#because like … everyone else who loves the other queer ships in the show

[bougiebutchbitch]

I'm not in the ofmd fandom but I am intrigued by the drama. spill the tea?

OH GOD OKAY

Where do I begin lksdlgkfds

Okay so

There’s this nasty little gremlin-man in ofmd called Izzy Hands. He’s a sour, mean, skrunkly, disabled little cunt who is a firm believer in Respect and Discipline (in a very queer subby way).

This is to say: he is. Explicitly. Queer. He does drag on the show, and has a whole coming-out scene. He is a kinky masochist. He confesses his love for another man, and basically ruins his own life & everyone else's, because he is sooooo pathetically jealous about this man (his captain!) falling for some milquetoast loser white rich guy, when Izzy, a badass leather-wearing working-class sword-swinging swashbuckler, is right there making puppy-eyes at him.

He's wrong! He's horrid! He's a bastard, pickled in piss and vinegar! He's five-foot-nothing of spite and gay self-loathing! He's very fun to watch, and very, very queer.

People still insist that he’s straight. And racist. Despite there being 0 textural evidence to support this, and the creators of the show repeatedly saying that this is absolutely not what they wrote.

Why do people hate him so much? Simple! Because he ‘got in the way’ of the main ship.

Yup. It’s basically ‘bash the girl who gets in the way of our m/m otp’ only the girl is a grizzled 50-something year old pirate.

The main ship, btw, is between Ed Teach, an awesome complex flawed hopeful beautiful character of colour; and Stede Bonnet, another awesome complex flawed character. Who is a white guy. And who happens to be a rich plantation owner from the 1700s. Based on A LITERAL SLAVE OWNER. Who is explicitly shown to be a Problematic White Guy with fucked-up racist views.

Like. He’s not a perfect guy. The show makes this very, very clear - to the point where Stede pushes Ed into sex super-fast immediately after Ed says he wants to go slow, and this makes Ed run away and freak out.

But somehow, Certain Fans still insist that Izzy is to blame because :checks notes: he makes one cheeky, friendly joke about them finally getting together that is clearly given & received in good spirits.

Yeah.

There's a lot of this cognitive dissonance going on. And it's very, very wilful.

Basically: a certain subset of people who ship Ed and Stede refuse to exercise the slightest bit of critical thought of Stede’s views and actions (which are a representation of the white landed gentry!) but insist on maliciously twisting literally everything Izzy says or does to cast him as The Ultimate Villain. Whereas anyone watching the show can tell that he starts off as an antagonist-with-a-deeply-hidden-heart-of-gold, whose entire arc is about growth and redemption.

I think 99% of this is projection. Stede and Ed are not perfect by any means, but these people are so dead-set on shipping a Cute Fluffy Romance (when that. Really isn’t what the show gave us) that they have to create a villain out of Izzy and blame all of Stede and Ed’s fucked-up choices and actions on him, in the most contrived ways. Which has the added bonus of them deciding that Izzy, a white guy, is somehow responsible for literally ALL of Ed’s genuinely awful, abusive, and interesting choices in S2, where he went on his villain arc. Even though Izzy was the main victim of this villain arc. Rather than, y’know, giving Ed the agency to make his own damn decisions and acknowledging that he is a flawed and fascinating character who Hurts People but still deserves a happy ending, like literally every other main character on ofmd. Nope. Gotta infantalise that man of colour and pretend he has no control over his own life and his morality is goverened by the white men around him!

Then, they get to portray Stede as his white saviourTM who swoops in and saves Ed from ‘his own darkness’ with the power of love. 😊 because that’s not Problematique in the slightest 😊

It’s… fucked up, to put it plainly. But honestly, as much as there is a problem with their dogged insistence that Izzy is the root of all iniquity on the show, and that Ed and Stede are pure perfect angels who never did any wrong... what was worse was the relentless harassment enacted by that side of the fandom against anyone who dared show a liking for Izzy’s character. Like, it’s not the worst fandom out there by any means, but it really did make the fandom feel hostile to anyone who didn’t ship the main ship.

SO - yeah. That's the tea! OFMD was a fun show with lots of cool flawed characters. But the fandom was a cesspit, fuelled mostly by a Certain Group Of Fans' desperation to make their ship Perfect and Morally Pure - which resulted in them throwing an interesting, well-rounded, morally grey queer disabled character under the bus, and harrassing anyone who enjoyed him.

[buddie911abc]

Here I go again.

Buck asks Eddie if his son is the real reason he doesn't date. Eddie responds with, "That and, they weren't my type."

This has been a flag for everyone who reads the subtext, but let's take a moment to look at the last GIF.

Eddie says they weren't his type. Buck turns around to look at them and probably assesses what makes them, 'not' Eddie's type because the girls were all subjectively pretty. There were also a variety of types of women there.

But look closely at the GIF. Eddie said they weren't his type. While Buck is glancing back, Eddie gives Buck a quick look that really screams, "You are it. You are the type." When I noticed this from the GIF edit, I thought it might be the creator slowing it down, but nope. If I look at the episode, it is the same or nearly the same. This is early season two, and I have always thought, in the early episodes, there was no intent to pair Eddie with Buck as anything but a friend. However, this scene makes me wonder at what point Tim M or whoever was writing changed their minds about adding in a subtextual narrative.

I find it very difficult to see this scene as a heteronormative exchange. In fact, it even feels like Eddie is pushing back a little to test where Buck stands. Buck as a character who lacks self-awareness gives a mixed signal answer. (which tracks with his character at this point and matches his coming-out arc.) **edited to clarify** Buck's mixed signal response to Eddie saying they aren't my type is, "Not mine either, at least not anymore."**

A few seconds later, Buck says Eddie has a weak excuse. My lovely and wonderfully sassy Eddie says, "You live in your invisible girlfriend's house, and you're telling me about weak excuses." He essentially points at Buck's closet door, but of course, this is something that Buck couldn't see or pick up on at the time. These moments are small in the grand scheme of the show as a whole so I'm afraid it will be forgotten. It would be nice to have some sort of throwback acknowledgment that this scene hasn't been retconned.

To backtrack a little bit here, I would also like to point out something else about the early timing or the writing of these characters as potentially queer. They are outside. (True I don't understand the ins and outs of filmmaking so there may very well be a reason for this.) But the shot itself is making them walk close together. Not just close, their shoulders are literally bumping against each other, hitting and knocking at each other in a way that might appear "unintentionally" intimate--until you remember they are outside. It seems to me like there are dozens of ways to shoot this thing that don't require them to be so casually physical with each other. For the scene to be shot like this and then consider the canon conversation that took place, it feels quite intentional that the writers wanted viewers to look closely for something else.

Whenever certain people call Buddie shippers delusional, I think about this. Subtextual language aside, the scenes are shot in such a way as to plant the idea of "More." There is attraction here. There is flirting.

Someone, somewhere wanted to tell this story from the start; and I'm not mad about it. I'm 100% here for it, and I'm ready for it to go down as the most epic love story I've ever watched or read about, but I also admit that I want it to be canon, not so I can throw it in anyone's face that their ship is wrong, but so I can prove I'm not some weirdo putting two hot guys together. I'm seeing a real romance being built. I want that validation as much as I want everyone under the LGBTQ umbrella to see representation for themselves on screen.

If you want to see the scene, go to about 3:05.

[pareiwheeler]

i’m gonna rate pjo ships because i’m bored and my opinion is Correct

percabeth - 11/10, i actually love them so much i don’t think there is a single ship i love more than them.

grover/juniper - 7/10, they’re cute, i just feel like there’s no depth there. also wasn’t grover willing to cheat on her with that daughter of iris?!?! correct me if im wrong but …🤨

jiper - 2/10, actual snoozefest like i’m sorry but it’s just copy and paste percabeth without everything that makes percabeth good. also they’re both queer and were forced into the relationship by hera/juno

valgrace - 10/10, I LOVE THEM. the tragedy the trope i just. ugh i love them

caleo - -890/10, hate it.

jercy - 9/10, they’re silly, also love a good enemies to lovers trope. at the VERY LEAST they both had a lil crush on each other

percico - 1/10, it rubs me in all the wrong ways, especially with the age gap and the nature of their relationship. i can’t see them as anything but friends who occasionally run into each other and have awkward catch-ups. obviously love the unrequited crush but the relationship is . Different

solangelo - 9/10, used to hate them but then i read s&ts and cut them some slack. just wish will was an actual character instead of just “nico’s boyfriend :3”

jeyna - 8/10 SO much potential but i still feel like it would kind of be basic. also reyna kind of throwing away the idea of being with jason when percy showed up was odd

pipabeth - 10/10, silly silly silly. i love them. also love the idea of a little polycule with percabeth and pipabeth and jercy. i’ll shut up now

valdangelo - 10/10, almost feels like what rick wanted solangelo to be. like sunshine character with a tragic past x dark character with a tragic past in its prime. they’re also hilarious

frazel - i DESPISE the age gap. i wish rick would have just made her 16 like everyone else because 13 x 16 is such a huge gap in emotional maturity. she’s a kid dawg 😭🙏 OTHER than that they’re cute, but i really hate the gap

valzhang - 7/10, honestly can’t see frank being into leo LIKE that but it’s a fun ship, they’re honestly so silly especially in mark of athena. they hate each other (besties (boyfriends))

jasico - 10/10, Oh the tragedy i can’t take this. like if it wasn’t tragic i wouldn’t like it if that makes sense. but the image of nico needing to be held back from shadows so he won’t freak out and avenge jason himself Ohhhh yeah that hits hard

perleo - 5/10, eh, they’re just friends to me. BEST friends, but that’s it

ruegard - 10/10, the patrochilles parallel will ALWAYS GET ME. they better kiss in the show

[izzyhandslightofmylife]

Official statement on why Izzy's death affected me so much

Our Flag Means Death, is, at it’s core, is a show that focuses on queer joy- a form of therapy for those that have been raised on queerbaiting, shipping minor side characters, or watching, when nothing else is available, queer tragedies. You know how it goes- the two main characters, both male, have chemistry. They say things to each other that seem weirdly like declarations of love. They look at each other with love in their eyes. You see these things and the main man gets married off to a badly written, unfinished female character and is left feeling empty. The best friend dies for the main character to live. When everyone talks about how cute the main couple are, you want to scream all of a sudden, because nobody can see this love story play out except you. It’s queer, it’s tragic, and nobody else can understand it. 

Not Our Flag Means Death. From the moment it aired, it was praised as a show with unabashed queer joy, which means more than I can possibly say. The two main male characters meet, they have chemistry, and they fall in love. It’s not implied, or hinted at, but blatantly obvious. Their romances and the queer romances around them attracted so many queer fans who felt that after so many years, this type of show was a vindication for what they had been through with other media. 

In this show, piracy itself was that of a found family. Though Stede Bonnet and the crew of the Revenge start off with many differences, the core of the show centers around a theme that many queer audiences are attracted to: found family. The Revenge was depicted as a safe space, where everyone could express themselves freely, a refuge from a world of judgment. Queerness was not only accepted but normalized on The Revenge. No homophobia, no coming out, no typical complications of queer romance. Just love and safety. Warmth, which was Ed Teach wished for in purgatory. Which was what he found on the Revenge. The ship was a safe space that so many queer audiences had dreamed of. 

