#lgbtqia adjacent

[iwoll]

The Intersectionality of Queer Identity & Punk Rock

A Zine?

Yes, zine! Zines are like little pockets of subculture just waiting to be discovered. For me, they've been a constant source of fascination since my middle school emo days, when I first read Perks of Being a Wallflower. It was like finding a secret language, a way to express myself outside the mainstream. The Rocky Horror Picture Show and alternative music were my jam back then (and still are!) and discovering that zines could blend both worlds was utterly mind-blowing. 

I delved deep into zine archives, soaking up inspiration from creators who came before me. I researched tirelessly, learning the ins and outs of zine-making, and honing my writing skills for the chance to contribute my own voice to this brilliant community. Suddenly, I had this platform where I could talk about everything I loved in one place. It wasn't just about sharing passions; it was about connecting with others who felt the same way, building a community of like-minded souls bound together by ink and paper. It was liberating!

Why did I choose this mode?

As stated before, zines bring together important conversations that people are passionate about. I am pulling from Perks of Being a Wallflower in the sense that I am bridging two concepts that are very close to my heart. As an as a self-described alternative queer man, I believe it is very important to remember where we came from, who came before us. This zine serves as an homage to the queer/alternative voices that came before me; however, this is not just for other queer or alternative individuals. This is for everyone. Regardless of politics, identity, or location, this zine is for you.

Where does Zine culture come from?

Zine culture, with its raw, unfiltered expression and grassroots ethos, finds its roots intertwined with the rise of punk music in the mid-1970s but can be traced all the way back to the early 1930s. Emerging as a response to the commercialization and homogenization of mainstream media, zines served as DIY platforms for individuals to share their thoughts, ideas, and creations in a tangible, accessible format.[x]

The DIY ethos embedded within zine culture finds its parallel in the punk movement. While previous musical genres such as skiffle and rock and roll also embraced DIY elements, it was punk that elevated the concept to a central tenet of its cultural and musical identity.[x] Punk rejected the polished, corporate-driven sound of mainstream music in favor of a raw, do-it-yourself approach that prioritized authenticity and individuality over commercial success.

In the face of state intervention and commercialization within the music industry, participants in alternative music scenes often embraced DIY as a form of resistance. By creating and disseminating their own zines, bands, artists, and activists asserted their independence from mainstream institutions and asserted their right to self-expression. This resistance was not merely a rejection of external forces but also a reclaiming of cultural autonomy and a celebration of DIY values.

Zine culture, therefore, emerges as a direct response to the limitations and shortcomings of mainstream media and culture. It represents a space where creativity knows no bounds, where voices that are often marginalized or silenced can find resonance and solidarity. In its simplicity and accessibility, zine culture embodies the spirit of punk's DIY ethic, offering a platform for self-expression and community-building that continues to thrive and evolve in the digital age.

Why are zines important?

Zines are vital conduits for self-expression, community building, and the preservation of alternative voices. Rooted in a rich history of resistance and creativity, zines offer a platform for individuals to share their thoughts, ideas, and creations outside the constraints of mainstream media. Emerging as a response to the homogenization and commercialization of traditional publishing, zines embody a rebellious spirit that champions authenticity and individuality.

Unlike glossy, corporate publications, zines are often cheaply made and readily accessible, democratizing the process of expression and inviting participation from individuals of all backgrounds. This accessibility not only empowers creators to share their stories but also fosters a sense of connection and camaraderie among like-minded individuals who share common interests and passions.

At its core, zine culture is about more than just printing; it's about building community and amplifying marginalized voices. By creating and sharing zines, creators forge connections with readers, sparking conversations and collaborations that transcend geographical boundaries. Zines serve as historical and cultural artifacts, documenting the experiences and perspectives of diverse communities, ensuring that alternative narratives are preserved and celebrated. In a world where mainstream media often overlooks or silences marginalized voices, zines offer a space for these voices to be heard, valued, and embraced.

The Basics

A subculture refers to a distinct group within a larger society that shares a set of beliefs, values, practices, and interests that deviate from mainstream culture. Subcultures are born out of a variety of social, cultural, and historical factors, often as a response to the perceived limitations or inadequacies of mainstream society. Dissatisfaction with societal norms and values can lead individuals or groups to seek out alternative spaces where they can express themselves authentically and find like-minded peers.

Subcultural groups often draw inspiration from existing cultural forms, such as music, fashion, art, and literature, which they reinterpret and repurpose to reflect their own distinct identities and sensibilities. This process of reclamation allows subcultures to create new meanings and symbols that resonate with their members, contributing to the evolution and diversification of subcultural identities.

Why punk?

In "Visual Vitriol" by David A. Ensminger, the author encapsulates the essence of punk rock as a refuge for those seeking a space to express themselves authentically. He reflects on the allure of punk, suggesting that many are drawn to it for the opportunity it provides to embrace a queer or unconventional identity comfortably. The quote from "INSIDE FRONT #13" captures this sentiment, highlighting punk as a haven for those who feel alienated from mainstream culture, offering a platform for self-expression without judgment.

