowsinger when your head hit the pillow, making yourself comfortable and letting your thoughts wander around warm hazel eyes and shy smiles, hopefully lulling you into a peaceful sleep at last.

Rushed murmurs and harsh breaths take you away from the soft grasp of sleep. You try to ignore them at first but as the words grow louder, you try to decipher them confused. A flurry of shadows filters into your room, flying over you when you open your eyes to try and ascertain the situation. You can barely see them with the low lights the moon rays covered by dark curtains provide, but it almost feels like they're tugging at you, urging you to get up.

The thought that Azriel could be in danger makes you leap out of bed, foregoing your robe or slippers as you follow the frantic shadows to his room next to yours. Only hesitating at the door for a moment, knuckles raised against the intricately designed wood as you considered knocking before barging into his room unannounced, but another string of groans and panicked breathing assault your ears, prompting you to open the door.

Your eyes land on the shadowsinger immediately as he lay restless on his bed, blinking a few times as you adjusted to the dim lighting, his room being even darker than yours. A small sigh of relief escapes you when you find him unharmed, although you soon realize that the noises you heard were the result of what appears to be a particularly consuming and terrifying nightmare.

He had struggled so much in his sleep that the sheets were completely thrown off, laying by his feet as his body tossed and turned uninterrupted. A light sheen of sweat covered him, telling you he'd been at this for a while. There was a familiar glint of blue on his nightstand, as Truth Teller and two of his siphons lay close by. You tried not to linger on the fact that he didn't appear to be wearing anything else aside from underwear for too long.

Some of the shadows that swirled around the room meet the ones that had brought you here, moving over you once more as if asking you to save their singer. You wanted to help them, but you're not entirely sure if you should he seeing him like this, if he'd want you to see him so vulnerable.

Aside from that, waking up someone when they were so immersed in a dream, especially a nightmare, could be dangerous and bring more harm than good. Still, you couldn't leave him like this and go back to your room, so you decide to try and call his name softly, hoping the noise or familiarity will be enough to help him wake up in a more organic way.

“Azriel?”

You hesitate in the doorway, feeling like you were already invading his space, but as another weak cry escapes him your body moves on its own. You're at the edge of the bed before you even notice, repeating his name and shaking him softly so as not to startle him too much.

The pain was evident on his face. You didn't know what he was dreaming of but you knew you had to pull him out of there fast. You've never seen him so distressed. Watching him like this felt like a chain was tightening around your heart and lungs, making it hard for you to breathe or think.

At a slightly harder push, his eyes open, one scarred hand moving to grab your wrist, stopping you from touching him, as the other met to the nightstand, finding the hilt of his dagger. His hazel eyes were open wide, clearly disoriented by not only the nightmare but also having someone in his room. You expected nothing less from the Spymaster, of course he couldn't be so easily caught off guard even in his own room, but the tight grip was becoming too much, and you knew it was bruising, not being able to stop yourself from cringing softly at the pain.

As he understands the situation, wide eyes blinking multiple times as the waking world comes into focus, he drops your wrist and pulls away from you, sitting up and almost bumping his head against the headboard in his rush.

Neither of you moves or speaks for a moment, his heavy breathing the only thing that can be heard in the dark room. You wanted to turn the faelights on, to properly check on him, but Azriel always prefered the dark, feeling much more at ease surrounded by it. In fact, his shadows had hurried to him as soon as he woke up.

When his wide gaze settles into a frown, hazel eyes dropping to your wrist, you decide to speak up. You know that look and this was not the time for any other worries that might be growing in his mind, certainly none that concerned you.

“Azriel,” you whisper, not wanting to startle him, “Are you okay?”

“Did I hurt you?”

“No-”

“I shouldn't have hurt you,” he says, more to himself than to you, haunted eyes never straying from your wrist. You had only wanted to help, but now it feels like you made it worse by coming here.

“No, it's my fault. I know better than to wake someone up from a nightmare,” you swallow, throat suddenly dry, “but it looked like you were in pain and I couldn't leave you like this.”

He seemed unwilling to listen to you, a small, almost imperceptible shake of his head the only answer he gave you as you told him it wasn't his fault. Azriel is always too aware of himself, never allows himself any mistakes, as if he thinks he has to prove himself worthy of the life he leads. You don't even want to know what's going through his head now that he's convinced himself he hurt someone he cares about.

