#both are a mix of green black and blue

[novelist-becca]

Idk if it’s just me but The Matrix and Twilight movies kinda have the same color palette

[softgrungeprophet]

me designing characters: turquoise! purple! black! red and gold!

[byanyan]

WHAT COLORS MAKE UP YOUR NAME?

[knight-says-ni]

Alternative genderqueer flag!

[lamaery]

It's alright Dalinar, babe, he got this. ------------------------------------------------------------------------- image description: A loosely scribbled and coloured comic page with several panels in four rows of the scene in Words of Radiance in which Kaladin joins the duel in the arena. The background in the panels is painetd very patchily implying the seats of the arena with half roofs offering shadow from the sun above. The first row has two panels, on the left we see an agitaed Dalinar, in his blue uniform with gold and white trimmings, as he leans forward, hands on the wall of the dueling pit in front of him, calling out "What happened to us?", "Where is our honor?". A smaller speechbubble to the side contains the words "Honor is dead". The panel to the right depicts Dalinar looking to the side to see who gave that cynical commentary. Kaladin stands there not far behind him, also in captain's uniform holding his spear and looking very grim. The next row has two smaller and on medium sized panel, they all show Kaladin from the side in profile – as Dalinar would see him. He inhales like he is fortifying himself for what comes next. On the exhale he looks down into the arena with mix of resignation and determination and utters the words "But I'll see what I can do." The speechbubble for it is already in the next panel, in which Kaladin is gazing towards us with a mournful expression as he says "If this goes poorly, take care of my men."

The third and fourth row are both each one long horizontal panel. The third row shows Kaladin as he vaults himself over the wall in the foreground. Dalinar stares at him seeming very shocked. The panel in the last row is a top down view into the arena. Kaladin stands in front of six people, four of them Shardbearers in full plate all now turning towards him. On the far left is Relis in his black plate holding a big shardblade. Adolin kneels next to him in the sand of the arena holding his broken shoulder. To his right stand Elis with a shardhammer in a grey plate, then Adrobar in a orange one with a blade. Further to the right is Jakamav in his green plate and the king's blade, Renarin standing blade- and plateless next to him.

[tojipie]

˚ ✧ content: first-time parent toji, doctor reader, fluff, brief mentions of injury

“oh— hey! found one more for you down the hall.” a dreaded patient chart is thrust into your arms before you can tell the cheery nurse that your shift is already over. 

“great,” you mutter, tiredly scanning the stack of paperwork as you make your way down the hall. it was way too late for this. 

2-year-old male, already triaged and x-rayed. drove in by his dad about 2 hours ago. nothing too extensive, wouldn’t take more than an hour to get him sent home. 

soft cries greet you at the door to the examination room, a hushed voice— his father— attempting to console the child.

“megs, c'mon. you’re gonna be okay! these are good people.” the older man whispers, sighing as the toddler’s sobs only grow louder.

your knock silences them both, the little boy trying to put on a strong face for you despite the little sniffles wracking his chest. 

the kid is a carbon copy of his dad, donning the same shaggy black hair and big green eyes. the toddler looks up at you hesitantly, long lashes slick with tears.

“see? doctor’s here,” his dad coos, feigning fake excitement as you shut the door behind you. you can hear the quiver in his voice as he says it, anxiety eating away at his composure.

first-time parent you think, cute. always more terrified than the child. always.

“how’s our little trooper doing?” you smile, sympathetic to both their states. the younger boy says nothing, wiping the wetness from his face with his good arm. poor baby.

“fell off his trike in the driveway,” the father explains, shaking his head. he was charming, soft-spoken yet commanding respect. gnarled edges of a scar gracing the side of his mouth.

“can i see? just want to have a better look at the injury site,” you say calmly, snapping on a pair of blue gloves.

“show her where it hurts kiddo,” he asks tenderly, wincing as you take the ice pack off to expose the child’s swollen wrist.  

megumi looks up at you curiously as you examine the injury, exhausted from a mix of pain and sleep deprivation.

 “mama?” he mumbles, idly kicking his feet in his father’s lap.

“no bud not mama.” the older man laughs, clearly embarrassed. you feel your heart twinge just a bit at the adorable show of confusion.  

“no broken skin, the joint is still aligned too.” you say confidently, placing the ice pack back. “likely not a break or a dislocation but i’ll look at the x-rays just so we’re positive, sound good?”

the father nods quietly, hugging his son to his chest.

“his mom was never in the picture, s’ hard handling him alone,” the older man doesn’t follow up on his comment, leaving it at that.

you nod. “i’m sorry.”

“toji,” he mumbles.

“i’m sorry, toji.”

it doesn’t take long for you to go over the blue images. an intact bone stands out against the illuminated wall, not a break thankfully. the stranger catches on soon enough, tension leaving his body at the good news. 

“looks like it’s just a sprain,” you say, pointing to the image. 

“see that kiddo?” he whispers, turning the little boy’s head toward you. “s’ nothing.”

“nofing?” megumi mumbles, clearly too tired to pay attention anymore. shy as a bunny.

“you’re gonna want to ice and elevate for at least the next two days, you should see a full recovery by then but if not i want you to come right back, okay?” you explain.

the father nods, propping his little boy down on the floor as you type out your post-visit instructions.

“say thank you to the pretty doctor megs,” he encourages, chuckling as the little boy waddles over to hug your leg with his good arm. so incredibly tiny. 

pretty huh? you could get used to that.

“fank you.” his sweet voice latches onto your tired heart and melts you from the inside. megumi slumps down against your shoe as sleep takes over, caught under the arms and swept into his dad’s arms in an instant. 

[hypewinter]

Hal bent down as the little girl approached him. Even then, he still managed to tower over her with how small she was.

"Hey there little lady," he said. "Anything I can help you with this fine evening?"

The little girl looked at him anxiously, fiddling with her hands. Ok so not a nervous fan. Hal immediately switched to serious mode, scanning the crowd for anyone who could be her parents. He didn't see anyone running up to the two of them or even so much as keeping a watchful eye from a distance.

"Is something the matter?" Hal questioned, making sure to keep his voice even and calm.

The girl continued fidgeting, her big blue eyes scanning from side to side. Finally she spoke. "You wiff da space po-eece yes? Not da am-ear-ree-ca one?"

Hal smiled at the girl. "Yes, I'm with the space police." Honestly that was oversimplifying the Corps a little but he had long since gotten to citizens calling him a space cop.

The girl offered up a small nervous smile of her own. "So you won't tell da gov-ment what I tell you wight?"

