#I might just read my own

[blubary]

I'm so sad about the lack of fanfic for Little Hope on ao3. Like, I want an angsty sad hurt/comfort daylor fanfic. But everyone knows I won't write it because I love them too much. I want Daniel getting upset about something and Andrew and Taylor helping him calm down. But I wouldn't know where to start with a fanfic like that lol

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[lovealwayssay]

I would pay an ungodly amount of money for a Supernatural finale where Dean rescues Cas from the Empty and tells him he loves him too, Eileen comes back to be with Sam, and Jack chooses to live with the four of them in the bunker as a happy family.

[asuuree]

needed to get my take on a human loop design out here...

a design sketch under cut!

[sorrel-the-kabbage]

A gift for a friend since they’re really into DC— particularly bat fam. Really fun to draw, love these dorks and the nerd I drew them for

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[tswwwit]

Cipher's Personal Portable Portal

'How they meet' won the poll!

So just to make things fully contextualized, as far as they're gonna be - here's the full first chunk of this stupidly long fic I'm writing.

I hope you enjoy!

Standing in the wreckage of the burnt-out building, Dipper wishes he didn’t know who did it.

Anyone else would have left some trace sign. A scrape of blood, a hint of burnt hair. A friggin’ decent eyewitness report, even.

But here, like last time, and the time before that, and the time before that - there's absolutely zero traces. No video footage, nobody around at the time of the crime. Not even footprints.

Dipper kicks one of the remaining supports, sending a puff of charcoal up from the impact. 

If he knew the bastard’s name, he’d curse it all to hell.

With a sigh of exhaustion, Dipper sits on a chunk of scorched foundation. He pulls his shoe off to tip the ashes out of it; there’s enough that the resulting cloud leaves him coughing. 

Around him, the scoured west wing of the museum is silent, still, and empty. A grey-black skeleton of its former self, filled with dust and charcoal.

This arson is yet another one in a very, very long line of crimes. They’re not just ‘unrelated incidents’, or ‘bizarre coincidences’. Dipper’s not ‘being paranoid’ or ‘coming up with some pretty weird conspiracy theories’. 

There’s only one person who could manage this. The same guy who turned a bank upside down - literally -  and the same one who impaled a mob boss on an oversized silly straw and gave tails to half of a household last week.

It’s all connected.

Each crime is marked with the same style, mostly by how remarkably weird they are. Along with a thread of magic, distinct in its composition. One so distinctive that it's almost a flavor. Though admittedly, without certain magical analysis, it’s pretty hard to detect. 

And if other freelance magicians would take the time and look at Dipper’s notes, maybe one of them would help find this asshole.

Dipper stalks through the burned building, fists balled in his pockets. He stumbles over a fallen support column, and nearly trips before he makes a hopping retreat back. 

Though the culprit has been at his game - whatever ‘game’ that is - for a good half a year now, this is the most destructive ‘incident’ so far. Nobody was hurt, since it happened in the middle of the night. The one relief from a terrible crime, that only objects were obliterated in the process - 

But the ashes speak for themselves.

Here, there’s nothing left.

He breathes in slowly. Then regrets the attempt at calming himself as he coughs again.

Whatever the culprit’s initial motive was, it hasn’t lasted. He’s grown not only in ambition, but also in his abilities. Things are escalating at a rate Dipper doesn’t like to think about.

Someone has to get to the bottom of this. Before it’s too late. Dipper’s got his number, metaphorically speaking, so. Well, might as well be him. 

And when he proves that all of this chaos was created by the same person - 

Well. A little boost to his meager reputation couldn’t hurt. Maybe a few medals and accolades. There isn’t a trophy for best monster hunter, but he can imagine standing on a podium and -

Dipper waves that thought off, swearing under his breath. Stupid. He has better things to focus on.

He’s the only freelancer on the case. Definitely the only one taking this seriously, the only one who thinks it’s the same person to begin with -  and even he’s starting to have some doubts about ever finding the bastard. 

Six months of tracking this guy down, and what does he have to show for it? A ramshackle compilation of incidents, a vague feeling of magic, and a description that could fit any bottle-blond actor with bad fashion sense. Scraps. He might as well pin them up and connect them with red string for all the good it does him.

Another kick sends Dipper hopping back, clutching his foot with a swear. He winces at the hole in the tip, he nearly punctured his foot on a nail.

Just his luck. Wrong place, wrong time, always just barely avoiding disaster. Dipper shows up whenever there’s an event, he’s got the means to follow the guy - but he’s always just a little too late.

Even worse, lately the guy’s been picking places… not at random, exactly. More like he causes trouble wherever it’d be the most annoying to follow.