You let out a sigh when it was clear he wasn't going to say anything or acknowledge you further, you could almost see him receding into his own mind, getting consumed by his betraying thoughts. If you had listened to your training, you might not have ended up in this situation.

Slowly and very carefully, you move closer to him, giving him time to push you away or stop you if he wanted to. You only stop when your bare knee brushes his thigh, the warmth of his skin spreading through yours. Reaching for his hand, you interlock your fingers and squeeze softly, his eyes finally meeting yours.

“I shouldn't have grabbed you like that.” The pain was evident in his face, and it hurt you far more to think he was beating himself up than your wrist ever did. “I'm sorry.”

“There's no reason to be sorry,” you smile up at him, trying your best to soothe him, “You were disoriented and moved to protect yourself, that's all.”

He still looks unwilling to let go of his guilt, but you can see him settling back into himself, his usual calm expression falling over his beautiful face. He lets go of your hand in favor of cradling your wrist, carefully inspecting it as if he was looking at a broken bone and not at a bruise that would be completely healed within the hour. Caressing the soft skin with his thumb lightly, the scarred skin and affection behind the movement causing goosebumps to erupt.

“You didn't answer my question. Are you alright?”

Azriel looks up at you then, a conflicted look falling over his face once more. It seems he had been too focused on your wrist to remember the nightmare, and the fact that you'd seen him like that. You're almost positive he hates the fact that you've seen him like that even more than whatever haunted his nightmares. He's always been an extremely private person, so you can't even imagine what it feels like for him to be seen in such a vulnerable light by someone he barely knows.

“Did I wake you?”

“No,” the expression on his face telling you he doesn't believe it, “You didn't. I've been finding it hard to sleep with everything that has been going on.”

“You're safe here.”

“I know, I've just had too much on my mind.” It feels like you're doing this wrong, you're the one that should be worried about him, not the other way around. “Your shadows came into my room and I heard movement so I came to check on you.”

Disapprovement flashes in his eyes, directed at his shadows of course. You'd find it adorable how he treats his shadows like misbehaving children if it weren't for the situation. Hopefully he won't be too harsh on them, you can almost feel the lecture coming. You're not entirely sure how much they can feel, if they can at all, but they had done good in going to find you, even if Azriel reprimanded them for it.

“I didn't know they could do that without you being conscious. They were very helpful,” you smile down at the dark wisps stationed over his shoulders. He clearly didn't agree with you, a soft scoff escaping his lips, but you hope this is enough for them to know they can come to find you in this type of situation from now on. You don't want Azriel to suffer on his own when you're there for him.

“Thank you,” you look up at him in surprise, “You didn't have to come. It was only a nightmare.”

It's not as surprising that he doesn't want to tell you what the nightmare was about, or even change the subject. If he wants to pretend this never happened come morning, you're more than welcome to oblige, as long as he feels better and knows you're always ready to lend a helping hand.

“You can come to me for anything, Azriel,” your hand finds his once again, thumb caressing the scarred skin on the back of his hand. “I'll always be here for you.”

He holds your gaze in an intense stare, the swirl of emotions written in his eyes becoming almost too much to bear, and still you're unable to break away from the all-consuming hazel. It seems like the world stops around you for a moment, and there's only you and him.

As your surroundings return slowly, you suddenly become too aware of the position you're in, of what it would look like if someone walked in. They would find you sitting on his bed, right next to him, lost in his eyes, hands clasped together between you, disheveled hair and half lidded eyes. The lack of clothing only added to the sight, you had never been so conscious of how short and thin the nightgown you wore to sleep was. You can only be grateful that Azriel doesn't sleep completely naked, though his underwear barely leaves anything to the imagination, and your imagination is desperate to run wild.

Heat rushes to your cheeks as the thought settles in your mind, clearing your throat softly to try and break yourself out of those thoughts. Looking up at the suddenly captivating pattern painted on his dark navy walls when his gaze becomes too much. You could swear you saw the corner of his lip rise as he likely noticed the effect he had on you. This was a good thing, it was like the Azriel you're used to, but you needed to get back on track.

“Do you think you can go back to sleep?” You try to untangle your fingers from his but he holds onto your hand, unwilling to let go of you just yet. “I can get you some tea to help you relax if you can't, or maybe we could go for a walk instead?”

Tiring him out could be a good idea, although his body is probably beyond exhausted from the long hours he's been putting himself through. Maybe tea was the best option.

“Can you stay with me?”

