#I'm here for the villains. if they're bad it's forgivable because they're villains

[hypervoxel]

I think that Hazbin Hotel criticism has become a fandom all to itself, which I don't like because it makes me feel awkward when I want to do criticism. Sorry, I don't go here, I just have many gripes with the show. With that non-disclaimer out of the way,

I love the concept of Angel's character so much, but the execution of those concepts in the show made me like him less and less. It was way too rushed - as was the whole show - which makes his becoming a better person seem so cheap. Like, the characteristics he showed when Charlie tried to prove to Heaven that redemption is possible, weren't nurtured throughout the series, but instead just there, hinted at even in the pilot. Also I really hate how the show handles addiction without much care.

Sir Pentious is... fine. I don't like remembering the rape joke the show made at his expense. You can't go from treating assault as a serious issue to making jokes. On the note of the show's quick pacing, I straight up didn't realize at first that he died, so watching that scene, I was trying to figure out what all the other characters were reacting so dramatically about because I did not get that he had been completely vaporized, not just blasted out of the sky.

Vaggie is actually The Most Interesting Character to me. I love you fallen angels who fell because of love and compassion that were incompatible with Heaven's dogma. Conceptually, perfect to me. I wish there was a lot more about the conflict she has from her own internal biases about Sinners. Like it's there, but it's not addressed much. She wants to believe in and support Charlie, but it's Hell. Charlie is wonderful, but she's an outlier! And Vaggie feels the need to protect her from her own optimism, which is so so good, I love that conflict.

For Charlie herself, I wish she were just... I'm not sure the way to phrase this. More flawed? Like, the scene of her having Pentious and Angel acting like a middle school D.A.R.E. program, where Charlie just obviously doesn't understand the things she's trying to make her hotel inhabitants work through. She doesn't understand addiction, and in her lack of understanding, she hurts Angel! I wish there were more of a focus on that. I wish her clumsy attempts to help without any knowledge of how to help - as she did again trying to confront Angel's abuser - was shown more to make things worse. I wish she got a chance to reflect and realize that she needed to change the entire way she went about redemption as a concept instead of her going to Heaven to try to prove her idea works. She hasn't figured out how to redeem Sinners! She still doesn't know what they really need in order to be better.

I wish the series had gotten more into the very concept of redemption.

[whyamihereat4am]

my favourite thing about chuuya nakahara is that he's just kind of. chill. about everything. he's like, my tragic backstory has no hold on me, i went to therapy and i'm all good now. i'm a bad guy cuz it pays good and my found family happens to be here. what do you mean that's not a good reason, you a cop or something?

someone will betray him and he'll go ok well that's pretty upsetting. they probably had a good reason though. i'll forgive them if they let me get a good punch in. if they're really just a hater they're giving me bad vibes and i don't wanna deal with 'em at all tbh.

things have been done to him that would warrant a lifelong crusade of revenge for anyone else, but for chuuya nakahara it's just, that was super not cool but i'll let it slide if you get therapy with me.

chuuya is down for any crime and thinks moral boundaries are for losers and stuff but he's the nicest guy in the port mafia when it comes to not mistreating his subordinates and probably helps old ladies cross the street. he shows up for a solid 10-20 minutes of screentime per season and makes all the fans fall in love with him while doing the bare minimum, and despite technically being a villain i don't think he's worked against the agency a single time (although to be fair this is often not on purpose). he also does the bare minimum every time he's asked to help in-universe and clearly isn't even trying, and he sweeps anyway because he is ridiculously overpowered and could probably kill literally everyone if he actually wanted to, and i just. no one is doing it like him. you go you unbothered king.

[wolfiesmoon]

Deal or no deal

Azul x gn!reader

finally writing for my baby boy azul, i can't believe it took this long since i am an azul girlie myself

a very funny silly definitely innocent business man methinks

"First, tell me what you desire. We can take it from there." Azul smiled slyly, interlocking his hands as he leaned on his elbows.

You were currently located in his private office, about to sign a contract with him. You had to think long and hard about coming to him, but you figured that if anyone can fulfill your wish, it would be Azul. You feel kind of guilty asking him for this in the first place.

You see, you've been in love with Azul for a good amount of time now, but are too afraid to make a move. You beat yourself up for being such a coward every day, and even moreso right now because you're about to ask him if he can make "someone you've had your eye on" fall in love with you. You're not sure what exactly he does to make it happen, but you hope it's doable without much instructions on your end. Desperate times call for desperate measures.

Though you still feel like a bit of a villain for doing this at all.

Your guilt and nerves are probably showing in your body language, too. Which you suppose only makes Azul more interested in learning what you desire. You can practically feel the grins on the Leech twin's faces, too. It's like they genuinely like seeing you nervous and scared.

Why are they even here, anyways?

"I want... someone to fall in love with me. Someone who I've had my eye on for a while now." you fidget with your fingers, unable to look Azul in the eye when you say this.

"That's..." he tried his best to hold back from laughing but a snort escaped from his lips anyways. "Forgive the reaction, your wish was just... unexpected."

You suppose he thought your wish would be more sinister because of your body language. Or way more embarrasing. But still...

"Ehhhh, I didn't know Shrimpy was in love..." Floyd's eyes were slightly widened but his creepy grin was still as wide as ever. "It is quite surprising, indeed." Jade added on. By the suspicously calm way they're acting, you have no idea if the twins already know about your little crush and are just acting along or if they're actually surprised.

"Yeah, uhhh, I guess that's it?..." you had no idea what else to tell him. You just hope that this can be over as soon as possible since things are getting really awkward.

"I can certainly do something for you. Tell me, what is their name? They attend this school, I assume." Azul seemed delighted. Probably because that means he'll get free labour from you as a collateral. You don't have any magic to offer him, after all.

"T... their name? Is that required?" You froze up. There's no way you can say that. That would be the worst way for your feelings to get outed, ever. You suppose it makes sense, though. He can't do anything if he doesn't know who you're in love with.

"But of course it is. Don't worry, judgement has no place in business affairs." He smiled reassuringly at you. You felt your face heat up. No, no, nope. You can't do this. Not like this.

"You know what.... Never mind. I can't do it." You abruptly stood up from the cushy office chair, apologising curtly before practically bolting out of his office.

"Oh my god, that was so bad... oh my god..." you mumbled to yourself when you were out of Octavinelle. You just royally embarrased yourself in front of your crush.

Was it obvious?

.

"What was that about?" Floyd pouted at the direction of the door, which you left slightly ajar in your panic to escape the situation as soon as possible.

"Hmmm... how odd." Jade looked deep in thought about something.

"This is why I tell you to stop coming to my office when I'm trying to make a deal. You scared the poor thing off." Azul shook his head dissaprovingly.

"That wasn't our fault. Shrimpy was acting super weird the whole time anyways." Floyd defended himself and his brother.

"I suppose you're right..." Azul took a deep breath, seemingly... relieved? Not about the fact you ran away, but still relieved for some reason.

Jade made a realisation. "Oh. I see. I see."

He smiled knowingly at Azul, who raised a brow. "What is it? Is there something on my face?"

"No, it's nothing. Don't worry."

Azul gets the feeling that Jade knows something, but doesn't want to tell him.

"If you say so."

[cadavercrafts]

I hate to start drama so please forgive me, but why would you create a figure of a character (Valentino) that is a rapist? Even if they're fictional, I think it sends a really bad message.