The culprit must know someone is on his trail. But he’s not making it impossible to keep up, or even majorly difficult for a determined pursuer. Just really, really irritating, like making moves at three in the morning, or pausing just long enough for someone to catch up, then heading right back where he came from. At one point Dipper had to trudge through a literal swamp, only to find that bastard had sauntered in by baking himself a neat little trail right through the damn thing. There wasn’t even footprints to follow.

It’s a repeated point in Dipper’s notes. Whoever this is, they’re a total, absolute dick.

With a sigh, Dipper runs his fingers through the ash on the museum’s floor. Not a single thing is left beyond the shattered glass of some display cases, and the charred remains of the building. Even the enchanted metal tools have been melted into slag. 

The day before yesterday, he could tell something was up. Building energy, something that felt like it was made by the culprit. Something with the twinge of a powerful curse, coiled and being wound up like a spring. 

Dipper spent that evening convincing - okay, maybe also bribing, thank you Stan for the idea - the museum to let him borrow materials. The day after that, he spent all night, morning, and most of the afternoon running around slapping up anti-curse emblems. The entire south of the city warded, in a fine careful net of spellcraft. The work was exhausting. Both in running around, and in the amount of magic he’d needed to use.

But it was worth it. That evening, in the quiet and very uncursed city, all the emblems activated. Dipper would have sworn he sensed someone in the distance, cursing his own name. That night he went to bed with a smug sense of satisfaction, floating on a cloud of triumph.

Which is probably why the bastard burned down the museum next.

With another sigh, Dipper tucks his notebook back into his knapsack. He’s gleaned all he’s going to for today; in the fading evening light, searching more is pointless.

So much for all the magical artifacts. Most of those had come in really useful in messing with the guy. 

…How the hell did the culprit know where they came from, though? He’d need a near encyclopedic knowledge of artifacts to know which ones Dipper used, then track them back to their origin. 

Or maybe he just searched on the internet. It’s hard to tell.

Dipper just wishes there were more clues. But just like every other incident, the guy up and freakin’ vanished.

No human can disappear like that without some very irresponsible use of power. That hope is one Dipper’s hanging his hat on. After six months? He has to be reaching his limits. He’ll burn himself out before he can manage too many more incidents. Maybe Dipper will find him by stumbling on his withered, dissolving corpse.

Whoever this is is pretty strong, but no power is infinite. He can’t hide forever.

It can’t be too much longer. Won’t be. Dipper has a plan, he’s gotten really close, and - He’s good at his job, damn it. He knows he is. 

Taking a deep, slow breath, Dipper lets it out. Patience is the name of the game here. He’s just gotta keep moving.

One day, he’s going to catch up with that bastard. He’ll see the guy in the flesh. Then he’ll grab that stupid dick before he can escape, again, and wipe that presumably smug look off his probably ugly face.

Turning around one last time, Dipper surveys the destruction, stuffs his hands in his pockets - and pauses. 

A speck of light glints in the pile of ash. The last bit of evening sun, shining off a metallic surface.

Alert with surprise, Dipper scrambles over to the pile. Kneeling down, he brushes the dust carefully aside, careful not to disturb anything fragile that might shatter if handled wrong. 

One thing did survive. Thank fuck, it’s not an absolute total loss. Just, uh… Ninety-nine percent of it.

He scuffles through the still-warm ashes, cupping his palms underneath the lump and lifting it from its bed. The motion sends white puff rising up as ash slips away from the artifact.

A small black, squarish thing rests on the pile, a bit larger than both his palms put together. The material is faintly warm from residual heat, insulated by the ash it laid in - and there’s not a mark on it. Not even a scratch. 

Dipper turns the artifact over in his hands with a frown. The shining black surface reveals no obvious buttons or secrets. Just a kind of phone-ish shape, though more square and squat. If he didn’t know any better, he’d say a guest dropped it on the rush to escape. 

The fact that it’s still intact though. Nearly glowing with magic, a tremulous feeling under his palms - this is not dropped by some clumsy tourist. Not even Ford could put this together.

 Wiping at the object with his sleeve, Dipper manages to clean off most of the smooth surface. On one of the sides, dust clings to the thinnest of engravings. The very faint outline of an equilateral triangle. No runes or other magical scribing, just… a shape.

Dipper thinks back but - no, he doesn’t remember seeing this in the collection. A quick check online reveals…

Basically nothing. There are - were - a bunch of stone and metal slabs in the archives, all described so poorly as to be useless. Some are even bunched up in groups. ‘Magical slab 1-24’ and ‘Metal artifact 1-78’, no description involved.

Not surprising. Probably dug up in some mass excavation site, transported here, then never really looked at again. The bulk nature of the shipment means it was overlooked, its magical properties never discovered.

After today, he’s just glad that even one item escaped this onslaught. 

The other artifacts must not have had much to them. But some magical property in this artifact’s making must have saved it from the blaze. Fireproofing, perhaps? Against weird fire? That’s unusual. Maybe even unique.