His words cut through your racing thoughts, your lips parting in surprise. You had half expected him to kick you out of his bedroom when he came to, inviting you into his bed was the last thing you would have seen coming.

“What?”

“I think I can sleep if you stay,” he whispers, “but if you don't feel comfortable-”

“I don't mind staying,” you rush to assure him with burning cheeks, thankfully matching his own, “You just caught me off guard that's all.”

Azriel offers you a tired smile and, with a wave of his hand, fixes the sheets, moving to the middle of the bed so you have enough room to settle next to him. Your movements are painfully awkward as you lay down next to him, all too aware of every inch of your body, heart beating out of your chest.

While you're in the middle of deciding how to safely position your hands, stiff body frozen in place, he takes matters into his own hands, an achingly fond smile playing at his lips, his hand falling to the small of your back and pulling you in closer to his body, his scent enveloping you.

Azriel closes his eyes, breathing out a soft, “relax.” Your hand finds his chest, body slowly but surely melting into him as you do as he says and will your mind to stop wandering. Letting the soft beats of his heart calm yours, you decide to listen to your body, and fall into him, arm wrapping around his waist as you inch even closer, your chest finding his, tangling your legs until you can't know where you end and he begins. His grip on you tightens as a satisfied sigh escapes him, one heavy wing falling over your body, until you're impossibly close.

Your face now only a breath away from his, your nose bumping into his chin as he drops a soft kiss to your forehead and nuzzles into you, breathing you in. You almost catch yourself purring as you lay in his arms, completely surrounded by Azriel.

Tangled up in each other's warmths, sleep found you both easily, finally allowing you a few peaceful hours of sleep after the grueling weeks you've endured.

[maxwell-grant]

There's a trend people have pointed out in superhero stories over the past 20 or so years that is the death of "regular" supporting casts, an increasing absence of un-powered sidekicks or people involved who aren't in the thick of the action or in the hero's secret. Everyone who interacts with superheroes is a couple issues away from becoming one, every story involves a supervillain encounter or several dozen, every hero's gotta have a lunchbox-ready "superhero family" made from these characters, and every side character that doesn't join them is either going to die or become a supervillain.

The defining example people use for this is Spider-Man's supporting cast, with every Spider-Man cast member short of Aunt May and J Jonah Jameson getting some kind of powered upgrade or symbiote, and I'm gonna say Amanda Waller is an excellent case study of how this kind of thing happens, and I think it helps to explain why Amanda Waller has been, Like That, for the past 30 years.

She’s wearing a grey shirt underneath a blue blazer and it’s tucked into a similarly blue skirt that stops at mid calf. She reminds me of the neighbourhood aunties I used to see leaving for church every Sunday morning.

My mom used to say that you are the company you keep. So what kind of person does it take to keep a variety of bruised, battered, and dangerous personalities in check? - Amanda Waller: DC's Most Terrifying Woman

To those of you who haven't read John Ostrander and Kim Yale's Suicide Squad, there once was a time where Amanda Waller was something more than a powerful antagonistic force able to butt heads with the biggest superheroes, and something other than a heartless establishment face out to make superheroes miserable for ill-defined reasons. Structurally speaking, Suicide Squad is a comic about marginal DCU characters forced to deal with actual real life problems, and it's central character is a marginalized person forced to deal with DCU problems and characters. The members of the Squad are a rolling parade of costumed misfits and maniacs assigned to go around the globe to fight and kill and die on dirty missions to deal with dirty laundry and stop war zones from erupting, while Amanda Waller is forced to shuffle around her cadre of D-list supervillains and disgraced superheroes and get into stand-offs with secret spy societies, living nukes, voodoo cartels, and Batman.

Amanda Waller neither looks nor acts like the kind of character that stars in a superhero comic, and she is the central character throughout the 66 issues of the run and we follow her character arc from beginning to end as she's forced to spin plates to accomplish her goals and prevent bad situations from getting worse. She is the most fully realized character in the run and everything rests on her shoulders. We spend a lot of time inside her head, her team, her associates, she is the center holding together an extremely chaotic book with no two characters on the same page. She is, and has to be, an extremely powerful person, someone who stands her ground no matter what, an unbeatable force of will because that is the only way she's going to survive the situations she's in, the only way she can be "The Wall", the kind of person who can repel Batman, command a platoon of monsters, talk her way out of Deadshot's contract, someone who can stare at Darkseid and credibly threaten the President into letting her live.