Hal was on high alert now. Just what was this little girl trying to tell him? "I won't tell. I promise," he said after a second.

The girl broke into a big smile at this. "Really? Dis way den." She started tugging Hal along and he began to follow.

"Where exactly are we going?" he asked.

"You see," was all she replied.

Hal was led down a couple different alleyways and was beginning to think he was walking into a trap when they reached an abandoned building. The girl dashed in and up the old rusted stairs, with Hal following closely behind her.

If this really is a trap, I'll never hear the end of it from Batman, he thought morbidly as he cleared the last step. Instead of finding himself facing an ambush however, he saw a boy curled up on an old mattress. The girl was already by his side as Hal approached.

"Don wowee Danny, I got help. Like I said I would," he caught the little girl whispering as he knelt down next to the boy. He had to have been older than the girl. Three years older maybe? Yet he was still so small. Hal took sight of his condition. He was in pain. That much was certain by his little face scrunched up in agony and his quiet moans. He was also sweating profusely. His raven black hair sticking to his forehead. Fever maybe?

Hal continued his observations as he scanned down the boy's body until he got to his stomach. The boy was clutching it and Hal could make out blood bleeding through from underneath. Oh no.

He quickly yet carefully removed the boy's arm to get a better look at the wound. The kid let out a groan as his arm was peeled away. Hal couldn't help but thank Oa for all his training that helped prevent him from letting out a gasp.

The boy's chest was covered in blood. Dark red mixed with flecks of green soaked through his shirt and there were bandages that had been amateurishly tied around the wound.

"How did this happen?" Hal asked, turning back to the girl. He did his best to keep his tone as gentle as possible.

Her smile was gone now, and her eyes welled up with tears. "He pwotected me," she said. "Dey wanted to huwrt us. Dey shot at us. Danny pwotected me."

Anger boiled within Hal. Who would shoot at these children? They were only little kids. If what the girl had said earlier was anything to go off of, the answer had something to do with the government. He would have to take care of that later though. For now, this boy needed medical attention.

"Let's get Danny to a hospital," Hal said resolutely, as he got up.

"No!" the little girl screeched. "No has-pee-tail. Too dan-er-us!"

"But he needs-" Hal started but then he met the girl's eyes. There was abject fear in them. As if going to the hospital would be a death sentence for both children. Where else were they supposed to go though? The boy- Danny needed medical attention stat. That much was certain.

Hal paused. There was one place. He sighed. Batman was going to kill him for this.

"Okay okay. No hospital. But what about space?"

"Space?" the girl repeated.

Hal nodded.

The little girl smiled. "Danny lobes space!"

"Well then. That's perfect."

Hal constructed a new bed for the boy, carefully easing him onto it before putting a protective dome around both children. The little girl giggled as he lifted them up. He then turned to the wall where he created a giant hammer to knock it down. Then they were off. Flying higher and higher, towards the atmosphere. As the Watchtower got closer in sight, Hal couldn't help but groan. Taking civilians to the Watchtower? Oh yeah, Batman was definitely going to kill him.

[writingwithcolor]

Black woman’s skin turns blue from powers; is this whitewashing/erasure?

Anonymous asked:

I have a character in a comic I'm hoping to write one day. She's a light skinned black woman(she's half white if that helps!) living in New York City during an 80s themed post nuclear apocalypse. The comic's main characters are all rock stars, so a lot of the character design elements revolve around the different rock genres. The character in question is in a glam rock band, so there's lots of bright, saturated, crazy colors involved in her design. The problem I'm having involves this one story beat where she gets mutant superpowers that give her electricity and sound based abilities. Her skin turns cotton candy blue as a result of the mutation. I'm hung up on whether or not this might fall under some kind of skin lightening or white-washing trope since it's a fairly light shade of blue. I designed her mutant look before her human look, so this was well before I'd even figured out what race she was, and I simply thought the shade of blue would compliment both the electricity powers and the fact that her hair is dyed pink. Is there a way I could still make this work? Or am I worrying about nothing?

Ideally, it would be nice to keep her brown skin tone. There’s a common comic and supernatural trend where Black people’s skin is covered up by a suit or Black-coded characters are an unnatural color (blue, green, purple, etc).

This is more of an issue when: 

There are no other Black characters of those identities besides the covered up/ ones with unnatural skin colors.

The creator adds this change to make them "special" because they do not believe Black characters, with features commonly associated with Black people like dark hair, skin and eyes, are acceptable enough for the character to stand on their own.

The supernatural special Black people are treated well by the story. The "non-special" Black people have unhappy stories and misfortune.

Other races of characters do not get their skin covered up or changed. Only the Black ones and/or BIPOC in general.

I think a quick fix for this would be for her skin to turn blue when she’s actively using her powers, at random, or other specific times, besides constantly. If she needs to be more consistently “mutant looking” Are there other ways she could change without her skin color changing or changing completely?

People with glitter on skin, light surrounding their face, and blue braids. Images from pexels.

More ideas that keep her skin brown

Hair

Her hair color changes blue or your color of choice (which could include body hair too, which would give her a more “otherworldly” appearance).

Note: If her hair is curly or natural, please keep it so! At least, the powers shouldn't change it straight.

Eyes

Her eyes glowing brighter or colorfully during power-use.

Note: If they're usually brown, they could stay brown when powers not in use, like Marvel's Storm in some versions.

Storm by Marvel Entertainment//20th Century Studios.

Skin and body

Blue patterns appear on her skin.

Blue glow or sheen to her skin without fully changing the color.

Her skin projects color and light.

New growths or changes to body, such as ear shape, wings, etc.

No matter what you decide, please make clear in your tale that she’s a Black mixed race woman. And have fun!