As the only survivor, it really needs investigating. 

Dipper glances over his shoulder, then around. With everyone evacuated, it’s quiet in the rubble. Nobody here would notice if, say… a clue wandered off.

The artifact slips easily into his pocket. The shape conveniently looks just like a phone, even if the shape’s a bit off. Not something that would attract any attention.

Whistling nonchalantly, ducking out of the way of local law enforcement and any onlookers - Dipper makes his escape. 

Another day of pursuit. Another scene of disaster, the culprit there and gone in the blink of an eye. 

He’ll be up to something new, next. Never the same thing twice, never in the same place. 

Dipper will follow in his evil tracks, of course. But for tonight - his fate is another crappy hotel room. 

He ditches his backpack by the door, slumping against the wall and its chipped paint. He could start going through his notes, and the pictures of the arson. Put in more work, find further connections - 

But it’s been a long day, and he’s tired. He might be magical, but he’s only got so much to work with. A reasonable night’s sleep, if he can manage, will make the task loom less horribly over his tired brain.

With a sigh, he drops back on the mattress. There’s some bounce to it, springs squeaking like they’re full of mice. Hell, maybe they are. The type of room he can afford isn’t exactly decadent.

That, though, should be temporary. Dipper’s career is only just starting; freelancers in the ‘solving magical problems’ scene don’t get great rates. Especially as a beginner. Definitely without a partner; it makes him look super young. Like he’s just starting out, fresh-faced and not having any inroads.

Because this field is really stupid, and doesn’t pay attention to results. Dipper’s been fine on his own for years, and he’s done really cool things without that ‘networking’ crap. 

All by himself. Totally cool with that, because Dipper’s a cool guy, sometimes. If Mabel hypes him up enough on one of their phone calls, he almost believes it too.

Though it would be nice to have some backup, it’s hard to find someone who really gets the job. Or does it in the way that Dipper goes about it. The number of people who are willing to take long treks in hyper-magical territory to search for an obscure clue, or set up really complicated traps for  dangerous monsters, or talk over high-level magical theory while sitting in the rain all night just to get one body-snatcher are…

Well, besides Ford, who recently retired, there aren’t any. Only Dipper himself.

One day, things are going to change for him. All his effort will pay off. If he keeps solving mysteries, and fighting monsters, he’ll forge a reputation as someone who always gets the job done. No matter how hard it is, he can handle it. The work is picking up, too. The last six months have shown the biggest series of magical incidents in decades. 

And he’s gonna be the one to get to the bottom of it.

Dipper Pines, the guy who proved it’s all connected. He’ll have it laid out in facts and math, all the evidence. They’re all gonna see that he was totally right.

Once he finally gets this guy, everything’s going to start looking up. 

The sheets rustle as Dipper settles back, holding the artifact up over himself. He stares into the black surface, and a slightly distorted reflection narrows its eyes back at him. 

A good mystery always intrigues him. This one should take his mind off the other, irritating one for a while.

The only remaining object from the fire is clean and smooth. A mysterious creation, of unknown purpose. Clearly riddled with magic, too; Dipper feels it running just under the surface like a rapid current. It gives the artifact a weight that has nothing to do with mass. 

Power.

Did the criminal see this artifact, still intact after all the other magical objects were gone? Did he try to destroy it too, and fail? Or simply not notice he’d missed one out of thousands?

Whatever it is, it’s got a lot more going on than meets the eye.

Dipper casts a quick identifier, which comes back with nothing. He’s not surprised. That’s the first thing anyone would try. If it was that simple, he’d already have the full description off the site. 

With a shrug, he traces another set of runes, his own version, adding a little more oomph behind it - 

And the magic leaps back instantly, with the bizarre sensation of a bouncy ball hitting concrete.

“Huh,” Dipper says, thoughtfully. He sits up, hunching over the slab in his hands. “Now that’s new.”

A more subtle approach, then. Tracing the lines of energy with the barest brush of magic upon magic reveals something deeply complex. Thin layers twist together deep under the surface, building an entire circulatory system. Dipper has to put it down for a moment, suddenly worried that it is organic. 

When a cautious prod doesn’t get a response, he relaxes. Not fleshy, just complicated. Which also proves he was right earlier - the artifact’s just as powerful as he’d thought. The spellcraft is unlike anything he’s ever seen. 

Dipper rubs his hands together, starting to smile. 

Even if he doesn’t find the guy he’s after, figuring this out could be a heck of a win.

Several attempts later, he’s beginning to get why this bastard brick got tossed in with all the other junk. 

Nothing here is working. It simply deflects. Standard spells poing off of it like rubber, while giving his magical senses an odd, back-of-the brain afterimage of a circle with a slash through it; a firm ‘nah’. 

Dipper nearly chucks the thing across the room in frustration, before shutting his eyes and taking several, calming breaths. 

Okay, weird thing, weird enchantment. The ordinary stuff won’t work. The magical logic is… twisted in a way that leaves it incompatible with most everything. He’ll have to find a different approach. 

“What are you?” Dipper says, low and frustrated. He gives the artifact a shake, as if he can knock the secrets out like a rock from a shoe. “What secrets are you hiding in there?” 

No response, not that he expected one. With a wry smile, he taps the sleek surface with a finger, twice. “C’mon, man. Talk to me.” 

Huge yellow letters flash onto the black surface. 

HEY

Dipper throws the artifact, a bit awkwardly since he’s lying on his back. It sails in the air in a high thin arc, landing with a thump between his legs. He scoots rapidly backward, sheets pulling up behind him. 

The artifact lies where it landed, an unmoving brick.  There’s magic in the air now, but no sense of any spell building, ready to unleash power to blow his face off. The latent spellcraft of the artifact has just been activated.

More text displays on the surface, bare except for the glowing letters. 

To the jerk that’s swiped my private stuff: You got some nerve! I expect this back by interdimensional mail in a week, or trust me - there will be consequences.

Dipper waits a full minute before he lets go of the headboard. Tentatively, he kneels near the…

 Is this a phone? 

Clearly it’s a communication device of some sort, with the freaking text messages. A phone is the obvious equivalent, only - he thought it looked far older than that, something way before mobile phones. Possible ancient. Is that a coincidence, maybe, or is it secretly modern?

Dipper taps the ‘screen’, just below the glowing words. To his surprise, there’s actually a keyboard, what the hell. This thing keeps getting weirder.

Since it hasn’t already thrown a horrible curse at him, or burst into flames - it’s reasonably safe to assume that it’s simply ‘on’. Not ‘explosive’. 

With hands that are definitely not shaking, he picks it up, and types,

Who is this? 

His own text pops up in blue. A strange contrast to the yellow, but he’s guessing it’s for convenience - there’s no bubbles to tell who’s said what otherwise.

A few seconds of nervous waiting later, there’s a response. 

Oh hey, you answered! Well, human - You’re talking to the one and only Bill Cipher, Dream Demon, all-powerful master of the Mindscape! I’d say it’s nice to meet ya but you’re not supposed to have a direct line to me!

Dipper raises an eyebrow. 

Now that’s one hell of an introduction. It might even have been interesting, if it didn’t smell of complete bullshit. 

Complicated spellwork, sure. Incomprehensible architecture? Maybe. Dipper can admit it; he’s never seen anything with a web of spells on it this complex, in such small of a package.

But the idea that Dipper just stumbled onto a demonic artifact of all things. One that wasn’t instantly detected, recorded, then ritually destroyed is…

Someone’s fucking with him. 

Dipper rolls his eyes as he types back,

Really? Demon? You can’t expect me to believe that. 

What, you calling me a liar? ‘Cause I am, but not about this! I got better things to mislead mortals about. This is my property, not something for your grubby mortal mitts.

Dipper snorts. Guess this person’s sticking with the bit. Obviously whoever created this would want it back - but too bad. Whether they’re delusional, stupid, or just a flat-out liar, they’re really good at enchanting. It’d be a waste not to study their work. 

He lies back on the bed as he replies.

Sure, have fun roleplaying, or whatever, it doesn’t make a difference. Finders keepers, losers weepers.

ARE YOU CALLING ME A LOSER. MORTAL.

Hmm, I’m detecting a certain amount of ‘crying about it’, so. Yeah. Suck it, loser.

Smirking, Dipper settles back - then his half-smile drops, as he holds the ‘phone’ a little further away from himself. 

Though the blue fire building up in the screen looks like a bad sticker effect, the artifact’s also getting a alarmingly warm. It vibrates in his hands - then suddenly stops, cooling down. 

Ha! Alright, alright, I admit - you got some balls.

Maybe you’ll change your tune once you REALLY know what you’re dealing with! Might wanna check the connection, if you’re even capable of it! Mortal magic doesn’t reach across dimensions!

With a grimace, Dipper taps his fingers on the phone. It’s slightly cooler now, but still worryingly reactive to… whatever happened on the other end. 

Damn. Whoever this is, they’re not only really really good at enchanting, they’re also pretty confident that tracking them down won’t spoil their game. The confidence exuding from this ‘Bill’s’ words feels genuine.

Honestly, though, the suggestion is a good one. Dipper should have tried to trace the call the second he knew someone else was on the line. 

Maybe ‘Bill’ thinks he won’t manage to find him. Joke’s on him, though; Dipper’s amazing at finding stuff. He’s the best tracker of magical anything in years. Maybe decades. With a solid, stable connection right in front of him? Hell, he could do this one in his sleep. 

Time to call the bluff.

He casts the tracing spell, though it takes longer than usual. A few gestures and muttered ritual aren’t gonna cut it; he has to improvise around the strange construction of the enchantment. Even trailing along the magic seems harder than usual, like it resists mixing with his own, and it takes him a few attempts to match the signal. 

Once he finds the right way to tune it… the lead snaps along the already-existing connection, and zips away to find its source.

The line extends out from the shabby hotel room, a plucked string in Dipper’s senses. It twists around the phone, rising slowly. Invisibly passing through the walls and the - 

Ceiling? Dipper looks up on instinct, even though nothing is visible.

From there it swirls around in the air like a silly straw on steroids, and then - out, very far, in a way that isn’t up or down or left or right, just  

Away.

Dipper has to cut off the tracing spell before vertigo has him reeling. The swirling sense of standing on top of a skyscraper is followed by a flip in his stomach. That he’s using a device he barely understands that reaches out into something even more incomprehensible.

He drops the phone-artifact, trying to clear his head by shaking it rapidly. 

That’s not nearby. Not on this planet. Possibly, genuinely, not even in this dimension. 

Shit. Bill wasn’t bluffing.

Dipper wipes sweating palms on the sheets. To pick up the phone again takes an effort, willing himself to grasp it in unsteady hands.

A demon. 

All the monsters he’s fought, curses he’s broken, years of work tucked into his belt, and he’s never seen one of those. 

Demons are dangerous, evil, and very, very powerful. Consorting with them is by all accounts a terrible idea. He should never have picked this up. He should hang up, and throw the damn artifact out the window, hoping that nobody else makes as dumb a mistake as he just did. 

On the screen, there’s a long long scroll of yellow letters, filling the entire surface. ‘HA HA HA HA’ over and over and over again. 

Before he can think better of it, Dipper starts a response. He’s halfway through a sentence - what the fuck, that’s not funny- before he pauses.

Terrible evil monster. Stupid powerful. Probably Bill sensed the tracing of the connection, like he did with Dipper’s other testing. Bill wanted the result startle him. Because he thinks it’s funny.

Dipper grits his teeth, and glares at the screen. 

Actually, screw this guy. Dipper’s keeping the stupid phone. If for no other reason than spite. This ‘Bill’ guy seems pretty full of himself, like he’s totally above some human. He’s in for a bad time, then, because Dipper’s not going to let one little surprise scare him off.

Besides.  The average guy would get into horrible, even deadly trouble, whereas Dipper… sort of knows what he’s doing.  No, he is good at his job. Finding secrets, solving mysteries, thwarting evil jerks who think they’re oh-so-hilarious, the whole shebang. He does it all.

Taking another breath, hissing through clenched teeth - Dipper lets it out. Losing his temper isn’t going to help deal with an extradimensional being. He has to be careful.

He thinks for a long moment before he responds. 

Okay. Let’s say I believe you. Maybe. Then you should know I didn’t steal your… whatever this is. I found it lying around, and I just. Got kind of curious. 

HA HA HA! Of course you were! Careful with that impulse, kid, it kills more than just cats!

A jerk who definitely thinks he’s hilarious. Dipper rolls his eyes, then, rather pettily, decides to ignore that statement. 

More pressing questions take the lead. Like what the fuck he’s holding right now, and if there are any other nasty tricks in store. A little bit of him, bubbling under the surface, wonders what being a demon is like. What they get up to, common habits. Ways they could be tracked down and, y’know, defeated, maybe. 

Theoretically, he’s got a line to a bunch of innocent, totally not-thwarting-related information that could be super useful to someone trying to, maybe, be a super cool monster-fighter.

Dipper backspaces a bunch over some poorly thought out questions. First things first. Like what the hell he’s holding right now.

So. What is this?

Good question! The gadget you’re poking at with your sweaty meat-paws is paired to the one I have here at my place. A little one-on-one communication assistant, if you will. Once you started groping around with your magic, it wasn’t hard to tell someone had picked it up!

Dipper raises an eyebrow. Though he already has an idea… a little confirmation never hurts. 

Like, you got a notification? Or literally felt?

The latter! Kinda like smell, but by touching things with your eyeballs. And with all your prodding around you might as well have been stinking up the place! Your spells aren’t real subtle!

Hey, they’re subtle! Having weird extra senses is just cheating.

Sucks to be human, then! In that you suck at everything! What’s a LOSER like you gonna do about it?

Dipper nearly throws the stupid artifact again - but he holds back, gripping it tight. Instead he sits up, leaning down and hauling his backpack up from the side of the bed. 

Maybe Bill thinks he can’t do anything. That he’s some ignorant nobody, who doesn’t have any real skills or talent or doesn’t have any friends - but he’s got that wrong. Dipper’s not a loser. Bill’s not getting away with that bullshit.