Ensminger also acknowledges the significant influence of the LGBTQ+ community within punk. He asserts that "Gays shaped both the looks typifying punk and the history of punk music," recognizing the pivotal role of LGBTQ+ individuals in defining punk's aesthetic and its evolution as a cultural movement. This acknowledgment underscores the profound impact of queer individuals on the visual and musical elements that have become synonymous with punk. In essence, Ensminger's summary portrays punk not only as a musical genre but also as a cultural space shaped by and for those who seek to challenge societal norms and celebrate their identities openly.[x]

Punk 101

Punk rock emerged in the mid-1970s as a raw, energetic, and rebellious response to the perceived stagnation and commercialization of mainstream rock music. Its roots can be traced back to earlier musical movements such as garage rock, protopunk, and glam rock, which laid the groundwork for the aggressive, stripped-down sound that would later define punk. Bands like The Velvet Underground, The Stooges, MC5, and New York Dolls contributed to the development of this new musical aesthetic, characterized by its simplicity, urgency, and confrontational lyrics.

The early punk scene in New York City, centered around clubs like CBGB and Max's Kansas City, saw the emergence of pioneering bands like Ramones, Blondie, Talking Heads, and Patti Smith. These artists rejected the polished, virtuosic style of mainstream rock in favor of a do-it-yourself (DIY) ethos and a more direct, unfiltered approach to music. Meanwhile, across the Atlantic, a parallel punk movement was taking shape in the United Kingdom, spearheaded by bands like Sex Pistols, The Clash, The Damned, and Buzzcocks. Fuelled by a sense of disillusionment with the social and political climate of the time, UK punk bands captured the attention of disaffected youth with their raw energy and provocative lyrics.

Ensminger’s analysis that highlights the significant influence of the LGBTQ+ community within punk, recognizing their pivotal role in shaping the genre's aesthetic and cultural evolution. Punk provided a refuge for those seeking to express themselves authentically, including queer and unconventional identities. This acknowledgment underscores punk's broader significance as not just a musical genre but a cultural space where individuals could challenge societal norms and celebrate their identities openly.

Punk rock had a profound impact on music, fashion, and culture at large. Its influence can be seen in subsequent genres like hardcore punk, post-punk, and alternative rock. Punk's DIY ethic and spirit of rebellion continue to inspire artists and activists around the world, reminding us of the power of music to challenge the status quo and amplify marginalized voices.

What about Riot Grrl?

Isaacson's analysis reveals Riot Grrrl's enduring legacy of empowerment and activism, demonstrating how its in-fluence resonated across subsequent generations of punk and Queercore artists. Riot Grrrl's ethos of self-expression and collective action inspired a new wave of feminist and queer activism within punk and beyond, shaping the cultural landscape and providing a voice for marginalized communities.

The problematic past of punk history

The problematic past of punk, as explored in "Cultural Criminology" by Jeff Ferrell and Clinton R. Sanders, sheds light on the complex relationship between subcultures, societal norms, and the criminal justice system. While punk emerged as a form of resistance against societal constraints, it also harbored elements of extremism and prejudice, particularly evident in its association with neo-Nazi skinheads.[“Subculture, Style, and Crime.” Cultural Criminology, 1995]

The evolution of punk, like many other musical genres, began as a grassroots expression of resistance by marginalized groups within the political-economic system. Ferrell and Sanders emphasize that punk's origins lie in the struggles of young people with limited resources, echoing a sentiment of rebellion against societal oppression. However, as punk gained mainstream attention, certain factions within the subculture, such as neo-Nazi skinheads, emerged, espousing inflammatory and prejudiced ideologies.

Moreover, Ferrell and Sanders note the paradoxical nature of punk's evolution, where expressions of resistance can become sanitized and marketable to mainstream audiences over time. While punk initially served as a platform for marginalized voices to challenge societal norms, its commodification and mainstream success have sometimes diluted its original rebellious spirit.

What is “Queercore?”

Viva la resistance!

"Queercore: How to Punk a Revolution," directed by Yony Leyser and featuring performances by notable figures such as John Waters, Kim Gordon, and Bruce La Bruce, is a documentary that delves into the history and ethos of the Queercore movement. Released in 2017, the film provides a comprehensive look at this subculture that emerged within the punk rock scene as a form of queer ex-pression and resistance. [Leyser, Yony, director. Queercore: How to Punk a Revolution. Totho Productions, 2017]

The documentary explores how Queercore arose in the 1980s as a response to the lack of representation and visibility of LGBTQ+ individuals within both mainstream society and the punk scene itself. It showcases interviews with key figures who were instrumental in shaping Queercore, shedding light on their motivations, struggles, and achievements. Through their stories, the film captures the spirit of defiance and creativity that defined Queercore, challenging societal norms and advocating for queer liberation. [x]

D. R. DeChaine's article "Mapping subversion: Queercore music’s playful discourse of resistance" provides an insightful exploration into the world of Queercore, shedding light on its history, identity politics, and subversive nature within the punk rock scene. The article delves into how Queercore emerges as a fusion of punk rock music and queer politics, embodying punk's rejection of mainstream commercialism with its fast, raw sound and DIY ethos. It emphasizes the politically charged nature of Queercore, where artists use sexually explicit and often vulgar lyrics to challenge societal norms and express a culture that defies mainstream conventions.[x]

A key theme is the role of “play” within Queercore, offering participants a space to resist and subvert dominant cultural narratives. This play is not just recreational but empowering, providing temporary liberation from the oppressive ideologies of mainstream culture. DeChaine highlights the historical silence around homosexuality in music, pointing to the challenge of connecting queer and punk discourses due to this silence.

