#I'd write like

[bucketofchum]

Im still a big romantic but definitely less romantic than I used to be

[angelsdean]

me whenever i see /pos and /hj: why are you calling me a piece of shit and what do handjobs have to do with any of this :/

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[you-were-meteowrong]

reblog for bigger sample size

[yuwuta]

CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT

featuring. gojo, okkotsu, choso, itadori, fushiguro

content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol

word count. 1.6k

SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game. 

And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?” 

You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.” 

“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?” 

“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they’re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.” 

YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.” 

He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run. 

You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck. 

Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.” 

CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you. 

Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.” 

You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?” 

“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back? 

“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.” 

The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.

“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”

Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck. 

“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.” 

YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose. 

“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”

You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face. 

Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.

Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak. 

Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.” 

MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.

“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease. 

He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.  

“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”

[zillychu]

Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.

Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.

Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.

Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.

Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?

The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.

The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.

But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[becca-e-barnes]

I need more of needy Bucky who loses control from the feeling of being inside your pussy. I need him to fuck me like a rag doll and to carry me over his shoulder around the house like his personal flesh light.

Fuck, this has always been one of my very favourites to write. I really like to imagine that he struggles to last but he can keep going after he finishes 🙈 it's my lil filthy fantasy

But imagine spending the morning in bed with him. You both wake up around 6am and you spend the first little while just touching and chatting before a couple of hours of sex. Now it's maybe around 11am and after lying there together for a while, you're both in the mood for something to eat.

You pull a robe around you and that's just about as much as you manage before Bucky's scooped you up, carrying you to the kitchen.

"You don't need to carry me everywhere!" You tease, remembering that he'd carried you up the stairs to bed last night too.

"I know. But. Carrying you means. I. Can put you. Exactly. Where. I want you." He peppers kisses over your face and neck, tenderly capturing your bottom lip between his before he sets you up on the kitchen countertop.

There's no point arguing with him so you sit there quite happily. He makes up a quick pancake mix, washes some berries from the fridge, preps the coffee machine and sets the little dining table for the two of you.

Somewhere in between, you got a little distracted, perched on the counter scrolling on your phone. You hadn't noticed the way he's looking at you.

He's so caught up in the little things; the way the light hits your shoulder, the curve of your hips, the way the silhouette of your nipples are visible against the satin robe.

"Look at you, sitting there all sweet like your cunt isn't so fucking full of me."

That's got your attention.

You squirm a little, your body fluttering at how shamelessly vulgar he's being but nothing's stopping you from doing the same.

You spread your legs, exposing the slick mess coating your inner thighs. It's a mixture of your own arousal and Bucky's cum, dripping out of your sensitive cunt.

Your fingertips trail lazily over your exposed sex, your skin glistening in the natural light before you bring your fingers to your own lips, sucking them clean, giving him a little bit of a show.

"Tastes amazing, sweetheart." You groan, noticing the growing bulge in his thin pyjama bottoms. "But I lost track of how many times you came inside me this morning. You came so deep, most of your cum won't have dripped out yet. Bet I'm still totally stuffed full."

He sinks to his knees in no time, settling his head between your thighs, breathing in the faint smell of your arousal. His tongue presses flat to your sex, trailing from your hole to your clit and back, gathering as much of your combined release as possible.

He groans, low and pathetic, allowing his tongue to dip inside you as deep as he can bury it. He savours every drop of cum he earns back from your body.

When his tongue alone isn't enough, he slips a finger into you, followed quickly by a second, curling them against your sensitive inner wall.

"Bucky baby, please don't make me cum again." You groan, your fingers tangled in his dark hair but you know he's not giving you that choice. Not when his free hand is furiously stroking his own cock, desperate to ensure that when he's finished licking his cum out of you, he can flood your cunt with another load.

[theabigailthorn]

my TV series pitch just got rejected by a production company who said it's too funny and not commercial enough, which, frankly, BEST FEEDBACK EVER??!!!

[strangersteddierthings]

"Look, Steve, I don't have any bad feelings towards you," Eddie says, has been saying, talking nonsense, like he and Steve weren't anything more than fuckbuddies, like he isn't breaking Steve's heart. "I used you too, y'know?"

It's then Steve rears back like he been slapped. Or punched. It feels more like a gutting. Joke's on him, he supposes. Once again, he wants more than the other person. He wanted a boyfriend, Eddie'd wanted sex. Why does he keep trying? When Steve finds his voice to speak, it comes out flat and dead and not really like a question at all. "Used me. Like you think I've used you?"

Eddie shrugs, looking for all the world like he's not bothered by that statement. "We had fun, right? So it's all fine in the end."

"Fine," Steve repeats, hollow. They're in his house but Steve feels the need to leave, to run before the reality of how unlovable he truly is sticks inside him forever.

"But I think we should stop while we're ahead," Eddie continues and Steve wonders if Eddie is listening to him at all, or just saying his piece before he goes. Can he not hear Steve's heart breaking? "I want to... I want to find someone to love."

If Eddie's previous words felt like being gutted, these ones feel like cement. Heavy and solidifying. Trapping in the truth of Ever Unlovable Steve. He doesn't even feel heartbroken anymore. Just numb. Dead inside. He should say something encouraging. Let Eddie know that all he's wanted was for Eddie to be happy and loved. But words seem impossible, so he gives one jerky nod of his head. An understanding.

"Right," Eddie says, returning the nod before turning away, towards the door, "I'll just go now. Umm, see ya later, Harrington."

Facing the horrors of the Upside Down should feel like the scariest thing he's ever done but it doesn't. Watching Eddie walk away does. Steve should be able to hold it together long enough for Eddie to leave. He's the tough one. He can hold himself together no problem-

"Why can't you love me?"

Eddie whips back around, an expression on his face like confusion and anger mixed.

It's only then that Steve realizes he spoke. He hasn't meant to. He was going to let Eddie walk away but now his voice has been freed from the cement. His heart has shut down his brain it seems because he just keeps talking, voice flat and hollow, "why can't you love me the way I love you? What is so broken and wrong within me that no one loves me back? My parents, Nancy, now you. Why can't- I thought that we were- where did I go wrong?"

"What?" Eddie asks, and the anger is gone from his face but now he just looks horrified. Which is understandable. It's horrifying to be loved by Steve Harrington. "What did you think we were?"

Boyfriends. Together. Going steady. At the very least, dating without labels. But none of those very reasonable, normal answers come out of Steve's treacherous mouth. Because Steve can't seem to be a reasonable, normal person. He's got to be too much, too soon, too clingy. So, instead, he says, "In love."

Eddie looks like he's just received the worst news of his life. In fact, he looks a little sick. "Oh fuck. Jesus Christ. I can't- I thought- Fuck!"

Steve just nods along. He hadn't actually said I love you to Nancy that night at Tina's Halloween party, but he imagines if he had, the beginning of the bullshit conversation would have sounded much the same as Eddie does now; like anger and regret, the starts and stops. "I'm sorry. I shouldn't have- if you want to go, you should go."

Eddie crosses the room back to Steve in half the steps he took when he first walked away, hands reaching to grab Steve's face between them. He speaks quickly and sounds panicked now. "No, no no no. I fucked up, misunderstood. I don't know how I got it so wrong. I don't want to go. I never did."

"What?"

"I am in love with you, sweetheart. I just- I didn't know you loved me back. I thought you didn't- that we weren't..."

"I thought we were boyfriends."

"Jesus, please let me fix this. Let me stay and make it up to you. I'll be the best fucking boyfriend you've ever had."

Steve thinks if he had any shred of self-worth he might step back, make Eddie explain himself, but as it is, he steps into Eddie's space and kisses him, hands pulling him as close as he can get. He doesn't want to think about the cruel things Eddie's said, about using each other. Maybe one day they'll have to hash that out, have that conversation, but Eddie says he loves him too, and that's all Steve's wanted.

[lonely--seeker]

Practise vs Improv

Happy valentine, sending y'all kisses and hugs

[whoisspence]

they're judging us

[arminsumi]

when is daddy coming home ?

g. satoru ⋅ fem wife reader

note: WOW i'm so sorry for writing this anyways tagging @satoruhour for no reason except i'm evil 👍 ik we need fluff comfort rn but i had to get out at least one devastating post. anyways. enjoy the suffering!!

warnings — heavy pure angst prepare to suffer and cry more than you already are, implied death, chapter 236 spoilers

playme ♪ oh god it's you i watch tv with / when i wake up i see you with me... as long as i'm here, no one can hurt you

scurrying around the kitchen, there's no free time when you've got a little mouth to feed. and you smile when you see your cute little girl devouring the bowl of steaming food. it's satoru's favorite, he asked you to make it today especially and you don't know why.

an hour goes by. you observe your child drawing a scribbly heart.

" what are you drawing ? " you ask, and she replies with " something for daddy. "

" it looks beautiful. who's that ? "

" that's you. and that's daddy. and that's me. "

" are we inside a heart ? "

" yup ! we're inside daddy's heart, because it has the most space. "

your heart feels a peculiar pang, and you look out the window. how strange, you felt like your whole world caved in for that split second.

" mommy, when is daddy coming home ? " your little girl asks innocently.

" soon, angel. "

you ring his number.

gojo satoru ~ i'm busy right now, leave a message — ow !

you remember the day he made this prerecorded messgae. his ow at the end is a reaction to your little girl biting him when she was teething, that was years and years ago now.

the little bell on her bracelet sounds. it's the bracelet that you and gojo wove together in high school; your little one had found it in your memory box and loved it so much that she asked if she could have it as her birthday gift.

that bell chimes as she moves her wrist to color in satoru's eyes with the prettiest blue crayon. and for some reason, it sounds louder than ever; you stare at it. why are tears coming forth?

the tv is playing. the birds are chirping. the world keeps spinning. but your world? it feels like it broke apart. and why? what was this feeling? you felt like... like something devastating has just happened.

you try satoru's phone again, wandering aimlessly into the kitchen. it feels eerily quiet and joyless.

gojo satoru ~ i'm busy right now, leave a message — ow !

you try it again.

gojo satoru ~ i'm busy right now —

you try it again.

gojo satoru ~

gojo satoru ~

gojo satoru ~

he was mimicking the way you always said his name in high school.

and you start breaking down crying, trying and trying repeatedly as if it would change anything. you don't need someone to knock on your door to tell you he's gone, because you can feel it; his spirit isn't in this world anymore. you and him were completely connected, a string between the two of you that linked your hearts and subconscious no matter the distance between them.

when you look up at the sky, there's an endless blue. but all you really think of when you see that sky is his eyes. when you first met, that was one of the first things you told him.

" your eyes put the skies to shame. "

and he replied with something so cheesy that for some reason made you fall in love with him right there.

" aw. well, you put the angels to shame. "

the food goes cold. in his last moment, when he detached from the world, he was thinking about returning home to you. that's why he had asked you to make his favorite, after all. he thought it would be nice to enjoy such a simple thing after saving the world.

it's funny, even if he would have saved the world, he wouldn't have been able to come home to boast about it to you; because you never knew that side of him.

you never knew he was gojo satoru.

you just knew he was your gojo satoru, your doting husband.

when those eyes stared up at the blue sky for the last time, he thought;

at least i got to say i love you to you this morning, and give you that big kiss. treasure it baby, there will be no more now.

rest well honoured one.

© arminsumi

Do not plagiarize / repost / translate / copy layouts / etc.

Do not steal what I've worked hard to create.

[violent138]

Superbat parenting babies would be a breeze in my humble opinion. Bruce's medically well-versed enough and immune to even enhanced interrogation levels of sleeplessness, and loves kids and would probably be happy reading them stories to sleep every night.