More reading:

How Special is Too Special? The Politics and Characterization of Stacking Special/Abnormal Traits on Mixed Race Characters

~Colette

[evermore-fashion]

Met Gala 2024: My Top 8 Women's Looks

I can't believe it's been a year since I did this but here we are again, digesting all the looks from this year's Met Gala theme "A Garden in Time." Those that attended either met the brief, passed with flying colours and played this year's grand staircase and others didn't. Originally I was going to do top 5 but after going over every look on Vogue the list grew into becoming my top 8. As always my opinions are my own and not gospel. So please don't take what I say personally and let's remember that fashion is a form of art and art is subjective. 1. Mona Patel wearing Iris Van Herpen Holy shit this look was off the scale and I'm not being over dramatic either. I saw the gown this morning and loved it on her, but when I saw that it had MOVING PARTS and that she was styled by the iconic Law Roach, I was floored. This man is a stylist genius and Mona looked stunning from head to toe. 2. Zendaya wearing Maison Margiela by John Galliano I wasn't a fan of this look when I first saw it but the more I do look at it the more I love it especially in comparison to her second look. I just love that the gown is not black with the mix of green and blue making the gown standout. Plus I love seeing subtle details that fit the brief but aren't tacky or garish. 3. Lana Del Rey wearing Alexander McQueen Lana's overall look was giving me witch queen in the woods and I loved it. It was dramatic, bold and stood out amongst the sea of boring gowns and suits that resembled a large funeral procession. Plus it's Alexander McQueen, the fashion house that blended art and fashion together and is still iconic after Lee's passing. 4. Taylor Russell in Loewe Sometimes less is more and Taylor Russell's look was just this and I thought it was beautiful, especially the wood grained inspired corset. We all know what it represents and paired with high end fashion it was both perfect and different. 5. Tyla wearing Balmain This gown might've looked boring at first glance or even close up but the fact it was made of sand blew my mind. I love the fact that it represented the theme perfectly but wasn't about flowers, trees, birds or bugs, but the earth we stand on. Also I just love the fact that Tyla's purse was an hourglass with sand in it representing time itself. GENIUS! 6. Emma Chamberlain wearing Jean Paul Gaultier This was another gown I wasn't mad on when I first saw it. However seeing everyone rave about what the gown represented made me fall in love with it and thats... roots. Again I love the different take on this year's theme and the fact that's brown lace as oppose to the usual black or white. 7. Elle Fanning wearing Balmain and Cartier I just love the fact this gown looks like a water fountain thats been frozen in time and I think it's ethereal to a tee. The way the gown has been sculpted is just mind bogglingly beautiful and could easily pass for blown glass. All in all it's a stunning gown and suits Elle perfectly. 8. Alia Bhatt wearing Sabyasachi It's not often that you see gowns that represent a culture especially at the Met Gala but this one was a true standout. The amount of detail from head to toe and the soft colour palette just made me fall in love with the whole ensemble the second I saw it. It's tradition and culture that meets high end fashion and art and I love it.

[biorust-art]

Moving forward, but not on.

-

The scene where Dorian stood beside Keyleth struck me so hard i spent days working on portraits of the leaders together. Also, Dorian's in heels.

[Image Description: A painting of Dorian Storm and Keyleth of the Air Ashari from Critical Role. Dorian stands to the left, his hair up in a greek ponytail style with a gold band around his forehead keeping everything in place. He wears a light gold, sheer shirt with a blue velvet half cape on his shoulders. A sun brooch keeps the cape in place along with a silver cord and a gold cord. The gold cord has fallen below the silver one. Dorian also has blue flowers tucked in his hair. Keyleth stands with her hair flowing to the side, with tired eyes. She has her iconic antler crown and oak leaf mantle which colors from green to orange to red as well as her blue dress on. She has a black feather earring, which also flows in the wind. Both look off camera with a mix of pride, determination and anger. End ID]

[packsvlog]

ᥫ᭡ . ֺ FUCK IT, GUESS WE BOTH AIN'T SHIT.ᐟ

⠀ ╰ 𝐟𝐰𝐛!𝐠𝐨𝐣𝐨 𝐱 𝐲𝐨𝐮.

. ֺ﹢ cw: smut ╱ modern!au ╱ no protection ╱ reader has a past with toji and geto ╱ satoru unlocks a new kink, breading. ╱ brat!reader ╱ jealous!gojo ╱ possessive!gojo ╱ friends with benefits ╱ alcohol ╱ fingering ╱ minors dni. ╱ pussy drunk!gojo might need to settle down for you.

. ֺ﹢ a. n: am i slowly becoming a smut acc? who knows. @emilyywhyy 2.5k words.

neon lights have always complimented gojo’s beauty. unfortunately, the bastard knew that. under the green and blue tones, with his black shirt buttoned down, a red cup with beer decorating his hand while the other kept sliding over a random girl’s body. still, his eyes could only focus on you. as if begging for your attention.

it’s common knowledge that he wants and need you to act on it, to push the girl away and take him somewhere else. the thing is — he will soon learn — two can play this game.

when you turn around, walking away in the mini strapless black dress that he bought, your last vision of him is the smirk being replaced by annoyance. like a predator, you hunt the house halls before coming to the kitchen, where he can have the perfect view of your animalistic movements.

you pass your hands on suguru’s back, he stares at you over his shoulder, a smile that says it all — he knows what you want, what you are there for. not many parties ago, you managed this goal, and the consequence was a large bruise on your ass.

" not this time, lovely. he will kill me. " geto whisper too close to your ears, he holds your waist for steadiness, laughing when he catch you pouting. " go for toji, he doesn’t give a fuck about satoru. "

following suguru’s gaze, you see the strong and large back of fushiguro toji facing you, while he grabs vodka and gin, mixing it like a deadly poison. in a trance, you move his way, hearing your friend laughing behind you. you stop by toji’s side, staring at his mixing with wonder, while sensing many eyes on your back — specially gojo’s.

" watchu doin’? " toji snorts at your question, handling you his cup before deciding against it, he slaps your waiting hands away and bring the cup to your lips. you take a gulp out of the venom, staring at him with doe eyes, before moving your head away. " that’s awful, toji! "

" that’s a party drink, not those fruity things you keep drinking… " he stares at something behind, sipping his cup like it’s water before smiling, back at you. " … or beer. "

he means gojo, of course. satoru doesn’t like any alcohol, but he keeps sipping on beer to seem normal, you could guess. deciding to not indulge in toji’s antics, instead grabbing his cup and sipping on it again. doing your best but failing to not make a face.

" what are you here for, doll? " toji leans on the counter, grabbing your hips to pull you closer. " trying to make a show for your little boyfriend? "

" maybe… " ignoring the title he gave satoru, you move your arms to his strong shoulders, feeling the muscles under his shirt. " although, i would not mind having you this night. " one of your hands move down, scrapping his neck and chest.

toji laughs, drowning his drink in three gulps, he throws the cup somewhere before grabbing your waist and putting you on the counter. legs open for him to settle between them, he gives you no more words to say before roughly kissing you. tasting the alcohol on his tongue like a poison you would willingly take, hands moving to pull his short black hair, you almost forgets your plan for the night.

good thing is gojo satoru does not forgot his.

the party goes silent, making toji groans while separating himself from you. you both stare behind, where gojo is leaning on the opposite counter, crossed arms with veins popping.

" you’re fucked. " toji pecks your lips, departing himself from you and grabbing the nearest bottle of whiskey he can find, then he vanishes.

gojo replace his position in between your tights before you can even close your legs. his strong hands goes straight to your hips, already hurting a bit. oh, you really are fucked.

" what the fuck was that? ” he asks when everyone else goes back to their drunk lives. " you were almost fucking each-other on my counter, my party. " he is trying to say that you are his as well.

" that’s none of your business, gojo. " you push him away, getting off the counter and walking to the second floor. he follows you, of course.

you tried to block his entrance from his bedroom, but gojo has always been stronger, specially when he is mad. he goes inside and sighs at you, sitting on his bed and staring at the window.

" why the fuck you keep kissing my friends, mhm? " he locks the door, then moves to be in front of you. his long fingers on your chin obliging you to stare at him. " c’mon, baby. talk to me. "

" why do you care, gojo? " his grip grows tighter, he doesn’t like when you call him that. " it’s not like you weren’t doing the same, before me might i add. " you slap his hand but he puts the other on the same place right away.

" it’s different, i didn’t kissed her. "

" you were about to, don’t lie to me. " grabbing his arm, you push him to fall on the bed, immediately strapping him. " we shouldn’t care about that anyway. " you start to unbuckle his pants, while satoru stares at you confused. " we’re just friends, right? "

" friends don’t fuck each-other. " he counterparts.

" some do — we do. " he groans at your statement. " stop whining, satoru, you wanted this, remember? something along the lines of being too young to settle down. "

" that’s ‘cause i’m a dick, princess. i keep making terrible choices, actually. " his hand move to rise the dress up to your waist. " you’re so hot, why can’t i have you only for myself? "

" you can. " moving closer, you avoid his lips by kissing his neck multiple times. " if you became only mine. "

" can’t do, princess. y’know we won’t work like that. "

" you’re right, baby. we both ain’t shit. " you laugh, deciding to spare you both from this misery and kissing him deeply.

instinctively, gojo responds to the kiss right away, and his largue hands move to your hips. he dictate your movements over his bulge, gasping with the feeling of your clothed pussy on top of him. when you move your lips to his neck again, gojo decides it’s the perfect time to reprimand your actions early. not caring that he was basically doing the same, it was never a secret how hypocrite he could be.

taking you by surprise, gojo shifts both of your positions quickly, somehow you end up on all fours, hands behind your head pressing it to the cushion. your protests turn into a moan, when his other hand starts to massage your pussy over the red lacy, also something he bought for you.

" i bought all of this for you, even the fucking jewelry and shoes, and you were going to let toji see it all? " he asks while moving the underwear aside, penetrating one… two.. three of his long fingers.

" actually, geto was my first choice, but… argh! " a hard slap on your ass cut off your little unnecessary rambling, you tried to hide your face and victorious smile on the sheets, but satoru held your hair in a fist, pushing you towards him, making his fingers go more deeper in you, ‘till his knuckles.

with a irritated face, satoru starts to move it upwards, curling them perfectly to that spot only he can reach. violently and soo good, you can feel the build up of an release he won’t let you have anytime soon.

" shut the fuck up, yn — this is where you’re weak, right? " he growls as his fingers continue to move fast inside you, who desperately tries to to follow his pacing. you need him inside you, the beating pulse of his cock and head reaching where he knows you’re more sensitive.

gojo’s hold on you vanished, you stared over your shoulder to see how entranced he was with your ass jiggling. he was so easy to distract, as much as he was to irritate.

" don’t worry, baby, i can fuck them, but i’ll always come back to you in the end. " you smirk and suppress a giggle by biting your lips when a second slap arrives after your statement.

gojo knows how amusing this all must be to you, he used to think the same, both of you using your terrible manners to have a more rough hookup. yet, now, for some fucking reason he doesn’t like any of it. you’re dressed for him — by him, in his house, his party. fuck, you are his.

" how ‘bout we try something different today, baby? " he raises your dress higher to your chest before ripping your underwear to shreds. your protests is hidden behind a moan when he slaps you again. " we should do it raw today. "

" what — why? " you’re not opposed to it, satoru senses you clenching his now slow pacing fingers.

" let’s have something of our own. "

" o-okay, baby. " you’re not scared, but a bit anxious, maybe. it’s your first time without protection, and it’s also a little dream you’ve had for a while, but only with gojo.

he smiles triumphantly, before removing his fingers and bringing it to your waiting lips — so well trained, he thinks. you suck on them like it’s his cock, slobbering over it with doe eyes on him. you’re begging for more, he knows it right away. cooing you with pets on your head, he goes to removing all of his clothes and helping you take off the dress. you try to lay on your back, but gojo hold on your hips stop you.

" no no, baby. i want you like this. " going back to the position of ass up and head down, you sigh impatient for him to go inside you.

" why are you taking so long? can’t get it up… mhmp! " your moan keeps going, just like satoru’s cock keeps parting your walls and penetrating your hot core. it’s a new feeling you both know will ruin everything — ain’t no way you’re going back to condoms after that.

he feels the same, your wrapping on him makes it all more sensitive now. with both hands on your hips, satoru knows he is bruising them with the strength to not lose control, but fuck, he knows it’s a battle to be lost with the way you whimper under him. you both are enjoying it way too much.

when gojo is all inside you, and both of your faces are red and gasping, he slowly moves his hand over your stomach, pressing onto something just inches under your bellybutton, that shakes you.

" can you feel it, baby? that’s me. " holy fuck.

he doesn’t wait for your response, with one of his hands on your back and the other on his bulge inside you, gojo starts his so long awaited thrusts. never one to be calm, they already have the bed shaking in mere seconds and you mumbling incoherent words. what satoru gets is you begging for more, for faster. and who the fuck is he if not the man to oblige to all your commands?

removing the only hand on your hips and bringing it to his bed frame, gojo uses it to have a balance and starts moving harder inside you, you scream desperate for it, glad that the party downstairs can’t hear you. his other hand won’t leave his budge alone, you thought, until you sense it going downwards to touch your clit.

" no-no, go..gojo! " it’s too much, but he doesn’t give a fuck. swiftly moving the bundle of nerves with his experienced fingers, in that way that makes your pussy grip nearly impossible to remove himself.

that’s exactly what he wants.

gojo keeps the thrusts mercifully, any beg you ask he shall comply right away. good thing is you’re not asking for him to slow down or stop, you’re as addicted to it as him, keeping the command of being tougher, harder, he knows if he moves away you will tear down him to pieces. both his hands go back to your hips, eyes addicted to seeing your exposed back and moving ass, gojo falls to another temptation of his.

the starts with small kisses on your shoulders, and soon, his wet tongue is sliding across you, leaving bite marks and purple hickeys evidently anywhere he can get. your messy brain can’t digest anything that is happening but the feeling of lust impregnating the room, so gojo takes his chances with marking you.

" ‘toru, argh! " you’re calling call him back to reality, he waits for you to say something but you’re too busy with your eyes closed and mouth hanging open. so cute, gojo thinks.

" you’re gonna cum, princess? " you nod with a gasp. " cum for me, baby, c’mon. "

following his words, gojo’s hands go back to your clitoris, instigating the orgasms faster. you keep moving towards him, meeting his thrusts halfway, and gojo starts to feel his own release coming, he swears on your ears. you both agreed to no condoms, but can he cum inside you, fill you up with himself?

he wants to ask, but you’re too occupied with reaching your own high. gojo closes his eyes, focused on making you cum and keeping himself away from doing the same, it’s a hard task with the way you wrap around him, as if trying to milk him dry, and your pretty moans of his nickname over and over, like it’s the only thing you can say in the world.

" toru, cum… in me! " you babble, moving your head so you can show him properly your begging eyes, full of fat tears. " please, please! "

" it’s okay, princess, i’ll do it. " he can sense how much more closer both of you became with this new information. " i’m going to get you so full, baby. "

always complying to his promises, gojo feels you starting to cum and follow right away, mixing both of your releases inside your hot walls, long moans being drawn from your throats, before you start to mumble and wiggle with him still inside you.

" don’t move, baby, got let it stay deep in you. " satoru’s voice is rough, as he brings you back to being filled of him, you both moan again. he lets you move to lay on your back, kissing your neck and nose while cuddling to your chest. " so pretty, so mine. "

" i’m not yours, toru. not until… " you sigh, caressing his hair. " … you’re mine. "

" oh, my baby, the moment i slide on your pussy i knew two things — no more condoms, and that i only want you. "

" we both ain’t shit, gojo. " you remark your words earlier, satoru snicker at that.

" tough luck, baby. you might not want to be mine, but i’m all yours. it’s just a question of time. " with that, he moves you both, him laying down and you on top of him. " bet that after you ride me, you are going to want to be miss gojo, right away. "

when he move his hips up, you slowly starts to believe him. you’re fucked, truly fucked.

﹙⠀ ᭡ ࣪˖ 🍋.⠀﹚ 𝟮𝟬𝟮𝟰𝟯𝟬𝟬𝟳 ⠀─┈ ⭑⠀ ͏͏

[someobsessionrequired]

OP characters

Would they let you paint their nails?

(Only MILDLY suggestive for Shanks...because yknow...its shanks)

Luffy!

You can absolutely try! He's not against it but this boy will most definitely run off about two fingers in

His color of choice was a ruby red that was supposed to get a coat of silver glitter, sadly you did not make it that far

The few fingers you did get done are completely back to normal within a day from a mixture of picking and chewing at them unconsciously

Sanji!

Is absolutely enthusiastic that you asked him! Tells you to choose whatever color you love the most so he has a constant reminder of you

Most definitely gets a nose bleed the moment you touch his hand, but other than that he sits patiently

Takes extra care in the kitchen to not damage said nails, if they flake off over time he will ask you to fix them for him

Zoro!

Definitely not overly enthusiastic about it but will begrudgingly agree after an idea hits his 2 working brain cells

He will get you to paint his two middle fingers a lime green, and will exclusively use this opportunity to flip Sanji off any chance he gets

Does not last long though within a week all the polish has chipped off

Nami!

100% down, she will request to paint yours as well afterwards

The two of you will be rocking a cute tangerine orange, every couple weeks you two will sit and touch them up again together

Brook!

He will absolutely crack a bone joke about how he does not have nails to paint

Will let you paint the tips of his boney fingers though, he would ask for a shade of blue that reminds him of his dear friend Laboon

Shockingly with a protective coat the polish stays wonderfully for many werks

Robin!

Another who is very happily down and requests to do the same for you! She will make a whole event of the time, tea, and some light reading in-between coats drying

If this becomes a regular ocurance she will mix up colors between dark violet shades and deeper pinks

Jinbe!

This man is not quite sure what you are asking of him but agrees with a hearty chuckle

When you ask him to pick a color he will ask for dealers choice, he does not particularly care about the polish but enjoys the way your face lights up when he agrees

Sadly does not last long on him ask with so much swimming it is bound to break down quickly

Ussop!

Beyond down! Another to make a whole event of the time, hair, face mask, and nails

Paint his nails while he tells you beyond Preposterous stories, the self care will be going both ways that night and by the end both party's will be refreshed

He would choose a forest green and after it drys attempt to do little designs of vines and flowers on them, to a somewhat success

Kid!

You would not even have to ask, this man would run out of his own polish and ask if you had any

A bit annoyed when you ask to paint them for him but agrees under the terms that he can make the two of you match

This man is red all the way, the more like fresh blood the better, will let you once in a while spice it up with painting his middle fingers black

Killer!

God he really did not want to at first but he is a softy and will agree after he sees your disipointment

At first he thought about matching with his captain but quickly decided against that settling on a deep ocean blue

With the amount of fighting this man gets up too it does not last long, but once a week will go to you to have them fixed up

Heat!

Obsessed with the idea! Another to have an entire self care night with you

Will pick a deep firey orange with a lighter orange glitter on top, has you help fix up his dreads as each coat drys, he struggles with the ones behind his head so that where your main focus will be

Afterwards will do the same back for you choosing for your nails to half match his, instead having a sparkly blue on top

This will become a regular occurrence

Wire!

Loves the idea, he's a man of few words so things you can do together that do not put pressure on talking are his favoites

He would wants a darker purple as to complement his outfit, after you finish he would place his hand out and after a moment of confusion you'd understand this him offering to do the same for you!

He takes great care of his nails but fighting takes its damage on them, when they get too bad he will simply approach you and hold out his hand to show how chipped they are, you get the message and fix them up for him

Law!

Absolutely! ...not...

He rejects it flat out multiple times and after so long you just stop asking...

That is until one night all the crew was drinking and celebrating their latest victory, after several too many drinks he approaches you, definitely even in his intoxicated state finds himself struggling with his words to request what he wants

After a while of anxiously waiting for the captain to tell you what he wants he simply asks you to follow him, assuming you are in trouble you are shocked to find him request such a silly thing

Happily you lead him to your chambers digging around in your bag you pull out a matte black polish

The next morning he wakes with a ragging hangover on top of the shock of his nails now painted, wants to be angry but knows it looks damn good, continues to take damn good care of them as well

Penguin! & Shachi!