In Ambrosch's exploration of gender, feminism, and queer identity within punk culture, "'Refusing to Be a Man': Gender, Feminism and Queer Identity in the Punk Culture" delves into the subversive nature of punk as a reaction to the 'rock machismo' prevalent in the 1970s. From its inception, punk has challenged heteronormative notions of gender and sexuality, with first-wave artists intentionally blurring boundaries. Ambrosch highlights bands like Bikini Kill and Crass as exemplifying an intersectionality and blurring of gender boundaries by first-wave punk artists and their exploration of nonmainstream gender identities.[x]

The author explores the evolution of the term 'punk,' tracing its origins from Shakespearean times to its later connotations of 'young male delinquent.' This linguistic history mirrors punk's rebellious spirit and its embrace of non-mainstream identities. Punk, according to Ambrosch, fosters an environment for challenging established norms, including gender and sexuality, with bands since the late 1970s addressing these issues.

However, Ambrosch also critiques punk's gender dynamics. Drawing on Sharon Cheslow's insights from Chalk Circle, the author discusses how male anger is often romanticized in punk, while female anger is viewed as threatening. Men tend to dominate cultural spaces within punk, making it challenging for women and LGBTQ individuals to fully participate.

Queercore Bands

"QUEER AS PUNK: Queercore and the Production of an Anti-Normative Media Subculture" by C. Nault, published by Routledge in 2013, offers a comprehensive examination of the Queercore movement and its role in creating an anti-normative media subculture. This book delves into the origins, development, and significance of Queercore as a subversive force within both the punk rock scene and broader LGBTQ+ culture.[x]

Nault's work highlights how Queercore emerged in the 1980s as a response to the marginalization of LGBTQ+ individuals within punk and mainstream media. The book explores the ways in which Queercore artists used music, zines, and other forms of media to challenge heteronormativity and traditional gender roles. By rejecting assimilation and embracing radical self-expression, Queercore became a platform for marginalized voices to be heard.

The author discusses key figures and bands within the Queercore movement, such as Tribe 8 and Pansy Division, who used their music and performances to confront societal norms and address issues of sexuality, gender identity, and politics. Nault also examines the impact of Queercore beyond its music, delving into its influence on art, literature, and activism.

Problematic Queercore Bands

Without naming any specific bands or groups, I think it is important to acknowledge the problematic side of Queercore. Just like punk rock, Queercore has its controversial and horrific sides. I believe it is crucial to acknowledge problematic Queercore bands as their actions and behavior can have significant consequences for the LGBTQ+ community and the broader punk scene. By shining a light on these issues, we can address harmful behaviors, challenge oppressive attitudes, and work towards creating safer and more inclusive spaces within the scene.

Acknowledging problematic behavior within Queercore bands helps hold them accountable for their actions. These bands may espouse values of inclusivity and acceptance, but if their actions contradict these principles or perpetuate harm, it's essential to call attention to it. Holding individuals and groups accountable for harmful behavior sends a message that such actions will not be tolerated and helps protect vulnerable members of the community. This allows for conversations about power dynamics, privilege, and accountability within the LGBTQ+ community itself. Just because someone identifies as queer does not absolve them of responsibility for harmful actions.

Being queer does not inherently make you anti-racist. Being queer does not inherently make you anti-fascist. Being queer does not inherently make you a feminist. Being queer does not inherently make you a person with good values.

Into the Mainstream

Despite the flaws of individual figures within the movement, Queercore's presence in the mainstream contributes to greater visibility and acceptance of LGBTQ+ identities. Just as Oscar Wilde's contributions to queer literature remain significant despite his personal flaws, Queercore bands play a vital role in amplifying queer voices and experiences. Their presence challenges mainstream narratives and provides a platform for LGBTQ+ individuals to express themselves authentically.

Queercore as Resistance

Queercore embodies a defiant rejection of mainstream expectations and norms regarding gender and sexuality. Its very existence challenges the notion that queer identities should be hidden or marginalized, instead asserting the right to visibility and self-expression.

At its core, Queercore disrupts dominant narratives by amplifying queer voices and experiences. Through music, zines, art, and DIY activism, it provides a platform for individuals to express their identities authentically, free from societal constraints. This radical self-expression is inherently political, challenging the status quo and demanding recognition and acceptance for all sexual orientations and gender identities.

Queercore's resistance is multifaceted, extending beyond the realm of culture and art to encompass social and political activism. It confronts discrimination and violence against LGBTQ+ individuals, advocating for equal rights and protections under the law. Through grassroots organizing and community building, Queercore fosters solidarity among marginalized communities, amplifying their collective voices in the fight for justice and liberation.

Moreover, Queercore serves as a form of cultural resistance, reclaiming spaces traditionally dominated by heteronormative and cisnormative narratives. By creating inclusive and welcoming environments within the punk and DIY scenes, it challenges exclusionary practices and fosters a sense of belonging for queer individuals. In doing so, Queercore disrupts hegemonic power structures and asserts the right to exist unapologetically in all spaces.

Queercore's resistance is both personal and collective, challenging oppression at individual, societal, and systemic levels. By embracing radical self-expression, advocating for social change, and reclaiming cultural spaces, Queercore stands as a defiant assertion of queer identity and autonomy in the face of adversity.

What’s in it for me?

Haha, get it? Ah, it’s a Queercore joke. Pansy Division? Anyways… Queercore extends further than just the queer community, it embraces feminist and BIPOC intersectionality while providing a platform for marginalized voices. In the face of ongoing discrimination and violence against LGBTQ+ individuals in America, Queercore serves as a beacon of resistance, advocating for social change and celebrating diversity.