That's the part that everyone is more or less familiar. But there is, or at least used to be, much more to Amanda Waller than just being The Wall, not in the least because being The Wall is also hampering her effectiveness as well as straight up killing her.

"Amanda's toughness has taken her a long way" "It's taken her as far as it can. But it can't take her no further. It's actually starting to drag her down. I'm scared for my baby sister, rev - scared that the anger in her is congealing into hate." - Suicide Squad #31

We get to know her backstory, her plans, her points of contention with the system, her relationships with people around her, and how deeply she cares about things and people even as she sends them to the meatgrinder. From the start we learn that Waller staffs her team with people she's prone to getting into disagreements with, like Simon LaGrieve and Rick Flag, specifically so they can cover her moral blind spots and pick up the slack in emotional intelligence she's lacking, be the heroes that she can't afford to be. It is unspeakably crucial that the Squad is led by Rick Flag as well as Bronze Tiger, a fallen hero who owes Waller for his recovery who eventually takes Flag's baton. Waller stands up for her team, gets into fights with her superiors when they decide to terminate them, and takes the fall for them when necessary. Waller is a person who does Bad Things - but she is not a Bad Person.

The book in no uncertain terms frames the Suicide Squad's existence as monstrous in a scale Waller doesn't understand until the very end, and it digs deep into the unethical things Waller has to allow for and perpetrate in order to keep it running no matter how many lives it saves, and she spends the first half of the book on a downward spiral. But then there's the 2nd half of the book:

In the first 39 issues, Amanda’s flaws are her undoing. As she pushes away the people she hired to act as a balance, she grasped tighter and tighter to her uncompromised vision of the Suicide Squad despite the constant changes and derailment. Her choices had consequences: the death of Rick Flag, her demotion, employees quitting, and finally, the disbandment of the team.

The last 27 issues have Amanda rising up from the ashes after a year in jail. She’s less in her own way – she communicates, her anger isn’t driving her, she’s more receptive of alternative perspective and recognizes when she’s wrong in real time – but she’s still just as scary.

Waller rebuilds her relationships with the people she drove away, takes a different tack to how the team works, and starts going out into the frontlines with the Squad. She brings Oracle (who actually made her debut in this comic) into the fold, saves her life and plays a big role in Barbara making progress in overcoming her Joker trauma. She genuinely puts in the work to improve as a person and do things a better way than before, even if there is an inescapable immorality to the very existence of the Squad and what they do. That immorality never goes away, and it only further horrifies her when learning how badly her project has gone. In fact, it's that very inescapable immorality that ends her arc.

She learns that the CIA has started using a new Suicide Squad to support a brutal regime in South America, and when faced with the full extent of her complicity in Western imperialism? She decides right then and there to end the Suicide Squad for good after they liberate the population of said regime from said Squad. She is the only person who gives a shit about the country enough to start the assignment for free once she knows about it, force the Squad along, lead the mission in field, and personally (and even gently) usher the villain to his death at the end, to end what began with her.

She does bad things, and she does good things. She cares about people, and she uses people. Her decisions ruin as well as save the world. She spins a million plates to match wills and wits with the strongest, wickedest, most cunning humans and superhumans alike, and she still has superiors to answer to and people close to her she hires to judge her for what she does. She endured racism and misogyny and poverty for decades and rode whatever she could to attain as much power over her own life as someone like her could possibly attain, and to have it, she must be a willing tool of the state and bend the knee to Ronald Reagan, the man she derides for what he did to her community, hating every minute of it.

She lost her family to sexual and racial violence, and now she wrangles a penal battalion comprised of some of the worst people on the planet to inflict violence on her orders. She has saved and redeemed people, and she's haunted by the corpses she's left in her wake. She is oppressed and oppressor, someone who could only escape the ravages of American imperialism by becoming one of it's chief enforcers, and still she rebuilds herself into a better person from it upon confronting and challenging her role in it. She is not a bad person, she is not a good person either, she is just afforded a degree of agency and complexity unpowered characters in superhero books simply don't get.

Okay cool, now what is she up to these days?

That, I guess. That is what a strong but unpowered person who does not allow themselves to be bossed around by superheroes or supervillains looks like now. Everytime there's a call for a military bad guy, Waller gets tagged in to be DC's Henry Gyrich. There was a point where Waller was made to contrast the likes of Sarge Steel and Wade Eiling, someone who butted heads with them because she was a well-meaning person working for and committing evil as often as she attempted to stop it. These days, the most consistent beat with her is that she is the most dangerous person alive and worse than the villains she wrangles into working for her. She is a thing to be overcome, a hypocrite to be exposed, a challenge to the natural order of the universe, and she is too terrific at it to be shuffled off quietly. She is a Bad Person and so everything she says and does is Bad (and thus can be ignored).