No offense taken at all, anon, but this will be a long one! I heard of other people who like villains getting similar messages but i've never gotten one myself despite all the things i've made fanart for in the past. So i'm almost happy to talk about this?

It's 100% fine to hate certain fictional characters and just not wanting to see them at all. I think many people (especially with trauma) can relate to seeing a character in media that just makes them feel sick, i sure know some! But you're also talking to a dedicated horror nerd here. I have an expensive action figure of a monster-pregnant half skinned man in my shelf, anon. Rape doesn't even BEGIN to cover what some of the characters i like have been doing in their little fake freakworlds.

I love to explore horror and dark themes because fiction gives you a space to do this in a secure controlled environment and that's why it's so wonderful. We all have different levels of hard topics we can handle but if something is too much for you you can step away, shut it off and you are free and safe. No, i would not enjoy to be skinned alive for real and i don't think it's a very nice thing to do to others either, i have zero sympathy or interest in real life criminals. But Hellraiser is still a neat book!

I'm an adult and I'm able to freely chose what kind of themes and media i want to interact with and so are you. I mean, i don't know if you're an adult, but you have the power to chose regardless. My nickname is CADAVERcrafts and i made so so so so much fanart for awful villains before, ones who did way worse things than Valentino. Ripping heads off, killing kids, eating people- you know, the usual! I'm afraid you're not gonna like many things i'll make in the future but i always tag everything so you can absolutely avoid it by putting it on your blacklist. No Valentino jumpscares on your dash from me!

To be quite honest i thought of a lot of kinda funny dismissive replies at first but i don't want to shit on people who are genuinly upset. If you want something trigger tagged in the future just shoot me a message, i like to claim i'm not nearly as much of an asshole as the characters i make in clay. And if you just can't stand it then unfollow me, throw me in the bin! I'm just some online weirdo, you don't need me in your life if my works make you sad. Toss it, it's cool, this is your playzone and you get to decide who gets in!

[celaenaeiln]

so my friend, at 12 am, called me just to say that dick grayson is the only one in his family that bruce truly views as an equal and then hung up. what. what do i do.

well, call them back and tell 'em they're right 😂😂😂

I started cackling so hard I began wheezinggg oh my god that's hilarious!!!

But maybe for a more reasonable time to talk about this concept after you wake/have woken up from your dick grayson cameo dreams, I'll drop some comic panels

Dick is privy to all of Bruce because of the way Bruce treats him like an equal

He lets Dick in on secrets that he doesn't tell any of the others

I've made a post before on how Clark views Dick as his equal just as Bruce views Dick as his equal.

I'm going to drop the Bruce segment here:

When Bruce was gone the only person he entrusted any information to was Dick. He left a personalized - voice activated - message for Dick and only him that lists his worries, faults, and regrets.

"The girl, Cassandra Cain... I told her to give this file to you should I fall tonight."

"She's my greatest sin, Dick. My deepest regret. Stay alive, and please. Try to forgive me--"

He lists his insecurities to Dick as friend, as an equal.

Of everyone Bruce left behind, the only person Bruce left a message for was Dick. He relies on him unconditionally to take over because Bruce doesn't seem him as a kid like he does with the other - don't get me wrong, he still values and knows just how brilliant the rest of his children are - but he sees Dick as an equal in terms of intelligence, abilities, and leadership. Actually -

Bruce puts Dick on a pedestal.

He views Dick as the golden standard of everything he's working toward.

The reason I think Bruce is so harsh on Dick in regards to training is he doesn't see him as a kid that needs protection, he seems him equal to himself.

Time and time again he sends Dick on solo missions because of the faith he has in Dick's abilities and intelligence

In another comic there's an Arkham breakout and Bruce just. He just sends sends Dick on a solo mission to contain the entirety of Arkham and the villains inside by himself.

And Dick does. Effortlessly.

The fight for Spyral

"I know the other heroes. I know them all. I'd have them do it, but they can't. They'd fight, but eventually they'd give up, they'd give in."

We all know that Bruce despises himself when he fails at something. He thinks he's the best in the world and struggles to cope with the idea that he failed. As such, Bruce views Dick as an extension of himself. Unlike with the kids where he acknowledges their differences and treats them like children, Dick and Bruce are so intertwined that Bruce considers Dick as the "good part" of himself while Bruce is the "bad part".

He gets the angriest at Dick during times where Dick disagrees with him because he believes that Dick should understood what he's going through and what he believes in. For his part, Dick is always on Bruce's side and acts like Bruce's leash. He'll let Bruce do anything he wants as long as it's within the limits of acceptable behavior. Once Batman crosses those limits, Dick fights with him to bring him back.

As such, Bruce doesn't differentiate himself with Dick. He is the best and as a result so is Dick. Except in his mind Dick is better than him in every way possible and he took the steps to ensure it through training.

One of the reasons people in the comics call Dick the Golden Child is because he's the living embodiment of everything Bruce strived to create. It's not because he follows his orders religiously or anything. No, Dick just gives Bruce a longer leash than most.

In the Spyral fight I think he hits Dick because he is in part frustrated with himself. Imagine seeing someone you have unconditional faith in because you know they're capable of the very same things as you and can even surpass you fall to a threat. Doesn't that mean you would've fallen too? Is their failure just as much yours if you see yourself as a god? But how can a god-like being fall?

Their relationship is complicated because while Bruce sees Dick as his own person, he also sees him as the reflection of his success.

That's why Bruce is harsher on Dick than the rest of the kids. That's why Bruce makes Dick his right hand man. That's why Bruce shares his sorrows, fears, and vulnerabilities to Dick.

The way they interact, they view each other as father and son but with all the roles and responsibilities as partners.

Dick's compartmentalization and the way he mothers Bruce and Bruce allows it? He doesn't let anyone do that. I feel like on some level he subconsciously expects Dick to take care of him. As someone he can turn to with his worst and darkest sides and still be loved and appreciated and told everything will be alright. It's not a burden he places on the rest of his kids. Which is why Dick's relationship with Bruce straddles the line between son and guardian with him playing both roles and Bruce reacting/ forcing him to react that way.

Also

"Robin fuctions as support."

"Robin wasn't your idea, Bruce! It was mine! I sat in your cave and I watched you and I learned-- and when you needed my help I was there!"

"I'm not your employee, I'm not your son. I'm your partner."

One thing that differentiates Dick's robin from the other robins is that while the other Robins were worried about meeting Bruce's expectation, Dick was more worried about Bruce not seeing him as an equal. He ran away from home because he was mad that Bruce was becoming more controlling and not at all like how they used to be - partners.

There's a reason Dick is the only one Bruce views as his equal. It's because the experiences they've shared have woven them so tightly together that Bruce considers Dick his better half and pillar of strength. If he falls back, he can rely on Dick to take over. Emotionally and physically.

Still laughing at your friend lol. Wild

[bonefall]

You can ignore this but I was just curious. What are your thoughts on redemption? I know modern day it means "character gets absolved of all wrongdoing and sin, and everyone forgives them yay!" But I'm talking more like, redemption as "Character acknowledges their actions and worldview was shitty, has apologized to all harmed parties, some forgive and some don't, but regardless character works on their issues and strives to become better"

I know characters are writing tools, so the message here would, in short, be "No matter what you can still work to be a better person". So I suppose I'm asking to what extent you agree. Sorry if this ask is everywhere I'm very sick at the moment.

