#death in her case

[witchering10123]

is this ooc for kya and hakoda? yes but HEAR ME OUT neglected sokka

sokka seeing katara waterbend for the first time. sokka dragging katara back into their igloo like "mum! dad! look at this look at this!!!" and being so excited because his little sister is a waterbender, that's so cool, and his parents are making a really big deal about it and hurrying katara out to see the elders and sokkas falling a little bit behind but that's ok, because katara's a waterbender and they need to tell the elders

and so they host this celebration - nothing big because they may still get traders but they don't want this to go out to the fire nation - and hakoda and kya are doting over katara and making sure she's had enough to eat and everything and sokka... feels a little weird. he knows its kataras special day but he just feels a little lonely, but when he goes up to his parents they tell him they're busy, so he tells himself that he'll talk to them tomorrow.

but then the next day, his dad is in meetings all day - that are about katara, he gleans from gilak and bato, who look a little confused as to why sokka's alone - and when he goes to find his mum, she's with katara and she's watching her shakily try to bend on command, instead of by accident. so he goes up to her to say hi but she tells him that she's busy and not to distract her. sokka frowns because it doesn't look like she's doing anything and can't he say hi? but then katara loses concentration to say hi to sokka, and though his mum smiles at katara, she doesn't spare another glance at sokka.

which. is fine. he thinks. obviously life is different now that his little sister is a waterbender and he had sooo many adults tell him as such when their village celebrated it, so... it's fine. maybe it's just because his parents look a little worried, he thinks, as they sit down to eat before bed. they do look worried.

and then katara says that she's tired, and his parents wish her good night and their mum goes to tell her a bedtime story and it's exactly as it should be. except that sokkas still eating and they usually wait til both of them are in their cots before the story happens. so he tells her to wait while he quickly shovels his food into his mouth, and he thinks it's fine but then once he's eaten and moving towards his cot, he hears the end of the story

he pouts, saying that he wanted to hear it too, but his mum tells him not now, sokka. she sounds tired. he doesn't care, he wanted to hear it too. she sounds a little angry when she tells him to be quiet, because kataras sleeping, but he doesn't care, he wanted to hear the story and why didn't she wait? it's his dad that scolds him this time, telling him that katara needs her rest. sokka goes to say that he was only a few extra minutes, but he's shut down. his parents tell him that they won't be speaking to him when he's being so rude, and sokka doesn't understand but hes too tired so he cries in his cot before falling asleep.

the next morning, his dad isn't there and neither are katara and his mum. and he learns. he learns through his parents ignoring him when he asks a question and scolding him when he wants something that he's selfish. what else could he be, trying to put himself above his sister, who could be targeted by the fire nation (which he didn't originally know, he finds that out when his dad yells at him one day and, oh ok maybe he is being a bit selfish) and katara needs her parents more anyway because shes the only waterbender, she needs guidance in connecting to her culture and her history. he wonders whether it's technically his history too, but he doesn't ask. he stopped asking a while ago, stopped talking a while ago.

he thinks he hates katara a little. bato tilts his head and asks him why, when he tentatively tells him after the man prods and prods because "I haven't heard you speak for ages kid, you ok?", and sokka doesn't have an answer for him because he doesn't know why he hates katara but he doesn't want to hate her, it's just that his parents like her more cause she's a waterbender. bato tells him thats silly, of course his parents like him, and he ducks his head and mumbles an apology and doesn't notice the way bato frowns and glances over to gilak, who sports an equally worried frown.

the next day his dad takes him fishing. he's so excited but he's nervous too, he doesn't want to upset his dad and his dad is already looking at him weirdly that morning so he answers the questions his dad awkwardly pushes towards him and doesn't ask for help even when he can't get the bait on his hook, and eventually his dad takes the rod from him and does it for him, and he apologises but his dad looks at him weirdly again and so he doesn't speak again on the trip. but... it's nice. his dad claps him on the back everytime he catches a fish and he proudly displays his three fish to him at the end and gets a laugh for his efforts. so. it's nice.

the following week, there's a raid on their tribe. sokka runs towards their igloo, having lost katara in all the chaos. he pulls to a stop by the entrance, hearing his mum talking to some guy about the waterbender and... what is she doing?

he freezes. the man stomps out of their home, sees sokka and throws him aside. sokka doesn't feel the bruises til the next day, and when he does he doesn't care.

there's no point. he's got to take care of katara. that's his job now

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[ajastu]

have some sympathy, Davrin, a tragedy has occurred 😔

HOWEVER, I think they would be repressing so much stress during veilguard that stepping on a snail in that moment would become kind of the last straw. not talking from personal experience at all

yayy oc rambling

anyway, i think Zea normally wouldn't like. cry about accidentally killing a little creature like a snail. Like, they would be sad, but you know, cest la vie, the mere fact of existing brings with it many small accidental deaths that we just have to come to terms with, if we notice them at all.