Integral to Suicide Squad's structure was the fact that Waller was the center holding everything together, the ultimate third party: spinning plates working with, for and against all of the others so she can bend rules and be bent by them. Bent, but never broken, because The Wall doesn't break, others break first. Waller was a one-of-a-kind character, and that broke her, because beating Sarge Steel and Wade Eiling at their own game means replacing Sarge Steel and Wade Eiling. Waller doesn't look like them, she doesn't look like the superheroes either, and so she can't be one of them. She can't even look like herself a lot of the time, they try to slim her up everytime they think they can get away with it.

Suicide Squad was preoccupied with exploring a perspective from a world outside the superhero worldview, but we no longer have her perspective or that of people around her, we only know her through the superheroes she inherently defies and has had an adversarial relationship against from day one. She is someone with a viewpoint that is charitable to neither superheroes nor institutions, and thus, the universe is increasingly less sympathetic to her, the less utility she has to the grander narrative where everyone has to pick between one of two options. If she wasn't powerful and assertive, she'd be another Leslie Thompkins, another Jiminy Cricket the heroes passively ignore. But because she is powerful and doing morally compromised things without asking Batman's permission, she must have a personal grudge. She must be a government monster. She must attack the superheroes for no reason, no ideology, no motive.

So now she's just The Wall 24/7, the mean icy establishment boot who is strong and clever and cruel and hates superheroes and wants to destroy superheroes and rule the world from the shadows. Everything she does is a fuck-up she refuses to take responsability for, everyone is right to hate and distrust mean old Waller, and now everyone gets to look good by dunking on her. They couldn't make her a superhero, so they made her a generic supervillain instead. And now that she's a bad guy, she no longer has to believe anything, she doesn't really have to mean anything, they don't have to write stories about something other than superheroes and supervillains, and they don't have to let a fat woman of color take up space and screentime they could be giving to Harley Quinn and Slade Wilson instead.

Even by the time of Waller's debut on the tail end of the 80s, her career opportunities were on their way to extinction

Days Of Future Past marks the triumph of the superhero comic that's pretty much concerned with no-one but superheroes. Where Ditko and Lee's Spider-Man featured a single costumed crimefighter in the context of a commonplace existence, the X-Men of the 80s focused on a huge cast of mutants who had little if any lasting involvement in the everyday world.

By the 21st century, the corporate superhero comic would largely - if not exclusively - concern itself with little beyond a large class of superhumans and their fantastical existence. I suspect there's a significant correlation between that and the continuing cultural  peripherilisation of the superhero comic - Colin Smith

Amanda Waller is one of the strongest characters in all of comics, she was as powerful as an non-superpowered character given center stage could possibly be, a perfectly designed character from which an entire corner of a shared universe was developed out of with her as the center making it work, but as the room for civilian casts and unpowered protagonists got smaller and smaller, so did Waller's options. If she was a Spider-Man character and somehow didn't get killed or made into a villain, they would have slimmed her up and given her a symbiote, because you're nobody unless you're web-swinging. Characters didn't look or act like Amanda Waller, and unfortunately, they still don't. It's just instead of making more characters like her, they gutted Waller to be more like the rest. If she couldn't make it, who else even could.

Keep your eyes peeled for this summer when she'll team up with two meaningless robot baddies to burn down the Justice League and I guess the universe for the next reboot or something.

[sugarlywhispers]

Bakugou Katsuki is known for being a man with character, with a strong personality. A man that looks menacingly and fucking scary. Everybody knows that he isn't a man that you would want to have problems with –villains literally shit their pants every time the name Dynamight is pronounced. He is fucking terrifying when he gets mad and angry. Even his own hero colleagues and friends know that.

Some people thought that Katsuki needed a woman who was different from him. Like someone more easy going and friendly. Someone who denoted more brightness than him.

And you are exactly that. You two look so different sometimes that people don't understand how you two work things out. But what people don't know –but Katsuki does, perfectly well– is that inside you hides a person even more scary than Bakugou Katsuki could ever be.

