#and of course references and character development

[rosenkranz-isnt-dead]

To be honest, it’s Saturday, which means it’s time for an All Things essay.

This episode is usually overlooked and only discussed with regards to the off-screen consummation of Mulder and Scully’s relationship. When people do talk about it, they add the obligatory “well it’s not perfect, but-” which is ironic, considering that “perfect” x files episodes are a rarity as it is. It’s certainly an unusual episode, in the sense that there is no x file, Scully is not tortured, and Mulder isn’t compared to Jesus. But let’s dive a little deeper.

First of all, Scully centric episodes (especially ones that don't involve any of the following: 1) christianity 2) punishment for experiencing desire 3) grief 4) violation of her body) are incredibly rare. Scully, for once, is not robbed off her agency, and neither is she tied to Mulder. Here, she is not simply one half of the iconic skeptic/believer duo, she is her own person, free to make her own choices, free to say no. And, unlike in Never Again, her refusal doesn’t cause a scene (I’ve talked about my issues with Never Again here). 

When I was doing my research for Aletheia, I did some reading on the heart chakra. First of all, it doesn’t look like this

but rather like this

But, as Mulder said, the crop circle images were computer generated, so I’m choosing to interpret this as a commentary on AI fuckery lol. But other than an incorrect depiction of it, the rest pretty much checks out: this chakra allows you to love yourself, to develop your capacity to love others and to receive their love. We know this is something Scully struggled with. “I’ve never allowed myself to get too close to people. I’ve avoided emotional attachment,” she says in Christmas Carol. In En Ami, cancer man says something along the lines of “you would die for Mulder, but won’t let yourself love him”. Which is bullshit, of course, like everything in that episode, but I do think Gillian took that into account while writing All Things.  Apparently, an open heart chakra helps restore balance to the body and mind, and allows you to feel relaxed, connected and safe. I’d say this is an accurate description of Scully at the end of the episode. Also, the anahata chakra is associated with the color green, and we all remember Scully’s famous green sweater. I’ve seen posts making fun of Scully’s turn to Buddhism, but is this really more ridiculous than her being catholic, or were you just taught that one is better and more true than the other?

I also appreciate Gillian making references to some of the previous episodes. Her opening lines sound almost like Melissa’s in Christmas Carol:

And "forks in the road" sounds like a nod to Mulder and Scully’s conversation in Monday:

I think it's a nice touch, Scully finally being able to see things from her loved ones' perspective.

Now, let’s discuss something that the x files usually shies away from: queer themes. In All Things, we’re introduced to the first (and, if I’m not mistaken, the last) lesbian character on the show: Coleen. Well, and her girlfriend Carol.

Seeing Scully talk to and heed advice of a woman who isn’t related to her (though even that option was reduced to only her mother early on) is very refreshing. Scully, who at first dismissed Coleen as a New Age weirdo, comes to recognize herself in this woman and feel kinship with her. She feels much more comfortable in Coleen's presence than in the presence of Daniel, who still sees her as a lovestruck twenty-something. This episode is about Scully trying to find herself. Does she really want to spend her weekends, her life, in a basement with Mr Spooky? Wouldn’t she feel more secure working as a doctor, with a man like Daniel by her side? “I want everything I should want at this time in my life,” she tells Daniel. It’s a strange turn of phrase, which sounds like “I try to conform to societal expectations.” Now let’s get back to Coleen, who suppressed her whole identity so much that she became ill. This woman who Scully just met makes her feel seen, which I’m sure is a deliberate parallel with another crop circle-obsessed weirdo who saw right through her on their first meeting, especially considering this scene from the original script:

A lot has been said about the subversion of gender roles on the x files, but I’ll add my two cents too. In the hospital, Scully is forced into this stereotypically feminine role of a homewrecker. The two worlds – before and after she joined the FBI – collide. There are two choices: to continue being a deviant, being in a relationship that isn’t very conventional by societal standards, or to quit and become a doctor, while carrying guilt for something that wasn’t fully her fault. 

The resolution is beautiful, despite the silly montage. Just like Scully’s strict rationality saved Mulder, his crop circle mission saved Scully. Well, and Daniel, I suppose. And while I still have my queer goggles on, this (unfortunately cut) scene reads as Scully coming out:  

Remember Coleen, who was only able to heal once she stopped caring what her colleagues would think about her relationship with Carol? Pair this with Scully chasing that mysterious woman who turns out to be Mulder, and you have canon confirmation of Mulder and Scully being a lesbian couple.

Their conversation at the end feels like another nod to Monday:

This brings me back to Never Again: Scully rebelling against Mulder yet returning to him, feeling like she doesn't have a choice. Here, she chooses him. She's presented with a different path, and not only does she reject it, she dismisses it as "wrong". Never Again is about trauma, All Things is about healing.

It's an excellent episode in an otherwise pretty bleak season, with good pacing and beautiful visuals. The soundtrack works well too, props to Gillian Anderson for having a great taste in music. Weaving her favorite song into the story is a bold choice and I respect it, 10/10.

[noodles-and-tea]

About that one Sherlock podcast you’ve drawn art of, do I need to listen to it in any particular order or is it like the books where it’s episodic in format?

I would say it’s similar to the books where they have adventures with multiple parts that are technically contained stories you can definitely enjoy! However I would recommend listening in order (or at least starting with the first case for intro reasons)! Definitely give it a listen if you have the time though!!! It’s a lot of fun :)

[squoobest]

this pleasant étoile shows up at your door

[likesdoodling]

Decided to make my drawing practice a bit more entertaining :)

[forcedhesitation]

crazy how he just ignores everyone else and speaks directly to wyll. it's like wyll is like one of the most important characters in this game, or something.

[rinofwater]

Welp, Project ME just got re-announced as My Time At Evershine for the upcoming Kickstarter campaign and I'm ready to put my clown makeup theorizing hat on not a tinfoil hat I swear once more for this series, ah

[neosatsuma]

I love the way jjk doles out information because it's like. okay now we're gonna go back 1 year. now we're gonna go back 12 years. hold on though take a look at this from 10 years further back. now back to 12. okay really quick we're going back another 16 years (this is 28 years ago, got it?). OKAY now we're in the present again. wait SUPER fast we're going back 16 years,

[prokopetz]

I apologise if you've already answered this, but I tried searching your blog and I'm unsure if you haven't or if it's another example of Tumblr's amazing search system.

I was talking with a friend recently about how much of a culture clash the Monk Class is compared to the rest of Dungeons & Dragons and was wondering if there is a coherent reason for their original inclusion. I'm aware that they're largely influenced by Shaolin monks as depicted in Hong Kong cinema in the 70's/80's as compared to the Sword and Sorcery stuff most of the rest of D&D takes influence from.

Basically, my question ultimately boils down to, "Is the Monk Class there purely because of an original player wanting to rule of cool their way into playing something wildly out of genre, or is there a stronger link between Sword and Sorcery and Hong Kong cinema that could have organically resulted in the Monk Class joining the rest of the classes?"

A lot of the link between the two was simply a matter of time and place. The kung fu craze hit North America at just about exactly the same time as the sword and sorcery revival that gave us films like Clash of the Titans and Beastmaster and The Sword and the Sorcerer and Dragonslayer and Krull – not to mention the Arnold Schwarzenegger Conan adaptation, which revived popular interest in first-wave sword and sorcery literature – so there was a lot of it going around. Analysis of early Dungeons & Dragons as a product of its media influences often overlooks that it was largely drawing on what was trendy in American popular media in the 1960s, 1970s and 1980s. Even the tonally incongruous Lord of the Rings references weren't a deep cut; while the books were originally published in the 1950s, they'd experienced a strong resurgence in the 1970s, putting them firmly in the popular consciousness at the time that D&D was being developed. All this being the case, it's not surprising that early D&D was also substantially influenced by Hong Kong action cinema.

That said, the reason the monk character class in particular (i.e., as opposed to kung fu media influences more generally) is there is allegedly because one specific guy in one of the game's early playtest groups really, really wanted to play as Remo Williams from Warren Murphy and Richard Sapir's The Destroyer; several of the class's signature abilities are direct references to powers Williams exhibits in the course of the novels. Remarks from folks who worked at TSR at the time have pointed the finger at Brian Blume as the Remo Williams fan in question, though accounts are conflicted whether Blume was actually an uncredited contributor to Dave Arneson's Blackmoor (1975), in which the class makes its first proper appearance, or whether Blume's interest merely prompted its inclusion.

This is the case for the character archetypes in a lot tabletop RPGs of that era; instead of trying to work out what classes "ought" be be present, authors would simply start with the types of characters their playtesters actually wanted to play, often based on specific popular media characters, then work backwards to derive an IC rationale for why those were the setting's standard adventuring professions. Other examples from D&D in particular most obviously include the Ranger (based on Tolkien's Aragon, naturally), but also the Paladin (principally inspired by Holger Carlsen from Poul Anderson's 1961 isekai novel Three Hearts and Three Lions, also the source of D&D's goofy regenerating trolls), the Assassin, back when it was still a separate character class (probably mainly based on the Assassin Caste from John Norman's Gor), and even the Wizard to a large extent (less Gandalf than you'd think: a large portion of D&D's iconic wizard spell list is lifted directly from the 1963 Vincent Price film The Raven).

(I often think that modern indie RPGs could benefit from reviving this approach. Like, fuck textual consistency – just pick half a dozen of your favourite popular media characters without regard for the compatibility of the source material and work backwards to explain why these six random assholes are your game's playable archetypes!)

[iicaru2]

astarion’s character development is incredible to me because of the sheer amount of detail and accuracy. he doesn’t change entirely as a person after he kills cazador— he mentions himself that he keeps thinking about it, even though it’s all over. which makes sense, since 200+ years of trauma isn’t going to go away after a night.

but after killing cazador, and giving up ascension, he’s so much lighter. the usual harshness he has in his tone of voice is dulled, if not entirely absent in certain dialogues. he still has a long way to go in terms of healing, but he’s finally secure enough to start that process. he’s still him, but a weight has been taken off his shoulders, so he’s finally able to live without constant hyper-vigilance, looking over his shoulder for danger.

even the way that he refers to cazador changes: in almost every instance prior to completing his personal quest, he speaks cazador’s name with hatred. viciously. afterwards, he says his name like it’s just that. a name. someone that’s gone, and inconsequential, who can’t hurt him anymore.

i think my favorite callback is that, in the conversation you have with him after long resting, whether you romanced him or not, he thanks you for talking him out of it. now that he’s out of that hell, he’s able to see just how much continuing down that pattern of abuse would have changed and ruined him. specifically, the last line he says is “this is a gift, you know. thank you - i won’t forget it.” which is the exact same line he says after you allow him to drink your blood way back in act one.

as someone with ptsd and some pretty specific trauma, astarion means quite a lot to me as a character, so i’ll always admire just how much love was put into the way he grows over the course of the game. and, of course, this is a huge reason i can never bring myself to ascend him. he’s easily earned a spot amongst my favorite fictional characters ever and i cannot stress enough how glad i am that a story like his exists.

[zaczenemiji]

Hi I hope you are having a lovely day my dear ♥. I was wondering if you could do a Kenji Sato x reader where the reader is an assistant manager to him and one day he like acts arrogantly towards her during one of his interviews when he sees a pretty journalist amongst the crowed of ppl interviewing him and he says some hurtful things to reader and collectively ignoring her and instead choosing to focus on the journalists girl. Ever since that day reader has been silent around Sato and he thought he didn't care but it bothered him because even though she is usually quite, these days she is *too* quite and then there is like a mini celebration for like a baseball game win and reader goes with a guy who is like an athlete but is not as famous as Sato. So the kicker is reader is absolutely DROP DEAD GORGEOUS and ppl at the party even think she is a model. So Sato get jealous and he acts all possessive and protective of her , while she is still angry at him but eventually he makes it up to her over time. If you have anything else to add please do.

Shattered Pride

Kenji Sato x AssistantManager!Reader

Word Count: 1,873

Genre/Warnings: Character Development, Eventual Romance, Forgiveness, Jealousy, Regret, Redemption

Author’s Note: The idea behind this was just fantastic! Thank you so much for the request, writing this was my honor.

MASTERLIST

Being Kenji Sato’s assistant manager is not an easy task. I repeat: Not. An. Easy. Task. Throughout his baseball career, he has had several assistants who quit as soon as they were hired because, for one thing, Kenji is stubborn.

Ghosted interviews, off-topic answers, and insults to other players were just some of the many things about him that gave you a headache.

You remember being referred to him by his last assistant saying that it was a high-paying job. However, you were skeptical at how quickly and willing they were to give off their job to another person.

You understood why the first time you met him. After the meeting, you asked him, “Is there anything else you need from me today?”

In response, he gave an irritated sigh. “If I needed something, I would have asked.”

Thankfully, you were more on the nonchalant scale, and how people respond to you didn’t bother you much. You were here to do your job—and excellently at that, not exactly to be friends with an arrogant baseball star.

Kenji’s behavior was… challenging, that’s the best word for it. He barked orders, rarely said thank you, and seemed to take your presence for granted. But in conditions like these, you thrive the most; you succeed where others have failed.

Today was a usual day with the usual crowd of journalists and fans gathering in the conference room. You stood by his side, ensuring everything was in order for yet another post-game interview.

It was going all smooth and well when Kenji suddenly paused mid-sentence. It was a very short pause that wouldn’t be noticeable to others but you, with all the time you spent as his assistant, noticed it.

Your eyes looked in the direction he kept glancing at. A girl, of course, strikingly beautiful with long sleek back hair that cascaded down in soft waves.

When it was her turn to ask, Kenji leaned forward to give her a dazzling smile. “Why don’t you ask me a question?” he said, ignoring the list of pre-approved questions you handed him before the interview started.

Kenji was holding court with this journalist longer than he should. You noticed that the others in line were starting to murmur in annoyance.

You stepped forward, maintaining your professional demeanor. “Excuse me, Mr. Sato, but we need to move on,” you said. “Other journalists are waiting for their turn.”

“I’m not done here,” he said arrogantly, not bothering to look your way.

You took a deep breath, wanting to handle this situation diplomatically. “I understand,” you said. “But we’ve exceeded the time limit, and it’s only fair to give everyone a chance.”

Whichever agency’s plan was it to send her here to get ahead of other journalists, it’s working. She gave you a polite smile, clearly enjoying the extra attention.

Kenji frowned and turned to you. “Can’t you see I’m in the middle of something important?” He asked. “If you can’t manage your job properly, maybe you should reconsider.”

Your eyes widened. You could feel others’ on you, their stares almost cutting through your professional facade.

Swallowing your pride, you nodded and stepped back, keeping your expression neutral. But as neutral as you looked, deep down you felt a mix of anger and humiliation.

From that day on, you remained silent around Kenji, only speaking when necessary. You remained professional though, and you made sure that your job was not compromised.

During meetings, you no longer offered insights unless directly asked. When you did speak, your tone was strictly professional. Well, it has always been, but the warmth that characterized your interactions was now gone.

Like that one time during a team strategy meeting. Kenji asked for input on a new play. The room fell silent as everyone waited for your usual insightful suggestions, but you simply looked down at your notes, saying nothing.

The coach glanced at you, surprised. "Any thoughts, (y/n)?" You shook your head. "No, Coach. Nothing to add."

At first, Kenji was oblivious to all of this. He was absorbed in his own world and the adulation of his fans, as always. But as the days turned into weeks, your silence grew too loud to ignore that even he finally noticed it.

A month later, the team planned on celebrating a recent major win. This time, they have decided to invite other athletes as guests of honor. The organizers wanted to have a mix of established stars and up-and-coming talents from the sports world.

You decided to take this as an opportunity to have yourself pampered. You have been working hard, after all. Despite the obvious tension between you and Kenji, you were still able to do your job well.

That’s why at the party, you were stunning. Drop dead gorgeous, as the team said. Though the lights were dim, it seemed as if a spotlight was following you as everyone you passed by turned their heads to look.

You decided to settle by the bar for drinks. “Hey there,” came a familiar voice. You turned to see Jake approaching. He was one of the promising young athletes and a rising star in the sports world who was invited to this party.

He plays as a forward for a popular soccer team and has recently garnered attention for his impressive performance in the league. This wasn’t the first time you met as Jake and Kenji ran into each other a couple times before at different events.

He leaned against the bar, signaling the bartender for a drink. “It’s nice to see you again and this time, enjoying yourself,” he said. “You looked like you needed a break at the last event we were at.”

You chuckled softly, appreciating his observation. "Yeah, it's been a bit hectic lately."

Jake's drink arrived, and he took a sip, his eyes studying you with genuine interest. “Well, you look incredible tonight,” he said. “Have you been hearing what the others are saying?”

Jake turned to glance at the crowd, then back at you. “They were all asking if you were a model or something,” he said. “If I didn’t know better, I’d think the same.”

“Thanks, Jake,” you replied, smiling. “You clean up pretty well yourself."

He laughed, a warm, infectious sound that put you at ease. "So, how's work been treating you? Still managing the chaos that is Kenji Sato?"

You hesitated, the memory of Kenji's recent behavior still fresh. "It's been… challenging," you admitted. "But I manage."

Jake's expression softened with understanding. "I can imagine. He's got a reputation for being difficult."

Unbeknownst to both of you, the baseball star you were talking about has finally arrived. His presence commanded attention as he navigated through the crowd, exchanging greetings and handshakes.

As he made his way deeper into the club, his eyes caught sight of you. At that moment he froze. Or was it time that froze? He didn’t know. All he was sure of was that for a little while, he couldn’t breathe.

You were stunning. Your outfit, a sleek, form-fitting dress that accentuated your every curve, made you look like you had just stepped off a runway. Your hair was styled to perfection, your makeup highlighting your natural beauty.

Suddenly, he noticed the man you were talking to, Jake. “That rookie soccer player,” he thought. Gosh, you deserved so much better. At that moment, with firm resolve, he declared upon himself that he would work to be the better that you deserved.

Kenjl's jaw clenched as his own possessive instincts flared up, a mix of jealousy and protectiveness surging through him. He made his way over to you, his eyes never leaving your form.

On your end, you noticed the crowd parted slightly, and you saw Kenji making his way towards you.

Turning slightly, you met Kenji’s gaze with a cool, indifferent look. "Kenji," you acknowledged, your tone polite but distant.

"Can I talk to you for a moment?" he asked, his voice tight with barely restrained emotion.

Jake looked at you, his gaze asking if you were fine with it. You smiled at him, a genuine and warm expression, something you haven’t given Kenji in a while. “I’ll go on ahead,” you told Jake. “See you around.”

Kenji led you away from the crowd, finding a quieter corner of the club. As soon as you were out of earshot, he turned to you, his eyes dark with jealousy.

"Why didn't you come with me?" Kenji asked, his frustration evident.

You scoffed. “First of all, you didn’t ask me to.” You crossed your arms, fixing him with a hard stare. "And you made it very clear where I stand with you. Or rather, where I don't."

He winced, the memory of his hurtful words coming back to haunt him. "I'm sorry," he said, his voice softer now. "I was wrong. I was an idiot."

You remained silent, waiting for him to continue.

“I've been a jerk, and I know it,” he continued. “I was arrogant, dismissive, and I took you for granted.”

You watch him, seeing the sincerity in his eyes. Yet you looked away, the hurt still fresh. "You hurt me, Kenji,” you said. “You made me feel worthless and unimportant."

Kenji steps closer, his voice filled with regret. “I know, I'm so sorry. I was so focused on myself, on my career, that I didn't see how much I was hurting you. Your silence has been killing me. I miss your insights, your presence.”

He paused for a while before continuing. “I miss you.” He reaches out, gently taking your hand.

“You're more than just my assistant,” he said. “You're the reason I can do what I do. You make everything better, and I've been too blind to see it. Please, give me a chance to make it right. I want to earn back your trust.”

You met his gaze, searching for any sign of insincerity. All you saw was genuine regret and a longing to make things right. "This isn't something that can be fixed overnight, Kenji."

"I know," he said quickly. "I'll do whatever it takes, for as long as it takes. I just... I can't lose you."

You took a deep breath, the weight of his words sinking in. "We'll see," you said. "But it won't be easy."

He nodded, relief flooding his features. "I understand,” he said. “Thank you, (y/n)—for giving me a chance.”

As you walked back to the party, Kenji stayed close by your side, protective and possessive. arm subtly wrapped around your waist, a clear signal to everyone around that you were with him.

As the night came to an end, Kenji offered to drive you home. To which, you agreed. The drive home was quiet, but it wasn’t uncomfortable. If anything else, it was rather hopeful.

One evening, after a particularly grueling day, Kenji found you alone in the office. “Hey," he said softly, "I was thinking we could grab dinner. Just the two of us."

You looked up, surprised. "Dinner?"

He nodded, a hopeful smile on his face. "Yeah. To thank you for everything. And to make up for being such an idiot."

You smiled at him for a moment before nodding. "Okay. Dinner sounds nice."

Taglist is open! Comment if u wanna be tagged on future Kenji oneshots

@eternallyvenus @puppyminnnie

[giveamadeuschohisownmovie]

Deadpool and Wolverine might actually be the best love letter to Marvel that I’ve seen.

On a meta level, the movie feels like it was written in response to people dismissing the Marvel properties that aren’t the MCU. The MCU is the “Sacred Timeline” while everyone else gets thrown into the trash aka the Void. Wade even tried to become an Avenger because he feels that his life doesn’t matter. Then, Wade gets a chance to join the MCU. Of course, he’s thrilled, but is then told that the rest of his universe is getting destroyed since they lost its “anchor” (aka it lost its relevance). So, Wade decides to fight for his universe.

On a surface level, you can read this movie as a criticism of the MCU in that it’s treating the only stories worth a damn as the ones coming from that universe. But I don’t think that’s the case. I mean, first off, this was made by Marvel Studios. Feige and Co had to sign off on this and a great deal of the plot stems from the Loki show. Second, the movie felt more like it was trying to say that ALL Marvel stories matter. It’s not really criticizing the MCU, it’s criticizing how audiences view the Marvel movies/shows that aren’t the MCU. The “why should I care about this movie if it doesn’t lead to the next Avengers movie” attitude.

That’s why I say this was the best love letter to Marvel I’ve seen. It’s a celebration of the company’s works, both MCU and non-MCU. You can see that from the Easter eggs, the cameos, the nods to the fandom, and the emphasis on forgotten characters getting a chance at redemption. Even the jabs at the company and fanbase feel like they come from a place of love.

But what really sold me on this movie being a love letter to Marvel was the ending. Instead of a tease to a potential De4dpool movie, it was a montage of the development of the Fox Marvel movies (I can’t say X-Men since clips of the Fantastic Four were there). On one side, it’s a touching send-off to the Fox X-Men franchise. On the other side, it felt like a reminder of why people love Marvel to begin with. It’s these people - actors, writers, directors, producers - coming together to make these entertaining stories for us, to bring the comics to life on the big screen. It’s like Ryan Reynolds was telling us to take a step back from all the conspiracy theorizing, nitpicking, and fanbase drama for a couple of hours, that we should just enjoy this Marvel movie as it is.

And it worked. It was genuinely just a fun, awesome movie to watch. If we’re using the MCU-as-a-TV-show-analogy that people love using, Deadpool and Wolverine is the 100th episode that is made dedicated to the fans and celebrating the show as a whole. It’s a fanservice movie done right, one that goes beyond just references and cameos.

[cripplecharacters]

Write more Deaf characters!

[Large Text: Write more Deaf characters!]

When answering questions about deaf and hard of hearing characters, I have noticed they are overwhelmingly about:

A character who is deaf in one ear or hard of hearing because of an accident

A character who was born deaf and knows sign language, but seems to have 0 connection to the broader Deaf community

This is not the experience of most d/Deaf people! So, here's your primer to Deaf community and culture, and writing a Deaf character, because they are sorely underrepresented.

(Disclaimer: this post was written using viewpoints I, a singular Deaf person in the United States, have encountered. I tried to make this as general as possible to encompass many Deaf views, but it is possible that I have misconstrued something. Do not take this guide as the be-all and end-all of your knowledge on Deaf culture. Keep reading and researching the Deaf community, and explore viewpoints from many different Deaf people of all backgrounds.)

Why do you write Deaf with capital D?

[Large Text: Why do you write Deaf with capital D?]

The term "deaf" with the lowercase d means not being able to hear. The term "Deaf" with an uppercase D refers to the cultural identity formed by deaf people. This identity is difficult to explain but it includes knowing sign language and engaging with other Deaf people.

There are varying opinions within the Deaf community on who is allowed to call themselves culturally Deaf. Some Deaf believe that only those who were born into the Deaf community (whose family is Deaf, who attended a Deaf school, and/or who have sign language as a first language) are allowed to consider themselves culturally Deaf. On the 'flip' side, some Deaf believe that anyone with hearing loss can claim the label. And of course, you can find someone Deaf with any opinion in between.

This is all intracommunity nuance. If your character is born deaf and learns sign language at a young age or as a first language, they are likely culturally Deaf.

Sign Language Use

[Large Text: Sign Language Use]

Sign languages are the language of Deaf communities. (Note that there are many sign languages in different regions, and they are not related in the same way spoken languages are!)

Most sign languages did not originate alongside spoken language, either, so they usually have different grammar than the spoken language in a region. This means that someone whose first language is sign may have difficulty learning even the written version of the spoken language due to the different grammar and translation. For native signers, the spoken language of their area is their second language.

Sign languages are fully developed languages, with grammar and structure. Sign language is not "less" than spoken language, and encouraging sign language does not discourage speech. (Even if it did, that's not a bad thing! Sign languages are still a valid and rich communication form!) Sign languages have slang and expressions/idioms too.

Sign languages typically have a "manual alphabet" otherwise known as "fingerspelling". This is a way to represent words that don't have a sign. Fluent signers very rarely fingerspell; normally fingerspelling is for proper nouns which don't have a name sign.

Name signs are the last big point I want to cover about sign language. A name sign is a way to refer to someone so you don't have to spell their name every time. It's usually related to someone's attributes, like dimples or a specific way of moving. Sign names can only be given by Deaf people who are fluent in sign language.

Deaf Education

[Large Text: Deaf Education]

For a long time, deaf people were considered unable to learn, just because they couldn't hear. And since 1880, for about 100 years and even still today, the prevailing tradition in deaf education was/is oralism--a teaching method based on speech that rejects sign language.

Historically speaking, if deaf children were to receive an education, they would be sent to a Deaf residential school. These still exist, although there are also many Deaf schools that are typical day schools, just for d/Deaf/hoh students.

Deaf children may also attend "mainstream" schools; they might have sign language interpreters and other accessibility accommodations, or they may be forced to rely on lipreading and context, or placed in special education where their needs often still are not met.

Oralism still has lasting effects today. Deaf people have received, and still do receive, worse education than hearing people.

One common problem is language deprivation. Many deaf children grow up without access to sign language. About 90% of deaf people are born to hearing parents; even if hearing parents do send their deaf kids to a Deaf school, they may not learn sign language themselves, so the child must rely on what they can gather of spoken language at home. Sign language is even discouraged by some audiologists and speech professionals, because it "might interfere with speech". But by depriving deaf children of sign language, more often than not, they are being deprived of all language.

People who are born deaf do not learn spoken language naturally, even when provided with aids like hearing aids and cochlear implants. Many deaf kids who learn speech learn it through extensive speech therapy, and often have a "deaf accent" from copying mouth shapes but not being able to hear or process what sounds they are making, which may also include having an atypically pitched voice (e.g., very high-pitched). Lip-reading is inaccurate and the best lip-readers can only follow about 30% of a conversation, and that's by intently watching with no breaks.

It is possible to learn a language at any age. But it is easiest to pick up a new language when one is young. Children who do not learn a first language by around age 5--the age at which they would start school--have more difficulty learning any language, and may have frequent outbursts or trouble expressing emotions as a result of communication difficulties.

Another problem, especially within the Deaf community, is literacy. Spoken languages are often unrelated to the signed language of the same region. Learning to read and write, as a Deaf child, is like learning a whole new separate language, with different grammar and structure than their native language. This is why captions are not a perfect accessibility tool--it is, for many Deaf people, being offered an alternative in their second language, if they have learned to read and write at all.

Deaf Culture Norms

[Large Text: Deaf Culture Norms]

To hearing people, Deaf conversation can seem very blunt and to the point. This isn't to say Deaf people are inexpressive--quite the opposite: sign languages often use facial expressions as part of the grammar, and there is a lot of expression that can be incorporated into a sign--but there isn't a lot of "talking around" things. You can see part of this culture in name signs, which are usually based off a trait of the person. It's not offensive--it's just how they're recognized!

Another conception is of Deaf people being over expressive, but again, that is just part of sign language grammar. Face and body movements take the place of tone of voice, as well as other grammatical clarifications.

Deaf people talk a lot! It's very hard to end a conversation, because there will always be something else to say or a new person to meet. Hugging and other physical touch are really common greetings.

Tapping people on the shoulder to get their attention is fine. Other ways include flicking the lights or rattling a surface (for vibrations). Eye contact while signing is also important to make known that you are listening. Groups of Deaf people will sit in a circle so everyone can see everyone else. It's rude to talk in a Deaf space. If you are lost in the conversation, you'd ask if you can write or type instead.

Deaf Space also refers to design concepts that are more accessible to deaf people. This includes good lighting, minimal signing-height visual obstacles (e.g., low waist-height shelves), visual indicators instead of bells, open spaces so people can sit in a circle to talk, and automatic doors and wide hallways/passages so it is easier to continue a conversation while walking.

It's also very rude to comment on a Deaf person's voice. Do not mention you're surprised they can speak. Do not call their accent "cute" or "weird" or anything like that. Do not ask them to speak. Do not say their voice sounds really good ("for a deaf person") or that you wouldn't be able to tell they are deaf.

Deaf Views on Deafness

[Large Text: Deaf Views on Deafness]

The Deaf community is incredibly proud of their Deafness. You'll often hear the phrases "hearing loss = deaf gain" or "failing a hearing test" as "passing the deaf test". Continuing the Deaf community and culture is highly valued, and learning sign language is encouraged for everyone.

Many people in the Deaf community dislike cochlear implants as their success is incredibly variable and they require invasive surgery and therapies from a young age. Another big argument against CI is that they are often presented as the only or the first option to hearing parents, who misunderstand CI as a "cure" and then do not give their child access to sign language.

Deaf people also reject any sort of cure for deafness, especially genetic therapies. Many Deaf people do not think of their Deafness as a disability.

(Deaf people will often point out the advantages of Deaf culture and sign language, such as being able to talk over long distances, through windows, and even underwater.)

Most hard of hearing and some deaf people have hearing aids, although it is really an individual choice whether or not to wear them. Many d/Deaf/hoh people are overwhelmed and startled very easily by noise (since they're not used to that much auditory input) and get tinnitus from auditory overstimulation. They may also struggle with auditory processing--locating sounds, interpreting sounds, recognizing and interpreting speech, and other issues.

The Deaf community doesn't have any general complaints about hearing aids, just many prefer not to wear them. Do know that they are an imperfect aid; they just amplify sound, which doesn't improve processing or understanding, and it doesn't make people hearing. Not everyone even benefits from hearing aids--their specific hearing levels may make hearing aids a bad choice of aid.

A big point you'll hear in Deaf spaces is Deaf Can (and Deaf Power). Hearing people have historically treated deafness as a sign of incapability, but Deaf people can do everything hearing people can--except hear.

Myth Busting

[Large Text: Myth Busting]

Myth #1: All Deaf people are completely deaf. This is very far from the truth! Most deaf people have some degree of residual hearing, although this may require very loud sounds and/or at very specific pitches. Plus, there are many culturally Deaf people who are not deaf/hoh at all--CODAs, hearing children born to Deaf parents, are part of the Deaf community.

Myth #2: (Non-speaking) Deaf people do not make noise. Also very far from the truth! First off, Deaf people laugh. Many Deaf people also vocalize without knowing or intending, especially when excited. We can get very loud!

Myth #3: (Speaking) Deaf people talk loudly. While this can be true, often d/Deaf people talk more quietly than expected. This is because with severe to profound levels of deafness, no speaking volume is really going to be audible, so they will often rely on feeling vibrations in their throat to know if they're making noise. Vibrations are detectable at lower volumes than hearing people like to listen to.

Myth #4: Deaf people can't drive. I actually have no idea where this one came from but it's false. Deaf people can absolutely drive, and tend to have a lower rate of accidents and violations than hearing drivers. There is a common trend of treating d/Deaf people like they can't do things unrelated to hearing, but deafness on its own only affects hearing.

Deaf Struggles in the Hearing World

[Large Text: Deaf Struggles in the Hearing World]

A huge problem is just basic accessibility. Many places do not have captions or visual indicators, or rely on hearing (like drive-throughs). Movie open caption screenings are often at awkward times, and caption glasses are hard to find or access and awkward to wear.

Deaf people are also at increased risk of police violence. Police often treat signing as aggression, rather than attempts to communicate. When they yell, talk quickly, or shine a flashlight in Deaf people's faces, it's even harder to understand what is going on. Deaf people are also not often provided with a qualified interpreter and may not understand what is going on or why they were arrested.

Deaf people, specifically those who are mainly kept in the hearing world, have higher rates of drug use and addiction.

Hearing people also treat Deaf people as incapable or lesser. Gallaudet University had only hearing presidents until 1988 after the Deaf President Now protests; then-chair of the board at GU said in a statement that received heavy backlash from the students, "deaf people cannot function in the hearing world".

When writing your Deaf character:

[Large Text: When writing your Deaf Character:]

Were they born to hearing parents or to Deaf parents? (90% of deaf children are born to hearing parents.) Is anyone else in the family d/Deaf?

At what age was their deafness noticed? (It can be at birth, or it can take several years, even for children born deaf.) Is their hearing loss progressive? Is their hearing loss significantly different in each ear?

Were they eligible for cochlear implants? Did they get CI? Did they get hearing aids? (Consider cost as a factor: CI requires the surgery as well as intensive speech therapy; hearing aids are also expensive and can need replacement and refitting.) How well do the aids work for them? Do they have them in one or both ears?

What advice did their family receive from audiologists and speech therapists about sign language and communication, and did their family listen? Did they learn sign language? At what age? Did their parents and family learn sign language? Are they language-deprived? Did they go through speech therapy? What is their speech like? Do they like using their voice?

Did or do they attend Deaf school? Is it residential or day school? If it's residential, did they understand what was happening when they were dropped off? Does the school use sign language or rely on oralism? (Consider time period; most schools now use sign language, but from 1880-about 1980 the predominant method was oralism.)

If they don't attend a Deaf school, what accommodations are they receiving in mainstream setting? Are they in special education? Are they in a Deaf program at a mainstream school? Do they have an interpreter? How much do they understand what is going on in class?

How involved are they in Deaf community and culture? Are their friends and family involved and supportive of the Deaf community? Do they treat deafness like something to cure? Do their friends and family frequently ignore or "forget" that they are deaf?

In general, consider their scenario, what ableism they've faced, and what their Deaf identity is.

Happy writing, and please continue to send in your questions!

Mod Rock

[tizeline]

Presenting: The AU I accidentally created OOPSIE!! 😬😬😬

And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!

So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!

In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.

Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.

Anyway here's some references-

I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha

[dekuphilia]

ALWAYS HERE

Pairing: Izuku Midoriya x reader

Warnings: nsft content, friends to lovers, step sibling relationship (not heavily referred, no titles like 'brother' or 'sister'), afab reader, light dom/sub(?), praise, begging, mention of izuku touching himself while thinking of you, mention of stealing readers underwear, breeding, cervix fucking, creampie, fingering (f. receiving), feelings of doubt involving sex, aftercare

Things between the two of you changed over the course of your life. You just miss your best friend, where have the times gone?

note: all characters are aged up to 21+

nsft under the cut

You and Izuku had always been close, almost every memory regarding your childhood involved him in some way. you remember how he stood up for you in primary school, being a few years older than you, he thought it was his duty to protect a sweet girl like you. He never left your side, always there when you needed him. 

He was always there to help you up when you had fallen over, or offer you a hand when you tripped and scrapped your knees. you really looked up to him and admired his kindness. 

it was no surprise you were still close now as adults, sharing a house as you grew older. He was just always there.

you recall whenever him and his mother moved into the small apartment you and your father occupied.

“Remember your friend izuku from school?” your father asked in a soft voice, crouching down to meet your eyes.

you nodded excitedly, your messy braids bouncing around as you held your excited little fists to your chest, “Mhm! he’s my bestest friend!” you giggled.

“Well, him and his mom are going to stay with us for a while,” your father smiled at you, “Just for a little while.”

it turns out ‘a little while’ meant more than you had thought, seeing as they never left and became one with your family, not that you minded.

More time passed, and as you grew older, you realized what was happening between your father and your best friend’s mother.  what started as a simple friendship between coworkers had clearly developed into something more.

While you were still in your adolescence, you attended their wedding, watching your father smile and shed a few tearas he said his vows to your best friend’s mother. you were so excited back then, becoming bonded to izuku in a way you hadn’t even thought of at the time. 

you continued to grow together, your feeling for him unchanged as time went by, He was still your best friend, your sweet izuku. even though he was your step brother now. 

you recall moving into a bigger house, one with enough room for you and izuku to not share a room anymore, as you were getting to an age where it didn’t seem appropriate to your parents anymore, not that anything strange ever happened. Most nights consisted of you and Izuku staying up all night, giggling as you chatted from separate beds, staring at the glow in the dark stars scattering your shared ceiling. Part of you didn’t understand why you had to have your own room, but as you grew into a teenager, you understood why it was important for you both to have your own space, at least from your father’s and izuku’s mother’s perspective.

Soon enough, coloring pages turned to spelling tests, and spelling tests became essays, and the next thing you knew, you were studying for final exams for UA something you had watched Izuku do just a few years prior. 

Your relationship with your best friend seemed to fade a bit, as you were both so busy with, you with your studies, him with his hero training, that you hardly saw each other.

Sure, maybe you’d pass each other in the hallway on nights that he was home, watching as you drug his aching body to his bedroom. Maybe even early in the morning, when you sat at the kitchen table, awaiting your coffee maker to alert you that it was finished. you’d even steal glances when he’d walk past your room late at night, entering the bathroom before the shower clicked on. 

the point was, you didn’t really get to see him anymore, not unless you went out of your way to insert yourself into his busy schedule.

you’d often stay up late, wondering if he still even considered you his best friend.

had he made other friends while he was training?

Were they more like him than you? strong like him? kind like him? 

Able to offer him more than you were? 

You had pushed these thoughts aside for a long time, hoping they would go away. Of course they didn’t, lingering in the back of your mind, leaving a sour taste in your mouth as a bit of shame and jealousy overtook you from time to time. 

There was another thing that caused distance in your friendship, your lack of a quirk. 

you remember, even from a young age, Izuku was fascinated by quirks. always studying them, always writing in his notebook about anything new he learned. you remember when he told you he didn’t have a quirk, and really, you were so thankful to hear that when you were just a little girl. you had finally met someone like you.

As the two of you grew older, things changed, he developed a quirk, and that’s when things started to fall apart.

you were left alone most of the time then, missing your best friend as he stayed out training until the sun came out.

you longed for the friendship you once had with izuku, the inseparable, unselfish love you had for each other.

things were just different now.

You sat at your desk, sighing as you continued to scribble away in your notebook, attempting to finish your studying session. 

your eyes darted away from the page in front of you, taking note of the time. it was already past midnight now, the sun had long faded away, leaving your room dimly lit by a small lap sat nearby.

Izuku had been gone all day, out training or doing some type of competition for school, you couldn’t really keep track anymore.

your father and his mother were gone as well, off for the week on a work trip. leaving you completely alone in the house all day. 

you had tried to keep yourself busy, but you were on day three of being mostly alone, only seeing izuku in the morning as he left for UA. 

you grew bored in that moment, yawning as you pushed aside your notebook, resting your elbows on the wood of the desk before resting your face in your hands.

you stared down at the note page in front of you for a few seconds, relaxing your mind, “Jus’ a little break,” you mutter to yourself, pushing your hair back, knotting your fingers into it as you hummed, soothing yourself.

“Hey, do you know where the towels are?”

you nearly shrieked as a deep voice interrupted your thoughts, your head flying up to meet forest eyes as Izuku stood in your doorway, leaning against the frame. He held his shirt in his hand, his chest exposed to you.

though it was nothing you hadn’t seen before, you found yourself shifting in your desk chair, trying resist the urge to glance down for more than a second at a time.

This was the first time you had spoken to him all day, aside from a quick ‘good morning’ as he left earlier. 

“Uhm—,” you thought for a moment, glancing down at his toned chest, your eyes shifting a bit lower as you realized he was only clad in a pair of black underwear that seemed to hug his muscular thighs, “Maybe— Maybe in the dryer?”

you had hardly managed to get the words out, your mind clouded with unfamiliar thoughts. 

Sure, you knew he was attractive, you had always found him cute, even in your younger days, But something about your feelings now felt a little less than innocent, as they had back then.

“Mm?” he hummed, “Everything okay?” His voice held genuine concern as you met his gaze, his head tilting slightly to the side, “You seem stressed, bunny.”

your cheeks flushed as the nickname left his mouth, the one he used to call you when you were younger, he often referred to you as a timid rabbit who needed to be protected.

you knew it was just an innocent name, one that had stuck so long ago, but he rarely referred to you that way anymore, often using your name, or not even referring to you at all, seeing as you hardly spoke some days.

“Mhm?” You took your lip between your teeth, sucking in a breath as your mind hazes with thoughts of your hands pressing against his chest, feeling the ripples of his skin beneath your fingers.

he notices right away something is different in the way your eyes seem almost glazed over as you speak to him, “Mhm what?” he questions, stepping further into your room, until he’s comfortable sat on your bed, muscular thighs parting slightly as interlocks his knuckles, dropping them into the empty, “Something on your mind, bun?”

You feel his gaze on you now, tension thick in the air as his graze drops down to your chest. He nearly smirks as he notices your nipples pebbling beneath your thin shirt, but he holds himself together, playing coy with you as a soft, innocent smile covering his lips as his eyes flicker back up to meet yours.

“Just stressed, Mhm,” you’re attempting to keep your composure now, eyes drifting to his clasped hands, not daring to look beyond them.

tension is thick in the air and your tongue feels heavy in your mouth. you’re acutely aware of the feeling between your thighs now. 

You shift in your seat again, turning until you're almost facing him, holding back a whine as you feel a wet spot forming against the cotton of your undergarments. 

Of course, Izuku takes note of the look on your face as you adjust yourself, resisting the urge to adjust himself as well as he watches your cute lips turn into a soft, almost uncatchable pout for only a moment.

“Just stressed, huh?” he repeats your words, his voice ringing in your ears in an unfamiliar tone, something sultry replacing his normal, cheery one, “Anything I could help you with?”

He’s standing now, hovering over you slightly as he leans over your shoulder to look at the notes you had previously written. Of course, he wasn’t actually reading them, this was all a ploy to get closer to you.

You’re engulfed in his scent as he leans over you, reminisces of his day lingering on his skin, soft tones of mint and citrus permeating through the space.

words seem to escape you as his soft curls brush against your cheek as he leans a bit further over you, his chest pressed against the back of your chair as his eyes scan your notebook.

“S’getting late, ya’know?” he mumbles, his chest vibrating a bit as he speaks lowly, “Maybe time to lay down and relax, Mm?” He stands back now, still lingering behind your chair.

You feel a calloused hand on your bare clothed shoulder, rubbing soft circles with fingertips. your mind fogs, your head threatening to lull to the side as he continues his gentle movements, fingers drifting towards the nape of your neck, applying a slight pressure.

you give a small nod, unsure how to respond, not that you could even if you wanted to. a soft whine passing your lips instead, feeling a bit of your inner tension release at his soft touch.

“You’re so sweet, bunny,” he mutters, “Miss hanging out with you everyday,” fingers drift a bit further down, ghosting over your collarbone, threatening to slip past the collar of your shirt, but he’s still testing the waters, not wanting to push too far, “Miss protecting you, keeping you to myself.”

within a moment, he grows a bit bolder, touring with your shirt collar, “Jus’ been so busy,” your head lulls back, resting against the back of the chair, “M’sorry, bunny.” 

you’re not sure why he’s apologizing, maybe it’s because he’s touching you? or maybe because he hasn’t had time for you lately. maybe even both. 

“No one compares to you,” a soft smile plays on his lips, though you can’t see, “My sweet, soft girl.”

his girl.

His hand dips past the collar of your shirt, fingers brushing against your nipple, causing you to jolt slightly, the sensation only exciting your further, though a feeling of something along the lines of guilt hang in the back of your mind.

“Izu?” you manage to speak, your voice coming out rushes, “s’this okay?”

you sound so innocent in that moment, your sweet voice only egging him further, his stuff cock flexing beneath the thin material of his boxers, as it’s pressed to the back of your chair. a soft groan passes his lips, “baby, s’okay —yeah, s’okay.” he assures you, and also himself a bit. 

you're not really his sister, are you? just tied together by the marriage of one of each of your parents. your bond remained the same over all those years, nothing more than a friendship, right?

Izuku wouldn’t deny he had thought about you in some distasteful ways in the past, even in his teenage years, he found himself fisting his cock to cute selfies of you. maybe he’d even gone as far as stealing some of your underwear from your shared laundry bin, though he’d never admit that part. He was far too prideful to admit he was so perverse. 

“Let's move, Mm?” he cups your chest, rolling your nipple between his thumb and forefinger, “Jus’ wanna give you some attention.”

Before you know it, you’re standing and he’s leading you to your twin sized bed with a quick tug of your hand, “S’okay, bunny,” he soothes your mind, “S’just me,” his face holds a soft smile, but the look in his eyes is what really gets you, his pupils are blown wide, a small rim of green all that’s left of his irises.

“Mhm, s’just you,” you repeat, “jus you and me, ‘Zuku,” your breath comes out in soft pants as he hovers over you, pinning you to the mattress with his hips, his stiff cock pressing against your thigh.

“Mhmm,” he lets out a low hum, “jus’ me,” he shifts until he’s pressed against your clothed cunt, “jus’ your ‘zuku, huh?” a teasing smile covers his face, his cheeks dimpling.

“Mine,” you say shyly, pressing your waist forward in an attempt to get any kind of friction, a whine bubbling in your throat as he withdraws, teasing smile turning to a smirk.

“Mm, yours.” he confirms, “Don’t get cocky though,” his calloused hand grips your hip, your shorts pushing down a bit, “M’older than you,” his hand move further, dipping into your underwear, “n’ stronger,” a satisfied grunt leaves his lips as he ghosts your clit, feeling how soaked you are, “n’ bigger.” 

you attempted to hide from him, tilting your head to the side whilst burying your face into his arm that rested just above your head, “Don’t tease,” you plea, trying to keep still.

“Shh, Shh,” he toys with your clit, watching as you squirm beneath him, “Jus’ wanna take my time,” he leans down, nuzzling his face into your neck, his curls tickling your cheek again as he places soft kisses on your skin.

Truthfully, he was trying so hard not to go too far, not to scare you, or go too fast, but his sense of control was running thin, threatening to snap any second. this was something he had only dreamed about.

“Please, Please, ‘Zuku,” you continued to whine, raising your hips to meet his hand, “jus’ touch me.”

He really lost himself then, his fingers dropping to slip inside of you, pushing two digits into your drooling hole.

“S’so wet already,” he can’t help but groan, sinking his fingers a bit deeper, “Can’t believe you’re already soaking my fingers.”

he can’t help but imagine how you’d feel clamping down on his leaking cock, just the thought causing it to twitch against your thigh.

“don’ want your fingers,” you whine, squirming against him, “wan’ more, please ‘Zuku.” 

He shakes his head slightly, “Need to— god,” a low growl erupts in his chest, “Need to prep you, baby, I have to.” 

he almost whines, thinking about shoving his cock inside, thinking of how you’d squeeze around him.

“jus’ want it,” you desperately press against his fingers, tears threatening you spill onto your cheeks, “Can’t wait, can’t wait, please ‘zu.” 

that’s the final crack in his foundation, causing his walls to tumble down.

“yeah, baby— baby, don’t cry,” he pulls his fingers from your dripping cunt, “M’gonna give it to you— Fuck,” he jerks back, pushing his underwear down until his cock’s finally free, velvety tip pressing against his abdomen as he he reaches up to fist it for a moment, glancing down at you, “s’all yours—“, his gaze flickers up to meet yours, your teary eyes pulling at his heart strings, “‘Zuku’s gonna give it to you, s’okay.”

With a shaky hand, he presses his swollen cock against your slit, dragging it up until it catches on your clit, causing you to let out a string of swears. He does this a few times, watching as his tip gets coated in your sweet juices.

One final time, he drags his leaking cock up toward your clit, before bringing it back down, pushing the head inside with a huff. you’re already engulfing him, your greedy cunt sucking him in.

“Baby—, bunny, my god.” he can’t think straight, so intoxicated on the way you’re drawing him in. 

you whine, squirming under him as you attempt to get him to go further, but truthfully he’s trying not to release his seed into you at that moment, attempting to clear his head enough to give you more.

his eyes are fixated on your sweet cunt, taking him in as he pressed further, burying himself inside you to the hilt.

you gasp, feeling his cock bullying its way inside of you, filling you until you feel dizzy, “Please ‘zu,” you whine, reaching out to press your hands against his chest.

you don’t even have to say anything, he can read you so well, knows exactly what you want, what you need.

“S’so fuckin’—“ Izuku grits his teeth slightly, rocking his hips as he gives you what you’ve been craving, “So tight,” he slurs out, planting both of his hands on either side of your head, caging you in, forcing you to look at him as he gives you what you want.

He’s overtaking you, overwhelming your senses in ways you didn’t even know was possible, every thought in your mind is of him, nothing else seems to matter. just you and your Izuku.

Your eyes lock with his, a fawned look covering your face as your eyes widen, feeling yourself gripping his meaty cock, “Please, ‘Zu,” you manage to pant out, “Please, don’t stop.” you babble.

As if he would even imagine stopping, he’s so intoxicated by just the lock on your face, watching the way your mouth hangs open as your eyes flutter closed. He’s watching your cunt take him in now, watching the way he disappears inside of you over and over again, cock head pressing against your cervix with each thrust of his hips.

“Feel’s so good—,” his moves one of his hands down from near your face, thumbing your clit, “feel’s so good inside,” his breath is coming out in short huffs, he’s trying so hard not to cum inside of your pussy, but it’s so hard when you’re practically milking him, “Bunny, bunny, jus’ need you to cum on my cock.”

you’re squirming under him now, so close to the edge, so close that all it takes is a few praises from him to make you cream all over his cock.

“tha’s a good girl, such a good girl, bunny,” he groans, focusing on working you through your orgasm, “my good bunny, all mine.” 

he can’t take it anymore, the feeling of your sweet cunt convulsing around him breaks him, “jus’ need to cum inside,” he slurs as he spills inside of you without warning, continuing to lazily thrust into you, “S’okay bunny, jus’ let your ‘zuku fill your pussy with his cum,” he grunts, chest heaving as he finishes releasing inside of you, the mixture of your arousal and his coating his cock.

you’re completely fucked now, sweating coating your forehead as you look up at him, pupils blown wide to match his. 

He slowly unsheathes his cock from you, glancing down to see his seed dripping down onto your sheets before he meets your eyes again, clearing his throat.

“Look at you, bunny,” his tone drops to a sweeter one now, one that holds comfort and years of love for you, “m’pretty girl,” he still hovers over you, his hot breath fanning across your face as he nudges your cheek with his nose.

“Mm,” you hum sleepily, “I needed that,” you press closer to his face, feeling his lips ghost against your cheek.

“Me too,” he replies softly, placing soft kissing against your skin, “M’always here for you.”

He tends to your unspoken needs, backing away from your face, brushing the pad of his thumb under your eye to brush away tears you hadn’t even realized were sliding down onto your cheeks.

“Still here,” he mutters, nodding softly as he keeps his eyes locked with yours, “Always here,” he continues rubbing against your cheek, “I’d never leave you, never let you go.” 

[raven-at-the-writing-desk]

wish lantern rewrite

I can’t be the only one that wishes we had actually traveled to a new location… that we had learned about a new culture and holiday… that Riddle had actually had more character development in Wish Lantern instead of being cooped up in the library, being forced to play pretend princess in order to get out, and give like maybe a handful of lines max in the second half of the event 😭 What we ended up getting was fun too, but I keep thinking about the missed opportunities and how great this story event could have been.

If Twst won’t give it to me then I will have to cook my own food 😤

Here’s how I would write Wish Lantern if I was in the Twst writing room:

Since Riddle is the SSR, I feel the story and its set-up should center him. I’m thinking maybe he’s invited to (or told by his mother to attend) some kind of conference or event in the Kingdom of Heroes or the Sunshine Lands for aspiring medical mages. Let’s say it is being held in the same place where the story of the Princess in the Tower originated because the Sundrop flower mentioned in the tale has miraculous healing properties (and the city/kingdom has since become known for its medical advances).

Riddle is uneasy about going there by himself (the implication being that this event is set after book 1 and, more specifically after book 6, when Riddle expresses to Azul he has been considering pursuing law instead of magic medicine/the career his mother chose for him). Maybe he mentions this unease around Deuce, that he feels obligated to go because “Mother knows best… She has always known what is beat for me, hasn’t she?” It could even be in the library. Say that Riddle is brushing up for the conference and happens to run into him, who is looking for a book to help with completing an assignment. After listening to Riddle’s woes, Deuce, being one of the people who knows about his dorm leader’s complicated feelings toward his mother and finding his own independence, offers to come along as emotional support.

As for how Jack gets involved, he’s Deuce’s club member. Maybe he overhears Riddle talking about sports medicine or panels presented by medical mages who work with athletes, or Deuce mentions it in a club meeting. Jack becomes interested because he’s the type of person that’s always looking for ways to enhance his training and to learn more about this subject.

Kalim can either join because he's conveniently in the library + wants to learn more about poisons and antidotes (on his own self-development journey to be more self-sufficient instead of relying on Jamil all the time) or because the Asims are sponsors of the event and he gets a free invite through his Rich Privilege.

Use the usual "Grim overhears and whines until he and Yuu get invited to go along" excuse or maybe have Yuu and Grim come because they, too, want to be emotional support for Riddle. (They could have heard from Deuce?) With that, we have all of the main characters for this event assembled.

Even though this is a rewrite, I'm going to try and follow the conventions of OTHER "hometown" events. That means most of this rewritten event will be exploring the new area, learning about its customs and traditions, souvenir shopping, and sampling food. This would be a great chance to, of course, throw in Tangled references. Because I proposed that this event be focused on a conference for aspiring medical mages, we can also learn more lore about what medical technology and practices exist in Twisted Wonderland and how magic has played a part in advancing medicine.

So it turns out, there's a festival going on in the area at the same time as the conference. That's because there's a holiday in this kingdom that celebrates the Princess in the Tower finding her way home by following a trail of lanterns. Since the conference doesn't start until the next day, we can go out and enjoy the festivities! (Riddle can be hesitant at first, but the others convince him to loosen up.)

The new outfits + hair can be explained away as part of local traditions. Everyone is provided with a potion that lengthens their hair so they can emulate the Princess in the Tower. Or maybe there can be a potion-making station, and length still correlates with the skill at which you were able to brew it. (In this version, the hair lengthening potion isn't made with super rare ingredients; it is something easily accessible for even non-mages to brew and can be made cheaply.) YES, THAT MEANS WE GET LONG HAIR GRIM.

Local specialties could include dishes mentioned or depicted in Tangled, like hazelnut soup (Rapunzel's favorite).

HERE ARE SOME CUTE INTERACTION IDEAS BASED ON RAPUNZEL'S OWN EXPERIENCES IN CORONA: the gang doing chalk drawings and clowning on each other's artistic abilities (or lack thereof), trying out cupcakes (the reasoning being that they're "single servings" so it's okay for Riddle to indulge), exploring bookshops, painting on the walls, and everyone joining in a big group dance! (For the dance, maybe there’s a competition to see who can drag in the most bystanders into the dance and Riddle gradually finds his footing in that + is crowned the winner?) There could even be a tavern that pays homage to The Snuggly Duckling.

While we're out having fun, there should be a consistent pattern of Riddle having to be convinced that it's okay to be participating in these activities. He feels that he should be focusing on studying for the conference, but the others are there to reassure him it's okay to take breathers.

"You won't perform at your best if you're always at 100%. In terms of a workout, you'd be asking to pull a muscle if you push yourself to exercise without end." (Jack)

"Mmm? But how often are we going to be in [name of city]? We're here now, so we might as well experience everything that's here!! The food, the music, the games, the people... You can't find that anywhere but here." (Kalim)

"I get the importance of preparation, but I'm kind of curious about the celebration that's going on. If Rosehearts-senpai wants to study, then he should do that. I'd feel bad exploring the city without him, though... He might miss out." (Deuce)

"Shouldn't you at least grab some grub first? I'm pretty hungry too! Let's check out the food stalls!" (Grim, maybe Yuu can also get a dialogue option)

At some point, the group decides to browse and buy souvenirs. They discuss who they are shopping for and come upon the subject of family. Kalim and Jack want to buy stuff for their siblings and Deuce thinks his mom might appreciate a locally made handkerchief with the kingdom's sun emblem on it. (As a trucker, Dylla often drives for long hours so she might find use in a handkerchief to wipe her forehead.) Yuu and Grim can also bring up potentially getting something for the Ramshackle Ghosts, who are like their found family.

Riddle becomes visibly uncomfortable when the topic of family is brought up. Everyone else sounds so happy talking about theirs, but he has no idea what a happy family is supposed to be like. Deuce (and maybe Yuu + Grim too) realizes why Riddle is uncomfortable and quickly apologize. Kalim and Jack, who aren't familiar with Riddle's background or his attempts to speak with his mother over winter break, are a little confused but the others feel it's not their place to explain why and Riddle doesn't know them well enough to elaborate on personal matters. (Here, Jack and Kalim serve as an in-universe reason to keep his family history vague so as to not spoil people who haven't gotten that far in the main story yet, but the awkwardness is palpable enough to imply something is wrong to serve the narrative of the event story.)

Now, "hometown" events tend to introduce a new character, typically a family member, to us. However, the new characters are not those who appear as the "trauma source" for the respective OB boy. (For example, Falena was not the character introduced to us in Tamashina Mina/Cloudcalling on the Savanna and we met Kifaji instead.) Following this trend, we will not be encountering Mrs. Rosehearts but rather MR. Rosehearts.

I realize that we don't have a ton of lore about Riddle's dad yet so everything I write about his personality is completely headcanon (primarily based on the personality of the King of Hearts). The only things that are canon in this depiction is that 1) Mr. Rosehearts is a medical mage like his wife is and 2) Mr. Rosehearts does not have a happy marriage with his wife.

Anyway, we run into Mr. Rosehearts out in the city. Turns out that he is one of the presenters at the conference and he was supposed to meet and receive Riddle. He's a quiet and slightly anxious man but overall is kind to his son (though we should get the impression that Mr. Rosehearts isn't good with confrontation and folds easily).

Maybe have a part where Mr. Rosehearts is surprised that Riddle has friends because uh... the last time he recalls his son having friends, it was because his wife ranted at them for 5 hours and banned them from their home. But hey, he's chill about it and promises Riddle this can stay between them and he won't tell his mom. Could insert a line or two that implies that the winter break talk didn't go over well. (This is just my headcanon, but you could also stick in a line that insinuates that the Rosehearts parents don't just outright divorce because Riddle's mom can't deal with the potential social fallout + realizing that she is "wrong" in her marriage.)

Every "hometown" event thus far has presented us with some kind of minor external conflict to be resolved. In this case, Riddle's conflict is more internal. He's wrestling with what he wants to do with his future and trying to cope with the reality that his mother isn't the loving, "always correct" woman he thought she was. This, of course, mirrors Rapunzel's struggle with Mother Gothel, who tries to keep her in the tower and doing as she commands.

We finally make our way to our quarters for the night (Riddle has his own room; everyone else has to share one), perhaps in tall tower to mimic Rapunzel's home with Gothel. Riddle knows he should retire early because the conference is first thing tomorrow, but he admits to everyone that after spending time in the city, he has become curious about the tradition of releasing thousands of wish lanterns into the night sky. It happens pretty late in the day though, so he brushes it off and says they should sleep.

... But the others get really hype about Riddle "finally getting into the spirit of the holiday" and decide they should see the lanterns!! The only problem is, Riddle is locked in his hotel room for the night. There could be a local superstition, tradition, or security reason for this. Like maybe due to the story of the Princess in the Tower (and Gothel locking her up), people who are indoors at a certain time of night can't leave until the next day?? Or maybe Mrs. Rosehearts had prepared Riddle's room for him in advance and instructed staff to ensure he doesn't leave because she has been paranoid about him "breaking the rules" again after the tart incident. I don't know, pick your reason.

YOU KNOW WHAT THAT MEANS??? It's time for Jack, Deuce, Kalim, Grim, and Yuu to be Riddle's Flynn Rider + animal companions to break Riddle out. Our group represents the freedom and childhood wonders Riddle missed out on, the antithesis to Mrs. Rosehearts'/Mother Gothel's control. I can see Riddle using his long hair to hoist himself down, Jack using his UM to help everyone race to the water in time to catch the lanterns, Deuce being the muscle if they run into any thugs, Kalim using his social skills to quickly befriend the locals and ask for directions to the best vantage point or using his $$$ to rent the group a rowboat, etc.

We can keep the rhythmic/twistune from the original version of this event where Kalim, Deuce, and Jack were able to safely descend using Riddle’s hair but Riddle hesitates before he’s able to get himself to follow. The reason is the same; he worries about breaking the rules and how his mother would disapprove of him leaving the home. Riddle wonders if the Princess in the Tower felt the same, but ultimately his friends convince him it’s fine (by baiting him with the rules). He will be trapped in this tower forever if he doesn’t summon his strength and take the leap. If not now, then when? When will my life begin? “There are people waiting for me outside, so… it must be okay for me to leave. Right… Mother?”

Riddle keeps nagging everyone about how many rules and social norms they're breaking, but eventually he loosens up and even laughs a little at some of the dumb things they do. We can maybe have him thinking, This is just like… and then flashback to his childhood days with Trey and Chenya.

They're out on the waters just in time to see the lanterns being released. Alternatively, the even runners could be having trouble lighting up all the lanterns or something so Riddle has the opportunity to help with that (this way, we’d still get the other rhythmic/twistune featured in the original event). That particular rhythmic/twistune ends on Riddle with five lanterns floating overhead, which I think could be important symbolism (five lanterns -> five mentions of Heartslabyul).

It's beautiful. Everyone oohs and aahs at the sight--most of all, Riddle. He can say something like... "This city is known for its many contributions to magic medicine. I know that, and yet... I don't believe any magic or medicine could replicate what I am feeling in this very moment." There is some part of Riddle that acknowledges the healing and therapeutic properties of just... being allowed to have freedom, of allowing himself to live in the present and not stress about the rules or gearing up for a future someone else has decided for him all the time. He just doesn't know how to fully verbalize it + has not fully come to terms with it yet, so this is how he expresses it. At last, he sees the light.

While the new location they travel to + the conference provide us with the backdrop of medicine and health for this rewrite, I think there’s also something to be implied about the injuries we don’t see, the pain inflicted that isn’t physical. Both Riddle and Rapunzel were trapped in towers but were also emotionally controlled and prevented from leaving/made scared or the world and disobeying their mothers. When Riddle sees the lanterns, it’s sort of a “wake up” sign to his soul, a reminder of how healing it can be to just… live by one’s own terms, to not be ruled over by fear of disappointing someone else or failing to meet expectations. Rapunzel and Riddle bear scars on their heart from having been raised in the households that they were, and it is seeing the lanterns in-person that helps to “heal” what hurts them.

Riddle recalls the story of the Princess in the Tower and how she made a wish to see the lanterns, so now people make wishes upon these lanterns before releasing them into the sky. He lets go of his own lantern and wishes that, someday, he can be like the Princess in the Tower and this lantern floating up to the sky… and follow his own Road to Freedom.

Everyone sneaks back into their rooms and rest for the day. Uhhh, and there can be a scene of slicing off their hair for tomorrow. Riddle can talk about how the Princess grew her hair long because her mother told her to, but that it must have been cumbersome to walk like this. This way, by cutting off the hair like how the Princess does at the end of her story, it's a liberating act.

It doesn't matter what happens at the conference because what was important was the experiences Riddle had with his friends leading up to it. At most, maybe we see Mr. Rosehearts again while heading to the venue and they have a brief exchange where Riddle lets it slip he's a little tired. "That's so unlike you," Mr. Rosehearts remarks. "Well," Riddle replies with a small smile, "I am a growing young man, after all. I am changing every day."

I want to be clear that this does NOT mean Riddle has had a full character arc to come to terms with how he was raised. He would NOT feel 100% okay with rebelling against his mother by the end of this (hypothetical) event. The point of my version of Wish Lantern isn't to empower Riddle to fistfight Mrs. Rosehearts or to tell her off. The point is that it's supposed to be a small step in helping Riddle through the very complicated process of recognizing he was traumatized and/or abused, accepting that reality, and learning about how he can grow from it and his abuser (who is someone he thought he loved and could trust). This can take YEARS to process in the real world, and it would probably be similar to Riddle. Again, this is meant to be a SINGLE STEP he takes, NOT THE ENTIRE JOURNEY.

So in my rewrite, the event would be split up like this:

Episode 1: invitation to the event; gathering all the relevant characters, hopping through the mirror

Episode 2: arrival in the new location and having fun in the area

Episode 3: souvenir shopping, meeting Riddle's dad

Episode 4: retiring to room, changing mind and deciding to break out instead

Episode 5: seeing the lights, ending

As you can see, the structure is very similar to a traditional "hometown" event. I didn't want to stray too far from Twst's usual writing conventions, as it could mess with the cohesion with the rest of its story events. I did, however, try to change things up a little (like having an internal conflict instead of an external one) and tied in this (hypothetical) story with Riddle's overarching character development, as those are elements that I personally prefer in a story. I realize that the biggest change here is tying my rewrite much more strongly to the main story than similar events have 💦 BUT LET ME HAVE THIS, I think I cooked 😭

... What Wish Lantern could have been OTL Don’t get me wrong, though!! The version we did get wasn’t all bad. There was lore about the NRC library, lots of involvement from the staff, and fun character interactions with the whole student cast. I just feel like those could have all been used for a different event and not the Tangled one which could have been so much more interesting for Riddle and his character.

[ldydeath]

Stay With Me | Choi Seunghyun (T.O.P)

Summary: Your best friend finally gets back out into the acting world after a long hiatus. When you come to visit him on set the two of you get wrapped up in your feelings for each other.

Warnings: None. Author's Note: I have a lot of feelings for our boy and have been wanting to write this since he dropped those selfies the other day. 

In the lot, where are you?

You groaned as you looked down at your phone. You were late, very late. Stupid traffic. Your best friend, Choi Seunghyun had finally gotten back out into the world after years of hiding and you’d promised him you’d be there for the first day of shooting. You however hadn’t been expecting to sit in traffic for 30 minutes.

Ten minutes out.

You texted back, slamming your phone down next to you as traffic finally started moving. You sped off, keeping your attention on the road, ignoring the butterflies in your stomach.

It was just Seunghyun, it wasn’t like he was your boyfriend. There was no need to be nervous, you two had been best friends for as long as you could remember. Did you find him attractive? Sure, but who didn’t? Did you constantly put off relationships because you held onto hope that one day maybe he’d see you differently? Maybe but that was beside the point. 

“Finally.”

You sighed as the set came into view. You fished around for your credentials and drove towards the back lot. You spotted him and his mess of purple hair before he could see you and you grinned. This was the Seunghyun you remembered, before the military, before he’d shut out everyone but you. Standing confidently, hair colored something crazy, waiting for you.

“Hey you.” 

He turned around, his eyes meeting yours and a grin crossing his own face.

“What do you think?” He barely waited for you to be standing in front of him before he spun around quickly, arms out for you to get a full view of him in character.

“Looking good.” You teased as he spun around to face you again.

“That’s all I needed, you can go now.” He smirked, pretending to turn away.

He was being smug, acting like he hadn’t been waiting all morning for you to get there and see him as Thanos. 

“Wait a minute!” You grabbed his arm, pulling him back to face you.

That’s when your hand caught sight of his nails and you let out a laugh. “Nice touch.” You teased as you let go of his arm.

He looked down, rolling his eyes, knowing exactly what you were referring to.

“Thanks for coming.” He pulled you in for a side hug. Your heart pounding in your chest at then sudden closeness. 

“Of course, nowhere else I’d be.”

You’d stood by Seunghyun’s side for as long as you could remember, there was no way you were missing his comeback. It had taken a lot for him to even audition for this role, you had been so proud of him when he told you he was going to audition. So much so that you’d offered to run lines with him. He’d turned you down on the offer, partly because you were not good at running lines, but mostly because he’d wanted to wow you with his.

Seunghyun had liked you for a long while now, since before his hiatus, you’d been around each other since the start of Bigbang, being part of the team and mostly dealing with Seunghyun, you’d developed a fast friendship that had really stood the test of time. Neither of you ever dared to speak on the feelings you’d developed over the years, not wanting to ruin what you had. But as the years had gone on, it was hard for him to keep his mouth shut. Especially today with you standing here in support of him. 

You were clueless when it came to his feelings for you, not wanting to get too close you overlooked every hint he dropped. You’d been so good at avoiding the subject that Seunghyun was beginning to think you didn’t like him anymore, not wanting to give up, he’d hoped that maybe if you saw him acting again you’d feel the same about him as he did about you. 

“You like the look though, for real?” His voice was soft, taking you back a little by how vulnerable he sounded.

“Of course I do!” Your eyes met his, giving him a nod of encouragement. “You look like a legit rapper, I don’t know how you even pulled it off.” You teased with a wink.

It was cute how nervous he seemed around you today. He rolled his eyes, putting his arm across your shoulder.

“Yeah, yeah.” He led you over to where the case had started to gather. “I’m gonna go do my thing, try not to fall in love with me.”

He winked as he waved goodbye to you and headed over to the arena. Easier said than done, you thought, as you watched him walk away. You’d tried not to fall in love with him over the years, always failing, of course, but you’d never admit that to him. Not now when he was making steps to get his life back. 

You stood back by various other crew members watching the scene, take after take, a grin on your face. It was nice seeing Seunghyun having so much fun on set, you didn’t care if it was because he was acting the part of Thanos or not, it had been awhile since you’d seen him act like this in front of anyone but you. You didn’t know how he managed to not laugh though the ridiculous rap he had to do but you stood by proudly as he nailed take after take.

Once they were satisfied with their shots for the day, the director yelled cut and you spotted Seunghyun heading your way. You grinned at him as he came to stand in front of you.

“You were amazing.” His grin matched you as he pulled you in for a hug, your heart beating so hard you were sure he could feel it. He pulled back slightly, studding your face, his eyes flicking from your lips to your eyes as if debating his next move, before you could ask what he was thinking his lips were on yours. 

Your eyes widened slightly as you stood in shock for a couple seconds. Just as he was about to pull away, defeated, your arms moved to his neck pulling him back to you, kissing him back. You shut off your thoughts, allowing yourself to fully enjoy this moment. Reality came crashing around you as you heard voices in the distance and you broke the kiss, Seunghyun’s forehead resting on yours as you opened your eyes slowly. 

There was a hint of fear in his eyes, and you frowned as you studied his face, as if all the answers you needed would be written in his eyes.

“What was that for?” You whispered the question, almost afraid of the answer as you moved to stand up straight.

“I think I’m in love with you.” He admitted, looking anywhere but you.

Your eyes snapped to his at his confession and you moved closer to him, tilting his chin so he had no choice but to look at you.

“I think I’m in love with you too - I had no idea you felt the same.” 

“Are you kidding me? I thought I was being really obvious with my feelings.” The fear in his eyes was gone as he looked at you. “Why do you think I’ve not gone on a single date in years?” You shrugged, not saying a word as he continued talking. “I can’t get you out of my mind, all I want is to come home to you every day, hear everything about your day, every small detail. I am so fucking in love with you it’s actually driving me insane. It’s always been you, it’s always going to be you.” He took a step closer to you, eyes locked on yours. “Kind of need you either tell me you feel the same or to fuck off.” 

You blinked, looking up at him.

“I didn’t think you felt the same way about me.” You bit down on your bottom lip, wishing you were as good with admitting your own feelings as he’d just been. “I think maybe I’ve been in love with you since the day I met you.” You finally admitted. “I don’t think that’s ever going to change.” Seunghyun closed the distance between you, his hands resting on your face as he brought his lips back to yours. 

You weren’t sure of a lot of things, but you were positive you’d never get tired of kissing Seunghyun. As quickly as the kiss had started it was over, you were still on set, after all.

“Come on, let's go back to my place. We have years of lost time to make up for.” He reached down for your hand leading you back towards the lot you’d parked in a few hours earlier. 

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