#i love fandom and how people create dynamics……

[zukkaoru]

"create the art you want to see in the world" and "i wish more people would write fics/draw art of my favorite characters/ships/etc." are two statements that can coexist. btw.

[steddieunderdogfics]

This week’s writer spotlight feature is: @lady-lostmind! lady_lostmind has 84 works in the Stranger Things fandom and 55 of them are in the Steddie tag!

@oh-stars recommends the following works by @lady-lostmind:

This Is The Coin I Had In My Pocket The First Time We Kissed, And I Always Have It.

Transfixed (under your spell)

Fuck

You know what to do, when it gets hold of you.

The Wall

"Mack is one of the best writers in this ship and I am so very lucky to read their work early on. Her Eddie voice is unmatched to me!! Every time I read a new fic of hers, I'm always shocked at how she can outdo herself with creating my next favorite fic. She's fearless in trying new tropes and genres, exploring super serious topics and she has some of the hottest scenes I've read. Every opportunity I have to read or reread her work is an absolute pleasure and I am so honored to get to see her flourish!" -- @oh-stars

Below the cut, @lady-lostmind answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

I’ve been reading fanfic since I was a teenager but I never felt the urge to write my own until watching these two together. I think we can all agree there was some undeniable chemistry between the two on screen and they have such a fun dynamic to work with. I’ve always enjoyed creative writing in some shape or form whether it be for a class or writing lyrics for the band I was in, or the half abandoned novel I have in my docs. I decided to give fanfic a shot and then really loved getting to actually be a part of the community instead of lurking on the edges and leaving kudos anonymously like I had for years. But there is something so special about Steddie in particular and I’m especially drawn to writing Eddie in particular. His character has so many layers to explore and different directions to go and I love making him fall in love with his golden retriever of a man over and over again.

What’s your favorite trope to READ?

I am a sucker for a good slow burn, especially with some hurt/comfort thrown in. Please rip my heart out, stomp on it, pick it back up, and hand it back to me wrapped in a pretty little bow.

What’s your favorite trope to WRITE?

Honestly, the same as what I read. As much as I love a good fluffy one shot there’s nothing quite like the sweet torture of dragging your characters through hell before they get their happy ending. It’s so fun trying to navigate what they would do in difficult situations, and how that affects the story overall.

What’s your favorite Steddie fic?

This is such a hard question. There are so many good fics out there. We’re truly well fed in this community. I think some of my absolute favorites have to be You’re Divine by oonionchiver, and The most remarkable thing about you standing in the doorway is that it’s you by greatunironic. Both of them inspired me to do a lot of fanart including a bind and cover art for You’re Divine, and drawing all the album covers in TMRTAYSITDITIY.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I never really know what I’m going to write next until it smacks me in the face. But I’m definitely open to whatever that might be. I will say I’ve never ventured into the omegaverse in my writing but it does seem like a fun one to play around with.

What is your writing process like?

Chaotic. I love writing but have a hard time actually sitting down and focusing on it. I either write a huge chunk all at once, or I write a sentence at a time while watching tv or something. I do really enjoy writing with other people though whether that’s in a sprint or word game.

Do you have any writing quirks?

If I have music on while writing it can’t have any lyrics in it or I get too distracted.

Do you prefer posting when you’ve finished writing or on a schedule?

Oh, a schedule is generous, I’d say. But I do prefer posting chapter by chapter. I feel like people engage a little more as they read each one and I love getting the feedback as I go.

Which fic are you most proud of?

And you may find yourself in a beautiful house, with a beautiful wife. I think my writing grew a lot during that fic and I’m really proud of the work I put into it. AYMFYIABHWABW was also the first thing I ever wrote for an event and was a big step for me to actually put myself out there and talk with other authors and artists. I made some amazing connections through that event and am so glad I pushed through any self consciousness to ask for a beta reader because I found an amazing one in oh-stars and gained a great friendship through that. They introduced me to karadanverss when the two of them were looking for some help modding the Stranger Things Reverse Big Bang and I not only gained another friend, but got to dip my toe into being a mod, something I never would have even considered doing before, but have had so much fun being a part of as we set up other events together. So I think because of all that, AYMFYIABHWABW will always hold a special place in my heart.

How did you get the idea for This Is The Coin I Had In My Pocket The First Time We Kissed, And I Always Have It.?

During a rewatch of New Girl. Nick Miller is honestly such a mash up of Eddie and Steve, and I could not get the idea out of my head to Steddiefy the scene in the hall where Nick says “Not like this.” It screams hopeless romantic Steve to me, and the title is a line Nick says to Jess way later and it never fails to make me cry. So, I started with that. Just wanting to do a similar situation with Steddie, and it morphed into something much bigger than I intended.

When writing You know what to do, when it gets hold of you., what was something you didn’t expect?

I thought I would have a harder time with Steve’s POV in this one than I did. I really wanted to show a side of him that I feel gets overlooked a lot since he’s always throwing himself in front of everyone else when there’s danger. But what happens when that danger isn’t there anymore? What does he do with that? It’s a side I hadn’t explored much before and I was really happy with where that took me. I really liked getting to see where Steve’s mind would go when the group is seemingly safe.

What inspired Transfixed (under your spell)?

Transfixed was written for the Steddie Summer Exchange! So I actually had this prompt: ‘Popstar Steve and rockstar Eddie having a secret relationship whilst the public and their own band mates think they hate each other.’ to go off of for it. This prompt screamed angsty, hurt/comfort so I was really excited I snagged it in claims.

What was your favorite part to write from You know what to do, when it gets hold of you.?

I think it has to be the scene where Steve finally breaks down. When Eddie figures out what has been going on and Steve just lets it all out. If there is one thing Steve Harrington deserves, it’s a good fucking cry.

How do/did you feel writing The Wall?

The Wall was written for Steddie Love Month with the prompt: Love is letting yourself be loved and if that didn’t scream insecure Steve I don’t know what does. I remember feeling very bittersweet while writing The Wall because I know what it’s like to be afraid to let someone in again when you’ve been hurt, and how good it feels when you finally let that wall down and accept that risk because it’s worth it. I tried to capture that feeling as best as I could.

What was the most difficult part of writing Fuck?

Fuck was another Steddie Love Month prompt. The hardest part of writing this one was just trying not to cackle to myself about how ridiculous Eddie was being. This one was a lot of fun to write.

Do you have a favorite scene and/or line from any of your fics?