One quick unzip and a bit of rifling around later, he finds what he was looking for. Carefully, Dipper bounces the heft of a flashlight battery in his hand. Shutting his eyes, he focuses on crafting a quick working.

Magic is all about energy, and its direction. Focusing power, conveying it from one place to another. Pushing anything across dimensions would take impossible amounts of energy, stuff Dipper doesn’t have. If it weren’t for a very convenient connection, already in his hand.

Dipper has nothing on hand to actually exorcise the guy - he’s not sure that’s even possible when Bill’s where he should be - but retribution is in order.

More text lines appear on the artifact. He ignores them. Changing this up to work with the demon device is a challenge, but after figuring out how to alter the tracking spell changing this one up isn’t hard. He adjusts the flow of magic this way, into the tangle of not-veins in the device that way, finishes the chant-

Then touches his tongue to the battery.

The jolt passes through him painlessly, following the spell. It zips along his nerves, down into his hand and from there - into the artifact itself. 

Where it should, theoretically end up right at that bastard.

Dipper tosses the battery back into his backpack. Picking up the ‘phone’, hunching over to stare at the screen. 

That worked. He felt the energy move… unless he got the math wrong. Or a detail of his spell. Or maybe demons are immune to electricity, and he just did something totally pointless. 

God. It might even prove Bill right, and wouldn’t that be the worst - 

The next line of text comes in. 

What the hell? A joy buzzer? That’s some real petty prank stuff! You seriously pulled that bullshit? And across dimensions?

A tense pause. Dipper taps the phone, checking for it heating up again - but another line pops up after a few seconds.

Y’know what, kid? I think I might actually like you! You’re FEISTY.

Dipper nearly does a double-take. 

But no, that - what? Aren’t demons supposed to be vengeful? He was half-sure he’d have to chuck the phone out the window before it exploded in his hands. 

In fact, you’re in luck! ‘Cause I’m pretty bored, and I can totally show you how to improve that jinx of yours! If you can keep up with a little theory, that is.

Because that’s not suspicious or anything. Conversation with a demon can only lead to ruin and disaster. He should absolutely, definitely stop this right in its tracks.

Still, Dipper shrugs, and types, 

Try me.

[whumpinthepot]

In a kind and respectful manner, can I ask what peoples aversion to BBU content is? I am curious, since I see a lot of intro posts that don’t prefer the trope.

[platoapproved]

[cobaltfluff]

so i started playing persona 4

where are the QoL features

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition Punk Hazard (part 2)

We're still not done with the Punk Hazard! There's way too many interactions with them there and posts have apparently a restriction of 30 images, geez. Anyway, let's follow the tale further!

Law: Hey, I can hear that.

It's hilarious, because it turned out to be true in the end. Law wouldn't betray Luffy (as in backstab him), but he would finish the alliance early if that means keeping Luffy safe. But would it count as betrayal actually?

And then Luffy brags again. Wait, or doesn't he? It sounds kinda correct to me though lol. Also of course there's nothing to worry about, after all it will be Law's job from now on!

Law (thinking): Those people... how did they survive so long on their own?! They have no sense of danger!

Probably a moment later: Wait, so it will be my job to worry for them all the time?!

Law (thinking): It's nice of them to have brought the kids here, but they're pirates, I can't really expect Strawhats to actually want to help them, right? Damn, if I have to choose between keeping Mugiwara-ya safe and keeping the children safe, I guess the choice is only one to make...

Law (thinking): They actually want to help the children?... but why? They're not friends with them like with that fishman and mermaid on Sabaody... are they saying this just on a whim? Anyway, I can't lose the main goal from sight, keeping Mugiwara-ya safe is the priority.

To understand Law's odd reaction here we need to go back to his flashback:

Because when he told the nun and the children that he doesn't want to leave without Lammy, they just told him they will leave him behind on his own (but will return for him later on). That's why he expects that Nami wants to stay behind by herself. But Luffy's isn't having any of that, Luffy's like "no one is getting left behind on my watch". And no wonder really, because Luffy also knows how it's like. After all didn't Garp and Dragon leave him behind on his own as well, choosing to pursue their jobs instead? But Luffy does not want others to feel the same way he did.

Law's shocked "?!" there really says volumes. He probably didn't expect that option of "not leaving anyone behind" as even possible. We will see him struggling to accept it later on as well in this arc.

Law (thinking): Wait a second... How did that turn out this way?!

Because let's rewind a bit. Law's just reached his inner peace with the dificult decision that he's gonna sacrifice the children's fate in favour of keeping Strawhats safe. But here Luffy makes a 180 turn on him and tells him "Actually, we're saving the kids and there is this funny samurai as well, we also want to reassemble him". And Law is like TrafalgarLaw.exe stopped functioning, please reboot. He thought he made it clear this is not the time to be altruistic and has a difficult time to process this illogical conclusion. You were too lost in your own thoughts, that's why you missed it, Law.

