Broke: "Dick Grayson was upset at a new kid taking over his mantle because he doesn't think Jason will be good enough as Robin"
Woke: "Dick is upset at Jason, not because he's suddenly taking over the mantle he created, but because Jason isn't nearly feral enough of a child to drive Bruce insane in Dick's place"
Dick: You wanna be my successor? Go swing from that chandelier right now.
Jason:
Dick: As a matter of fact, I need to see you crawling all over the walls. Make a ruckus, break some furniture
Jason: But Bruce-
Dick: SCREW Bruce. Your job as my new brother is to make his life HELL. Why are you so polite? Why are you so calm? Where's your DRIVE, your PASSION, huh? You may be worthy of the title of Robin, but are you WORTHY of being my disaster brother?
Jason, a little scared: I dont-
Dick, scoffing: The youth these days just don't rebel like they used to.
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Do you ever just think about how the headboard on Kevin's bed on the Nest doesn't budge. Of all the hints about what his life there was like that's the one that gets to me the most because it's so deliberate. Because even though he's probably physically stronger than Riko or at least evenly matched, Kevin wouldn't fight back. But he wasn't given the choice to anyway
honestly i think putting neil in kevin’s side of the room is such a telling choice during the castle evermore scenes. we spend so much of the first and second book hearing about how much kevin fears his so-called family, their haunting of the narrative as bloodthirsty hounds who can sniff out his fear, and when we actually get to finding out why that is we see it from someone who was immediately shoved into kevin’s old place. riko wasn’t just hurting neil because he wanted to (“i’m going to enjoy hurting you just as much as i enjoyed hurting kevin”), he was making sure neil knew he was inferior by putting him in direct contact with the roles kevin and jean played in the nest, using him as a substitute for the one that got away. neil gets a speedrun of some of the worst moments of kevin’s life, and he gets not a single breathing moment for it before he has to be shoved back into exy, like kevin was
i wouldn’t dare presume nora sakavic’s intentions on anything at this point, but i like the idea that neil’s stay at evermore was supposed to tell us all we needed to know about kevin’s time there, without kevin ever having to actually recount the years (he wouldn’t, even if he could): that it was horrifying, and that being in his shoes will never be as glamorous as neil previously thought. i like the breaking of neil’s expectations for kevin; i like how it makes neil realize the life kevin led was not better. and that’s the point, isn’t it? when neil is lying in kevin’s bed, handcuffed to kevin’s headboard, his legs pinned under kevin’s only friend, getting hurt by kevin’s brother, that’s what neil realizes: this is not better. it might be different than life on the run, but it is not better.
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Something I wish was talked about or explored more is the fact that Spearmaster appears to get affected when receiving a broadcast signal, as they get stunned and convulse for the entire duration of a broadcast, alongside the fact that you do not need the mark of communication to understand broadcast dialogue (I know this was probably done for the sake of gameplay purposes, but it doesn't make the implications any less intriguing!!)
How much do you think they would have understood? Imagine being a little animal on a mission, created to deliver something you do not fully understand by beings beyond anything you can comprehend, and as you walk across the abandoned landscape, you cross paths with a strange, plantlike structure.
The world around you comes to a halt, you fall to the ground, squeezing your eyes shut as the words from those higher beings pierce directly into your skull, for a moment, you can understand everything they're saying.
Their panic. The gravity of this dire situation you've been sent to help. Everything.
And then suddenly, their voices are hushed, you can open your eyes again, and time continues on as normal.
You still have a message to deliver, little beast.
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okay, so, I thought of something.
So a pre-truce AU. The bad sanses do bad and the stars fight them blah blah blah-
But also, they have lives outside of that lol
So, one time a person spots nightmare at the grocery store, and calls the stars
And Dream shows up, "Whats wrong!?" And hes all panicked, sees Nightmare, shopping, and turns to the person and he's like "Wtf? Let the man shop"
The person is like "HES WANTED IN EVERY AU-"
And dream just like, rolls his eyes, apologized to nm, and leaves. And Nightmare brings home those ice cream sandwiches he wanted cross to try-
Asjlfdhfjhsvf LET THE MAN SHOP IN PEACE HE HAS 4 KIDS TO FEED
This is so funny, he can't send the boys because they cannot stick to a shopping list so he has to do it himself and he hates it. He's just standing in the frozen aisle looking for the potato smiley faces that they all like when he hears a very panicked and not very hushed phone call taking place. And he just sighs because it's every time. By the time Dream arrives he's in the cereal aisle and Dream just kinda sidles up next to him awkwardly and tries to make conversation.
"So... it's happened again, hm?"
"It always does."
"...There's an offer on taco shells, Ink told me Cross likes those"
"We don't have to do this."