I speak harshly of redemption arcs because I am actually an aficionado. I love them. I can't get enough of them, honestly. They're like eggs to me, I like 'em in all sorts of ways, devilled, omeletted, scrambled, but rotten ones are so bad you've gotta get rid of them immediately.

What often ends up setting me off about how redemption arcs are approached (and discussed) is the pervasive fact that people are more interested in sorrowful abusers than messy victims. They'll turn out to gush about how wonderful it is that Clear Sky cries about how sad murdering women made him, while not even recognizing Star Flower is self-destructing or Thunder is deflecting and misplacing.

It's like... even in fandom you will never get away from it. Your abuser is compelling and complex (meaning "was mean and sad at the same time"), and you're whiny and annoying ("ugh why is this traumatized person doing irrational things?! Don't they ever learn?!")

So when I write and when I talk, victims are always forefront in my mind. I'm really tired of stories that center Good Intentions or "but they loved you"

But anyway, digressing,

I agree. It really is never too late to work to be a better person. It's not even about apologizing, or making up for it, because sometimes you can't. "Sorry" will never undo what happened, and "sorry" doesn't even promise that real change is behind it.

So to me, a good redemption is just about exploring change.

Not suffering, I don't entirely like the idea that pain fixes pain, because it really doesn't. Reflection does. Genuinely understanding what was wrong and why you did it does. In spite of how cathartic it is to see someone get karma, I do hope that 99% of all people could be rehabilitated.

It's why I'm not fond of the phrasing where people want to deny redemption arcs because "they don't deserve it.' The WORLD deserves it. The people they will HELP deserve it. The person they will be deserves it. The question really is-- WOULD they change?

And the answer for powerful people is usually no. Power feels good. Gets you what you immediately want, makes it easy to surround yourself with yesmen who reinforce your excuses.

I think most people want to see others get better, but it's cathartic to me when some characters don't. Redemption arcs are wonderful things, but shouldn't be seen as the IDEAL ending for every villain, y'know?

[sexiestwerewolf]

I feel like Dumbledore has done irrefutable damage to the "wise older mentor who takes the traumatized kid under their wing" trope just because Rowling can't write father figures properly and now everyone expects every "wise old man who takes the traumatized kid under their wing" to be some inherent evil who's actually the spawn of Satan and only looking to harm said kid

I've seen it time and time again to many characters, but the ones I think of the most are All Might and Wu even though, objectively, they're great teachers and don't expect their kids to literally give up their life to stop the big bad. they made a few mistakes but literally everyone to ever exist is gonna make mistakes, but it doesn't make them bad people

in general I just really hate "character bashing" especially that of which I'll see in fanfiction and genuinely believe that if you stopped looking at all those characters through the lense of black and white and instead actually take the time to look into their characters and why they may act that way or make those mistakes and even, for fanfic writers, utilize those and expand upon them you'll find so much more depth

also usually I'm finding people giving more sympathy towards villains than characters who slighted the MC just a little bit and don't get me wrong I love my villains (huge garm fan here duh) but forgiving one but being overly critical of the mistakes of another is so weird

anyways I love my fanfiction writers who make old wise teachers flawed and human (so to speak in Wu's case) instead of irredeemable monsters who only have it out for the mc

[geekgirles]

Lady Echo: A Character Analysis

Before we dive in, there's something about me you should know. I'm a TV Tropes truther. That site is my Bible. If a piece of media interests me, then you'd better believe I have visited its TV Tropes page.

And because of that, Echo in particular is a character I've been meaning to talk about for a while now, because I get the feeling people tend to overlook what I feel is the true core of her character at the end of season 3.

As you can see, while other tropes go more into detail about her true motivations behind betraying Oropo, that part of her character ends up being reduced to being a Woman Scorned, and while that certainly applies here, I really don't think that's the trope that best encapsulates her character and her decisions at the end of the season.

A Woman Scorned is essentially any woman who has been wronged by the person she loves and seeks revenge or has at least expressed great anger. And it can go from being cheated on by a partner, or simply being rejected by their love interest and not taking it well. And both heroic and villainous characters can be the ones to break her heart. In fact, Arpagone too would be an example of this trope, as even if her feelings for Ruel are still there, most of her actions are motivated by the pain she feels for his decision to choose money over her.

As you can see, this all fits with Echo's actions and feelings at the end of season 3, but it's very general overall. Which is why, in my humble opinion, Echo is a better example of Love Forgives All but Lust.

This trope is essentially a deconstruction of tropes centred around the appeal bad boys have for women. The thing about women falling for bad boys is that those women tend to know they're bad news, and beyond a desire to be the ones to change them, the real reason that interest is born is because they're attracted to the idea of the bad boy being a jerk to everyone, but them. Love Forgives All but Lust is what happens when the woman is rudely awakened from that delusion.

In other words, when they realise not even they are safe from their partner's worst actions. And what is the best way to have a woman feel betrayed to the point of seeking revenge? Unfaithfulness.

Sure, they will forgive their partner if it turns out he's a serial killer, but if he cheats? Then he's the one who's dead.

And example of Love Forgives All but Lust is when the police is trying to get a mafioso's wife/girlfriend to testify against her lover, but she refuses to cooperate... until she discovers her husband/boyfriend has a lover, then she'll do everything to bring him down.

If you think about it, this is essentially what happened between Echo and Oropo after he revealed he only ever "loved" Amalia. Even if Echo is a much more active player in Oropo's machinations than simply being aware of them, having helped him carry over his plans for centuries as his second-in-command.

After he kissed Amalia and claimed Echo never meant anything to him compared to her, that's when Echo totally lost it. And her subsequent actions are a direct result of his betrayal. It never had anything to do with Echo seeing the error of her ways, as we all know.

Think about it, it wasn't until Oropo chose Amalia over her, after everything they had ever been through, that Echo truly struck. Once it became apparent her lover didn't care for her nearly as much as she cared for him, that's when Echo revealed his true plans: to destroy the gods, he must destroy the World of Twelve and deprive them of followers. In other words, he was willing to commit mass genocide for the sake of his dream.

Moreoever, the fact that she got to reveal the true extent of his plans at all already highlights that only she knew about them. All along, Echo knew what Oropo was planning, the consequences of his dreams, and she never once stopped believing in his cause. Their conversation in episode 6 even going as far as explaining Echo already believed in him and supported his dreams before ever falling for him, meaning she can't even excuse her actions by saying her feelings blinded her. Because she was perfectly aware of Oropo's plans all along.

And yet, that didn't stop her from loving him. If anything, it was only another reason she fell in love with him.

No, it wasn't until Oropo broke her heart that she ever went against him.

If you ask me, this all reads as Echo not minding Oropo's most questionable tendencies because she was convinced she was exempt from ever being at the receiving end of his worst actions. After all, she had been by his side the longest, witnessing how he got rid of demigods that failed to meet his standards or were no longer useful (going with what the show claims, I haven't read Ogrest's manga). It wasn't until he kissed Amalia and shoved her aside that Echo realised not even she was safe from him.

And it was because Oropo had had no qualms to screw her over that Echo decided it was her turn to screw him over. And hence, she revealed his plans to the Brotherhood of the Forgotten, not because she'd seen the error of her ways, but because Oropo had hurt her and she wanted to make him bleed in turn.

In the end, Echo's actions weren't fuelled solely by revenge or even jealousy, they were fuelled by the bitter realisation that she never meant as much to Oropo as he meant to her. It was about realising he had no qualms hurting her, not about how he had no qualms hurting anyone else.

It was about Echo not being enough for Oropo.

And for me, that's why Echo is a better example of Love Forgives All but Lust.

[a-dragons-journal]

Forgive me for showing my fangs a little here instead of being as delicate in phrasing as I usually am, but. Periodic reminder:

sweeping "humans suck, humans are evil, the world would be better off if humans disappeared/had never evolved" statements may be cathartic but they're thoroughly inaccurate (ie, the vast majority of uniquely bad effects of humans on the planet are a) extremely recent, like within the last couple centuries, b) the fault of an extremely small minority not the entire fucking species, and c) fixable)

hating being human isn't the same as hating humans. I get species dysphoria is a thing. I get that it's often hard to fit in as a nonhuman in human social groups and that can make it easy to slip into hating everyone around you. Please fight that instinct

villainizing people for traits they didn't choose, such as the species they were born into, is neither cute nor fair. No species is inherently good or bad

misanthropy is cathartic in short term vents or whatever but genuinely embracing it wholesale as a philosophy is liable to lead to you hating humans, human society, and being in a human body more and more over time and thus make your life worse by constantly reinforcing a thought pattern that makes you angry and upset

you are not immune to being part of human society (translation: just because you're nonhuman doesn't mean you're not included in statements about the effects of the human population on the world, ie "humans are killing the planet")

related, you are not better than humans for being nonhuman. looking at my fellow dragons in particular on this one. I get it, draconic pride is a thing, dragon brain probably says you're the supreme being and all else is beneath you especially anyone who annoys you. Mine does too. Please recognize that is an instinct you are supposed to FIGHT, not something that's TRUE AND THAT YOU SHOULD EMBRACE. Good fucking gods.

some nonhumans are also human (it's me, I'm some nonhumans) and you are making sweeping "humans suck, why would I ever want to be human, all humans do is kill the planet" statements in the presence of people included in those statements, which is insanely rude (and no, you don't get to "but you're different because you're nonhuman" me! you do not get to decide to ignore half of who I am because you don't like it, you do not get to decide I'm not "really" human, and also see the previous bullet point). this goes doubly if you're in a space like a DIscord server where people have expressly stated they're not comfortable being tacitly included in statements like that

saying "but I don't REALLY mean all humans, I just mean the specific ones at fault!" after the fact does not actually change anything if every other thing you say is constantly "humans humans humans" and not the group you're actually referring to, or at the very least doesn't change how it reads to everyone around you

[badaziraphaletakes]

Hi! Please Forgive this terribly long lead-up to my question. I’m finally joining the conversation here instead of just sneaking around reading everything, and I wanted to say a huge thank you for the visibility you bring to the relationship between common criticisms that we see aimed at Aziraphale and aspects of his character that are autistic-coded. In my marriage, one of us is autistic and the other is adhd and some of the posts i’ve seen about how beings are ‘supposed’ to show love and care, and about how concern, kindness, consideration ‘should be’ communicated, have just baffled me. Do people really not know that not everyone processes the immense complexities within feeling in the same way? With the terribly stressful events precipitating the final 15, it never even occurred to me to be mad, frustrated, or angry at either one of the ineffables, or to think that either one of them should shoulder the burden of their conflict more than the other, if even at all. I’m upset FOR them. It seems so obvious that events and pressures were stacked to make it impossible for them to find their way to each other in that moment. And it was quite transparent in the transitions that critical narrative details were excluded. Neil made this happen in a very mastermindedly way and I both love and hate it, lol.

SO to the point - when I came to tumblr looking for similarly heart-wrenched souls and I found some truly mean & cruel things written directly about our angel and tangentially about our demon and it made me very upset, and if i’m being honest it also made me worry quite a bit about the limited capacity for sympathy that some folks seem to have. Now that I’ve calmed down (a little) i’m curious for your take: In your opinion, why are so many bad takes hyper-focused on proving that C & A aren’t equally sympathetic characters? And more jokingly: Do people not know about us v the problem?

Thank you so much for writing this! It's absolutely beautiful and so insightful. I'm so glad this blog has been helpful to you; it warms my heart to hear that! As for your question, I'm going to think about it a bit more; my initial response is to say that it's because a. Aziraphale rubs people the wrong way (because autism, as discussed above! :), and b. People always want to paint ab*se victims as the villains, but I suspect there's other factors at play as well.

Maybe the angel-demon dichotomy makes people think one of them has to be bad since they're nominally on opposite sides. For example, I've seen a lot of takes that say hell and the demons are the good guys, which is demonstrably false. My impression is that some people think the way the story is trying to be subversive/iconoclastic is by saying "demons are the good guys for rebelling against heaven &c &c". When in reality, of course, it's being subversive by saying "there are no 'good guys' and bad guys'; nobody's 100% good or 100% evil, so we shouldn't set up these false us-vs-them dichotomies".

I'd welcome your two cents and the thoughts of anybody else who wants to chime in!

[miraculouslbcnreactions]

Fixing Gabriel's Writing via a Corruption Arc

Like it or not, Miraculous considers Gabriel Agreste to be a loving father. If he wasn't, then you wouldn't get things like the season five ending or this bit from Queen Wasp:

Gabriel: (guilt-ridden) I don't want to break our promise, but… I can't keep putting our son in danger. Style Queen was supposed to be my masterpiece… but even she failed. I feel like I've done all I possibly could, you know? I'll never be able to fulfill my wish without Ladybug and Cat Noir's Miraculous. (Scene shows Emilie in her coffin) Forgive me, Emilie. I'm giving you up, Nooroo.

But this side of him only shows up in big dramatic moments. When it comes to his more general writing, he's a full out cartoon villain and terrible parent, which is why I've said there's a lot of valid ways to write him. His character is wildly inconsistent. This is a problem that is easily fixed via an actual corruption arc where he goes from somewhat decent parent to monster. There's a couple ways to do this, but here's how I'd do it in the context of keeping canon mostly intact:

Early seasons needed to make Gabriel come across as more openly grief stricken. Really highlight the fact that Emilie's death changed something major about him and his relationship with his son. This is one of the reasons I like a more nuanced Chloe. If you let her and Adrien be actual friends, then you can have her make statements to indicate that Adrien used to be quite close with both of his parents and that Gabriel used to be a good father. You can also have Adrien make statements like this to Plagg, I just like the Chloe angle more as she's more blunt while Adrien is more likely to hide his pain/focus on the positives.

Have Gabriel be unwilling to send akumas to areas where Adrien is. Episodes like Riposte should be impossible as Gabriel will be wholly unwilling to let akumas go after his son. This also lets you justify Adrien being locked up. As is, Gabriel just comes across like a jerk. If he's only banning Adrien from going out in order to keep his son safe? Well, he's still a jerk, but at the very least, he's a jerk who worries about his son's physical well being. Origins saw Adrien sneaking out of the house, so keep that element and make this be the reason he gets caught up in akuma attacks.

As time goes on, Gabriel gets more desperate and more willing to take risks. Lots of things could trigger this such as Ladybug always resetting everything, making him feel less concerned about hurting others. After all, he'll fix everything with his wish and, if he fails, then Ladybug will do it for him. There's really no way to lose here. Style Queen could become a turning point where Gabriel finally willingly put Adrien at risk and he feels awful, but make that also be the closest he's ever come. Have Gabriel decided that risking Adrien is worth the cost if it brings them back Emilie.

After that, things start to go downhill. Gabriel draws away from his son more and more due to guilt, but he's convinced he's in the right because he wants Emilie back so bad. The ends justify the means and all that. This can lead into several different types of endings, but the general feeling of Gabriel's final ending should have an element of pity. He's a villain, but he's a villain many could easily become.

This is the kind of path canon needed to walk if they wanted the season five ending to feel realistic. As is, it's going to read as total nonsense to most fans because they're going to go off of the way Gabriel was played in your standard, monster-of-the-week episode. They're not going to think about those core characterization episodes that were supposed to define Gabriel because those episodes are just too uncommon and too antithetical to the way Gabriel tended to be written.

[iceformer]

It's 1:40 am but let me cook real quick

Ally Beardsley, the Person, Fundimentally Changed the Fantasy High Universe (an essay)

Fantasty High Freshman Year was supposed to be "dnd meets 80s high school" with the cliques and general vibe. The Interepid Heros grew up in the 80s but now live in the 20th century, so some anachronism were expected.

In later seasons we see the charecters using more crystal tech and making more modern references , the biggest ones I can think of being social media and Sandra Lynn having Life 360 for the Mordred girls

It would be like if they were playing a normal game of High Fantasy DnD where "we haven't invented plumbing yet so there's no toilets" but instead it's payphones and phonebooks

Again, the Intrepid Heores are all at least 90s kids so they would have grown up while technology was still in dial up and computer rooms, but they're also actors/comedians. The brief was "imagine you are all in Magic Breakfast Club Land" and we see them all playing up their tropes (or stereotypes) in Freshman Year (edgy Fig, loner Gorgug, snooty Fabian)

My point this morning is that the concept was Magic Breakfast Club but it evolved into modern Fantasy. Not saying that's a bad thing, I was just thinking about how has the vibe changed so much from the original idea?

And then I remember that in episode 3 of the first season, Ally Beardsley invented PrayerChain. Which could have been some instant messaging system but Emily and Brennan immediately follow it up with making GIFs Canon in this universe.

As a table full of comedians making a show, they cannot help following a bit. That's why the funniest moments of the show come from Ally's anachronistic references.

But I think the big one that changed the concept from 80s movie to modern Fantasy is during "Family in Flames" when everyone's separated, their homes and loved ones in danger, Adaine and Kristen stay behind for one last break in the case,

And Kristen straight up calls and Uber.

That moment was what sent me on this train because in what 80s world are the high school kids calling an Uber or taxi? It's always "the one with the car" or "everyone has a bike" to travel around town. I think from here and with all the anachronistic references that Ally made all season really cemented Solace as Modern Fantasy and not 80s Nostalgia.

I saw some posts on here about how Riz was the Main Charecter of the show because every Villain of the season had some Personal Beef with him.

I think Ally Beardsley, the person, not Kristen Applebees or K2, is the main charecter of the Fantasy High Universe

What's even better about this is that THEY WERENT EVEN SUPPOSED TO BE THERE. I can't look it up right now cos I'm locked in, but everyone jokes about how Ally had never played DND before the show, I think they were a last minute edition to the cast.

And literally from that one change the show is completely different from what it would have been. Well, it would have been different if any of the Intrepid Heroes were switched out, but I think with Ally in the cast the world of Spyre was turned on its head.

If the Intrepid Heros had pokemon types, Ally was the more Comedian/Actor type at College Humor while everyone else and Brennan were Comedian/Writer/Geek type. Most of Ally's content outside of D20 was Total Forgiveness and that show where they smoked weed (loved it, can't look it up rn)

Compare that to Brennan, who started as an Um Actually writer, Lou and Siobahn, who are Geeks/have been playing DND for a long time, Zac, who i cannot find much Geek content for, and Emily and Murph, who need no introduction (i dunno if NADDPOD started before D20)

The addition of Ally Beardsley to the cast not only drove the show so far away from the concept that most people forget what it was supposed to be, but it did so in a way that made the show so much better than they had even planned for.

This Pride month, I salute Ally Beardsley

🫡

(It took me an hour to write this, good night ya'lll)

[multifandombullshitbabes]

Random Merlin Rewatch: Where a random number generator gives me a season and an episode from BBC Merlin; and then I comment on it as I go.

Today's episode: Season 1 Episode 6 - A Remedy to Cure all Ills

Before I start, let me just say, I'm really happy I'm getting to rewatch the earlier seasons. Of course the next random episode might be literally season 5 or something, but it's great that it hasn't happened yet.

Let's fucking start bitches

Not the wiggly evil fingers just a few seconds in.

Damn boy you got some dirty ass nails, wash your hands.

MORGWEN MY BELOVEDS!!!! Also the way Gwen looked at Morgana after she asked who'd she want the flowers to be from. Girl looked ready to risk it ALL, let me put a screenshot actually.

OUGHHHH the brainrot is real with these two

LIKE??????? GWEN'S THIRSTY (me too)

Alright girls, enough yearning please

Ugh, I hate the little sound the bug made when it dropped from the flower. Butthole clenched in digust.

Oh thank god they DON'T show it literally entering her ear. That would've been so gross.

LETS GO INTROOOOOO

Oh Gwen looks BEAUTIFUL in that yellow color. It does everything for her!!

"She's all but dead, Merlin." JESUS FUCKING CHRIST GAIUS

Most suspicious ruse of all time. "Oh, i have a cure for all ills. And also I know the king's ward is very sick. But anyways, I'll be at the inn :)." Bitch.

"But I'm not worried." me when I lie. Merlin is so bad at lying, jesus fuck

Merlin sits down to stop pacing. Arthur gets up and starts pacing. Two sides of the same coin or whatever.

Underrated Arthur shirt is the purplish one he wears in the scene where he begs Uther n Gaius to hear the strange man out. That color looks good on him. It might be his red shirt but in a weird lighting?? I can't be sure.

I really like when Gaius gets to talk all medical considering how limited the medicine world was at the time. It's really really cool, I love seeing this insight into what was possibly like to be a physician at the time. I don't of this happens much in the show.

Arthur really is so trusting when it comes to his loved ones. Of course he's not at fault, like he said what do they have to lose at this point, honestly I've done the same. It's just. Heartbreaking to notice that trait knowing what comes next.

"Science is knowledge." Merlin is such a nerd, I love him.

Oh, not Gaius and Edwin having a lying competition over here. There's a better term for it, but whatever.

Gwen is SO FUCKING GORGEOUS but girl please that's a fucking sorcerer, go AWAY be SAFE. She's so smart though. Immediately knew something was off. He tries to be all "She may die :(." to get her to be worried and not suspicious, but it literally doesn't work. She leaves the room but not because she thinks he's got Morgana's best interests at heart. She knows something is wrong. She also knows she holds no power. And on the chance that he is right and Morgana dies, she'd never forgive herself.

The fucking lying back and forth between Gaius and Edwin. Like. From the outside, it sounds like a perfectly normal convo. But they both know it isn't. And WE know it isn't 'cause we know Edwin's full of shit.

Interesting how Arthur isn't seated but Uther and Morgana are.