And so there all his hero friends are, standing freeze and looking gobsmacked at how you angrily yell to a man at the restaurant all of you were about to leave. Katsuki doesn't know exactly why you are screaming so pissed off at that man, but he thinks that if you are that upset, it surely means that it is something bad. Which also means that the man probably deserves it. You know how to defend yourself, and Katsuki is fucking proud of that.

“Are you really not going to interfere?” Asks Kirishima, looking surprised and a little worried at the same time. Bakugou shakes his head smiling.

He completely loves when you show that side of yours; it is actually the very big thing he loves about you the most and one of the reasons he fell for you in the first place.

“But… I-I don't get it. What happened to our little princess?” Katsuki can't avoid laughing at Mina's words. They really don't know you the way Katsuki does.

“Was it something on the food?” Kaminari asks, kind of like hiding behind Todoroki, the latter watching the altercation with big surprised eyes.

“He wished that was the reason,” says Sero when he comes back from where you are standing, still yelling at the man. “He was selling information about us, and our whereabouts. Apparently, the idiot also took some pictures and was selling them too.”

Katsuki crosses his arms over his chest and grins. So that is why you are that pissed... You are defending him and his friends.

Fucking cute, is what you are.

All of them look at Bakugou dumbfounded. And him? Well, Katsuki looks fucking proud of you.

“Go home, guys. This may take a while,” he says, not taking his eyes out of your still yelling little form.

“Are you sure? Don’t you want us to stay and help you ease things down? She looks pretty… upset,” Deku says sincerely, even though he looks kind of afraid of you. HA. Not even fucking Pro Hero Number 1, Deku, is immune to your terrifying side.

Everyone is a little afraid, and Katsuki smiles proudly at that.

“Nah, I can handle it. I'll see you guys tomorrow.”

Everyone says their goodbyes leaving him standing there in silence, watching you proudly and with amusement.

It took almost half an hour later until you released all your anger in the form of words to the man. With one last not so pretty word to him, you turn around and walk to your waiting boyfriend.

Katsuki's smile is so freaking big, you think it may break the skin of his cheeks. “Finished already? I thought it would take longer than that…”

“Did you know what he was do-ing…” You start a bit heated, but his arms surrounding you by the waist and pulling you to his chest calms you down immediately.

Even though you don't quite finish the sentence, Katsuki already knows what you are talking about, “Yeah, Sero told us what happened.”

He rocks your bodies slightly from side to side, hands caressing your back in a comfort, soothing touch. You don't understand what or why he is doing it, but you aren't complaining either. You love being in his arms.

And Katsuki loves the way he can calm you down just with one touch from him –just as fast as he does when you hold him.

He hugs you tightly and then kisses your forehead, hanging his lips there for a moment.

You snort, a delicate amused breath that collides with his neck and makes his body tingle.

“What is this? A kiss to calm the beast?”

He chuckles, “It's a kiss that shows how much I love you.”

And that shows how proud he is that you are as scary as him. Or even more than him.

a.n; lol this is actually something that happened to me once.. i'm suuuuuuuuch a short tempered minion sometimes it even pisses me off LMAO and then i have the audacity to question why i have favs like bakugou and sanemi oops>.<

[ikarakie]

after everything, after all the adrenaline dies down, steve collapses one day whilst helping out at the school. the doctors say it was a delayed reaction, all his injuries finally catching up to him. the stress of everything making his stubborn ass keel over and finally give in.

everyone's fucking terrified. eddie and max are already in hospital beds, though at least they're awake. luckily lucas had been by steve's side as he fell and stopped his head smacking against the linoleum. for a fourth or fifth time.

the doctors assure them all he'll be fine. it was just exhaustion, his body needing some time to recover. there's nothing to worry about!

though when he wakes up, something is fucking wrong. robin tells everyone as much through tears, how he'd woken up and asked who she was. that all he knew was his name and basic information about himself.

dustin is beside himself when steve does the same to him. he'd held onto this hope that he'd be different. steve was like his brother, of course he'd remember him, right?

but no. no, the only person steve seems to remember is eddie munson. not only that, but he's convinced they're dating. won't listen to anyone who tells him otherwise. it's all a bit much, no one really knows what's happening with him, if he'll ever remember them. the case is forwarded, with vague promises that they would do whatever they can. but they needed the bed, so he can't stay.

when he's discharged, he beelines for eddie's room. he's in there and by eddie's side before anyone can even fucking blink, or attempt to stop him. eddie lights up seeing him, then dims a little, asking if he's okay, asking why he's up, if his head hurts at all. (dustin had kept him informed, but neglected to mention the whole 'steve thinks you're dating' thing. didn't want to stress his friend out any more than he was, you see.)

and steve just... kisses him. everyone freezes, but eddie only melts, leaning into it like it's natural. dustin is two seconds away from breaking them apart when they hear him ask, in the smallest voice ever,

"you remember me?" steve just nods, like an overexcited puppy. grinning from ear to ear.

and that's how everyone finds out that, no, steve's brain isn't as scrambled as they thought. he's just actually been dating eddie since a little after starcourt. and they've both been somehow hiding it from everyone.

