#It’s not great to see this at least he’s comfortable for the time being

[corkinavoid]

I'm pretty sure this has been done before (and several times), but brain going brrr, so

DPxDC John Constantine's How To: Ghost Kids

Bruce doesn't even get to say anything when the door to his study opens with a slam against the wall, and before he knows it, he gets an armful of kids. As in, a bouquet of them.

"I'm so done," John Constantine breathes out, raspy and exhausted, looking like a trainwreck incarnate. Granted, the man always looked like one, but right now, the effect has been greatly worsened. The dark circles under John's eyes are, in fact, black, and it looks like he hasn't shaved in at least a week.

Bruce looks down to the small gaggle of children in his lap that he caught in his hands by sheer reflex.

All three of them look up at him with identical, sky blue eyes. They could be twins if it was not for their obviously different ages - the girl looks no older than three, while the boys are probably around five and six.

The older boy scrunches his nose. The girl pouts, but it looks directed at Constantine rather than at him.

Bruce looks back to John, a silent question in his eyes.

"They are- Well, not mine, for starters," the man begins, placing his hands on the table right over the sheets and documents, and leans on it, hanging his head down. Then, he raises one hand up and waves it in the air, "Not yours either, thank the Gods for that." He takes a deep breath.

Bruce's eyebrows raise all the way up to his hairline. The girl starts trying to wiggle out of his hands, but the middle boy holds her back, keeping her in Bruce's lap. She pouts harder.

"And you've brought them here why?" Bruce breaks the stretched out silence, gently repositioning the kids into a more comfortable hold. John raises his head up at him, and the magician's eyes look straight up pleading.

"You're the only person I know of who is, one, a parent, two, acquainted with supernatural, three, a man of great patience, and four, owes me a favor." Constantine lists off reasons that don't really make sense all together, especially regarding kids. Then he thinks for a moment and adds, "Five, owes a shitton of liquor."

"John, what-"

"Listen, I've been dealing with them for a week, I'm at my limit," Constantine interrupts him, desperate and close to whining, "I haven't slept in more than three consecutive hours for days. I don't remember the last time I ate. Or took a shower."

Yes, Bruce can see that. Or, rather, smell it. But that answers none of his questions as to who, why, and how.

"I would kill for a bath," John admits, like it's some sort of a secret. The middle boy opens his mouth, but Constantine points an accusing finger at him, "No, the puddle of melted ghost ice does not count for a bath. And don't come at me with your death puns."

The child rolls his eyes but closes his mouth back and slumps. Bruce resists the urge to pinch the bridge of his nose, but only because he is holding three kids. His hands are full, quite literally.

"John, I need you to explain," he asks, somewhere between a demand and a careful inquiry. Because, really, the man looks on the brink of losing his sanity, that much is evident. Bruce might not like the man, but he can at least partially sympathize with dealing with kids.

His bare minimum of sympathy - and isn't it a bizarre thought, emotionally sympathizing with John Constantine of all people - does not ease his growing worry and irritation. The girl starts trying to get out of his hold again.

John takes a very deep breath, holds it, and then-

"I stole them," he says, looking Bruce dead in the eye, with a sense of resigned, if a bit unhinged, determination. And, before Bruce is able to ask literally anything else, he keeps going, "Their parents are shit, a branch of government is out for their guts - as in, literal guts - there was- there is a backdoor to the afterlife in their basement, and also they are dead and because of some Realms fuckery and their spiritual granddad being a huge pain in the ass, they are all wrong ages."

Bruce blinks. Then blinks again. Processing that sentence turns out to be a lot harder than he estimated.

The oldest kid in his lap gives John a middle finger, nearly sneering. The girl starts snickering, somehow making it soundless.

"Oh, and they are under a silence charm because if I hear one more references to fucking Ghostbusters I will shoot myself," Constantine finishes matter-of-factly.

Distantly, Bruce wonders if John can make that spell into some sort of an amulet. God knows, Dick really needs one sometimes. Steph does, too. And Jason. Actually, all of them need one.

He looks over the kids again. They don't seem scared or unsettled, neither by the fact they are sitting in a lap of a stranger nor by Constantine's bullet point version of a summary to their lives. They mostly just look annoyed and grumpy, and a bit embarrassed in case of the middle boy.

Bruce sighs and decides to start somewhere.

"Do they have names?"

[part 2 ->]

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[love-of-the-red-star]

That time I got reincarnated as an Aeon

(Series)

Chapter six: A place to belong

(Unedited, like the rest of the series)

Outer space had always been cold.

Your body didn’t suffer the effects of the temperature, yet you still felt the chill of the void on your skin. The stars and their dusts glowed around you, decorating your space in the most beautiful way that your human self could never dream of.

You thought of your family in your previous life and wondered how they were, if they were alright, if they were eating well and living well.

You also came to realize you weren’t homesick at all.

Materializing in the express and glancing at Welt made you feel a humane sense of relief in knowing you aren’t the only one who wanted to badly convey that you were safe in this new world you resided in.

Unlike Welt though, you don’t have the luxury of ever returning to what once was, or have the choice in having the best of both worlds. Your existence was cemented in this world permanently the moment you became the embodiment of a concept and a being no longer human.

You can’t turn back. It’s a little funny that though you represented freedom, you don’t have the luxury of ever returning to something simpler. You did not have the freedom to return to be the being you once were.

You can emulate human expressions, you can still feel, but you know you’re not really seeing or feeling things the way a human would anymore.

You’re not disturbed by this in the slightest.

You snapped out of your thoughts and walked towards your room then thought of how you’d decorate it— maybe something similar to a bachelor pad? No, Pompom would not be a fan. Maybe something similar to the archives? No, you’d be stealing Dan Heng’s shine.

Then you remembered cozy cabins, quilts, books, all things comfortable and got an idea.

You walked out of your room to seek Pompom and Himeko, ready to lay out your idea in personalizing that little space inside of this train— now that you think of it, it’s more of a house than anything else.

You realized having a home feels comforting more than it ought to be. As an Aeon, your home was the cosmos, the space being your cradle and the nebulas your walls; but the cosmos is hollow and cold, and it did not provide the warmth of the train, or the warmth only humans had.

While you could not go back to being what you were before, you at least had a choice in what your home should be, and what you could do.

“Himeko.” You called out to her, and she turned to you, smiling like you’re a kid that wants her company. “I have ideas to personalize my room, would you be fine if I were to be a bit loud in there for a bit?”

“I don’t mind, though you should ask Dan Heng-“

“I’m fine with it.” Dan Heng answered for her, sitting on a chair and tasting one of her coffee cups— you bit the urge to grimace at the sheer will he had to even drink that.

“Great! I’ll start when we’re on our next stop.” You said with a grin. “Herta got something heavy for us to do right? Leave it to me, think of it as a thank you and a vacation of some sorts.”

“Are you sure? I don’t want to burden you.” She sounded cautious almost, even after more than eight years.

“It won’t be much. Besides, you do own this train, think of it as a courtesy— like a tenant paying rent.” You stated, “I shared this space with you for more than eight years now and I’m modifying an area to my liking, it’s only fair if you get something in return in exchange right?”

Her eyes widened, seemingly surprised. She parted her lips, as if wanting to say something but you gently shushed her, knowing what it is she wanted to say. You’ve already given your protection and blessing to the express— you didn’t even need to help, but you want to.

“[Name].” She sighed fondly. “You can do as you wish, you don’t need permission from me or anyone else.”

“Oh, isn’t asking permission how things work in a shared space though?” You tilted your head, frowning. “I know I’ve done pretty unsavory things outside of this train,” you twirled a strand of your hair, looking away as you felt Dan Heng’s questioning stare on you. “But I don’t mind having to go back and forth with this every time I want to do something inside of it. it’d be unfair for everyone here if I don’t consider their feelings in the matter, or warning them ahead of time to what I will be doing.”

“Ah, I see.” She said, nodding to let you know she understood your point with a relieved and fond smile on her face. “Very well then. I’ll tell Welt you’ll be going to fetch the materials Herta asked for on your own.”

“We’ll have fun next time I promise— ugh if only Void was dead so I could use his body.” That sounded wrong, but soulium is great to use for whatever reason— be it a weapon, a snowboard, or a pan. “Hey uh before we land…. please tell Welt that (Censored).”

With those words, you left, disintegrating from the activation of a space anchor as you saw the planet where the materials on Herta’s list were particularly abundant.

Dan Heng for once looked a little horrified, Himeko however could only sigh at your antics.

What even was your suggestion? Well, it involves using Void as a snowboard, and using his “son” as the brakes.

Those words would be horrifying enough to hear if you were a man.

“Don’t worry, they won’t do that to you.” Himeko said in an attempt to reassure him. Although it worked, the words still rang through his head.

———————————

As you hummed and gathered the materials after killing a couple of Nanook’s children, you heard bells, then giggling.

