#because i simultaneously wanted to write and not write it

[read-marx-and-lenin]

heyo- a friend is trying to get me to read 1984 because 'it'll totally change your worldview on government and anarchism', but i've heard some bad things about the book itself/george orwell. should i read it? is there anything similar/more theorylike i could read instead?

thank you! your blog rocks <3 <3

Go ahead and read it if you want. It's a classic entry into the genre of dystopian science fiction and it has spawned many imitators since its publication. However, if you're looking for actual theory or history, you won't find it there. I would recommend Pat Sloan's "Soviet Democracy" or Anna Louise Strong's "The Soviets Expected It" and "The Stalin Era" if you want real accounts of the Soviet Union under Stalin.

Orwell never actually visited the Soviet Union, and 1984 is based not on his own personal experience with the country but instead on Western propagandistic views of the country and his own displeasure towards the fact that during World War II, when the UK and the USSR were allies, the British press was much less keen to publish anti-Soviet works right at the same time he was trying to get Animal Farm published. You must also understand that his wife worked for the UK's Ministry of Information as a censor and Orwell himself worked at the BBC producing wartime propaganda. It is not a coincidence then that the main character of 1984, Winston Smith, is a censor and propaganda official working with the fictional "Ministry of Truth" and eventually finding himself battling against state control of information.

Ironically, after stylizing himself so much as a defender of liberty and freedom against the "totalitarianism" of the time, Orwell would write up a list of alleged subversive writers for the British Information Research Department, a secret department tasked with publishing anti-communist propaganda during the Cold War. Some of this propaganda would end up being a comic strip version of Orwell's Animal Farm. There is a significant throughline in both Animal Farm and 1984 that clearly betrays Orwell's political views. In both works, the proletariat are depicted as nothing more than idiots and sheep who follow the orders of anyone willing to give them work and are easily duped by intellectuals. In 1984, he phrases it as the proletariat being more "free" simply because they're so insignificant as to warrant no government surveillance.

In 1984, the fictional society of "Oceania" is a far cry from a dictatorship of the proletariat. The proletariat have no political power, they all live in slums and are mollified by bread and circuses. How is the building of the slums organized? Where does the money go when one buys their bread? We are not told anything about this except that the process is slow and inefficient. The story isn't interested in material concerns. The "proles" do their work, we are told, but we are never shown much more than informal labor. We don't know who is telling them to work or how they are getting paid. The "Outer Party" is supposedly the white collar "middle" class of Oceanic society, but despite the amount of focus the story has on this class, we are never shown a single Party member managing a workplace or poring over receipts. We are to believe that the proletariat are simultaneously left to their own devices and unmolested by the state, while also completely under the control of the state through invisible mechanisms that are never elaborated upon. While Winston will complain endlessly about his own quality of life, not once does a single prole gripe about their job. The cost and quality of goods come up sporadically and only to illustrate the deterioration of English society under Party rule, never to illustrate any material basis of said rule.

Even more at the periphery are the colonized peoples (although never described as such) within the war-torn areas never under the permanent control of any world power. All three of the global superpowers are said to be in a constant struggle over the control and enslavement of these super-exploited workers and the resources of their nations, which are said to make up a significant proportion of the material resources of each superpower, however at the same time they are not considered to be part of the proletariat and are dismissed as entirely disposable and unnecessary for the maintenance of any of these superpowers. To Orwell, it seems, colonialism is simply a thing the colonizers do out of habit and not a phenomenon with an actual material basis or actual material effects. In turn, the colonized are not actual people who might take umbrage with the constant conflict imposed upon them, but rather chattel that is perfectly content to be traded back and forth among the colonizers.

The importance of the middle class in society is a recurring theme in 1984. For example, the Trotsky-esque political treatise Winston reads within the story, "The Theory and Practice of Oligarchical Collectivism", begins with a twist on Marxist historical materialism - while it recognizes the role of class conflict in human history, it asserts a transhistorical narrative of the eternal existence of three separate classes within society since "Neolithic times": the upper, middle, and lower classes. It is then asserted that it is the middle and only the middle class that is ever revolutionary, and that when it appeals to the lower classes it does so only to use them as a cudgel against the upper classes and never out of a genuine concern for their wellbeing. The treatise, idealistic as it is, provides little definition of these classes. The lower classes are described as "crushed by drudgery" and in a constant state of servitude that places them incapable of achieving political consciousness, something reserved solely for the upper and middle classes. The upper class is defined simply as the "directing" class, and the middle as the "executive" class. The identity of the middle class within Oceania is made clear: they are the "Outer Party", the white collar intelligentsia and managerial class which Winston and Julia belong to. One must assume Orwell viewed himself as a member of the middle class as well. If this section of the book is at all reflective of Orwell's own views (and to be clear no part of the book refutes this outlook,) then Orwell's rejection of Marxism-Leninism is rooted in his view of the vanguard party as simply a mechanism for the intelligentsia and bureaucrats to trick the stupid proles into overthrowing the bourgeoisie, rather than as a genuine means of proletarian liberation.

The politics of the Party are entirely idealistic in nature. "Big Brother" dominates through control of ideology and speech. The goal of Ingsoc, the ruling ideology of Oceania, is to make dissent impossible through the thorough alteration of language and the removal of words which could represent ideas that are not in line with Ingsoc, a process called "Newspeak". It is explicitly stated, however, that none of this ideological control is directed towards the proletariat, which is said to make up 85% of Oceania's population. The proles are not expected to learn Newspeak, they are not monitored by the telescreens, because as is stated quite frankly in the book, "the masses never revolt of their own accord, and they never revolt merely because they are oppressed." That this line is given by the villain of the story is unimportant, because the story never refutes it.

While Winston routinely repeats his belief that "hope lies in the proles", he is consistently met with scenes that challenge his faith whenever he winds up interacting with the proletariat. His conversations with proles reveal their total lack of concern with politics or history. He hears a crowd erupt into chaos and briefly hopes it's the proletarian uprising he is waiting for, only to find it's simply a riot over consumer goods. They are more than once compared to animals. While it is said in exposition that intelligent members of the proletariat who might end up fomenting dissent are eliminated, this is never actually depicted. We don't see Winston meeting with a single intelligent and politically conscious prole. The most intelligent prole he meets turns out to be a secret member of the "Thought Police". And so, the concept remains theoretical.

Winston is depicted as an ardent materialist, desperately defending the notion of external reality against deranged idealists who believe that through control of thought, control of reality becomes possible. But the world he lives in is not material. It is fictional, of course, but more than that, the fictional world described operates on idealistic principles even from Winston's own perspective. Winston's worldview is a faith based one, appealing not to any material basis for liberation but purely to emotion. It is love and the spirit of humanity that is the basis of freedom, and material freedom springs forth from it. Anyone who thinks otherwise is merely a trickster trying to control the masses.

Orwell rejected the material basis of history because he rejected the idea of a revolution on a material basis. To him, the revolution must be an ideological one, and the problem lie not in how society and the economy are organized but in the existence of hateful "authoritarian" ideologies governing the world. He believed the material basis was already here, that industry alone was the solution to material inequality, and so we must concern ourselves now only with the idea of equality and freedom, and from an abstract and universal viewpoint to boot. It is intolerable to him that a revolution be fought against an actual enemy in the real world. The problem is not that the capitalists are in control of the means of production, the problem is that the workers are too stupid to disobey them. A real revolutionary class would spontaneously throw off its own shackles through thought alone. It doesn't matter that Orwell was a lackey and a snitch, because in his mind he was freer and smarter than everyone else.

The bravery of Winston Smith was in recognizing the existence of a material reality that lies and propaganda could never destroy even while being tortured into believing such absurd notions as "two plus two equals five". But Orwell was never tortured into any of his incorrect beliefs. His incorrect beliefs stem purely from accepting the official narrative that he was fed and refusing to investigate its veracity for himself. Orwell's writing was used as propaganda against the designated enemy of the UK throughout the Cold War, adapted countless times in the forms of radio plays, TV shows, movies, and comic books. He never made an effort to actually travel to the Soviet Union to find out if what he was told about the country was true. All the other upper middle class "left-wing" intellectuals he hung out with seemed to be just as concerned as he was with the rising tide of "totalitarianism" and the supposed excesses of the Soviet Union, so why shouldn't he agree? He was in this regard no different than the Western "socialists" of the modern day who have no shortage of vitriol towards China or North Korea. Yes, he might performatively rail against chauvinism and nationalism, but only enough to ensure that he wouldn't be seen as a conservative. He still knew in his heart that his country was surely better than those barbarous communists in the East.

Yes Orwell was sexist and homophobic, and despite his best efforts he remained plagued by racist and antisemitic attitudes, but in addition to all that his books promulgated a view of the world entirely in line with British bourgeois values, which is why they were so eagerly used as propaganda by the British government. The Nazis were bad and the Soviets were bad because they were both authoritarian, and the differences between them were negligible and unworthy of mention. The references 1984 makes to the shifting alliances in Oceania, "we are at war with Eurasia" becoming "we are at war with Eastasia" and vice-versa, are most likely allegories for the shifting alliances of Britain at the time, how they viewed the Soviets as an enemy before the war, as an ally during the war, and as an enemy again once the war was over. Orwell viewed himself as above all of this simply because his view of the Soviets never changed at any point throughout this.

[ghouldtime]

I just followed you based solely on an ask you responded to because I very much vibe with a Ghost who walked into a craft store for paint and came out with two new hobbies.

💚💚💚💚💚💚💚 AHH THANK YOU SO MUCH!!

I'm a proud 'Simon "Ghost" Riley is just A Dude ©' Truther

I love seeing that where he is just living a nice domestic life. I usually write spooky AU's or things with the paranormal but he's always just a dude there too, I like keeping him like that!!

To me, I can never look at him flat on and agree with the version of Ghost that people usually write (no shame to those who do, keep doing whatever makes you happy - it's not personal it's just not my taste) where they make him this ultra edgelord dommy sigma guy where he's always somehow towering over EVERYONE, growls every word, and is just???? That version viscerally reminds me of my early wattpad days or those rlly weird thirst trap biketoks

Like, have you LISTENED when this man speaks? Have you heard his jokes? His sense of humor that he doesn't hide??? Give me the dad jokes, give me the terrible puns that would make you give him a significant side eye if you heard them as his shoulders shake with the laughter he's trying to hold back !!!

Soap implied he made his masks and he probably would have to to make sure that hey, this isn't something flammable. I don't think he'd just buy something that personal to him. Which means he would have to sit down and pull out the paint kit, pull out the Dremel, and get to work

THAT MEANS he has to go buy the art supplies. He has to go shop for them and browse the aisles of paint, holding up two of the bottles, determining if he would rather have Eggshell white or Ivory. And I'm convinced that yes, he knows there's a difference and he'll insist on it and NO it's not the same shade

He sews, he has to. He HAD to have made his mask. Sewing is also a super practical skill when you're out on the field and it helps improve dexterity and coordination so I'm going to say it's likely he does. Sewing is super cool y'all.

So I implore you to imagine him in the fabric store, trying not to get distracted by the seasonal prints or the really ornate shimmery fabrics that you can't help but to look at. I refuse to accept that he hasn't sewn pillows in his house just because he liked a certain fabric and wanted to use it

And I'm going to say he's made a god awful holiday themed mask. It's simultaneously the most ugly thing you've ever set eyes upon and the greatest thing ever too. He's committed to the bit

He's also picked up embroidery because, like sewing, it helps improve your dexterity and keeps your hands busy. It's also practical because how else can people steal your things or confuse them if there's a tiny ghost embroidered on the hem????

He's just a guy and I love imagining Ghost with actual domestic hobbies, being himself, living his life (falling into the trap we all do at some point of going into an art store and finding something interesting to do)

Just A Dude© Ghost is my favorite and I'll never let him go

[thelazyhermits]

After reading the first TWST novel and seeing how Yuu/Grim's first meeting with Ace went there, I decided to write a drabble about how that encounter went with my Yuu, which I'll put underneath the cut.

Also, I've gone back and edited An Unlikely Team as well as Grim/Ace's chapters in An Unlikely Friendship, although there was only a minor edit in Grim's chapter as compared to Ace's chapter which got a whole different dialogue added in the final scene thanks to me getting inspired by the novel.

I hope y'all enjoy the new content! 😊💕

He’s definitely up to something.

That was the first thought that crossed your mind upon meeting Ace Trappola, a first-year student who introduced himself after approaching you and Grim while you both were studying the seven statues on Main Street that, for some reason, look exactly like popular Disney villains.

Grim, however, obviously felt differently since, ever since Ace showed up, he’s been amicably chatting with the redhead about the statues, all the while not looking the least bit suspicious of Ace.

Meanwhile, you’ve been working on cleaning the surrounding area, which is the job that had been assigned to both you and that procrastinating monster, because you really don’t want to risk getting in trouble with Crowley for not doing your job since said job is the reason you now have a free place to stay as well as a means to make money for food and everything else you'll need to survive in this strange, foreign world you've somehow found yourself in.

Plus, you had wanted to put some space between you and Ace since you don’t trust him and that fake smile of his, especially since he’s wearing the kind of fake smile that looks so genuine that only someone like you who’s grown up surrounded by adults, who use their professional fake smiles to take advantage of others for a living, would be able to see through his façade.

The whole time you’ve been cleaning, you’ve been surreptitiously scrutinizing Ace, trying to figure out what his hidden agenda is, all while simultaneously listening carefully to all the information he provides about the statues - information that matches well with what you know about the Disney villains they resemble.

Except for the fact that everything Ace says makes these villains sound like actual decent people who are worth revering rather than the scoundrels they were in the movies from your world.

Every time you hear Ace compliment the people the statues are based on, you have to fight the urge to scoff since so much of what he says is just so difficult for you to believe.

I can’t believe these villains’ stories got so twisted that they became people who are seriously revered in this world. You incredulously shake your head. Even worse, the Queen of Hearts’ story is pretty much the same as it was in Alice in Wonderland, meaning these people seriously didn’t mind a crazy queen who decapitates people as a regular form of punishment.

Just what kind of world have you found yourself in?

You wearily massage your temple. Hopefully, all that nonsense is just a part of this world’s history and not its present. Otherwise, I’ll need to steer clear of the part of the world where the Queen of Hearts reigned for the sake of my own well-being, although I can’t see myself leaving this school anytime soon, considering traveling requires money among many other things.

Obviously, I’ll need to do some more research on this subject. You muse. If I’m gonna survive in this crazy world, I need to learn as much about it as I can since knowledge is power.

Plus, you’re genuinely curious about this world’s “Great Seven” and want to see if there are any more commonalities between them and the movie villains from your world whom they so greatly resemble.

“Pretty cool, huh? Not like some piddling weasel.”

You’re abruptly pulled away from your thoughts when Ace’s previously friendly and cheerful voice suddenly becomes noticeably cold and malicious.

While Grim makes a surprised sound, you quickly focus your now narrowed gaze on the redhead. So he’s finally making his move. It’s about time. Now, I’ll finally find out what his deal is since I couldn’t get any clues from his earlier behavior when I was watching him.

“Pfft! Ah ha ha! I can't hold it back anymore!” Ace declares as he starts laughing, hard enough that he doubles over. “It’s too funny! I can’t breathe!”

For several seconds, his loud, wild laughter fills the air, and during this time, you give Ace an unimpressed look while Grim just stares at him with wide eyes, appearing stunned.

Once he eventually manages to compose himself, Ace wipes away the tears of mirth from his eyes. “Come on, you're the ones who turned orientation into a fiasco, right?”

“You two seriously stand out.” Ace sneers as he points at you. “A total normie, the perfect punchline to a disappointing joke. Every eye in the school focused on you last night, and you can’t even use a drop of magic.”

Completely unfazed by his mocking words, you maintain your unimpressed expression, which you can tell bothers him because his face briefly appears annoyed when you don’t give him the kind of reaction that you know he was hoping for.

Since he clearly won’t have any fun with you as his target, Ace quickly moves onto his next one and points at Grim. “And a monster who wasn’t even summoned by the Dark Mirror in the first place but crashed orientation anyway and got beaten to a pulp by my dorm leader.”

Wearing a cold smile, Ace gives both you and Grim a once-over before saying, “You’re perfect for each other.”

“W-What are ya-” Grim briefly stammers before scowling, “Ya don't gotta be a jerk! Comin' at us all of a sudden like this!”

“It’s not all of a sudden, dude.” Ace smirks, “The look on your face when they picked you up and tossed you out was hilarious! It took everything I had not to burst into laughter right in the middle of the ceremony!”

After giving you and the cleaning equipment that’s beside you a particularly withering look, Ace snickers, “So, in the end, neither of you got admitted, and now, you're janitors? SO lame!”

Upon realizing that Ace seriously is only here to taunt you and Grim, the tension in your frame eases as you roll your eyes. Really? That’s it? I was worried he might be someone secretly dangerous since his fake smile is so convincing, like the ones I always saw back in my world, but he’s really just an immature brat. I don’t know if I should be relieved or disappointed.

In direct contrast to you, who has calmed down now that you’ve realized Ace is no threat to you, Grim becomes increasingly more irritated. “Shaddup, you! I’m gonna be a student at this school in no time!”

“Nuh-uh! No way!” Ace shakes his head. “You're so clueless you don't even know who the Great Seven are. Not a one of them! Maybe before you try getting into the academy again, you ought to take a second crack at kindergarten?”

Unable to help yourself, you dryly retort, “Really? YOU’RE the one who’s saying someone should go back to kindergarten - the grade that so obviously suits you way better?”

Caught off guard since you’ve been silent pretty much the whole time he’s been here, Ace, along with Grim, turns to look at you in surprise.

Soon after, Ace’s surprise turns into annoyance. “And what’s THAT supposed to mean?”

You raise an eyebrow. “Isn’t it obvious? Even though you could’ve been doing way more productive things with your time, you instead went out of your way to come taunt us ‘cause you hated how much attention we got thanks to the orientation fiasco, like an immature, jealous brat.”

“Not only that, you’re getting in our way when we have work to do.” You huff before making a shooing gesture. “So can you just leave already? I have way more important things to do than listen to someone whose opinions I don’t give a damn about.”

Once he overcomes his surprise, Grim starts guffawing, “Way to tell him, Henchman! That’ll teach that jealous brat not to mess with the Great Grim! Myahaha!”

“I am NOT jealous!” Ace scowls, “Why the hell would I be jealous of losers like you two who are only still around ‘cause you got lucky enough to get a job cleaning up all of the WAY more important people’s trash?!”

After saying that, Ace angrily stomps over to where you’re standing and jabs a finger at your chest, glaring all the while. “You have a lotta nerve looking down on me when I actually earned my place here fair and square after working my ass off, unlike you who just waltzed right in and did whatever you pleased. A magicless loser like you has no place at this school, so get off your damn high horse already before you get knocked off.”

Completely unfazed by his anger since you’ve gone up against far scarier people in Japan’s underworld, you boredly swat away his finger. “I’m not looking down on you.”

Faster than he can react, you reach out and grab onto Ace’s shoulder with a tight enough grip that makes him cry out in pain.

Using your grip on his shoulder, you push down with enough strength to force the redhead, whom you quickly realize has no real fighting experience, to his knees.

In hopes that he will refrain from bothering you and Grim in the future if you give him a scary enough warning, you fiercely glare down at the shocked boy who’s now kneeling before you. “NOW, I am, and if you don’t want to end up in way worse shape, I highly recommend that you leave me and Grim alone and just focus on your studies like a good little student.”

As expected, upon being on the receiving end of your heated glare, Ace flinches and becomes noticeably paler.

Unfortunately, it would seem Ace Trappola is not as smart as you had originally thought he was since, rather than follow his instincts, which have surely identified you as an opponent he has no hope of ever beating by this point, Ace, whose fear quickly turns into ire, instead immediately shoots back up to his feet and tries to grab you by the collar of your hoodie. “You arrogant bastard! Don’t you dare make fun of me!”

Naturally, you smoothly avoid his hands since he’s nowhere near fast enough to grab hold of an experienced fighter like you.

“Alright, Henchman, you’ve done your part! Now, it’s time for your amazing boss to take over! Myaaaaah!”

Catching you and Ace off guard, Grim, who had been laughing on the sidelines up until this point, decides to get in on the action and proceeds to use his fire magic on Ace who just barely manages to avoid Grim’s fireball attack.

“Whoa!” Ace exclaims before turning to scowl at Grim. “What are you doing?!”

Grim smirks, “Now that my henchman’s had a turn, it’s time for me to dole out some payback ‘cause no one makes fun of Grim, Master of Fire, and gets away with it! I'll make ya regret messin’ with me!”

Ace scoffs, “You wanna throw down with me, shorty? You got some guts.”

Realizing that the two boys look like they seriously intend to fight, you face-palm. This is not what I was hoping to accomplish when I tried to intimidate Ace. If I had known this would happen, I wouldn’t have done anything to him.

Just when you think this situation couldn’t possibly get any more exasperating, several NRC students, who had been on their way to class, start approaching the area where you, Grim, and Ace are, obviously curious about what’s going on between Grim and Ace.

Upon realizing that a fight is about to happen, the crowd of boys starts jeering and cheering, earning themselves an exasperated look from you. Boys…

Deciding it’s better to ignore the crowd for now, you quickly get in between Grim and Ace. “Enough! Grim, you can’t use your magic to fight here! If you cause any property damage, we’ll both get in serious trouble with the Headmage, and I do NOT wanna have to deal with that! And I bet you won’t be happy either when your tuna funds get taken away!”

Much to your annoyance, rather than heed your words, Grim scurries around you, moving fast enough that you can’t catch him. “Relax, Henchman! The only thing gettin’ damaged here is Ace’s ugly mug! Myahaha!”

Right after saying that, Grim launches another fireball at Ace. Unfortunately for the monster, his attack misses its mark just like it did last time, although it’s because of a completely different reason.

Instead of moving to dodge the attack like he did earlier, Ace, after pulling out what looks like a pen with a red gem on it, summons a gust of wind that knocks away Grim’s fireball before it can reach him. 

Ace smirks, “Ha! How do you like that?”

As Grim complains about Ace blowing away his fireballs and the redhead taunts him in return, you just blink. Huh, guess magic can control elements here like it can on TV back in my world. Good to know.

Seconds after that thought crosses your mind, realization suddenly dawns on your now pale features. Wait a minute. Fire and wind together? Oh no…

Realizing that this is a recipe for disaster, you shout, “Both of you, stop! If you keep mixing fire and wind magic together, you’ll-!”

Before you can finish that sentence, Grim, who has chosen to completely ignore you, angrily fires off another fireball at Ace, which the redhead once again blows away with his wind magic.

Unfortunately, unlike last time, the fire doesn’t simply get diverted to an area where it can’t harm anyone. This time, it hits a target.

The worst possible target.

Horrified, you watch as Grim’s attack, which became stronger thanks to Ace's wind magic fanning its flames, just as you had feared would happen, lands a direct hit on the Queen of Hearts’ statue, causing the statue to become completely engulfed in flames. Oh, shit. We are so screwed...

And, of course, you were exactly right.

[eri-pl]

Silm reread 16: Beren, Luthien, and the fourth wall,

through which Pengolodh needs to be punched a little. Or at least frightened.

So… This chapter is a lot.

First we get a remainder that we are in a narrative frame: there are many stories but this one is the best. So I, Pengolodh, will make sure it sounds proper.

Also, why is the Lay of Leithian… I thought "Leithian" was some variant of Luthien, but it's "Release from Bondage". What. Why. I guess it's that one scene where she takes Sauron's island?

Before I proceed: I wanted to say that writing a love story dedicated to your wife and overloading it with meanings is an absolutely valid thing to do. And beautiful.

Yes, this is an opinion I will stick with. No, it doesn't mean that I think everything in B&L is coherent or well-written. Most is, but there are places that stick out.

So we start with Beren. He lives with his fatherr and a band of outlaws and… they worship a (lake? river? translation unclear.) because Melian had hallowed it.

They are so competent that Morgoth tells Sauron (his 2nd in command) to kill them all.

Again we have a character with unprocessed grief (nor surprising, as he doesn't know whether his wife is alive or dead) and it is the entry point for the forces of evil. So, Gorlim. Sauron pulls the Dune-like thing on him. I wonder which was first. Jirt didn't like Dune, but had read it.

Beren sees Gorlim's ghost, in the (hallowed?) water, which is an interesting place for a ghost to appear. good for him I guess?

What is the thing with hands? Beren attacks the orcs and grabs his dead father's hand with the ring of Barahir. Unclear which hand was that. Also, he becomes vegan.

Beren is so competent that he gets a "wanted" poster Morgoth offers a prize for his head. As high as for Fingon. OK, so Morgoth gives money for killing important people? Or at least offers money? We aren't told if he ever actually paid anyone. But the orcs still prefer to run away, so he sends Sauron + a whole army and his werewolves.

How competent can one guy be?

Also, we get an explanation of what werewolves are. Terrible ghosts imprisoned in wolves' bodies and posessing them. This chapter has more on werewolves then the whole rest of the book.

So, Beren has to evacuate through Spider-land. Which he manages to do. (Seriously, how many Fate Points does this guy have?)

Luthien is so beautiful that he falls in love instantly. I would be more comfortable if Tolkien didn't show falling in love as simultanously a) totally uncontroleable result of beauty, and b) impossible to not turn into action. But Beren is a good guy so he is polite, he just admires her and stuff.

Also, she's got the exact same poetic colors of hair and eyes as Elrond, which makes sense. Or, more precisely, Elrond as her.

Fate this, fate that, I get the point but don't like the language.

Beren gets kind of sick, because he has to gain more Fate Points pays for the great destiny he is going to get.

I am not going to repeat that part I complained about already. Let's just say there's a lot of "she/they were the most X of everyone in all times" and this sounds, well, poetic but not factual. (Also, they are "the most happy anyone has ever been". )

Daeron snitches on Luthien (part 1). Thingol is sad and confused and asks questions. Beren says "I found what I didn't seek, but as I found it I will never give it up" and that is a really good line.

Thingol, of all people, complains of having made a hasty oath. :D

Beren would take death before dishonor. Also shows Finrod's ring and Thingol isn't very impressed. (I think this may be used as a counterargument to "Finrod should have written to Thingol" — Beren has already shown the credentials he could get from Finrod. What additional things could Finrod tell Thingol?)

We get a description of the ring of Barahir.

Melian tries to calm het husband down, but he is upset and resentful at Beren. And he says that he desires the Silmaril (does he? Did he desire it before he said that? Unclear)

At least Thingol says that with the Silmaril he will give Luthien to Beren if she will want to, which is very proper of him. Also he mentions the "fate of Ards is tied to the Silmarils" thing. Everyone realizes that he just wants Beren dead (so I guess it is a fact?)

Beren is very chill. He says "bye" to Luthien, bows. And then he moves the guards and just walks away ignoring them which is an awesome way of leaving.

Melian is worried, Thingol says that Beren will not return, and if he (thingol) believed that there is any chance of success for him, he would kill Beren, promise or not.

We have a lot of "Lay of Laithian says" so I guess this is suposed to be a later edition... I should do a reread (well, first read tbh) on the Lay one day. But it's hard to read with focus.

Beren goes to Nargothrond, and (so that the guards don't shoot him) yells often that he is Barahir's son. Which must have looked quite funny.

Also, Turgon isn't the only one with "shoot the intruders" policy, but Finrod's one seems less strict.

Finrod talks with Beren behind closed doors (I think it's because C&C. Finrod isn't naive, he's just… idk. Anyway this is a smart move.) Also he is surprised and sad and heavy-hearted because he realizes he's going to have to die. At leats he doesn't try to weasel out of his fate.

Also, Finrod says a lot of interesting / strange things:

the Oath is on again. So, we are in the "oath is an active thing" situation. Probably.

there is a "curse of hatered" on the Silmarils. (Huh??? Who cursed them? I don't remember Fefe cursing the jewels, he cursed many other things…)

who speaks their name with greed, awakens poweerful forces (WHAT? So… Thingol is greedy about the jewel? And it triggers the Oath? Or what? that's… a whole new conceptual area to explore)

the Feanorians would rather destroy all lands then let anyone else have a Silmaril (I'm not sure how true this is but him saying this tells us something about C&C)

the Oath "rules over the princes of Noldor" (What. Finrod, my guy, you are a Noldorin prince too. Also, what. What about their free will?)

C&C are a problem but Finrod won't break his word to Barahir, so we all are deep in trouble

Finrod makes a speech, expects support from his people. It's not said what kind of support. He doesn't say he is going to attack Angband directly.

Celegorm takes out his sword and quotes the Oath. That's pretty metal, but also definitely not good. Curufin is apparently more polite now (iirc he was brash some chapters earlier, I guess he learned. Or it was Celegorm too?). Citizens of Nargothrond are scared of war, they get sneaky, start using poison and generally turn Nor Great from this time on. Huh.

The Doom of Mandos awakes in C&C's hearts and gives them evil thoughts. This is a very close paraphrase. Excuse me, what? Pengolodh, what have you been drinking? something made by Namo (or one of his Maiar, which I find more likely, but anyway) makes them think evil things? Go home and check your phrasing, seriously. This sounds so off. Unless it's the translation again?

Finrod appeals to pity and gets ten guys to follow him. I agree that this speech of him doesn't sound great and … I think he just feels sad and abandoned and does some emotional blackmailing here. and Finrod is awesome but not so awesome to never do anything wrong. It's not terrible, but, yes, I think he would be better without it.

[Which implies that if it was just him and Beren, Sauron would not try to kill Beren earlier. Which… makes some sense. When you have 12 prisoners, killing one as an example isn't a lot. when you have just two, you need to use subtler means of persuasion. (sorry for a bit of Sauron PoV ;) )]

Still, Edrahil is pretty cool here. I like him. Yes, those two opinions can coexist and it is an important point.

The song duel. Finrod picks "Of secrets kept," as his starting line, which makes sense in the context (keeping their disguise) but also, considering what kind of secret had Finrod been keeping (mostly from Thingol, who is btw associated with this quest) for many, many years, I would say it does have a weak point.

So it leads to "In Valinor, the red blood flowing" and we're out.

Luthien feels that things are bad and asks mom and mom tells her that Beren is captured by Sauron. Which she knows. Because she's a Maia, probably? But still, to see into Sauron's dungeons is quite an achievement. Maybe fate was a factor too.

Huan! The dog that is under the Doom of the Noldor! It seems as if this was the reason he later dies at all, that without the Doom thing Huan would be immortal. What even is he. [A lesser Maia. I don't care it's no longer canon, it makes the most sense.]

Also, he never sleeps, his sight and smell can't be deceived and he is invulnerable to magic.

C&C capture Luthien and we have their reasoning explained. So, C&C's logic as told by the narrative:

Finrod and Beren are as good as dead now

so let's let Finrod die

also let's force Thingol to let Tyelko marry Luthien

we will be the most powerful princes of the Noldor

the Silmarils, yea, so let's wait. first we will rule all the Elven kingdoms and then we can work on reclaiming the Silmarils.

No, it doesn't mean that someone else may take them!

Yes, it is explicitely about political power. (But also, Luthien pretty and Celegorm is into her.)

Also, Huan (like Celegorm) understands all creatures.

Finrod dies. Pengolodh edits it heavily. Seriously, I hereby accept this fic as my canon for what finrod said, because the book is lying. Oh wait, no. It is the translation. In the Polish version Finrod literally says "it will be many ages before the Noldor see me" and he says it without "probably" or anything, he says it like a foresight. And we know it is not true, because he got reembodied very quickly.

The original is not that bad. Anyway, it is lacking. It reads like something Celegorm would say in the situation (no offense to Celegorm who had actually been in this situation in early drafts).

[HC time: I imagine Pengolodh as very much the kind of guy to get offended by and cut out anything that looks too strange and … I don't know how to call it. Difficult? He's not terrible, but very insecure after returning from the Exile. He really doesn't want to offend the Valar again and isn't taking the best approach to it.]

And, speaking of Pengolodh and his additions, "so died Finrod, the most beloved descendant of Finwe". Beloved by whom? Certainly not by Finwe. Maybe by the people, but it does depend on which people exactly. Most beloved on the average? Most beloved by Pengolodh?

Pengolodh, my guy, I actually agree with you that Finrod is the loveliest Finwean, but please, could you refrain from using "loved / beloved" and comparisions?

Anyway, song-rescue. This is something even Pengolodh can't mess up describing. Also, Valacirca (Sickle of the Valar, that is: the Big Dipper) mentioned, and … it's a sign of Morgoth's fall? I thought this one was a threat to him. (Yes, let me remind you: there is not one, but two different seven(ish)-star constellations that Varda put in the sky specifically as a threat to Melkor. Also, of all the weapons, a sickle.)

Sauron seems to have a thing with "standing on a high place and smiling/laughing just before he gets wrecked". (Later he does it as Numenor is falling). I hereby HC that just before he noticed the Ring being in the Crack of doom, he also stood high atop his tower and laughted (because Aragorn's army was losing).

I'm tired. I'll cut B&L reread into two parts.

[raineyraven]

just watched vide noir (2022) and i have to say the tragedy of a man whose love leaves him because he wasn't what she needed him to be, who through his journey to find her again became the man she wanted him to be so that he could get to her, only to reach her and find that it's too late to get her back, who grew and changed in his quest for someone who was always going to be out of his reach and he didn't know it until he'd undergone that change?? that shit fucks oh my god.

[tiptoethewordsgo]

hello gravity falls tumblr, someone write a fanfic where the pines family have to break bill out of rehab to help defeat a greater evil and my life is yours

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[emaiiyaru]

dusts off ask box

it was just genshin chars in wonderland roles, there isn't really any lore to it outside of the disney movie that i was following

i don't really follow kpop groups but i do like Twice and BTS songs

i can't believe we're getting three generations of women into genshin impact

it's pretty cool that you can share your interests with your family honestly

thanks i really don't draw them as much as i'd like to

i was more worried about my proportions back then but i'm glad to hear that my old art is still holding up

thank you, i've really been beating myself up lately

what the heck!! that's insane.. genuinely thank you for supporting me for so long

[brzatto]

there’s so little discussion of carmy’s anger. everyone knows about richie’s temper and i like to think of carmy as a sad wet kicked puppy as much as the next person but he has so much deeply embedded rage and a real genuine capability of being mean. he rapidly built a successful career for himself in one of the most cutthroat and competitive industries purely out of spite, he resorts to yelling and takes it out on people when he loses his temper, he’s condescending to and dismissive of sydney on multiple occasions, he destroys marcus’ donut in frustration, his ego is bruised when sydney gets a good review for her risotto from an established critic which makes him resentful and he ends up blowing up at her for it. there’s a lot more to him than just being sad and anxious and defeated; he’s also capable of being bitter and angry and ambitious and self absorbed and unfair. there’s a lot of sympathy and romanticization of his character out there and i’m guilty of both at times as well but i feel like a lot of fanon interps out there are doing his character a disservice by choosing not to encompass all of his flaws because it’s really what makes him so unique and compelling and tragic as a character

[spittingspite]

It's always "character who will do anything to protect their loved one, even commit horrific acts of violence, learn kindness and mercy at the request of their loved one" and never "merciful character who hates violence and fighting makes an exception because they love someone so much they will disregard their own morals and values to commit horrific acts of violence if that's what it takes to keep their loved one safe"

[timbourinedrake]

Finally posting the Talia focused animatic I have been working on, because I don't know when I'll get time to finish it and I like it too much to let it rot in my folder.

This is based on the events of Batman: Son of the Demon and the song is Wife by Mitski

I have a whole lot of thoughts on how this song reflects Talia's treatment as a character both within comics and outside of them, and how she is always treated as the mother/daughter/love interest rather than an individual in her own right. These roles are important to her but she is also more than them, she is her own person. I think it's super interesting to look at how Talia would wrestle with balancing these roles whilst also not letting them be her own defining trait.

[wasabikitcat]

community college is so funny because half of the teachers are like "For this class you need to use lockdown browser for all quizzes and tests. You need to buy this 70 dollar textbook, and all papers turned in must be in APA format with a title page even if they're only 500 words long. I will not accept late assignments. Also you have a minimum of 4 assignments a week." and the other half are like "you don't need proctoring for the final exam I trust you. here's a download link to a pirated copy of the textbook. as long as your writing is coherent and demonstrates an understanding of the material I literally could not care less what format you use. I can't figure out how canvas works so I'm not giving you due dates, just make sure it's turned in before the grading period ends. your only weekly assignment is a forum post with a minimum of 100 words."

[karouvas]

Genuinely a random guy .. or even like Hanna’s fiancé in the time jump.. could be eating Hanna out in front of Caleb and it would not elicit the reaction Mona standing fully clothed in Hanna’s kitchen gets from him… her power <3.

[nejackdaw]

Thinking about Celann and his ever present grief at the life he could have had, he and his wife and (he always hoped) their daughter. A life where he was a father--he'd hardly ever wanted anything more than that. So full of love he was ready to burst and needed somewhere to put it, wanted a life with his favorite girls.

Thinking about how the ever present desire haunts him no matter how deep he buried it. It keeps coming back, relentlessly, this anguish that he threw it all away. He could have had exactly what he wanted and he was stupid enough to abandon it all, and for what? Because he was upset? But then he always remembers how hollow he felt after the incident, like if you rapped him with a knuckle you'd hear he was just a shell. He forgives himself, then, remembers how wrong everything felt, and he thinks about all the time he spent desperately trying to make everything feel right again.

Remembers when he realized he was the problem, what needed to be fixed. Removed.

He abandoned the life he had and every dream he'd ever held close because he wasn't him anymore. Celann would never have killed anyone, would never have done... that. He was some other Celann, different, trying to make himself fit in the life of a man that no longer existed. And so he left.

And he has no right to ache so badly at the thought of what he gave up, no right to ache at the loss of a family (of two families, but he starts thinking that and breaks every time, so he's gotten good at simply skipping over the thought) when he was a killer--an adept one, a practiced one--that could mangle and maul and kill and do it again and again. What right does he have to still want that happy little dream?

But the dream is a ghost and it haunts him, is there every time he's out on a supply run and sees kids playing around the marketplace, sees women cradling infants and fathers carrying sons on their shoulders. (He reminds himself of the blood on his hands, is scared he might stain them with it if he reaches out to touch them.) It's there when he has a bag and his axe hanging from his hips and finds a girl crying for her mother, lost and separated, jostled by the crowd.

It's there as he calms her, kneeling on wet and gritty stone, hovering between her and the flow of the crowd so they give her space. He lifts her and holds her against his side with one arm and something in him weeps, feels something soft in him as her tiny weight settles and she starts chattering at him about the groceries she and her mother came to buy.

They weave their way through the marketplace as they help each other--she tells him where he can find what he needs, and he silently curses the nords and their height as he tries to peer over shoulders to catch a glimpse of the woman she described--and that cold weight that's usually settled in his chest, his grief and remorse, lightens with every step. She's warm through his sweater and splutters indignantly every time the ever changing wind blows her brown hair into her mouth and he laughs, quiet and warm.

They check places she's already been, in case her mother doubled back looking for her, and take detours so Celann can fumble to place newly acquired groceries in the bag beneath her, unwilling to hold her over the side with his axe and equally unwilling to put her down, awkwardly shifting her weight as she laughs at him. He's silly for buying such expensive things, she tells him, and he light heartedly tells her Skyrim is silly for not having the things he used to use in High Rock. The revelation he hasn't always lived in Skyrim excites her to no end, and the rest of the trip is a Q&A of the sort only a small child can provide.

He feels warm inside, in his chest, where usually he feels vaguely cold at best, and for a moment he's reluctant to relinquish her when they finally find her mother, guided by the sounds of panicked calls of her name. There's a fond sadness as he sets her down on the stones again, and the woman looks at him oddly for a moment before the look turns knowing, though he's sure the conclusion she reached is slightly off.

She quietly asks if her daughter reminds him of her. He stands there silently for a moment, looking down at the little girl as she rifles through the things her mother's found.

He tells her yes.

[simmonsized]

respectfully asking for those hs2 opinions if u do wanna share !

My opinion of Homestuck^2 is that it is, at the end of the day, glorified fanfiction, and I'm so serious about it. Like, is it impressive that a group of people care so much about Homestuck that they're trying to work within the bounds of the epilogues and the limitations that that world set for them? Yes.

But is it also a group of people who are fans of a work that started in 2009 and has arguably transformed a lot of fandom and internet culture in ways non-homestucks do not recognize, and thus as homestuck fans are also going to bring their own personal shades of experience with years of interaction within the fandom, especially depending on what years they were most active in the fandom? Yes.

Like I won't call it bias but. Yes, yes I will let lol. Fans of a thing are going to bring unconscious bias to a work even if they are invited to work on this by the creator directly or just with the creator's blessing itself.

I think roach said this many years ago but there's no "fixing" Homestuck, and there's no fixing the world created by the epilogues, either.

I admire the endeavor to work within the bounds of a work of fiction not inherently your own.

But tbh, it's still going to be an MSPA fan adventure. Homestuck^2 was always going to be a MSPAFA.

There's nothing wrong with that, but it's just like. The concept of considering it canon at all would be laughable, which is why I respect the decision to call it "Beyond Canon."

Because all fan works, in all their ways, are historically love letters to the original work that exist "beyond" the canon of the story, and I think that's what makes them good. I think that arguing against Homestuck 2 being a fanwork is an insult to the years of effort other fans have put into Homestuck -- the way it is viewed as a whole (good and bad), the ships that are popular and reviled, the popular tropes and headcanons.

And over the years the original Homestuck was influenced so by these things, too, and it shows, and I'm more watsonian than doylist, which is apparent to all who know me (my favorite character has no speaking lines and no canon personality and yet also somehow went from being one of the most popular to least popular characters in the past ten years), which is why I say again, that I don't think there's any shame in calling Homestuck 2 a fan adventure, and pushing back against that is, to me, an insult, especially after being here for 13 years.

Anyway all that to say, the concept of Homestuck^2 is interesting, but doesn't feel like required reading, least of all to me, haha.

[kayniscanem]

Being a psychology major means I can write about James and his "punishment dream." Freud, you often leave me feeling conflicted and agitated, but that doesn't negate your good theories, damn it