(steve's memories fade back in eventually. eddie never lets the fact he's the only one he remembered go. ever.)

[spacedace]

So I've seen a lot of "Jazz works as a therapist at Arkam" in the dp x dc fandom, and while I like the concept, I also feel like Jazz would take one look at the place and immediately be like "what the absolute fuck" at just the everything of the place.

Like, she either nopes out after the tour during the interview or quits not too long afterward starting there, not because she can't take it but because she's so appalled by what's going on there and can smell the corruption rolling off the place and knows no one sent to there is ever actually going to get the help they need.

So Jazz decides to open a private practice instead while still being absolutely determined to work with the various rogues in the city, she is here to help and nothing is going to stop her.

So she just starts showing up at known hangouts of rogues and during their heists/schemes/sprees, and even fights between them and the batfam, just like

"Hi! It’s so nice to meet you! My name is Dr. Jasmine Fenton/Nightingale/whatever last name she’s using and I was hoping we could talk!"

Casually kicks a baterang away without looking because she's being polite and professional!

"I understand that your experience with therapy through Arkam has been nothing but atrocious and that you are rightfully -"

Kicks Batman away without breaking eye contact or a sweat.

"Suspicious of attempting therapy again, and Idon't want to force anything on you, therapy should be on your terms after the experiences you've had but -"

Grabs Robin out of the air as he leaps at the rogue she's talking to and tucks him under her arm, ignoring his feral hissing and all attempts to break her hold.

"-I really think that you'd find it beneficial, even if I'm not the right therapist for you."

The rogue in question is having the time of their life and takes Jazz's business card - and a few extra to pass around - not really intending to actually ever book a therapy appointment with her but way too entertained and excited to share this madness with everyone else.

But then one of the rogues actually looks up Jazz's website and sees all the various safe guards she’s put in place to ensure that any villians that come to her will be protected while seeing her - soundproof therapy room, regular sweeps for listening and tracking devices, the most insane firewalls and protections anyone has ever seen on her network, and ooh she provides snacks and drinks!

So someone finally books an appointment with her, half convinced she's either going to turn them in or is a villain herself intent to experiment on them, but then it’s actually really nice??? And they feel a lot better afterwards?? She doesn't even say anything to indicate that she wants them to stop being villains, she just wants them to be okay??

So more and more rogues start going to her, and Batman was already losing his mind about this woman before - Oracle can't hack her system?!? And her background check shows a totally normal Psychiatrist?? - but now half of Gotham's heavy hitters and a dozen or so other minor league villains are seeing her regularly and every time he tries to get info on any plans the rogues might be scheme via her office it fails utterly. Nightwing got knocked out with something called a creep stick and when he tried to break in himself to get answers she just appeared out of no where and gave him the most scathing lecture about doctor-patient confidentiality before bullying him off her property and threatening to sick her brother on him if he tried again?

And because she's become such a figure in the Gotham underworld, she gets the attention of Joker.

And everyone, rogues and Bats alike, are terrified that she’s going to try and take him on as a patient like she has so many other villains in the city and that's just a recipe for tragedy.

But then the Joker is on his way to the hospital with two broken legs and the fear of god beat into him babbling about eldritch nightmares and whenever anyone asks Jazz what happened she just shrugs and just says things like "I refused him as a patient, he's not my problem." Or "My brother doesn't like clowns." And just, does not elaborate.

Batman is losing his mind over it all. Jazz is just happy to be able to actually help the rogues. Arkam is less happy about how she absolutely destroys their reputation.