You sighed. “You’re not very subtle in showing your amusement for the shit I do you know?”

You could feel them smiling, before multitudes of masks enter your vision and the sound of party balloons fill the space at the corner of your eyes.

The Elation morphs into a human-like shape like you, and you’re not surprised to find out whose form they took.

Familiar green eyes, and dark hair. Of course it would be Belobog’s conman this time— the last time Aha had showed themselves to you they took on the form of Hanabi when you were in some planet with Boothill some years ago.

“Of course! It’s rude to greet a friend without announcing my presence.” They grinned, their smile stretching a little wider than what a normal human could smile. You think this would have utterly creeped you out had you been a human.

“Good to see you again, Aha.” You said.

“And you are still the same old you.” They poked your nose. “What fun are you going to pull next I wonder?” They jeered.

“None of your business— I didn’t think you cared. I was under the assumption that as long as you are elated, then all is well.” Aha laughed at your intentional wording, slapping their knee as they wheezed too loudly.

“This is why you are my good friend.” They pinched your cheeks. “To think you’d offer all sides of a theater just like this, did you enjoy it when you were behind the safety of your screen too?”

What the fuck.

“What do you mean by that?” You innocently prodded, Aha merely kept their grin wide like a Cheshire Cat, their form morphing into something.. wrong, off, inelegant and disproportionate if you looked closer.

“Oh you know well what I am talking about, Little Libertas.” They said. “A reborn Aeon from a realm none of us can reach, how amusing indeed.” their eyes widened, pupils blown as they confirmed your suspicion. Aha had no reason to speak of lies to you for they were not human.

“Ugh.” You groaned. “Of course you’d break the fourth wall.” You said softly as you went back to picking up the materials with ease.

“Yet you still laugh whenever I rickroll you.”

“Fair.”

Aha hummed, their features returning back to normal seeing as it didn’t get a reaction out of you as they wanted.

“I would like to watch you more.” They said to you. “You are amusing.”

You made a face, and they laughed as they slowly but surely disappeared.

“Until next time little friend.”

You sighed, looking at the materials inside of the sack before dragging it with you and walking to a space anchor.

You still have a room to renovate after all.

—————————-

Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII (HERE), Part VIII, …….

Interludes: one, two…..

I’m still navigating on how I could properly write this fic, so when I eventually edit it please expect minor or major changes to how things would function because we know HSR lore isn’t that concrete yet.

I would also like to thank everyone for their love and support for this series, I love everyone’s praises towards this— I was initially hesitant to publish it, but I’m glad I did.

See you on the next installation!

[charliemwrites]

Part 12 SpecGru reader!!

No content warnings for this chapter.

You mull over your captain’s words in the hours before dinner. Sitting behind Nova in her temporary room, Doctor Who’s opening theme warbling from your laptop’s speakers. You gently work oil into her scalp, following the precise alleys formed by her braids.

It’s a soothing ritual, not just for her, but for you. An act of care for a woman who’s been so kind and patient with you. Who always stood her ground on your worst days, and never allowed herself to be goaded into a useless argument. She’s warm beneath your fingers, soft against your chest, the scent of coconut and cinnamon sweet in your nose.

Slowly, you begin to card through memories you put great care into neglecting.

The day you left the hospital, feeling more pathetic than you ever had in your life. A packet of care instructions folded over in one hand. You remember the way Gaz hadn’t quite looked you in the eye, mouth tight and regretful at the corners. Almost guilty. Even when he handed over a bag of fresh clothes, saying he was glad to see you on your feet.

Did you know then? Was there some twinge of foreshadowing in your gut? Did you hear a foreboding whisper in your mind, of how the following twenty-four hours would devolve?

Maybe you did or maybe hindsight is a liar.

What really stands out, even after all this time, is how betrayed you felt (still feel) when you reflect on that interaction with Gaz. That the best he offered was a weak warning that Ghost and Price were pissed off at you. The hurt that he didn’t even ask how you felt before disappearing for the rest of that awful day. You never saw him after your initial discharge, he might as well have borrowed his lieutenant’s namesake.

And then there was Johnny.

Soap, who made himself perfectly visible, if only to express how pissed off he was. He never bothered to ask how you were doing either – didn’t even seem relieved to see you conscious and in one piece. He was tight-jawed and tense; the few times he deigned to speak to you was clipped and terse.

When you finally left, you remember how your chest ached, knowing (intending) you’d never see his thousand-watt smile again. A fair few of your tears on that flight had been in self-deprecation for expecting anything but his total, unwavering loyalty to Simon. It stung that for all his crowing about being a team, looking out for each other, no one left behind – he couldn’t spare you a crumb of forgiveness for a mistake in the field.

Price and Ghost had almost made sense, really. But Gaz and Soap had been a peculiar sort of pain. Your fellow sergeants, who had made you feel welcome and comfortable in the beginning – who had been the bridge and buffer between you and your intimidating superiors. And maybe it wasn’t their fault that you never quite felt like you had a seat at their table, but they’d tried.

Still… at least you can look at them. You can’t imagine opening your mouth to face Price or Ghost and anything but acid pouring out.

“What’s on your mind, babes?”

You blink, palms automatically cradling Nova’s head as she tilts it back to peer at you. On autopilot, you dip down to kiss her forehead, then the gentle curve of her lips.

“Hmm?”

“Don’t get me wrong, the massage is nice,” she teases, “but you’ve gone over my whole head at least twice now.”

“Oh,” you intone, swiping your thumb behind her ear. “Just thinkin’ is all.”

“I can tell,” she giggles, “there’s practically smoke comin’ outta your ears.”

You grimace a bit, arms lowering down to circle her shoulders in a hug. She curls her clever, slender fingers around your forearm, tracing soft patterns with her blunt nails.

“Sorry, love,” you mumble, flicking your eyes to the screen. Realize you’ve only got a vague idea of what’s going on. “I’m being a bad date.”

“You’re not,” she insists, squeezing your wrist. “This s’all been a lot, yeah? I just don’ want you being on your own in there.”

She taps two fingers against your temple. You used to spend all your time alone in your own head. Not because it was safe – it wasn’t – but it was familiar. It took her and the rest of the team concerted effort to pry anything of value from you.

Now, you muster up an appreciative smile as you nuzzle into her hand.

“I’ve just been trying to decide…”

She pauses the show and wriggles to get a better look at your face, hums for you to continue.

“If I should try talking to the 141,” you continue. “Cap said I should consider it. See if we can put all that old shit to rest.”

“Do you want to put it to rest?”

“I should.”

“But do you want to?”

The question brings you up a bit short. Being mad is easy. You’ve been mad at them for so long, one step short of loathing, that you’ve settled into the feeling. Dug your heels in. It’s an easy way to put a stopper on all the complicated hurt lying beneath.

“I want to talk to them the same way I want to go to the dentist,” you muse.

She picks up what you aren’t saying.

“You don’t want to, but you know it’s healthier if you do.”

You grunt, still too proud to admit it outright.

“The wound closed over, but it never healed properly,” she says. “Maybe you’ve got to reset it, yeah?”

You sigh. “Yeah. Just not sure where to start.”

She shrugs. “Wherever you want to. Do it on your own terms. Only way you’ll be able to stomach them.”

You chuckle. “Yeah, you’re probably right.”

“’Course I am,” she chirps. “I’m used to navigating bad weather.”

You nip at her fingers, prompting a bright peel of laughter as she tries to squirm away. As you wrestle her back into your lap, your nerves soften and settle.

Even if you excise this wound, you know you won’t be left bleeding alone. Not ever again.

You haven’t come to any concrete decision after dinner. Not that anyone asks. Nova isn’t one to push and your captain has already said his piece. You haven’t told Nikto or Keegan about your dilemma yet, and you’re not sure if you will.

Nikto’s take on the situation isn’t obvious – though if you had to guess, it would be similar to Nova’s. But Keegan? You already know what his answer would be.

Of anyone in SpecGru, he had to work the hardest to earn even an iota of warmth from you. He reminded you too much of Ghost – and how could he not? The perpetual mask, the sharp one-liners. Gruff and closed off, frighteningly capable, and a crack shot with a sniper rifle to boot.

It used to take everything in you to pull your punches during spars. The rare instances that you would agree to eat with your new team were never if Keegan was present. And more than once, you walked into the rec room, saw his looming figure, and turned right back around.

The only time you could stand to look at him was during missions, but your captain was always sure to receive a killer glare if he paired the two of you together.

Keegan was your partner on the mission that changed things.

It had been a week straight of shit sleep and bad memories, sick on loneliness and anger. When boots hit the ground, you stormed right in, eager to prove to yourself (but really, to them) that you were valuable. Didn’t wait for Keegan, but that had never stopped him from keeping pace with you before.

You didn’t clear your corners, got sloppy and hasty.

