#fanfic tip

[immayonaise]

I GOT A WRITING TIP FOR WRITERS!!!

If you feel like your using a word to many times (I feel like that all the time with the word slightly, I might as well be in a relationship with the fucking word 😭)

Go onto Pinterest and just look up words writing

BOOM! Synonyms for almost every major word you could use.

[thewatcher727]

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

[andrewminyardslawyer]

PSA for those writing coffee shop AUs, bakery AUs, etc.

I have worked in the food service industry for 20 years and I just wanted to make an informational list of common mistakes or misconceptions I see in writing about said industry. Not trying to be a jerk, just thought I would try to make a helpful list! I will add more if I think of any and please feel free to ask any questions you may have!

- it's cookie dough, not cookie batter. Doughs are for thicker stuff, typically something you can pick up in your hand (cookies, bread). Batters are more liquid and pourable (cakes, brownies, muffins)

- one person cannot make all the products from scratch and bake everything themselves unless they are a very slow business. Most of the time someone has a specific thing they do weather it's focused on specific products or split up like one person does the batters/doughs, one person preps and bakes, one person decorates. Sometimes one person does multiple things but generally not every single thing every day by themselves

- Front of House = people interacting with customers like barista, waiter, person at the register. Back of House = people making the food (line cook, baker, etc), dish washer (the worst job in the world, I salute all dishwashers everywhere)

- if they're doing stuff like bagels, doughnuts, breakfast pastries, cinnamon rolls, bread, etc they are there EARLY. Depending on the product some people start working at 2 in the morning. I saw a published book that had someone making dozens and dozens of cinnamon rolls from scratch in like one hour. Not possible even though I wish it was

- frosting, icing, and glaze are all different things. Frosting is the thicker stuff you see on cakes and cupcakes. Icing is typically for cookies, especially the decorated cut out sugar cookies. Glaze is thin, like what you get on doughnuts

- 99% of people who work in the food service industry will immediately go home and shower. I've seen lots stories where the character gets done at work and goes out. You are covered in various substances with powdered sugar in places you didn't know it could get, a shower before Literally Anything is a must

[frownyalfred]

want your favorite author to update but don’t want to be too pushy in their comment section?

here’s 5 things you can do to encourage them:

Reblog their fic link on tumblr (bonus if it’s with tags)

Bookmark the fic with a note about what you’re excited about/love in the fic

Recommend the fic to your friends or local discord channel

Draw art or create other media for the fic (as indicated by the author’s comfort level)

Leave them a comment when re-reading about the parts of the chapter/story that stood out to you the second time

[coffeetank]

Ideas to Show Secret Pining

"Why don't you join me?"

"I'll give you a ride, don't worry."

*does something they don't like* "What? I like it."

*immense staring at every chance they get*

*thinking of their crush while listening to songs*

"You said you liked it so I brought it for you."

*finds ways to spend more time with them*

*friendly bullying intensifies*

"I'm looking forward to seeing you there."

"Are you gonna be there?"

"How about we sneak off, just you and me?"

"Why don't I cook for them? What's their favourite dish again?"

*aggressive google searches about how to propose to your crush*

"I'll join those dance lessons, maybe then she'll notice me."

*hopeless around them*

*failed flirting attempts*

*increased compliments*

"My problem is that I like them a little too much for my sanity."

*gets jealous* "So, are you seeing them or something?"

"Are you okay?" // "Completely okay!" (definitely not okay)

*tries to sabotage their crush's date*

*gets into trouble so they can be scolded by their crush*

"I want you to come with me, please?"

-ashlee

[bebx]

so rude that fantasizing about writing alone is not enough to actually get the fic done. you have to actually sit down and write it. insane.

[me-writes-prompts]

Random + angst prompts:

By @me-writes-prompts

Yearning prompts

“I can’t stop loving you.” Angsty romance prompts

Character A gets hurt/injured ft. Character B’s feral response

Coffee shop love prompts

Situationship prompts

Situationship jealousy prompts

Heartbreaking prompts

Reuniting angst prompt

“What are we?” Prompts

Ghost x vampire prompts

More ghost x vampire prompts

Vampire x werewolf prompts

Close proximity prompts

Crush prompts

Navigating through new relationship prompts

"Please don't leave me" prompts

Lovers in "denial" prompts

Reunited lovers prompts

Grumpy x sunshine prompts

"You're too good for me" prompts

"I think...I'm in love with you" prompts

Fake dating prompts

Betrayal prompts

"What would I do without you" prompts

Roommates to lovers prompts

Ice cream prompts

Underrated trope list

First date prompts

Oblivious x pining prompts

Break up prompts

Marriage of convenience prompts

Jealously prompts

OTP bonding with their children prompts

Secret relationship between two boys prompts

Denial of feelings prompts

Internalized homophobia prompts

Sunshine vampire x grumpy human prompts

Party game prompts

Family fluff prompts

Hero/warrior prompts

Lovers to friends prompts

Childhood friends prompts

Self-esteem issue prompts for your ocs

Nervous/awkward couple prompts

Forced proximity but one of them is claustrophobic prompts

[lactoseintolerentswag]

Big Mama's Dialogue

I've heard a few people lament on how Big Mama is difficult to write because of how she speaks, so I thought I'd share my tips and tricks.

I start out by writing what I intend for her to say without the flowery language added on. For example:

"I look nice in the new jacket I bought."

Doesn't sound like Big Mama at all, but it'll help you have a place to start so you don't have to be intimidated by scrolling through thesaurus.

Now, Big M has a tendency to do the following:

Use outdated American slang (anywhere from the 1920's to the 60's)

Apply alliterations (using the same letter at the beginning of a word to the adjacent/close word)

Use adverbs, so describing words with the end suffix -ly (i.e. softly, mysteriously, quickly)

Sprinkle in a few made-up words

So let's take the base sentence I provided an shape it to Big M's standards.

Resources for American slang:

Instead of word vomiting out all the outdated American slang I know, I'm going to link some resources/websites you all can look at and come back to. She mostly uses 20's slang, so the links are centered around that.

1920's slang PDF, alphabetically organized!!!

List of slang phrases originating from the 1920's to the 2010's

Short list of slang flapper's from the 1920's used

So let's edit our base sentence a little, now it's:

"This new jacket I bought is the cat's meow."

Adding the next layer:

I did mention that Big Mama tended to use both alliterations and adverbs in copious amounts, but don't feel pressured to use both at once in a sentence. If it fits, it fits. If it doesn't, some trimming might be useful. This is why having a base sentence is important, so the intention behind the dialogue isn't lost under all the additions you're adding. So with that in mind, I'm going to alter our example:

"This new jazzy jacket I just bought is the cat's meow."

The last part:

I save the "fake words" part for last, because beginning with them can make your sentences clunky or not make sense. This part really relies on your personal touch or the context and tone of the situation at hand. The example I gave make Big Mama sound like she's preening about her looks, so I'm going to lean into that.

"This newsie-woozie jazzy jackety I just bought is the cat's meow! Grr!"

And for comparison, here's where we started.

"I look nice in the new jacket I bought."

And well, that's it!!! Hope it was helpful to those that needed it!!!

[oh-theatre]

When you’re writing with no plan and suddenly the plot takes a turn:

[alistairsprayerwarrior]

Showing versus Telling

I struggle a lot with "showing and not telling." Here's some exercises and techniques I've tried to practice this from researching different methods that I just conjured up together (please take with a grain of salt, everyone is different, lol.):

Object Observation: Choose an object in your immediate vicinity and describe it without naming what it is. Include details about its texture, color, size, shape, and any other distinctive features. Basically: have someone else to identify it based on your description.

Character Emotions: Write a list of emotions and for each one, write a short scene that shows a character experiencing that emotion without directly stating what the emotion is. i.e., Instead of saying, "Alistair was angry", you could say... "Alistair's fists clenched, his jaw tightened; his face turned red as he stared at the broken amulet on the floor."

Active Verbs: Challenge yourself to rewrite sentences using more active, specific verbs. i.e., "She walked into the room" (telling) could become, "She strutted into the room, her boot heels clicking against the marble floor" (showing).

Sensory Details: Choose a setting, real or fictional, and describe it using all five senses. What can a character see, smell, hear, taste, and touch in this environment, or moment?

Dialogue: Use dialogue to reveal information about your characters and the plot. Instead of telling the reader that a character is upset, show it through what the character says and how they say it.

In-Depth Character Description: Take a character from your story and describe them in detail. Show their personality through their actions, speech, and appearance, rather than direct statements.

Rewrite Telling Sentences: Take a piece of your own writing or a passage from a book and identify the "telling" sentences. Rewrite them in a way that "shows" instead.

Hope this helps! ✍(◔◡◔)

[thewatcher727]

Writing Description Notes: Physical Pain

Updated 6th June 2024 More description notes

It was as if his bones were made of glass, shattering into a million pieces with every movement and sending waves of sharp, shooting pain coursing through his limbs.

His muscles screamed in protest with every step, each movement sending jolts of electric pain shooting through his body.

The ache settled deep into his bones, a dull, persistent throb that seemed to resonate with every heartbeat.

Every inch of his body felt tenderized, as if he had been used as a punching bag in a brutal workout session.

The sensation of blood trickling down his skin was a grim reminder of the violence he had endured.

His ribs screamed in protest with every breath, each inhalation a sharp reminder of the blows he had taken.

The world seemed to spin around him in a dizzying blur, his vision clouded by the stars of pain that danced across his field of vision with every movement.

A sharp, stabbing sensation shot through his lower back, making him wince.

Her temples throbbed with a relentless, pounding headache.

He clutched his side, pain radiating from the bruise with every breath.

Her muscles screamed in protest, the soreness a reminder of yesterday’s workout.

A burning ache spread through his chest, each heartbeat intensifying the agony.

She bit her lip, trying to stifle the groan as pain flared in her twisted ankle.

His knuckles were raw and throbbing, evidence of the fight.

She pressed a hand to her forehead, a dull ache settling behind her eyes.

A searing pain lanced through his knee, nearly buckling his leg.

She gripped the edge of the table, knuckles white as pain shot through her arm.

Her trembling hands betrayed the unyielding agony in her joints, a relentless companion.

Doubled over, he fought against the relentless cramps that seized his stomach.

A sudden, searing pain in her wrist forced her to relinquish her grip, the cup clattering to the ground.

Every step reverberated through her aching feet, a reflection to the miles she had traversed.

Rubbing his shoulder provided little respite from the persistent agony that gnawed at the joint.

A sharp sting on her finger brought fresh irritation, the paper cut a small but sharp reminder of vulnerability.

His tooth throbbed incessantly, a deep, pulsating ache that clouded his thoughts.

Each movement of her stiff and sore neck elicited a fresh wave of discomfort, a constant reminder of strain.

A stabbing pain in his chest made each breath a struggle, a reminder of mortality's grasp.

The throbbing in his hand, where the door had slammed shut, served as a relentless reminder of his own clumsiness.

A dull ache settled deep within her lower back, rendering even sitting a feat of endurance.

His leaden legs protested with every step, each movement a symphony of agony.

His head spun, the pain behind his eyes making it hard to focus.

Sharp pangs in her side served as a reminder of the physical toll of her exertion, a stitch from pushing too hard.

His throbbing ankle, swollen and tender, made each step a test of willpower.

Gritting her teeth against the shooting pain, she cursed the strain from overuse that tormented her wrist.

Pressing a hand to his chest, he felt the pain radiate outward in relentless waves, a reminder of vulnerability.

Her burning shoulder protested each movement, the pain a constant reminder of her injury.

He winced as sharp pains flared in his elbow, each movement a reminder of his body's fragility.

A deep ache throbbed in her hip, a persistent discomfort that refused to be ignored.

His fingers tingled with pain, a result of gripping the tool too tightly for too long.

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[maesonc-artistic-adventures]

Based on Chapt 13 of @cutebutalsostabby ‘s fanfic “Big Oof 2022, aka Whumptober”

“‘You,’ Hyrule declared furiously, ‘are an absolute, complete dumbass.’

Lying prone on the ground with a deeply pissed-off mage looming above his head, it was rather difficult for Warriors to argue the point. He gave a weak thumbs up and croaked back, ‘Yep.’

Hyrule shook his head disbelievingly and announced, ‘You and Legend give me shit for this all the time, but you’re both equally as bad.’

Warriors nodded. ‘Very true,’ he rasped peaceably. ‘Be sure to learn from our bad examples.’”

————————————

Hyrule and Warrior’s dynamic is so excellent and few do it as well as this fic!

[starscreeam]

hello. jew here

dont write jewish characters if u know next to nothing about us or our culture/religion pls. if u want to write a jewish character (or any character outside the scope of your personal knowledge, honestly), you MUST take the time to read about us and our beliefs, customs, etc. im not saying u have to be an expert on the torah or the tanakh or the talmud, but u need to do at least the bare minimum. and google isnt always reliable, if u have questions u should carefully analyze which websites u use. or have a jew beta your fic/writing!

im just tired of seeing “this character is jewish :) u can tell because they celebrate hanukkah” and that is it for the jewish characterization. like i get that u ppl know nothing abt judaism except for hanukkah but u HAVE to do better than that. because ur essentially tokenizing the character as ur Jewish Representation and it shows.

again, im not saying ‘dont write that hanukkah scene’, or ‘dont try writing jews at all’.

what i AM saying is that u need to actually do ur part in understanding judaism a little bit more before u decide to write a jewish character. if ur not willing to do the research or ask the questions, dont bother writing us into ur stories.

[coffeetank]

Dialogues to Kick-start your Chapter/Writer's Block

"Excuse me?"

"Why?"

"Where?"

"How?"

"When?"

"What?"

"No."

"Yes."

"Hell no."

"Hell yes!"

"Fuck off!"

"Fuck me!"

"In what world!"

"Which time?"

"Are you sure?"

"I don't think so."

"Not really,"

"Maybe, if you think about it—"

"What the fuck."

"Okay, catch this (insert ridiculous proposition)"

"So, I'll meet you at 6?"

"For the millionth fucking time—"

"Ya think?"

"This is it, then?"

"Come to my place. Now."

"She's called you. Right now."

"Oh, we're so screwed!"

"Hey."

"Don't do that."

"You've lost it. Completely lost it."

"What were you thinking?"

"I am confident that you belong in an asylum."

"I think you should get some help."

"Shove it up your ass!"

"Piss on it."

"I have a list and you're the top 5."

"I'd never do that."

"I'd definitely do that."

"It does sound like something I'll say, but I didn't say it. I swear!"

"Do you have any idea how hard it is?"

(as a response to the above dialogue ^) "Not harder than me for sure." / "It's not hard. Or else you wouldn't be doing it at all."

"Maybe I just need a little alcohol."

"Smells like jealousy to me."

"Lord, please."

- ashlee

[pygmi-cygni]

WRITING TIP: grammar. good god.

just because it's tumblr doesn't mean you can throw grammar and spelling out the window.

COMMON MISTAKES:

Not indenting for paragraphs. I know tumblr doesn't have the 'tab' function, but at least do a paragraph break. When?

If someone new is speaking

If the setting/action has changed

a new thought

think of it like the camera angle changing in a movie. Would the camera break to another room? or would you watch five minutes of bouncing and spinning while the camera moves to the right location. (Hint: it's the first one)

Big blocks of text make me homicidal. Knock it off.

Apostrophes!

It's: it is

Its: belongs to 'it'. We think it can also be it's, but it's not (see what I did there huh huh hee hee hooo boy)

Possession: Jenna's, Jess', The Twins'. NOT Jennas', Jess's, The Twin's. If there is a group, put the apostrophe after the plural 's'. PLURALS DO NOT HAVE APOSTROPHES IF I SEE THAT AGAIN I WILL REVOKE YOUR LITERATURE LICENSE AAAAAH.

Punctuation goes inside the quotation marks. "Like this." "Not this".

Dialogue punctuation.

"If you're talking and something happens," she said, dodging past a car, "you'd punctuate with a comma and lowercase." See how I didn't capitalize the bold word, or put a period after 'happens?'

Don't do this:

"If you're talking and something happens." She said, dodging past a car, "You'd punctuate with a comma and lowercase."

bad. wrong. booo.

MISUSING SEMICOLONS.

; this baby. makes a cute face ;) but is also useful!

it explains a clause, like so (an excerpt from my drabble 'Deal With It, pls read xoxoxo): "it was cozy; you'd pulled a blanket over your head and your music played gently." I said something was cozy, and then I explained how after a semicolon. It's not just a fancy comma. Don't use it like a fancy comma. it's like commentary of the actual writing. Professional parentheses.

PARENTHESES.

Don't use them. It doesn't make any fucking sense. use a semicolon or a colon or a comma or hyphens or literally anything else. underscores, even. just not parentheses. it's so weird.

WRITING STYLISTICALLY

Bold, italic, all lowercase, that stuff. use it consistently! you don't have to follow the rules if you make it seem intentional and consistent.

Bold.

emphasis, intense, eye-catching. good for a groundbreaking revelation. not the strongest choice for anger. has a staccato feel to it. punctual, concise.

Italic

wistfulness, pause, contemplation, haunting emphasis. good for flashbacks, whispering, angsty emphasis. If you overuse it, it'll feel kinda weird. i know we love her but give her some space. Otherwise it feels like pumping the gas and slamming the breaks really fast during the sentence.

all lowercase.

she's cute, she's aesthetic, she can get confusing sometimes. we need Capitals so that we can identify the Important Things. names, places, proper nouns, I know you know 'em. if you wanna start ur sentence lowercase, okay sure, but it gets muddy if you do it everywhere.

ok byeee xox