[bugblast]

beyond confronts a shinigami and vice versa

^ the shinigami in question

[godthatfeltgood]

The real reason Madeline does what she does.

[crescentfool]

reunion 🌸

[eshithepetty]

So. Others have noted that 'aiming for the boss's gut" could mean 'filling the boss's gut', and "putting that dead meat in its place" could mean just like. Cooking steak or something. And that perhaps ENA is just misunderstanding this and thinking she'll have to kill the boss because of her prior history with violence, and that Froggy only worded it that way because that kind of wording is more familiar to her and he was imitating her ('as you say in that wacky language of yours')

So, from this, we can deduce that ENA Dream BBQ is possibly just a story about a woman experiencing microagressions and PTSD while trying to deliver a doordash order. And that's just insanely funny to me lol

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[muxas-world2]

“Years may go by, but your mom? ….

She’ll still think I’m the best you ever brought home.”

New gazzeta/gazzeta pic translelion @lepetitprince46-blog /2019 marca

[egophiliac]

forgive me if this is spoilers for ovenbreak but

RAMBUTAN COOKIE 😭😭😭

AUGH

[mari-thesapphic-lady]

Eternity: RIO IS PREGNANT.

Rio: I'M NOT PREGNANT.

Infinity: Why the hell do you think Rio is pregnant?

Eternity: She's feeling basic human needs. I caught her eating this noon!

Infinity: WERE YOU EATING?

Rio: I can't sleep or eat anymore?!

Eternity: Yes, you can, but not because it's a necessity.

Infinity: Rio, my dear, you're Death, you don't need these things. Like, why would you sleep if you don't feel tired?

Rio: ...

Eternity: You don't feel tired... do you?

Rio: so-

Infinity: That's it, I'm going to kill that witch.

[glow-in-the-dark-death]

You Remind Me Of Her

~

"Jason wake up I want to go see the new store!"

He felt his blankets get tugged off of him. Groaning he scrunched his face into the bed.

" Let me sleep another hour or two, it was late when I got in bed."

" And who's fault is that?"

He grabbed the nearest pillow to him and flung it to where the voice was coming from, even with perfect aim he wasn't surprised when he heard it connect with his wall and not a body.

"Yours! If you hadn't dragged me with you to look for those old music disk with you I would have gotten to bed earlier."

"Liar you would still have gone to bed late for whatever other reason."

He sat up rubbing his eyes, hissing slightly when he opened them not expecting his lights to already be on.

"Okay, what store are you making me go to today Martha?"

He dodged a swat to the back of his head. Grinning he headed towards the kitchen hearing her huff and following him.

"How many times do I have to tell you to call me grandma! Honestly, you're worse than a nipping dog"

"Well at least I'm not emotionally constipated like Bruce"

"True, but we're not speaking about my son right now we're speaking about you. Now hurry up! I saw the prettiest set of crystal glass cut tea set by the window when I was passing by!"

"Give me like 8 minutes to eat and get ready okay, will grampa be joining us?"

He turned to look at her in the eyes

Her green eyes, just barely glowing. The rest of her being transparent like fog in the early morning, her heels floating a few inches of the floor.

Martha Wayne his grandmother

His dead grandmother now a ghost

Just like he used to be

~

He walked into the small store the small bells jingling above his head.

"Look Jason they have such pretty things!"

His eyes followed her as she floated over to the display case. Quickly he took his phone and held it up to is ear.

"Which one's were the ones that caught your eye?'

He developed the habit of speaking into the phone when he was outside in public view while speaking with a ghost, that way nobody would give him a second glance looking like a normal phone call.

"The one with lilies and forget-me-not's."

His eyes quickly found the pieces and grabbed them. He looked at her from the corner of his eye.

"Is this all you wanted from here?"

The 'Do you want to continue looking?' in his gaze. She gave a quick glance around before turning back to him.

"No just that for today, we can come back another day when you don't have plans."

Jason glanced at her while he quickly paid. Leaving the store he turned to fully look at her while still having his phone up to his ear.

"Plans? I don't have any plans for today?"

A sly grin made its way on to her face

"Well I thought it's been a while since you visited Alfred and since we're in the area we might as well visit, no?"

Jason sighed, " Fine, only because it has been a while plus if I don't go you'll just keep naggin' me."

Martha gave a small huff of amusement

"That's my boy! Now! Let's get some nice tea for our visit, it would be rude to go empty handed, how about some nice cinnamon tea huh?"

"Your obsession with cinnamon tea has started to spread to me, especially the weird way you like it."

"Gasp! It's not that weird, honestly I started drinking it like that because of my cravings while I was pregnant and just never stopped. But don't lie to me, you like it just as much as I do even with the peach jam."

"Fine maybe I do."

He looked down at the time, "Let's hurry up a buy that before it gets too late."

~

He knocked at the door, shifting the bags in his hands as he waited for Alfred to open the door.

Martha waited outside with him even though she could easily phase her way inside.

Jason heard light footsteps before the door glided open.

"Master Jason what a wonderful surprise to see you here please do come in."

Alfred herded Jason inside taking note of the bags he held.

"Did you go shopping before coming here?"

"Uh yea, some of it is for you."

"For me master Jason?"

"I thought it would be rude to come empty handed so I bought tea."

"Very thoughtful of you, lets head to the kitchen to prepare a cup shall we."

Jason quickly looked towards Martha raising a brow

"You go enjoy your tea with Alfred I'm going to look for Thomas, I'll be back by the time you leave"

Jason gave a quick smile in return before quickly following Alfred into the kitchen.

"Hey Alfie we can use the new tea set I got today, let me just wash them real quick."

He turned around, not noticing Alfred's confused stare

"You bought a tea set master Jason?"

Jason turned around after quickly wiping them dry.

"Yeah look, they even have some lilies and forget-me-not's on them, saw them by the window of the shop and thought why not?" He half lied.

"I see, I haven't seen these two flowers paired up together in ...a very long time."

Jason turned towards the kitchen entrance as he heard two pairs of footsteps nearing. Both Bruce and Dick appearing in the doorway.

"Oh good you're both here, I'm about to prepare some tea master Jason brought over for us ,sit down please."

They walked over to the table, Dick quickly hugging him.

"You didn't tell me you were dropping by!"

"Get off, and yea it was impulsive decision."

"Hn, good to see you chum."

"Yeah, you too B."

Alfred walked over with the tea prepared, placing it on the table.

Dick leaned over to see the tray.

"What kind of tea is it?"

"Master Jason brought us cinnamon tea."

Dick looked over at Jason tilting his head, "Since when do you drink cinnamon tea?"

"Since none of your business."

Jason took a small sip before sighing, "Hey Alfred do you have any peach jam?"

Alfred hesitated before looking at him confused, "Peach jam? What for?"

"I like to mix it in with the cinnamon tea."

Alfred's eyes glazed over for a second before heading towards the refrigerator, "...I see, of course let me get some for you."

He quickly came back with a small jar and placed it on the table near Jason.

"Thanks Alf." He scooped up a spoonful and dipped it in his cup.

Bruce and Alfred glanced at each other.

Dick looked up from his own cup, "Does that actually taste good? Can I try some!"

He made a grab at Jason's cup, he quickly pulled it out of reach, "Don't touch mine! If you're really curious make it yourself."

Dick slumped on the table whining, "But what if I don't like it, I'll ruin my tea!"

"That's not my problem"

"Oh come oooon just a little sip!"

"No"

"Pleaseee!"

"Ugh you're worse than a nipping dog, fine!"

Before Dick could celebrate they heard twin startled noises. They turned around and Bruce was covered in tea in what seemed like he spit out his tea, both Alfred and Bruce were staring at Jason faces pale.

Jason glanced around confused, "What? Why are you looking at me like that."

Alfred straightened up clearing his throat, " Apologies master Jason you seem to have startled us a bit."

"With what?"

Bruce finally stopped coughing, "Nothing, you just...reminded us of someone."

~

Just an Idea

[applestorms]

naomi certainly isn’t a moron, if anything she probably doubts her own intelligence/reasoning more than is really justified, but— well. that’s just it, isn’t it? she’s just so goddamn insecure. in almost every scene that we see her in she is Constantly deferring to the authority of whatever man happens to be pushing his ego around the most, coming to her own conclusions quickly but keeping her mouth shut until someone gives her permission.

she’s gruff, and harsh, and brutal; she wears leather jackets and hates skirts. she suffers from Death Note Woman Disease, but also seems to genuinely care about kids. she can’t bring herself to shoot at 13 year old. she quits her job to marry a man, and then takes it back up again the minute he mysteriously dies. really i think it’s the contrast between those two sides, the fact that she can get a nickname like massacre vs. her overwhelming, underlying anxiety, that really makes her compelling to me.

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[yaolmao]

fem.mello//wip

[sukibenders]

Me, watching some YJS fans justify what Shauna did to Mari by using clips of Mari and Jackie giggling in s1 (normal teenage girl things), or Mari speaking the truth and trying to take Jackie's jacket (even though it was the middle of winter and the group were already sharing clothes), with said fans saying that they've would've done worse to Mari in response, acting like that makes them any better: