Why are all the posts on my dash night at the museum? Am I missing something? It’s not even trending? It’s not like I’m upset they’re good posts I’m just confused??
I lowkey like how Peter kept doing dumb shit even after the whole "with great powers comes great responsibilities" because it's peak teenage behavior. Like he is genuinely trying but the lack of commons sense will get him in trouble you know?
i killed. i murdered. i'm nothing like these sleepy people here… nevertheless, you can actually be grateful? bastard…
i’m saying… thank you. because you spilled blood, you saved all of these people’s lives. i couldn’t have done it without you. (ID in alt)
We are interrupting our regularly scheduled program to bring you a snippet of a potential ZoSan undercover as a married couple fic:
(Timeline wise shoehorned in sometime shortly after the timeskip, before the Strawhats make it back into the news big time.)
(People need saving from a exclusive circle of nobility, but most of the Stawhats have already been seen around the island, so the lot ends up on Zoro and Sanji to try get in posing as a freshly married couple on their honeymoon to try get more information.)
[after coming up with the plan and Zoro and Sanji hesitantly agreeing]
Robin: "You seem a little stressed, Cook-san."
Sanji, chain-smoking his third cigarette: "I'm fine, I'll do this… I just… I don't like lying about something as significant as marriage, alright? I know it's stupid, but that's just how I am."
Luffy, perking up from where one might have thought he wasn't paying attention at all: "Oi, Sanji, promise to protect Zoro?"
Sanji, puffing out smoke: "Obviously, the Marimo would get lost within all of two seconds without me having his back."
Luffy: "Good! Now, Zoro--!"
Zoro, already rising to the bait: "Oi, if anyone is protecting anyone, I'll be guarding your lanky ass, shit cook!"
Luffy, laughing: "Alright, then as the captain of this ship I hereby pronounce you married!"
Zoro:
Sanji:
Robin: "Oh my, congratulations!"
Brook: bursts into song
Luffy, grinning at Sanji: "See, now it's not a lie anymore, so you don't have to feel bad about calling Zoro your husband."
Zoro: "LUFFY!!! YOU CAN'T JUST--"
Sanji: wordlessly walks off to get ready for the mission
Usopp: "Wait, wait!" runs after Sanji, grabbing his wrist
Sanji: stares
Usopp, sweating nervously: "Need your ring size…"
Sanji: staring intensifies
Usopp, scurrying off as quickly as humanly possible: "Wedding gift!"
Luffy, in the distance, still being yelled at by Zoro: "Too bad we don't have time to celebrate, I really want some wedding cake… :("
Contrary to what everyone believes, Damian does not know death.
He grew up with the League. Sheltered from the worst even though father does not seem to think so. Grievous injuries were healed with a submersion in a pool of glowing green.
Damian does not know death. For him, death his temporary. A setback. Something to be cured with magic unknown.
So when Damian stabs one of father’s false sons, he does not understand why father is so upset. Why he is now barred from the cave. Why everyone looks at him with such horror. Surely they know he had to demonstrate that he, the blood son, is superior?
He does not understand why the false son does not get back up. Why father does not take him to the pits.
Damian does not understand. He will have to investigate.
He does not understand why nobody wishes to talk to him all of a sudden.
Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.
It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.
That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.
It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.
Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.
For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.
I don’t know if this counts as a repost, so please tell me if it does , I’ll gladly take this post off, but good lord, the Harvey Dent energy this clip has
My current version, of my ever-evolving theory, on what constitutes "aromantic stories" is that first off, there's absolutely a wide spectrum between 1, "this is explicitly undeniably about aromanticism," and 2, "there sure is a noteworthy amount of aro subtext, but representing aros clearly wasn't the author's intent." But the spectrum is best completed not as a straight line, but as a triangle, where the 3rd point is "the story probably wasn't created with aromanticism at the forefront of anyone's mind, but was created with subverting particular expectations related to romantic relationships in mind." And in my experience, a lot of juicy aromanticism-related experiences that are underrepresented in their own right can lie in that third option, regardless of whether the characters are aro-spec or allo or kind of whatever you headcanon.
So, what does make a story on this spectrum "aromantic?" IDK, I wouldn't necessarily include all or most of the firm 2s (unintentional subtext) under the aromantic story mantle. But when you get into the gray areas that inch a little closer to 1 and 3, let alone the gray area between 1 and 3 where intent is ambiguous but ultimately may not matter, it makes sense that different people will have different takes.
it’s been over five months and every time i put my necklaces on i still think about that time miles kane specifically came over to me and told me how much he liked them 🙈
This might be the news of Carlos not getting into the only top team available at the moment getting to me, but what was the actual ACTUAL reason for Lewis signing to Ferrari? Someone might have said it already, but I need to know. What is the most unique thing he brings to a legendary team that they are signing him??
I am genuinely asking this. I need to properly understand why he signed with Ferrari and how the team was okay letting Carlos go.