Oh my. I think it either has to be the first scene I wrote for AYMFYIABHWABW that sparked the entire thing: Steve is staring at him, eyes wide and rocking a little on his heels like he’s so nervous he can’t stay still. Eddie’s stomach drops, his mind spiraling through a million worst case scenarios all at once. “What’s wrong? Is Wayne– Are the kids okay? Is it–” Steve holds his hands out in front of him and shakes his head. “Fuck, no. Sorry. No. It’s not–” Steve sucks in a deep breath, his hands shooting up into his hair before dropping to hovering in the space between the two of them. “Eds. I fucked up. I so massively fucked up. I can’t even begin to–[...] This feels like a fucking fever dream. Like something he’s imagined a million times over. Awake and asleep, In every possible scenario and position. All the times he fucked men in bathroom stalls and or pressed them against a wall in a dirty alley, this is what he wanted. And he was right. None of it even comes close to being this. This is…it’s everything. Fuck– it’s everything." Or this scene from You know what to do, when it gets hold of you where Steve finally gets to breakdown: Steve shakes against him, his tears wetting the shoulder of Eddie’s shirt. “I’m sorry.” Eddie shakes his head. “It’s okay.” He rubs his hand up and down Steve’s back. “Hey, you’re okay. We’re going to figure this out, okay?” Steve sobs, his hands fisting into Eddie’s shirt a broken “Sorry” slipping out of him again. Eddie’s arms tighten around Steve, and he struggles to swallow the lump forming in his throat, tears welling in his eyes. Can’t help the way his heart breaks a little at the sorrow in Steve’s voice. How vulnerable he sounds. Because Steve Harrington isn’t vulnerable. Steve Harrington dives into lakes with portals to another world at the bottom without a second thought. Steve Harrington rips other dimensional beasts apart with his teeth. Steve Harrington marched into battle calmly, and confidently. Steve Harrington carried Eddie out of a hellscape on his fucking back. Steve Harrington is the rock. He is the one everyone leans on. And Eddie knew. He knew something was wrong. He knew something was going on. But it’s one thing to know it, and another to see your hero crack and crumble in your arms.

Do you have any upcoming projects or fics you’d like to share/promote?

The Eddie Munson Big Bang! Definitely keep an eye on our tumblr (@eddiemunsonbigbang) to see all the amazing fics and art that will be coming out. I’m one of the mods over there, and I’m working on a fic for it that I’m really excited about. If this is posed before the end of September…we’re still looking for artists!

Outside of these questions, Is there anything YOU would like to add?

I’d just really like to thank anyone who has ever taken the time to read my fics, or like any of the fanart I’ve made. I never expected anyone to really see any of it when I first started all this and have really loved finding a community to be a part of. I never had any friends who were really into fandoms or fanfiction, and up until I started engaging in Steddie content no one in my life even knew I read it. Getting to talk to, and make friends in this community gave me the confidence to talk more about what I’m interested in and connect more with the people in my life. So, thank you all for showing me how to be loud about the things I love and that I don’t have to hide parts of myself away!

Thank you to our author, @lady-lostmind, and our nominator, @oh-stars! See more of lady_lostmind's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[quillkiller]

ok ok ok…i have a rare pair for u

james and pandora but like v much platonic

i just think bc james was definitely such an eccentric kid with all these special interests, he’d deffo understand all of her quirks and interests, and pandora would love how much of a good listener he is and all the questions she’d get to answer bc james was so genuinely interested.

anyways yea, they r besties in my mind <333

SEE. this is interesting to me because ive always been of the opinion that the skittles just would never ever get along with the marauders (save for lily) and like genuinely strongly disliking them…….. however i have recently (today) started thinking about jarty so. i think maybe im changing

and i LOVE this for you and i’m so open to having my mind changed…… especially since ive opened up to jarty when ive like. very strongly disliked that pairing and been very vocal about it .

like james and pandora both have autism swag definitely…… how would they meet? do u want to tell me? i want to know……. im very very open to being converted <3

(pls tell me about ur rare pairs!!!!)

[purplepixel]

You like Casey Jones a lot. What do you think of her being shipped with April?

Yes.

It's prob the only ship I care about in rise. I like to believe if the show had like 7 seasons then this is where we'd end up. Casey/April is a TMNT classic. And rise's version is enemies to lovers + GAY? My recipe for an OTP.

Having said that, I am a little weary of capril in the fandom simply bc Casey is a VERY underrated character, and I HARDLY see her but when I do, it's shipping art/fics (I will say this is changing). But I fear sometimes that people only like her to ship but don't care outside of her being with april. The fandom hasn't even scratched the surface with casey's character post show/movie and I'm more interested in exploring that rn than the romantic side of things.

[maxthesillyy]

do NOT hand me the aux or i WILL start playing this shit

[livvyofthelake]

just saw a tiktok. listen if you’re gonna compare your characters to laurie jo and amy little women you need to really put on your thinking caps with it you cannot just be saying shit this isn’t a game….

[dimiclaudeblaigan]

Poked my head into some of @mysticdragon3md3′s thoughts regarding popularity with DimiClaude fanon and am happy to say I’m here to Talk (tee em).

I also saw the post from the user saying why they were falling out of love for the ship, and... yeah. The people they’re talking about, the generalized group of people who do certain things, definitely bother me as well.

I love that you pointed out Claude is not flirty and is just playful. It’s not the DimiClaude fandom alone unfortunately with that though - it’s the entire fanbase that views him as a flirt. And, according to Twitter, a slut. Yeah. Yeah. I know what they... “mean”... but it is still not him.

Them being annoyed with each other is also fanon and a very strange one. Never in Houses did Dimitri come across as being annoyed or bothered by him. In fact, they have friendly banter! Dimitri doesn’t get specifically exasperated at Claude, but that’s just more so how he is as a person and he sometimes doesn’t understand playfulness. That said, he does not berate Claude the way he berates others. There’s one instance I can think of where he berated Claude and that was in the DLC when they were talking to Aelfric for the first time.

In Hopes, same deal in AG. In fact, he’s quite fond of Claude in AG. GW itself was a well discussed mess in a lot of ways, and even then as a ship they didn’t have a lot of negativity. If nothing else it was an odd opposite, because even as enemies when Claude admitted he couldn’t defeat Dimitri alone, Dimitri just basically laughed, smirked and walked away. That’s like... the worst of their relationship in GW and it’s extremely mellow.

I think part of the problem some dmcl fans are facing are the fanon version of the ship rather than what they’re like in canon. It is definitely true that part of the dmcl fandom has absolutely warped the ship into being something it really isn’t and never was in canon. There’s also this whole thing about Dimitri being the dominant, feisty one with Claude being the uwu blushy one and it’s just... not them. Not as a pair canonically, and not individually. When Dimitri gets “dominant”, he’s, uh, not in a good mental state. It’s a mental illness that makes him like that and personally I’ve never appreciated seeing people use it for a kink for a ship. Normally I’d say people can like what they want, but I get the feeling a lot of dmcl fans have absolutely pushed their views onto others and driven fans away.

I will also say have absolutely, 150% come across those kinds of fans. The ones who refuse to listen to anyone else, but if your headcanons don't vibe with them then you’re just completely “wrong”. Not only do they portray the canon characterization poorly if portraying it at all, but they tend to also bring it down a racist route, which is... beyond ironic considering they should be the last ship that deals with that based on their characters and stories.

Engage kinda went wonky with a good few things regarding the previous lords, so I don’t see Dimitri being like that as some kind of definite canon. Actually, even in Heroes their interactions are friendly and calm. The “worst” banter they had was their swim alts, while on the opposite end we have the brave alts who apparently hang out together outside of the castlegrounds, and for so long that they can’t be of any help in a search for someone (which like lol how long you gotta be gone to have no idea and can’t help at all lmao).

