#because i only exist to help the people in crisis

[kiralamouse]

AAAAAAAAAAAAAARRRRRRRRRGGGGGGHHHH

[souliebird]

[[and then i met you || ch.1]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary: A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s.

a/n: Reader is an extremely anxious person. That’s the note.

words: 5.6k

You hope Matthew Michael Murdock is a good man. 

You tried to research him online, but you didn't find anything that could sway you one way or another.

The news articles say he's some sort of local hero - not only for being a lawyer who does a lot of pro-bono work but for saving a man from being hit by a truck when he was a kid. They all give his tragic backstory before praising him and his law partner for helping the underprivileged and going after some big shot corrupt businessman - twice. The comments are mostly from people he's helped, singing about how Nelson and Murdock saved them in their times of crisis. 

You want to trust them, but you can't.

The news also claimed Hitler was Person of the Year and deserved praise, too, and you know how that turned out. Not that you think a blind lawyer from Hell's Kitchen can be compared to a genocidal leader, but your mental point to yourself still stands. 

You know nothing about Matthew Murdock except he's blind, he's a lawyer, and his dick changed your life. 

You doubt he even remembers you - a one-night stand from years ago, before his name even started appearing in the news again, and to be fair, you didn't remember him at first, either. Not until four months later when you went in to get your anxiety medication adjusted and the doctor made you take a routine pregnancy test. Then you remembered the handsome blind lawyer who flirted with you at a friend's holiday party you had gone to. You could remember the silly conversation you had about white elephant, that he had the most charming smile, and he could do things with his tongue that made you moan just thinking about, but you could not remember his name. 

You had tried to find him, you really did, but your energy and attention was quickly needed elsewhere and the search for your daughter's father lost steam.

Until you saw him on the television while at the local diner, giving an interview with his law partner. 

That was yesterday and now you are standing outside the door of his firm, trying to work up the courage to go in. 

There's too many scenarios in your head, all of them bad- he's not going to want anything to do with you and your daughter, which you can deal with, or maybe, just maybe, he'll try to take her away from you. He's a lawyer and you work in billing for a transportation company. There's no doubt who the courts would choose and it wouldn't be you. 

The thought makes you want to turn and run but you know your daughter deserves the chance to know her father - and he deserves to know she exists. It's his choice, once he knows, if he wants to be in her life or not, not yours. 

It scares you so much it's not your choice. 

You scrub at your face, trying to work up the courage to actually open the door in front of you when it does just that. 

A kind looking woman with strawberry blonde hair is standing in the doorway and you recognize her from the firm's website - Karen Page. She's the third partner in the firm and you didn't really look into her in your hunt for information. 

She offers you a smile before speaking, "You look like you're debating coming in." You shrug, unsure what to say because that is exactly what you were doing but don't want to admit it. She looks you over without it feeling judgmental before focusing on the manila envelope in your hand. She steps back slightly and gestures for you to come into the office. "You made it this far. Whatever it is, we'll do our best to help you."

The sentiment is so kind and you know she means well, thinking you are a potential client, but it just causes your throat to get even tighter. 

It has been you and your daughter for so long, is this really the right path to take? 

You hug your file to your chest and take a hesitant step forward. Then another and another until you are in the office. It's not big or fancy and you didn't expect it to be. There's a little waiting area in front of the reception desk, with another desk shoved against a wall, and on either side of the room, doors leading to what you suspect are the private offices. 

Karen goes around to the back of the reception desk and picks up a clipboard holding some paperwork and offers it out to you.

You take it and stare down at it, unsure if you would fill it out or not. When you look back up, Karen is still smiling at you and you don't want to come off as a problem, so you take a seat in the waiting area and start filling out the requested information. As you write out your address, it finally occurs to you that you have no idea how to have the conversation you need to have.

Do you ease into it or drop it on him like a bomb? You had only ever thought about finding him and never about what you would say when you did.

You should have taken more time to plan this out. You're such an idiot - you just jumped right into running towards him like you might lose track of him if you took so much as a second to think. You know his name now, who he is, you can take time to get things sorted out properly.

Would it be weird to leave in the middle of filling out paperwork you shouldn't even be bothering with?

Probably not, but you're already here. There is no point in running. 

This is for your daughter, not you. You have to keep telling yourself that.

You don't fill out the information asking about your 'case'. It honestly makes you panic a bit if you start thinking about it all in a legal sense - you know nothing about law and the man you're meeting with graduated at the top of his class from a top law school. Your hand is shaking as you add your signature to the bottom of the page and date it. Reviewing everything takes just a moment, since there's barely anything written to begin with, and your eyes drift up to the logo at the top of the page.

Nelson, Murdock, and Page.

You trace it with your finger.

Matthew Murdock has to be a good man. This firm helps people and he wouldn't be here if he didn't want to help people. He graduated top of his class; he could work anywhere he wanted to. The papers said he is good, too - they win most of their cases. 

Unless it's all a weird front to hide something like money laundering. 

But if they were money launders wouldn't they have enough money to afford an air conditioner? 

"All done?" 

Karen is in front of you, smiling politely. You are surprised by her appearance, but you don't feel pressured. It's like she's checking in so that she can break you out of your thoughts and you appreciate that. You nod and hand her the clipboard. She takes it, giving it a once over.

"Foggy will be out in just a minute."

Your head jerks up at that.

"No, I need to see Mr. Murdock."

You can tell Karen is surprised by that and her eyes narrow just a fraction. She searches your face, then she looks towards the door on the left. 

You turn your head to follow her gaze. 

"Matt!" Karen calls out.

A few moments pass before the door opens and you feel like you're going to throw up. 

The cameras don't do him justice. 

Matthew Murdock is gorgeous. He was handsome before and somehow, he just got hotter. He's a little taller than you, still as lean as you remember, and looking crisp in a gray suit - like some model walked off the catwalk and into a sweltering office. His hair is shorter than you remember it being. You have the distinct memory of being able to grab onto it, but it's too cropped to do that now.

But the thing that catches your attention the most is that in person and in the light, you can see Matthew's hair has an auburn tint to it.

Just like Minnie's. 

The realization shakes your entire world. 

This man is the father of your child. He's real. He's no longer a concept of a person, who you knew nothing about, who just existed somewhere in the world. 

You have to look away before you start to cry. You don't know where this surge of emotion is coming from - it feels like this wave of relief. This question you have always had finally has an answer. 

You tell yourself to take a breath, you know getting overly emotional isn't going to help anything. It might actually make things worse and spiraling into a meltdown is not a good first impression.

You can see Karen in your peripheral vision, and you look up to her, trying to regain your focus.

It's Matthew who speaks first, "Yes, Karen?"

"We have a walk-in who is hoping she can speak with you." 

You introduce yourself, standing up as you do. You know he is blind, so you don't offer your hand. Instead you clutch your folder to your chest. 

He doesn't seem to remember your name. He turns towards you and gives a polite smile. "It's nice to meet you, I'm Matthew Murdock, but you seem to know that. I have some time right now, please come in. Karen, can you grab us some water before you join us?"

"Yeah, sure," Karen says as she turns to do just that. 

Your throat gets tight again. 

You don't want to have this conversation with someone else there. It's already going to be hard enough. You'll definitely start crying if Karen is in the room. You cannot deal with two people's reactions. The mere thought of you having to do that is making you sweat. 

Matthew's voice breaks you out of your panic. "If that is okay?"

You rush out your response, "I would prefer to speak alone, please." You're too panicked to feel embarrassment. 

Karen doesn't seem phased by this. She is still grabbing a couple of bottles of water from the fridge and offering one out to you. You take it. 

"Not a problem, let me know if you need anything."

"Thanks, Kare. Please, come this way," Matthew motions for you to follow him into the office. 

This is it.

Once you go through that door, you aren't leaving that room without telling Matthew Murdock he is a father. 

You surprise yourself by not hesitating and just charging forward into the office. 

This isn't about you or your fears. 

This is for Minnie. 

You keep your gaze forward because you can't bring yourself to look at him. If you stop and look at him before you tell him why you are here, you will just start over analyzing everything once again. You silently beg to whatever gods will listen that everything will be okay, and this man won't destroy you. 

He doesn't look like he is going to break your heart. 

But you know that looks mean nothing when it comes to pain. 

He closes the door behind you with an audible click and the weight of the moment starts to come down on your shoulders.

You take the seat in front of the desk quickly, worried your nerves might catch up with you, placing the water on the ground beside you with your purse when you sit. Matthew doesn't rush, he walks to his desk with an air of quiet confidence and if you were a client, it would be comforting, but you aren't and all it does is remind you why you fell into bed with him. 

"What brings you in today, Miss..?" He trails off, prompting you to say your name again. As he reaches his desk you watch as he trails his fingers along the edge, using it as a guide, before moving his hand to brush over the back of his seat before sitting in it. 

You chew your bottom lip, wishing you had taken a second to actually plan what you would say instead of jumping in. As far as you know, there isn't a step-by-step guide on how to tell a one-night stand that he's the father of your child - not that you actually looked into that in your desperate research the night before. 

Matthew doesn't push as you gather your thoughts. He moves some paperwork away from the center of his desk, then folds his hands there, waiting. You keep your gaze on his hands, needing something to focus your eyes on while you force the truth out.

"I saw your interview last night," you say, deciding to start there, as it seems the most relatable.

Matthew's brows knit together and he tilts his head to the side and you are one again reminded of Minnie. It's a gesture she does often, tilting her little head left and right as she tries to understand something. It always reminded you of a dog and now you wonder if it's not a learned behavior, but genetic. 

His lips turn down into a frown and his head stays cocked as he asks, "Do you have information about the Lynch case?"

Heat rushes to your cheeks - of course that would be the question to ask after bringing up the interview. The whole piece was about a specific case they were working on and how it would affect Hell's Kitchen and you hadn't paid any attention to what was said - not after you realized who was on the screen. 

You shake your head, resisting the urge to look away and you curl your fingers tighter around the manila folder in your lap. "No, I'm sorry. I saw you and…recognized you."

He straightens up and his demeanor shifts to something less…friendly. It's minute but your messed-up brain screams at you about body language - his shoulders have squared up and you can see where he's clenching his back teeth. You quickly continue on, wanting to get through with your explanation before your anxiety makes you clam up.

"We met nearly five years ago," your voice is firm and factual and you're proud of yourself for that, "at a holiday party." 

The words leave your mouth and you know he knows. Every part of him seems to go still - even his breathing seems to stop. The crease between his brow smoothes out, like he's gone from squinting to wide eyes behind his dark glasses. Your heart is pounding in your ears and your throat is getting stiff, but your voice remains steady as you push the words out.

"I think you are the father of my child."

All the color seems to leave Matthew's face and he looks nearly as gray as his suit. The reaction makes your stomach turn. He looks like he is going to throw up. 

You bite into your lip, waiting for Matthew to do or say something. All you can do is mentally chant to yourself: he's a good man, he won't take her away.

You know it's probably just seconds, but it feels like hours pass before Matthew moves.

He leans slowly back in his chair, reaching up with one hand to rub at his mouth. 

"Are you sure?"

He doesn't sound upset, at least to your ears. His words are cautious - tentative - and it makes your heart go tight in your chest. You don't know if it's fear or hope or everything crashing into you at once now that he knows.

You force out a nod before you remember that the man in front of you is blind. You find your voice and words creep out.

"I'm pretty sure," you start. Your eyes drop away from his hands back down to your lap and you have to lick at your lips to wet them before continuing, "I didn't go out much after that party, I got so busy with work. I didn't…find out until the first trimester was over. By then, I couldn't remember your name. My friends who I went to the party with didn't know you either. I tried to Google you with what information I had, but 'blind lawyer' just got me a lot of disability lawyers." You take a shaky breath, "I understand if you want a paternity test."

You know Matthew is probably taking everything in, but now that you've started talking, it's like you've lifted the dam on your anxiety. You squeeze the file in your lap - just because you hadn't known how you were going to tell Matthew the truth did not mean you hadn't extensively thought about the consequences. Words start to spill out of you.

"I also understand if you don't want anything to do with us, I get it's a big shock. I'm not looking for anything from you." Matthew drops his hand to the desk and if you didn't know better, it would look like he was staring at you. "I just wanted you to know and I thought it would be good for her to know you, but if you don't want that, I get it. All I ask is you fill out some paperwork, medical history mostly so I know if there's anything I need to look out for. I printed it out for you, it's all in braille." 

You get up just enough so that you can place the manila envelope on the desk, then sit back down. Your throat is getting so tight and stiff you feel like you're struggling to breathe. 

Matthew runs his hand over his desk until he can feel the envelope. His fingers move along the edge and you stare at them, like they are going to be the one to reveal what Matthew is thinking instead of his mouth. He finds the lip but doesn't open, instead flattening his palm against it.

"...her?"

His voice is so quiet you barely hear it. You lift your head to finally look at him and your heart skips a beat.

Matthew looks so soft. The corners of his lips twitch a few times before a smile slowly spreads across his face. 

And you know.

You know without a doubt he is your daughter's father. They have the exact same smile. You can't help but to grin as well. 

This is good, isn't it? He looks Happy. 

"I have a daughter.."

"Winifred.. Winifred Love," you offer. Matthew lifts his head and tilts it towards you, brow wrinkling slightly.

"Love…?" He asks, no judgment in his voice, only curiosity. 

You close your eyes in a bit of embarrassment, as you always do during the story, "I meant to put Grace, but I was out of it. I even put a big heart next to it on the paperwork." You aren't ashamed of the story and you love your daughter's name, but it's always a 'oops I was high' moment, even if it was done with the purest intention. 

If possible, Matthew's smile gets even bigger. 

"Winifred Love," he says, his voice dropping back down to the barely there whisper. 

"She goes by Minnie. Like, um.. Like Minnie Mouse," you say. That gets an amused yet fond chuckle. You find yourself relaxing at the noise - like some of the pressure squeezing on your lungs has been lifted and you can finally breathe. 

He repeats her nickname and you feel your lips start to turn up. 

"How old..?" His voice cracks with emotion and Matthew has to clear his throat before continuing, "how old is she?"

"Three and a half," you answer quickly, "her birthday is a few months away." You bite your lip then hesitantly add, "She wants to go to the zoo. It's all she talks about."

"Yeah?" Matthew prompts. His smile is so so soft and it makes your stomach turn in this pleasant way. However, you were expecting him to act, this is not it. In your heart, you think the best you were going for was acceptance, but this seems much more than that. There is a stinging in the corner of your eyes and you have to take your own steadying breath continuing on.

"Yeah, um.. She…likes maps right now. I got her a map to the zoo and she's got the whole day planned." Which is very much true - your coffee table has been the home of a makeshift zoo diorama for a little over a week now and the itinerary has changed about twenty times. 

 Matthew ducks his head and nods a little, taking all the information in. You squeeze your fingers in your lap, needing a way to release the nerves still buzzing inside you. 

A few moments pass before Matthew clears his throat again, "What else does she like..?"

The question makes you chuckle just a little bit, only because gushing about your daughter is something you're very good at. Since you work at home, it is just the two of you ninety percent of the time, you don't get to coo over her very often.

"She loves arts and crafts - anything she can get her little hands on. Right now she loves pipe cleaners and paper, things she can bend and fold, you know? I set her next to me while working and she'll just fold paper into little shapes. Not origami or anything, just abstract things, she doesn't plan it. She always wants to help, too, whatever I'm doing. Cooking and cleaning. She is the best helper for grocery shopping." You pause, looking over Matthew's smile for a moment before continuing on, tears starting to gather in your eyes.

 "She looks just like you," you admit, fondness clear in your voice because it is so so true. Now that you are properly looking at him, Minnie looks just like Matthew, and telling him that makes him light up even more. "You've got the same smile. The same hair. Hers is a little more red, but it's definitely from you."

You watch Matthew lick at his lips and you want to know what is going on in his head. You think everything is going well, even if you are on the verge of crying. They are tears of relief - relief you weren't told to fuck off or to go get your own lawyer. You don't fully know if Matthew Murdock is a good man, but you're over the first hurdle and the prospects are looking good. 

Matthew leans back into his chair, inhaling deeply, as if centering himself, then asks, "Why now? Why find me now?"

"Like I said, I couldn't find you, I didn't know anything about you, really, except what you looked like and you were a lawyer. I did try, I really did, but…" you trail off with a shrug, "I had a newborn."

Matthew seems to accept that answer - it is the truth after all - and continues on, "But you saw the interview... Last night?"

You nod, "I was picking up some dinner and they were playing the news at the diner. I saw it and looked you up and now…now you know."

"Now I know…" Matthew repeats slowly, his smile dropping a little and you wonder if is hitting him in different waves, like it did you - the realization he is a father. You know it is an intense roller coaster and you are not going to try to guide his ride, especially after just kind of dropping it on him. 

He taps the manila folder in front of him, the crease returning to his brow, "What is this?"

Your cheeks get hot again and you turn your gaze away from him and back to your lap, "Requests for family medical history and information about how to establish paternity, if that's what you want."

"It is," Matthew rushes out. Your head jerks up and his expression looks serious, "I want that. I want to be in her life."

He sounds so sure of himself that it makes your head spin a little. You built up in your mind he either wouldn't want anything to do with you and Minnie or he was going to try to take her away - you hadn't really considered the obvious option that Matthew would just want to be involved. At least, that is what you are hoping he is implying. 

"I won't abandon my daughter," the conviction in his voice startles you, but it also makes your heart twist but in a good way because in that moment, you believe him. "And I won't abandon you. I used to question if I had the right to bring a child into my life, but this isn't a hypothetical anymore…. And I can't.." he trails off and leans back into his chair, rubbing at his mouth again. You don't press, you have no right to when you've come out of the blue and changed his entire world. He takes off his glasses and pinches the bridge of his nose. "I can't step away now that I know she is out there." 

You quickly shake your head at his words, "You don't need to rush into anything, I mean it, I don't want anything from you but for you to have the chance to know her. We can go slow, she's still little, you know? She can't handle a big change. Start small?"

You're more worried about how he is feeling versus what you are. You have at least prepared yourself to have a reaction - he thought he would be having a normal work day and you've given him a lot to process in the last five minutes. 

"We can go at your pace, Matthew."

He drops his hand from his face, a smile coming back to his face, "You can call me Matt."

You repeat your preferred name, then apologize, "I'm sorry for coming out of nowhere. I didn't want to lose track of you again, but I could have scheduled an appointment."

Matt shakes his head a little, "No, I get it." His hand goes back to the envelope, like touching it is grounding him like squeezing your fingers is grounding you. "I'm glad you came…I'm glad…thank you. Thank you for telling me." 

Part of you wants to reach across the desk and squeeze his hand, to give him comfort and let him know everything will be okay, but you don't dare. He's still a stranger, despite everything. You decide pushing past the emotional to the practical might be the best approach for now. You need to get your anxiety to settle now that you know your world isn't going to end and the best thing for that, in your mind, is getting an action plan. 

"I don't know what the steps are for doing this," you start, trying to think up ideas as you talk, "but I think maybe we could…get together again and plan things out? Give you time to adjust to the idea and let you think about how you want to move forward?"

Matt nods along with your words, "That sounds like a good idea." 

You bend down to grab your phone out of your purse, "I put my contact information in the packet, but could I get yours?" 

He waits until you are ready, then gives you his personal number then the office number. You do the quick song and dance of calling his phone, so that he has your number and you wait patiently as he adds you as a contact. Hearing the voice commands to navigate a phone is new to you and once he is done putting in your information, you let your curiosity get the better of you.

"Do you prefer texting or phone calls?"

"Phone calls would be preferable," Matt says as he sets his phone on his desk, having held it up to speak clearly into it, "I have text to speech but it's not always the easiest for texting." 

You nod in understanding, "Got it." You squirm in your seat, unsure of what comes next, so you say the very first thing that comes to mind. "You can call anytime. I work from home so you don't have to worry about interrupting anything…like I'm doing with you."

He hums, then asks, "What does Minnie do during the day?" 

"She stays with me, mostly. There's a daycare down the block she goes to if I need someone to watch her. That's where she is now."

That makes Matt frown just slightly and part of you panics that he disapproves. "Is it just the two of you…?"

"Yes." 

You say it with confidence. You've worked hard to get where you are alone and despite all you've been through, you are proud of that. "My parents passed when I was in college and I don't have any siblings. We've managed to do pretty well on our own. It's not the biggest, but we have a little place in Chelsea."

The little frown stays and you don't know what it means - you hope it's over you not having a big support system and not something else. Matt looks like he is going to respond but a knock at the door cuts him off. You jump at the noise, having totally forgotten there were other people in the office. 

Matt looks slightly annoyed when he calls out, "Yes?"

The door opens and the final partner for the law firm is there. "Pardon the intrusion," he says to you with a nod before addressing Matt, "They've got that guy from last week at the 15th. He's asking for us specifically."

Matt openly scowls before running a hand over his face, "Okay. Give me a few minutes."

Foggy nods before stepping back out and closing the door.

"I'm sorry," Matt says sheepishly.

You cut him off before he can say more, standing as you do, "Please don't be, I really did just barge in on you at work. I can call you later? Or you can call me?" 

Matt gets up as well, starting to come around the desk, "I can call you." He hesitates just a second, then ducks his chin, that little smile reappearing and your heart does that funny flip again. "Maybe we can get lunch?"

You smile back, "I would like that. We can start planning." You bite your bottom lip, then add, "I can bring Minnie…?"

Matt's entire face lights up and the awkwardness of trying to end your talk evaporates. "I would like that. A lot." He motions to his desk, "I'll work on getting that back to you. I want to…I want to do this right." 

"I do, too." 

It feels like a promise. You want to believe Matt - that he wants this and won't disappear at the first minor inconvenience. You've read so many horror stories about bad parents and you don't want any of that for Minnie. 

You grab your purse and the water Karen gave you, then finally give Matt a proper look over. 

You enjoyed your night together with him. Not only had he been a phenomenal lover, but he had made you smile and laugh. You weren't nearly as anxious then as you are now, but you had been rather nervous being flirted with by a handsome lawyer and he had made you feel at ease. Bringing him home with you had been an easy choice. 

He must sense you smiling somehow, maybe you giggled or something, but his smile, which had started to fall, brightens back up.

"Can I ask you something before you go?" 

You nod to his question, catch yourself and reply, "Of course."

"Can you tell me what she looks like?"

Guilt courses through you and biting your lip turns painful, "I'm so sorry, of course. Um, I included pictures in the packet with descriptions but, of course." His face drops into something a little nervous so you launch into the description of your daughter, emphasizing how they have the same smile because you can’t get over that. You can't help yourself and start describing some of the pictures you included.

"She has this big noise canceling headband so she can sleep comfortably - she doesn't like loud noises - but because she is three, she refuses to wear it unless it's cute. So we crochet little sleeves for it. One of the pictures is her asleep on our couch, face down, because that's how she sleeps, wearing her favorite sleeve. It's Spider-Man the-"

There's a quick series of taps on the door before it opens again.

"Buddy, we gotta go."

You start to apologize, but Matt speaks over you, his voice a little firm as his expression drops, "I'll be right there, Foggy."

A silent conversation seems to go through them, as Foggy raises his eyebrows at Matt and Matt does the same right back. Foggy steps out of the office, closing the door behind him. 

"Let me walk you out?" Matt asks, motioning to the door.

"Thank you." 

You let him open the door and you follow him into the reception office. Foggy is looking at his phone while waiting by Karen's desk as she finishes packing her laptop. You cross the room in silence as Matt leads you from the office. Once you are in the hallway, he speaks to you in a soft voice.

"Can I call you tonight?"

"Yes, please." 

"Does eight work?"

"That's perfect." 

"I'll talk to you then."

You force yourself to be the one to turn away and start walking towards the stairs. As you get to them, you pull your bottom lip between your teeth to try to suppress your smile.

Maybe the papers are right and Matthew Murdock is a good man. 

You really hope he's a good father too.

[forpiratereasons]

ok so here's the thing about izzy imo. narratively speaking, izzy's adoption into the crew in eps four and five is more about the crew than it is about izzy.

the crew is at each other's throats, suspicious, angry, ready to snap. conflicted. they only come together and work through their trauma by coming together and doing a craft project to help someone who clearly needs some help. it's not that izzy especially earned their acceptance or their adoption or their forgiveness. it's that the crew chose all these things regardless. that's healing for the crew. they saw someone hurting, who needed help, and they helped him. offered community. offered stability. they could still do that together.

even stede does this imo. the whole "training montage" thing, when you really look at is, is like, pretty limited? izzy tries to teach stede two things and stede is not at all shown to improve at either. i would eat my shoe if ed actually said izzy taught him everything he knows. frankly i'd eat my shoe if ed had actually said anything to or about izzy since izzy shot him. but izzy is only happy (...in his own way) when he feels needed, or useful. stede knows that he and izzy aren't in a place to have a conversation that would end in a helpful place. instead stede lets izzy feel needed and useful, puts him in a position where he can prove to himself that he's still worth something.

why?? why bother?

because they recognize that izzy's suffering. because they recognize izzy devolving into his own kraken era. because they've learned something about people in crisis through ed's experiences, and they're trying to do something to help. because they're the kind of people who help. because they're embracing stede's culture of kindness. because it heals something in them to do it.

sometimes, and i don't mean all the time, god knows, but sometimes. life will give you people who need to be forgiven even though they haven't earned it, maybe even when they aren't sorry, because you need to do that for your own self. sometimes you need to do it to heal, or for closure, or to cut off the last thing tying you to an ordeal. sometimes you need to do it to prove there's still something inside you that's capable of it. that you are still capable of goodness or kindness or even just fucking. moving on. this isn't true for every case, not for every person or every truth, but sometimes. and izzy is that sometime.

notably, this does not extend, thus far, to ed. ed and izzy have not spoken since izzy shot him. i guess i would be surprised if ed and izzy didn't eventually have A Conversation About Alla That, but at the start of ep 4, neither ed nor izzy were in a position to have that conversation. ed needs to do his healing with stede. izzy needs to learn how to exist as a separate and distinct entity from ed and from blackbeard. izzy could never have gotten there without being shown that he can be that by the crew; his arc is not, for lack of a better term, self-powered. they show him how it can be and he allows himself to be brought into change. then ed and izzy can heal what they need to heal. to stop hurting each other.

the narrative is just setting the two of them up to get there.

[venting-town]

Regardless of what others say: I’m the biggest fucking burden on my family + everyone close to me ( or that were close to me )

[ash-says]

Things to be aware of as a Hopeless Romantic:

We all have been there daydreaming about the perfect man, the perfect life, the perfect whatever,etc. Still life is not full of roses and thorns are inevitable.

So here are some aspects to look out for according to me so that you won't fall in the delulu is the only solulu trap.

Remember if you follow me, we don't do regrets here. We accept, take accountability and move on. We don't soak ourselves in problems. We solve them effectively.

1) Drop those rose-colored glasses. Crush them under your feet and now look at the world again. Learn to accept reality. It is what it is. Not what you make it out to be. Learn to become an observer of your life from time to time. It will give you the real picture.

2) Potential is useless if you are not leveraging it. It's a trap both for yourself and others. You see potential in him of changing and being a good guy?? Girl, he *IS* not a good guy. It's not your job to raise a man. It's embarrassing. Stop babysitting grown men.

3) Standards are important but ensure they are not rooted in fantasy. Let's be honest finding a man who is rich, dark, tall, sexy and talks in the way you read in your romance novels is difficult. I am not saying it's impossible but don't be too rigid. All I will say is make sure you are also on the level where if you come across such a man he should be ready to date you.

4) Men view sex differently than us women. I know many of you will get triggered after reading this but the majority of men really view women as sex dolls. Blame the porn industry maybe. Good men exist but not every other man who talks sweetly is good.

5) A person in your life treats you nicely. Always talk sweetly, tells you that you matter to them but their actions don't match it. Chances are you are being breadcrumbed. Plans being cancelled? Messages being unseen? But when confronted all you get is,"Sorry love, I was busy. I was going to do it. You matter a lot,etc etc." Breadcrumbing. Be smart it can happen even in friendships too. I understand people get busier with time and things do happen. Use your discernment to see who really is busy and who is faking to be busy.

6) That uncle was so kind to me. He talked to me sweetly and always tried to help me out. Now, that's really sweet of him. Next he calls you home to help out with the household chores and he is alone at home because his wife is out of town for some work. Would you go and help? Yes. Will you go alone? No. That's unsafe.

No matter how much a gentleman a man appears to be you are not allowed to be in a situation where he could potentially take advantage of you. You always bring along a friend or deny it. I know it's wrong to not help someone but at your own risk. No. Never. It's common knowledge in our society.

7) Dreaming of a Prince Charming to whisk you away from all your troubles??? Dream on. The idea that a soulmate or one person will magically solve all our issues is dumb. We as human beings add to each other's happiness rather than becoming the core of it.

8) One of the biggest mistakes I have seen girls around me make is of being fully invested in a relationship to the point one small fight makes them depressed. That's codependency. It's unhealthy.

9) Never make your relationship your identity. You should always have a separate identity out of it. Stop curating yourself for your partners. Morphing yourself according to their likes and dislikes. That's one way ticket to an identity crisis after breakup. Compromises are essential but changing your core self??? Crazy shit.

10) Your relationship should not be the reason for your downfall. It happens especially with my intense girlies we invest so much of ourselves in the relationship to the point it becomes our focal point and when it faces upheavals we are devastated. The mental distress starts flowing in other areas of your life and suddenly your grades are falling, your career seems unstable, etc. Develop the emotional strength to compartmentalize your emotions and not allow them to overflow in other areas and affect them.

Imagination is fertile but being delusional is being stuck in a swamp.

That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.

[strangesmallbard]

currently thinking about why some targaryen names are reused and not others. i think it’s mostly intentional, if not always. there are surface-level plot and characterization reasons why, but i also think these choices reinforce certain targ family narratives overall + reveal the patriarchy-laden marrow of the whole thing. none of these thoughts will be in logical order but bear with me LMAO.

i've already posted a bit about aegon, but also: the targaryens are trying to rebirth aegon i again and again and they always fail bc aegon i was always an ideal, not a real person who existed. aegon i was also an imperial conquerer; anyone who tries to live up to him will once again re-enact that violence on themselves, their family, and the people he subjugated. there’s “viserys” and never a living visenya; a warrior queen may have built this dynasty, but only her sons can take her place. the first rhaena targaryen, who had a similar political disposition to visenya, was denied the same power. (she was also named after rhaenys, known for being more gentle and kind-heated despite her own active participation in the conquest).

all three women/girls named rhaenys were, in different ways, overshadowed by male family members. rhaenys became a unwitting martyr to aegon (and visenya's) imperial cause, while rhaenys 2 was denied the throne in favor of viserys. rhaenys 3, meanwhile, is murdered during wartime; her younger brother was (maybe) saved to preserve rhaegar's bloodline. a bit like her first namesake, she becomes an unwitting symbol for oberyn's vengeance.

and there's more! king aenys was considered weak compared to aegon; no other children were named after him. maegor was considered too cruel, even by targaryen standards; no other children were named after him—except, of course, the royal quarters in the red keep are in a building called maegor's holdfast. his legacy follows every targ born since, even though they openly scorn his name. little prince jahaerys and princess jahaerya both die horribly because of a succession crisis that jaehaerys i helped cause. jaehaerys ii brought his namesake’s incest back, dooming his children and grandchildren and great-grandchildren before they were ever born.

meanwhile, rhaella names dany because the last daenerys brought peace to westeros (according to the targaryen pov); all dany craves is that peace, even though she only knows how to express that desire through the violent vestiges of her ancestors. young griff inherited the Aegon Curse, despite his dubious origins. will it matter at all, in the end? as the banners are raised in his name? and there's the jon snow of it all, the secret targaryen named after his uncle's father figure. not his father's hoped-for visenya, nor another aegon. i hope he doesn't have a targaryen name at all, in the end. i think that would be much more powerful than anything else.

[inkeyjay]

🫀 Eucharist of the Ravenous 🫀

It started out as a bellyache, guts rumbling after two days of barely eating. An unfinished visage, featureless, fixing the blurry sockets it had for eyes into his soul.

The humble priest dropped his brush onto the cold floor of the chapel and stumbled backwards. The walls, towards the ceiling, all full of still fresh perfect faces framed by golden halos, that he had been carefully painting non stop for days. Faces of dead saints and prophets, long gone, commissioned by the high church as a display of power and opulence in an age of religious and political crisis. And this last saint, the one that still had some loose and tired brushtrokes for it's face. There was something about it that made the priest flinch out of his creative trance. He swore the paint moved, vibrated with anticipation at the touch of the brush.

He laid tired in the center of the chapel, exposed to a hundred pair of eyes that almost felt judgemental, knowing of the priest's internal thoughts. "Why am i doing this" "Why do i have to over exert myself with work to survive while i use pure gold to embellish... You. This" "Why"

And the faces remained still and silent.

"Why all this for long gone martyrs that had the fortune to die for their for their beliefs, or to let their God speak through their lips, bestow miracles through their fingers"

"Why this for a God that let them die at the heretical hands of the non believers. That leaves hundreds if not thousands of people to die of the pestilence outside this golden, rotten, WALLS"

The bottle of turpentine exploded and its contents dripped down the wall, dragging hours of work with them, dissolving like acid false flesh and gold leaf alike. And then blood, through the priest's hand, holding the neck of the bottle. He panicked and kneeled towards the wall, trying to undo the mistake with cloth, only to make a bloody mess. Red running through the gold, ichor like.

The priest cried holding his hand, a deep wound running through his palm, burning because of the chemicals. But the pain was not the cause of his tears.

"A sign" "I just need a sign"

But the faces remained still and silent.

The priest got up, slowly, and turned around towards the door. Why be here then. Why remain hungry, at the mercy of a dying church that kept their riches safe in mausoleums and layers of paint upon gold leaf upon stone, while its believers died in the streets famished and sick. The priest saw it clear now. If God did ever exist, it was long gone, uncaring for its creation. He might as well die outside, with his people. It would be like inviting the sickness into his chest but at least his last breaths wouldn't taste of incense. His steps echoed through the chamber, determined, reaching for the doors.

But the faces opened their lips. And with a cacophony of voices, each one vibrating with a torrent of beating wings, It spoke. No.

It sang.

Super happy to finally be able to show you this illustration i made for Tome of Pacts, a zine about warlocks, patrons and their pacts! There's a leftover sale going on right now! This is Pantheon, a shapeshifting entity that impersonates long absent gods and feeds on the faith of their followers, always hungry for more. But it's not for me to tell you.

! First of all, credits to @/gothhoblin, the writer of our team, for helping shape out this Patron "...and it spoke with a cacophony of voices, each one vibrating with a torrent of beating wings, a thousand or more." Is a marvelous line of her creation.

Tome of pacts has 11 more patrons and 24 warlocks for your enjoyment, all beautifully depicted by teams of artists and writers. Im super proud to have been able to participate in this project 💛

This short story is about an original character i created after the patron, just as an appetizer, pun intended. You get it right??

Hungry for a copy?

[bitterchocoo]

Pookie please!

At first I'm fine with the open ending of Welt x Reader ome. But then you go on ahead and make a sequel with a cliffhanger. Please my heart can't take it.

I won't force you t continue it if you don't want to. I just wanted to say it's amazingly written. And if you did ever wanted to go back continuing that, I'd be looking forward to it. (Be it more angst or bittersweet ending or even happy one. I'm content because I'm just that starving for Welt x male reader)

The very long awaited part three

Yes, Your Excellency

Part One | Part two | Part Three (You're here)

----------

Welt Yang | M. Reader

----------

"I will gladly play the part, so that you may shine, my sun."

----------

Once upon a time in a kingdom far away..

Lived a princess only 14 years of age.

There wasn't anything this princess couldn't have with a boy just like her serving as her right hand man..

"Yes, Your Excellency."

Those are the words he have said to her multiple times, from the very beginning. He was there as he watch his Lady build an empire from nothing. Her anxiousness... her fears.. her loneliness... her suffering..

He saw it all.

His dear Christine.

She was truly.. the light in his tunnel..

Even after everything, she still smiles and answers to her people. Truly a kind and thoughtful ruler.

And he's more than happy to be by her side. To guide her. And comfort her at her lowers.

She was everything to him.

----------

The Stellaron Crisis brought many disasters and ailments. The suffering the people felt, their loved ones who are clutching their last straws. It breaks his heart. Truly it did.

It breaks his heart that Her Excellency has to watch her people suffer.

Her face which was once filled with joy was replaced by a somber expression. Her tone was so soft and full of life has turned sorrowful.

It breaks his heart... Truly... it did..

How could they.. turned such a beautiful person who's full of life into.. this..

It's unforgettable!

And as her right hand man, he will solve this Crisis and finally... bring back that smile that once adored her face.

He endured many sleepless nights and devoted himself to his research. He doesn't care what it takes. He will save her. The Stellaron Crisis is out of control, what if Her Excellency gets infected by its disease? What if she was suffering from the ailment this entire time! He has to! He has to save her! Whatever it takes!

"You worked so hard on trying to solve the Stellaron Crisis. I can see why you're Her Excellency's right hand man."

The day the Nameless arrived at their humble planet, claiming wanting to help and lend their aid. He was skeptical. How could these... people.. be as what they claim to be? How could he know they won't harm anyone? How could he know they won't harm her?

He didn't say anything as he kept vigilant.

They complimented him. Calling him a responsible and caring man for devoting himself to his research on the Crisis that had plagued his home.

Of course.

How could he not?

When she is also affected by it?

She doesn't deserve this.

She doesn't deserve any of this.

Her beloved kingdom.. on the brink of collapsing..

Oh how heartbroken she must be..

Which is why...

He's taking things into his own hands.

He can't just sit idly and see her suffering like that everyday.

----------

"Whatever it takes?"

"How bold~"

"Then why don't you accept our offer?"

"We can help you!"

Their voices are loud. Oh so loud. They begged and persuaded him. Trying to get him on their side.

"We can give you power.. so you can protect her."

Their offers are very tempting. Very very tempting.

----------

The Nameless.. as righteous as they are.. never would he thought one of them could be so interested in him. That man talked to him so casually as if they're old friends, maybe more.

He was never good with names.

But his name seems to stick to him for some reason. The chatter and the gift that man had given. It somehow.. stuck to him in a way he never knew existed.

He felt like he had gone insane.

They're strangers and yet.. it felt like.. they knew each other for so long..

"Oh? What's this?"

"Have you found another?"

"How cruel of you.. to forsake your beloved.."

No... No.. No!! Nonononononononononono!!! He can't!! Her Excellency!! She's—!

"You can't deny it though."

Shut up.. just shut up!

Their voices grew loud as their demans became more tempting by the second.. The Nameless.. as righteous as they may be.. Could he truly trust them..? Trust them to.. solve this Crisis..? Trust them to.. save her..?

Of course not.

How could he? How could he trust them? They're just some random people!! They came uninvited claiming they wanted to help!! Who do they think he is?! He's Her Excellency's right hand! Christine's right hand!

"You know what..? Sure.. I accept."

.

.

.

.

.

"They're nothing but fools."

"No one can save her."

"No one but me."

[lacrimosathedark]

I need the comic book fanfic writers to be made very aware of something:

Roy Harper is the only one to EVER call Jason Todd "Jaybird".

This isn't a family name that he picked up on, or that Roy made and the family has adopted. Roy is literally the only person to call him that. Dick doesn't, Babs doesn't, Bruce doesn't, nobody but Roy does.

The others call him Jay sometimes, in old comics Jace was said a few times (which I actually like and wish people would use literally at all). Bruce has said "Jay, lad" like once and fandom adopted him calling Jason "Jaylad" but that's not horribly egregious so I tolerate it. Dick occasionally calls Jason "little wing". That's about it.

Jaybird is very specifically a Roy Harper thing.

(Honestly yall better appreciate me actually looking back in RHATO 2011 because BOY do I hate this comic. It's not only poorly written, but in my opinion, ugly as fucking sin and I need to burn my retinas now)

That is the first instance of Jason ever being called "Jaybird", and it becomes a lowkey running gag that Roy calls him that and Jason "hates" it.

And then we get this post Heroes In Crisis

This whole thing may have been poorly written because, again, Scott Lobdell sucks, but the intent is to evoke intimacy to make Roy's death hurt. Jason is supposed to have just lost his best friend and was told by Bruce Wayne whose last appearance in his life was beating the shit out of him and, oh yeah, who saved Jason? Roy Fucking Harper.

In addition to the fact that Roy only left Jason to get help for himself. He was supposed to be in rehab/therapy, somewhere safe, and he fucking died because of handwavy Speedforce shenanigans or whatever it's been retconned to now because nobody liked Heroes in Crisis. Roy was supposed to be getting better and he died ostensibly in an accident. Like if that's not the worst fucking bullshit--

This scene of Jason calling himself by what he deems a stupid nickname would mean jack shit if everyone and their goddamn cat called him "Jaybird". But it being a Roy-specific thing makes this scene distinctly about Jason being vulnerable and actively grieving. It's such a cliche trope, and a real coping mechanism, to call a deceased loved one's phone just to hear their voice in their inbox message again. He probably has no thoughts that Roy will ever hear it so this is just for him, but he's letting himself accept this dumb nickname Roy gave him now because it was Roy that gave it to him and Roy is fucking dead.

Like, in fairness it probably frustrates me more because I ship the two and parallel it with Oliver calling Dinah "pretty bird", but like...even as just a cheeky friend nickname, nothing romantic behind it, having everyone else call Jason that feels wrong. Especially his family who he still has so many issues with and, like it or not, he's closer to Roy than literally any of the Bats at this point.

This isn't the only time I've seen the fandom do this (this being giving nicknames between characters that just don't exist); Jason calling Tim "replacement" is absolutely rampant in the fandom and I hate that too because he never calls Tim that, and refers to him as such like once. I have a whole list of actual nicknames and insults these motherfuckers call each other somewhere, but maybe another time.

In short

STOP HAVING EVERYONE CALL HIM JAYBIRD.

Thank you and have a nice day. <3

[last-flight-of-fancy]

hi hello i hope you don't mind but Special Interest Infodump Mode has been activated please keep hands and feet inside the vehicle at all times-

this explanation comes to us courtesy of Dark Road! You know, that cutesy little mobile game where literally the whole cast except the two protagonists dies. This is on brand bc the explanation has it's own fridge horror levels to it if i think too hard about it tbh.

So, worlds have hearts. We've known this since KH1, seen what happens to a world that loses its heart, and how they can be affected. It's rarely been expounded on beyond that however, aside vague allusions to the titular Kingdom Hearts being/harboring the Heart of All Worlds.

(which has. other implications now that i think about it but that's stepping into theorising territory. im sorry im trying really hard to stay on track honest)

fast forward to Dark Road, where we have a bunch of kids venturing out into the worlds for the first time, and as such have to have things explained to them (and thus the audience). NOW i will note here that KH looooooves unreliable narrators and characters imparting incorrect information without knowing it, so there is always the possibility that this could later turn out to be wrong, but currently I see no reason this would be the case and thus for now i feel safe in taking their words at face value unless otherwise contradicted.

Why are there no people? Because each world is alive, and after the Keyblade War sundering THE World into MANY Worlds, each needed to recover and restore what was lost; life, time, movement.

This bit here is important, bc as a result

All of this is the direct result of the Keyblade War of old. Even after so much time, the bits of worlds are *still* recovering, and I do think there's something to be said about how like... the repition between worlds and their apparent stagnation often *stops* after Sora visits them. I don't think it's because Sora's special(tm), but rather just because of who he is; the Dark Road kids are told never to interfere, and as a result the worlds they visit that Sora also visits later are exactly the same to Sora as they were 80+ years before.

But when Sora visits the same world only a short time after his first visit, things CHANGE. Hercules' story moves forward, Simba is having a crisis about being king, Jack Skellington has learned his lesson about Christmas and is on to new shenanigans. And that's only in kh2! in kh3 we see Twilight Town fill with people, barren Olympus expands into a full town (and there's more there too with BBS and how the Wayfinder Trio may have been Olympus' start towards restoring itself completely, and Sora's later arrival more speeding things along)

my point here is *connections*, which is a consistant and overarching theme of the series. Empty worlds are baby worlds, still healing and restoring from being broken away from the rest, and what helps along that healing? Being connected to others.

Which is to say that the keyblade weilder's doctrine of 'do not interfere' while most certainly well-intentioned (as Dark Road also points out, one persons darkness is anothers light, and morality is not a solid truth across worlds, so interfering is risky at best and dangerous at worst), the flip side to this is that without being connected, without that ''interferance'', the world's restoration stagnates and struggles. It will still get there eventually (the Tangled world seems to be doing alright for example), but chances are it might've been a little easier/faster if someone had done a little interfering.

tldr keyblade war broke the worlds and reset them all to zero. As the worlds heal time stops until it's People finally pop back into existance and their stories can resume. And that's how the invisible crowds in early kh games are canon.

[theoraclephobetor]

Franklyn makes Hannibal so uncomfortable and he hates this little cheese man so much.

Dan Fogler is a master for acting this character in such a smarmy and unsympathetic way - and he does it without making Franklyn actively evil or mean. There's just this undercurrent of piteous desperation in everything he does, and he's so obviously dysfunctional in a way that is deeply repellent to viewers.

For Hannibal, it's worse. Hannibal is canny enough to recognize another human who constantly wears a 'person suit'. He watches Franklyn craft himself a persona from their conversations, from his own preferences, moulding himself into a perfect friend for Hannibal. Franklyn has such an ego, and thinks that where the world failed a famous man, he - in his infinite capacity for support and friendship - could succeed. But in crafting his person suit to perfectly fit his therapist's tastes, he makes himself repugnant to Hannibal.

Franklyn is doing to Hannibal what Hannibal is trying to do for Will - he wants to make himself into Will's anchor, to get behind his walls and touch greatness, to be his saviour (in a way) and show Will his true potential.

And yet Franklyn is objectively pitiable.

Which means Hannibal, seeing his actions played out by this small man, has to grapple with the fact that he is also a small and desperate creature. He is also pitiable.

This is the same episode where Will talks about the Chesapeake Ripper as an insignificant thing that should not have been born and can never really be a person - no matter how hard it tries. He talks about the Ripper's person suit as an extrapolation - something that must exist because how else would he have evaded capture - but what Will sees in that moment is the Ripper.

Will takes so much longer to figure out Hannibal because he gives Hannibal his trust so early on in the series. He isn't looking too deeply below Hannibal's facade (which I firmly think he sees) because he trusts that there is something behind it that vaguely resembles a person. Hannibal gets all the credit for seeing that Will has a cruel streak, but Will also sees parts of Hannibal that (almost) no one else has spotted - mainly, that he holds himself firmly apart from people, even as he charms them.

And Will is completely right. Hannibal is so lonely that he goes to find Will when he doesn't show up to an appointment. He has been confronted with his own loneliness through Franklyn, while at the same time needing to shore up his identity as the Chesapeake Ripper after two copycat kills. Sorbet is all about Hannibal's identity crisis working in opposition to his desire to make Will Graham his friend.

That's also what Bedelia sees when she calls out Hannibal's person suit/human veil. Like yeah, she'll have a glass of rose and a nice conversation with him, because she honestly does like the character Hannibal's been puppeting for years. But she knows it's a shadow play. She knows that they may be friendly, but friendship requires knowing Hannibal. Bedelia peeked beneath that veil - once, at her most vulnerable moment - and she never forgets that the person suit is tailored for a lonely predator. She never forgets that the only way he was able to truly connect with her was to manipulate her into killing.

Bedelia's place in all this is so interesting to me, because for a little while she is the audience surrogate. She has the same knowledge of Hannibal's character as any viewer who grew up with The Silence of the Lambs. Later she becomes a participatory character (until Hannibal makes her a surrogate for Will), but in the beginning she exists to help show the watcher what they already know. She reaffirms - in a time when Will and Jack are becoming untethered from their realities - that what the viewer knows about Hannibal is true. Bedelia is the viewer's anchor in this narrative, up until the point she chooses to disappear from it.

Though she knows better than to clearly say as much, I think she hears about Franklyn and knows exactly why Hannibal wants nothing to do with him.

[sizzlingsandwichperfection-blog]

You may wonder what this whole Awesome Coffee Club thing is all about. Today I was reminded what it’s all about:

In 2019, the unpaid intern who runs this tumblr account visited Sierra Leone’s Kono District. Kono is the among the most impoverished communities in the world due to a long history of enslavement, colonialism, and civil war. A decade ago, Kono’s healthcare system was in a state of collapse--clinics had no running water or electricity or paid staff, and inconsistent supplies of medications and other necessities.

As a result, Kono was the epicenter of the global maternal mortality crisis: One out of every seventeen women could expect to die in childbirth. Over 10% of children died before the age of five. 

Beginning in 2014, Partners in Health began working with Sierra Leone’s Ministry of Health to bring change. This started with the basics at the region’s hospital, Koidu Government Hospital: running water, 24-hour electricity, and hiring nurses, community healthworkers, cooks, facilities management staff, and so much more. 

At the time, KGH’s maternity ward had a dirt floor. Many people were dying for want of an emergency C-section or a blood transfusion. By 2019, this was getting better--two functioning operating rooms were able to perform C-sections, and a blood bank could address postpartum hemorrhaging. But it was still inadequate, and maternal and child mortality were horrifyingly routine.

To address the crisis, PIH Sierra Leone directors Jon Lascher and Dr. Baillor Barrie wanted to build a world-class maternal and child health center that could save thousands of lives yearly while also serving as a teaching hospital to train the next generation of Sierra Leonean healthcare workers. They told us they needed $25,000,000 to break ground, and would probably eventually need another $25,000,000 to support the hospital’s operation over its first few years.

I am, as unpaid interns go, doing quite well, but not THAT well. So our family committed what we could and asked others to join us, and within two years, we passed that $25,000,000 goal. Together, we’ve now raised close to $40,000,000. 

Today, I visited the site of the Maternal Center of Excellence, the first wards of which will hopefully open next year. Nearly all of the construction team are from Kono, and 65% of them are women--they work as welders, engineers, planners, laborers, and so much more. You see three of them above. I had the privilege of talking with them about this project. The young woman to the right, Success, told me that her dream is to work for the hospital her whole life, helping to maintain and support it. One of the other women told me, “We are passionate about this work because it is the future of our country. And we know that we and our friends will someday give birth here.” I am so proud that our projects support their training and livelihood, and so grateful to have them as colleagues in this work.

The hospital--which will include over 100 maternal beds, a NICU, and enough operating suites to perform over 10 emergency C-sections per day, will also require ongoing funding for staff, stuff, systems, maintenance, and more. Our hope is that open-ended projects like the Awesome Coffee Club and Awesome Socks Club can help provide that funding, although the most efficient way to support this project is to donate directly! 

So that’s why this tumblr, and the awesome coffee club, exists. World-class maternal and infant healthcare is coming to Kono, a wonderful and  too long impoverished by colonialism and extractive capitalism. It is only a first step. There is so long to go. But what a first step.

[aanoia]

Dying

Poly!marauders x reader, James Potter x reader, Remus Lupin x reader, Sirius Black x reader

Summary; the marauders had known their girlfriend smoked to dissipate the pain from her abusive family. They just didn't know how bad it could, and would get

Words; 1,400+

Warnings; serious TW, mentions of abuse, toxic asf family, drug abuse, weed, alcohol, whiskey, underage drinking and smoking, substance abuse, self harm, cuts, abuse (ish?), depression (not mentioned but apparent), seriously bad mental health

If you are easily triggered I advise you do not read this as it covers very serious topics.

I will be making a part 2 with a happy ending, because they exist and you deserve one, no matter how deep you've dug yourself into a hole.

Pt. 2

If you are struggling with mental health issues and need help call or text 988 to get in touch with the Suicide and Crisis Lifeline. If you are struggling with substance abuse and or mental health and need help call 1-800-662-4357 to get on the phone with an employee of SAMHSA (Substance Abuse and Mental Health Services Administration. If you are being abused or neglecting by family members or someone else and need help call 800-799-7233 to get on the phone with some from the National Domestic Violence Hotline.

If you need help please reach out. Whether it be to one of the resources above, a trusted adult or friend, or me. I cannot speak for others around you but I can for me and I am here for every single one of you. You can talk to me no matter how small, large, serious, "dumb" ("" bc no problem is actually dumb), no matter what. I will sit and listen to you for hours. Almost everything mentioned in this story are things I have experienced. Abuse. Self harm. Substance abuse (smoking and drinking). And pushing away the people who want to help. I understand and will listen. You matter, and you are loved. It will get better, I promise. You can take my word for it. I love all of you, no matter who you are, and I beg you to reach out of you need someone to help bare the weight the world has given you. I'm here for you, and I'm proud of you for being here today, no matter how hard to was.

You are not alone.

When James, Sirius, and Remus first found out their girlfriend was a borderline stoner, they seemed fine with it for the most part. James was indifferent, believing she wasn’t consuming a dangerous amount. Sirius was impressed and baffled, he spent weeks trying to figure out how she snuck the drug into Hogwarts, which had a strict policy against the use of substances. Every once in a while Sirius even joined Y/n in a smoking session. Remus, however, seemed to be the only one who was slightly worried, he knew all about unhealthy coping mechanisms and how addictive they are, but he chose to trust his girlfriend and left it alone, something he felt very guilty about later on.

Everything changed after the summer before sixth year. The four had kept in frequent touch, mourning over the fact that they couldn’t find a time to get together. Mid August Y/n had stopped responding to letters sent by her boyfriends, which worried them immensely. And when she arrived at platform 9 ¾, looking sickly pale and high out of her mind, they knew something was wrong. 

Stubborn as usual, Y/n proclaimed she was fine. Having lied and said that this was her first time doing any illegal substances, which includes alcohol and other drugs, in weeks, and she was just enjoying it. Each of the boys had a pit in their stomach, their girlfriends usually cheerful aura completely gone, seeming to have faded over the summer.

Sirius was the first to notice the problem with your smoking. He took into account the changes in your stash when he would join you every once in a while, the amount you had from one session into another completely decimating your lie about only smoking once or twice a week. 

Remus was the one who noticed your drinking problem. He had invited you on a study date with just him, James and Sirius being busy with quidditch practice, and you had showed up late. He didn’t mind, knowing you weren’t the most punctual person, but what he did mind was the strong scent of alcohol you had attempted to cover up with a spell. It hadn’t worked.

Now, poor oblivious James was the one to uncover the self harm scars on his beautiful girlfriend's body. It had been a rare time where you had decided to hang out with the boy, as you had been pulling away from the three at an alarming rate. So, James decided to make the most of it, not knowing the next time this would happen. His way of making the most of it was laying down in bed, bodies pressed up against each other and your chest steadily rose and fell. He had fallen into a light sleep before he was woken up as you adjusted your position, throwing your arm out to the side. He looked at you with a tired smile, grateful for this moment as his gaze traveled up your arm. His smile fell as his heart dropped. When you had stretched your arm out the sleeves of your jumper had ridden up your wrist, revealing the angry red cuts protruding from your skin. James felt tears prick his eyes, not knowing what to do.

Today was a particularly rough day for Y/n. She had received a letter from her parents, informing her that they wish she was never their daughter, and that she would find some creative way to die to rid them of their burden of a disgraceful daughter. It was no exaggeration to say she was out of it. Anyone with any common sense could tell as she stumbled through the Great Hall, smelling greatly of whiskey and weed, and anyone with a good nose (Remus, due to his furry problem, and Sirius, due to his furry gift) could sense the metallic smell of blood coating her skin.

“Oh, for Merlin’s sake.” Remus mumbled, standing up from his spot at the table, James and Sirius looking up quizzically. “I’m over this. We need to talk to her. Now.” He said and the boys nodded, standing up with him and walking to the girl. Sirius gently touched her shoulder, leading her out as she made a face of disgust at his closeness, causing his heart to twang. 

She had been so mean lately, and it was slowly shattering the boys’ heart, however, it was affecting Sirius the most. He missed his girl. The one who always cheered him up and provided him bucket loads of support when he was thrown to the curb and disowned.

They carefully led the girl into the boys’ empty dorm, and the three were thankful Peter decided to eat breakfast this morning instead of sleeping in. Y/n sat on the bed, reaching into her cloak and pulling out a shiny silver flask.

Remus scoffed and grabbed the flask from her hands, “Fucking no, Y/n.”

Anger flashed across the girls face, “The fuck is your problem?” She asked, crossing her arms over her chest.

He waved the flask in front of her face angrily, “This shit is! And the weed! And, baby,” His voice softened. “We know you’ve been cutting. Why won’t you let us in?”

She scoffed and stood up, snatching the flask from the boys hand, “Because it’s my fucking mind and you guys have no right to pretend you deserve to know what’s going on in it.” It was Sirius’ turn to scoff and Y/n looked over with raised eyebrows. “What, got a problem, Black?” She asked again.

“Yeah, I’ve got a fucking problem. You’re being a bitch.” He said angrily.

“Excuse you? I’m being a bitch?” She took a step closer. “Says fucking you, Sirius. The only bitch here is you. With your endless manipulation and fucking lies!”

“Okay, you need to calm down.” Remus said before Sirius could speak.

The only sound that could be heard was Y/n’s loud laughter. It lasted a moment before abruptly stopping as she threw the flask down and neared Remus. 

She placed her hands on his chest, smoothing down a wrinkle, “You guys are the ones freaking out when I’m.” She pushed him back, his eyes widened. “Fucking.” Push. “Fine.” His back hit the wall and James, who had been silent the entire time finally stepped in between the two, anger covering his features.

“Back off. We have done nothing but love you! We don’t deserve this shit, Y/n. You don’t have to tell us everything but a simple fucking explanation is due! Even if you won’t give us that you have no right, no right, to lay your hands on us, and I will not put up with this bullshit.” He said and it was silent. The boys held their breaths, hoping James’ speech got through to the Y/n as her and James had a staring contest.

Y/n smirked, “Look at you. The little bitch finally comes out of his shell, and spews utter bullshit.” She said flatly, moving to grab her flask and her bag which she had previously set on the bed. She walked to the door and paused, “We’re over, by the way. I’m leaving your sorry asses.” And she walked out.

The moment the door shut James' body shook with silent sobs and Remus wrapped his arms around the boy, resting his head in between his shoulder blades. Sirius joined the hug, squeezing tightly as a few stray tears of his own left his eyes. 

The three stood there, hugging each other tightly as they cried in each other's arms. They had no choice now but to watch the girl they loved most slowly kill herself, for a reason unknown to them.

Unbeknownst to them, the girl slid down the backside of the door, hand covering her mouth to silence her sobs. She knew it was getting bad and she knew those boys cared about her and wanted to help and she fucking pushed them away, afraid they would turn out to be like her parents. Cruel and abusive. She regretted leaving the moment the door slammed shut, her mind immediately sobering up as she realized what she had done. She just lost the three most important people in her life, people who loved her, if they still could after her cruel words.  In that moment she realized the most terrifying thing. The thing that haunted her nightmares and fueled her addictions. In all her attempts to cut her parents from her life and forget about them. She had become them.

[catholic-character-tournament]

Round 1 - Side B

Propaganda below ⬇️

Matt

Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)

a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw

canonically catholic but dresses like a demon to be quirky

honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there

ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable

hello its me cct organizer. i have to come clean, i made this tournament because i need matt to win something. i dont think hell win the sadboy and he lost the ginger tournament and >:( hes my favoritest guy ever. Also @ who said he has religious trauma is wrong and i will fight u about it (nicely) on my main @usaigi

This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.

Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy

his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues

So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.

They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb

he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball

Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest

So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.

He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear

HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool

matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)

he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.

i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb

how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.

i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen

Harrowhark

I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through

imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.

she meets god. she’s not inspired

she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary

They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.

She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.

The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic

[graceshouldwrite]

How to Write Political Intrigue (with book recs)

POLITICAL INTRIGUE! Intrigue in general! What is it?

For the purposes of this post (as well as how it's usually used in the writing/reading community), think: scheming. Plotting. Conspiracies in the shadows, bids for power and survival, secret plans, masterful illusions, all of that stuff.

It could be on any scale that you'd like, from a duel of wits (think Light's and L's game of cat and mouse in Death Note)

...to a large-scale plot involving entire countries and their people (like any espionage networks during any major wars, such as the American Revolutionary War to World War II, and so many more)

...or even medium-sized conflicts (families, like in The Godfather, or smaller national disturbances like the Watergate scandal).

Below are 4 core tips on how you can successfully write (political) intrigue plots:

1. Read + Research

Despite how hard it may sound, it's actually pretty easy to craft a realistic yet thrilling intrigue plot—with so many examples in real life and fiction, you can easily base your plot on an existing one and just change a few things like the characters, setting, and maybe a few plot points.

History and current events are always great places to look to, but here are some books that are chock-full of great politics + intrigue:

Leviathan (Thomas Hobbes): one of the most famous treatises of politics + human nature and their intersection. The book is an in-depth exploration of human nature, government, politics, and all of the root causes of why they exist. While it does take a specific philosophical angle (you might not agree with Hobbes' ideas), they are detailed explanations of how things work + why they are required from one perspective.

48 Laws of Power (Robert Greene): GREAT BOOK for helping you plan out the means by which you want the intrigue to happen. There are lots of simplified rules that tell you why people plan and scheme (e.g. "control the options; get others to play the cards you deal," or "pose as a friend, work as a spy"). There are LOTS of really great small stories of when a rule is applied in real life that are also general plot inspo!

The Godfather (Mario Puzo): very very good, intricate, and more emotional because it deals with the intrigue surrounding families

Joseph Fouché: Portrait of a Politician (Stefan Zweig) (biography): Fouché is absolutely insane. A genius at political intrigue. His life is literally one of the craziest stories of scheming, betrayals, survival, and a general vying for power, especially behind the scenes.

The Prince (Machiavelli): obviously, I can't leave out the original tips + tricks book with explanations of WHY intrigue matters as a means, especially in terms of protecting your power.

Trust Me, I'm Lying (Ryan Holladay): a large part of intrigue plots (you need to cover up the actual game you're playing) is the manipulation of information, creating illusions and spectacles for other people to believe. This book goes in-depth about media manipulation and information wars.

Empire of Pain (Patrick Raden Keefe): takes a rather different angle, through the personal/corporate manipulation of government, as well as how wealth dynasties (especially within families) are established. Remember the opioid crisis? This book explores the generational politics of money and power that led up to that.

Prince of Thorns (Mark Lawrence): Look! Fiction! Anyway, I'm biased because it's one of my favourite works of fiction of all time, but it explores political intrigue not only through an actor participating in it, but through the lens of the common folk. I.e., the consequences all that power play has on the populace due to a lack of actual good governance...

A Song of Ice and Fire (George R. R. Martin): I haven't personally read/watched anything GoT, but it's pretty much obligatory to put this series down in a post about political intrigue. It's famous for doing it well.

2. Plan. Like, meticulously

First of all, decide what scale you want your intrigue to be on: large-scale government/international affairs type, a corporation thing, something between two people, or even within a family? There are so many possibilities.

Intrigue plots are like mysteries; they must be tightly logical to be satisfying. One of the best ways of ensuring this is through analyzing each involved party—the actors.

Each actor has their own motivations, goals, and psychologies. After you establish what they want OUT of their intrigue, think about how they'd go about achieving it: a naturally hot-headed person might try to intimidate their way into getting what they want, or they might learn through the course of the story to cool down a bit.

A naturally imaginative and analytical person might come up with all sorts of scarily genius plans, and near-flawless execution. Of course, they would also react in different ways, depending on personality. Character consistency alone will make your plot seem that much more logical.

However, cracks in logic will happen because humans are inherently imperfect and not always rational. These cracks must be DELIBERATE and realistic and must seem planned out; they can't seem more like the author forgot a detail, or didn't know how to explain something (e.g. something happened and the writer never included the consequence of it because they forgot). It must be clear that it is a flaw on the character's part.

3. Never write intrigue for the sake of the intrigue

The incentive of all scheming comes down to mainly two things: gaining power and keeping it. Of course, you could choose to explore more unusual things, such as characters exercising intrigue to satisfy boredom... (think Light and Ryuk from Death Note).

But, the bids for power, security, and survival can be used to highlight things about human nature. Themes to explore include ambition, sacrifice, the pursuit of happiness, the corruption of character, the preservation of innocence in a cruel system, etc.

4. Explore through a narrow lens

Most intrigue plots are full of complex motivations, characters, goals, and the means they use to achieve said goals.

You should gradually let your intrigue plot unfold through the POV of a few characters, preferably one or two. An omniscient narrator for this type of story is INCREDIBLY difficult to pull off without confusing the reader.

However, more POVs work if you use all of them to focus on ONE or a few intrigue plots only—it can provide a multi-layered effect, exploring the same line of action and consequence through different perspectives. But, if everyone has their own intrigue plot, it's too easy to create a tangled mess where readers can barely delineate one plot from the next.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

Sorry for the massive hiatus—I have officially started college!! I've been pre-occupied with settling in, classes starting, a social life, extracurriculars etc. etc...life has been super busy, but great :)

I've started working on my books as well as poetry more recently, and I'm glad I'm getting into a new workflow/lifestyle. It certainly is different, but I'm starting to enjoy it.

Anyway, I'm surprised it took me this long to do a post about this topic, considering the fact that it's basically my writergram niche and my entire personality IRL, but I think it was mainly because I was trying to find a good angle to approach this massive topic. But, stay tuned for (probably) a part 2 because there's SO MUCH MORE to cover.

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3

[centrally-unplanned]

The Clarkesworld AI Spam issue is one of those stories that to me really highlights the limits of the tools that hype is obscuring. Clarkesworld is a well-established Sci-Fi publishing magazine that today had to suspend all of its submissions due to being overwhelmed by ChatGPT generated entries:

This inspired a lot of discourse around the idea of a ‘crisis of credibility’ on the internet, AI sweeping away the boundries of authenticity in a flood of forgeries. How can magazines even operate in this new environment, one might ask?

Which is weird because this environment isn’t new at all, as the editor, Neil Clarke, comments on in his blog post around the problem:

Since the early days of the pandemic, I’ve observed an increase in the number of spammy submissions to Clarkesworld. What I mean by that is that there’s an honest interest in being published, but not in having to do the actual work. Up until recently, these were almost entirely cases of  plagiarism, first by replacing the author’s name and then later by use of programs designed to “make it your own.”

The issue isn’t that spam exists, its the quantity:

This is undoubtably a gigantic spike, and 100% it is induced by ChatGPT.

But hold on - is ChatGPT actually *better* at this that previous spam tools? Niel doesn’t think so, even if he is worried about the future: 

I’m not going to detail how I know these stories are “AI” spam or outline any of the data I have collected from these submissions. There are some very obvious patterns and I have no intention of helping those people become less likely to be caught...

... What I can say is that the number of spam submissions resulting in bans has hit 38% this month. While rejecting and banning these submissions has been simple, it’s growing at a rate that will necessitate changes. To make matters worse, the technology is only going to get better, so detection will become more challenging.

And how expensive was the plagarism before to do anyway? It was copy-pasting text, automated word replacement programs, and done, that is trivial. Its a little harder than ChatGPT, sure, but you could make a thousand in a day no sweat, automated scripts randomizing names and jumbling nouns from a list. 

The success rate also seems to be zero! Neither plagarism nor ChatGPT generates any story worth a damn, these aren’t being accepted. Neil is quite confident he is catching 100% of them and I believe him on that, these tools cannot write good fiction of any length beyond a paragraph. 

So what is the ChatGPT’s advantage over previous, ‘dumber’ spam that justifies a 100-fold increase in spam usage? I am not seeing one, and I don’t think there is one besides marginally lower per-spam costs. Phrased another way, what was stopping someone from submitted 500 spam entries in one month in 2021? Nothing but interest in doing so.

Which is the rub of why this is happening - it isn’t because ChatGPT is good at this task, its because its the hype thing to do. Everyone is talking about it, everyone is trying it out, everyone is trying to find “delta” so they can ride the hype train. A bunch of people, some who may have even had axes to grind against Clarkesworld, have heard of this brand new fun tool and are flooding into the market to take advantage of it. But there might not be much to take advantage of; hype is fleeting, particularly in the face of no results as this effort is getting. As it fails, unless that axe really needs grinding above all else, spammers will move.

All of this to say that this story is, again, not a story about AI at all. AI is just the reason these already-bad parts of the system are being tested in the public eye.