Took two stab wounds before Keegan shot the hostile in the temple. When he tried to call the others, you demanded that he finish the mission first. Would have rather bled out than be the reason another mission failed.

The pain and blood loss dragged you under as soon as you choked out the demand.

Then, Keegan’s face was the first thing you saw in the hospital room. Not the mask, him.

Even with dirt and black paint smudging his face, you could see the dark, worried circles beneath his eyes. Could read regret in his angular jaw, relief in the slant of his scarred mouth. For the first time, you looked in his eyes and saw more than an echo of your former lieutenant.

You saw your teammate. The partner you’d left to fend for himself because you’d been handicapped by your own pride. You saw Keegan.

“Did you finish the mission?” you rasped.

He frowned, but your captain stepped forward. “He did – once we were there to stop the bleeding.”

You never saw Ghost in the weave of his mask again.

And soon after, Keegan was the first person you opened up to about the 141.

It was that very same week. You’d been sick on shame and embarrassment, using your injuries to nurse your wounded ego. Skipping meals in exchange for raiding your snack drawers and moping in your cot.

Keegan hadn’t made himself scarce after your discharge. None of your team had, really – but he’d made a point of checking on you. And lacking your usual sharpness, he hadn’t been deterred by your comparatively mild standoffishness either.

Which was how you found yourself stubbornly tucked into the corner of your cot one night, while Keegan sewed the holes in your shirt. He kept shooting you amused looks – probably because you hadn’t taken your eyes off him once. Half wondering why he was there, half waiting for the other shoe to drop.

“You gonna say something, or you just glare all night?” he drawled eventually.

You narrowed your eyes. “Do you plan to stay all night?”

He shrugged, but his eyes flicked to yours, the corner of his mouth ticking up. (No mask. He hadn’t worn one around you since the hospital. Not unless people outside your team were around.)

“If you’ll have me. Been meaning to get you caught up on the show we’ve been watching.”

You huffed, frustrated. “Why?”

He arched his brows at you, needle paused. “Because I like you, despite your best efforts.”

You stared, a little appalled, a little touched. Keegan just chuckled and went right back to mending your shirt. You drew your knees up tighter and hid your quivering mouth with your arms.

“Cap says your last team was shit to you,” he said into your sullen silence.

You scowled. He put a hand up as if in surrender.

“He hasn’t said more’n that, don’t worry,” he continued, “I’m just sayin’… I don’t take any of it personal. You’re a good teammate, I trust you with more than my six.”

Why, you wanted to demand, flabbergasted and all the guiltier because you knew you didn’t deserve it. Why did he trust you? Why was he so patient? Why was he there at all?

You sniffled, but he just kept talking.

“I want to return the favor, ya know? I’m not askin’ you to trust me after the mission, but you don’t gotta be on your own either.”

You were crying quietly by that point, face so hot that your tears felt cold, stomach aching from more than stab wounds. He finally looked up, saw how you were falling apart. But he didn’t shy away, didn’t close himself off. It wasn’t pity or sympathy that softened his eyes.

“The shit you and I carry, we’re not meant to do it alone, sweets.”

And what else could you do, but spill your sorry guts?

You remember the expression on his face when you got to the part about Ghost. Remember how tightly he held you on your cot, all the distance (emotional and physical) closed between you two. Remember waking up the next morning, Netflix still open on your laptop and flopped gracelessly over Keegan’s stomach like a childhood sleepover.

You couldn’t have iced him out again even if you wanted to, after that.

No, there’s no question what Keegan would tell you, if you asked about talking to the 141. He would say there’s no good reason to waste oxygen on a single one of them.

So, you don’t ask.

You climb into his lap in your temporary room that evening, peeling his mask up and off with slow hands. His eyes are already half-lidded, the corner of his mouth curved fondly. His hands spread across your thighs, warm and rough. The scar twisting across his left palm is sweetly familiar when he draws it along your skin.

“I’m going to try talking to the 141,” you admit.

His jaw twitches, eyes flickering. “Now why the hell would you do that?”

You sigh, curl your fingers into the brassy crop of hair he’s been growing out. He’s got a quick temper, and a habit of misplacing it when it’s been triggered by something out of his control. You don’t take it personally, you never have – it’s gratifying to see how much he cares.

“There’s no good reason to waste oxygen on a single one of ‘em,” he growls.

“There might be.”

He sits back, skeptical but waiting.

You continue, “I’ve got a lot of shit to say to them, and they seem eager to hear it.”

“Why give ‘em the satisfaction?” he asks.

“Maybe it’ll help with the nightmares.” That gives him pause. You draw your thumb soothingly across his temple – a bullet graze from saving your life. “We’ve got too much shit to carry, you and me. Unloading some of it is as good a reason as any.”

His hand drifts up your side, grazes the tattoo coiling down your arm. (The second you ever got – a big piece that took hours, Keegan never leaving your side. Nikto, Nova, and your captain periodically dropping in to provide snacks and water.)

He cups your jaw, guides your face down until your foreheads touch. You stay there, breathing him in. He smells like yours.

“What if they make it worse, huh?” His thumb caresses over your cheekbone the way it has a dozen times before, wiping away tears. “I’ll have to kill ‘em.”

You huff softly, amused. “Then kill ‘em. But I’m stronger than I was, Kee. There’s nothing they can weigh me down with that I can’t carry.”

“I know,” he whispers, tilting his chin to drop a sweet, aching kiss on your lips.

“Besides, I wouldn’t be carrying it alone anymore.”

His expression lightens, pride shining from his eyes. “Damn right.”

It’s nearly midnight when you wake from a light doze. Keegan is snoring softly, an arm and leg each hanging over the side of the bed. Your mouth is dry, but you realize it’s your stomach that woke you – pangs of hunger from picking at your dinner earlier. You need to eat.

Quiet and careful, you crawl out from beneath the sheets. Keegan is a heavy sleeper compared to the nearly supernatural senses of Nikto; he hardly stirs as you pad for the door. The hall lights are dim, but you only open it a crack to slip out.

The hall is quiet, no lights on beneath any of the other doors. You hope that means the rest of your team is sleeping peacefully. If you remember right, Nikto and Nova crawled in with your captain this evening. They’re all in good company if nightmares creep in; you pray Keegan doesn’t have any while you’re up.

Thankfully, the rec room is only two halls away. Light is spilling out as you turn the corner – there’s a sensor that shuts them off if no movement is detected for a while. Someone is either in there now or was recently. You half hope it’s the latter, but that doesn’t deter you from entering.

Your surprised to find Soap leaning against the kitchenette counter, a steaming mug in hand. His expression is flat, grim. Tired. You pause just inside the doorway.

“Might as well come in,” he says, voice low and rough. “I’ll clear out in a mo’.”

Even from where you’re standing, you can see that his cup is mostly full.

You exhale and shake your head. “Don’t have to.”

“How gracious,” he rasps, brows twitching like he wants to scowl. Like he can’t quite commit to being as bitter as he should be.

You’re too tired for your usual acid, as well. Just sigh and reach for the fridge door.

“Is that how you want this conversation to go?” you ask.

“Is this a conversation?” he replies.

You pluck out a yogurt cup. “It can be.”

He’s glaring into his coffee now, index finger tapping at the ceramic. Thinking. Or maybe just leashing all the things he wants to say but knows will drive you right back out.

“Why now?” he says finally.

You shrug. “Because I’m ready now.”

A tendon in his jaw twitches. “That’s not fair.”

A hot flicker of anger ignites in your chest. You tamp it down with a spoonful of yogurt, measuring out your words and tone.

“How do you reckon?” you inquire.

“You left,” he says. It’s been a while, but you can detect the hurt underlying the accusation. You suspect it’s something he’s wanted to say for a long time. “You left us behind.”

You click your teeth off your spoon, take a deep breath. It’s factually true. You are the one that left but—

“I wasn’t going to wait for you all to kick me out officially.”

He finally raises his eyes, a dark storm of emotion swirling within them.

“We wouldnae have.”

You tilt your head, cynicism in the flat line of your mouth. “Didn’t seem that way to me.”

“I ken you and Simon were—”

“Don’t.”

His mouth snaps shut, brows furrowed. You point at him with your spoon warningly but bite back the sharp remark on your tongue. Arguing isn’t the point here.

Settle instead to say, “Don’t speak for the others.”

There’s a beat of silence as he digests that, then finally nods. “Alright. Just you ‘n me then.”

You turn back to your yogurt, swipe up another spoonful as you reorganize your thoughts.

“I didn’t leave because of Ghost,” you begin. “Not entirely. I left because I was never part of the team. And what happened after that mission just… made it all very clear.”

Soap frowns, opens his mouth like he wants to deny it, but you hold up a finger to stop him. He takes a long sip of coffee and waits.

“You didn’t check on me at all. You weren’t there when I woke up. You never asked if I was okay,” you continue. “You were too busy being angry on Ghost’s behalf.”

“You almost got the both of you killed,” he argues.

“But you cared more about Ghost almost being hurt than the fact that I was,” you say. And dammit, you feel your sinuses burning, but your eyes stay blessedly dry. The anger disappears from his face all at once as realization sinks in. “I mattered to you less than Ghost.”

His hand tightens around his mug, knuckles blanching. “No. No, lass, tha’s no’… you were always… you survived.”

“I felt the worst I ever had in my life, but you didn’t care because I crossed the almighty Ghost,” you insist.

“I cared about you,” he denies.

“But not more than you did about Ghost.” You drag your gaze up to his. Even his eyes look a little wet now. “And that… that wasn’t enough for me.”

You suck in a shuddering breath, trying to loosen the tightness in your chest. Clear your throat once you feel the threatening prick of tears subside.

“I didn’t… it wasnae that,” he rasps. “I ken you think I’m full of shite, but ‘s true.”

You do think he’s full of shit. Maybe not on purpose, maybe he really does think he cared about you as much as Ghost, but you know better.

“I was just… so angry wi’ you,” he explains. “You could have died. Nearly got Simon killed, all because you thought you knew better.”

You exhale hard. “You’ve never made a bad call?” you challenge.

“It wasnae your call to make. You should have listened to Ghost. Instead, you—”

“I what?”

Your fingers tingle, numb. Can’t even feel the spoon, or the chill of the yogurt cup anymore.

“You disobeyed orders, it was so—”

“I didn’t.”

He stops. Stares. “What?”

You stare right back, “I didn’t disobey orders.”

First | Previous | TBC...

Masterlist

[orangeheliophile]

Dating Puerto Rican Bakugou

Contains: Puerto Rican Bakugou x Latina/poc! reader. Bakugou also wears hearing aids in this one. Second!year Katsuki, mentions of after war, Hispanic! Sero mentioned.

●I like to think you both were best friends since you were kids, always sticking together and not just because your mothers were so friends, but because Katsuki had a humongous crush on you and you thought he was the coolest person in the world. Since growing up in Japan, there weren't a lot of people who spoke your language, so another reason you both stayed together.

●His skin would look tanner, maybe have a few beauty marks and more visible scars. Other than that, he's still the same. The same, explosion pomeranian boy with rabies.

●He is a surprisingly great dancer, being an expert in salsa, merengue, bachata, cha-cha, and tango. He's got the hips for it.

●When he grows the courage to ask you out, he would confess to you in Spanish, whispering promises to you that you have his entire heart and soul. (He's secretly a hopeless romantic, but the Hispanic version.) Bro has rizz when he wants it.

●When he asked you out, he said, "Can I be your boyfriend?" Instead of, "Will you be my girlfriend?" Because he only cares about being yours. He belongs to you, and you only. You're not an object, but if you're comfortable, he'll definitely brag to others how you're his.

●His cooking is absolutely divine. If you want something to eat, sit down and look pretty. If he weren't going to be a hero, he would definitely be a chef. He would make you sopita when you're sick, dulce de leche when he wanted you to cuddle him, and he would make all of your favorite foods for you. Just for you, and nobody else.

●He would call you nicknames such as: corazón, amor, bebé, mí cielito, princesa, mamí... and your heart would skip a beat every time. You will definitely return the favor, though, watching his face turn redder than Kirishima's hair.

●He cusses in Spanish a lot, inheriting his mother's anger as well as the attitude. Whenever he watches fútbol, he gets even more passionate about the sport.

●Speaking of his mother, she loves you more than she loves her son. She always demands asks Katsuki to tell you that you're always welcome to visit and that he brings all the snacks she makes for you. She also wants you to marry her son so she doesn't have to deal with his bratty ass. But mainly because you would be her daughter-in-law!

●He always takes you out on dates, sticking your hips together using Sero's duct tape. He's really clingy, always rambling how you're going to get cold, or that you shouldn't be away from him where he can't see you.

●If he doesn't know where you are, he's running around looking for you like a headless chicken. He's secretly a lovesick puppy, constantly craving your attention, and if he doesn't get it, people find it best to back away from him so he doesn't explode.

●He usually hates hearing extras talk. It annoys the hell out of him, making him want to throw out his hearing aids so he can finally get some peace and quiet. You, however, please don't shut up. Your voice is absolutely music to his hears. He loves hearing you ramble about anything. His heart melts at the sight of you mixing up your words while having the happiest smile on your face.

●He knows how to knit and crochet. So whenever it gets cold, he always makes you sweaters, scarves, and blankets to keep you warm. He always makes sure to add things you like, just to make you happy and want to kiss him some more.

●He needs at least five good mornings/good night kisses, six hundred hugs, a ton of cuddles, seven billion 'te amó con todo mí corazóns,' and a bunch of more besitos just to survive and hour. Yes, an hour. Give him what he wants.

●He will never admit it, but he secretly enjoys some telenovelas. His mother always watched them when he was younger, and most of the time, it seemed pretty stupid to him. But he enjoys some of the drama.

●Whenever you want to cuddle and watch a movie, he makes hot chocolate, already having baked cookies as he tucks you into a blanket burrito while sitting you on his lap. He's already kissing your cheek, playing with your hair as you sip on your warm drink and munch on the homemade cookies.

●He wants to take you on vacation to Puerto Rico, show you the streets of San Juan, go hiking with you at El Yunique National forests, and of course introduce you to the rest of his family.

●Of course, he plays the drums, but he likes playing the Spanish guitar as well. He would definitely play romantic songs for you when you're both alone.

●If you have curly hair, oh, he would definitely help you with your routine. He will always search for the best products and be extremely careful not to mess up your curls when he plays with your hair. He loves curly hair. It's so unique and badass in his opinion.

●He's always kind of had a thing for women with dark skin. He finds it pretty when their skin practically glows in the sunlight.

●We all know he gets temper tantrums, but he would act like a whiny/angry toddler when you don't give him affection. And since he cusses a lot and is already dramatic, he would be even more dramatic when he complains in Spanish and acts like he's dying of heartbreak.

●Not only is he an expert at fighting, but he also knows the way of the chancla. The most dangerous weapon of them all. He protects, he attacks, and he most definitely doesn't hold back. Especially when it comes to you, just say the word, and he'll obliterate the person to smithereens.

●Even if he's going to become the future top hero, he knows he would be the perfect malewife. This man can cook, clean, is multi-talented, and would he great with your kids. He would make sure you're always pampered and spoiled with his love.

●He may not seem like it, but he's also a good singer. So if you're in the mood to listen to romantic mushy Spanish songs, he's already swaying your body with his as he sings softly into your ear while dancing in the kitchen with you.

●He definitely has a Puerto Rican banner in his dorm room, right next to an All Might poster and a picture of you. He's not ashamed of his heritage, and he won't ever deny his love for you and admiration for All Might.

●Whenever he's feeling down, he likes to drink Coquito and cuddle you for the rest of the day, watching a romance movie as you play with his hair and give him healing smooches.

●When you both were younger and one of you got a small scratch or bruise, you would definitely do the "sana sana colita de rana" and then kiss the others' boo boos better. Over time, when nobody's watching, you both still do it. It's the best remedy for healing! Besides besitos y abrazitos.

●If you're feeling insecure because your body isn't "stereotypical" to your culture or that you can't speak your language very well, he will do everything in his power to change your mind. He'll scoop you in his arms, sit you on his lap, and do his best to say comforting words to you because his princesa deserves none of this! Eventually, he helps you love yourself more, and step by step, you're both growing closer to one another by how supportive you both are.

●Sero is also Hispanic, being half Mexican made the both of you have someone to talk to. Katsuki and Sero would definitely gossip to each other about the other students. Katsuki's arm would be around your shoulders as the two give judgy looks to people doing stupid things. (You're just doodling on your coloring book while they gossip.)

●Since Mina and Izuku have curly hair, they would absolutely help you whenever you were having trouble with yours. Even if Katsuki threw a temper tantrum every time he didn't get to do it for you. But he will never admit he appreciates them being there for you.

●If you didn't think he was clingy before the war, he's suffocating you even more. Although his right arm is damaged and his heart needs to heal, this boy is constantly stuck to your hip thanks to Sero's duct tape, and you feel the same way, too. You will occasionally give him healing besitos all over his injuries and will reassure him that everything will be okay.

●Just like how you steal his hoodies and shirts, he does the same. Since you like to wear oversized clothes sometimes, he won't hesitate to steal them and wear them proudly. Boasting to others how he's yours.

●You both wear matching layered necklaces resembling each other's quirks. He wears a small explosion charm with another pendant resembling your quirk; yours is the same way.

●Since you're both too young to marry legally, he bought you both promise rings. Having a combination of your quirks engraved on the ring. Don't worry, you both already married when you were five. (He proposed to you with his grandmother's wedding ring. Mama Mitsuki was not happy. But she was happy when she saw you in an adorable frilly dress!)