[barcaatthemoon]

flustered || ona batlle x reader ||

patri decides that she's over you trying to avoid ona when you come back to barcelona.

you hated the circumstances of your return to barcelona. you had spent so much time in london that you had almost forgotten that it was just a loan. your contract was nearly up, and you'd spend the last season of it back in barcelona, where you no longer felt like there was anything for you. it seemed like the team had completely replaced you, including ona.

your attempts at staying in london were futile. they didn't have the budget the keep you there for another season, not when barcelona had made an outrageous demand for money. jona wouldn't play you, so you didn't understand why they were so insistent on you coming back. still, you returned to spain and tried to get back into your old routine.

training was fairly easy for you. the exercises were different, but you went the same amount of days as you had in london. in your spare time, you went to the gym every single day. it was rare for you to stay in your apartment by yourself. occasionally, you let loose with the team on a bonding night, but never for too long.

it was silly, but you had a hard time being around ona and lucy. not a lot of the girls knew how you felt, but the ones who did left you alone. you had followed ona to england, but ended up staying for nearly two years longer than she did. something had happened up there, and it killed some of the girls not to know what it was.

truthfully, it hadn't been anything nearly as serious as you were making it out to be. you and ona had been friends, best friends at that. there had been seedlings of unfriendly feelings between the two of you, ones that didn't get better with the bit of distance between manchester and london. if anything, they only seemed to get worse for you. you couldn't be around ona without becoming a flustered mess.

it didn't help that when your eyes had met, she'd blush and look away as well. some might have taken that as a sign that she liked you back, but all it did was make you nervous. ona could have been a sure thing for you, but you were terrified of the idea that she liked you back. for some reason, you had convinced yourself that it was easier to pine over ona than to actually be happy with her.

"okay, enough of this!" patri shouted as she clapped her hands together. everybody looked over at her, and subsequently you as well. the two of you had been working out together. for the longest time, ona had been your gym partner at barcelona, and while patri was happy to do it, she couldn't stand watching you look longingly at ona from across the gym.

"patri, what are you doing?" you hissed as she dragged you over to where ona and lucy were running.

"both of you, start talking, now!" patri wasn't usually so forceful with you, and you weren't sure what to do except for obey. you hated that she knew how easily you'd submit with a little force, something you would never forgive leila for telling her. "come on now, i don't have all day."

"patri, please," you pleaded with her. unfortunately for you, the woman didn't relent. she only pushed you even closer to ona, who just barely managed to catch you. up close, you could see how flushed she was, and it didn't look like it was just coming from the workout. "ona, are you okay? you look a little…"

"i'm fine!" ona was quick to shout out at you. both of you winced at the sudden increase of volume.

"god, i can't watch this anymore," lucy muttered. she walked away, patri joining her as the two of them complained about you and ona. the look on your face was nothing short of confused. you could have sworn that lucy was dating ona, and the woman wouldn't have just left the two of you like that if it really was the case.

"a-aren't you going to go with lucy? it's not very nice of her to just leave you here. i'd never do that to my girlfriend," you said. ona's mouth opened and closed as the pieces clicked into place.

she had been so confused about why you were being distant. at first, she had chalked it down to you missing your arsenal teammates. however, as the season went on, she noticed how things were almost back to normal. the exception of you being distant with her had ona's mind absolutely spinning. she couldn't remember there being any tension whenever the two of you had last seen each other. if anything, you'd been a bit more affectionate at the last national camp.

"lucy is not my girlfriend. she thought you were at first," ona admitted. "then she thought it was either jana or patri. neither one of them are yours, right?"

"ona, i haven't had a girlfriend in nearly two years. not because i'm like a freak or anything, it's just hard for me sometimes. there was someone i did like at arsenal, but it didn't seem fair…" you trailed off, glad that you had stopped yourself before you said anything too embarrassing.

"fair?" ona asked you.

"it's not fair to be with someone if you love someone else," you said quietly. ona gently cradled your face in her hands as the two of you stood in the corner of the gym. "i went all the way to england to stay close to you."

"i didn't want to assume at first. and then, well, you never said anything. you just kind of got quiet, so i thought you were mad at me." both of you felt like idiots as the pieces fell into place around you.

"you were making me nervous. i couldn't say anything without mixing up my words. i didn't want to embarrass myself or say the wrong thing," you told her.

"you could never," ona reassured you. "can i kiss you?"

"take me on a date first," you laughed. ona sighed and nodded. she began to turn away from you, but you grabbed her and pressed a kiss to her cheek. "patri was my ride, so maybe coffee after practice?"

"you can come see my new coffee machine. the girls are all very impressed by it, even alexia," ona said proudly. you liked the sound of that, unsurprised that ona planned to take you back to her place. she knew that you were a homebody, and a familiar place would make you feel most comfortable.