And Clark could always tell if the kid swallowed fridge magnets/batteries/something else. Also, tell me which baby wouldn't enjoy Clark's presence and calmness. They'd be like little hamsters cajoled by the steadiness of his hold.

[10underoot2]

I thought I would have so much to say about the car accident scene. And while I could go on for a while on why it's everything I've ever wanted from a scene of this nature and why it's a beautifully acted cinematic piece, I do think the beauty of the scene lies so much in silence. Their expressions are do a fantastic job to express their emotional state so I'm just gonna call attention to a few things I won't get over anytime soon.

Imagine being Haein and seeing your husband wrecking a car window in hysteria. Imagine seeing disbelief on his face when he sees you and walks towards you. Imagine watching him unable to breathe properly (sound on and high for this scene). Imagine seeing life flood into him as soon as you touch him.

Jiwon plays such an important part here. Because Haein has NEVER seen Hyunwoo like this. He's a pretty calm nice, non-violent guy. She knows him to like mostly everyone and he rarely gets angry - he's pretty composed. But then what is this look of complete shattered pain on his face? With a mix of disbelief, bearing the heaviest heart on the planet? He's unrecognisable to her. She can't make sense of any of his actions. She's in utter shock hearing how hardly any air is making it's way into his lungs.

In his eyes is a look of crazed wilderness just tamed. He's out of his sense. Completely lost in the events that have just passed. Not believing that he can breathe. That it's okay. All is well in the world for now. She's unscathed.

'What's going on? Calm down.'

The way she asks him to calm down - touching his face - cause she just doesn't know what in the world could send him in such a frenzy to forget himself. Her asking him to calm down here is everything to me. She's really just saying I'm here okay. Calm down. Calm down, you can breathe. Tell me what happened and I can fix it.

'Even still, Are you crazy? How could you break the window with your bare hands? Look at this!'

I know it probably didn't register to him at that point. But he's hearing her being worried for him again when he thought her lost forever. Wouldn't that sound like music to his ears.

And her...god she's so worried for him. She's never seen him like this. She doesn't know what happened to make him like this. One she sees his absolutely broken bloody hand. Two she's seeing her husband absolutely crushed. She's so confused.

That is until his words hit her like a truck. I think she had an idea that he did it to save her but she didn't know he did it because he thought her dead. And that makes all the difference for her.

Also I thought it was very interesting to keep showing his injured hand clenching. I think it was a way to show how the physical pain still didn't hold a candle to his emotional turmoil. He CLENCHES that broken hand multiple times. I can't even begin to think when he actively registered the pain.

The need for constant touch to reaffirm that she indeed is there. The sitting down. The head on her hand. The heavy breathing. *Chef's kiss*

I love women comforting the man they love when he's broken. Gah! That hand on his face and hug. Her embracing him. Letting him cry all he wants. Giving him the reaffirmation he needs by placing her self as close to him as possible. Trying to tame and override his sense. The hand on the nape of his neck. The hand caressing his hair lovingly. And good god, the RINGS.

Also notice his breathing on her shoulder. He's trying to calm himself. Telling himself she's here. Hearing her say it's alright. Everything will be alright.

I'm sure they stay like this until the ambulance comes and asks them if they're hurt. Only then Haein must've gently tore him apart from her (hand on his face again ofcourse) and convinced/guided him to finally get treatment. I can just Imagine Hyunwoo completely dishevelled going, 'Huh *sniffs*......oh.......Right, my hand' and that's when the pain hits him.

Special mention to the hospital conversation when Haein asks him 'Will you sob like this if I die?' and he says truthfully, bashfully, embarrassed but without missing a beat 'Ofcourse.' He's hiding behind nothing. He truly meant to give up on himself after her.

For me this is also the night Haein starts to write her diary. Hyunwoo must've been sound asleep, amped up on painkillers and she must've had so much time to sit and admire him and write.

Gif credits: @wolha and @seawherethesunsets