I wanna write more of these scenarios, but I want to finish a request in my drafts and I've been working on it a lot, and I want it to be good and I want people to like it and, and-😭😔

Anyway, I had fun making this one! :)

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[chaos-of-the-abyss]

How would you envision Elrond and Elwing's reunion in Valinor 🥺? I can already imagine they would hug for a lonnngggg time to make up for the years of being forcefully separated from each other. Also, Elrond would be ecstatic to know that Celebrian and Elwing (in my head, lol) have bonded and become close to each other.

yesssss i too believe they would hug and cry for a very long time, like they'd just fall into each other's arms <3<3<3 and elrond can finally break down embraced by his mother the way he never had the chance to for literal thousands of years. a tangent, but i don't think elrond ever felt comfortable showing such extreme, uncontrollable vulnerability in front of others -- having been kidnapped as a child by the people who murdered most of his community and as good as forced his mother to suicide, he pretty much came to hide anything that could be perceived as "weakness" for fear of how maedhros and maglor would react to it. and even though he does grow more emotionally healthy once he finds people with whom he can truly have a good relationship, he still finds it difficult to so entirely let down his guard around people. but with elwing -- it's like he's a child again. as soon as he sees his mother's face, the exact same face that he remembers from his memories and his dreams, the exact same face he associates with strength and love and bravery ever since he was young -- everything all comes rushing out. it's like all the tears of pain and fear at her being taken from him are finally flowing after being reined in for millennia.

i can't imagine how utterly cathartic their reunion, at long last, would be to both of them. they wouldn't let go of each other for a while, that's for sure, and they would probably spend hours and hours and hours learning everything they can about each other. i doubt they'd be willing to be apart for at least several days after that. they are going EVERYWHERE together for the next month. joined at the hip. elwing at some point introduces him to all her friends and kin that she's met and connected with since she came to valinor, and elrond finds a litany of relatives who are delighted and proud and awed. lots of teleri especially are so heartened, particularly the ones who knew thingol from before they came west. that's the great-great-grandson of their king's beloved brother. and speaking of thingol -- elwing has already grown close to him since she came to valinor, she and elrond go to visit him together, and thingol cries once again and adopts yet another descendant. tbh he adopts every single descendant of his that sails west. spoils them rotten like they're children even though they're all grown adults who've seen some shit. what do you mean he can't shower them in every single gift that catches his eye or comes to mind. they're his descendants, he can do what he wants!! he will coddle them, and elrond is by no means an exception.

it's also my hc that elwing and celebrian meet when celebrian arrives in valinor! celebrian tells her mother-in-law all about elrond and all about elladan, elrohir, and arwen. elwing adores her daughter-in-law and celebrian is one of the few people who she'll regularly hang out with. they visit each other and everything, elwing is there with her when celebrian meets her telerin relatives (who already all know and love elwing). suffice to say you're right, elrond is absolutely delighted to learn how close his mother and wife have become. they all spend heaps of time with each other -- with earendil, too, when he comes home. it won't take away the injustice of elwing losing so much of her son's life, and elrond losing his mother at such a young age -- but it's good. at last they're the family they couldn't be long ago, and they're all very very happy together

[tovarishch-dyke]

When u find out that ur first heart horse is dying slowly and the title track to The Fragile comes in handy when the lyrics scream “I WONT LET YOU FALL APART”, ya know?

[bylertruther]

not to be too real but since we're talking about it... we always talk about will feeling lonely which is fair, but... it is such an Ugly, isolating, and genuinely heart-wrenching feeling to be the odd one out in your family, and to watch them treat others who aren't related to you the way you wish they would treat you, to watch them perform their familial roles with them and not you.

nancy's the only person in his family that mike could talk to, the only person that has the same trauma and would understand, and yet... he can't. they don't ever talk unless it's to be snippy and bite. nancy spends more time caring about max and will than she does mike, her own little brother.

holly is too young for him to bond with like that. she's just barely a kid, one that still needs to be cared for.

his mom tries her best, but he doesn't feel comfortable being vulnerable with her. considering the fact that she did everything "right" according to society's standards and married their dad of all people, i doubt he feels comfortable showing her who he really is. he lets her hug him when he's at his lowest, but we don't see them actually connecting.

his dad is just some ghost that haunts his house. he doesn't care about mike or think highly of him at all. the only times we've seen him pay mike any attention are when he belittles his interests, mocks him, punishes him, or shuts him down by telling him to listen to his mother. the only support he gets from him is financial in nature.

meanwhile, everyone else has a family they can turn to. dustin, despite lying to his mother to keep her out of his shenanigans, seems to have a decent relationship with her. even if he doesn't, he still has steve and robin. lucas is shown to have a healthy relationship with his parents and erica. will and el have their family.

max's situation is different, but she has the backing of the party; people that love her and actively try to help her and pull her back into the world of the living. she isn't thrust into a leadership role that doesn't allow for vulnerability. she has nancy who is willing to fight monsters for her, el who literally performed a miracle for her, and lucas who has stood by her since the beginning.

and mike... well. he has will back now, sure, but... things have been different between them for a long time now, even if they're both trying their best to be how they were before. and before then, will obviously was in california, not returning his calls or reaching out, making mike feel like he'd lost him for good.

so... all that being said, it's not that surprising that mike is the way he is: riddled with abandonment issues, wanting to be needed, immediately apologizing whenever he dares to open up, inclined to give others the protection and comfort no one's ever given him, prone to jealousy and possessiveness, unable to be completely and wholly honest about what troubles him, not exactly the most open to new people, and someone with appallingly low self-esteem.

you know how they say people that are drowning don't always look like they're drowning? that's mike.

[dairyfreenugget]

I could count the amount of original stories of mine that don't have horror elements on one hand and idk what that says about me

[l0ganberry]

@wally-darlinglol To answer that question..... It's because it's the way it is. BUT I LOVE THAT IDEA!!! IMMA COMBINE BOTH SOMEDAY!!

(here's the post where I got the comment.)

[imaginedisish]

Dare (Logan Howlett x Fem!Reader)

A/N: Hey guys. Just wanted to say thank you for all the support I got this morning. All of your comments really warmed my heart. Thank you so, so, so much. I ended up getting this done pretty fast. Went with "Dare" by Gorillaz for the title. Made me feel better to write. I like this one. Hope you do, too. Enjoy!

Summary: Logan finds out you've never been eaten out while playing a game of "Truth or Dare," and he's more than willing to change that.

Warnings: 18+ MINORS DNI!!! SMUT!!! Oral (f!receiving), Fingering, softdom!Logan, pussydrunk!Logan (he does not let up, he is starving for you), older!Logan, implied aged gap (reader is in her 20s/old enough to teach at the institute), cocky!Logan, he is an absolute service dom in this, friends to lovers, mentions of mental health/self worth, fluff, some hurt to comfort, some angst, afab/fem!reader, cursing, def some grammatical errors, I think that's it.

Word Count: 4,235 wowza didn't expect that and oh my god this gif

You’re lying on your floor—the door to your room wide open. Everyone is out anyway. It’s Friday night at the mansion—no one will see you like this. Students’ papers are scattered around you. You stare up at the ceiling, feeling choked up. It had been a bad day—a bad week. Maybe even a bad year. You feel like you’re slipping, losing yourself. 

Teaching the older students had become beyond challenging—possibly because you aren’t much older than them in the first place. Most days, it felt like everyone expected greatness from you, given the strength of your powers, which naturally comes with responsibility, and that can be incredibly overwhelming. It had all been—if you were being brutally honest—an absolutely terrible time. 

So, you’re lying on your floor, feeling numb. You stopped grading papers at least an hour ago, and simply decided to stare at the ceiling, your head spinning. You wanted to calm the noise, to take a breather. Luckily, you’re alone—everyone is on a mission or out given that it’s Friday night. 

Or so you thought. 

“What on Earth are you doing?” A familiar voice cuts through the silence like a knife, jarring you, and forcing you to look up. And there he is, in a white t-shirt and denim jeans, arms crossed tightly against his chest, leaning in the doorway. Logan. You want to roll your eyes at how good he looks. You want to slap yourself for thinking it in the first place.

He smirks at you, his brows furrowed playfully. You let your head fall back to the floor. “Grading papers,” you mutter. You can hear his footsteps as he walks into the room, drawing closer to you. 

“Doesn’t look like you’re grading papers to me,” he teases. You can hear the smile in his voice. “Why aren’t you out with Jean or Rogue?” 

He stands next to you, and you look up at him. “Didn’t feel like it,” you mumble, forcing yourself to sit up. You draw your knees into your chest. You decide to turn the question around on him. “Why aren’t you out?”

He sits down next to you, stretching his long legs in front of him, his shoulder bumping against yours as he settles in. He shrugs. “Somebody’s gotta keep an eye on you, right?” He jokes, nudging his elbow into your arm. You can’t help the smile that spreads across your face. It’s impossible to fight it when he’s next to you. Your eyes meet his, and his smile quickly turns into something else—concern. “You’ve been off lately.”

You swallow harshly. “Did Jean or Rogue say something?” You ask. They’d notice, maybe they told Logan. “Did they ask you to stay with me or something?”

But Logan shakes his head. “No. I could just tell,” he says, worry clear in his voice. “Thought I’d hang back with you. All my idea.” He tilts his head, his jaw working, his brows furrowing again. “Is something going on?” 

You take a deep breath, turning away from him. You’re suddenly overwhelmed by his presence, by his kindness and his care. He stayed home for you. “I’m okay,” you mutter, avoiding the truth. 

“Hey,” Logan whispers, tentatively reaching his hand to your knee, waiting for you to shove him away. His palm is warm against your skin, calming and stabilizing. You turn back to look at him, his brows raised incredulously. “I know that’s not true,” he says. He has always been able to read you like a book. “What’s going on?”

You swallow harshly. “I’ve just been having a tough time lately,” you say, distracted by the way his thumb brushes across your knee. “I…” You trail off, letting your eyes fall closed. “Things are hard.”

“You can talk about it if you want,” he says, his voice deep and steady. “I’m here.” 

You sniffle, struggling to keep yourself in check. “I just…” you pause, looking off to the side. “Everything sucks.” You take another deep breath. “And the students are so hard.” You point to the piles of papers scattered around your floor. “And then there’s me, and all my shit. My powers. The responsibilities we have. I’m young, and I’m still learning. And fuck, Logan, this all just feels so impossible sometimes. It…it…” You trail off, finally running out of words, out of steam.

“It hurts.” He finishes your sentence, taking the words right out of your mouth. You turn back towards him, your eyes instantly meeting his. “It hurts a lot.”

You nod. “Yeah, exactly.” He squeezes your knee comfortingly. “You get it,” you murmur. 

“It’s gonna be okay,” he soothes, his hand lifting off your knee, his arm wrapping around your shoulder instead. “I’ve got you.” You let yourself lean into his touch, resting your head in the crook of his neck. “Let’s take your mind off things, yeah?”

You nod against him, not wanting to move away, not wanting to separate from him. He feels so nice, so solid. “What did you have in mind?” You ask, hoping it doesn’t involve getting up.

“Wanna play a game?” He offers, turning his head to look down at you. You smile widely, almost mockingly. “What?” He chides. “You think I don’t know how to have fun?”

You laugh softly. “I just don’t see you as a game guy, Lo,” you confess. He chuckles, and you can feel his laughter reverberating through his chest. “Can you even think of one to play?”

Logan’s still laughing, shaking his head. “What about truth or dare?” He ever so slightly pulls you in closer, his lips pressed against the side of your head. 

You giggle, feeling light for the first time in a long time. “Are we in seventh grade?” You ask teasingly. You felt like a teenager, honestly—being next to Logan always made you feel like a love-sick schoolgirl. But you know you and him could never be. You were younger than Logan—everyone was—but you, being in your 20s, assume that Logan doesn’t see you the way you see him. 

He just shakes his head and laughs, pulling you back to reality. “Truth or dare?” He asks, ignoring your middle school comment and officially starting the game. 

You don’t want to get up, don’t want to move an inch, so you answer: “Truth,” hoping it isn’t anything too crazy. 

Logan thinks for a second, his head resting on yours. “Why’d you pick truth instead of dare?” He finally asks. 

You roll your eyes. “Boring!” You tease. “I only picked it because I don’t feel like moving.” And then you realize…perhaps your answer is more revealing than you previously considered. Your heart thunders in your chest. 

Logan hums. “And why don’t you want to move, exactly?” He’s onto you. 

“You asked your question, you got an answer,” you protest, trying to shut him down. “No follow-up questions.” It’s your turn now. “Truth or dare?” You ask. 

“Truth,” he says. “Because maybe I don’t feel like moving either.”

You smile, and you can feel him looking down at you. You’re too nervous to meet his gaze. You think for a moment, racking your brain for a question. “Did you really stay home for me, and was it all your own idea?” You finally ask. You regret the question almost immediately, fearful of the honest answer. 

“Yes,” he responds without a beat. “Jean said you were staying in, and said she didn’t know why, so I stayed too.” He pauses, and you can hear his steady breathing amidst the silence. “I was worried, princess.” The pet name burns a hole through your heart. “Needed to know that you were okay.”

You can feel tears building behind your sinuses. “Thank you, Lo,” you whisper. “That means a lot.”

He presses the ghost of a kiss to the crown of your head—almost not quite there. But you can feel it, hesitant and tentative. “It’s nothing, no need to thank me.” You finally find the courage to look up at him and find him smiling down at you. His lips part. “Truth or dare?” He asks again. 

You can feel some sort of tension brewing, building, thick and heavy. You try to ignore it, try to brush it off. Your heart hammers in your chest. “Truth,” you pick again. “But get a little more creative this time.”

He pauses, the gears in his head turning. And then finally: “Why’s your heart beating so fast? It’s loud, too.” 

Your eyes widen, suddenly remembering Logan’s heightened senses. He can hear everything. “Uh…” You trail off, not sure how to get out of this. “I-It’s not…”

He laughs. “You’re a terrible liar. You know that?” His voice is deep and honeyed, smooth. “You gotta answer the question, or I get to ask another.”

“Those are not the rules!” You protest, lifting your head to look at him. He’s got that shit-eating grin on his face, the one that makes your stomach drop. 

He tugs you into his chest again, his lips at the shell of your ear. “Then answer the question,” he whispers, his breath warm against your skin, sending a chill down your spine. He’s so close. Too close. Your heart is only beating faster, louder now. 

“I don’t know,” you whisper. But of course, you know. It’s all because of him. “Just anxious, I guess.” It’s a half-truth—you’re certainly nervous, but you can’t bring yourself to tell him why. 

“No need to be nervous, sweetheart,” Logan coos, his thumb brushing circles into your shoulder. “It’s just me.”

Yes, exactly, you want to say. It’s you. But you don’t. You try to steady your breathing, try to calm down. “My turn,” you force yourself to say. “Truth or dare?”

“Truth,” he says darkly. “And make it good.” You can hear the cockiness in his voice—a sudden shift in his tone. 

“We should just call this truth or truth,” you say, mulling over a question in your mind. It’s hard to think with him this close—hard to breathe. You want to rile him up, to find out what makes him tick—to make him itch the way he makes you. And then it hits you: the perfect question. “When was the last time you…” You stop yourself, suddenly too nervous to ask. 

“When was the last time I what, darlin’?” He asks, cocking his head to the side, raising his eyebrows. 

You huff. You’ve fallen into your own trap. There’s no backing out now. “When was the last time…” You pause again, biting your lip. You close your eyes. “…somebody got you off?” 

“Been a while,” he says simply. Your eyes flutter open, and Logan is completely relaxed, his eyes trained on you. He isn’t annoyed. He’s unbothered, unprovoked, as if you had asked him what the weather was going to be like tomorrow. “But it depends on how you mean. So, what do you mean?” He finishes. 

You’re slightly frustrated by how easy it was for him to answer. “I don’t know,” you mutter, shrugging your shoulders. “Whatever the last time was.”

“Few years back, not particularly proud of it,” he huffs. “Girl took care of me in a bar. That was it.” 

You nod. “Must’ve been nice,” you whisper, suddenly feeling a bit disheartened. You catch his drift; you know it didn’t mean anything. You likely didn’t know Logan at that time, having only arrived at the Institute two years ago. You know you shouldn’t feel jealous, shouldn’t care that he was ever with someone else, even for a fleeting moment. You’ve had boyfriends. You’ve been with other people. 

“It was fine. Just a blowjob.” He says it nonchalantly. “Didn’t mean a thing.” You look straight ahead, waiting for him to elaborate. But he doesn’t. “Truth or dare?” He finally asks. 

“Truth.” Your fake, plastered-on smile becomes real when his eyes meet yours. It’s just what happens when you look at him. “And make it interesting.”

The corner of his mouth turns up slyly, and you know he has something up his sleeve. “When was the last time somebody did that to you?” He asks. 

You cock your head to the side. “What do you mean?” But you already know exactly what he’s asking. And you desperately do not want to give him the answer.

“Got you off, like that,” he husks. “With their mouth.”

Fuck. “Uh…” You trail off. You can feel heat spreading across your chest and up your neck, your skin prickling. “Never,” you say honestly. 

“What?” Logan’s voice cuts through the tension like a knife. “Never?”

You’re suddenly embarrassed. Your skin feels tight—so do your shorts and tank top. “Never,” you repeat, looking down at your knees, still pulled in tightly to your chest. Your heart beats rapidly. “Just hasn’t happened yet,” you choke out. “I’ve been with people, but…”

“Hey,” he whispers, suddenly grabbing your chin and angling you up to face him. “It’s okay,” he soothes. “I didn’t mean to make you uncomfortable, princess.”

You smile shyly, reveling in his touch. “You didn’t,” you insist honestly. “Just a little embarrassed.”

Logan shakes his head, his eyes softening. “Nothing to be embarrassed about,” he assures. “You deserve to be taken care of.” His hand slides across your jaw and cups the back of your neck. “Deserve to feel good.”

Your eyes flutter closed at his touch. “Lo,” you whisper, struggling to keep your composure. Heat pools between your thighs. “Tr-truth or dare.”

His forehead presses to yours. “I think we’re done with the game, pretty girl,” he rasps, the arm around your shoulder slipping down to your waist. “Unless I get to give you a dare this time.”

“What’s the dare?” You ask, your eyes fluttering back open. His lips are so close. Your noses touch softly.

He works his jaw, licking his lips. “Let me eat you out, pretty girl,” he pants, his chest heaving against yours. “Let me take care of you like you should’ve been already.” He hates the idea that you’ve never been touched properly, the idea that those younger guys didn’t know how to treat you right. But he can fix that. He can make you feel good.

“Fuck,” you curse, his breath fanning across your lips. “A-are you sure?” You ask. “I don’t want you to do it just because you feel bad for me or—” “You think that’s what this is about?” He cuts you off, pulling you closer so that your body faces his, your thighs slotting together like puzzle pieces. “You think I want this just because I feel bad for you?”

“Well…” You search his eyes. “Yes,” you say. 

Logan’s face falls, and he shakes his head. “I want you, pretty girl,” he pants, his knee rubbing against your aching core. “Wanted you this whole time.” His palm presses firmly against your back, his other hand gripping your neck tighter. He wants, no, needs you closer. “You ruined me the second I saw you. Haven’t been with anyone since then.”

“Logan,” you whisper, bringing your hands up to his neck. “I want you too. Always have,” you confess.

He smiles, his lips pressing a chaste kiss to yours. “Then let me do this for you,” he rasps, almost begging, like he needs this more than you do. “Need to make you feel good, beautiful.” “Please,” you breathe. “Want you so bad, Lo.”

He curses under his breath, his lips capturing yours, harder this time. This kiss is starving, all-consuming. His tongue swipes across your lower lip, and you open your mouth, inviting him inside. He lowers you down carefully, sure not to break the kiss, guiding your back to the wood floor below. 

His thighs rest on either side of your hips as he hovers over you, bracing himself with his forearm. His free hand trails up your body, exploring your curves, hiking your shirt above your breasts. He smirks against your lips at the realization that you have no bra on. 

“Look at you,” he mumbles, rolling a nipple under his thumb, palming your breast. “Fucking perfect.” His fingertips drag to the other side, massaging you gently, taking your nipple between his thumb and forefinger and pinching softly. “Can smell you, you know,” he grunts. “Know you’re soaking for me, darlin’.”

His hand slides between the valley of your breasts, trailing down your stomach, until his fingertips bump into the waistband of your panties. He hesitates, looking down at you, waiting for you to change your mind, to tell him to stop. “Please,” you beg. “Need you, Lo.”

Logan smirks, his hand slipping under the hem of your shorts and inside your panties. “Love it when you call me that, sweetheart,” he groans. His fingertips flick your clit gently before finding your folds, feeling your arousal. “Barely even touched you,” he tuts. “And she’s already crying for me.”

He prods your entrance, spreading your slick, teasing you. He bites your lips, sucking so hard he might bruise—might draw blood—and you hope he does. You want proof that he was here, proof that he wants you—needs you this badly. You moan as his fingers find your clit again, drawing a few soft circles before pulling away, his hand slipping out of your shorts. 

You grab his biceps needily, impatiently, your nails digging into his skin. “Don’t stop,” you cry out. “Please, Logan.” 

He swallows your moans with another kiss, his lips trailing down to your jaw, then your neck—that sensitive spot just under your ear. “Don’t worry, pretty girl,” he soothes, biting down on your pulse point, licking the hollow of your throat. “Don’t think I could stop if I tried.” He nips at your collarbone, shoving your tank top further up your chest as his lips drag down the valley of your breasts. 

He kisses his way to your stomach, hooking his fingers into the waistband of your shorts, tugging them down your legs. His palms spread across your inner thighs, yanking them apart. He settles between them, his face just inches from your heat. He presses a chaste kiss to your clit, still all too clothed, hidden behind your panties. 

“Lo,” you whine. He breathes you in, pressing another kiss to your clit. He digs his fingers into the hem of your panties, slowly pulling them down your legs. 

“Wanna take my time with you, sweetheart,” he grunts, finally throwing your panties to the side. He spreads your legs wider, his face settling back between your thighs. You can feel his breath against your cunt, warm and teasing. “Wanna take care of you.” His lips finally find your clit again, and he licks at you. 

His tongue is soft, warm, wet. He laps at you again, harder this time, and you moan his name. “Fuck,” you curse as he licks a long stripe through your folds and back up to your clit, flicking the bud. Your legs twitch, your hips backing away involuntarily at the newfound pleasure. Logan’s hands slide under your ass, yanking you back to his face. 

“Where do you think you’re going?” He mumbles teasingly against you, the vibration of his deep, bassy voice rocking your core. “Not letting you go until I’m done with you, darlin’.”

You curse under your breath as he licks another long, slow stripe through your folds before settling on your clit. His tongue draws gentle circles around the bud, and you can’t hold back the loud moan that falls from your lips. 

“Yeah?” Logan husks between laps. “Feels good, pretty girl?”

“Y-yes,” you stammer, looking down at Logan, his face buried against your cunt. His eyes are trained on yours, watching your every move, taking in the way you’re squirming for him. “D-didn’t know it would feel this good, Lo.”

“Gonna try something, okay?” He says, his eyes searching yours. You nod emphatically, bracing yourself. His lips wrap around your clit, his teeth lightly grazing the bud as he pulls it into his mouth. And then he sucks, hard. Your eyes roll into the back of your head, your back arching off the floor.

He releases the bud, and does it again, sucking harder this time. Tears brim at the corners of your eyes, pleasure coursing through your veins. “Logan!” You cry out, your nails digging into the floor below, searching for purchase. “Fuck!” He laps at you soothingly, drawing tighter, faster circles around your clit. 

“You okay?” He coos between laps, his tongue swirling rapidly. 

You swallow, meeting his gaze again. The sight of him between your legs, working your clit, his hair a disheveled mess—it’s overwhelming. “Yeah,” you heave. “More than okay.”

He smirks against you and wraps his lips around your clit again, sucking on the bud like hard candy. His right hand slides out from under your ass, trailing up your inner thigh. Your heart thunders in your chest as his fingertips find your folds, spreading your slick, your walls clenching down around nothing. 

“Know you need ‘em, pretty girl,” Logan croons, two fingers nudging your entrance. “Beg for it.”

But he’s sucking on your clit again, making it impossible to say a word. You whimper, your legs trembling. “P-please,” you stutter, choking on air. “Need…” You trail off, your eyes fluttering closed. You swallow harshly. “Need your fingers, Lo,” you finally manage. 

“That’s a good girl,” he praises, shoving two fingers deep inside you, down to his knuckles. 

“Fuck, thank you,” you whine, moaning his name as his fingers stretch you out. You suddenly feel so full, so warm, so close. He pulls out, only to plunge back in, deeper this time. He’s lapping at you with reckless abandon—a man starved, like you’re the air he needs to breathe. Your walls flutter around him, the liquid heat in your lower belly threatening to burst. 

“Tastes so good,” Logan mumbles against you, his long, thick fingers thrusting in and out. He hits that sweet spot deep inside you with every pump. “Such a sweet little pussy. Tastes better than I imagined.” You’re crumbling underneath him. His words alone might push you over the edge. “Nothing compares to you, you know that?”

Your walls flutter again, his fingers sinking deeper inside you. “You like that?” Logan husks. “Like knowing how much I want you? How much I need you?”

“Yes,” you groan, his fingers fucking into you, faster now. His teeth graze your clit as he pulls the bud back into his mouth and sucks roughly. “N-need you, too. Always.” 

“I know, pretty girl,” he soothes, scissoring inside you, dragging along your walls. He laps at you, his tongue stroking your clit. “Not going anywhere. I’ve got you.”

You curse under your breath. You can feel yourself melting, your walls contracting and releasing. “Lo,” you call. “I’m so close. Wanna…” You trail off, unable to finish. 

“Can feel you squeezing me, sweetheart,” he breathes. “Don’t hold back. Let it happen,” he coaches, rocking into you. “Wanna taste you, wanna feel you come on my fingers.” He laps at you between sentences. “Come for me. Know you can do it.” And then everything is white-hot and blazing.

It’s earth-shattering—better than anything has ever felt before. The tension snaps, heat boiling under your skin. Everything is blurry, hazy, dizzied as you let go, and let go hard. You cry out Logan’s name, your thighs shaking as waves of pleasure drag you under. Your bones are burning, scorching. Everything is on fire—overwhelming and greedily all-consuming. 

Logan’s pumps slow, and he carefully pulls out of you. He laves at you, his tongue pushing through your folds, milking you dry, savoring every last drop. 

“Logan,” you whisper, your hands reaching down to his head, digging your fingers into his scalp. 

He hums against you, unwavering as his tongue laps at your folds, tasting your release. 

You’re still shaking, still coming down from your high. “Logan,” you call again, and he looks up this time, lifting his face from your cunt. Your release glistens on his chin, and he licks his lips clean of you. His eyes are dark, his palms squeezing your thighs possessively. 

“I’m not done yet, sweetheart,” he says, demand clear in his voice. 

Your heart flutters in your chest as he climbs up your body, hovering over you again. His lips find yours. “You taste that?” He mumbles, kissing you again, harder this time. “You taste how sweet you are?”

“Y-yes,” you answer, his hand sliding down your body, slipping between your legs, finding your overstimulated clit. 

He pinches the bud lightly, your back arching off the ground, your breasts pressing to his all-too-clothed chest. “Need more of you,” he husks, his hand dragging back up your body. He sits up and pulls you into his chest, taking all your weight as he hoists you up and stands. You instinctually wrap your legs around his waist. 

He places you in the center of your bed before striding across the room, closing and locking your bedroom door. “They’ll all be home soon,” Logan says, walking back towards you, spreading your legs and settling between your thighs. “Might have to be quiet for me, darlin’.”

“W-what do you—”

And then his face is buried deep inside your cunt, his tongue lapping desperately at your clit. “I told you,” he rasps. “I’m not finished with you yet.”

tags: @wittyjasontodd @wolverinesslut @galacticglitterglue @silversprings-mp3 @zxaera @spiderset @figsnpassionfruits @alastorssimp @alsoprettyinpink @prettyseaveins @ilysmdovie12 @evasmlp @derbygracie @rammakela @honeyfewr @ricefordays-blog1 @manipulatour

[caramel-ribbons]

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

[chastiefoul]

he finds you crying ft. love and deepspace men

ft. zayne, xavier, rafayel, and sylus a/n: I always feel like mc wasn’t given enough time to grief when chapter 4 happened (or maybe they just didn’t show it or i remember it wrong) but to lose the people you’ve considered family like that in front of your eyes would severely mess on anyone’s mental well-being. mc stronger than me fr i would've had a breakdown every night. so i tried to write the comfort that was long overdue. <3

Zayne

He found you hunched over at the couch, knees tucked to your chest. your shoulder shook as he heard the sniffles and although he’s physically perfectly fine, he swore it felt like his heart was breaking in two.

He would gently put his key on the table, making his presence known in the subtlest way possible so you didn’t get startled.

You quickly tried to wipe your eyes and sat normally but suddenly in no time you were carried as he made you sit on his lap, bringing your head close to his neck as he held you tight.

Zayne wasn’t one who’s great at offering consoling words, as he also a firm believer of actions speak louder than words. As he rubbed your back gently he only said, “Let it all out, I’m here.”

So you did just that. You’ve said this once to him as a joke, but truly, anywhere by his side was the time you felt the most safe.

The doctor continued to comfort you in silence, hoping with every beat of his heart that his arms and hands that’s so used in saving people’s lives, could offer at least some kind of solace for your heart that was in disarray.

Xavier

He’d never hated the sight of a bed so much, until he found you crying atop of it.

Xavier would rushes over to you (arguably faster when he encountered strayed wanderers), determined to do anything he could to help you feel better.

As he put a hand over your cheek, wiping the tears that just kept on coming he whispered, “I’m here, what do you need?”

When you couldn’t even manage a reply Xavier would just stay by your side, his and was diligent in rubbing the side of your face; he never felt so useless, knowing the little gesture gave almost to none help.

For someone who finds sleep easy inbetween every hours, that was the most restless he’s ever been. He stayed with you until you calmed down, offering gentle whispers as you felt your awake state slipping away.

The moment you’re asleep Xavier was keen on wiping your face softly off of the remaining tears, and he tucked you in properly. He brought you to his embrace.

Yet unlike any other nights, he couldn’t find any part of him that was able to join you into the dream state.

Rafayel

Rafayel knew he came at a bad time. Seeing the way you spoke so stiffly and the way you zoned out of the conversation every few minutes.

However, he also knew he couldn’t leave you alone right then.

The silence once again was loud, but he didn’t think you realize that, as he followed your stare to the table, to what’s on the top of the table to be exact. A necklace with an apple charm on it.

He approached your side, cupping your face with both of his hands. “Miss bodyguard, you don’t have to be strong all the time, you know? Especially now, since you’re off duty.”

You chuckled quietly, but what followed after was not your usual easy smile but instead it was tears streaming down your face. And it felt like Rafayel could offer anything he had just to make them stop. And if that’s not enough, he swore to give you twice or thrice of what he had, it didn’t matter if he was to be in debt.

He held you tight, the sight of you crying was enough to make tears made their way to his eyes as well. And it pained him, knowing the best he could do in that moment was only to hold you tighter, as he wished that he could mend whatever broken part you had with one of his.

Sylus

He didn’t even flinch when you climbed on his lap, your usual talkativeness was nowhere to be found.

You rested your head on his shoulder and within seconds he knew that your emotions were in chaos, and if you thought you could find comfort in him, then he was more than happy to be there for you.

“Let me stay like here for a while,” you said weakly, voice all tense and anxious.

He brought a palm to your back, “By all means, darling. You didn’t think I was going to turn you away, did you?”

You stayed quiet, trying your best to get your emotions in order but it just seemed impossible. Sylus then sigh at your another attempt to pretend once again that you’re okay. “Cry if you need. Tears were never a sign of weakness, it just proves that you’re human.”

His rigid sentence somehow brought a strange sense of comfort for you, making your tears escape freely.

Sylus’ fingers felt fleeting on your back, like a touch that could slip away anytime. But he made sure none of that will happen as he stroke your hair gently over and over.

Was he worried of you? Absolutely. Yet he believed with all of his entire being that you that has fallen apart that day, would have no time standing back up again on the next day.

If there’s anything he learnt about you during your time with him, is that you’re a stranger to giving up.

[gallusrostromegalus]

The Van Has Officially Declared It Spooky Season

---

I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.

...I might need to back up a bit.

My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.

They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.

Truly, the height of Camping Luxury.

My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.

Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.

It's a Great Van. Very easy and comfortable to drive. Stunningly good MPG for it's size. The best cruise control I've ever had in a car.

It's just also. Quirky. Mischievous, even.

---

If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.

It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.

My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.

On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.

Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.

---

As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.

The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along. Sometimes, they fight for Dominance. The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.

Firthermore, The Van has a favorite song.

I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song- The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors -is The Liberty Bell March by John Phillip Sousa.

You all know this song already.

...but in case you've forgotten the tune:

Yeah.

The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.

It does not play this song at a normal volume.

Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.

Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.

...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.

---

So last Friday the 13th, I get a call from my friend and housemate, at said airport.

It's roughly 11PM at night, and I have already retired for the evening. I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window. My feet are up. There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv. -But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage, including, among other valuable possessions, the keys to her car. ...So she cannot just drive home as originally planned.

There are, as luck would have it, her spare set of keys not eight feet from me.

Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.

Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.

I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.

The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.

It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.

I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic. It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.

While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.

Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.

I wave my friend off and turn to enter the 7-11.

I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.

Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.

It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.

I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.

The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.

We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.

I go up to pay and realize something is amiss.

The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.

I look down at myself.

In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:

Flip Flops. Not matching. It's below freezing outside. That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.

Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time. It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.

The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.

A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal. It is also Bright Red. with black accents.

The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.

The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.

My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge. It is ALSO bright red.

A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.

The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.

I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:

The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.

This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes. So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.

The Creature has such a High and Naive Opinion of humanity.

I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.

"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"

The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.

$6.66

"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.

I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.

It also turns on the music player.

I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.

Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.

---

If you enjoyed this story, please consider donating to my Ko-Fi or Pre-ordering my Family Lore Funny Stories book on Patreon

[waywardsalt]

working on post-ph stuff and toying with the idea of the pseudo-triforce trio this time around wanting their what respective piece represents in somewhat subversive (at least within the context of loz lore) ways but really struggling to figure out what tetra would want wisdom for and how it could then be subversive since. its a bit hard to figure out why/how past wisdom wielders in past loz stuff were wise and how they represented that