Who the fuck knocks on someone's door, doesn't hear an answer, and then just let's themselves in?? I'm sorry, if you're a stranger, I'm not doing that. The fuck's wrong with you Merlin, you nosy boy??

It is so sickening that these villains of the week have views that we can agree with. Yes, magic is a gift and can be a force for good, you're right! But it's because of Uther and his oppression that they turn bitter and ruthless and vindictive. And yes, you do have to eliminate those who are like Uther because they will only propagate the same corrupted and repressive beliefs. The problem, the layers, is that some of those people are actually very much capable of understanding the very fundamental logic that "Sorcerers deserve too live in freedom" but they're so filled with fear and propaganda of the contrary that it's so hard to get out of it. And that's why, if they killed Uther with magic, Arthur would hate magic even more (just like it happens in canon), which would then just repeat the cycle, etc etc. You need to uproot the system, but killing everybody is not the answer; but also having to teach such a fundamental thing, that certain humans deserve basic rights, is such a painful thing to teach, and the oppressed does not have the obligation to do so. But then the cycle just repeats and repeats and it's SHIT. Anyways.

It's so funny that in season 1 they hadn't figured out the cgi for the golden eyes so they just. simply don't show it.

The things Edwin say are like. Well-meaning. But there's just this off vibe that the most intelligent characters (Gaius, Gwen, Merlin) can just. pick up. And even though Merlin really likes what Edwin is saying, there's just something telling him... it's wrong.

Uther, of course, would never even believe anyone would just lie so blatantly and manipulate him like this because he thinks himself very intelligent; which is why he's falling for everythinggg that Edwin says. But, credit where credit's due, Edwin is an excellent liar.

Gaius wears the most cunty ring on his pinky finger, hello?

I want that ring bro.

Oop, not Gaius having his cowardice and betrayal shoved right in his face. I get it, you wanted safety. But there's consequences to your actions. And I know Gaius feels so guilty about all his friends that died at the stake while he remained safe and sound.

If Gaius would've left in this episode, replaced by Edwin, I bet Morgana would've felt so guilty. In her mind, her illness is what caused him to leave. Gaius truly was there for Morgana and Arthur in ways Uther simply could not.

OOP Gaius and Kilgarrah meeting!!!!!!!! I forgot this happened lmao

Gaius got a little taste of how infuriating the dragon is.

Wait, Gaius was employed for Arthur's birth? That's so interesting. He probably already lived in Camelot but he's been a court physician for 20 years. He was already quite old by then.

It's the way that Gaius is just. Ready to throw his whole life away to make sure Merlin is safe and sound. That's his fucking son, bro!!!

What the actual fuck, they're gonna make me cry :(((( Gaius called Merlin a blessing and his son, I can't.

THEY CAN'T DO THIS TO MEEEEEEE IM GONNA CRY

Gwen is so iconic, speak the fucking truth girl.

THAT ICONIC GWEN LINE YESSSSSSSSSS QUEENNNN

Not Gaius with his lil blanket and lil fire. He looks so smol, it's so funny.

Edwin could've waited a lil bit before going all murder on Uther. That just looks suspicious as fuck ngl.

GAIUS GETTING BLOWN BACK SHOULD'NT BE SO FUNNY BUT--

I wonder how Arthur knew that his father was ill. It means he went into his room, but why? Did he have some feeling about Edwin? About Gaius leaving? Was it some courtly concern? I'm assuming no one else would have the privilege of seeing Uther at night except for his son and ward so.

Yes, Merlin, just stare at the floating axe that's being controlled by the evil sorcerer right in front of you, you're so smart. Also the slow-mo is so goofy.

It's interesting that they shot both Merlin and Edwin's eyes up-close when they did magic, Merlin to do the golden eye effect, but for Edwin it seems that his pupils just change size. I wonder if not all sorcerers have their eyes glow, if it depends on the magic. Edwin is using dark magic, could it be that? That's interesting, imo. Dark magic equals no golden eyes. Kinda fun.

Violent ass death for Edwin, damn. Axe to head, bitchass

Oh it must be so weird for Merlin to be touching Uther like that. Like that's intimate as shit.

So cuteeee Gaius calling Merlin a genius, they're adorable. He's so proud. That was a feat, though, just pure improv and luck. Merlin is still a noob at controlled magic so this was really damn good.

Love that it's so canon that Gaius potions taste like fucking ASS. Uther's face, lmao.

Interesting that Uther asked if Gaius remembered his friends that burned at the pyre, and Gaius answers "All of them." and Uther doesn't even comment. As bonkers as it sounds, they truly are friends in some capacities. I wonder if Gaius could make Uther change his mind. Not Morgana or Arthur, but Gaius. But he made the choice to abandon magic, Uther presumed because Gaius understood its dangers, but if he were to find out that actually Gaius doesn't agree, I wonder what Uther would think about that. Like a genuine and open convo about it. I think he'd just arrest Gaius for it, but I don't know. I think there's at least some reality where he gives it some more thought. But I don't know if he'd ever repel the ban, more because he'd have to admit that he was wrong, and admitting you're wrong is also accepting and processing all the shit you did for that wrong thing, and I just think Uther is too cowardly to do so. He knows it would break his mind to truly process all the pain and horror he's caused; so no matter his inner philosophies, he'll never repel the ban, because the damage has been done, and he'd rather live like that than start anew in the new reality where he's wrong.

"In the fight against magic, you are the one person I can trust." yet again. Gaius going against this? Uther can't fathom it. He's so confident that Gaius is 100% on his side.

Arthur smiling at Gaius, awww.

Two pretty bestfriends. No wonder half the kingdom wants to fuck them both. Also what the fuck is a "freeman"??? Genuinely, what is it??

And that is it. Loved it, of course.

[melishade]

Attack on Prime Incorrect Quotes: The Saga Continues

Main Story

Part Whenever

Hanji: I'm tired.

Optimus: You slept for three hours last night! Why are you surprised?!

Hanji: I'm not surprised. I just wanted to complain about it.

==

Levi: I want you to know that I’m judging you

Megatron: Don’t you always judge me??

Levi: Yes, but you’ve been extra quirky today so I have to let you know that it hasn’t gone unnoticed.

==

Hanji: Would you rather kill Eren, or—

Megatron: Yes, kill him.

Armin: They didn’t say the other option.

Megatron: I don’t need to hear it.

Eren: …I’m feeling a little unsafe.

===

Zeke: I can't believe you assassinated the Commander of Marley!

Megatron: Well, 'assassinated' implies it was politically motivated. I killed him because he was a dick, so technically I murdered him.

Zeke: That's not better!

===

Survey Corps: Can we ask you for a favor?

Optimus: I would literally die for you but continue.

Levi: We have got to talk about you starting sentences that way.

==

Beloved Timeline

Optimus: What am I supposed to do all day while you're off in Marley?

Elita:...I don't know? What do you normally do when I'm gone?

Optimus *Sniffing and tears up*: Wait for you to get back.

==

War Timeline

Hanji: We have fun, don’t we, Doc?

Ratchet: I have never been more stressed out in my entire life.

Jack: Wow, Miko, looks like you've been dethroned.

==

Armin: I...I think we have to kill Eren.

Megatron:

===

Pieck: So...how did you two meet?

Optimus glancing over at Megatron: ...You know, we actually legally can't answer that.

===

Beloved Timeline

Elita: Go on! Shout, scream, say something! Stunned as Optimus puts his servo on her cheek.

Optimus to Elita: You're as beautiful as the day I lost you.

Survey Corps:

==

Megatron: I don’t think you apologizing to me is a good idea.

Armin: Uh…why?

Megatron: Because when you do that, I inevitably feel bad and forgive you, and I really want to be mad.

Armin: But why would you want to be mad? I hate being angry, it ruins everything.

Megatron: Exactly. Ruining everything is kind of my thing, I can’t lose it.

==

Peaceful Timeline

Maria: Oshern, can you do me a favor?

Oshern: Of course, mo leanbh (my young child). Always.

Maria: Cool. Can you stop denying your feelings and tell Mama (Ymir) you love her — like love love her in that kind of way so the two of you can stop pining?

Oshern, spit-takes

Optimus: Maria, what?

Maria: Focus, Papa. This is important.

===

Megatron: I need help.

Levi: Two words.

Megatron I bet they won't be helpful.

Levi: Your. Problem.

Megatron: I was right.

===

(Based on a prompt of Hanji experimenting with dark energon and seeing Unicron)

Unicron: Hey, I bought your soul last month and-

Hanji: No returns.

Unicron: Please, it’s making me sad.

===

A million years later after the Dark Timeline Epilogue

Optimus: You're worth every tear I've cried since you died. You've always been.

Megatron: Optimus...

Optimus: *almost crying* So don't tell me you're not worth my tears, because you are. You're worth the tears of relief, and, and happiness. I missed you everyday.

Megatron: *hugs Optimus*

Optimus: *crying* I missed you, I'm happy, these are, these are tears, they're—

Megatron: *holds Optimus tighter* Happy tears. I know brother. I know now.

===

Arcee: Where's Buckethead?

Hanji: Don't worry, I'll find him.

Hanji, shouting: Optimus sucks!

Megatron, distantly: How fragging dare you!

Hanji: Told you he still cared about him.

====

Optimus dealing with another death/respawn situation: What's up guys, I'm back.

Hanji, crying: What the- you can't be here. You're dead. I literally saw you die.

Optimus: Death is a social construct.

====

Eren: I'm not traumadumping.

Eren: I'm telling you my villain origin story.

Arcee: That's fragging worse!

====

Levi: Someone will die -

Hanji: Of fun!

===

Random Marleyan: Wait, you're gay? Are you fucking serious?

Optimus: I'm bisexual, actually. And yes.

====

Peaceful Timeline

Ymir: ...You came...

Optimus: You called.

===

Megatron: The dwarf is telling me I'm going to die.

Armin:...Are...are you sick?

Megatron smirking: No, he just doesn't like me.

Levi: IMMA FUCK YOU UP ON TUESDAY!

===

Hanji: You are, of course, wondering why it is I have brought you here tonight.

Optimus: Actually Hanji, after all these weeks, I just sort of go with it.

===

Eren: Arcee, I just realized something. I had a bad childhood.

Arcee: Yeah, I know.

Eren: What do you mean you know?

Arcee: Look at you.

Eren: What do you mean look at me?

Arcee: Look at how you stand! People with good childhoods don't stand like that.

===

Arcee: *speaking Cybertronian*

Eren: I know, I know.

Wheeljack baffled: You speak Cybertronian?

Eren: No. I just know the phrase, 'this is all your fault' in every language.

===

*at Megatron and Eren's funeral in the Dark Timeline*

Armin: Optimus...it... it was a beautiful service.

Optimus: *staring up at thunderclouds* I'm glad it didn't rain. They hated the rain. *reaches up to wipe away tears* Why do I feel this way Armin?

Armin: Because you loved them, Optimus.

===

Hanji to Optimus: You are my best friend! If I'm dying, you're dying with me! Ain’t no choice!

===

Peaceful Timeline

Megatron to Maria: I was never afraid until you showed up.

===

Eren: When have I ever done something rash or irresponsible?

Optimus channeling his inner archivist: I keep a list. It’s alphabetized.

[cassandraevans]

Some other grievances I've had with the 911 show. I just wanna get these out and be done with it. I wanna just sit back and love the characters without caring about the writer's choices but alas. Hopefully this will be all of my rants about this show and I'll be able to post only what I love about it from here on.

I know I've been very critical of Eddie so far and angrily so. But as much as I'm criticising him for being a very bad and careless romantic partner, i really really hope that when it comes time for him to get together with Buck, he will have learned from all his mistakes and matured and learned about his shortcomings and where they stem from and I hope he'd have worked on himself enough to not put Buck through any of the bullshit he put every one of his romantic partners through. Buck doesn't deserve that.

While I absolutely love Buck, I also have a problem with how he just kissed Lucy while being in a relationship with Taylor where everything was finally looking good, I knew from the moment Lucy was introduced and the way Buck looked at her, and the writers make him cheat on Taylor and ask her to move in as a way to deflect from that. Yes he tells her later, yes she forgives him and I was hoping they would last a little longer but no, the writers just kept her around long enough to make her do something bad to break them up, so then it wouldn't be his fault.

It's like the writers don't think cheating is that bad at all, you cheat? No worries, all forgiven, your partners love you too much to leave you over that. The question is, do the ones that cheat love their partners the same? Because when Hen cheated on Karen I was so pissed, like the lady did not deserve that, I'm glad they didn't break apart over it but still it was not a simple mistake. And then Buck cheated on Taylor and then the writers made her use a private conversation for a news story and stab Buck in the back. Like if they were going to break them up they should've done so when he cheated or let them remain together, I hate it that the writers made Taylor forgive Buck for CHEATING but Buck breaks with her over the first mistake she made in the relationship, I'm not defending Taylor's choices and I was angry at her for it, she could've gotten Buck in so much trouble which he didn't deserve but I hate it that she made one wrong choice and the relationship is over while Buck cheated and he was fine. I hate the writers for trying to dismiss cheating as no big deal.

I was also mad at Hen being all pissy when Karen was grieving the loss of her embryos and Hen had to feed Denny, and do some other things around the house that Karen usually does, I get it, Hen comes home late from her draining shift and it hurts to see that nothing's done but the that's the least you can do for your wife, not to mention one who left her opportunity to become an astronaut to raise a child with you as a family, when she's grieving the loss of your potential children, but Hen keeps complaining and gets mad at Karen for grieving instead of performing her motherly duties, like I feel like the writers of this show have a problem with women taking some time to themselves, whether it be to grieve, or go take care of your dying mother and then grieve, or having postpartum depression, the women are the villain for wanting, no, needing a break, mostly because of things they had no control over, if they deviate from their motherly/spousal duties because of any tragedy, they're not the victim but their partners are, [(I know chim tried his best and didn't deserve to suffer, but neither did Maddie. Chim's storyline after Maddie left literally made me bawl and I'm so glad they're back together, they need each other, I wish they never broke up) so I'm mostly talking about Eddie and Hen here.]

The writers just had to make it all about Hen, when Karen was grieving and staying in bed, all Hen did was complain about HAVING to do the things Karen usually does, Hen looked at it all like an inconvenience. The writers then made Hen accidentally kill that cello girl and justifiably Hen was wrecked with guilt and fear and didn't know how to handle it, can't blame Hen at all for the way she took it but I can blame the writers. Karen put aside all her heartbreak abd grief from her lost embryos and stood by Hen throughout, and I love her for it, Hen deserved Karen to be by her side at such a time, but just before that incident when Karen needed Hen to stand by her and support her emotionally, all Hen did was be impatient and basically tell Karen to wrap it up. The writers made a new emergency tragedy to make it about Hen and tossed aside Karen's grief and made her never talk about it again like it never happened. I hate the writers for that.