Law (thinking): Friends?! What?! Whatever, put that thought aside for now, more importantly... those conditions for the alliance are ridiculous! Also it would totally be something I would want to do and make it a condition, if not for the fact I think it's impossible to pull that all off.

Usopp (thinking, surprised): Luffy was right, he's actually a good guy!

Luffy (thinking): I knew you would help us!

Law (thinking): You must be kidding me, what kind of pirates are so altruistic. Great, now I have even more troubles to deal with. And yet I can't refuse them.

Law (thinking): No, anything but this...!

I'm so sorry for him in this one, tbh. Can't make it look funny anymore, I'm sorry! (but if you really want to, then the classic "Am I a joke to you?" commentary is usually spot-on) At least it was Chopper and I think Law is okay with touching animals and minks.

Luffy (thinking): Torao, you come up with the best ideas! This sounds so fun!

Law (thinking): I'm actually not gonna allow you to rethink. You need to stick with me so I can keep you safe.

(my god Torao)

Luffy: No chance! Good luck getting rid of me now after you offered friendship to me!

(those two, I swear...)

Fun fact: he didn't, lol. Law trusted him with this, but Luffy told them all only after they boarded the Sunny lol. Ouch, Luffy!

Luffy's safety is constantly on his mind, isn't it... and he's taking the most work on himself as well. Also can you try to think of anything else for a change, Trafalgar Law?! I know you're super duper worried but, come on...

Yeah, I know Law, right? You try so hard to keep him safe, and he goes and does some ridiculous shit again. And so the neverending spiral of worrying and suffering because of it continues for Law, lol.

Luffy (thinking): I will make you proud, Torao! Just watch me kidnap that guy in a few secs!!

Robin (thinking): Luffy is so excited, not sure if it's because of the plan or that Trafalgar. Probably the latter, actually, he just ignored the plan after all...

He's adorable but omg, they miss the marks all the time when it comes to each other, don't they. It's pure romantic comedy!

The end result is to be expected haha. Law's eyes are like constantly on Luffy lol. At least Law's not so anxious and worried anymore, because fake cuffs are part of his backup plan, so things are going okay for now.

Luffy is instantly interested in Torao's connection to Joker. He just wants to know more about Law, circumenstances be damned, because who cares they're locked up, right.

Law (thinking): Really? You ask about it now?! Fine, whatever, I will tell you... it's not like I can hide it from you forever.

He's not really that great at lying to Luffy, is he? Unless he just sold him a half-truth, but it doesn't appear to be this way. Alliance is all about trust after all, right? (Law says that in Wano) And Law is a bit uncomfortable sharing his connection to Doflamingo, but he does it anyway.

Luffy is so easily impressed with Torao, and it makes it even funnier that it's for all the wrong things really lol. Though it's understandable because when Ace died he got a big hole in his chest and couldn't survive, so in Luffy's mind anyone who can actually live despite that might be like the strongest person ever in his mind (stronger than Ace even?!). It's ridiculous, cute and actually a bit touching. I doubt Law understood it right lol, he's just lying there in disgrace.

Law (thinking): You will pay for this! Especially for making me look so pathetic in front of Mugiwara-ya!

Also Luffy please stop staring at Law like this all the time and close your mouth. He's so infatuated with him.

Law's face here is kinda hilarious, listening to Robin's and Luffy's talk about Kinemon's legs. Is he thinking something like "Interesting, you like it that much? I could do it for you all the time actually... I can do so much more, in fact"

Please someone shut them up.

Change of tone. As soon as Luffy's so worried and stressed, Law becomes all serious and worried as well. You can't make this shit up.

Showing off in front of Luffy lol. You actually want him to think you're cool, don't you, Law?

Luffy: Omg you're so cool Torao! I thought we're goners fr!

And guess what, it's working like a charm. Oh, Luffy!

Luffy adoring Law again, his eyes are almost sparkling here :D he tries to show off a little as well there heh. It's like "Torao, I'm so impressed with you, so be impressed with me and my crew as well!!"

Law, when not ordering people around: "is there anyone in here who can do x or y?". He's really not used to this "equal alliance" thing either, isn't he? Because that's such an awkward thing to say. Is this first ever alliance for him as well? Perhaps all other arrangements he had was just Law giving people orders.

That would mean this is first alliance both for Luffy AND Law awww. Oda, stop, I'm cringing! There's no way Law did it just for Luffy, right?...

Law making Luffy laugh on purpose will never stop having a special place in my heart <3 because you know he said this just for that. He doesn't yet care much about the others, but he sure af cares for Luffy. Perhaps he joked a bit because he didn't want to see Luffy so anxious like before when worrying about his crew geezas stop.