I think people see outside-Houses canon scenes like those and just... decide it’s their actual canon. Dimitri is not, in any way, actually mean to Claude in canon. That is unfortunately a very popular fanon. In Houses especially, when Dimitri doesn’t know Claude well in the mock battle he’s more like ummm hey Claude your defenses are open what are you even doing, more than being like ugh Claude you’re so annoying. In the real version of that mock battle though, a good few months had passed and their battle quotes are significantly more approachable and they clearly have respect for each other. Dimitri knows Claude likes to fuck around and be goofy sometimes, and he picked up on that and played along with it in the JP version (in the English version he simply picks up on it, but there’s no anger whatsoever and it’s just more oh okay I get it).

As far as Engage goes, ultimately I just see it more as an extremely condensed version of their mannerisms, and yes, they for some reason, especially in the localized versions, try to keep up the whole rival shtick when Dimitri never even felt that way about Claude, and he never gets truly annoyed at Claude. Ffs, in canon Dimitri literally drops everything after retaking his home from the Empire/TWS, and runs to go save Claude. Literally. The next day. While Claude is a little tsun about it (!), Dimitri is just “come on let’s go hurry hurry no slowing down pick up the pace we are saving Claude”, and that’s basically him the entire chapter except with the Arundel specific stuff. When he talks to Claude one on one, there is literally not a single shred whatsoever in any plausible way or in any damn universe any tension from Dimitri to Claude. He just wants to know he’s okay and relaxes once he knows Claude isn’t hurt. I mean literally, no, like... that’s them, in canon, in their Natural Habitat together and I have no fucking clue how the portrayal of them in fanon got so insanely warped beyond recognition.

Also, Engage kinda dropped the ball with a lot of stuff with the other lords. Hell, they’ve been unable to keep Ike’s character consistent throughout all of his non-canon appearances (Awakening didn’t seem too bad, but Fates was pretty awful for example. They can’t seem to really understand the character they’re writing anymore, and idk if it’s just because the writers have changed and such/aren’t the same as Tellius’ games had, or they just don’t care to keep him consistent).

They also try to make Sigurd sound wise and super helpful in every single solitary iteration of him outside of FE4 which is honestly just obnoxious as fuck lmao. Sigurd was naive, foolish, overly trusting, and far too kind and gentle for his own good. It ultimately was what led to him following orders blindly, having blind faith that his king was righteous and would give him the right orders (without realizing the court was very much in disarray during his absence and with several other prominent court figures away because of the war). Sigurd was too quick to believe in the good in humanity and that things would work out, and it led to him not realizing how wrong he was until it was way too late and he had to take shelter in a foreign country to avoid having to fight the same people’s armies who had the court’s ear.

Basically Sigurd is nothing like they write him to be in every. single. solitary. iteration. outside of FE4. 

(SPOILER here just in case you care lol. Or anyone who is reading this. Or if you’re someone who somehow does not know about the biggest known spoiler in the whole game) He has one little section of potential dialogue (i.e. it’s triggered by a very specific condition) that shows somehow ghosty Sigurd has grown more wise and understanding ??? while being dead ??? and somehow learned while being dead that the world do be full of grief and Stuff. (END SPOILER)

So they pretty much took like, two lines of dialogue from FE4 and made it Sigurd’s entire fucking character forever in every single game he’s been in since. If nothing else, let that be your insight on never to trust content you see outside of a character’s original game. At that point it’s simply fanservice because they don’t even know their own characters. If they wanted to write even a semblance of Actual In Game Sigurd’s Personality And Not Two Lines Of Dialogue That Are Completely Optional And Quite Honestly HIDDEN, it would be very easy and reasonable to do so. They choose not to, and then we get what they did with Houses’ lords.

Another portrayal I see too often is that Dimitri and Claude... argue??? I won’t lie, their Heroes summer alts was the very first time they even seemed to “argue”, and it was mostly just goofy nonsense that means nothing because they’re literally alts in swimsuits, and it wasn’t really them being vicious at each other. Meanwhile in canon, they’re always very calm and able to talk through their problems - even in fucking Hopes in the GW route. Even in the worst possible circumstances for them to be in, that is, as enemies, they were still able to talk it through. Barring Claude’s written in idiocy so he could be a mouthpiece for Edelgard and do her bidding by invading the Kingdom (which was literally nothing but plot convenience because Actual Claude would’ve reasoned his way out of doing that), even in the worst possible situation, they still called a truce and still worked things out verbally, calmly and peacefully.

Point being, this whole cat fight dmcl portrayal isn’t even remotely close to their canon selves, and normally I’d say, you know, like what you want and enjoy your ships how you want... but it’s pretty much almost entirely the people who view the ship that way that uh, attack people who don’t agree with them or insult them/laugh at them for seeing the ship differently. These are the people who make you feel bad, for enjoying a fictional ship of two pixelated characters kissing, because you don’t like the concepts in their head more than the way you’ve interpreted the canonical characters.

To be totally frank, I have a visceral hatred for the fanon portrayal of dmcl because it makes Dimitri out to be terrible and makes Claude some kind of punching bag for Dimitri in various forms. There comes a point where it’s like, you ship something and then there’s the point where you ship two characters you made up in your head, who aren’t the same characters you first started to ship, because you’ve warped them so extensively that they became nothing but a person’s OCs with their faces and some similar backstory elements at best.

[allthingswhumpyandangsty]

fanfic writers who write for rare pair ships are treasures and I hope they all know about the impact they have on fandoms. like… they’re the ones bringing these ships to lives, they’re one of the few people who saw the potential between two characters whose dynamics, whether or not they interact in canon, were overlooked by most fans, and they created something beautiful out of these potential dynamics. like??? hello???? that is pure genius.

not to mention how they’re the lifelines for other people who enjoy these ships but didn’t have any fics to consume until these tireless writers spent hours or days or weeks or months or years writing about these characters and their relationships, and just shared the worlds they created with their audiences for free.

or how they singlehandedly introduced the ships to new people who would’ve otherwise never thought about these ships before.

how they could just make people fall in love with the dynamics between characters who have little to no canon screentime together.

how they could just make people fall in love with the dynamics between characters who aren’t lovers in canon, characters who don’t indicate any clear hint of romance in canon.

how they see what most fans don’t and how they create such beautiful worlds for these characters are simply insane.

fanfic writers who write for rare pair ships are treasures.

shoutout to every fanfic writer who writes for rare pair ships.

[petday]

I make fandom art I make porn I make stuff that makes me miserable and I make stuff that makes me happy and I follow all the advice online but still nobody likes my art. I know it's good art and im not insecure about my talent level but no matter what I post or where I post it, nobody wants to like or interact with my art at all. I know people see it I know people are scrolling past without acknowledging what I make and it fucking sucks. I don't have friends to share stuff I make with and nobody online cares clearly. What do you do when nobody likes you or what you offer.

Good question. This response involves some of my history. I try to talk about my experiences at a comfortable distance. But please skip to the 'Solutions' part if you're bored.

My thoughts below:

It's painful. I have a lot of memories of high intensity pain due to no one engaging with me, at school and online. 'If I live in the same world as others, but it still feels like I am in a world with just myself, what is the point of trying to make things? Sure, I will feel better about myself as I grow, but I've still got no one to grow with, so I am just talking to myself. Amusing myself is fine, but I want to reach a level of fun above amusement, a level that others seem to reach so naturally.' 