Well, a safe space except for one person: Izzy Hands, Blackbeard’s First Mate, who was a man painfully stuck in the wrong genre. This is the general consensus by both fans and the cast: Izzy, Edward and their crew had been in a gritty action movie, whereas Stede and his crew were in a muppet movie of sorts. While the majority of Blackbeard’s crew quickly acclimates to and celebrates the change, Izzy doesn’t. 

And right away, many fans felt a deep attraction to Izzy. The reason that Izzy couldn’t get Edward to love him was because, in the end, the only way that Izzy knew how to love was through blood. To give and receive pain in an action movie is one of the greatest forms of love, but Izzy fails to realize that Ed is not in an action movie anymore. He is happy with this stability, and the reason that so many people felt Izzy’s presence so was strongly was that he wasn’t. 

So many queer people are, in a way, addicted to tragedy. Tragedy is all that is represented in queer media for the most part, or was until very recently. Take Achilles and Patroclus, one of the most celebrated and recognized queer love stories of both ancient and modern times. Why that one? There are other greek love stories, many of them queer. The tragedy of it- Patroclus’ death and Achilles’ rage- made it all the more appealing. Many in the audience of Our Flag Means Death were not comedy fans, they were horror or drama fans, attracted to a comedy because of the love story. But Izzy, to them, was a physical representation of who they were, carrying an awareness of homophobia, of blood and pain that so many queer relationships had previously been illustrated by (i.e. Hannibal). Though Ed may not have understand this type of affection, the audience did- Izzy’s Otherness from the crew despite it’s safety, his expressions of love and his unrequited love story were all things that the audience were familiar with feeling. 

If Ed and Stede were good queer representation, Ed and Izzy, for example, were a foil of that. They were evil, messed up, and fed into the worst parts of each other because it brought them closer. This is a theme present in a lot of queer media, and by extension, queer lives: “if you love me, Henry, you don’t love me in a way I understand”, is an excerpt classic queer poem about unrequited love that fits the situation. The very reason Izzy stuck in people’s heads because he was of a different genre. His grittiness and bitterness made sense to the audience. They saw Izzy and saw what was familiar. He was exquisitely written, simultaneously making even casual audiences both hate him, and against all odds, find him oddly endearing. The idea of this man sacrificing every inch of himself for an unrequited love was a concept of tragedy, leaking into a comedic show. 

So fans projected onto Izzy. He was a catalyst for the heartache, for the audience’s sheer inability to have a happy show. For one reason or another, some of the audience simply couldn’t live with a show that was all fantastical, which I theorize is because they couldn’t see themselves in it. So Izzy became the epitome of queer suffering: pining longingly after another man that couldn’t understand him. This projection of suffering, however, led to a new wish: happiness for Izzy. If Izzy in Season 1 was a tragedy, assimilating him into the found family in Season 2 would have elevated the safe sense of the ship all the more. It would have proved to so many of these Izzy Fans that yes, even though you view yourself as unloveable, even though you see yourself as Israel Hands, Villain, even he can be loved too. Why can’t you be? 

And Season 2, for the most part, delivered beyond our wildest dreams. Izzy had people who cared about him. And though the genre shifted into the darker, Izzy himself shifted slightly to the comedic side as well. His life, which had been centered for so long around a man that didn’t reciprocate his feelings, was gone. He started a new life, and this life, again, focused on queer joy. The queer joy from Season 1 was suddenly for everyone, even those like Izzy that couldn’t have understood it. He sang, he whittled, he talked about feelings, he dressed in drag. Many elder queer fans also saw Izzy as another metaphor, too: that queer joy can be attained overtime. You don’t have to have had it the whole time, but you can accept yourself even when you are older. The message of Izzy was one of resilience and stubbornness, one that the queer community needed to hear: that you don’t have to be like this, you don’t have to create pain for yourself. You don’t need to watch tragedies all the time. You, too, can heal from the past.

And then, the season finale happened. By this point, many argued that Izzy had stolen the show. Con O’Neil’s acting mixed with his general arc of self acceptance had made him a fan favorite. In the last episode, it is Izzy himself who sums it up perfectly, accepting that he belongs somewhere despite his pain and flaws. Despite the darkness within him, he was still accepted and loved. He says it right to the face of Prince Ricky, who thinks himself above it all. That piracy, a metaphor for otherness, wasn’t actually about being alone; it was about finding others that understood you when nobody else could. 

Listen, this show is known for it’s nonsensicality. In the finale of Season 1, Lucius is thrown overboard by Ed and survives by simply swimming to another ship. Stede reunites with his crew by sailing a rowboat. Buttons turns into a seagull. Stede stabs Ed for a comedic bit. Earlier in the season, Izzy himself gets shot and survives. This queer joy show was celebrated for being, well, joyful. Even when things like getting thrown overboard did happen, they were, ultimately, a blip in the character’s journey towards acceptance, healing, etc, which was what made the show unique. Our Flag Means Death, whose audience had been living for years off of the “Bury your gays” trope, was adored because it illustrated a world where things didn’t have to be that way. A place where the impossible, such as Izzy Hands being loved, could happen. This show was one of survival. 

But not for the one person that was seen to struggle with this concept the most. Not for the one person that was a metaphor for belonging in this place, who became, over the course of a season, the embodiment of the message itself. Not for the Unicorn, the very symbol of this magical, nonsensical ship. Not for the most stubborn, most indestructible, most enduring (queer) person in the show. Not for Izzy Hands. 

This trope, honestly, was one that many have seen before, both in mainstream and queer media. A character, previously shown to be a villain or else to have gone through a lot of pain, is shown to heal, to get better, and then to die in order to “complete their arc”. This trope is common: Loki, Cas. even Ted Lasso, who doesn’t die but goes back to the very place that broke him in the first place. But the reason that Izzy’s death, while it might have been expected in another show, felt like a betrayal in this one is because it was known for subverting those tropes. From the “Bury Your Gays” to the “Up For Interpretation”, it was known to look those tropes in the eyes and say “fuck you, these people deserve to be happy”. And this did happen! Except for the one character who’s healing journey was one of the most relatable, at least to queer audiences. 

What also made it so jarring was that all the other characters got to be happy, except for the one that had struggled with the idea of happiness the most. In the scene immediately after Izzy is buried, Lucius and Pete get married. In the scene after, a montage of queer joy and found family is shown amongst the whole crew. In the final scene, Ed and Stede, our main queer couple, are shown healing themselves and starting a new life together. The last shot, however, showed Izzy’s grave, visited by Buttons the seagull while Ed and Stede had dinner. A tragedy in it’s finest. It wouldn’t have been difficult for Izzy to live. Because, in the end, his death meant nothing. His healing meant nothing. He died and was moved on from in a matter of seconds. He was, as I mentioned, the catalyst for tragedy, more specifically, queer tragedy. But because of this, of his genre, Izzy didn’t get to live. He had to die in order for the rest of the characters to keep living in this fantasy world. This death was, in a way, a preservation of these other love stories.

I maintain, however, that it would have meant more if Izzy had lived. If he had been  able to show to us that yes, despite what you have been through, despite what you may have inflicted upon yourself, you can switch genres. It’s possible. Izzy’s survival up until that point had been a profound testament to many that it is possible to heal, that queerness does not have to mean sadness. It would have continued to be a testament to that if only Izzy had lived. And so, this pirate that we latched onto, not in spite of his darkness but because of it, was buried on land on the side of the road. 

As a side note, many previous incidences in the story point to the idea even though Ed and Stede will definitely stay together, it’s uncertain if the inn would have worked out. It’s likely that, being a whim, those two might have chosen to move, or go back to the sea, or sail to China. If this is true, they would have left Izzy’s grave by itself, like a family pet buried in the yard. If this is true, Izzy Hands, a metaphor for belonging, would rot alone. 

Long live the tragedy addicts. Long live the Richard Siken poems. Long live Izzy Hands. 

*When I talk about the "fandom" I am referring to the canyon.

[m3r1m4r5u333]

I've seen people complaining that the people who keep insisting on buddie over bucktommy are failing to appreciate the show's bi representation...

...failing to appreciate what matters - Buck's happiness, one he's finally found by entering a queer relationship...

That buddie shippers are failing to appreciate the canonically queer characters of the show... (Uh..? As it Buck didn't just live 6+ seasons in the closet? He did not materialize out of thin air. No reason why Eddie can't follow.)

And so on. Failing to appreciate.

...We aren't.

Let me tell you why insisting on shipping buddie isn't invalidating anything.

"I'm free." Remember that line? Let me tell you what it means to me, a bisexual.

That line isn't about ...

"Yay, I'm free, my struggles are over - finally I've realized what I need to be happy - a man!"

Nope. He's free because now he's realized his identity, fully. And is ready to start exploring that, and get out of the stale, narrow closet. It's exciting, freeing!

However.

This new area he has discovered does not erase the pre-existing parts of his identity.

He isn't gay.

The relationships with women were never lies, they were genuine relationships. He definitely fell for his girlfriends, for Abby the hardest. The relationships with women failed for many reasons - none of them being Buck's sexuality.

My point is this. We bisexuals are more than just our sexuality. We are human beings, with personalities.

What matters isn't what gender Buck dates.

It's whom he dates.

And that's why we ship Buddie. Why we keep shipping buddie.

Because Buck and Eddie click. They spark. Their relationship has substance, complex history. They know each other. They have each other's backs. They're a great match.

Tommy? He is pretty and fun, probably good for Buck's growth but...

Who is he, really?

What exactly makes you think these two are right for each other, as a couple? Personality-wise? What are his flaws, his strengths? How do they fit with Buck's?

Because really. If all you care about is sexual chemistry? Then go watch porn. There should be more to a romance, a relationship, to a love story than that.

So yes, I will keep shipping buddie and I'm not sorry. You are of course perfectly free to ship whatever you wish, as well!

I do not make this post because I wish to be hateful and hate on this new ship.

I make it to explain my point of view.

Because people need to realise that to us, or at least to me..

Sticking to this ship, buddie, isn't about failing to appreciate the show's canonized queer characters or representation. We love the show, the representation, we are invested in it.

And it isn't about letting the queer community down.

It's about believing in it's worth. We queers deserve complex love stories, too. Just like everyone else.

[parachutingkitten]

Why is Pixane So Queer?

Some thoughts on Asexual Romance.

[warning, long post below the cut]

The Ninjago fandom had a very potent reaction to The Quest for the Lost Powers repeatedly describing Pixal and Zane as being 'very close friends'. This seemed quite contradictory to many who assumed the confession of undying love at the end of the last season might have been a small hint at a romantic relationship of some kind. However, after closer examination, it turns out Pixal and Zane don’t ever actually refer to themselves as a couple, and the show has never once referred to them being in an active relationship.

But there’s something here, right? Sure, it’s not explicitly stated, but you are lying to yourself if you can watch them and tell me there is zero romantic subtext going on here. A lot of people got very defensive that the children’s book stated they were friends, especially when it also seemingly confirmed that the much straighter straight boy ship, Kailor, was apparently canon, despite being only implied as a possible future for ages now. But I find this backlash to be a bit strange. Sure, Zane and Pix aren’t exactly ‘just friends’ but, what do you want them to say? That they’re boyfriend and girlfriend? You want these two to say they’re ‘going out’ with each other? You think these two robots are ‘dating’ each other, like they’re just susin’ out the partner pool. Are those the words that fit this relationship to you?