Again as a note, these are my opinions about the show, you're free to have your own opinions. I'm just trying to vent out my frustrations with the show on my blog. Don't come at me with your angry anonymous asks and justifications because at the end of the day it's a fictional show. I haven't spoken about what I love on this show yet that doesn't mean i hate it, I'm frustrated by some of the characters' choices because I love them. Viewers will have vastly different opinions about it, to each their own.

Do recommend similar shows to watch while we all wait for new episodes. Lone star is on my watchlist next.

[totally-not-here-for-the-smut]

So, @arcanavoid made me thinking about Lucio in their post

WELL THEN LETS TALK ABOUT LUCIO YOU BITCHES

Pleas keep in mind that I'm right now very drunk and I'm not a native speaker and the autocorrect for this phone can only do so much Also I'm in a different time zone so if you see this at, like 10 in the morning or whatever, no worries bc now is definitely night here and I also program my posts I have not a drinking problem thats why I cant hold my f-ing liquor

WELL THEN MY DEAR LUCIO and

WHY

as a person who is very close to people with serious mental illness, like i legit live with them

I THINK LUCIO'S ROUTE IS SO GREAT

Let's start with an assumption: we're all assholes. Somewhere in our life, maybe in the past, or present, or future, we are huge AH. It's not like we're evil and condemned to hell, it's just that as humans we're small, petty and miserable so we behave badly and are very selfish when big difficulties challenge us. Like, sometimes we manage to scramble enough willpower and common sense to act decently as we're afraid and suffering, but lots of times we don't and make shitty things. So here's my first point:

1. We all are a Lucio sometimes. Or often.

Like, way more than we want to admit. We're afraid, we're too full of ourselves, and we behave in petty ways. We're mean towards strangers, we feel happy in humiliating them and showing the world how better than anyone else we are. We need something bc we live in a world that doesn't grant basic human rights (food, shelter, health, safety and human connection), so we strain to get those things, sometimes at others' expenses. Then we tell ourself that those people deserved our scorn and malice because they're bad, and we tell us such lies because facing the guilt of what we've done is painful and complex.

We need to show ourselves we're better, so enjoy picking at others' mistakes without caring who they are in a whole (this is super easy on the internet). All this while low key ignoring what bad we're more or less responsible for.

And we are. Like, if you ever did buy something on sites like shein, you are actually exploiting poor people who are basically slaves. And you're keeping a blind eye on it.

But you know what? You're not evil for this. We're weak sometimes, we're tired, we have little time and really don't have the lucidity to think whether this stupid chicken breast is full of hormones and antibiotics or not. We're humans and we're small. Often we're sad, afraid and tired and we need a malicious self esteem bost.

Often, we're Lucio.

2. A flaming piece of trash can change. And doesn't need others' forgiveness to do so.

Did you notice how everyone is so eager to show of other people are wrong and bad and evil? That's because they, and we as well, need reassurance about how we're the hero of the story.

That's because we can't tolerate being the flaming piece of trash, because the the flaming piece of trash can't change and everyone hates them.

This idea is stupid.

It doesn't matter how low you fell. How many people you hurt, how many times you made the same stupid mistake or how many people deeply despise you. You still can change.

That's why is

So

Important

To have a Lucio route where it's shown he can choose to be better, no matter how deeply wrong his past deeds were.

The moment we understand this concept is the one our guilt becomes less heavy and we start being less judging of others. Granted.

This doesn't mean you're entitled to people's forgiveness - but the fact that YOU are willing to forgive yourself means that you can really change and forgive others. If some people won't forgive you, it will be fine, no need to hate them: you can always find new people to gift your better self to.

This is what happens to Lucio. Will Asra ever truly forgive him for making him and orphan and killing you? No. But this doesn't mean that Lucio will be a villain forever. He will be still able to change, become a good man and gift his goodness to the MC.

As MC says to Julian: you can always come back.

3. What it takes to change

Now, I'm in general rly humble when talking about mental health bc I'm no doctor nor therapist. But living with people who went through hell and managed to survive (and knowing people who sadly didn't), made me able to figure a couple of things. So, brace yourself. I'm about to give you the ultimate recipe of healing.

It takes two things:

Compassion and Accountability

When all is said and done, this things are the two main things it takes to change and heal. Compassion for believing you can change and deserve happiness, seeing the world through other people's eyes and accountability to motivate you into stop being a dick and owning the shit you did (so yeah, maybe you should stop blaming your parents for who you are, sry, but it doesn't serves your cause).

and there's one and only one way to get them:

Positive human connections.

That's it. When you go to the bone to it, that's how one can change, heal and survive.

It's reduced to the very bone, simple idea: the whole process is much more complicated and it's ok if you get lost in it. But at the very root, this is it.

And this is WHY Lucio's route it's so great:

MC shows compassion, because they don't recall him doing anything bad to them.

MC helps him being accountable. They doesn't shelter Lucio from his guilt, never.

MC believes in them but NEVER puts up with their shit

MC doesn't believe his lies and doesn't lie to them either. No games: they talk through everything, they're kind but firm and true.

MC helps him accept other people's scorn towards him

I love this route because it's the one where the MC is the most clever. There's a murder mistery? Let's ask the ghost of the murdered one who did it. Everyone is mad at him? Let them be. Not bc "he deserves it", but bc people are entitled to be mad at him and to their idea about him. He has troubles with his mother? Don't get between them. Listen, understand, let them unravel their shit. Ghosts are mad at him? Sit with him, but don't do his emotional weightlifting. Mc puts Lucio in front of his deeds and holds his hand as he deals with them.

Folks: THIS is how it's done irl.

4. No dumb justification & the danger of privilege

There are a lot of shows about "why villains are like this" that paint them as a poor misunderstood saint who was mistreated by their parents. Like in Once Upon a Time or the Disney Villain's Live actions. I hate that stuff because they distort the plot to make the villain a misunderstood anti heroe who was a victim all along, so he's justified.

Guess what: they're not. If you actions are evil there's no justification. No retelling of your story: you made very bad choice and were an AH and that's it.

This is what happens with Lucio: in his route his story doesn't gets to be retold. It's an honest story about how Lucio, the villain, can choose to be the better man and benefit from it. It's a story about the inherent dangers of Privilege:

Lucio's story shows how dangerous privilege can be: he wasn't hold accountable for his actions while he was alive, bc he was pretty, powerful and rich. He loses his privilege, he gets his ass kicked, he find motivations to change in his desire to be loved. I know irl folks who got to adulthood without having to face how shitty they were bc of social privilege. It literally kept them from changing, healing and be happy. So beware, folks. Your privilege might be harming you in the first place, and the day you will face who you truly are without it WILL come. The later, the worst.

So, this is why I love Lucio's route. It's relatable and helps us to find the courage to face our demons, knowing that we can change. Knowing that we can forgive ourselves and accept others' scorn. It WILL be hard, it WILL be painful, there WILL be consequences, but eventually it will be worth the hassle.

So, long live the goatman, for he can change. And so do we.