Someone's showing off again and it works like a charm. Can you stop making it such a show ffs, Law. No you can't, you're just having too much fun seeing Luffy so obviously impressed.

I mean... anyone still doubting Law loves Luffy after this image would have to also doubt Law ever loved his little sister, you know?

Also he's really not very honest, is he. Still not gonna admit it openly, acting cold and keeping his distance, despite the fact Luffy is already holding a dear spot in his heart. I know Law has predisposition for being serious and secretive, like that's just legit part of his personality, but he also clearly doesn't want Luffy to know how he actually feels about him.

Damn, Punk Hazard is long. I wonder if I can finish it with the next post haha. To be continued!

[stubblesandwich]

[idk-bruh-20]

Irondad fic ideas #154

CW: this one's pretty gruesome. read at your own risk 

Peter is a young child who's been kidnapped. His parents and/or his aunt and uncle were killed and he was taken. Along with a bunch of other little kids, he's been held captive and experimented on.

When the Avengers suddenly bust the kidnapping operation, the kidnappers try at the last second to destroy their research. They gas the small room where the kids are being held.

It's Iron Man who ends up blasting through. What he finds is horrifying. All but one of the children are dead.

The one who's left is just sitting among the bodies, crying, shocked, terrified. Iron Man carries him out of there, then once they're safe from the gas Tony steps out of the suit to comfort the kid while he's given oxygen.

Little 5-year-old Peter Parker imprints on his savior hard.

He just went through an unimaginable amount of trauma, then Iron Man burst through like an avenging angel. This is the first time he's ever felt protected in his memory. Tony holds the crying kid, and the kid can tolerate no one else near him.

This becomes a slight problem when they get back to base. But Tony can't find it in him to let SHIELD take the kid away, let them strip him of this one tiny bit of comfort. He keeps seeing all those other kids when he closes his eyes.

This one needs him right now. And if "right now" eventually becomes "this is my son," well. Who could've predicted that.

[johnslittlespoon]

Buck + Bucky Timeline Info

For fic writers or just curious readers!

Referencing different archives and articles, I've done my best to compile John and Gale's Air Force timeline pre–England, because I feel like a lot of it gets muddied and sometimes we wanna write pre–MOTA canon events lol. Hope it comes in handy!

They meet (on or around) March 29, 1940 and become Flying Cadets at Randolph Field in Texas until August 30, 1940.

Still Flying Cadets, they move to Kelly Field in San Antonio, Texas from September 9, 1940 to November 14, 1940.

Both promoted to 2nd Lieutenant Air Corp Reserve on Nov 15, 1940. A bit unsure on the events before their next promotion, because Gale seems to have gone to Barksdale Army Air Field in LA in March of 1941 for advanced flying school, but haven't found anything on whether John went too; I'm assuming he did.

Both promoted to 1st Lieutenant, Air Corp on April 25, 1942. Not clear on whether this took place in LA or back in Texas or elsewhere.

Became instructors for the 29th Bombardment Group at McDill Air Force Field in Tampa, Florida on May 25, 1942.

Promoted to Captain and transferred to Gowan Field, Boise Idaho, but possibly at different times? All I can find is that by October they were both for sure there, but Gale was promoted to Captain on July 28, 1942 and transferred then, and John was promoted to Captain in August of 1942, but it doesn't specify when he transferred.

At Gowan Field in October of 1942, Gale was promoted to Commanding Officer for the 350th Bomb Squadron/100th Bomb Group, and John was promoted to Operations Officer for the 100th Bomb Group.

Transferred to Walla Walla Army Air Field in Washington in November of 1942.

Transferred to Wendover Army Air Field in Utah in December of 1942.

Both promoted to Majors in Sioux City, Iowa in January of 1943.

Transferred to Kearny, Nebraska (assuming to Kearney Air Force Base) in February of 1943. Cue P1 of MOTA!

In May of 1943, John traveled with an advance party to Podington, England to prepare the base for the 100th Bomb Group. On May 27 1943, Gale (with the 100th) left for Bangor, Maine. From there, he flew out across the Atlantic and arrived at Thorpe Abbotts on June 9 1943. And we know what happens from then on. :-)

If any of this is incorrect or you have extra information to add to the timeline, please let me know!! I wouldn't be surprised if I've missed things, but this is how their flight school/pre–England timeline went to the best of my knowledge. Hopefully this is helpful for some other writers too! I can throw together a timeline for their missions/events during MOTA as well if that's something anyone's interested in; it's easy enough to find mission dates in comparison to finding these pre–100th dates, but it might be nice to have them all in one place. x

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[lunar-wandering]

"Well Kid, are you ready to become the Monkey King?"

"Huh?"

"Y'know, cause, he jumped through the waterfall and then became the-"

"Ugh, have you even read Journey to the West?"