In fact, maybe you are less 'outward' with your emotions, but as a child and teenager and young adult, there was a lot of screaming and crying and thrashing about 'not being granted the ability to make things others will seriously engage with me about.' 

(The pain remained after making a few friends during teenage years. The pain's attitude shifted slightly to accommodate this new life change of gaining friends. Much later, even after I became an artist with a large visible number of 'followers/people interested in something you make', the pain shifted its shape around this life change again. "People make bad assumptions of me because I have a big visible number in my profile and most websites do not give me the ability to hide that number." Summary: If your pain/frustration still remains after you gain a friend or find people who engage you, don't beat yourself up. Emotions don't work in such a way that the outcomes you desire are only guaranteed to make you happy and no other emotions will rise.)

Although I loved to look at art on websites since I was a child, one may assume I enjoyed the community aspect. I did, but only as a spectator for the vast majority of the time, since age restrictions and the harsh attitudes that exist to 'prevent the weak from touching the strong' was present in many of the sites I visited. Similar to how children get frustrated when another child cannot keep up with their play, but the child that is 'left out' can still enjoy watching other kids play from afar. It makes perfect sense to me these feelings will always exist in the world no matter what 'social media' websites people invent.

Anyway, two solution attempts in succession I tried over long-term:

1. My first attempt at a solution was immersing myself in a fantasy world I created in my mind and I held my imagination in high esteem. "I know my imagination takes influence from the things I read and admire, so it's not such a lonely world anyway." Creating episode lists of imaginary cartoon episodes and such, so dedicated to something I hardly told anyone about. It felt good. But my friends had original characters too, and they could describe their personalities and dynamics to others naturally and quickly, likely due to their earlier experiences with 'communicating ideas to others.' I was quiet and envious. Although it was fun to play with the imaginary characters in my head, I decided to take another step. Of course I could not simply go back in time to gain the similar social experiences my friends had. But I could use that desire to 'go back in time' to 'go forward in time' and gain the experience.

2. Engage in others first. Because I spent a long time in my imagination, I felt more secure about myself, so I wanted to extend the feeling of 'caring about my own work' to 'caring about others' work on an equal level.' The internet allows you to assess people before engaging to see if your compatibility might be okay. If someone had posts that resonated with me, I tried to say 'hello, I like what you posted/I like your drawing because [...]' Even if the contact ended there, it was a good practice. Gently communicate with people over time. Especially since I am sure there are people who rarely receive questions about their artworks who would love someone to engage with them as well. Of course do not do this in a 'pity' sense – you have to genuinely find something that 'touches your heart' and if the artist seems to not get much curiosity in regards to their art, you can go ahead and try to express your curiosity to them. Keep posting whatever you like, but if you engage with others, you may find someone engaging with you without even expecting it, and that is fun.

(I think society should practice finding genuine value in things they like even if they see nobody has touched it. Not pity, but removing the "does anyone else like this? If I see no one else liking this, it must be a bad thing to like, so I won't engage" attitude. Some of my favourite artwork has maybe 5 visible 'bookmarks/favorites' on an art-focused website.)

[iridescentscarecrow]

what frustrates me about fandom interpretations of makima as a one note Source of evil, apart from the fact that the manga itself refutes this, is that her character haunts and ties together so much of part two that it's impossible to fully understand without understanding her.

makima isn't ever a unilateral antagonistic force. she's an agent of the institutional evil that looms over all of CSM. she's in as much a commentary on gender and performance of gender as denji is.

and fjmt in part two enacts the "haunting the narrative" trope in such an interesting manner because you see flashes of makima in every female character. you see elements of her diluted into, most visibly, the characters of asa, nayuta and fumiko.

in asa, i see makima in that yearning for connection. i see her in the way that asa herself is fundamentally unable to approach the relationship of equals that she so desperately desires, partly due to her own social awkwardness but also because of yoru's threat: everyone she gets close to turns into a weapon. the fundamental inequality to human relationships that makima is unable to overcome.

during the aquarium date, you see asa echo makima again and again in lines that evoke makima's purposing of denji. that weaponising. "i'll grant you any request / save me chainsaw man! / you don't have to think about a thing."

and her connection with denji also founds itself upon this. yoshida talks to asa about parasocial relationships -- rerendering makima's idealisation of the CSM in how asa sees denji as a love interest. asa and denji parallel each other so organically in their gendered suppression and portrusion of desire. it's a punctuation of denji's search for intimacy that's mirrored by makima's in part one. exploring how asa is different from makima is perhaps the most intriguing part of this reflection though: an example being the way asa overthinks her outfit for her date with denji while makima seamlessly models herself into an Effortless woman.

[it's not like asa borrows just from makima. for example, there are things to be said about the way she views her Body (as compared with reze and quanxi) but examining how mkm's character bleeds into asaden is quite compelling.]

nayuta being the most visible remnant of what makima was is also interesting because makima herself appears so little in nayuta beyond the surface. nayuta's role as the control devil is hinted at frequently as is her appearance resembling makima's

but her and denji's dynamic more often echoes the hayakawa family and pochita than anything else. consider: aki giving up his goal (his 'easy revenge' that he finally sees for what it is) for the sake of his family, that warmth of blood and platonic bodily intimacy that power embodies--

it's all referenced to again with nayuta and denji, in direct panel callbacks and the plot itself! nayuta is The Family that makima constructs for denji in part one to pull him along the plot she prepares. i'm thinking about how makima is an allegory for capitalism. and what the family unit means in a capitalistic structure. the propagation of an ideal that hinges on birth and descendancy, about narrative and reproduction of narrative, about how nayuta births herself from makima and denji's relationship.

and this is also why nayuta herself exerts so much control over denji in the plot, as well as why she's used as a piece to control him. in part one, family was used to create the Chainsaw Man from denji. in part two, it's used to make denji abandon the Chainsaw Man, this icon that the church and the public now take possession of. [something something alienation of the worker from the product. from the collective. from the self.]

fumiko is perhaps the hardest to pin down here because her role evolves as the fandomisation of the Chainsaw Man evolves too. in fact, as a denji fan, she represents not just makima but multiple people who see something in and want something from denji! (think of how she references reze in her highlighting how denji is just a child; how reze uses her commentary on denji to engage with her Self. it's fandomisation,,, and what is makima but Chainsaw Man's fan?)

fumiko most obviously calls back to these wants and their conceptualisation of denji in the raw sexual violence that the events in the theater scene moving into the karaoke scene embody. the undercurrent of sa that runs through p1 and p2 is brought to the forefront in this scene -- denji falling back into these cycles of abuse, him slipping into habitating the wants of others (his initial horrified expression and then his grin during the fight. his initial inner monologue and then the cut to him licking the tentacle.)

so much of CSM rests on this fandom of denji, this theme of what production and idealisation means, one you can trace through fjmt's body of work. and this fandom reaches its crescendo in p2. what's even more interesting about fumiko is her pathos under this layer. her seeing denji as denji at some level but in the end, her handling of him is so selfish. her echoing makima's uninhibited laughter at the horror of denji's situation, her predatory cruelty. denji simultaneously humanised and dehumanised through her fandom.

fjmt's characters exist as foils, as parallels and ideas. makima's character has such a stranglehold over part one and these ideas run over into part two naturally -- as a consequence of denji being a reciever of these themes, but also deliberately in fjmt evoking the Thing that is makima repetitively -- to underscore the forever re emerging structure that denji and now asa are trapped in. the same structure that makima produced and was simultaneously caged by.

[zeroducks-2]

What's up with batman and the erasing of queer history? Sry I try to interact with fanon as little as possible

There is no simple or short answer to this but to try and not make it a wall of text - Batman/Robin has always been a staple of the queer community, so much so that to this day there are "brudick" graffiti in big cities and lots of older gay couples have been using them as a reference for solid partnership which endures in spite of adversity.

Originally there was no indication anywhere that Bruce and Dick were in the roles of father and son, rather they were partners against crime, one the shadow of the other, and they would share everything both when it came to crime fighting and in their everyday lives. They're shown sleeping together, going on lake trips together, finishing each other's sentences and Dick being viciously jealous every time Bruce would "replace" him with any of the women he used to have flings with such as Talia or Selina.

Did DC mean for them to be read as a queer couple? No, of course not. Bob Kane and others wrote a partnership, an unbreakable bond which would allow these two men to overcome any obstacle together, and queer people read into it as queer people always do.

Someone else read into it though: Frederick Wertham, who called Batman a pederast and used Batman and Robin as an example of how the evil comics would corrupt young minds to send them on the way of perdition and sin. He wrote all of this and many more infuriating shit in his book Seduction of the Innocents, which was then the major influence in creating the Hayes Code, which is the reason why we never had queer characters in comicbooks and movies and anything really for decades (and we're still struggling today).

Wertham and the Hayes Code did not stop the queer community from loving Batman and Robin though, therefore what started happening was the more subtle shift towards Bruce and Dick having a father and son relationship rather than a partnership. You can see this clearly with Jason Todd for the first time: Bruce takes Jason in and treats him as his own son, the narrative calls them father and son, and there is no doubt in the mind of who's reading that Bruce perceives Jason as his child. It all went steadily downhill from there.

Nowadays, writers have Dick say character assassinating things like "I love you dad" to Bruce, Tim saying "we will save our dad" to Damian, and everyone in the fandom acting like this has always been the case and actually you're weird and you should be sent death threats for shipping Brudick, because "UMMM that is literally his son?!??!?!?". DC has been pushing the idea that these folks are a nuclear family for a while now, but whoever has actually read the comics knows it's not the case, and it used to be very different before.

Brudick, among queer people, used to be entirely uncontroversial. While Wertham raged about how it corrupted the minds of young men and the Hayes Code prevented queerness to be anything but vaguely hinted and coded in the text, queer folks didn't care and kept having matching Batman and Robin shirts.

Today queer people will call you a pedophile and a groomer and try to doxx you for posting Brudick art because apparently they're doing the fascists' job for them, either because they are genuinely misguided or because they think that if they're enough morally pure they will have a spot among the chosen ones, hell if I know. What I know is that they'd suck Wertham's cock and balls if he wrote Seduction of the Innocents today, and it's DC's fault too with their erasure of every found family dynamic among the batclan, and the way they've been pushing the idea of a "batfamily" instead, in which everyone has a strict role of son or brother or father, and shipping them makes you the antichrist.

[sailoryooons]

I am going to say something that has really been bothering me that not everyone may agree with, which is totally okay, everyone is entirely valid to disagree with me: There is a fast fashion problem in fandom, specifically fanfiction.

Disclaimer: This conversation is not about broadly writing the same tropes, genres, and ideas. I am not talking about people writing fics with similar themes or the same name. I am specifically talking about people writing fics that are very obviously heavily influenced by other fics. This is not me talking about: I wrote __ character as enemies to lovers vampires and so did this person so they stole. Please do not trivialize this conversation with instances that are very obviously not what I'm talking about.

As someone who exists in the fanfiction space, I want to express what I have seen specifically in this space in my own experience, my mutuals experiences, and random experiences I have seen on my dash.

Recently, it seems like there is a reoccurring theme of writers (often new writers) taking "inspiration" from fanfics that they love and value and essentially creating their own version of that story to the point it is bordering on plagiarism. I say bordering on plagiarism because while people may not be copying line for line or entire scenes in order, you can tell that it is a re-arranged duplicate of another story.

I am not talking about writing similar tropes and dynamics. No one owns a trope or a dynamic. I am specifically talking about people taking the plots, scenes, concept and core of fanfics and recreating it and changing some plot elements or placing it in a different alternate universe and calling it their own, when at the heart of that fanfic, it is taken from someone else's creation.

This to me, reads like people who read a work, fall in love with it, but think 'this is easy to do, I can do this myself' and they end up making a replica of a fic that you can tell is a replica of another fic, despite adding some changes. Nine times out of ten, these inspired fics lack the obvious thought and heart the original writer put into it.

Which, begs the question: How is this different than fanfic writers taking inspiration from media (i.e. published books, movies, music, shows)? Because fanfiction is meant to replicate a specific something from published media. It is not meant to duplicate an already established fanfiction contribution.

I know that the nuance between that line is very ambiguous and it brings up the discourse on 'should there be fanfiction of fanfiction' - to which my response is it is, generally, pretty obvious what the difference between being inspired by a fic and copying a fic are.

In the last few months, I have lost count of how many times I or mutuals have a) discovered someone has been writing a story based off of their fic 2) have been asked to use an already written work to make their own or 3) already have started writing works modeled after an already written work and in hindsight asked the author if they could keep doing so (this third instance almost always happens after someone accuses them of stealing another work).

This feels like the fast fashion industry. Someone finds a story that is popular (whatever that means to the individual), takes all of the elements they think makes the story works, rearranges it, posts it as their own and and says they were 'inspired' (if they credit the original story at all).

This is why so many works that readers are coming across feel like they are the same thing. It is the same A + B + C = D over and over and over again, because people are outright just taking what they think works from other stories and using it.

Again - I am not talking about people who come across a trope, AU, genre or dynamic they like and add something similar to their story. I am talking about the people who are very intentionally and obviously writing the same exact fic with their own 'twist' (whatever that means).

Why is this a problem (beyond the fact that it's essentially roundabout plagiarism)? You're taking the heart, soul, and creativity someone poured into something and posting it on your own and robbing it of the originality, the essence, and the intention behind it. You cannot replicate a writer's feelings and obvious emotions that they have poured into the original work, and it shows. And it is gutting to the original authors who are finding remixes of their work across the fanfiction space.

Please consider whether or not you are inspired by a story or if you are redoing it in your own image. If you find yourself worried enough about your story that you feel like you have to publicly credit someone to avoid scrutiny, perhaps the question needs to be asked of whether you're just redoing what someone else already wrote.

Please do not confuse inspiration and recreation. 9 out of 10 authors will love that they inspired you to write, but would not love to find that you wrote a fic inspired by them that is a rearranged or hollowed-out version of the fic they wrote.

The fanfic space wants and needs more writers, but it does not need people unwilling to create their own art, instead taking bits and pieces from others and calling it a success.

Also adding: This problem also directly contributes to 'smaller' writers or more niche (often queer and bipoc) stories not getting the hype, readership, or recognition they deserve. On more than one occasion I've seen stories that had explicitly queer or bipoc characters taken and turned into heteronormative or white-presenting stories.

Note: This 1000% goes for actual visual art as well, including gifs etc. in fandom but I'm not well-versed there and thus, did not include it.

[starlithumanity]

I'm having a fascinating time rewatching Our Flag Means Death with the knowledge that Ed sees Izzy as a "safe" mentor/family figure ("safe" because Izzy is Ed's subordinate aboard the ship, which creates a more balanced power dynamic) upon whom Ed projects his many unresolved daddy issues. That stated interpretation from David Jenkins does work, even in season one!

Most of the fandom conceptualized season one Izzy as a power-hungry subordinate to Ed and a "co-parent" to the crew (paralleled with the Stede/Mary marriage) who has an understated masochist lust for the Blackbeard legend. All of that is true too, because Ed and Izzy's relationship is incredibly complex and fucked-up. I know from personal experience that this kind of layered toxic relationship is completely possible, though it might seem contradictory on the surface.

In season one, Ed considering Izzy as a mentor/family explains more why Ed let his first mate be so insulting to and controlling of him and still kept wanting Izzy to stay beside him. It adds more meaning to how Ed veers super hard into the violent Blackbeard role after feeling cornered and threatened by Izzy at the end of the season. (This also has further weight for those of us with family members who have disapproved quite loudly of our queer relationships.)

There is a strong parallel that I noticed previously between young Ed's reaction to his father abusing his mother and season one Ed's reaction to Izzy dueling Stede. Stede is linked to Ed's mother through the red silk and through the fact that Stede and Ed's mother--and Lucius--are the only people we see treating Ed with compassion/softness in season one. It thus makes sense for Izzy to be mirroring Ed's father.

Then there's another parallel in how Ed responded to Izzy mentioning Stede in a mocking way ("pining for his boyfriend") by choking Izzy, like how Ed had once responded to his father threatening his mother by strangling his father. In this moment, Izzy touched Ed's face with an intimate kind of familiarity and said, "There he is." Ed clearly found this unnerving, which some people read as sexually harassment, but it makes just as much sense for it to be his daddy issues getting triggered.

(GIF Sources: captain-flint and divineandmajesticinone)

I think part of why this dynamic was unclear in season one is because the writers wanted us to see that, even though Izzy is a mentor figure who taught Ed certain skills, Ed is a grown man who is fully competent on his own. He had likely started building the Blackbeard legend by the time Izzy met him, he has a clever mind that's constantly coming up with new plans, and when Izzy himself was left as captain, Izzy proved to not have the necessary charisma and compassion to lead the crew. Ed is the star power; Izzy is the manager, so to speak.

However, Izzy overestimates his importance and often talks about himself like he's a martyr to the Blackbeard legend, working so hard to keep both Ed and the crew in line. He claims that he's been "clean[ing] up [Ed's] messes... my whole life," which feels like a very parental complaint to me.

Ed fuels this martyr complex some in season two by physically harming Izzy, but notably, Ed doesn't threaten this kind of harm to the rest of the crew (though he isn't very careful with them either) until he's in the suicidal spiral of driving the ship into a storm. Before that, Ed threatens Izzy specifically, both because Izzy threatened him and Stede in season one and because Ed's trying, in his own fucked-up way, to prove to Izzy that he's following Izzy's guidance and "being Blackbeard." The toe-cutting also has some metaphorical weight: Izzy demanded that Ed "cut off" the gentler pieces of himself to be Blackbeard, so Ed starts cutting off literal pieces of Izzy in return. When it becomes clear that this isn't satisfying Izzy either, that's when Ed really goes off the deep end. ("I loved you the best I could," but I never could be enough to fit your expectations.)

(GIF Source: livelovecaliforniadreams)

Meanwhile, we see Izzy starting to question things specifically in response to Ed saying that Izzy could be replaced as first mate. Izzy thought his place, as a mentor/family and self-professed "martyr", was more secure than that, and it challenges his whole identity.

Throughout season two, the mentor/family dynamic is further emphasized via the parallel between Izzy/Ed/Stede and Auntie/Zheng Yi Sao/Oluwande. Others have discussed this more, but there's so much meaning in the similar ways these characters carry themselves, in the tension of Auntie disapproving of Zheng Yi Sao's feelings for "soft" Oluwande, and in the way Oluwande finally teaches Auntie to soften herself some for Zheng Yi Sao.

(GIF Source: bizarrelittlemew)

Additionally, in episode five of season two, we see Stede turning to Izzy for mentorship, proclaiming that Ed himself had recommended Izzy as someone who "made him into the captain he is today." People have questioned that as being a false manipulation from Stede, but I think there's a good chance that it was true! (Ed probably said this to Stede sometime during season one, when the two of them got to know each other so well.) "Taught him everything he knows" is definitely a flattering exaggeration, but hey.

(GIF Source: ofmdaily)

Throughout this and other episodes, we see Izzy continuing to take on a mentor-like role with Stede and the crew (and eventually Ed) as he tries to recenter himself after the darkness of the first three episodes. It's clear that Izzy is most comfortable playing the gruff and politically incorrect old fighter who offers guidance, but now he's letting himself branch out more and connect to the crew in new gentler ways. He even metaphorically "gives his blessing" to Ed and Stede's first time having sex by providing the musical accompaniment, which is the perfect amount of weird for this show, haha.

(GIF Source: izzyfag)

Izzy's transformative arc in season two also involves a steady pattern of reversals, corrected new versions of his treatment of Ed in season one, as Izzy start coming to terms with the harm he did to Ed. Other people have discussed this in more detail, but I think the pace of this change is realistic to what you would see in such a situation. Ed's responses to this, too, are consistent with him seeing Izzy as a mentor/family.

(GIF Source: edwards-teach)

I should further note that Izzy and Benjamin Hornigold (another abusive father figure from Ed's past) are two characters mirrored by the fact that they call Ed "Eddie" in season two. I can imagine that being the nickname Ed used when he was younger, before growing out of it. Izzy seems to start feeling the echo of that memory of younger Ed when Ed comes to him scared, asking for Izzy to "fix [his] mess" by shooting Ed like Ed "dreamed" about.

(GIF Source: blairpfaff)

Right before Izzy's death, there's a scene where Ed is triggered super hard in his daddy issues by the fisherman "Pop-Pop." I think the writers wanted to remind us of the parental trauma Ed has been through before giving us some catharsis through Izzy's deathbed confession and apology. In that moment, Izzy takes full accountability for what he did, while Ed cries and says, "You're my only family." Izzy redirects him in a final bit of mentorly guidance, telling Ed that the crew is there to be his family if Ed will let himself be loved, truly, in the way Ed has often rejected and distanced himself from being loved.

(GIF Source: izzyfag)

Now, I do think Izzy's death was the right choice for this show. I like that DJenkins went with the classic mentor death trope, and he did a similar thing with Buttons, the other old-timer first mate! I agree likewise with those who have discussed Izzy's loss as being a necessary step for the narrative to move forward both from Ed's darker self/parental trauma and from the older age of piracy that Izzy represents. Izzy was always meant to be a dark reflection of and a narrative support/conflict for Ed, and this is the natural culmination of that. His complicated legacy will continue to be something Ed has to reckon with, however, although Ed is trying to compartmentalize that right now.

I very much hope to see, in season three (🤞🏻), how Ed continues to process his past, especially now that he's trying for a domestic life that will likely lead into marriage. Marriage, from what I've seen, often acts as a staging ground for whatever parental trauma you had growing up, because you look to your parental figures as an example of how to do "adult" things. This is going to be a huge conflict for both Ed and Stede, who has his own personal negative marriage experience. I suspect Izzy will continue to represent this problem in some form or another.

(GIF Sources: kiwistede and yenvengerberg)

[celestie0]

Are we gonna have smut in ihm soon?🤭

man it’s really fuckin disappointing and sad to spend 10 hrs out of my week to try to create a meaningful story, one that resonates a lot with me and the things i’ve been through in my life, one that i hope my readers can resonate with and see themselves in, just to get asks like this.

like, picture this. you get super excited to write this story of yours, you plan aaaaaall these secondary plot lines, introduce new characters, create different character dynamics, try to include scenes that strengthen relationships with already existing character dynamics. plan out an ENTIRE story on paper (my ideas doc ALONE for ihm has 13k+ words) and try to leave subtle clues here and there in your chapters to support a build up of tensions that’ll lead to a payoff later on in the series. oh, and this is just the planning part. did you know that it takes the average person 1-2 hrs to write 1k words? the last ihm chapter was 14.1k words. go ahead and do the math, and try to figure out how long it must’ve taken me to write it. without even counting the time spent i spent editing it.

i know that this fandom is so horny brainrot fucked up to the nines, i’ve sincerely never seen a fandom that needs to touch grass more than the jjk fandom. and admittedly, i am also super excited to write more smut in my stories! sex is fuckin cool n sexy! but let me just get one thing straight to you horny anons that send me asks like this: my stories are STORIES first and foremost. they are not VESSELS for your FANTASIES. they are not PORN with PLOT. they are my stories, that i write drawing from my real life experiences. and, hey, news flash, they mean a fuckin lot to me! i’m assuming you didn’t do the math on the 14.1k word chapter thing, but i’ll tell you right now: it took me maybe 20 hours to write ch3 of ihm. something that probs took you 1 hour to read, and then ten seconds to send me this ask. surely your tonedeaf brain can at least understand that i wouldn’t spend that much fuckin’ time writing something if it was just supposed to be porn with plot.

listen, i know that i’m not the best writer. i understand that, after reading all of this, you might be thinking “shut the fuck up bitch, your writing aint alla that for me to respect you. we only care about the smut, don’t you understand?” that’s valid. i’ll respect that. i never claimed to be a great author, or deserving of anything meaningful from you in return. ultimately, it’s my choice to spend the time that i do writing, no one’s forcing me, and i would never expect people to support me either (although i am always infinitely grateful for it and tbh the support is what keeps me writing). but what i don’t deserve is to be sent careless asks that make me feel like you see no purpose in my stories other than sex. other than smut. other than a penis going inside a fucking vagina.

anon, you know what would make me excited to continue writing my story? excited to get to the parts where characters ARE intimate with one another? is if you maybe threw in something as simple as a fuckin “hey i loved that part in ihm ch3 where [x]. thought it was a cool thing to do. btw, looking forward to the smut!” would’ve taken you a solid 30 seconds. it just took me 30 seconds to type that. or? you know what else you can do? go sit the fuck down, shut the fuck up, and spend 20+ hrs writing a 14k+ oneshot on the smut that you so badly wanna see. it’s your choice. really! i mean it. go be the change you wanna see in this world.

i have never once felt like i deserved any of the support that i’ve gotten. idk how to write pretty prose. or moving stories. i read some other people’s work on this app and i’m genuinely gobsmacked by how talented they are and constantly think how shitty my writing is in comparison. but my thing is that i am at least trying my best to write stories that people feel worthy of reading, because i feel like that’s the kind of respect that an audience deserves. i am trying my best to put my character and integrity into things that i write, even if what i produce ends up falling flat or doesn’t come across. but this ask isn’t an isolated issue. this issue has come up multiple times in the time i’ve had my blog, where people just reduce my stories down to smut smut smut smut smut when are we gonna get smut when are they gonna fuck write more smut in kickoff you should make ihm couple fuck like rabbits in the next chapter oh we better see them do [redacted redacted redacted] or else imma [redacted redacted redacted]. my fics are literally TAGGED with "slow burn romance"...i am fully transparent about it. and while i’ve also gotten so many meaningful heartfelt reactions to my stories (which, btw, were tastefully horny…yes, there is a way to send an author an ask that is tastefully horny while also appreciating their work!! insane wild concept!! /sarcasm), unfortunately these bad interactions will always stick.

like. would you ask someone you knew irl that was writing a novel, when they're gonna write the smut for it? would you tell them to hurry tf up and finish their novel just so that you can read the smut? would you send them your smut fantasies and be like "include this in your novel for ME because I want it "? no. because they'd think you're creepy n weird asf n overbearing then drop you. so why is it okay to do that to an author on tumblr? what happened to manners? what happened to decorum? especially for creators who are making you content for FREE.

if i was an author that wrote purely smut oneshots, i’d maybe kinda sorta understand (still think it's wrong asf, regardless of the content of stories that you write). but i feel like, after the 200k+ words that i’ve poured into my two stories (including the chapters i’ve written that i haven’t yet released) where it’s CLEARLY evident that these stories are much more than smut, i’d think that i deserve treatment a little bit better than this.

i’m done. i’m done trying to be nice. i’m done just silently deleting rude asf asks because i don’t wanna cause a scene. i’m done worrying about hurting people’s feelings, when I’M the one that is getting my feelings hurt while you just get to hide behind an anon.

i. am. just. fucking. done.

[give-grian-rights]

Hermitcraft - Basic History of Teams!

Alright. Buckle in.

Only a few days from now, and Hermitcraft 10 will begin! If you're new, I hope this helps!

Hermitcraft has existed for over ELEVEN YEARS now! While very few have been here for every single season, with the exception of our lovely Tumblr Resident, and official Tumblr Sexy Man Joe Hills, and our derp Xisumavoid.

You are under NO obligation to watch every season. There are probably few, if any, active users in this community who have. It's just not possible to watch it all. You don't need to watch the previous seasons to enjoy our community space! While there are a lot of back-references, for MOST people, it doesn't extend to lore and actions any older than season 6.

Most of the Hermits are associated with specific other members, despite ALL OF THEM taking turns collaborating, interacting, and sometimes building whole new dynamics and factions in the process. Some of the team-ups that you'll see referred to in fandom-spaces and the occasional one-off mention from our creators, include:

(Season 5) NHO, New Hermit Order - Docm77, Ethoslab, Bdoubleo100, and VintageBeef. Living in a jungle while having "fights" with others. Attempts to tax those who enter their jungle, had traps around it, and criticized the then-popular AFK Fishing Farms. Bdoubleo100, or Bdubs, especially enjoyed stealing from these. (Season 5-6) Convex, or ConCorp - GoodTimesWithScar and Cubfan135. One group I am the least familiar with unfortunately. They built a brand around the Vexes, with their business having pretty extreme low-morals that includes pollution and war profiteering.

(Season 6) ArciTects - Very close to be naming "BuildStone", it was proposed by and founded by Grian to Mumbo, later giving an invite to Iskall85. The purpose of this alliance was for builders to help redstoners, and redstoner to help builders. It accumulated in the ATTEMPT of founding the "greatest shop in the history of Hermitcraft", Sahara. It was, hilariously, a very large failure. Grian miraculously managed to entirely ruin the system with a single baked potato. No, I don't know how.

(Season 6) G-Team & Team STAR (Superior Tactical Alliance for Retaliation) - The Hermitcraft Civil War, consisted of a long list of minor conflicts in which various members of Hermitcraft blamed other people for pranks they committed, eventually spiraling into the confusion that was The Civil War! G-Team: Grian, TangoTek, Iskall85, Joe Hills, ZombieCleo, StressMonster101, and iJevin. Team STAR: Docm77, WelsKnight, FalseSymmetry, ImpulseSV Xisuma, RenDog

Mumbo Jumbo acted as a mole in Team Star, for the G-Team. He created this commercial for Team STAR. Team STAR made a very iconic diss track, which was soon remixed. It is a...Very iconic piece of Hermitcraft fandom. The result was Joe Hill's Response, in his short video also remixed by the same creator. Albeit missing the additions of the totally real voices of the other G-Team members

(Season 6) Area 77 & The Hippies - (I didn't finish Hippies POV and i didn't watch anything of Doc or Scar's POV of this unfortunately) Area 77 was founded by (unsurprisingly) Docm77, and GoodTimesWithScar, where they were doing experiments and studying abonomalies. SOmehow, this lead into Grian, once again, turning against them and forming The Hippies with the help of Ren, with Impulse soon joining. The conflict primarily consisted of them griefing Area 77 with flowers.

(Season 7) Boomers Demolition - Early game business formed by TangoTek, Bdoubleo100, and ImpulseSV which consistedo f almost exclusively non-duped TnT demolition, and was very fun!!

(Season 7) The Mycellium Resistance/HEP (Hermitcraft Environmental Protection) Hermicraft 7 saw Grian introduce the Hermitcraft Mayoral Election, created with the idea of putting Mumbo in as a puppet-government. If I had a nickel for every time Grian tried to start a puppet government (at this point) I'd have two nickels, which isn't a lot but it's weird it happened twice. Grian and Mumbo lost. In it's place was GoodTimesWIthScar. As Mayor, they had further control over the shopping district. Scar's promise was to replace the shopping district's Mycellium with grass. Despite very happily admitting that grass looked better, Grian, in a moment of nostalgia, decided to replace some Mycellium. Scar proceeded by putting caution tape around the area. This spiraled into The Turf War

Mycellium Resistance: Grian (Mother Spore), ImpulseSV, RenDog, XBCrafted, iJevin, Ethoslab, StressMonster101, Docm77, and Mumbo Jumbo HEP/Mayor Scar: Scar, Bdoubleo100, Keralis, Xisumavoid, TangoTek, Cubfan135, FalseSymmetry, Mumbo Jumbo, who joined due to them having the better vault. Etho had intended on being a double-agent, selling information to Scar. His information, however, was useless on purpose and decided to pledge full loyalty to The Resistance.

(Season 8) Boatem Hole - Grian, Mumbo Jumbo, GoodTimesWithScar, ImpulseSV and PearlescentMoon more or less stumbled and tripped into forming a group after innocently stacking boats and crafting tables and crystals on a pole, dubbed Boatem Poll. They then proceeded to create a hole down to bedrock, and eventually into the void, called the Boatem Hole. It was a large plains biome which was turned into varying mountain terraforming and the like from all of them and was connected in some small ways.

(Season 8) The Big Eyed Crew - Bdoubleo100, Keralis, and TangoTek. Tango did not, in fact, have big eyes and instead wore sunglasses to compensate. They had a town and shopping area and was occasionally dragged into pranks by the Boatem Crew.

(Season 8) Octogon/Goatem - Docm77 and RenDog! Main rivals with Boatem (thus the Goatem - pole of goats) had a mega business, game-breaking creations, and jaw-dropping spidery teal-and-deepslate creations. Weird Science!

(Season 9) Soup Crew - ImpulseSV, PearlescentMoon, GeminiTay. Made the CRAZIEST combo-base where all their different themes blended into a cohesive build

(Season 9) Buttercups - Grian, MumboJumbo, and GoodTimesWithScar. What's up, Buttercup? They formed after an incient where Scar and Grian blew up a massive, complex tunnel bomber in Doc's base. They could not understand how to repair it, and left a few diamond blocks before conflict started. They dragged Mumbo in, and had a robot fight with...

(Season 9) The Perimeter - Docm77 and RenDog. Doc's base, known as The Perimeter, teamed with Ren to attack the Buttercups using walking redstone creations to do a robot fight. Due to an issue with one of the server's plugins, they all re-logged, breaking one of the bots and ending with Buttercup's bot to do more harm to itself than the Perimeter's, but ultimately the destruction did prevent Doc and Ren from getting any further. Ren and Doc then launched flying TnT dupers, which looked like butterflies, towards all of the Buttercups' bases and camp. They stopped them both, with one butterfly destroying The Perimeter's own bot even further.

I am so sure that I'm missing some, but I am losing my mind with all this trying to remember them all!! I hope this could give people an idea of who they might enjoy watching!

[moeitsu]

If your only argument for shipping Arthur and John is “well they’re not real” stay the hell away from me.

I’m not even going to get into why IT IS incest. But here’s my take nonetheless:

Shipping incestuous relationships, even among fictional characters, is ethically problematic. It normalizes taboo behaviors and can distort perceptions of healthy relationships. Incest is universally recognized as harmful due to the potential for exploitation, abuse, and genetic risks. Romanticizing such relationships in fiction risks trivializing these serious issues. Choosing to ship incestuous relationships, even in fiction, perpetuates a harmful misconception and undermines the effort to cultivate a respectful and understanding narrative.

Misinterpreting a familial bond between characters raised as siblings as romantic chemistry reflects a misunderstanding of a healthy adult relationship.

It's important to be able to distinguish between different types of relationships. Such as recognizing the boundaries between familial love and romantic love. When people romanticize these sibling-like relationships, it blurs these distinctions. And it creates misconceptions about appropriate relationship dynamics.

This misinterpretation underscores the need for highlighting the role of media literacy in appreciating diverse human connections. Portraying and perceiving these characters' relationship as romantic undermines the value of familial bonds and may foster unrealistic expectations in adult relationships. It's crucial for audiences to acknowledge and respect the various meaningful connections that extend beyond romantic narratives.

I’m sorry if this reads like an essay, but as someone who’s taken media literacy classes in college and grown up in the Superwholock fandom, I have a lot to say on this topic. Engaging with fandoms and media since a very young age has deepened my understanding of how narratives influence societal norms and personal perceptions. It’s fascinating yet concerning to witness how certain portrayals in media can impact a fans interpretations and behaviors.

I want this to be open for discussion, because I think it’s important to promote a healthy and thoughtful consumption of media. As well as contribute to healthier representations and relationships in media and storytelling.

That’s it, goodnight, sleep tight, and be kind.