Okay if you ask one they will not only agree immediately but also drag the other along

Unshocking this will not be an easy endeavor, it starts off strong with the two of them dumping out every color you own digging though struggling to choose a color

Eventually they will settle on a color each, penguin having picked and icey blue and Shaci with an almost neon orange, they request you do every other finger with each color

After you finish up they do the same for you each boy taking a hand, it starts off fine but quickly turns into the two insulting each other over how messy they paint, it turns into a competition of who can paint better

Bepo!

Often you find yourself napping and relaxing with Bepo so after a while of this you mentioned the idea of painting the polar bear's claws

He is absolutely giggling and squealing at the idea, quickly requesting for the most fun color you could think of, this boy wants glitter and do not cheap out! A light icy blue base with as many rainbow sparkle coats you can muster up

He will treasure them and keep them as safe as he can but will come to you with tears in his eyes as they peel off, give this boy a huge and fix them up for him!!

Shanks!

Absolutely will but requests you sit on his lap as you do it, this man will use any sneaky trick to get what he wants but as long as you both are happy he's winning

Wants a shade of red that matches his hair, once you finish up his hand he will ask you to do the other hand, out of pure Instinct you look towards where his other hand would be as he lets out a deep vibracious laugh poking fun at you for the rest of the night

Mihawk!

We'll say no the first time you ask but if you mentioned it a few times he will eventually give in requesting the most simple soild black you can find

After you finish them he takes a moment staring at them before nodding at you and sending you on your way

Over the next few days you'll notice anytime he walks by a mirror to straighten up his outfit he will take a moment to appreciate the nails and how well they complement his look, he may not want to admit it but you can tell he is feeling himself up

Will eventually ask you to fix them up over time as he says he's grown fond of them

Writers note!

Thank you reading! Requests are open for headcanons, fics, and really just about anything!

[lostbluejayart]

✨🔔 ‘Dew drips from my eye’

cluster of grapes. . . juiciest of fruit swells

Pour like wine🍇

where broken dreams reside🔔 ✨

[IMAGE DESCRIPTION: Illustration of a black woman with a light brown complexion, two tears streaming over her cheek. An earthy brown scarf is worn on her head, paired with round sea-green earrings. She is sitting on her knees in blue jeans, wearing a mint-green tinted bust top with long, ruffled low sleeves off the shoulders. She holds a big vase of flowers that sits between her legs. Just behind her rests a brown wolf, one eye closed while the other stares at the viewer with an eye that resembles a beautiful sunset. Two cluster of purple grapes hang in the air on either side of the woman's head, and water drips and falls off the fruit as if it had rained, making them appear delightfully juicy and delectable. Slightly above the grapes are also two patches of blue forget-me-nots that look as if they are falling from the heavens. At the top of the picture in both corners are white flowers with a honey filled center as big bells peek out from within. A blue python also slithers within both flowers, its long body connecting from one to the other. Five stars float beneath the flowers and snake while one rests just above the woman's head, and the sixth star hangs above the middle of the snake at the very top. The sky is painted midnight in dark blue tones, slowly blending into a light brown in the middle of the picture. And at the bottom lays a river of wine mixed in stars and black space, a couple of green and pink foliage sprouting from it here and there.

[venusiancharisma]

Rising Sign & Your Perfect Festival Outfit

Here are the perfect any music festival outfits for each of the 12 zodiac signs and Ascendants, with details on color schemes, materials, accents, and overall aesthetics:

PSA: Images and descriptions are both complimentary, so they may not be entirely identical, but everything is relevent.

Aries Rising: Bold and daring, an Aries rising would rock a fiery red crop top paired with high-waisted denim shorts. Accessorize with a black leather choker, combat boots, and a statement belt. The outfit screams confidence and adventure.

Taurus Rising: Earthy and sensual, a Taurus rising would opt for a flowy, bohemian-style maxi dress in shades of green and brown. Pair with a leather fringe vest, ankle boots, and a wide-brimmed hat. The outfit exudes comfort and laid-back elegance.

Gemini Rising: Playful and eclectic, a Gemini rising would mix and match patterns and colors. A graphic tee paired with a colorful, patterned skirt, fishnet stockings, and high-top sneakers. Accessorize with layered necklaces and quirky sunglasses for a fun, youthful vibe.

Cancer Rising: Soft and feminine, a Cancer rising would choose a vintage-inspired, pale blue sundress with delicate lace details. Pair with a cozy, oversized cardigan, ankle-strap sandals, and a small, cross-body bag. The outfit radiates comfort and nostalgia.

Leo Rising: Bold and dramatic, a Leo rising would make a statement in a metallic gold romper with a plunging neckline. Accessorize with a chunky, gold chain necklace, oversized sunglasses, and platform heels. The outfit screams glamour and confidence.

Virgo Rising: Clean and practical, a Virgo rising would opt for a crisp, white button-down shirt tucked into high-waisted, black denim shorts. Pair with a black leather belt, minimalist jewelry, and comfortable, low-top sneakers. The outfit is polished and effortlessly chic.

Libra Rising: Elegant and balanced, a Libra rising would choose a flowy, pastel pink maxi skirt paired with a white, off-the-shoulder crop top. Accessorize with delicate, gold jewelry, strappy sandals, and a woven clutch. The outfit is feminine and harmonious.

Scorpio Rising: Mysterious and alluring, a Scorpio rising would opt for a black, lace bodysuit paired with high-waisted, faux leather leggings. Layer with a sheer, black kimono, and accessorize with a choker, ankle boots, and a dark, smoky eye. The outfit is seductive and intense.

Sagittarius Rising: Adventurous and free-spirited, a Sagittarius rising would rock a tie-dye, cropped t-shirt paired with distressed, cut-off denim shorts. Accessorize with a woven, multicolored belt, layered anklets, and gladiator sandals. The outfit is playful and adventurous.

Capricorn Rising: Classic and sophisticated, a Capricorn rising would choose a sleek, solid & colored co-ord with a structured, cinched waist. Pair with knee high or thigh high black boots or dainty shoes, minimalist jewelry, and subtly refined look. The outfit is timeless and powerful.

Aquarius Rising: Unique and unconventional, an Aquarius rising would opt for a holographic, iridescent bodysuit paired with high-waisted, flared pants. Accessorize with a chunky, silver choker, platform boots, and a brightly colored, faux fur coat. The outfit is futuristic and eccentric.

Pisces Rising: Dreamy and ethereal, a Pisces rising would choose a flowy, sheer, pastel purple maxi dress with delicate, floral embroidery. Layer with a soft, crochet cardigan, and accessorize with a flower crown, layered, beaded necklaces, and strappy, barefoot sandals. The outfit is whimsical and enchanting.

[vampsywrites]

I — i remember her hands, and the way the mountains looked.

Synopsis: In which the Sullys approach the mountain clan for sanctuary. The Olo'eykte agrees but proposes one condition: Toruk Makto's eldest son must be promised to her daughter. Surprisingly, instead of the solemn response one would expect, Neteyam agrees almost instantaneously.

Tags: Female! Mountain Na'vi! Reader, Arranged Marriage, Sun & Moon couple, Strangers to Lovers, Neteyam is whipped

Word Count: 2.4k | AO3 LINK

SERIES MASTERLIST | NEXT >

"With the return of the sky people, our journey led us far, far up the horizon, where a towering mountain stood. Beyond the winding paths of its rocky terrain, nestled in the heart of nature's embrace, lay the village of the Iuva'ri clan—the ikran people of the mountains.

Iuva’ri was a beauty which both awed and intimidated those foreign to it. The village was tucked deep in a sheltered valley, bathed in the warm golden glow of the setting sun against the snow-capped peaks. A sanctuary hidden from the outside world. A perfect place for us to disappear without a trace.”

Flutters of the ikran's wings echoed loudly through the crisp air, alerting the people of their arrival. The once peaceful ambiance of the secluded village turned into a stir of commotion. Warriors sounded their horns, their urgent calls spreading like ripples through the village. The sight of the newcomers had ignited a sense of both curiosity and apprehension among the villagers, for rarely did travelers venture into their remote home.

As the crowd gathered at the center of the village, their gazes fixed on the newcomers, a mix of intrigue and wariness painted their expressions. Jake dismounted from his ikran gracefully, gesturing for his family to do the same. Neytiri's hand instinctively moved towards her bow, a hint of concern in her eyes. But before she could react, Jake rushed to stop her, his expression urging caution.

"Don't. Leave it," he murmured lowly, gently easing the weapon away from her grasp and tucking it back into the banshee's pouch. His mate sent him a disgruntled look in response but made no attempt to fight his decision.

"Alright. Come on," with a wave of his hand, Jake began to lead his family into the village, arms spread at his sides in an attempt to appear as docile as possible. "Let's be nice."

Neteyam followed in his father's footsteps, carefully observing his surroundings as he ascended the treacherous mountain slopes. His calculating eyes swept across the rugged terrain, taking in the awe-inspiring beauty of the snow-capped peaks and the vast expanse of the chalky landscape.

As they climbed higher, the air grew colder, and Neteyam shivered from the biting chill that enveloped them. The icy wind gnawed at his bones, and he pulled his shawl closer around him, seeking any respite from the relentless cold. This mountain was a stark contrast to the warm and humid forest he was accustomed to, and he felt the tingling sensation of numbness spreading across his exposed fingers.

As he navigated through unforgiving terrain, he found himself yearning for the comfort of home, longing for the lush green forest that offered a familiar warmth. Despite his reservations about this desolate place, he remained silent, his lips drawn into a tight line as he focused on the task at hand.

His attention was momentarily drawn away when a low whistle lanced through the air. Tilting his head up, Neteyam's gaze followed the sound, and he watched as a banshee glided gracefully through the skies. 

With a thud, the beast landed before them, sending a thick cloud of dust into the air as its rider dismounted. The rider was a tall, elderly woman, her midnight black hair contrasting against her milk blue skin. Her frosty eyes scanned their features, taking in every detail with a sharp intensity. A thick coat of fur was draped over her shoulders, and a billowing cape trailed behind her as she sauntered towards them, her expression a mix of curiosity and caution.

“Olo’eykte Ìumayi,” Jake bowed his head low, fingers extending from his forehead in a gesture of welcome. “I see you.”

Neytiri too bowed her head, gaze drawn to the ground as she murmured out her greeting, “I see you, Ìumayi.”

The woman continued to remain silent, circling them like vultures. Neteyam stood firm in his spot, his eyes never leaving the chief’s stalking figure.

Finally, after what felt like an eternity, she broke the silence, her voice dripping with a leering caution, "Why do you come to us, Toruk Makto?"

Neteyam observed his father's reaction to the title, noting how he tensed up and his face contorted into an unsightly grimace. Given that the Iuva'ri clan's culture revolved around their sacred bond with Ikrans, it came as no surprise why his title held such immense significance to them.

In contrast to her husband's visible unease, Neytiri stood tall, her demeanor unyielding as she crossed her arms over her chest.

"We seek uturu," she declared.

In response to Neytiri's words, Ìumayi whipped around violently, her expression hardening as she directed a stern glower towards them. "Uturu?" she questioned sharply.

“Yes,” Jake affirmed. “Sanctuary. For my family.”

The people around them erupted into a hushed, agitated chatter, but the chief was quick to silence them all with a snap of her fingers.

“We have heard tales of your times at war, of your blood from the sky people, and of the victories that have earned you praise among many Na'vi," Ìumayi spoke with a measured tone, her voice heavy. "But my people are not at war. I apologize, but I cannot allow you to bring your bloodshed here."

Jake's response was immediate, a mix of desperation and determination evident in his voice as he hurriedly spoke, "I'm done with war," he asserted, lowering himself to scoop up Tuktirey into his arms. The little girl sought refuge in the safety of his embrace, tucking her head into the crook of his neck. "I just want to keep my family safe."

Observing the tender scene, Ìumayi's stern exterior softened slightly, her warm eyes studying the family before her. Bowing her head in contemplation, she took a moment to weigh the consequences of her decision, fully aware of the significance of this encounter. With a heavy sigh, she finally lifted her head and made her verdict, "I will allow it."

The relief that washed over Jake was palpable, but before he could express his gratitude, Ìumayi raised a bony finger, signifying there was more to be said.

"I will allow it. On one condition," she continued, her gaze now turning towards Neteyam, holding him with an inquisitive gaze. "I understand you are the eldest, correct?"

Neteyam acknowledged the chief's attention with a nod, his heart pounding with a mix of curiosity and apprehension.

With a wave of her pale hand, Ìumayi turned to the crowd before her, calling out a name as she gestured for someone to come over. The crowd parted instinctively, revealing your figure. As you stepped closer and closer, Neteyam found his mouth growing dry once he fully took in your features.

Inky jets of midnight-black hair cascaded over your shoulders like a shimmering waterfall, adorned with an enchanting array of bioluminescent gems woven into each braid. Your skin, a mesmerizing hue of cool blue, appeared as though it were delicately bathed in the soft glow of moonlight. Jagged, milk-white stripes adorned your limbs and face in an intricate pattern, reminiscent of a celestial canvas. It was as if the very hand of Eywa herself had delicately painted them onto you.

“This is my eldest daughter, Y/N," Ìumayi spoke with pride, gently guiding you to stand by her side, a strong, protective arm enveloping your shoulders. "With the recent passing of my beloved mate, she has stepped forward, assuming the role of Tsahìk."

You took a moment to study their curious expressions, your eyes reflecting an understanding for their situation, “It is a pleasure to meet you all.”

Neteyam stood in awe, watching as you gracefully acknowledged and greeted his family members. The solemnity of your father's absence was palpable, but your calm welcome brought a glimmer of warmth to the otherwise tense atmosphere. And as you turned to face him, the warrior felt his heart leap to his throat.

“Neteyam,” you called out, his name dripping off your lips like a sweet, thick syrup. The Omatikayan watched intently as you curled your fingers, tracing your hand up from your chest up to your forehead before extending it out towards him, icy gaze piercing through his very being, “I see you.”

Fuck.

Neteyam feels his mouth go slack, skin breaking out into a cold sweat as a rich, deep warmth spreads through him. It was a simple greeting, no more. You were merely welcoming them into your village—Trying to be courteous. And yet, why is it that the way you were looking at him left a searing burn in his chest? Twisting at his heart and sending his pulse into a rapid thrum until he could barely breathe?

Both Lo’ak and Kiri observed his reaction with amused grins. To knock him out of his trance, Kiri roughly shoved at Neteyam’s side, gesturing towards your awaiting figure. Almost immediately, he grounds himself, cheeks burning into a dark indigo.

"Tsahìk Y/N," he uttered shakily, his fingers clumsily returning the respectful gesture. His heart pounded blaringly in his chest as he gazed at you, trying to steady himself in your presence. "I see you."

Your smile, gentle like a soft breeze, acknowledged his greeting before you turned your attention back to your mother.

"I have reason to believe that this meeting with Toruk Makto's family is fated," your mother spoke out, "Many nights ago, before his death, my mate was blessed with a vision from Eywa herself. In the sacred embrace of dreams, the spirits revealed to him a profound prophecy of two clans uniting as one—a woman and a man forging an unbreakable bond."

The words of their chief hung in the air, and a hushed silence fell over the gathering as the significance of her statement registered with everyone present.

"As you all know," she continued, her gaze sweeping across the crowd, "I am not getting any younger, and my time draws nearer to its end. And I remind you all that the weight of this responsibility was not one I bore alone; a Tsahìk needs an Olo’eyktan by their side."

A moment passed as the implications of her words settled into Neteyam's mind, and then realization dawned on him.

"This vision bestowed upon my mate," she began, "is not to be taken lightly. It is a direct call from Eywa herself, and as I stand before you today, I believe that the very individuals foreseen in that vision are here before us."

Ìumayi's gaze locked onto Neteyam, her eyes seeming to peer into his very soul. "With Eywa's guidance," she continued, "I propose a union between my daughter and Toruk Makto's eldest son."

The people around them erupted into chaos, their voices rising in a cacophony of opinions. Some had cried out in agreement while some were outraged at the idea of an outsider leading the clan. And as the concerns of his parents too filled the air; Neteyam felt a tumult of emotions within him. He knew their apprehensions were driven by love and care, yet there was an unexplainable energy surging through his veins, compelling him to step forward, to embrace the path laid out before him.

Before he could fully process the weight of his decision, his lips moved with a life of their own, the words escaping him faster than he could think, "I accept."

The crowd falls deathly silent at his declaration.

As the weight of his own words settled in, a storm consumed Neteyam. Accepting this union had been an unforeseen choice, one he had never anticipated making. It led him down a path he had never imagined walking, and uncertainty clawed at the very core of his being. 

And yet, as he turned to look at you, he found these worries falling silent. The sight of you ignited a surge of emotions within him, an overwhelming rush that defied comprehension. It was as though an irresistible, magnetic force was drawing him closer to you, as if every beat of his heart called for your name.

The warrior heaved a sigh, lowering his gaze to the ground and bowing his head as a gesture of respect to your mother.

“I am willing to accept this union," Neteyam affirmed, his eyes flickering back to meet yours, "Only if she will have me.”

Lo’ak's lips twitched, a hint of a grin threatening to break free, but he bit down on his lips, holding back the laugh that threatened to escape. His gaze met Kiri's, and they exchanged a knowing look, both equally amused and astonished by their older brother's unexpected behavior. Neteyam had always been the pillar of stability and composure in their family, making his impulsive acceptance of the proposal all the more surprising.

Lo’ak turned to glance at their parents, noticing his mother's eyes which were wide with concern. It was evident that she wanted to say something, but their father subtly pulled her back, silently urging her to hold her words for the moment.

Neytiri took a moment to study Neteyam's face, the resolve and determination etched across his features. Their gazes locked, and she saw a depth of conviction in her son's eyes that she hadn't witnessed before—a fierce certainty that he had made the right choice, even if it was sudden.

In that moment of silent understanding, Neytiri nodded her head, her concerns momentarily quelled. "If that is what he wishes," she said, her voice softening with acceptance, "we will support him."

Ìumayi’s smile grew slightly wider, her eyes shimmering with approval as she turned her attention to you. "Good. Now, ma’ite, what say you?" she inquired, her tone gentle yet expectant.

The world around you seemed to blur for a moment as you locked eyes with Neteyam, the unspoken bond between you both intensifying.

From the days of your childhood, you had already accepted the prospect of a planned marriage, or at best, one founded on companionship. To you, as long as your partner proved amiable and undemanding, it would be enough. And yet, you could not have even begun to imagine that you would end up in a marriage with Toruk Makto's son.

In the face of the unexpected proposal, you responded with a firm nod, your voice steady with conviction, "If Eywa wills it, then I shall accept as well."

The sight of Neteyam's smile and the exuberant whip of his tail around his feet brought a surge of unforeseen warmth to your heart. The moment felt surreal, like a dance with destiny that had been set into motion long before this day. Perhaps, just maybe, it wouldn't be so bad after all.

Your mother nodded, her expression reflecting satisfaction and pride.

"Then it is settled," she declared firmly, "Toruk Makto and his family shall stay with us, and his son shall be promised to my daughter. We'll teach them our ways and treat them as our own."

“May Eywa bless their path."

SERIES MASTERLIST | NEXT >

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx