#hey hey hey!!!! Look!!!!!!!! Words!!!!!!

[tracle0]

These characters will not show up again but LOOKIT WRITING

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[firefrightfic]

to anyone missing my writing please know i am also missing my writing

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[ekingston]

A chef!AU, maybe? In any case, a story in which Kara and Lena meet through one of them preparing/serving/etc food for the other and build their relationship based on that.

(also on ao3.)

“I’m telling you, Alex. It’s her.”

At three pm on a Tuesday their restaurant is characteristically dead, save for the one lone customer Kara is spying on from behind the kitchen doors. The woman is perched, a little perilously, on a barstool at the counter. It’s the one that’s closest to their register, the one with the wobbly leg that Alex keeps telling Kara to fix. One of her red-soled heels is dangling from an impatiently bouncing left foot.

“This is the fourth time this week she’s come in here,” Kara says. “You don’t think that’s just a little bit suspicious?”

Alex shrugs, fully committed to her task of mincing onions. “Maybe she’s just a big fan of Italian food.”

“No way,” Kara says. “No woman who looks like that would put something in her mouth that wasn’t clearly marked gluten-free and vegan. Give me your phone.”

Alex rolls her eyes dramatically as she elbows it over. “Tell me again how you’re totally over Siobhan.”

“Oral sex isn’t a moral issue!” Kara takes a decisive breath while she unlocks her sister’s phone with practiced ease. “Whatever. Water under the bridge.”

“Uh-huh.”

“A love for pasta also doesn't explain why I heard this woman answer a call yesterday with a different name than the one that’s on her credit card,” Kara points out, before snapping a quick picture through the porthole window.

“Okay, now you’re being creepy,” Alex says.

“Shut up,” Kara tells her. “I’m texting Winn.”

Kara eyes the woman at the counter while she waits for his reply. The subject of her suspicion—Lena, she’d called herself on the phone; Tess Mercer, it had said on her mastercard—twists a soft-looking lock of dark hair around her finger as she studies their menu. The way the sunlight sets it ablaze almost makes Kara take a second picture, purely for its artistic merit.

Alex dabs at her onion-induced tears with the cuff of her sleeve. “Let it go, Kara,” she sighs.

“Let it go? Let it—” Kara whirls back to face her, throwing her hands up in frustration. “Do you want The Tower to end up like Winn and James’ steakhouse? Or are you fine with getting swindled by this—this… villain?”

“Of course not.” Alex looks at her like she’s stupid. “But even if this woman is your so-called ‘food influencer’, what do you suggest we do about it? It’s not as if we can bully her into giving us a fair review.”

Kara squares her jaw and sets her fists firmly on her hips. “No,” she declares, her tone grim. “But we can teach her a little about journalistic integrity.” She blows at a lock of hair that’s fallen in her face. “And also, possibly, credit card fraud.”

Alex narrows her eyes at her. “Kara,” she warns, putting down her knife. Her voice is low and cautious, as if she’s talking to the rowdy raccoon that moved into their dumpster three weeks ago instead of to her baby sister. “Let’s just take a breath and think about this for a m—”

Kara is already gone, the doors to the kitchen swinging closed behind her. Sliding into the cluttered space behind the counter, she crosses her arms and then drops her elbows on the bar, leaning what she belatedly realizes is probably a little too close to her adversary. She’s close enough to make out the individual downy hairs on her chin and the lines in her painted lips, which are still pursed thoughtfully in what Kara is sure would look like an attractive pout to someone who didn’t know any better.

But Kara knows so much better.

“Let me guess,” she remembers to get out, much less biting than originally intended. “Today you’ll be having the fifth entrée down the list.”

As soon as their eyes meet over the miniscule amount of space left between them, Kara knows leaning in was a fatal mistake. Her nemesis blinks up at her with wide, startled eyes that remind Kara of the glass pebbles she finds on the beach on her morning walks, not-quite-blue and not-quite-green, and for a moment Kara’s brain sputters out as if someone abruptly turned off the flames that kept it cooking.

But the woman recovers fast, like the scheming scoundrel that she is. She guiltily shutters her eyes behind thick, charcoal lashes, and Kara’s temper revives at the observation that her enemy isn’t as good of an actress as she thinks she is.

“I’ve actually been thinking of breaking my own rule,” she says, with a smile that lands somewhere between self-deprecating and apologetic. “I may give in and order the same thing you served me yesterday.” Kara goes hot all over with righteous indignation at the rich timbre of the woman’s voice, the almost flirtatious lilt it takes on when she adds, “I haven’t been able to stop dreaming about it.”

Kara pulls back a little in an effort to escape that curious gaze, the enticing scent of the woman’s perfume. It’s sweet enough to drown out even Alex’s mountain of onions. “I know what you’re doing,” she blusters.

The—frankly unfairly beautiful—soulless grifter stares at her, stricken. “I’m—I’m sorry?”

“You should be,” Kara says. “I know who you are.” And then, as if she’s putting down the last card in a game of Uno, “Lena.”

The woman goes very still for a moment, and then the corners of her lips tug down in a bitter semblance of a smile. “I see,” she says. She’s rigid, regal; she’s royalty perched on a wobbly wooden stool. “And am I to assume that’s enough for you to turn down my patronage?”

Kara’s resolve wobbles, too. She hadn’t expected her adversary—Lena, she now knows—to roll over so easily. “Well, yeah, obviously,” she flusters, her energy suddenly too large and lumbering in the face of Lena’s deference. “Winn and James are family.”

“Family.” There’s a flicker of wistfulness in Lena’s voice, before confusion colors her features. “So the cold shoulder,” she says. “It’s personal?”

Kara scoffs. The fraudster doesn’t even remember the names of her latest victims. Typical. “It was their steakhouse that you razed to the ground last month,” Kara reminds her.

Lena blinks at her. “The establishment just up the road?” She raises a critical eyebrow. “I’m pretty sure they set themselves up for failure when they decided to name their restaurant Misteak.”

Kara huffs. Her air quotes are appropriately vicious when she says, “They were doing just fine before your slanderous ‘review’ went viral.”

Lena does a remarkably convincing impression of someone who is genuinely flabbergasted. “I don’t even know what that means.”

“Liar.”

Lena’s shocked laughter is bright but brief. It’s the first time Kara has heard her laugh. It’s maddeningly attractive and deeply annoying.

“Okay,” Lena says. She folds her arms in front of her chest and leans back a little in her seat, unaware of its delicate disposition. A smirk tugs at one corner of her mouth. “Tell me,” she says, her eyes narrowing. “Who do you think I am, exactly?”

Kara leans in close again, refusing to allow Lena to get the upper hand. She’d like to wipe that smirk from Lena’s face—manually, if need be—preferably, even, if it means she’d get to smudge that infuriatingly immaculate lipstick with her thumb—

“You,” Kara charges, in an effort to drown out that unhelpful thought, “are a fraud. You call yourself a ‘mystery food critic’ on TikTok, but really you’re blackmailing businesses into buying a favorable review.”

“Hey, um.” Alex has followed her out of the kitchen, holding her phone. “So. Winn texted back, and he says—”

But Lena laughs again, her guarded posture melting down to unmistakable relief. “I’m so sorry,” she says, her voice a high warble. “That sounds awful. And also extremely illegal. Have you reported this person to the authorities? I can get you in touch with an excellent lawyer, if you’d like.”

Kara doesn’t know if she feels more outraged or confused.

…Or possibly some secret third thing.

“So you’re telling me—” Kara barks out a disbelieving laugh. “You’re saying you’re not her.”

“This, ehm— Tic Tac person?” When Lena’s dark lashes flutter, something in Kara’s chest flutters too. “No.”

Impossible. “Then why have you been in here every day this week?” Kara interrogates, the full force of evidence she’s collected behind it. “When neither one of us has seen you here even once, since we opened?”

Alex rolls her eyes. “I told you I wasn’t sure whether I’d seen her here before,” she points out. “Also, Winn says—”

“Oh please,” Kara scoffs, her eyes fixed on Lena, who has propped her elbows on the counter again, closer now than she’d been the last time their eyes met. “As if you could forget a woman as beautiful as—” Kara’s gaze drops to Lena’s mouth, unbidden, when Lena parts those rude, ruby lips. “...You.”

Alex stares.

Kara swallows.

Lena blinks; two times fast, and then again, after a beat, slow and sticky, her eyes darkening.

“So you may as well come out with it,” Kara croaks out what little remains of her anger. “There’s something you want more than our fettuccine.”

Lena’s cheeks have turned a treacherously charming shade of pink. “I suppose you’re right about that one, at least,” she admits after a beat.

In Kara’s peripheral vision, Alex frantically slides her hand across her throat. Kara frowns at her, telegraphing a wordless what is your problem but finding no satisfactory answer in the crimson shade her sister’s face has taken on.

“Yeah, well,” she says, almost disappointed, fumbling to fill the space left by Lena’s confession. “I’m telling you right now that it’s never going to happen.”

Alex clears her throat with startling force. “Winn wants to know,” she says, reading from her phone, “Who’s the hot chick?”

When Kara returns her gaze to the woman on the other side of the counter, she gulps. Lena is somehow even closer than she was before. She’s also fully propping herself up now on the laminate surface between them, granting Kara a glimpse of freckled cleavage that in no possible universe could be interpreted as unintentional.

“So,” Lena drawls. “What you’re saying is you’re not going to give me your number?”

Kara’s throat is suddenly very dry.

“Huh?” she manages, but only just barely.

“I was hoping,” Lena says slowly, that maddening smirk once again tugging up the corner of her mouth, “that you’d maybe like to—”

Lena shifts in her seat, crossing her legs in what is bound to become a devastatingly seductive pose, but the barstool decides in exactly that moment that's it’s finally had enough. Lena yelps as it gives out beneath her with a dramatic snap, one of its rickety limps flying across the floor as if celebrating its first taste of freedom, and Kara’s never considered herself to be very quick, but here she is anyway, on the other side of the counter in what feels like less than a second, one hand gripping Lena’s forearm, the other slipping smoothly around her waist.

“—fuck,” Lena gasps up at her. She feels good, in Kara’s hands, slight but pleasantly heavy, like the santoku knife Alex has forbidden Kara from touching ever again. “Well,” Lena says. “That’s. Perhaps not the way I would have phrased it, especially in front of your friend—”

They both glance over at Alex, but she’s disappeared, the swaying of the kitchen doors the only indication she was ever there.

“O-kay,” Kara says.

Lena grins. “Okay?”

Kara mentally rewinds the conversation and feels her ears burn at the realization of what she just agreed to. “I mean,” she amends. “We could, maybe, grab something to eat first?”

Something devious sparks in Lena’s terrifyingly gorgeous face. She glances down at Kara’s arms before blinking back up at her again and smirking. “I thought you already had.”

And, goodness gracious.

Kara is about to be in so much trouble.

[refloralisation]

My favourite Damian Wayne & Dick Grayson headcanon is that when Damian saw the discowing suit his honest, baffled reaction was

"How could you patrol like this, with your bare chest out? Obscene!!"

[poorly-drawn-mdzs]

Results from the ‘Who is the tallest MDZS Character poll! Thank you all for voting!

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[simplydnp]

WAD: Cover Art

dan is still working on selling the distribution rights for We're All Doomed! so i decided to make some DVD/Blu-ray disc jacket art!

this is my attempt at a traditional jacket design! none of the images used are mine, but i did create the concept and design:

as i was making the first one for myself, i was struck by the fact that 'well, it's for me, so it doesn't have to look like a stereotypical jacket cover' which led me to be more artsy in my approach for the next one:

i was really enjoying the creativity and space to explore, so i went looking for more inspiration for a third design. this led me to dan's favourite Muse album: Origin of Symmetry, which i paid homage to:

after the first Muse album, i looked at their catalogue to see if there was more inspiration there. i was just thankful dan's favourite was easy stylistically to mimic, unlike say, 2009's The Resistance...

thank you @danielhowell for the inspiration!

nerdy stuff & reference pics below the cut!

General notes

i don't know how to use photoshop! i entirely brute-forced my way through the whole project, and the only tutorial i looked up was for the gradient text in the 4th cover

this wasn't even the original project i was working on! you'll eventually get to see that though

and this one also inspired art for the disc itself so stay tuned 👀

i will do anything for authenticity so these are Full of intentional details

matching fonts is a nightmare

the traditional cover

took the longest, as it was the first.

the barcode numbers are the date of the first video he uploaded on dinof, and the last tour show date (in m/d/y)

i changed 'iceland' to 'poland' on the front cover, as he never actually went to iceland, and poland wasn't ever on the list even though he did go there

the orange may look a little off-center in the front, but these designs need to include space for a spine between the front and back cover, i promise it's right 😂

the black and white cover

inspired by the 'i want to believe' aliens poster

the cover art comes from his metal band merch shirt design

i had to manually shrink the text, line by line, and ensure it all lined up on the back!

i even made the logos on the back greyscale

the Muse: Origin of Symmetry cover

a shockingly perfect style for a WAD cover. i'm so glad i used the cubes, even if they couldn't be orange.

there's some versions of the art online where the sky is even more orange and it baffles me how i haven't seen any parallels like this before

the Muse: The Resistance cover

this cover was never supposed to see the light of day! i meant it when i said i was grateful i didn't have to try to adapt this complex design... and yet, i tried anyway.

i did all the grid lines by hand, including the jagged/broken edge parts, shading each section, and then drawing every star.

the hardest part was getting the gradient on the back text to cooperate. photoshop's gradient settings are surprisingly limited

gotta shout out @amazingphil for being the reason i knew what this cover looked like--it's the only muse album i knew the art of before embarking on this quest!

obligatory sob story:

i've been extremely and suddenly ill for 6 months. it is difficult to function moment to moment, but especially in doing little things just for me. this is the first and only art project i've been able to feel inspired to not only work on, but to finish, and despite the pain and long hours, i enjoyed every minute of it. thank you, dan, for creating this space for me to explore, and thank you, everyone here, for being wonderful support during this time 💞

[adaines-furious-feast]

Actually, no, this is more than a tag:

Jace as Porter's Lady MacBeth is my new favourite Starbreaker dynamic

[starryarchitect]

okay yeah yeah villain but the diagram is so cool you guys

Wall I made for this (featuring: Russian, Spanish, toki pona, DNA code, women's script, a few alphabets, some geometry and arithmetic, and a language that I invented, among other things. I had fun with this)

[onpie]

Noodles and Tea’s work inspired me fr

[livvylubug]

I would like to share my Murder drones AFTER DEATH AU, because I am so unbelievably obsessed with murder drones right now :3

The basic lore here is that Tessa, N, and J flee copper 9 after killing Uzi (due to the absolute solver) and a few hours later, uzi turns back on and repairs 2 special drones! The best she could anyway.

I have like, a crap ton of doodles of this AU do I’m just gonna dumb them all right here

[starry-bi-sky]

more clone^2 memes because i think they're funny

[filledmouth]

weight of a dead world

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you