I found myself feeling weirdly offended at everyone, and I think the reason was that these two love-droids haven’t chosen to define their relationship in traditional terms, and so everyone’s insistence that they should be boxed into some sort of traditional term seems inherently strange. It’s like when two elderly people are dating, it feels weird when they say “this is my girlfriend” because despite it being factually true, there’s so much baggage that comes with the word, part of that implication being youth, which is directly at odds with the immediate situation. It’s the correctness of the word paired with the incorrectness of the societal implications which forces you to assess if those societal implications should exist. And that- that is what makes this relationship feel queer. That’s why there’s this undeniably different kinda energy radiating off of it. It’s that rejection of the traditional labels, the refusal to be put into a box, which forces it to be a-typical. But, why? Why does Pixane have this rejection of labels radiating off of it? Their ages, while being literally whack, are presented as being your typical teenage to young adult age romance. Their genders present as a typical hetero pairing. And it’s not like they don’t follow your typical cliche love at first sight plot. I mean, Pixal was pretty explicitly created as a generic love interest character. So, what is it? Why is this queer? Spoiler alert: It’s because they’re asexual.

So, what is asexuality? Strictly defined, it is a community of people who experience little to no sexual attraction to anyone. This is distinct from aromanticism, which is a lack of romantic attraction, and sexual engagement or urges which are their own separate boat, but often have overlap with asexuality. However, for our purposes, we are focused on just the sexual attraction part. You can think of it as the difference between finding someone hot and finding someone cute. That’s the distinction that made it click for me anyway.

Now, as a disclaimer, I am not going to be considering other queer interpretations of this relationship. Not to invalidate them, because of course they’re valid, but specifically because I feel there isn’t precedent for them in the text, and I feel there is for asexuality. This deep dive is particularly about validating asexuality as being queer, and so to do that we have to eliminate any other outstanding factors. People are extremely quick to pin asexual queerness to something else, and that in itself can feel invalidating, even if it’s only attempting to validate other communities as well. Asexual romance is so easily read as straight romance, that any queer undertones have to have an alternate explanation, because asexuality doesn’t seem like enough to cross the barrier. Yes, enby interpretations of Pixane are great, and fantastic, and I would die for your right to follow those headcanons, but to pin the in text queer vibes on the fact that they technically don’t have biological gender, despite having very clear presenting and unwavering genders in text seems like a real easy way to dismiss the asexual coding which is staring me in the face. While things like non-binary or aromantic readings validate communities who have immense oppression and are continually called fake or confused, which is insanely important, asexuality, especially as it stands apart from aromanticism, is often confused as not being a difference at all. You’re just pure! You’re just wholesome! You’re just so sweet and innocent! And yes… yes, I am, but also, it’s more than that. It’s fundamentally something different about the way my brain is wired, and I feel a need to defend the fact that it, specifically, is queer. And in no way am I trying to say that the aces are the most oppressed actually, I don’t want to start the oppression Olympics here, and if we were to, I would probably argue quite the opposite, but I am saying that there is oppression, and it comes from outside and inside of the community, and it is a thing. It’s a different flavor of thing that’s maybe not as severe, but also sits differently. Maybe it’s not as much a pressing thing as other things, but… it’s my thing. It’s what I feel. It’s something I can speak on. So, I’m going to speak on it.

Perhaps one of the largest factors asexuality has to offer is the necessary separation of romance and sex. The packaging of sexual attraction and romantic attraction is so ubiquitous that the term ace is often assumed to be referring to aro/ace people, despite there being a term for that… aro/ace! Asexuality is not an easy queerness to explain, precisely because of this deeply held integration. It’s not a difference of experience necessarily, it’s a lack of a certain experience. I’m not saying this is something you can’t understand, because, unless you’re aromantic, I know you understand it! You are going to be able to like and relate to and feel seen by asexual romances, because the main component it requires is that you have romantic attraction- which is most people. And so many people get confused when you point to an asexual thing and go “I get that! This! This is me!” Because they just respond with “You’re not special, I get that too. Is this supposed to be different?” And, yes, it is, primarily because everything else includes this giant other thing as well, which is sexuality.

When vegans get excited about finding a meal which is especially delicious and also meets their food restrictions, they get particularly excited. That doesn’t mean you can’t enjoy that same vegan meal- no doubt it probably tastes incredibly delicious to you as well. But you likely won’t get that same feeling of excitement, because you don’t live under the same restrictions as vegans do. That’s the same thing I feel when I see an asexually coded romance. I can enjoy the full meal without having to pick things out or ignore vital parts. I have no doubt that others can thoroughly enjoy asexual romances, but you’re going to have to look at it in context of all the dominant romance stories in the world to understand why it’s so different and special to me.

Now, have I cracked the code on asexual romance in media? No. I only have my own experience with asexuality to lean on, and the very limited discourse on the topic I’ve come across while discovering my identity. All of this is simply a theory based on my own thoughts and observations, but these are some explanations as to what might possibly be included in a framework for an asexually coded romance, at least to me.

So, what makes romance asexual? It’s not simply a lack of sexual suggestiveness. Any number of romances aren’t sexually suggestive, but still glaringly heteronormative- especially in children’s television. And it’s also not a lack of initial attraction, as that would throw Pixane out of the running for sure. Well, I have a few things which I feel may contribute to asexual coding of a romantic relationship, and wouldn’t you know, Pixane is a great example of all of them.

Asexual romance may, as many have remarked, come off as more innocent. When you shove all of the focus of characters onto the romantic, emotional connection, rather than any underlying sexual tension, things end up feeling extremely innocent to the layperson. You get the sort of old married couple effect. Two people deeply in love, who just sort of stare at each other in awe, and that others can comment on how cute they are. Again, asexuals don’t necessarily find anything hot. Cuteness is the main operative factor motivating their attraction, so it follows that their interactions would radiate that factor back at observers. The characters might in fact be very touchy, have sex, enjoy that physical touch, but that’s not at the forefront of anyone’s mind in the story. This is an aspect of Pixane that can be read very clearly. Their romance is quite easily described as pure and wholesome by all who have the pleasure of observing them. The way they interact with each other is extremely gentle and supportive, and their level of old married couple vibes is by far the highest of any pairings in the show (aside from perhaps the actual old married couple of Ed and Edna).

Asexual romance, I find to often be less conflict driven. Take the classic enemies to lovers plotline- it’s built on a tension between an innate irrational attraction, and a perceived logical personality conflict. While romantic attraction is certainly not always rational, from my understanding, sexual attraction is often rooted in factors that aren’t at all related to logical compatibility or personality. This means the enemies to lovers plot is primed to work much better when sexually charged, because it presents a clear path to create the hate/love conflict. Not to say that asexual enemies to lovers is impossible, or that asexual partners don’t have conflict between them, but that it is less of an obvious threat to incorporate into asexual romance.  Because there are less factors and layers of attraction to get involved in, there’s less room for conflict and contradiction between them. It is much easier to get tangled up in a situation with more strings. Pixane is a relationship which certainly doesn’t hold much internal conflict. The one disagreement they did have is solved quite neatly with basic communication skills in the middle of season 8. Most of their conflict comes from external factors which separate them or cause misunderstanding, rather than conflict from within the characters themselves.

Asexual romance also has the obvious potential to challenge traditional dating norms. Because there is no impulse to escalate things physically, it makes sense that the progression of an asexual romance would differ from traditional relationships where that escalation is expected. Your asexual romance is bound to get emotionally intense with each other quicker, or at least have it be the focus of their story, because there is no other facet to deal with. Asexuals don’t commonly have sexual fantasies for themselves, but rather romantic fantasies. Not to say that most people don’t have romantic fantasies, but… that’s all we’ve got. And when your impulse is ‘let’s get married, and then maybe I guess we can kiss’, it might seem like things are progressing out of order to the average person. While asexuals don't all hate physical contact or even sexual connection, it isn't an attractive or motivating factor in the same way it is in most romances, so even on a base level, the level of physical contact is likely going to be less than average. Pixane progresses ridiculously out of order. Zane is willing to split his soul for her- it’s only at this point that they romantically hold hands for the first time. It’s the emotional connection between the two that comes first, and all classic tangible symbols of affection and romance that are secondary. The most pronounced physical contact we’ve seen is a cheek kiss, and their most common type of physical contact is enthusiastic hugging (which I’ll dive more into later).

Additionally, because physical affection is more of an afterthought, it would also make sense for labels to come slowly. If you have an incredibly close personal, soulful connection, but you haven’t kissed yet, it makes sense for people around you to assume you’re just really close friends, or perhaps just crushing on each other still. Terms like “girlfriend” and “boyfriend” invoke rather physical tactile images, and so to attempt to apply them to an asexual romance isn’t necessarily wrong but may feel a bit off putting because of this dissonance. Again, it’s this dissonance between the romantic meaning of the word, and the sexual undertones which forces discomfort onto the viewer. Pixal and Zane have yet to kiss each other after years of dancing around each other’s obvious romantic feelings. It remains unclear if they even are in an active romantic relationship at all, or are still mutually pinning, as no labels have been given to their relationship in show. I have no doubt part of this is the lack of planned dates or physical affection which are common outward signals of a traditional established relationship.

A lot of the saucy flirting which accompanies many classic heteronormative romances can seem rather pointless to asexuals. I would venture to say that asexuals are likely more direct and up front with their emotional vulnerability and feelings, because that’s the connection which they are seeking to make. To dance around it with innuendo and mind games is rather unproductive in achieving the end goal. There is less of a pressure to “perform” romance, and instead just be honestly romantic, because the romance isn’t a prelude to sex, or physical affection, it’s the end goal in and of itself. To only pretend to do it is entirely pointless. All of this is likely going to result in a romance which puts less focus on the “game of dating”. I mean, can you imagine Pixane ending up in a Jaya style love triangle? It’s almost an absurd pitch to make, right? There is no performativity to the Pixane relationship, it is exactly as it appears at first glance. And when Zane attempts more traditional, cheesy flirting tactics like in Ninjago Confidential, Pixal is nothing but confused and annoyed by his attempts.

The most prominent example which I feel exemplifies the inherently asexual coding of Pixane applies to many robotic romances- and it’s the characters’ relationship with skin. A lot of sexual suggestion and tension is based on skin. The revealing nature of skin exposure, the feeling of skin on skin being a sexual touchpoint, skin is essential to the sexual experience in most instances. This is part of the reason I love writing romance but have yet to write a kiss between anyone. The sexuality of a kiss is inherently uncomfortable to write for me because you’re encouraged to lean into the physical feeling of the touch of skin. Robots bring to the forefront the idea of this physical contact because their skin is often not exactly skin, and that in itself gives a sort of de facto distance from sexuality. There’s a moment which happens repeatedly with Pixane, and shows up in other robotic romances, like Wall-E and Eve, which I feel highlights this essential separation from the skin of sexuality. Pixane and Wall-Eve both have the ‘clink’ moment, in which intimate physical contact is made, (in Pixane’s case, all of their many hugs) and accentuated by the sound of their metal skin meeting with a loud clink. This sound not only highlights their lack of skin but serves to suck any sexual energy out of the interaction immediately and leaves it purely with the romance intended by the action. It’s not uncommon for people to find the sound humorous, precisely because of how desexualizing it is. It highlights the couples’ incapability of indulging in sexual skin on skin contact, and instead the closeness and companionship the act of touching provides.

And this is why I feel robots are in fact a decent candidate for asexual characters if done properly. Robots being coded as asexual can be a very negative stereotype, particularly when their asexuality is explicitly linked to their lack of emotion and feeling- but media about robots has been trending more positively recently. In fact, robots, if used correctly, may actually validate asexuality explicitly. Robotic characters are often used to explore the idea of what makes humanity human. If we give these robots human-like enough traits, when do they become human? Are they perhaps the most human? And it seems like fictional consensus agrees that sexuality is not required to achieve human status. Stripping away the excess human emotions may be part of what makes robots asexual (or aromatic, if your robot is also incapable of romantic love). The medium of robot literalizes the disconnect that asexuals have with their physical bodies, most notably their skin, and serves to put additional distance between the character and sexual contact, at least in the traditional sense. I mean, think about it, if you want your robot to be sexual, you need to go out of your way to establish that it has sexual capability, because no one is going to simply assume that your fictional robot was designed with that capability in mind. Why would it be, unless that was its explicit purpose? In a way, robots are sort of de facto asexual.

Pixane is queer because it’s asexual, and it’s asexual because they distill down only the purely romantic parts of a romantic relationship. They’re able to do this, in part because of their individual characterization, but also because of their robotic bodies, which make the separation between romance and sexuality just that much easier. They highlight the necessity to separate romance from all of the convoluted sexual layers which often accompany it, and so come out feeling distinctly untraditional and subversive.

That's the theory, again, all hyper based on my own personal experience with asexuality, which is of course not all encompassing. I'd love to hear your thoughts :)

[stop-breaking-my-heart-telltale]

a brief retrospective on Louis and Violet as love interests, Clementine's bisexuality, and the fandom's continued insistence on fighting over this

In December of 2019, I made a series of posts called "An Explanation of Why Louis and Violet are Both Excellent Love Interests" that explored my feelings on the topic after seeing a lot of fighting in the fandom over who's better; who is the "right" choice for Clementine?

The answer is simple: there isn't an objectively correct choice.

I compared Louis and Violet to the romantic options in other games, including Life is Strange, Persona 4, King's Quest 2015, and Catherine, as well as TWDG: A New Frontier. I wanted to show how much better TFS handled the romance versus those games, why we should be grateful for what we got since it could've been a lot worse, and how the fighting over who's "right" was a waste of time.

I suppose it's only fitting that I'd be driven to revisit this topic after seeing fans continue to argue amongst themselves over this years later in the trenches of a weakening fandom.

Just when I think I'm done writing pieces for TWDG, some random redditor writes an essay about how violentine only exists for "woke points" that grabs me by the throat and throws me down. Then another will insist that clouis is abusive since Louis voted against them in ep2 in their own essay and I'm dragged back here, kicking and screaming.

While I think my previous Excellent Love Interests posts about this are on the juvenile side, I do still agree with my main point: Louis and Violet are excellent characters who make for compelling love interests. The fact that we got them both, that we were given the choice, and that they're as well done as they are, is something I don't think we appreciate enough. Hell, I don't think we even appreciate that Clementine's a canonically bisexual protagonist as much as we should.

We're too busy trying to one up each other with, "Well, actually, clouis is superior because of this and this," and "no, you're wrong, violentine is actually better because of this and this," and sometimes a wild non-shipper will appear out of nowhere to slap down an, "actually, you both suck, singletine is better."

It's sad that this is what fandom inevitably defaults to, always. It stops being about the game we love, the thing that brought us here, and it becomes a pissing match.

Doesn't matter what fandom it is; we end up projecting too much of ourselves onto fictional characters, investing too much of our time into ship culture, hyper-fixating until it becomes part of us... and let's be real, sometimes it's in unhealthy ways.

So, when someone else attacks the things we're attached to, it becomes a personal attack... and when we feel threatened, we become defensive and retaliate... and sometimes, we take it too far and target others out of insecurity, to feel validated, even if it means going after someone who is just minding their own business.

Also, I think some people are just assholes who want to piss on everyone.

Because of this, I would like to discuss Louis and Violet as romanceable characters, why they're both important to TFS no matter who you choose, why Clementine being a bisexual protagonist matters, and the fandom's continued insistence on fighting over this.

For many personal reasons, I've always been trepid about being open with my sexuality as a bi woman. I've done a lot of reflection this year on why that is; internalized misogyny, the biphobia that lingers in the queer community, insecurities, regrets, how I tend to be harsher on female characters over male characters, why it took me so long to not feel afraid of engaging with queer media, admitting I was wrong about so many things I've said in the past, how it's all affected my writing, etc.

When TFS released and I made this blog, I had already accepted my bisexuality but was in no way public about it, not online or in my personal life. But playing the first two episode of TFS, being presented with both Louis and Violet as potential romantic partners struck something inside of me.

Yes, I picked Louis; we all know I'm a major clouis shipper at this point, and if you're new here, then now you know, too.

But it's the fact that Violet's also an option, that with just a few different button presses, Clementine could've fallen for her just as she did with Louis; that there's evidence in game that she shows interested in both of them no matter your choices; that no one in-game judges Clementine for who she chooses to be with... that meant something to me in a way that it hadn't before.

TFS wasn't the first game I played with a bi protagonist; in Excellent Love Interests, I compared Louis and Violet to Life is Strange's Chloe and Warren. I have a lot of mixed feelings about the first LiS game overall, but I've been quite open about my dislike of Chloe and indifference to Warren.

Chloe, to me, is everything I dislike in a love interest, predominately in wlw. 2023 was the year of "CJ dives into sapphic literature and it's a 50/50 chance of striking gold or gettin' hella eaten by disappointment, shaka brah." Meaning I've read a lot of wlw novels, and all the ones I hated featured a Chloe clone, sometimes done even worse.

And Warren? I'll be real honest with you- I couldn't even remember what his name was when I started writing this. I had to go back and check. That tells you what I think of him, no?

So, LiS didn't strike me the same way. Sure, I knew Max was a bi protagonist and that's great, but the choices weren't appealing to me. This was when I was a teenager still somewhat in denial of my sexuality, which most definitely contributed to me being uncomfortable when faced with a wlw relationship portrayed in-game, especially when I found myself wishing Kate was an option for Max... but y'know, "shhhhhhh if I don't acknowledge it, it doesn't exist."

When the first episode of TFS released, I was older, I was no longer in a not-so-great relationship, and had better accepted who I am. The first episode does a great job of introducing you to Louis and Violet, and giving you the opportunity to spend more time with the one you're interested in.

I actually really liked them both when ep1 dropped, but I've always had a preference for a character who is kind, deflects with humor, and tends to be picked on by the rest of the cast... so it was inevitable that I'd stick with Louis. Though I won't discredit Violet in ep1, or the rest of the game, just because I didn't choose her in the end.

That's one of the best things about Louis and Violet as options; they're opposites, yet alike in many ways. They have their appeals and charms. They're flawed. It never feels like a "love triangle" situation where they're fighting over Clementine. Louis and Violet are friends who have known each other from before the walkers came. It's refreshing to have two characters who are interested in the same person but don't go for each other's throats over it. When they do argue over her, it's more to do with AJ shooting Marlon and whether it's safe for the group to let them stay.

I can't fault anyone who struggled to pick between them. When someone talks about who they picked and why, it's all about the player's preferences.

It's your choice to make, and no matter what, you're not wrong for it.

This season concludes Clementine's story, regardless of what some comics will say. It's the last fight. It's her happy ending. She and AJ finally found a home, a family.

I've played these games since S1 came out in 2012, over ten years ago. Clementine holds a special place in my heart. Not only did this important character have a great final season [despite Telltale shutting down and TFS nearly being left incomplete, remember] but she's also revealed to be canonically bisexual.

They didn't release the whole season and then as an afterthought be like, "oh yeah btw she's bi, she has oneline of flirty dialogue with this character so see? we did good rep."

Yeah, I'm side eyeing you, ANF.

They didn't try to hide it. They presented it to the player unapologetically and made a conscious decision to exclude anything biphobic from other characters... which meant a lot to me.

Biphobia is real and it's not that I don't want it explored well in media, but there's something appealing and safe about a game with a bisexual main character who isn't questioned about it negatively; "You're bi? Doesn't that mean you cheat on all your partners?"

To give a compliment to Life is Strange: True Colors, I had a similar feeling in that game, too. Alex is openly bi, she can date either Steph or Ryan and no one questions the "legitimacy" of her bisexuality.

Because that's always a thing on top of everything else, y'know? "You're a bad bi unless you're with the 'gayer option.'" "Bisexuality isn't real, you're just confused." "I don't date girls who've been tainted by a man." "Oh, you're into girls? How about a threesome?"

Violet never turns her nose up at Clementine for admitting she had a crush on Gabe. Louis isn't ever gross about Clementine and Violet getting close. It speaks volumes for their characters and how accepting they, and everyone else at Ericson, are of Clementine no matter who she chooses, if anyone.

That acceptance, even if it's just in a game, means more than words can express to queer players who don't feel that acceptance in their daily lives.

Which means it hurts all the more when it comes to the fandom's own display of biphobia; "You're bi but ship clouis? Why ship something hetero when violentine is right there?" "Well, MY Clementine's straight because she picked Louis! Stop forcing the gay onto MY Clementine!"

Clementine's important to all of us. Why do you think so many people are pissed about the comics to the point of spewing disgusting bile toward Tillie Walden? I've said my piece on that plenty times before, so allow me to say it on this; the representation of bisexuality in Clementine is beautifully woven through TFS in ways that are subtle yet impactful, and I thank TFS for giving that to us.

One argument I've come across recently against Clementine's bisexuality, and violentine in general: "blegh they only included violentine/made Clem bi for lgbt points." y'know... as if that's a bad thing.

It bothers me because A. saying "I'm not homophobic *but*-" and then making a homophobic argument against violentine while insisting that Clementine's bisexuality came out of nowhere and was forced is icky, and B. I know I've said similar things about violentine in the past. I know I used to argue that violentine's underdeveloped, yet the devs pushed it to the forefront over clouis to pat themselves on the back for doing representation, etc.

I don't believe that anymore; remember when I brought up people making arguments out of insecurity? Yeah, that and being lowkey bitter that violentine got more dev attention than clouis sometimes even though like... that doesn't matter? It literally doesn't matter. That's what I meant when I said you get so invested that certain things feel like a personal attack when they're not.

Some of the developers of TFS are queer people. They probably wanted a bi protagonist with a wlw option because that representation is important to them and they had the opportunity to express it, not because they were trying to get "points" with anyone. Go listen to the commentaries for TFS; they talk about violentine with nothing but positivity, and they didn't do that to shade Louis or clouis shippers. And if you do think they did it shade fans, then maybe stop and consider why; do you actually believe that or are you annoyed that your fave wasn't the center of attention?

On the flip side, I also want to say that gloating and insisting that violentine is the better/right choice because of these things is also unpleasant and untrue. It sucks when it feels like things are biased against you and it sucks even more when that bias is weaponized by other fans to beat you down.

But honestly? If you need this much validation on your opinions about fictional characters, maybe you should stop to think about why that is and what it says about you, yeah?

Truly, this whole clouis versus violentine thing is irritating at best, vile at worse. Thankfully it doesn't happen as much on tumblr given the state of the fandom, and everyone's at least agreed that no matter their feelings toward each other, clemricca is worse. So, that's something, I guess.

I think the best way I can put this is you don't get to dictate what other people think and feel. Being passionate is great until it becomes an excuse to be an asshole. Not everyone is going to agree with you and you need to put your big kid pants on and accept that.

I'm under no impression that the fighting will ever stop, even when this fandom is dried up with only bones and memories haunting its desert... but at the very least, I can point some of it out and ask that we do better than this.

The focus gets lost in the fighting, and that focus is Louis and Violet themselves. Y'know, the two this retrospective's about.

Remember when I talked about Persona 4 in Excellent Love Interests and how much it sucks when the person you want to romance isn't actually an option--?

Hmm? What's that? Ah, yes, right- @pi-creates insists I add that TFS and Persona 4 actually are the same because Aasim wasn't an option and they're still bitter about that... but this isn't about Aasim, that's a topic for another day. Sorry Pi, but thanks for the screenshots used in this retrospective👍

Anyway, TFS gave us two excellent choices, and it would've been worse off had it only given us one of them, or none at all.

Louis wears charisma as a mask and uses humor as a shield to deflect. Violet, for as quiet and standoffish as she first appears, has a heart she's both eager and reluctant to share.

Louis is warm curtains of sunlight seeping through the murmuring woods of green leaves and little song birds. A heart carved into the rustic wood of an out-of-tune piano. Music echoing in the early morning hallways.

Violet is the glow of a full moon that illuminates still waters so the stars can dance in its reflection. Paint smeared over finger tips to offer a piece of herself meant to be worn. Constellations of stars named in secret.

They're both lonely people, often misunderstood by the others at Ericson, and sometimes by each other. They want to be known. They want to be seen.

But fear is a powerful wall to overcome.

And that's the beauty of choice. You get the impression of knowing them in the beginning, but it rarely breaks surface tension; Louis is nice and funny but undependable, Violet's rude and reserved and a little awkward. Neither are outspoken about any issues around Ericson, content to keep their heads down.

Clementine has to make the effort to know them, and the game establishes this by asking you an unassuming question: do you want to go hunting with Louis or fishing with Violet?

Clementine either makes an effort to understand Violet's feelings toward Brody and why she's so mean to her, and try to help her through it... or she doesn't listen to what Violet's saying, is dismissive, and ends up making things worse.

When Clementine goes hunting with Louis, she has to make the decision to spend time with him or ignore him in favor of hunting, and should she choose him, he opens up to her just a bit.

Then comes the confrontation with Marlon at the end of the episode where Clementine has to make the choice of who to appeal to. The gravity of this choice is often glossed over, I think.

Marlon has a gun pointed at her head, and she pleas for Louis or Violet to step in and save her. Both are hesitant because of course they are! They've known Marlon longer, he has a gun, and he's using manipulation to scare them into submission; he uses his friendship against Louis, and Minerva against Violet.

But when Clementine gets through to them? They stand between her and Marlon in rather in-character ways; Louis eases in with his hands up, attempting to deescalate the situation while Violet pulls out a weapon and demands he back off.

They risked getting shot. They risked death. They knew what was happening was wrong. They didn't want Clementine to die, they didn't fully believe Marlon's bullshit but were too scared to step forward until Clementine asked them, too. In that moment she basically told them, "I trust you. Instinct tells me you are the one who can stop this. My life is in your hands."

This choice changes them, and this moment ripples through the rest of the season. It makes perfect sense that Louis would be upset over Marlon's death and feel unsafe with Clementine and AJ there whereas Violet sees the death as justified and Clementine and AJ shouldn't be kicked out over it. It's an overwhelming situation for everyone.

I've talked about ep2 and the vote until my lungs nearly collapsed and I saw the gates of Hell over the horizon... but that's fine, I can talk a little more about it and maybe this time the flames with cleanse me of my sins or something.

This is where the fighting really began, and I shouldn't have to say it again, but I will anyway: There isn't an objectively correct answer here, there's only personal preference.

Louis and Violet take very clear, opposite stances on this situation. I think they're both a little wrong and a little right; they shouldn't ignore that AJ killed Marlon, but kicking them out isn't the best solution either.

As a clouis shipper, I happen to like the way these events play out with Louis' vote. But not everyone feels that way. For some, Louis' vote is a deal breaker, making Violet the more appealing option given she voted for Clementine and AJ to stay.

Do you want a girl that's been by Clementine's side from the beginning and was vocal about keeping her and AJ here?

Great, Violet's the choice for you. Enjoy the lovely moonlight and constellation mini-game.

Do you want the extra angst of a boy who made a vote he comes to regret and then does everything he can to apologize and make it up to Clementine?

Wonderful, here's Louis. He'll play you a song he wrote and then name it after Clementine, it's very cute.

While on the topic of ep2, I also want to discuss the episode's final choice of saving either Louis or Violet and the consequences.

You know how in other games, say like massive RPG's with "good" and "evil" choices you can make that end up defining your character? You know how sometimes people question why developers even bothered putting those evil routes in since a majority of people will choose to be good? This isn't a new topic of discussion, but it's relevant to my point- they do it because the option to be evil makes the choice to be good more impactful. If you do choose to be evil, you did it knowing you could've been good and yet you decided chaos was the way to go, and now everyone and everything around your character suffers.

I don't think it only applies to binary "good" versus "evil" choices, either.

TWDG is great with its "You can only save one of them" choices, even if they usually fumble with the consequences in later episodes.

When I'm faced with this choice to save either Louis or Violet, I don't save Louis just because I like him more. Sure, initially that's why I saved him on my first run... but then the rest of the season came out and I learned the consequences of the choices I did and didn't make.

Knowing that he'll get his tongue cut out if I don't save him makes me all the more anxious to choose him. And I know violentine shippers are gutted knowing that if they don't save her, she'll feel so betrayed that she turns on Clementine and in the end is blinded in the boat explosion, so they're just as eager to save her.

But all of us have to live with the consequences of what happens to the one we didn't save, too. We made the decision to save the one we love at the cost of hurting the other we didn't love enough. You can't save them both. You're forced to hurt one of them in order to protect the other.

And it doesn't even stop there. TFS isn't done twisting the knife.

Mere moments before you have to make the choice to save one of them, Lilly's standing over Clementine with her finger on the trigger... only to then be tackled by the person you didn't choose to spend time with.

They just saved Clementine's life only to be dragged away by their neck, and the game asks you what that's worth: They got captured saving you, so do you save them in return or do you remain loyal to the one you chose before?

And when you know the consequences of both routes, when you know Louis will have his tongue cut out and Violet will have her eyes burned?

Louis and Violet are good people at their cores who only wanted to be understood and loved, and no matter what, you have to abandon one of them for the other... and they are left physically and mentally traumatized because of it.

But wait, there's more. The one you didn't save will always survive to the end and act as a constant reminder of what you chose... but the one you saved? If you don't trust AJ, then you'll be forced to watch them get torn apart and eaten alive by a herd of walkers. The only way to save them is to trust AJ so that he shoots Tenn.

A child has to die in order for you to save the one you love again, a choice you indirectly made.

The ending shows you the one you didn't save, and it shows you Tenn's grave... and it presents a quiet question: was it worth it?

Would you make those choices again?

That's the power Louis and Violet bring to TFS.

That's why the choice matters.

We justify trusting AJ because we'd rather see Louis and Violet live over Tenn, knowing we're taking away the best friend AJ's ever had and allowing Minerva to get her way. We save Louis knowing that it breaks something inside of Violet and results in her permanently losing most of her eyesight. We save Violet knowing that we'll find Louis bloody and sobbing in the cell after having his tongue cut out of his mouth.

And we argue about it amongst ourselves even though it's all fucked. There isn't a true happy ending here, not for everyone.

Louis and Violet stand on their own as great characters, but you only get the true depth depending on how you play. They're excellent love interests because they care for Clementine. Through their relationship with her, they grow as people and find the acceptance and love they're starved for.

It's not perfect, but it honestly doesn't need to be. There was care woven into these characters. Both routes have a wide appeal. That means something to so many people.

I know we as fans often will say we wanted more, we wanted this and that, we wish this was different. It's not a dating sim where the main objective is to woo them. It's not a massive RPG with hundreds of hours to explore every nook and cranny of their characters. This is a Telltale game. It's a narrative with Clementine and AJ at the forefront, and it's up to you whether you want Louis or Violet to share that spotlight.

It's a story about Clementine finding a home, about molding what kind of survivor AJ comes. It's about Clementine meeting two broken people with glass shards at their feet, about her glass mixing with theirs. It's a game about choice; which glass pieces do you pick up, and which do you step on?

We should take more time to appreciate Louis and Violet. We should share our appreciation for the development team for giving us a bisexual lead with two great love interests, especially since we almost didn't get TFS in its entirety; we can hate Skybound as much as we want for the Clementine comics, but without them, this team wouldn't have been able to finish the game they were clearly passionate about.

We should have more self-awareness and try to understand why we like and dislike things without targeting others.

In conclusion?

I think they're both neat 👍

[cherryblossombombs]

I have an issue with the "the giga cover is likely fujobait" because I can't help but think:

if it was truly fujobait, why now?

Why try to get their attention if MHA is now in the 100M club? The series now so popular, hori/jump doesn't need queer shippers to increase its popularity.

Why try to get fujos and queer fans, if it's already popular in that group? Wasn't it apparently shown that MHA is more popular with women and LGBTQ+ fans?

Why try to get that audience when hori had the chance to do that back in 2016-2018 when Kr//bk was the popular gay ship? Wasn't there an interview where someone pretty much asked hori if he's for kr//bk, but instead of playing along, hori made it about bkdk (the ship that no one took seriously at the time) and said he saw the hand hold more about bkdk angst. Kr//bk was a popular ship, it had bones making official art of them. The smash parody manga had moments of it. Two heroes was their movie [I believe hori didn't really help in that movie. However, notice how in the second movie, (he was a part of that one), focused on bkdk (again, the ship no one took seriously)]. Hori had the ability to use that ship as bait, but he seemed to be the only one out of everyone else to not go for it. Instead he kept pushing for the ship that was thought to be too toxic to even become a platonic ship.

If horikoshi did not want bkdk to seen as romantic, why isn't he stopping jump for implying it? You really can't say that he has no ability to, the guy went to bones and told them the ending. Now, notice how bones suddenly stopped making iz//ch moments and added a bkdk moment in the recap episodes (something that they would never do 2 seasons prior). The assistant (whom hori is friends with) is a loud speaker of dkbk lol. Hori follows him on twitter, there's no way that hori hasn't seen his dkbk art once. Same for katsuki's JP VA (who is also a friend of Hori).

Why try to bait the audience when the manga is ending?

Idk, maybe there's a chance he is actually queerbaiting and make iz//ch canon, but again, after everything?

After the togachako arc? He had made ochako confess her crush on midoriya, only for seconds later to not only brush it off as unimportant (unimportant in the sense of it was more of way to relate to toga and speak with her, it wasn't really used as a "canon izu//ocha" moment), she tells toga that she could have ochako's blood for the rest of her life (and we know that's toga's love language of returning/accepting her feelings) and she told toga that she had the cutest smile in the whole world. Like, didn't hori say that toga was made for ochako's character? I feel like it wouldn't make sense for hori to do all of this, then have ochako end up with midoriya, it would feel like a middle finger to toga tbh.

After chapters 285, 322, 362, 367, 403, and 404? The apology? The "you're the closest one to midoriya izuku, therefore I need to kill you in order to make him go crazy". The heart shaped black whip after seeing bakugou's dying body? The "their feelings became one" double spread? this bullet point could be spread to about 2-3 document pages, but I'm just going to summarize for this post lol. But overall, these chapters (and a few more), show me (imo) that it the "fujobait" claim isn't really strong to use against bkdk.

Again, maybe this is queerbait, because I know that there are times where other media/anime have done simliar and still had the MC in a heterosexual relationship, and leave everyone dumbfounded lol. Once again, all I say to this is "let's see what happens."

P.S. Isn't this the same author who said that he thought that naruto was going to end at 698 (the implied SNS ending) lol? Idk if it's true, that's just something I've heard.

[metal-berry]

RWBY die-hards are so funny tbh. They spent the past five years deliberately and vehemently gatekeeping the fndm to a ridiculously high degree, doing things like gloating that they were "purging" the fndm of all but the show's most ardent worshipers, launching vicious smear campaigns against anyone and everyone who said even the mildest bit of criticism and slinging baseless accusations of "sexism" and "homophobia" against them (even though an overwhelming majority of their targets have been queer or women or both, while an overwhelming majority of RWBY's creative team have been straight men with histories of open misogyny and queerphobia) they've bullied fan-artists off every platform, they've sent hate mail, death threats, rape threats, slurs, they've literally posted long lists of "rules" they expect fans to follow "or else" (and the rules include things like "you must fiercely advocate for my favorite ship" and "you must love my favorite characters and hate my least favorites" and "No AU's or Fix-it fics allowed" and then if anyone is caught breaking these "rules" they get labeled as "the HTDM" and viciously smeared and bullied out of the fndm, they've deliberately sought out popular fanworks and started viciously smearing and harassing the fan creators while gloating "if you criticize the product sold by a corporation, we get to coordinate cyberbullying campaigns against you as an individual artist who makes fanart for free, because those are totally the same thing in our minds so you deserve it!!!" They've swarmed YouTubers like penguinz0 or Hbomberguy and harassed them with death threats and accused them of "trying to kill rwby" (as if it couldn't possibly have anything to do with 1. Rooster Teeth being a horrifically abusive and bigoted company that every decent person decided to stop supporting, 2. "CRWBY" being comprised of and run by Rooster Teeth bigwigs including four of the five founding fathers of the company and several department heads, many of whom have open histories of extreme bigotry themselves, which bled into the show and caused extreme bigotry to be baked into the writing itself, and 3. *this exact fandom*, all of which together are enough of a poison itself, to the point where having a couple of youtubers say "so this isn't a good mix" was never going to actually affect viewership NEARLY as much as the Corporation and Fandom were already doing) and also can we talk about the horrific amounts of biphobia that gets leveled against the people who ship Blake with literally ANYONE other than Yang and ship Yang with literally ANYONE other than Yang?? Because my god the biphobia that exists within the Die-Hards in this fandom is off the fucking charts. The amount of specifically bisexual fans who have been viciously attacked because they did not list bumblby among all the queer ships they liked. The amount of times I've seen people say things like "the only reason anyone likes BlackSun is if they're homophobic" when a lot of BlackSun shippers are openly bi and ship them as a bi-for-bi ship. The amount of times I've seen people say things like "the only reason anyone PRETENDS to like Freezerburn is if they're trying to shove Yang with a random girl so they can force Blake to date a stinky MAN while using Yang and Weiss as shields to protect themselves from being caught as the homophobes they really are." The amount of times I've seen people attack fans who ship Blake with Ilia or Ruby or Nora, or fans who ship Yang with Pyrrha or Neon or Nora, because it *does not matter* if you actively ship a hundred queer rwby ships and write hundreds of fics about it and draw endless fanart of it, if you say "eh I personally just don’t care for Blake X Yang" or even if you say "I used to be a hard-core bumblby shipper but the way the writers chose to execute it left a lot to be desired and turned me off the ship" you get labeled a "Sexist Homophobe" and violently abused and bullied. It's fucking disgraceful, it's NO WONDER this fandom is fucking dead

When a fandom: a) posts strict rules detailing exactly which interpretations, headcanons, character opinions, and ships are REQUIRED in order to be considered "not a hater," b) viciously attacks and harasses every single person on the internet who does not follow those strict rules and labels them a "hater" because of it, c) slings baseless and despicable accusations of "sexism" and "homophobia" against these so-called "haters," because apparently they're too ignorant to pick up a dictionary and learn that "criticizing rwby" is not included in the definition of those words, while also completely ignoring or even *denying* the fact that most of their targets are queer women and most of our complaints are that *rwby is textbook sexist and homophobic and RACIST AND ABLEIST and was created and almost entirely written by openly sexist and homophobic and racist and ableist men, and you actually kind of have to have failed Progressivism 101 in order to not see it,* d) engages in open bigotry themselves by attacking marginalized people to punish them for condemning bigotry while using bigoted slurs and dogwhistles against them, and e) deliberately "purges" the fandom of every single fanartist, fanfic writer, theorist, meta analyst poster, or even shit-poster who DARED to express an opinion that didn't conform to the "rules" and therefore got labeled a "bigoted hater" who "laid down with the dogs" and was "guilty by association..."

The fandom dwindles away to nothing, and dies

And then the last remaining Die-Hards who got their wish and "purged" the fandom of everybody whose opinions did not 100% align with theirs, get all pissy whenever they see somebody like you acknowledge the empty void left behind

The fandom got so militant and zealous with their gatekeeping that there's just nobody left anymore, except for the few who turned Worshiping RWBY into a cult and violently kicked out everyone who didn't conform - but they consider that to be a "victory" so they attack every new straggler who walks into the vast empty field and says "there used to be a fandom here."

That post that was made five years ago about how it was time for the mega-stans to "purge the fndm" of everyone who didn't conform to THEIR view of the show? Yeah lol well they succeeded and I hope they're happy with their echo-chamber of circle-jerking Yes-Men who have been throwing all their hard-earned money at bigots and abusers while crying about the uncertain future of the show they turned into their identity, and I hope one day they realize that THEY contributed to Rooster Teeth's downfall far more than the critics ever did

Because fandom has historically thrived on diversity of opinion, including the allowance of criticism and the celebration of fanworks

So when a culty subsection of the fandom decrees that freedom of expression is WRONG and differing opinions are WRONG and writing fanfiction they don't like is WRONG and drawing fanart they don't like is WRONG and shipping ships they don't like is WRONG and not shipping the ships they do like is WRONG and liking characters they dislike is WRONG and disliking the characters they do like is WRONG and criticizing the corporation behind the product is WRONG and holding the product creators accountable for their hateful and ignorant beliefs is WRONG and choosing to withhold our money from those who have been proven to be abusive bigots is WRONG and therefore demanding change instead of letting them keep getting away with everything is WRONG, and so they are so totally justified in their efforts to deliberately cyberstalk, harass, and bully the "Arrogant, Entitled, Ungrateful" non-conformists until they've driven everybody away...

The fandom dies

And there's nobody left to BUY THE PRODUCT

*shocked Pikachu face* that RT went belly-up???

The Die-Hard Mega-Stans are the ones that killed RWBY. That's why they're so desperate to point fingers and bitterly curse the names of all the fans they deliberately ORDERED to "Stop Watching," "Stop Posting," "Stop talking," "Stop Writing," "Stop Drawing," "Stop BUYING," and that's why they're so fucking ANGRY every time they see proof that their mass gatekeeping, mass cyberbullying, mass smearing campaigns WORKED.

The fandom is dead because they fucking drowned it on purpose, and they refuse to admit that fact to themselves

What else can they do but lash out?

What else is there to say? You nailed it. I was there in the very beginning when the fandom was thriving and I watched the wasps slowly kill it. I remember all the creative au’s and how even rarepairs got content. It’s not even a husk of its former self, it’s crumbled dust.

[punkeropercyjackson]

Pjo characters as tropes

Percy:The cool hot alt girl who's super resourceful and experienced and the Team Mom and has a snarky and sour outside with a big gooey inside(She's trans)

Annabeth:The black girlgenius who's really intense and does her best to be nice but sadly dosen't always get it right due to not being taught how to

Grover:The 'wimpy' male sidekick who is emasculated by other guys and is actually a total badass and a sweet dude,just not traditionally masculine and is mocked for it

Clarisse:The mega rough and tough tomboy that starts off as the mean girl but gets redeemed as we learn she's only like that as a child abuse defense mechanism and befriends our mc thanks to softening up

Thalia:The mysterious girl who's talked of cryptically and positively by everybody due to haunting the narrative who we get to meet face to face in a sequel starring her

Bianca:The parentified eldest child who dies for their younger sibling's reverse character development and influences their whole life afterwards

Nico:The soft sunshine boy who's beyond optimistic but also a little shit who runs his mouth,is powerful as fuck,platonic soulmates with the aformentioned salty sweet hot alt girl and has self-identity problems from his starter plot

Rachel:The neurotic frizzy ultra weirdgirl who's not a pick me but rather surprisingly likable and genuinely an activist instead of a racist poser hippie

Beckendorf:The older black male mentor who dosen't get nearly enough screentime due to antiblackness and got an undeserved fate

Silena:The older,wiser girl who's chill and also mentors but in girl things specifically(Percy in her transition,not debutchifying Clarisse)

Ethan:The token developed goon to the Big Villain who's a lot more interesting than them and has way more chemistry with the mc too but is somehow the less popular ship

Jason:The Golden Retriever Boy most popular guy who's a legit example of positive and healthy masculinity that gets (correctly) called a nerd by the cool girls

Piper:The Girls Girl Tomboy that has at home struggles but goes on a journey where she makes real friends and has her queer awakening

Leo:The goofy lil guy who's riddled with sadness and self-hatred but puts on a show to avoid confronting his trauma and gets it resolved with the platonic love he's always deserved(He was done so fucking dirty)

Drew:The Queen Bee with a hidden heart of gold who's a misandrist because she's actually a lesbian in denial and flirts by being antagonistic cause she dosen't know how else to

Hazel:The creepy cute goth middle school girl with wild ass abilities that're specifically to help the plot along and is treated specially by everybody because she's the baby of the cast

Frank:The jittery nervous dude who's nonetheless tough and packs a punch contrary to what the villains think and earns everyone's respect by proving himself as such

Reyna:The 'no nonsense' girl that's perfect but at a dehumanizing level rather than self-confidence and refuses to let her image go because without it,what is she?Just like everyone else?Unacceptable and unacchivable to her

[overthinkthis]

Final thoughts on MMDIY

This is not going to be a review because I don't really do that kind of thing, but I do want to write about the point that I loved most about this show. I know it's not perfect but I will forgive a lot of wobbles in plot or editing when a show emotionally resonates with me or makes me feel seen in a way other shows don't. And the way queer struggles were portrayed in mmdiy definitely did that.

Neither Wan nor Kim are out as queer but it's like they're living in an open closet. It should be obvious to everyone (even themselves) that they love each other and yet, for the longest time they seem unable to make that last step and confess their love, even though they both desperately want to on some level.

We do get some explicit homophobia with regard to Wan's career but it very quickly becomes obvious that that isn't the actual problem. Wan is very well able to stand her ground when she is attacked directly, we see that with Jessie and with Marwin's family. She is ready to confess to Kim, plans to do so multiple times. Why is it so hard to make that last step?

I do not know what the creators of the show were trying to say, but what I feel when watching the show, is the impact of the invisible homophobia and misogyny woven into all of society. The kind that isn't openly hostile but consistenly equates happiness for women with straight marriage and queerness with being miserable. We can write essays about comphet, but to me, this show gives a good take on what it actually feels like to be pressed into this expectation (although, I should probably say that I come at this from the perspective of a trans guy, not a lesbian - I still think a lot of the feelings are similar).

I love the conversation between Wan and Kim and the end of ep 9, where Kim tells her that she is going to marry Marwin. She basically admits that she doesn't love him, but she is still going to marry him because her mother wants her to.

And we know her mum isn't really trying to control Kim or make her miserable - quite the opposite. All she wants is for Kim to be happy. She should probably know better - given how her own marriage ended - but the idea that marrying the 'perfect' guy is the pinnacle of female happiness is so ingrained in society that it's understandable why she still falls into this trap. I really like that they show how suffocating a parent only wanting what's 'best' for their child can be.

I love that this show made Marwin someone who looks like such a good catch. I mean, there were some red flags from the start, but at a time where Wan was more controlling and aggressive, he genuinely looked like the better option. Gentle, patient, rich (some people even commented that the show made them ship the straight couple). The kind of guy that would be endgame in every second cheesy het romcom.

The people around Kim can kind of feel that he isn't right for her (even Marwin on some level does) but they still all enable her terrible decision to marry him. Which is another aspect I like about the show: The conflict is only resolved when Wan and Kim choose each other.

Women are constantly discouraged from going for what they want, especially when it causes other people distress, but the show clearly says: They make this choice for themselves, even though it hurts people, and that is how they get their happy ending. Not by being perfect all the time, not by caring about everyone else's feelings, but by choosing what they want for themselves.

And yes, obvisouly the whole thing could have been resolved earlier with less people getting hurt. But in another sense it couldn't, because they weren't ready. It's easy to blame Kim and Wan for not being more honest earlier on, but we can't do so without acknowledging the silent (and sometimes very loud) pressure to conform to heteronormativity.

I know some people didn't like this show very much and I do hope you all get all the kinds of GLs you're longing for soon. But imo it shows important aspects of queer experiences that we don't see a lot. And I'm really glad it exists in the way it does.

[lover-of-mine]

Also they like to cry about how we “only care about Buddie” or “it’s like you’re just counting down to Buddie do you even like the show why are you watching if only for Buddie” and I just want to drill into their brains that we love all the characters and all their arcs but EVERY OTHER PAIRING has had satisfying conclusion (or even partial conclusions) to their arcs at least romantically. It’s normally that we’re flooding comment sections about Buddie because we’ve waited SIX SEASONS. We’d be doing the same exact thing with Madney if they had still not gotten together by season 7. Every other arc that had gotten started on the show has been resolved sooner. It’s normal for the main focus people have to be on the arc that has been going on the longest with the least resolution. Like I’m just begging them to use logic and sense. Us counting down to Buddie and crying for Buddie does not mean we don’t care about Henren or Madney or Bathena or anyone else in this show. It just means we’ve seen satisfying arcs start and conclude with everyone else and Buck and Eddie have been stuck on their respective hamster wheels for AGES and we’re TIRED.

No dude, but literally, I was worried while madney were separated. I have been holding henren's hand through their whole arc with wanting more kids, that I'm still very tense about, they better give them Mara back QUICK, they've been through enough waiting for their little girl. I hold my breath every time bathena fights because they keep trying to kill Bobby after. Buck and Eddie have been going around in this will they/won't they for six season and now that Buck is canonically bi, the will they option just go real. Of course we're gonna be obnoxious about it. Somehow I was having more productive discussions at age 13 in twilight forums. We've been waiting for years, existing in this situation that's half hope, half expecting this to go like every other popular m/m ship ever. But we now have a guy who's queer. Now it's possible. Now we might get to see the conclusion of the way Buck and Eddie orbit each other. The only way you'll shut me up is if I'm dead.

[cowboylikeyouu]

why does everybody hate mcu clint so much??? i’ve read his comics but i still love jeremy renner’s portrayal of him and stuff :(

like i can understand being disappointed in some ways about how the character was changed for the movies, but i can’t understood all the hate for him

for me, personally, it's not that mcu clint is a bad character per se, it's really just the fact that he doesn't feel like clint barton. give him any other name and he's a fine character, but compare him to comic clint and they're in NO WAY the same person.

on one hand you have that responsible, serious husband and well adjusted father of three, who cracks a joke here and there but takes everything pretty serious most of the time, who has his life under control, while everyone else on the team is a mess. he doesn't have that much of a personality, no weird habits or (dis)likes, he really fades in comparison to other team members like tony, who's lines are always on point and who gets a back story and everything.

on the other hand there's this 6'3" disaster of a human being, who lives for coffee, dogs, tv shows and nothing else, is obsessed with purple for no reason at all, grew up in a circus after he escaped his abusive dad, can't take anything seriously and cracks the funniest joke all the fucking time, even makes fun of captain america on a regular basis (at least in the early avengers comics), runs away from himself and responsibility, fucks up nearly all of his relationships because he really sucks at emotions, but then forms those really precious bonds with people like kate, and who's just kind of an asshole really, but simultaneously a fucking ray of sunshine. plus he's deaf and we always love some representation. oh, and mcu clint is like the straightest guy ever, and then there's comic clint who is just so easy to headcanon as this bisexual disaster, and we all know how much fandom loves a queer coded character.

so, the mcu basically took away every fun part of the awesome character that is clint barton and it SUCKS. i really don't hate movie clint as his own character, i just hate hate HATE the fact that he's supposed to be THE clint barton because he IS NOT, and he'll never be. i'm sorry, but jeremy renner just can't pull it off, i'll never understand how they saw bigger-than-steve, blond-mess, purple-loving, coffee-addict comic clint and where like: "oh yeah, let's cast 5' 9" jeremy renner and give his character a huge, healthy family, and no mental health problems, that's just perfect😍"

it's just so sad to be aware of the awesomeness of comic clint and then watch the movies because you're constantly thinking "oh what could've been..." if they did comic accurate movie clint, he'd definitely be a fan-favourite and we'd have tons of edits, and ships, and merchandise, but NO, most mcu fans just forget about him or don't find him special or entertaining (bc his mcu version really really isn't) and he gets left out of all the casual merchandise you can find in random shops (i literally have an album on my phone that's dedicated to photos i took of cheap avengers merchandise with the "o6" avengers sans clint lmao)

you're obviously allowed to love movie clint and jeremy's portrayal, that's great!!! i was an mcu fan way before i even knew just how different comic clint was, and i loved mcu clint so much back then! but after reading the comics and thousands of fanfiction, i'm just really really angry that there isn't a good live action on screen representation of my all time favourite fictional character, and i think many people feel the same :(

okay, i think i'm done lmao.

anyways, shout out to avengers assemble clint, my one true love <3 the mcu should take notes.

[that-nerd-who-writes-fanfiction]

Okay, if you were asked who are in Merlin BBC that you can see based on canon that are gay/bi/pan/demi, which characters are they? Why?

I’m just gonna note that I’m not attached to any sexuality headcanon because people are going to have different opinions and it seems daft to lose more than half the fan content (art, fics, etc) just because of a headcanon. I’ll read more or less anything, I play around with queer themes in my writing fairly regularly and multiship everyone in the show, sometimes with characters from other fandoms too, but these are the sexualities I’ve written most of for each character otherwise this would be way too long.

And I know I’m assigning modern understandings of sexuality to medieval characters, but it’s a show with dragons and magic, also capes, a French castle, and whatever the hell that chainmail was so I think I can be excused for my historical inaccuracy.

Merlin: either gay or bi with a a preference for men. I could never get myself to really like Freya in the show, she wasn’t bad and I didn’t hate her, I usually just forget about her because it was one episode so I didn’t have enough time to get attached. She deserved more screen time and I love what the fandom has done with her character, but I usually see her where Merlin’s shipped with someone else so I honestly forget their romance exists most of the time. Other than that, I usually see him shipped with knights or Arthur or if he’s shipped with another woman, it’s someone who didn’t get enough screen time to get attached, or a mergwenthur (is that their ship name?) poly relationship.

Arthur: bi and demi. He needs time to like someone, canonically only started wearing a shirt after he got married but he walked around his chambers naked when it was just Merlin/no sexual implications in a servant of two masters. I’ve done deep dive character analysis into that and what it says for their trust of one another if anyone’s interested. It goes into them being platonic but acting like a couple and why meant so much for me to see as a kid and also why I think that proves their relationship is more than words can fully encapsulate. Also he’s had crushes on men and women so bi just fits.

Gwen: bi with a preference for men, she and Morgana had chemistry and I ship them pre season 3 but after that, not so much. Also had crushes on Lancelot, Merlin and married Arthur. They’re an adorable couple, honestly I love them. I don’t really have much else to say.

Morgana: aroace lesbian. Just my favourite headcanon, I like that she never had a canon relationship but she definitely had chemistry with Gwen. They’re just sweet together. I don’t know, mostly just vibes and my desire for more aroace rep.

Lancelot: bi with a preference for women. Gwen and Merlin. Yeah, that’s pretty much all I have to say. I just love that he’s such a great guy, I don’t think there’s anything more to it than two crushes in canon and vibes. I’ve written him as unlabelled or queer a fair amount, it really just depends.

Leon: Romance and sex averse aroace. Again, I just want representation and think he’s cool. I’ve seen him shipped with others, but I tend to default to aroace Leon in my own works more than anything else. Occasionally I’ll give him a qpr but it just depends on what I’m writing.

Gwaine: aromatic pansexual, he likes flirting but I think the idea of a permanent long term relationship would be “the one to tie him down” and it never entirely fits right. I’ve seen him shipped with Percival, I love that but usually if I’m writing it, I’ll have them in a qpr. I think he definitely feels low levels of romantic attraction but not enough to want a romantic relationship with someone, he loves so much, just not in the traditional ways and writing aroallo Gwaine is always super fun.

Elyan: I headcanon Elyan as trans masc but I don’t think I’ve got any specific headcanons for his sexuality. I’ve probably written him straight slightly more than anything else, but it’s a close tie between writing him straight and bi. It never usually comes up, so maybe just unlabelled or queer. I don’t know, he’s just Elyan. That’s all really.

Percival: I know in canon he had a wife and kids, I write him as being gay more than anything else, but my main headcanon tends to be that he’s bi or pan. Purely based on vibes but if it’s not relevant to the plot, I won’t bother mentioning it.

[rainbowdaisy13]

TTPD The Anthology Summary Part 1 *IMO*

This is viewed through a queer lens because I believe she is fucking done playing nice so now she’s throwing it in our faces—FUCKING SEE ME

1) Fortnight—

I was supposed to be sent away but they forgot to come and get me/I was a functioning alcoholic till nobody noticed my new aesthetic

*MIGHTY GOD we start right out the gate sad as hell—no one noticed her queer flagging both quiet and loud and that pushed her from being a functioning alcoholic to a not functioning one. She then says to the fans who refused to acknowledge her truth “I hope that you’re ok but you’re the reason” FOR ME BEING INSANE

*Mentioning wanting to kill people that’s a first and I love it

*I love you it’s ruining my life OUCH 🤕 yes that sounds like something straight people deal with 😑

2) TTPD-

*I’m sorry I can’t remember what mutual said this, but I love love this as coming from Karlie’s perspective. It absolutely fits. She ground Taylor in a way no one else can

*First mention of suicide—both can’t live without the other

*Were crazy—owning the demons together

*The wedding ring line—GOD

3) MBOBHFT—

*I see this one as Taylor viewing herself as a commodity, also as someone who is broken and needs to be fixed so that she remains lovable. It also gives me Cardigan vibes without the redemption arc

4) Down Bad—

*Love this Alien Abduction theme. Melody is even spacey sounding. The entire song uses alien motifs and I adore it. Fave line “they’ll say I’m nuts if I talk about the existence of you” Brilliant 👽 Also the concept of an Out of this World Love

5) So Long London—

*Cool opening—beautiful when they layer her own voice

How much sad did you think I had in me? 😫

*I see this song as a My Tears Ricochet 2. Taylor giving all her youth to someone for free. You say I abandon the ship but I was going down with it—I truly believe she tried and begged them to let her come out for years and she was always shot down—2 graves 1 gun, more murder imagery

*So Long London, so long Big Machine

6) BDILH—

Absolutely beautiful and heartbreaking song

These people only raise you to cage you 😫

*Sarahs and Hannahs/braided hair/church/Elders making decisions—giving cult/LDS vibes

Stay away from her -Elders are yelling this—to who? Taylor? So Taylor needs to stay away from HER interesting

*Shed rather burn it all down than listen to them complain about her sexuality and how it impacts them

My good name, it’s mine alone to disgrace —absolutely shots fired at Scott Swift

*Soliloquies line is incredible—“I’ll never see” is such a burn 😆

*This isn’t a phase, this is who she is!!

*YOU AINT GOTTA PRAY FOR ME!! GET THEM ALL BITCH—SHOW THEIR ASSES

*This is my choice!!

GET 👏🏼 THEM 👏🏼 ALL

NO YOU CANT COME TO THE WEDDING PERIOD

7) FOTS—

*Pretty Baby, much like Babydoll is reserved for women and gay men and theys and thems. We don’t call straight men this 😒

*Fresh out the slammer—realllly trying to get these idiots to understand that she’s felt jailed /caged/trapped

My friends…Watch me daily disappearing 😫 fuck

Wearing Imaginary rings 😫😫😫 Says hello to paper rings says hello to imaginary lockets

*It’s gonna be alright she did her time!! 🥹

8) FLORIDA!!!—

I adore this song—my second fave on the album and absolute fucking banger. So glad Florence agreed to this they makes an amazing duo vocally—main vibes—Florida is the place Taylor wants to go to fucking escape the mess she lives in day to day. Anything goes, everyone is there hiding from something—the law, family, winter—nothing is too weird or unaccepted—and a certain someone has a house there 😎

My friends all smell like weed or little babies 😆

Florence’s verse is chefs kiss—Earl had to die vibes, watching bodies sink into the swamp, just full on misandry I LOVE IT—is that a bad thing to say in a song?? 😆 GET THEM ALL

Also I bet this song made Swifties uncomfortable 😆

FUCK ME UP FLORIDA 🤘🏼🤘🏿🤘🏾

9) Guilty as sin?

The Gay Longing/Gay Sex Song

*Another* suicide reference—but she’s just joking right swifities?

👀

No no that’s fine she just described an orgasm and if she’s not touching the person, let’s assume the pic below ⬇️ is like HEY THIS IS THE SEX IM SPEAKING ABOUT—it’s very much giving The Man pose for getting dome👀

And then the Jesus reference is just chefs kiss—gay sex is seen as sin and unholy by idiots and she said ok then bitch, what if I tell you the sex is so good we ARE what’s holy??

👀

She literally said messy top lip kiss and got away with it like 😆😆😆😆😆😆😆

10) WAOLOM—

I just……this may be my favorite song of hers ever. It’s absolutely incredible in its intensity, rawness, and truth as well as being a banger

Every lyric screams her pain

My bare hands paved their path/you don’t get to tell me about sad/ If you wanted me dead you should’ve just said

I leap from the gallows and I levitate down your street —Witch Imagery again!!

WHOSE AFRAID OF LITTLE OLD ME

👹YOU SHOULD BE 👹

Shots fired again at Scott Swift!! Let’s hear one more joke—they mocked her pain because they truly thought they could convince her she wasn’t gay 🫥

GODDDD 😫

Put narcotics into all of my songs—“a drug or other substance that affects mood or behavior and is consumed for nonmedical purposes, especially one sold illegally—a drug that relieves pain and induces drowsiness, stupor, or insensibility”

SHE SAID I HAVE TO USE MALE PRONOUNS AND FAKE REFERENCES TO MEN IN MY LYRICS SO YOU IDIOTS STAY STUPID AND HAPPY

and that’s why you’re still singing along 😎

Just WOW

Brilliant and Heartbreaking and RAW

🤍🤍🤍 We love you Girl 🤍🤍🤍

[casmick-consequences]

Black Pete, my beloved

This is just gonna be a post where I talk about Black Pete from 'Our Flag Means Death' and his arc on the show (so far!!!!), as well as what he means to me. (And by post, I mean essay, lol. I'm passionate.)

So right from the get-go, you immediately see the kind of character Pete is set up to be. Stereotypical rugged pirate, very much "I live to loot and plunder and I eat danger and bloodshed for breakfast". He's immediately set up to be someone who is very unlikeable, and someone who you would get annoyed with fast. An overly confident macho character that thinks he's better than everyone else, yet has nothing to prove it. Think characters like Nelson Muntz from 'The Simpsons' or Eric Cartman from 'South Park'.

In episode 1, you see him being the character to effectively try to start a mutiny because he thinks the captain, Stede Bonnet, is incompetent and unfit to be a captain, even confidently stating that he'd take over in his stead because 'he's the most experienced'.

If there was one character trait to shadow all of this, though, it is undoubtedly his idolization and admiration for the dreaded and feared pirate; Captain Blackbeard. He makes up stories of him having been on his crew, and this being the reason as to why he is so skilled and great. Whether these stories are true is never mentioned, but nonetheless not a single person (except the quite gullible captain Stede) believes a word he says.

What is SO interesting about his character, however, is that all of this is just a first look into his character. It's a first impression. Yes, throughout the show he shall always have his little moments of "being a dick", but the further you get into the show, the more you see the layers of him.

We've established he's kind of a dick, he's self-centered, delusional... but under all this there's actually the sweetest core you could imagine. Whenever he does something wrong, or he offends someone, he's the first to apologize as soon as he can.

Accidentally stab Frenchie's flag during an ambitious attempt to start a mutiny? Show remorse and say I'm sorry immediately. Your captain makes someone cry? Tell him that that wasn't okay and console the crying person as soon as possible. Your captain wants to put a cursed suit onto other innocent people, just to lift the curse from themselves? Question it because it makes you feel like a horrible person.

And even to Stede himself. In Season 1, it was pretty clear that Pete did not think anything of Stede. He thought he was dumb, incompetent etc etc and loved NOTHING more than the idea to get rid of him. But then in Season 2, where a very offensive comment is made towards Stede by the newly-back-from-the-sorta-dead scribe, Lucius Spriggs, who now holds a vendetta against Stede because he's indirectly the reason Lucius had to come sorta back from the dead in the first place, you see him like this:

He is visibly uncomfortable here, while in season 1, he would've jumped on the Anti-Stede train in a SECOND. But here, he just sits and tries to kind of get rid of the thick tension of that moment, and get the negative attention away from Stede. GROWTH.

Not only that, but (and this is gonna be an insanely weird opinion of mine but hear me out): out of all the crewmembers on Stede's ship, I might say that none of them are as much like Stede than Pete is. Stede is quite dumb, quite gullible, obsessed with Blackbeard, very much wants to be a "big, strong pirate" and despite all of this still manages to be kind to the people around him and makes sure to take care of others just like he takes care of himself. To me, that sounds just like Pete.

And, maybe one of his most redeeming qualities:

He is the sweetest, most loving and most caring partner on the ship.

Lucius is pretty much what you think of when you hear the words "sassy gay sidekick". He's sassy, he's queer, he's confident, he's very flirtatious and basically the LAST person you'd think to pair with Pete. He's also immediately portrayed as likeable, and is understandably one of the absolute favorites in the entire fandom.

They sound like the crackiest pair of them all. And yet somehow, they work perfectly together. They balance eachother out like two sides of the same coin. What Pete lacks in self-awareness, Lucius got enough for the both of them. What Lucius lacks in pirate skills, Pete has heaps to keep them both safe. And so on and so forth.

Throughout the show, Pete has learned to put someone else before him for once. It used to always be him as number one, but it becomes very clear that he now has a new number one. His number one.

There are lots of reasons why this relationship in particular means a lot to me. The main one being the way that they are perceived in the show.

Pete has a cleft lip, a bit of a lisp, a bald head, and overall just isn't what you'd normally expect from a TV show that depicts gay characters. He's average-looking. He's just some guy. And despite all of this, he gets to be in a sweet and loving relationship with his cute boyfriend who loves him, adores him, and looks at Pete like he's the most beautiful thing in the world.

Lucius himself isn't really that conventionally attractive either, but this fandom definitely perceives him better than they do Pete. Which is apparent in the way they pair him up with other, more conventionally attractive people, which is upsetting but hey. That's how the world works, I guess.

But it's the way these two are not perfect in any way, they're just two dudes on a ship who happen to be in the most beautiful relationship imaginable. Their relationship isn't perfect either, but it's perfect enough. They're just like a regular couple you'd see anywhere in real life. Nothing too fabricated, and it all just feels so real. Which is also why they remind me so much of my personal relationship with my beautiful, amazing partner whom I love more than anything in the world. The Lucius to my Pete.

Pete means a lot to me because, aside from having the best oneliners in the show and making me want to study him in a lab, in a way I see a lot of myself in him. I like to think I'm not nearly as delusional or self-centered as him, but the way he engages with the world around him feels just so familiar to me.

He's a bit dumb most of the time, and he's prone to make mistakes, but he always means well. He keeps up a hard, rough exterior to be able to protect his loved ones and look tough to others, yet in his core he is so incredibly sensitive and caring He found love in a place and time where it pretty much could've been impossible, and he spreads that love as far as his bare, sleeveless arms can reach.

He's a dick, but he's my dick. He whittled his boyfriend a damn finger, he deserves to be a little obnoxious every now and again as a treat.

So yeah. Black Pete does not NEARLY get the appreciation and recognition he deserves. And neither does his relationship with Lucius. And I wanna thank Matthew Maher for his incredible performance of this incredible character. Thank you!

(Also he's trans because I'm trans and I said so <3 ok bye)