Dream is wondering if he needs to have some kind of PSA on when it's appropriate to call them. Not only because it's still awkward seeing his brother in normal circumstances pre-truce, but also Blue was showing him a videos game :c
Also I'm just picturing people seeing him at Ccino's and asking all amazed like "how did you get Nightmare to agree to behave and not start anything??" and Ccino's like "I don't think I ever told him, he just shows up and reads in the corner and leaves. Sometimes he brings his kids"
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Bob in female fight club au. Thoughts
Probably named Marge
Rather than doing a direct inversion (ie making the character the exact opposite, much tits -> no tits, etc) I think sort of an analogue would work better riffing off the motherly role Bob has, in combination with the group being for uterine cancer/ovarian cancer
The women come together, and they cry, cry, cry, over lost husbands, who left them because they got cancer, because overwhelmingly, men leave if their wife gets cancer, over lost relationships with children, who stayed but resent them, over lost Motherhood, that thing you were told was your worth but now you are told you're shit. Remaining Women Together. Despite. Despite despite despite.
What is it, about purposes. Want to see misery, see women fed their own physical oppression as lost salvation.
Marge, whatever her name is, her husband divorced her, left her with the kids and medical bills stacked as high as she is tall. She is thankful she still has her kids, it makes her feel like she's still worth something. She's had to try and get back into the workforce. No one wants to hire dear former stay at home mother Marge. She shows you her kids in her wallet in her purse and there are no pictures of her. There's a picture of her old husband, which she keeps to show her kids if they ask. They're old enough to go to school now, which is good, because it gives her more time to work. Life is hard, but she's doing her best.
Marge, who is on hormone therapy so she doesn't get those "side effects" she's heard about from other total hysterectomy patients, the future of early dementia and degeneration and horror. Who does pelvic floor exercises in hopes it will minimise the fallout of the surgery. Who carefully rips every hair out of her upper lip and chin because even if it would be normal for a woman, a woman whose gone through menopause, a woman at all — she knows, it's probably the estrogen tipping back over into testosterone, and she can't handle any more losses. She compensates. They all do.
The support group is her Me Time. It is the single hour plus half hour commute she can afford once a week for herself. So she gets here, and she cries, cries, cries, and the others cry with her, all over how their lives have fallen apart since they got ovarian cancer, got breast cancer, and their lives derailed because they can't be proper women anymore.
They cry in their waterproof makeup. Another product to promise womanhood. Identify yourself via consumption. Identify yourself by covering yourself up.
And when she finds fight club. When she finds something that says, jesus fuck. You are more than your children. You are more than your ability to have kids. You aren't a failed woman, that's a sack of shit you've been sold wholesale. When she finds something that promises her she will grow, achieve personhood, not because she was the ultimate martyr mother, not because she played the game of human or woman, but because it promises a freedom from all that, identification and repulsion of such sickening chains. When she stops worrying about her slightly deepened voice, and works to keep her dose even keel for her health, to avoid the toxic highs of accidentally juicing, rather than the lesser effects of a black lip hair or two. When she has a photo, not of herself in her wallet, but of the things she makes with other women from fight club, of the one view of the sunset from that one parking lot that she always thought was wonderful, when she has things in her wallet for her and her enjoyment. When she has corded muscle and a built up spine, when she sits her kids down and explains why they only see dad one weekend every other month, all the fun holidays, because dad decided staying with her through cancer was too hard even when she stayed with him through four lost jobs pissed away in alcohol and lottery tickets.
And Marge, who gets shot by the police on a regulation chill-and-drill assignment for Project Mayhem. Whose obituary in the newspaper talks about the children she left behind, how she battled cancer and kept caring for them, how she was such a strong mother, whose kids would now be shipped off to their grieving father who is so, so brave and stunning for standing up and taking care of the kids he made and dropped as soon as his live-in servant had a few issues. Her name is Marge Paulson, and she was forty-eight years old. She was a person. She will be remembered in the annals of Project Mayhem, lest what little there was of her be stolen from the world. She was killed by Project Mayhem, but they're the only ones who will remember Marge Paulson.
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Look, dominox preys on insecurity. He's not omniscient. Even if the worst was true, even if Chetney DID kill kids when he was feral, dominox does not have magical access to memories Chetney doesn't. His whole thing is playing out the worst case what-if scenario. Dorian's has already partially happened. The only thing that would make it worse is his fear that Cyrus would hate him for what happened on top of being murdered. Respectfully, that himbo is not developed enough as a person to be making insights about his trouble VS Dorian's trouble or ruminating on Dorian never letting him make his own mistakes. That's the specific way DORIAN fears he fucked up.
Dominox's power is limited only by his prey's imagination, but imagination is all it is.
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