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#IT HAS THE OTHER VERSION OF YESTERDAY
terraether · 2 years
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ok but did dan reynolds consider my mental capability to handle the album evolve when he was making it? did any of my four fave funky dudes ever stop, think, will these silly little fruits be able to handle such greatness? an 11/12 track no-skip album. they were out here—they had the AUDACITY to put believer, whatever it takes, and THUNDER ALL ON THE SAME ALBUM?!? bro i think i need to lie down i—
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adaptations-polls · 12 days
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Which version of this do you prefer?
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Note: 1968 option should say movie musical and not musical musical lol sorry about that
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mishy-mashy · 7 months
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Julius is just a Hard Knock Life orphan on a path called Julius's Terrible Horrible No Good Very Bad Day
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rkishibes · 9 months
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i can't wait for btsv to be released (atsv just came out who cares) so people can stop misinterpreting Miguel
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singsweetmelodies · 8 months
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Well you HAVE to be delusional to be a lestappie, I mean you have to be delusional to even like max lol but yeah, to be a lestappie you have to be delusional bc they literally spend no time together willingly, max is just delusional and Charles is polite
so true anon 🙏
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scare-ard--sleigh · 1 month
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ohhhhhhhhhh my goddddddddd and now the fucking t*ble t*nnis guy is passive aggressively up my ass : \
#work stuff#silver jelly#'i've noticed editing has slowed down...' first of all ;;; i was editing the 3.5k words of incomprehensible nonsense because you all#won't hire real writers for almost TWO HOURS on friday. i skipped Yesterday. you sent that message at 10 AM when i HAD one of those#fucking awful awful articles on my roster for today. so that's what;;;; 1 work day unaccounted for? fuck off#secondly; you assholes REFUSE to tell me how much you're expecting from me; you just fucking yell at us when we're not going#'fast enough' when you WON'T EVEN TELL ME WHAT THAT MEANS#this is an internal fucking site and we have REAL clients with REAL ACTUAL deadlines ;;; this is not !!!!!!!!!!!!!! a priority to me!!!!!!!#thirdly; ;;;; i took this project AS A FAVOR to someone who's on maternity leave. i did not even want it. she fucking told me 'ohhh you're#the only one i trust' when there's ... literally ;;; another editor on this who is her best friend from childhood or whatever .#like manipulating me; basically; into taking this project (and she didn't even need to; i wanted the hours anyway)#STILL; ;;; it's not something i picked; it's not something i even particularly wanted to do !!!!!#and it's endless shit;; every god damn week it's some version of 'is everything okay? you're slowing down?' like yeah bro i got other work!#jesus fucking CHRIST i just cannot !!!!!#i sent a message in the chat i straight up said 'i try to do one of these a day but i don't feel like it's enough so please tell me what#your expectations are' and if he dodges i'm saying 'an approximate number would be really helpful' like fuck dude i don't CARE if#you tell me you need 10 of these by the end of the week -- i can maybe even make that happen but this isn't fucking working !!!!#@god please get me out of here holy shit .
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willowcrowned · 1 year
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For the End of the Year asks, 11. Something you want to do again next year?
[End of Year Ask Game]
11. Something you want to do again next year?
Finish a long WIP! Last January I finished my 30k obianidala au, and while there's zero chances of me finishing the sw regency au this January, I'm hoping I'll get to finish it over the summer.
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counselorssoapbox · 3 months
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Polishing the manuscript.
Polishing the manuscript,Photo courtesy of Pixabay.com Polishing the manuscript. By David Joel Miller, writer, blogger, and mental health professional. My journey from writing something to making it readable. It’s a long process with many steps to transform that finished manuscript into a book that’s published and available for purchase. Each one of these steps has a learning curve. I’m learning…
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#along with many of my coworkers#and editing software have improved dramatically. But#and even my first go around in a Community College#and general secretarial skills. It seems to have worked out well for her. Since my writing was not in my scope of duties where I was working#and having a happy life#and I want to get them down on paper as quickly as possible. I&039;ve learned that there are many other steps that need to happen after I h#and I will send her off to have a whole series of new adventures. This is a revised version of a post that originally appeared on 1/17/23. S#and maybe in the future#and mental health professional. My journey from writing something to making it readable. It&039;s a long process with many steps to transfo#and the features I could use yesterday have disappeared today. Over time#and then#blogger#but I could certainly learn a great deal more. Each one of these steps is a skill that takes time and effort to master#but it didn&039;t solve the whole problem#but the net result was that I#but with all the writing I do#each of them has had its problems. I know that some writing coaches advocate dictating as a way to speed up your word count. I have found th#especially when I was coming home from work and "pounding the keys" late into the evening trying to finish a blog post or a chapte#even by family and friends. One resource I do use is Grammarly. At the end of each blog post or when writing my novels after each chapter#finished first draft to turn it into something readable#got to wear those annoying wrist braces used to treat carpal tunnel syndrome. I made the shift to dictating. I&039;ve been using Dragon Spe#grammar checkers#having someone else type up my dictated manuscript was not feasible. I learned to type mainly by looking at the keys as I went. As we adapte#I correct all the errors. But if my protagonist speaks to another character#I correct the ones I want to correct and leave the ones I choose not to change. When writing dialogue#I learned enough of the features to make it work#I let them have their own voice and leave some of the slang expressions they might be using unchanged. You&039;d think I&039;d be done now#I open up Grammarly and quickly correct the most glaring errors. There are ways to set the features so that it detects some errors and not o#I try to give each character a different voice. Try is probably the keyword here. That means if the college professor is speaking#I was spending more and more time "pounding the keys." I was able to work up quite a bit of speed writing that way
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what's happening with James Somerton right now: a probably-incomplete primer
TW: suicide, including suicide as a threat and a manipulation tactic.
The short version:
James Somerton is a former Youtube essayist who focused entirely on queer history, queer media criticism, and queer issues in general. He is also a flagrant grifter who has made tens of thousands of dollars via fraud, both directly (lying about his finances to beg for money and getting donations for films he never even started making) and indirectly (stealing whole essays and articles and books, reading them out loud verbatim for his videos without indicating they were anything other than his own work, and then using the prestige he gained from using their work to get Patrons and sponsorships).
The story as told James and James apologists was that James attempted to apologize twice, was hounded mercilessly on the internet for weeks, and then, driven to the end of his rope, he posted a suicide note on Twitter, was MIA for several days, and from then on has been avoiding the internet.
The actual story, as revealed yesterday, was that James used two sockpuppet accounts to defend himself and parrot his talking points (again, while publicly claiming to be trying to take responsibility for his actions), using one to try to rebrand the con under a different name and another to deliberately stoke the panic caused by his suicide note. He was not only aware of the pain and anxiety he was causing people, but he encouraged it on one alt while hornyposting about his favorite movies on the other.
He is an unrepentant con artist who successfully used a suicide threat to prevent further interference with future cons. The only reason he was caught is because he is apparently incapable of going more than a couple of weeks without trying to get back in the internet spotlight, allowing people to tie his alts back to him. He lies for fun and profit and he should not be taken seriously, ever.
The long version:
In December 2023, Youtube essayist Hbomberguy (Harry Brewis) put out a four-hour-long video about plagiarism on the internet, and devoted two hours to addressing as much of JS's plagiarism as he could. I strongly recommend watching the entire thing, as the first two hours build on the concepts that he uses later in the video.
He also blew the whistle on James' fraud surrounding Telos, a studio James founded using thousands of dollars of IndieGoGo money that never actually produced any films despite him definitely working on them! Any day now they'll be released! Don't you worry!
A day later, Todd in the Shadows, a guy whose entire thing is music reviews, posted his own video debunking multiple outright lies that James had told about history, especially queer history. A few more days later, The Ace Couple, who run a podcast about asexuality, released an episode detailing how they'd lost $1.5k donating to Telos.
I have put the videos, Twitter threads, Patreon posts, and Reddit posts by other people discussing different aspects of James' fraud under the cut.
Every other time James was caught plagiarizing, prior to Harry's video, he would lie about it. Either he'd have some excuse (easily proven to be a lie) or he'd retreat to his favorite deflection: "I'm just being harassed because I'm gay."
This last lie was one he'd use not only to deflect accusations of plagiarism, but all criticism in general, no matter how trivial. Every time, the critic or someone associated with them would somehow dox him, or harass him, or send him death threats, or threaten to falsely accuse him of sexual assault.
This happened to The Ace Couple (who'd tried to correct him on something extremely acephobic in one of his videos), Jessie Gender (who'd tried to correct him when he claimed that there were no queer content creators on Nebula, given that she and a bunch of other queer creators were definitely on that platform), and the person who first blew the whistle on him stealing from Tinker Belles and Evil Queens by Sean Griffin (who was accused of being behind death threats he'd received, and hounded so harshly they had to leave Twitter).
It is important to note that every time James faced potentially damaging criticism, or even just a threat to his ego, suddenly he would claim to be harassed by people connected to the critic, including threats to his life. There has never been any proof of any threats being directed at him, nor evidence that, if the threats were real, that they are actually from people connected to the critic.
In the original video by Hbomberguy, Harry makes a compelling argument that James brought on a friend of his, Nick, as a co-writer specifically as a shield against accusations of plagiarism. "How dare you accuse me of plagiarism! Nick would NEVER do that!" This is even more apparent given subsequent developments which I will get into.
When evidence started dropping about different aspects of his fraud (not only Harry's video, but Todd in the Shadows' video debunking his misinfo, The Ace Couple's podcast about their experience donating to his fraudulent film studio, and Dan Olson's tweet thread about James' obvious lies about his finances), he went into hiding for two weeks, and then put out the first of two apologies. He then deleted that one and put out another one a few weeks later. And then he immediately deleted that one.
While his first apology was rambling, vague, and dramatic (lots of sniffing/crying), and his second was more measured, thought-out, and totally batshit (lots of hilariously and bizarrely implausible excuses for why he'd done what he'd done), they had roughly the same points:
Not ALL of his stuff was plagiarized! Actually, a lot of it wasn't! No specifics as to what, though!
Most of the stuff that was plagiarized was just a failure to properly cite sources, as he had no idea that putting someone's name in your end credits or video description (without specifying what parts are attributable to that person or disclosing that you are using their words verbatim) is not sufficient credit,
Also, he totally had permission, in some cases, to use their work verbatim prior to publishing the video (this is not true, and is disproven both in Harry's video and his own screenshots);
He definitely didn't commit fraud with Telos and would soon have a good explanation for where the money went! (he did not)
He was going to keep the videos up so that he could either donate the funds from any monetization to the fund Harry had set up for his victims or to "help Nick's portfolio" by showcasing his work;
He lost his best friend (i.e. Nick) over these allegations, who absolutely definitely wasn't a scapegoat, except Nick was also responsible for a lot of the stuff James was being criticized for;
He was going to keep the videos up so he could either donate the advertising proceeds to Harry's fund for his victims (first apology) or to "help Nick's portfolio" by showcasing the work he'd done; and
As a result of this entire ordeal, he had attempted either self-harm or suicide (he merely alluded to "doing something stupid").
Again, his response was to 1) downplay the severity of his actions or flat out ignore allegations against him, 2) come up with ridiculous excuses for his behavior, 3) throw Nick under the bus, and 4) claim to be in mortal danger. As far as I am aware, he has never taken any concrete action to make amends to any person, not even donating money to charity.
This was coupled with some kind of attempt to profit: monetizing his apology videos, closing and then reopening his Patreon right before the monthly charge cycle happened (totally to let people unfollow him, not at all as a grab for that money), creating a new Patreon under a different name, and changing his Twitter and Youtube handles to distance himself from the controversy while gathering new followers.
At one point (I forget if this was on Twitter or Instagram), he also said that someone had broken into his apartment due to the notoriety he'd received from Harry's video. I believe that was after his first apology, when people started to point out that he'd just changed the name of his Twitter and Youtube channel and had restarted a new Patreon under a pseudonym. (BTW, the pseudonym he used for his new Patreon was "The Gay Raconteur"; this will be important later).
It had what I think was the desired effect: any attempt at pointing out that he was rebranding his grift now came across as weirdly fixated on minor things he was doing, which certainly wasn't worth putting him in physical danger. (Again, he has never provided any proof of this happening, nor provided any evidence that these people allegedly threatening him were, in fact, in some way inspired by Hbomb).
So along comes March 5, 2024, and James posts a suicide note on his Twitter, saying that he is going to set up his videos to automatically publish (for Nick's portfolio), provide in some way for the ad revenue to go to a suicide prevention nonprofit, and then kill himself.
The immediate response from the internet was compassion and totally chilling any further criticism, since you might be callously criticizing a dead person. Harry and Kat worked for a couple of days to get a wellness check for him while a substantial section of the internet called them murderers.
On March 6, a day after the note was published, Nick tweeted that that he had cause to believe James was fine. Kat confirmed that James was safe on March 11. Due to the drama of the "suicide attempt," however, the chill on criticizing James stayed in place for months.
And then yesterday Lady Emily, one of the cowriters for Sarah Z., drops two more bombs:
James has not one but two alt accounts that he was using to rebrand and start over.
The first one was created between his first and second apologies, and originally was for "The Gay Raconteur" until he changed it to "Will"/"thatgayyouknow" and, later, "The Achillean Boy."
The second one was much older, under the pseudonym "Mikey JB," and used stolen pictures from Grindr instead of his own face. However, it is pretty obvious that it is, in fact, a sockpuppet account and not just some other person who happens to like James, as detailed below.
Both accounts, both between apologies and after his "suicide," talked about how criticism of James was unfair because the plagiarized stuff was "like a decade old" and repeating the same excuses that James had also made.
The "Mikey JB" account not only supported James, but actively threw Nick under the bus, saying that a criticized part of a video "reeks of his co-writer."
On March 6, the day after James' main Twitter posted the suicide note, The Achillean Boy account was hornyposting about Ryan Phillipe. James didn't even take a day or two off of Twitter. If he had been completely off Twitter for a couple of days, that could have been an indication that he really had hurt himself and was unable to access his phone, or at the very least unaware of the panic. But he wasn't. He was aware of it and did nothing. Actually, no! Worse than nothing!
On the same day (March 6), the Mikey JB account was actively contradicting Nick saying he was okay (they "haven't spoken in months" so there's no way Nick could know if he was alive) and saying that "people like you" i.e. his critics, "drove him to it." Not only did he ignore the panic he'd intentionally created, he actively drove it.
He saw people going emotionally through the wringer over the idea that they might have somehow caused his death, and intentionally made them keep thinking it. He say people calling his critics "murderers" for "driving him to his death," and he joined in.
Why am I explaining all of this? I want to make a couple of things extremely clear, and the context is necessary to my ultimate points, namely:
James Somerton didn't merely "credit people improperly;" he conned his followers out of more money than some people make in a year with the Telos con, while raking in thousands more per month on Patreon and buying expensive equipment, while claiming to be near insolvency and in desperate need of money.
James Somerton has never taken full responsibility for his actions or attempted to make amends. He has only ever tried to dodge responsibility, particularly by throwing Nick under the bus.
Every time he has ever been criticized, for any reason, he has lied about threats to his life to gain sympathy and quell criticism. This is a standard part of his MO. He has done this over and over and over again. At this point, I think if he says the sky is blue, someone should go out and check first before doing anything.
"But BB, what if he really is getting harassed/threatened or really is suicidal?"
So, okay: people who are attempting to manipulate you may use legitimate problems as a tool. It doesn't need to be fake to be effective - in fact, it might be more effective if it it's true. An abusive ex who says "if you leave me, I'll kill myself" and genuinely means it and actually attempts it (and possibly even succeeds!) is a lot harder to leave than someone who says the same thing but is clearly just bluffing, because the threat is real.
My rule of thumb in these cases is to treat the threat like it's real, without caving to the intended manipulation. Whether your ex is lying or telling the truth when they say, "I'll kill myself if you leave me," the appropriate response in both cases is to immediately call a mental health service or supportive family member. If it's fake, it's inconvenient for them; if it's real, you reacted appropriately. Your response needs to be the same regardless.
You don't get back together with them because it's a real threat (presumably you wouldn't do that if you knew it was fake and they were never in any danger), and you don't tell them that they're a piece of shit who should be dead (HOPEFULLY you wouldn't do that if you knew for a fact that they were telling the truth).
In this case, I am extremely confident in saying that he was coldbloodedly lying the entire time and was never once threatened, and certainly not to the degree he claimed to be. But even if he wasn't, that does not and should not change anyone's behavior in terms of holding him accountable.
And I mean actually holding him accountable: making sure he doesn't try to start a new con on new people, continuing to point out that he hasn't paid anyone back for his previous con (so long as it's still true), that sort of thing. It doesn't mean people should tell him he should go die for real or, I don't know, try to get him fired if he gets a job at Tim Horton's or Target or something else that's not fraud. That would be wrong regardless of whether he's actually in danger or not. The point is to avoid being cruel without negotiating with terrorists.
Video sources and links under the cut:
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Links:
It's like Breaking Bad, but backwards: a brief history of how Somerton successfully screwed himself Dan Olson's Twitter thread about the financial fraud My Year With James: Todd's post explaining the backstory of his video (Patreon-locked) DJSO#: Dan Olson's breakdown of James' second apology (Patreon-locked) Lady Emily's Twitter threads revealing James' alt accounts, part 1 and part 2
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winterzsurprise · 1 year
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Ride me? || Miguel O'hara
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Pairing: Miguel O'hara (Spider-Man 2099) x F!reader
Tags: Overstimulation, rough sex, choking, squirting, vaginal fingering, big dick Miguel, unprotected sex (wrap it before you tap it kids), fang kink if you squint.
Words: 1.8k
Summary: Just when you thought he's exhausted enough from chasing Miles Morales and had given you the chance to actually ride him, Miguel has other plans.
This man evokes something so feral in me that I forgot I was suffering through the worst writer's block. He got me giggling and twirling my hair yesterday at the cinema wtf. I used my very limited Mexican Spanish knowledge from watching streamers flirting in a block game for this.
cariño - honey || mi vida - my life || mi amor - my love || guapito - handsome
Miguel isn't the type to let someone control the pace, even if he did, his hands grounded on your waist would soon guide your hips into a rhythm he prefers, hard and fast.
You've been hearing the ruckus down the spider webs, something about another version rebelling against the usual stories of every Spider-Man in the multiverse to save his dad. Knowing that your husband sits at the top as their leader, you expected him to disappear for a long period of time.
Not that you mind of course, he's had plenty of times he charges in to handle an anomaly himself.
You do have to give some kudos to the kid for trying to change reality though. After Miguel's story, nobody in the headquarters, even you, dared to defy the fates laid upon every Spider-Man.
It's been three days since he left and honestly, you didn't expect him to arrive yet. A person deterring from the fates of every Spider-Man would be hard to handle, you couldn't even imagine how difficult it'd be.
So when the doors to your apartment flew open and came to him, practically drooping from exhaustion, you were surprised.
He came earlier than expected.
"How'd the chase go?"
"I don't want to talk about it. Come here." 
Drying your hands off on the towel hanging from the wall counter, you made your way to the man laid spread and heaving on the couch. His head tipped back with his usually neatly gelled hair now haggard and messy, he looked up when he sensed your presence and immediately pulled you onto his lap.
You laughed. "Don't fall asleep here, I don't want to carry your heavy ass."
His lips tugged into a weak smile, his pointy canines briefly appearing.
"Spider-Man is supposed to help the weak, are you really ignoring a civilian in need?"
You didn't get what he meant until he pulled your hips closer, dragging your core over the tent on his pants.
You hit his arm. "Go to sleep, you must've been really tired after chasing that kid around."
"Then ride me."
You paused before narrowing your eyes at him. He's baiting you with the very thing you've wanted to do since the beginning. But the dark cloud of lust in his eyes somehow convinced you of his genuineness.
His talons dug onto your flesh, hard enough to take control of your hips to grind on top of his dick sensually while keeping eye contact with yours. You couldn't ignore the pleasure and jolts of heat electrifying and burning your nerve endings alight at every drag of your heat over his.
"I want to feel you baby, I miss you so much."
Miguel pushes you down on his hardness and you moan, the feeling of his girth finding home between your legs shot electric pleasure down your spine.
"You are a convincing man."
"And you love it."
You lunged for a kiss and instantly, one of his hands threaded itself onto the back of your head, locking you in place as your lips danced against each other in a fierce battle. The raw hunger after being starved for a week now surfacing and consuming you both, mind and body. 
His other hand guided your hips up and down his clothed dick, his deep groans and growl lit fireworks in you, igniting your determination to coax more of them out of his lips.
"Get rid of the pants or I'll rip it off of you."
"Rip it then."
He didn't need to hear you twice. 
In one quick motion, he tore your sweatpants into two before doing the same thing to your panties and throwing them somewhere in the room. He groaned as his head fell onto the crook of your neck, hands crawling up to cup your breasts before your top and bra suffered the same fate as your other clothing.
"The pants, only the pants! I loved that bra!"
"I'll buy you something better, from another universe even." He responded, almost breathless as your scent invaded every speck of his senses. Miguel groaned. "Fuck, I miss this scent of yours baby."
"I don't care, get rid of the suit."
His attire dissolved into thin air and retracted back to god-knows-where, revealing his ruffled shirt and grey sweatpants that did nothing but proclaim his clear desire for you.
"Let me prep you real good, huh?"
Retracting his talons, two of his fingers delved into your heat, immediately drenching itself with your arousal and he groaned.
"So wet for me, mi amor."
"Only for you, guapito."
Two of his digits rolled your clit sensually and with the dexterity of an experienced man, urging more of your arousal to coat his fingers further. Once he was satisfied with the amount of fluid now dripping into his pants, he wandered lower and lower until he plunged his index in, curling it up so deliciously you moaned and grinded your hips onto the slow plunge of his hand.
His eyes watched your heat like a ravenous man holding back, the feral look on his face only pulled you closer to the edge.
And it's only a finger in.
"So tight, mi vida. You treat me so well."
He added two fingers in and you screamed, his pace now rapidly gaining speed. Your eyes rolled back as your hips thrashed and clumsily followed his thrusts, there was nothing else that mattered more than coming for your darling in that moment.
Miguel groaned, watching your face twist into the most sinful display of pleasure he has ever seen. The pride and smugness from knowing it was all because of him made him smile.
Only he could see you in such a state and no one else.
You clenched around his digits, tempting him to finally take the dive. Although his fingers coaxed pleasure out of you with no problem, you missed the feeling of his dick carving your insides, stretching you thin and reminding your cunt who it belongs to.
But Miguel ignored the bait and instead hastened up while curling up to push on your g-spot. You almost blacked out from the euphoria he feeds you, a coil in your stomach tightened and you moaned.
"I'm cl-close… Fuck!"
"Give it to me baby, I want it all."
It didn't last long until the coil exploded and your arousal squirts out of your cunt to drench Miguel's shirt, whose gaze turned a shade darker at the scene when you peered down to meet his gaze.
A tense atmosphere rose from his mere gaze and goosebumps prickled your skin. Your heartbeat jumped through the roofs as you stared back at his dark eyes, he triggered your spidey sense.
And for some sick reason, it only ignited the simmering arousal in the pits of your abdomen.
"Fuck the ride, you're not getting up until I say so, cariño."
You barely sensed him flipping you both, with you now seated and spread on the sofa while he stood in front of you, hastily removing his remaining clothing as if it angered him.
It didn't take long until his hand cautiously wrapped around your neck and his other, pinning your hips as he plunged himself deep into your cunt. You screamed as he pushed more of him, inch by inch. He stretched you out to the point of no return, the burn of his cock carving you open once more made you light-headed.
And he loves nothing more but seeing the cock-drunk look on your face.
Miguel grinned, his fangs protruding so attractively. "God, I love how fucked you look for me, cariño. Give me more."
He pulls and plunged himself back in, shooting hot white pleasure in your body. Miguel didn't wait long before his usual hard and rough pace started. The hand around your throat tightened and your mind turned woozy from the lack of oxygen, his thrust taking your breath away only evoking the feeling of nirvana within you.
He drove in you hard and quick enough you can distantly hear the couch legs wincing as it gets pushed back with every plunge of his dick.
"Fuck…!"
"That's right darling, I'm fucking my sweet cariño open and wide for me."
The electric shocks the head of his cock briefly grazing the head of your uterus sent your legs flailing on his sides. Growing bothered by them, he halts to rest them on his wide shoulders and wraps his arm around your thigh before entering somehow deeper into you.
Your hands found his meaty thigh and dug itself onto it and it encouraged him to go even faster, pushing you closer to the edge and you swore you could see the pearly gates of the heavens.
"I'm co-coming…! Miguel!"
"Give it to me baby, you know how much I love seeing you convulse so helplessly around me."
The hand on your throat left to find purchase on your clit, rubbing you as fast his cock plunges into you.
With a scream, you came. 
Your legs trembled violently on his shoulder as more of your arousal spurts out of your heat, white hot pleasure burned and stirred every nerve ending awake as your eyes rolled back.
But this doesn't seem to be enough for Miguel who only took a break to see your thighs convulse before continuing his thrusts.
You hit his thighs as he kickstarted another orgasm now bubbling in the pit of your stomach but he paid no heed. 
Not that you minded of course, if anything, it only pleases the sick bastard in your head, wishing to be used and fucked so well by your husband like it's your sole purpose.
"I'm so close, baby. Can you give me another one? Surely you can, right?"
His fingers rubbed your clit to the point of pain yet it somehow enhanced the pleasure growing larger in your chest and you screamed. Miguel bent down to rest his sweaty forehead on your shoulder, in the clouded state you were in, you could make out the sharp points of his canines pushing down your skin.
The threat of his bite shot jolts down to your heavily beaten cunt, once again tightening its coil. The frequent groans and low growls escaping his lips alone told you he's near to climax.
And with that, he's dragging you down with him.
"Please please please, give it to me…!"
"Yes, cariño. Anything, Anything for you."
With a couple of thrust, scorching hot explodes inside of you and Miguel slows down, almost into a halt as he rides down his high. The face of pure unadulterated ecstasy painting his face, along with his fingers, you came with another shout.
When he's calmer, he lets his sweaty body fall into your arms before reaching around to do the same. 
As your breathing returns to normal and the fog in your head clears, Miguel places a gentle kiss on your temple and cheeks.
"I love you so much, cariño."
"I love you more, guapito."
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AI art is able to commercially replace human art bc for a long time neither big artists nor industry leaders have been interested in artworks featuring meanings that extend beyond the visual.
you want a wide-shot space-themed piece in X palette and X style for your album cover? done.
you want a portrait frontispiece with background features that subtly communicate the themes of your novel and gestures by the figure that nod to an event in the climax? well AI can’t do that for you but I haven’t seen anybody else doing it lately either
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inkskinned · 4 months
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yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."
i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.
the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.
mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.
later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.
sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.
but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.
i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.
every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.
wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?
the first time i went viral, it was for a poem i wrote about you:
he wants to say i love you but keeps it to goodnight because love will take some falling and she's afraid of heights.
every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.
mahler's fifth still makes me sick.
give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.
give me back what you took from me.
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rjalker · 5 months
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I feel like a whole lot of people only learned the words "public domain" yesterday because there is a shit ton of misinformation and fearmongering being spread about Mickey Mouse now that he's public domain. And the only people being helped by this are Disney executives.
Yes, you can call him Mickey Mouse. The name Mickey Mouse is now Public Domain. He's literally named in the title card for Steamboat Willie and the other animations and promotional posters that are Public Domain.
Yes, you can give him gloves. There are multiple Public Domain versions of him wearing gloves.
Yes, you can draw him in color. First of all, there are Public Domain versions of him drawn in color. Second of all, the entire point of the Public Domain is that you are free to transform and update the subject. That means you can give Mickey Mouse any outfit or combinations of outfits you want as long as the ones you use aren't already copyrighted by Disney.
And more but my laptop is overheating. Feel free to add on more corrections to misinformation being spread.
Edit to add:
Yes, you can have him talk! Just because The versions in Steamboat Willie, The Galloping Gaucho and Plane Crazy don't talk doesn't mean that Disney is the only one allowed to make him talk. That's not how the public domain works. It just means you have to create your own voice for him.
Edit again to add:
Yes, you can sell art of him. Yes, you can put him on a shirt and sell it. Yes, you can sell paintings of him. As long as you are not using a design still protected by Disney's copyright, and are not deceiving people into thinking it's official Disney merch, you can sell it! That's the whole point of the Public Domain!
And no, people, for Pete's sake. It is not and never has been illegal to draw modern Mickey Mouse. That's fair use. You can draw anything you want. Copyright stops you from selling things. You have always been allowed to draw any Mickey Mouse you want. Disney will not appear out of thin air and arrest you and your family because you have "pie slices on the pupil". That is literally not how any of this works, especially not how the Public Domain works!
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Company that makes millions spying on students will get to sue a whistleblower
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Yesterday, the Court of Appeal for British Columbia handed down a jaw-droppingly stupid and terrible decision, rejecting the whistleblower Ian Linkletter’s claim that he was engaged in legitimate criticism when he linked to freely available materials from the ed-tech surveillance company Proctorio:
https://www.bccourts.ca/jdb-txt/ca/23/01/2023BCCA0160.htm
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/04/20/links-arent-performances/#free-ian-linkletter
It’s been a minute since Linkletter’s case arose, so I’ll give you a little recap here. Proctorio is a massive, wildly profitable ed-tech company that sells a surveillance tool to monitor students while they take high-stakes tests from home. The tool monitors the student’s computer and the student’s face, especially their eye-movements. It also allows instructors and other personnel to watch the students and even take control of their computer. This is called “remote invigilation.”
This is ghastly in just about every way. For starters, Proctorio’s facial monitoring software embeds the usual racist problems with machine-learning stuff, and struggles to recognize Black and brown faces. Black children sitting exams under Proctorio’s gimlet eye have reported that the only way to satisfy Proctorio’s digital phrenology system is to work with multiple high-powered lights shining directly in their faces.
A Proctorio session typically begins with a student being forced to pan a webcam around their test-taking room. During lockdown, this meant that students who shared a room — for example, with a parent who worked night-shifts — would have to invade their family’s privacy, and might be disqualified because they couldn’t afford a place large enough to have private room in which to take their tests.
Proctorio’s tools also punish students for engaging in normal test-taking activity. Do you stare off into space when you’re trying through a problem? Bzzzt. Do you read questions aloud to yourself under your breath when you’re trying to understand their meanings? Bzzzt. Do you have IBS and need to go to the toilet? Bzzzt. The canon of remote invigilation horror stories is filled with accounts of students being forced to defecate themselves, or vomit down their shirts without turning their heads (because looking away is an automatically flagged offense).
The tragedy is that all of this is in service to the pedagogically bankrupt practice of high-stakes testing. Few pedagogists believe that the kind of exam that Proctorio seeks to recreate in students’ homes has real assessment merit. As the old saying goes, “Tests measure your ability to take tests.” But Proctorio doesn’t even measure your ability to take a test — it measures your ability to take a test with three bright lights shining directly on your face. Or while you are covered in your own feces and vomit. While you stare rigidly at a screen. While your tired mother who just worked 16 hours in a covid ward stands outside the door to your apartment.
The lockdown could have been an opportunity to improve educational assessment. There is a rich panoply of techniques that educators can adopt that deliver a far better picture of students’ learning, and work well for remote as well as in-person education. Instead, companies like Proctorio made vast fortunes, most of it from publicly funded institutions, by encouraging a worse-than-useless, discriminatory practice:
https://pluralistic.net/2021/06/24/proctor-ology/#miseducation
Proctorio clearly knows that its racket is brittle. Like any disaster profiteer, Proctorio will struggle to survive after the crisis passes and we awaken from our collective nightmare and ask ourselves why we were stampeded into using its terrible products. The company went to war against its critics.
In 2020, Proctorio CEO Mike Olsen doxed a child who complained about his company’s software in a Reddit forum:
https://pluralistic.net/2020/07/01/bossware/#moral-exemplar
In 2021, the reviews for Proctorio’s Chrome plugin all mysteriously vanished. Needless to say, these reviews — from students forced to use Proctorio’s spyware — were brutal:
https://pluralistic.net/2021/09/04/hypervigilance/#radical-transparency
Proctorio claims that it protects “educational integrity,” but its actions suggest a company far more concerned about the integrity of its own profits:
https://pluralistic.net/2022/02/16/unauthorized-paper/#cheating-anticheat
One of the critics that Proctorio attacked is Ian Linkletter. In 2020, Linkletter was a Learning Technology Specialist at UBC’s Faculty of Education. His job was to assess and support ed-tech tools, including Proctorio. In the course of that work, Linkletter reviewed Proctorio’s training material for educators, which are a bonanza of mask-off materials that are palpably contemptuous of students, who are presumed to be cheaters.
At the time, a debate over remote invigilation tools was raging through Canadian education circles, with students, teachers and parents fiercely arguing the merits and downsides of making surveillance the linchpin of assessment. Linkletter waded into this debate, tweeting a series of sharp criticisms of Proctorio. In these tweets, Linkletter linked to Proctorio’s unlisted, but publicly available, Youtube videos.
A note of explanation: Youtube videos can be flagged as “unlisted,” which means they don’t show up in searches. They can also be flagged as “private,” which means you have to be on a list of authorized users to see them. Proctorio made its training videos unlisted, but they weren’t private — they were visible to anyone who had a link to them.
Proctorio sued Linkletter for this. They argued that he had breached a duty of confidentiality, and that linking to these videos was a copyright violation:
https://pluralistic.net/2020/10/17/proctorio-v-linkletter/#proctorio
This is a classic SLAPP — a “strategic litigation against public participation.” That’s when a deep-pocketed, thin-skinned bully, like Proctorio, uses the threat of a long court battle to force their critics into silence. They know they can’t win their case, but that’s not the victory they’re seeking. They don’t want to win the case, they want to win the argument, by silencing a critic who would otherwise be bankrupted by legal fees.
Getting SLAPPed is no fun. I’ve been there. Just this year, a billionaire financier tried to force me into silence by threatening me with a lawsuit. Thankfully, Ken “Popehat” White was on the case, and he reminded this billionaire’s counsel that California has a strong anti-SLAPP law, and if Ken had to defend me in court, he could get a fortune in fees from the bully after he prevailed:
https://twitter.com/doctorow/status/1531684572479377409
British Columbia also has an anti-SLAPP law, but unlike California’s anti-SLAPP, the law is relatively new and untested. Still, Proctorio’s suit against Linkletter was such an obvious SLAPP that for many of us, it seemed likely that Linkletter would be able to defend himself from this American bully and its attempt to use Canada’s courts to silence a Canadian educator.
For Linkletter to use BC’s anti-SLAPP law, he would have to prove that he was weighing in on a matter of public interest, and that Proctorio’s copyright and confidentiality claims were nonsense, unlikely to prevail on their merits. If he could do that, he’d be able to get the case thrown out, without having to go through a lengthy, brutally expensive trial.
Incredibly, though, the lower court found against Linkletter. Naturally, Linkletter appealed. His “factotum” is a crystal clear document that sets out the serious errors of law and fact the lower court made:
https://drive.google.com/file/d/1aB1ztWDFr3MU6BsAMt6rWXOiXJ8sT3MY/view
But yesterday, the Court of Appeal upheld the lower court, repeating all of these gross errors and finding for Proctorio:
https://www.bccourts.ca/jdb-txt/ca/23/01/2023BCCA0160.htm
This judgment is grotesque. It makes a mockery of BC’s anti-SLAPP statute, to say nothing of Canadian copyright and confidentiality law. For starters, it finds that publishing a link can be a “performance” of a copyrighted work, which meant that when Linkletter linked to the world-viewable Youtube files that Proctorio had posted, he infringed on copyright.
This is a perverse, even surreal take on copyright. The court rejects Linkletter’s argument that even Youtube’s terms of service warned Proctorio that publishing world-viewable material on its site constituted permission for people to link to and watch that material.
But what about “fair dealing” (similar to fair use)? Linkletter argued that linking to a video that shows that Proctorio’s assurances to parents and students about its products’ benign nature were contradicted by the way it talked to educators was fair dealing. Fair dealing is a broad suite of limitations and exceptions to copyright for the purposes of commentary, criticism, study, satire, etc.
So even if linking is a copyright infringement (ugh, seriously?!), surely it’s fair dealing in this case. Proctorio was selling millions of dollars in software to public institutions, inflicting it on kids whose parents weren’t getting the whole story. Linkletter used Proctorio’s own words to rebut its assurances. What could be more fair dealing than that?
Not so fast, the appeals panel says: they say that Linkletter could have made his case just as well without linking to Proctorio’s materials. This is…bad. I mean, it’s also wrong, but it’s very bad, too. It’s wrong because an argument about what a company intends necessarily has to draw upon the company’s own statements. It’s absurd to say that Linkletter’s point would have been made equally well if he said “I disbelieve Proctorio’s public assurances because I’ve seen seekrit documents” as it was when he was able to link to those documents so that people could see them for themselves.
But it’s bad because it rips the heart out of the fair dealing exception for criticism. Publishing a link to a copyrighted work is the most minimal way to quote from it in a debate — Linkletter literally didn’t reproduce a single word, not a single letter, from Proctorio’s copyrighted works. If the court says, “Sure, you can quote from a work to criticize it, but only so much as you need to make your argument,” and then says, “But also, simply referencing a work without quoting it at all is taking too much,” then what reasonable person would ever try to rely on a fair dealing exemption for criticism?
Then there’s the confidentiality claim: in his submissions to the lower court and the appeals court, Linkletter pointed out that the “confidential” materials he’d linked to were available in many places online, and could be easily located with a Google search. Proctorio had uploaded these “confidential” materials to many sites — without flagging them as “unlisted” or “private.”
What’s more, the videos that Linkletter linked to were in found a “Help Center” that didn’t even have a terms-of-service condition that required confidentiality. How on Earth can materials that are publicly available all over the web be “confidential?”
Here, the court takes yet another bizarre turn in logic. They find that because a member of the public would have to “gather” the videos from “many sources,” that the collection of links was confidential, even if none of the links in the collection were confidential. Again, this is both wrong and bad.
Every investigator, every journalist, every critic, starts by looking in different places for information that can be combined to paint a coherent picture of what’s going on. This is the heart of “open source intelligence,” combing different sources for data points that shed light on one another.
The idea that “gathering” public information can breach confidentiality strikes directly at all investigative activity. Every day, every newspaper and news broadcast in Canada engages in this conduct. The appeals court has put them all in jeopardy with this terrible finding.
Finally, there’s the question of Proctorio’s security. Proctorio argued that by publishing links to its educator materials, Linkletter weakened the security of its products. That is, they claim that if students know how the invigilation tool works, it stops working. This is the very definition of “security through obscurity,” and it’s a practice that every serious infosec professional rejects. If Proctorio is telling the truth when it says that describing how its products work makes them stop working, then they make bad products that no one should pay money for.
The court absolutely flubs this one, too, accepting the claim of security through obscurity at face value. That’s a finding that flies in the face of all security research.
So what happens now? Well, Linkletter has lost his SLAPP claim, so nominally the case can proceed. Linkletter could appeal his case to Canada’s Supreme Court (about 7% of Supreme Court appeals of BC appeals court judgments get heard). Or Proctorio could drop the case. Or it could go to a full trial, where these outlandish ideas about copyright, confidentiality and information security would get a thorough — and blisteringly expensive — examination.
In Linkletter’s statement, he remains defiant and unwilling to give in to bullying, but says he’ll have to “carefully consider” his next step. That’s fair enough: there’s a lot on the line here:
https://linkletter.opened.ca/stand-against-proctorios-slapp-update-30/
Linkletter answers his supporters’ questions about how they can help with some excellent advice: “What I ask is for you to do what you can to protect students. Academic surveillance technology companies would like nothing more but for us all to shut up. Don’t let them silence you. Don’t let anyone or anything take away your human right to freedom of expression.”
Today (Apr 21), I’m speaking in Chicago at the Stigler Center’s Antitrust and Competition Conference. This weekend (Apr 22/23), I’m at the LA Times Festival of Books.
[Image ID: A girl working on a laptop. Her mouth has been taped shut. Glaring out of the laptop screen is the hostile red eye of HAL9000 from '2001: A Space Odyssey.' Behind them is a tattered, filthy, burned Canadian flag.]
Image: Ingo Bernhardt https://www.flickr.com/photos/spree2010/4930763550/
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/
Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
Eleanor Vladinsky (modified) https://commons.wikimedia.org/wiki/File:Canadian_flag_against_grey_sky.jpg
CC BY 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en
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iluvpjo · 3 months
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HII SO I HAD THIS IDEA SOME TIME AGO AND IT CAME BACK INTO MY HEAD YESTERDAY SO :^
Imagine you play a role in pjo maybe silena or something and ure at the pjo premier with everyone else (ure dating charlie) n you and charlie dissapear for a bit and when you come back everyone is confused and is whispering like 'why is she walking so wierd?' SKSKDKDKFK IM SORRY
Also can i be 🌻 anon??
REMEMBER TO EAT ENOUGH AND STAY HYDRATED !!
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𝒲𝒶𝓁𝓀𝒾𝓃𝑔 𝐹𝓊𝓃𝓃𝓎 𝒲 / 𝒞𝒽𝒶𝓇𝓁𝒾𝑒 𝐵𝓊𝓈𝒽𝓃𝑒𝓁𝓁
(Walking funny w/ Charlie bushnell)
Synopsis: (read the request basically for a longer version) basically u n charlie hangout n when u come back ur walking funny 😋
Warning(s): NSFW! MDNI, I don’t think um there has to be anymore warnings…
Pairing: Charlie Bushnell x fem reader
Word count: 1,315K
Note: HEHE hi 🌻 anon!!! Welcome n ily, also ur brain is so smart n sexc for this!!!
*also guys just so yk if u can’t tell I write fics differently to how I write THIS kinda stuff beforehand 😭 like I write silly here but not during my fics ^^
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Send me a request! Here’s my req rules :)
Come find me on AO3!
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There were loud yet hushed noises echoing around the bathroom that shielded the two of you from the rest of your cast mates, hiding you both away so you could get a quick quickie in before joining everyone. Inside the bathroom stall the two of you were on each other, your teeth clashing as your skin slapped against skin. It was hot and it was lewd, and you were sure you’d die of embarrassment if the two of you ever got caught like this.
“C-Charlie, hurry.. we’ve gotta get back to the premier!” You complained through your teeth, pouting your makeup covered lips. You were sure that your stylist would kill you for ruining your makeup and hair, your mascara was slightly smudged in the corners from your eyes watering — you couldn’t help tearing up a little when Charlie would stimulate you like this. Your lipstick was also a mess, and Charlie knew he’d have to wash your kiss marks off of his neck at the sink before leaving the bathroom together.
“I know sweetheart, but you wanted this remember?” He asked in a bit of a condescending tone, his lips curling up into a smirk as he kept standing there in front of you between your legs. “I- I know..” You huffed and crossed your arms over your chest, pouting your lips and furrowing your eyebrows at him like you were upset at him. But he knew you weren’t, he simply chuckled and shook his head at your pouty reaction, scoffing and mumbling that you were very ‘cute’ when you acted like this.
“I’m not cu- ah!~” Your complaints were cut off by Charlie when he thrusted deeper inside of you, pressing harshly against your cervix and making your stomach ache a little “Hold that thought sweet girl. Unless you don’t wanna cum?” Charlie tilted his head at you as he asked that with this smug smile on his face. “Of course I do!-“ He cut you off again “Tut. Tut. Then be quiet for me sweet girl, I don’t want anyone catching us like this..” Charlie chuckled a little to himself as he watched you accept and grumble to yourself a little.
Charlie moved you carefully so that you were in a better position for the both of you, you were bent over and your arms were holding yourself against the wall. Charlie was standing behind you, his hands gripped tightly on your hips as he rocked himself back and forth inside of your tight pussy. You weren’t the best at taking it from behind, the position would always be a little too much for you— but Charlie wanted you to take it today. He knew you’d have a harder time staying quiet but he wanted to challenge you, plus he found it really cute how you were trying your hardest to stay quiet (even if you were failing!)
“C-Charlie..~” You groaned out, your legs trembling underneath you as his cock kept hitting against your fleshy insides. Your wet slick was dripping onto him, covering his large cock as well as dripping down your thighs a little. “Yes, my love?” Charlie asked you with a hushed voice, “f-feels good..” You whined out and bit down on your bottom lip to muffle your moans. “Yeah sweetheart? It feels good does it? Let me help you feel even better..” You didn’t have any time to question what he meant, he lifted your right leg up and started hitting inside of you at a different angle which had you close to seeing stars.
You removed one of your arms from holding onto the wall, having to use it to cover your mouth. Your moans were muffled, but it didn’t mean that they were silent “mfhh!~ ah!~ fuckk’” You cried out as Charlie’s cock ruthlessly pounded into you from behind. “Fuck.. Sweet girl, I’m gonna cum..” Charlie warned you and you just nodded at him, encouraging him to just keep going. Charlie hissed under his breath as he had to keep quiet as well, letting out a soft gutters groan when he began to cum.
His cock twitched before spurting out his hot seed which painted your insides white, a bit of his cum dripping from your cunt. Charlie took a moment as he had a breather before he then slammed back inside of you, he felt a little more sensitive but he had a goal to make you cum as well. You threw your head back in pleasure, squirming against him when the tip of his cock entered you deeper and got pressed to the hilt. You couldn’t control yourself anymore and you began to cum, your eyes teary and your legs shakey as your pussy clenched tightly around him and came.
“Fuck’ C-Charlie I love you!~” You cried out as you came, your orgasm hitting you roughly like a huge wave. “I love you too sweetheart.” Charlie helped you as you began to recover from your orgasm, helping you sit up against his chest. Your legs wanted to give out, shaking and hurting from just standing there but luckily Charlie was holding onto your waist now. “Don’t worry sweet girl, I’ve got ‘ya.” Charlie reassured you as he slowly helped you clean up a little and get dressed, pulling your panties up and pulling your dress back down etc..
“T-That felt really good.. L-Let’s get back to the premier before they realise we’re gone!” You told him and tried to hurry, Charlie paused you for a moment as he had to quickly use the sink to wash off the lipstick marks. As he looked in the mirror cleaning himself he replied to you and said “I think it might be a little too late for that dear.” He spoke “What? No.. it’ll be fine, I don’t think they even noticed!!!” You were lying to yourself and Charlie could see it, but he wouldn’t say anything because he didn’t wanna embarrass you.
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(There’s more writing btw)
“Hey, where’s Y/n and Charlie gone? They’ve been gone for a bit now and the premier is about to start!” Leah complained and began to fidget in her seat as she looked around for them, her head turning and trying her best to look behind the rest of the people sitting around hoping to find them each somewhere in the crowd. “It hasn’t been that long, has it?” Walker asked her and squinted his eyes a bit, Leah huffed and pulled her phone out to show him the time.
“Didn’t we get here almost an hour ago?” Walker questioned as he saw the time “Like around five I think. They’ve both been gone almost the entire time we’ve been here!” Aryan joined the conversation as he heard the two of them talking. They were all discussing about where they thought that you and Charlie would be that they didn’t notice when the two of you actually joined them, only turning their heads around to see you two when Dior spoke up.
“Wait— why’s Y/n walking like that?” Dior whispered to herself, blinking in confusion as she watched. Walker and Leah leaned forward to look past Aryan and Dior, Walker letting out a bit of a laugh “Haha! She really is walking weirdly. Why do you think that is?” Walker gossiped to Leah and Aryan “No idea.” Aryan shrugged his shoulders.
“Sorry we were gone guys! I uh— we got held up.” You excused yourself and sat down beside Dior, Dior looked over at you and was about to say something until she noticed your flushed face and messed up hair. She shut her mouth, turning away and gigging a little to herself, she knew exactly why you were walking weirdly now. Aryan heard her laughing and looked over at you too to figure out what was going on, and he sorta got a bit of an idea too but wasn’t quite sure.
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stra-tek · 1 year
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This is one of the greatest things ever. Walk around every single version of the U.S.S. Enterprise in photorealistic 3D in your browser, from the Roddenberry Archive. On a phone you just see wraparound 3D pics. On a PC or laptop you get the full 3D interactive experience. They NEED to make this VR compatible, it'll be beyond words.
There are more Enterprises here than Tumblr will allow me photos of, and more will likely be added.
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Here's the TOS Enterprise, which appears in several incarnations ("The Cage", "Where No Man Has Gone Before" and TOS proper as well as TAS with the second turbolift!), has the correct original graphics and is perfect.
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This is the bridge from the unmade Star Trek: Phase II series (whose pilot episode "In Thy Image" was rewritten to become Star Trek: The Motion Picture), with it's legendary big comfy command sofa seat and tactical display bubble!
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The Motion Picture, such an accurate recreation that there's even a very faint flicker on the rear-projection animated screens as seen in the movie.
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Enterprise NX-01, looking exactly as it did in "Broken Bow"
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Recognise this? It's the briefing room of Discovery season 2's version of the U.S.S. Enterprise NCC-1701. Although at the front of the saucer on the "real" ship, here it's off the second bridge door which may well be where the set was IRL.
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I wasn't expecting modern Trek to be represented equally as the originals in this project, but it is. This is the Enterprise from Strange New Worlds, with Pike's Ready Room located just off the bridge.
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Star Trek V: The Final Frontier. My favourite version of the classic bridge, as a kid I drew all these control panels and stuck them on my bedroom walls. And now I can look around and look at them all close-up! They've even replicated the noticable TVs stuffed into the panels for the more complex animated screens.
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The Enterprise-C bridge from "Yesterday's Enterprise". This one has always fascinated me, being a low-budget TV set (formerly the Enterprise-D battle bridge, originally built from the rain-damaged TMP set's back wall and redressed endlessly though TNG) representing TNG's immediate predecessor. In the episode they mostly shoot the back wall and imply the consoles make a huge circle, but here you can see the set's real dimensions and the weirdness of the classic movie helm/nav console in front of the TNG con/ops panels. I love it.
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You know how much I love the Kelvin movies, so seeing this was amazing. For some reason the consoles don't have their screens lit (hopefully this'll be fixed soon), but you can see the saucer under the window and it's shiny and amazing.
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The last thing I expected was the U.S.S. Titan-A/Enterprise-G bridge, but it's here. And the lights are on.
Other bridges available to explore which I'm out of pictures to show: The Enterprise-D (of course), Enterprise XCV-330 (the ringship, based on concept art for the unmade non-Trek series "Starship"), the Planet of the Titans U.S.S. Enterprise (again, based on concept art for a cool multi-levelled set) and the "launch" U.S.S. Enterprise NCC-1701 (based on the very first piece of TOS bridge set concept art), the Enterprise-E, the Enterprise-F (seen on viewscreen for all of 2 minutes in Picard) and the U.S.S. Voyager NCC-74656!
Take a bow lads, you've done good. Now just add VR support!
That link again.
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