At its core, Queercore challenges the heteronormative and cisnormative structures pervasive in society. It disrupts traditional narratives of gender and sexuality, offering a space for individuals to explore and express their identities freely. This liberation extends to feminist and BIPOC perspectives, acknowledging the intersecting struggles faced by marginalized communities. By amplifying diverse voices, Queercore dismantles oppressive systems and paves the way for intersectional solidarity.

In America, anti-LGBT sentiment remains a pervasive force, manifesting in various forms of discrimination, violence, and legislative attacks on queer rights. Queercore confronts this hostility head-on, advocating for LGBTQ+ visibility and empowerment. Through music, zines, and DIY activism, it challenges societal norms and demands recognition and acceptance for all sexual orientations and gender identities. By rejecting assimilationist tendencies and embracing radical self-expression, Queercore asserts the right to exist unapologetically in a hostile environment.

Furthermore, Queercore serves as a bridge between queer and straight/cis communities, fostering understanding and empathy across divides. It invites allies to participate in the struggle for LGBTQ+ rights, recognizing that liberation requires collective action. By creating spaces that welcome individuals of all identities, Queercore promotes dialogue and mutual support, challenging stereotypes and fostering solidarity. Queercore isn't just for queer people; it's for everyone committed to building a more inclusive and equitable society.

[smerdulos]

The girlfriends

[counting-unfortunate-stars]

one day people with hatred in their hearts rode through our town

and you-

oh, beautiful you-

stood and kissed there on the sidewalk

running familiar roads along each other’s bodies

one of you held a middle finger to the sky like a prayer:

here we are.

we love, we love, we love.

[aspenforest732]

Mortem ad Wrens Chapter 17: For the Freedom of Those Our Nation Denies

Summary:

tw: scars, trafficking mention, gang involvement, domestic violence shelter, abuse mention, unhoused, spousal abuse mention, muzzle adjacent device Stain from afar and rescue race

Notes:

Me: Akira’s never had a stable adult in their life, have they Akira: there’s the gang! Me: eeeeh ‘text’ JSL Text thoughts

As they geared up for the third day’s evening patrol, Akira kept trying to adjust their capture weapon, something causing it to sit askew. After a moment of trying to undo a lump, they directed it to unravel and saw a small lizard napping in it. Grinning, Akira took a picture of it and sent it to their class group chat and Lizzaro once Taishiro happily gave them her number. Akira scooped the lizard off the scarf, being careful to detangle its tiny claws, and set it on their now-empty costume case.

An hour into patrol, everyone’s phone sounded an alarm as Hosu was attacked. Akira blanched and quickly texted the class group chat, “Those in or going to Hosu, stay safe. Don’t do anything illegal.”

Shoto liked their message, but they weren’t expecting Ida to see it for a while. It’s the thought that counts, right?

“Any friends in Hosu?” Taishiro asked gently.

‘Mini Ingenium’s interning there, and it looks like Shoto is heading there with Endeavor,’

“We’re too far out to send people, but the backup evening team will be ready to deploy if they need more people that badly.”

Akira nodded and put their phone away, hoping their classmates would follow protocol for once. Mortis helped a cat down from a tree, letting the poor thing ride in their capture scarf as they carefully climbed back down. Fat Gum discretely took a picture, chuckling at Mortis’ half-hearted glare that was tempered by the cat nuzzling under against the mottled scar across their throat.

“Nejire is also responding in Hosu with Ryukyu,” Suneater said as the group quietly patrolled. Even Fat Gum only tried to lighten the mood a couple times, keeping an eye on the HN for updates.

Half an hour later, Mortis’ phone vibrated. They immediately paused with a roll halfway to their mouth and pulled it out. ‘Deku’s caught up in something, and it looks like mini Ingenium is at the same location.’

Fat Gum sent out a Hero Network alert with what little information they had, two interns either separated from their mentors or with injured mentors in an alleyway. Mortis quickly messaged the group that the alert had been sent to the Hero Network and pinged Shoto in case he hadn’t seen it yet.

The trio waited tensely by the sushi shop as Endeavor and Manual added themselves as responders along with a few of the flame hero’s sidekicks. The minutes ticked by until it was marked as resolved with no casualties but two students moderately injured, one pro and one student severely injured, and Stain severely injured in custody.

Akira sighed in relief and frustration, ‘I’d bet my savings mini Ingenium got there first, and Deku swooped in to help. He wouldn’t have targeted Manual, so Native is probably the injured pro.’

“Native? What makes you say that?” Fat Gum asked.

‘There is a list compiled by people with similar ideologies to Stain of people who need to be taken down in some way. Native is on there for racism, multiple counts of assault, and helping to cover up crimes against indigenous people.’ At Fat Gum’s confusion, Mortis gave their theory on why Ingenium was attacked and not killed.

The three went back to a quiet but tense patrol as it seemed everyone was waiting on news from Hosu. Towards the end of their shift, Fat Gum took the group a little off their patrol route and smiled at Akira’s confused head tilt. “On Wednesdays, I like to check on the battered spouse and community shelters. No matter how much we promote education and therapy for abuse, there are a few who slip through the cracks.”

‘And the community shelters?’ Mortis asked. ‘Are they just a nicer term for unhoused shelters?’

Suneater smiled slightly, “No, anyone from the community or who ends up here can have a place to stay with warm meals, education, and a counselor. The shelters have an emergency foster license they can employ at their discretion, and since we implemented those, we’ve found runaways or abuse victims are more likely to reach out when something’s wrong.”

Fat Gum let one of the intake people take them on a tour of the battered spouse shelter. As they spoke with some of the staff in each wing, a few residents would occasionally approach who had an issue with services. Some were also curious about Akira as his newest, albeit temporary, addition to the agency.

As the tour was wrapping up in the birthing person ward, Akira hesitantly asked, ‘Do you have any protections in place for spouses of pro heroes or villains?’

“Why yes, we have a Tinker on staff who has a support license to help protect the building against most quirk-based attacks. We also have evacuation plans in case the facility is attacked.”

The community shelter left Mortis wishing they had something like it in Musutafu. While the warehouses were protected, a place where you could continue education, not have to worry about your next meal, and start saving money would have made a world of difference when Mortis arrived. They found themself easily talking with the kids, encouraging their dreams and letting them share their interests. The adults still made them a little wary, visually and subtly verbally checking the kids for abuse, but they all seemed to be thriving as best they could in the circumstances.

Eventually heading back to the agency, Mortis signed, ‘Thank you. If U.A. wasn’t so far away, I would wish I stopped here instead of going to Musutafu.’

A few days later, Mortis slipped into base, giving an exhausted smile to Au as they made their way to the back. Most people were making deliveries or deals or sleeping, so Mortis took silent steps until they were just outside Boss’ door, knocking for the first time in ages.

“Mortis, good to have you back. How was the internship?”

‘Good, Fat Gum updated my nutrition plan, and I’m working on a new skill. Unclear yet whether it’ll help on this side of my life, but we’ll see. Also, Fat Gum and Sun Eater are aware of my situation and are willing to help with and recruit for Plan A.’

“Unexpected but noted. Are they aware of us?”

‘Not by name, but they are aware I’m in a gang. With how quickly Fat Gum figured out my bio family, I doubt it’ll take him long to find out which gang I’m in if he decides to look into it.’

“Will they be a problem?” Boss groaned.

‘No, they work with gangs in Esuha, albeit with a tighter leash.’ Akira took a steadying breath, script set in their head. ‘I want to go on security duty. The new nutrition plan is going to take two and a half times what I’m currently making off deliveries. I know we’re still down people since the USJ incident, and I can be the shadow cloak or overwatch. I can intercept Eraser Head and draw off other heroes-’

“Done. Just stay out of the line of fire unless the muscle gives you the signal.”

Akira grinned, ‘Thanks, Boss. If everything goes well for once, you’ll be looking for someone new around October. Also, I’m gonna need to use the kitchen for a couple hours once a week.’

The next day in class, everyone was sharing their internships, and Akira resisted rolling their eyes at the trio saying Endeavor saved them. Riiight, definitely not a cover story. Bakugo seemed pretty happy in his own way with Mirko’s internship, and Kaminari seemed hyped for the alternate way of thinking Present Mic worked on with them. Akira was surprised by his admission of thinking Stain was cool, at least for his drive, and they carefully scanned the room for agreement, only to find disdain towards Kaminari and concern towards Ida. Shinso looked a little disappointed but mostly an emotion Akira couldn’t quite place.

Shinso’s capture scarf was now comfortably settled around his neck, and Akira grinned at the aesthetic choice. ‘Some hell course, huh? You look even more like Eraser now,’ they teased. Shinso just looked smug and nuzzled the fabric, drawing a laugh out of Akira and Koda.

Tokoyami was brooding more than usual, so Akira doodled a few stick figure Hawks getting doused in water and other pranks they’d heard of during homeroom. After passing it to Tokoyami during the break, Akira grinned at his small smile.

As the group made their way to Gym Gamma for rescue training, Akira kept glancing at Shinso’s new addition to his costume. Catching their eye, Akira signed, ‘Are you really okay with that?’

Shinso’s hands ghosted over their half mask as understanding sparked in his eyes. ‘It’s the most effective way to help advance my quirk, and Loud Cockatoo worked with me on the design and structure to avoid triggering. I need a lot of practice with the settings and with mimicking inflections, but yeah. I’m okay.’

Akira nodded hesitantly, worry still gnawing at the back of their mind over the muzzle-like contraption.

After Midoriya’s surprising demonstration of control, Akira went in the second rescue group for heroics with Jiro, Tokoyami, Shoto, and Shinso. Akira immediately heard the sharp tinkling of Shoto’s ice and warped onto the nearest building, surveying the terrain a moment before darting across the pipes. They could just make out Shinso in the distance using their capture weapon and Tokoyami using Dark Shadow’s hover to assist with larger jumps over top. Without an easy way to the canopy, Akira almost felt bad for Jiro being restricted to the ground.

Tokoyami, Akira, and Shoto were neck and neck, steps sure and quirks propelling them forward. Just as the twinkling stopped and Shoto activated his left side to propel the last few meters, Akira tapped All Might on the shoulder as they made their clone lose its footing. They winced as Tokoyami dove to catch them, only to dispel it with the force.

As the others caught up, Shoto bewildered, Tokoyami and Dark Shadow glared at Akira. “Don’t scare us like that! Give a warning next time.”

Akira smirked sheepishly, ‘If I warned you, you could’ve pulled ahead. I’ve been working on continued motion.’

Shinso lit up as they arrived. “You actually got it? That’s great!” But it wasn’t Shinso’s voice. It almost sounded like Tokoyami, but something was distinctly off.

‘That… I see what you’re going for, but you need a little more edge and intone.’

“How long have you been standing here?” All Might asked, handing the sash to Akira.

‘About 30 seconds before I tapped you. I’m still working on clone control.’ Akira signed as Anii interpreted, although they could tell All Might was starting to catch more of their signs in the moment.

Anii added to Akira, ‘You did good, kid.’

Jiro finally jogged up, looking pissed. “Of course, I got paired with aerial people. Who won?”

“I’m not aerial,” Shoto looked mildly confused.

“Yeah, but you might as well be with your ice,” Jiro snapped.

‘To answer your question, I won.’

Jiro scowled and stalked back to the class as the other four shrugged and made their way back, too.

“Are your clones new?” Shoto asked.

‘No, but how they work is. Fat Gum and Sun Eater helped me figure out how to direct them during my internship. Fine motor control and number of clones is still an issue, but that’ll come with time.’

Notes:

What’s the purpose of the lizard? None, I just thought it’d be cute. It’ll probably make an appearance in that collection of short stories. I used a random number generator to get the second rescue group based on the seating chart and immediately got three of the four members of Mad Banquet XD Also here's the first fanart I did of Akira! Technically they'd have their yellow contacts in, but I wanted to draw their cool eyes. Akira helping cat Next week things start heating up :D

Previous Chapter | Next Chapter

[poisonkissdeath]

So for the second time in a little over a month, PB and bigots have attacked my local areas queer community over a drag show.

This time they took out the power to an entire county and water...

I warned people that this was coming. The violence was escalating and the divisions felt hard.

I have seen how boldly the enemy walks. How they fear no reprisal for being violent/intimidating/ gross.

They will openly mock and harass others.

A few friends and I were out to dinner and were treated to open harassment. Just plain as day. Given no privacy to enjoy our meal because a bigot decided we didn't deserve peace.

A few weeks ago a "protest" from the PBs lead to a local business being forced to pull back overt support of the LGBTQs.

Now a hate group has taken power away from an entire county bc ..... A drag show...

This state likes to hide it's dirty nastiness. It likes to keep the truth in the shade.

I am surprised it was on the news.... Usually it's buried.

I was so angry last night I ended up writing

Cassandra

Cassandra was a lonely girl,

Warning of dangers to unwilling strangers.

Being denied her voice, without a choice.

The truth distorted, god's demanded.

A flame of truth, the canary in the coal mind.

Breaking the news that everything is not alright.

Cassandra screaming that The Greeks were comin.

Seems a lot like a warning.

Standing on the street screaming truth.

Everybody just keeps walking.

Too busy crying about the latest tragedy.

Cassandra what do I do.

You been there too.

Why can't they see what is coming?

How did you live with knowing?

[feedists4walz]

WHY US? WHY NOW?

Politicians are not perfect people. Voting, especially in the US, is not a perfect system. It's not the be-all end-all of political action and it certainly does not fix everything wrong with our nation and political system. It certainly does not fix the United States' complicity in the Palestinian genocide or its other atrocities overseas.

BUT.

The Harris campaign, by virtue of choosing Tim Walz over any of the other options, more has already demonstrated its willingness to listen to its would-be constituents over voices and donors from within the Democratic party urging them to choose a running mate who caters to the moderate center. In this choice, Harris has already demonstrated that she is flexible: she is not immune to pressure from the people she hopes to govern. This alone gives us as voters and constituents so much more leverage to apply pressure on her administration to achieve political victories we actually want: a ceasefire in Gaza, universal healthcare, nationwide abortion access, protected trans rights and trans healthcare, and more.

There is SO MUCH on the line in this election — and so many of the issues at risk this year are or are adjacent to fat liberation and queer issues:

Healthcare and prescription reform

Racial equity and justice

Abortion access (reminder that Plan B is less effective for those over 155 lbs!)

Trans rights, safety, and healthcare access

LGBTQIA+ rights

Disability rights and healthcare (including Medicare, Medicaid, and Social Security)

Environmental reform and climate change mitigation

Public health and vaccine funding

Public education funding and related infrastructure

Labor rights

We have a lot to lose this year. But if we can elect an administration that is at least invested in moving forward, we'll also have a lot to gain.

SO, WHAT CAN I DO?

Check your voter registration!

Text voters and help them register!

Phonebank or textbank for blue candidates!

Write postcards to voters in swing states!

Knock doors if you're able!

Join a voter protection & registration hotline!

Donate to your local candidates (find them here)!

If you're not sure where to start, these organizations host tons of events you can get involved with:

Democrats.org

Democratic Volunteer Center

Field Team 6

Mobilize

Sister District

Swing Blue

Swing Left

Vote Save America

WHY TIM WALZ?

The guy gets it. Need I say more?

[aroacesafeplaceforall]

You’re pissed that no one took any accountability for their supposed “aphobia/arophobia” but where is the accountability for the constant inhumane and disgusting homophobia, biphobia and transphobia STILL spewing out of ace spaces like puss? When will you all realize you feel that way because you are directly adjacent to the oppressor class and have next to nothing in common with the LGBT community as a whole but nearly everything in common with the average cishet? Y’all aren’t queer for not wanting to fuck, only fucking sometimes “if you emotionally connect”, or being emotionally unavailable to romantic partnership. And if you aren’t also gay, trans, or bisexual, you never will be.

I got my laptop out for this, goddamn. Where would i even start?

"You’re pissed that no one took any accountability for their supposed “aphobia/arophobia”" This tells me everything about you, you possibly don't believe in aro/ace identities. You don't believe people can hate on, or be hateful to, aro/ace spec people. And yes I am pissed. Because it was fucked up.

I would try to justify it with "if this was transphobic/homophobia you wouldn't be acting this way" but im guess you don't care about that as you obviously don't see it the same way.

you were also probably someone who sent asks like this (but more hateful) in 2016 and before, you were probably also someone who posted and reblogged aphobic content and said it was "just a joke" later while still sending asks like this to people. Take of that anon and show your face coward.

"where is the accountability for the constant inhumane and disgusting homophobia, biphobia and transphobia STILL spewing out of ace spaces like puss?"

where is the accountability for the homophobia, biphobia and transphobia still spewing out of ALL lgbtqia+ spaces? Where is the accountability in the REAL world? Where is it anon? Where is the accountability for the acephobia, the arophobia and so many other "not real sexualities/gender identities" -phobias?

You saw a post about aphobia, and instead of being like "yeah that was f-ed up" or "i dont care" you went "but what about meeeeee" which is very all lives matter of you. (I am not comparing racism to homophobia, however the "what about me" bs can be summed up very easily using all lives matter as an example) For the fucking record, all spaces have assholes, all of them. On behalf of the "normal" aro/ace spec folks, i apologise for any homophobia, biphobia and/or transphobia you have experienced from us. "When will you all realize you feel that way because you are directly adjacent to the oppressor class and have next to nothing in common with the LGBT community as a whole but nearly everything in common with the average cishet?" This is a main aphobe talking point so thank you for doing this by the text book so i can break it down easier!

Three pages about asexual hate crimes which im sure every average cishet has to deal with (assuming their white and male) 1 2 (a booklet for asexual people to be actually fucking included) 3

An incredible interview is here but im going to quote a few things from it as theres a 99.9% chance aphobes wont click a link

"We know aromantics and asexuals have existed for as long as humans have. However, it’s only through the terminology recently going mainstream"

"Because of Freud’s influence, many of us grew up learning that our sex drive is the primary motivator of human behavior, but that isn’t the case."

"That mindset replicates itself within the community so that when a new identity emerges, or when people try to explain themselves, there is resistance and pushback from within the community with the mindset that “if we let these kinds of people in, then that will dilute the access to power and resources we have.” And it forces the community to maintain adjacency to white supremacy, patriarchy, capitalism, ableism and classism, all while leaving behind entire groups of people."

" Do you think there will be more identities joining the LGBTQIA+ acronym? JP: Yes. The more words we have to describe ourselves, the better we are understood."

"The biggest comparisons are the lack of visibility and exclusion from communities on the basis that they’re weird, different, othered or “don’t belong in this space.” Every queer person has experienced this narrative and as more join under the umbrella, the newbie will experience the same challenges, discrimination and misunderstandings as those who came before." and here is another article that has a quote i just live by

"When did trauma become the mark of queerness?"

but back to the aphobe ->

"Y’all aren’t queer for not wanting to fuck, only fucking sometimes “if you emotionally connect”, or being emotionally unavailable to romantic partnership. "

if you think queer = sex then so help me. queer does not equal sex, queer is sexuality. and guess what that is NOT always sexual. sexuality is who your attracted to, whether it be romantically OR sexually.

and Asexuality is a spectrum, some asexuals never have sex, some don't want to have sex but have had it due to trauma or peer pressure, some don't care for it, some did it for a partner but just dont care about it.

same with aromantic. Its a spectrum. By your process here, so so so so so many people are removed from the lgbtqia+ community but you couldn't possibly mean that-

"And if you aren’t also gay, trans, or bisexual, you never will be."

-oh you did.

So none of these are part of the community either then? Agender, Bigender, Intersex, genderfluid, pansexual, omnisexual, Omnigender, Questioning, transgender and queer?

interesting anon.

Anyways i hope my followers enjoyed that! Let me know what you think if you finished reading all this!

Love;

An aegosexual, pansexual, aromantic, trans guy with to much fucking time on his hands.

[obnebulant-mogai]

Bpd Adjacent Flag! A flag that is left vague so anyone who has BPD, is questioning, or simply experiencing traits or symptoms can use it! This was made with people who have trouble pinpointing or recognizing symptoms in mind, and is not to be used by transID supporters.

[ID: Two images. The first image is a flag with eight equal horizontal stripes. In descending order, the stripes are lavender purple, pastel lavender purple, white, soft yellow, peach orange, bright pink, purple magenta, and dark magenta. In the center of the flag, there is a black BPD symbol. The second image is a flag identical to the first, but without the symbol. End ID.]

BPD + Autism Adjacent flag! A flag that is left vague so anyone who has BPD and Autism themselves, is questioning having the disorders, or simply experiences traits or symptoms can use it! This was made with people who have trouble pinpointing or recognizing symptoms in mind, and is not to be used by transID supporters.

I made several versions of this flag. The first two are here, and more will be placed under the cut.

[ID: Two images. The first image is a flag with ten equal horizontal stripes. In descending order, the stripes are smoky blue, sky blue, blue green, pastel green, pale yellow, pale orange, peach orange, bright pink, purple magenta, and dark magenta. In the center of the flag is a combined autism and BPD symbol. The second image is a flag identical to the first, but without the symbol. End ID.]

Flags by me, requested by a member of the LGBTQIA wiki server! Colors picked from two BPD flags as well as an autism flag.

More versions below the cut, as well as the transparent symbol:

[ID 1: A flag with eight equal horizontal stripes. In descending order, the stripes are sky blue, blue green, pastel green, pale yellow, pale orange, peach orange, bright pink, and purple magenta. In the center of the flag is a black combined BPD and Autism symbol with added white lines for clarity. End ID.]

[ID 2: A flag that is identical to the first, but the symbol does not have white lines. End ID.]

[ID 3: A flag that is identical to the first, but there is no symbol. End ID.]

[ID 4: A flag that is identical to the first flag for BPD and Autism above the cut, but with white lines added to the symbol for clarity. End ID.]

[ID: Two images. Both images are the combined BPD and Autism symbol. The first has white lines added for clarity while the second has these areas made transparent. End ID.]

[mr-orion]

☆I heavily appreciate comments/reblogs on my work☆

Here's My ArtFight!

Who made my profile pic?

My Comms are finally open!

☆ Lgbtqia+ friendly ☆ POC friendly ☆ any other minority friendly ☆ Disability friendly ☆

Fujioshi UNFRIENDLY ♡ Terf UNFRIENDLY ♡ "LG community" UNFRIENDLY ♡

Turn on your notifications for me ♡ plsplspls (you really dont have to, i do shitpost a lot when I'm not drawing)

Otherwise I can add you to my taglist so you will only see the FINISHED things I make. This will not include sketches. (Primarily art, sometimes writing!) Just comment or drop a private ask saying you want to be added. Additionally if you want to be removed then just say so, no hard feelings.

If you make original works add me to YOUR TAG LIST. TAG ME. YOU HAVE MY PERMISSION, I WANT TO BE TAGGED IN ART AND WRITING AND ADJACENT THINGS. IDC IF WE'RE STRANGERS.

My DM's are open, feel free to strike up a conversation about anything. I will not respond if your blog is ageless/underage. I understand I'm very cool and all but practice internet safety and do not message adults privately online. Just because I don't have bad intentions doesn't mean other people don't. If you'd like, you can send me an ask instead!

☆About☆

Hi! I'm Orion, he/him, 20.

My favorite color is pink, I adore my black cat, and I love drawing and worldbuilding. I don't tend to spend a lot of time posting so you may notice the worldbuilding bit is lacking. I plan to start publishing more writing!

I typically scower the OC art tag for new artists to follow. I try to leave comments and likes everywhere! Occasionally asks for my mutuals too.

☆Tags☆

Here are some general tags I use

#Writing

#Oc Art

#Sketch

#Art Reblogs

#Others Ocs - Typically my fanart and reblogs

My textposts are rarely tagged. Stumbling upon them is a privilege

☆Writing Tags☆

🚧 ;l under construction 🚧

☆OC List☆

I get asked a lot if people can draw my ocs. YES! I usually draw something back if I have the chance too (no promises). I do ask that you do not whitewash my OC's, especially Mzamaki. It's incredibly awkward as it has happened way too many times for me to be comfortable with. His coloration is based on what I think is most aesthetically pleasing, and very intentional. It kills my excitement to see a free work of art get it wrong, and y'know. I can't really complain because it's free, so it just sucks... I don't believe it's an intentional message of whiteness being better, I will always give the benefit of the doubt. I strongly don't like it though

Art trades are always welcome too

My OC's are grouped by who they most interact with. Additionally if there have been any posts made about them they will have a hashtag

Favorites are highlighted in blue, but tbh, I love them all

#mr orion Ray

#mr orion Icarus

Quinn

Luciel

Maurice

Rika

Achilles

Cameron

Brenda

#mr orion Caelum

#mr orion Avin

#mr orion Armir

#mr orion Apache

#mr orion Liam

Marshall

Fantasy OC's

#mr orion Mzamaki / #Mzamaki

#mr orion Rhian

#mr orion Baron

#mr orion Lezna

#mr orion Neve

#mr orion Elliot

Lastly #mr orion misc oc one off characters and designs

[queerliblib]

hey, this looks awesome and you’re doing really good work!! wish we had something like this in the uk :)

thank you so much!!!! <3

while there may not be something exactly like us there are some other queer library/library adjacent projects in the UK ex.

book 28: "a small LGBTIQ+ library based inside London's LGBTIQ+ community centre and homeless shelter, The Outside Project"

the Queer Zine Library: "a UK based dyi mobile library celebrating radical LGBTQIA+ self publishing"

UK LGBT Archive: began as the LGBT History Project before changing names, it’s an ever updating wiki with links to other resources

The Bishopsgate Institute: an independent special collections library/archive, holds collections relating to the social and cultural history of London. Apparently has recently developed to become Britain's largest LGBTQIA+ archive

Small Trans Library: has branches in Wales, Ireland, & Scotland

[jbirdbirdbird]

about me:

i'm a trans woman living in western canada, i'm a dreampop / shoegaze / noise rock / emo adjacent musician!

i'm gonna post mostly original content!! i hope you can find something to enjoy in what i come up with :)

my account is welcoming to any and all members of the lgbtqia+ community, feel free to message me about anything related to what i post about! though i will not censor any language, my account is generally sfw!! being in the trans tumblr community inherently means there will be nsfw accounts interacting with my posts, while i have no problem with that, i just won't be engaging.

mwah <3

[tadbitsickchickwithadick]

Hiya, you can call me Maia/a Dani/gay! Pronouns: She/they

I'm a 20s, Deaf/HOH, mentally ill, pansexual, polyamorous, transfemme witch with only a little bit of social energy, but a lot of love to give. I'm officially moving over to Tumblr after reddit decided to shit the bed.

I will be posting my poems, gayshit, hornystuff, things I find funny, things that are important to me. If you haven't found out by now we're gonna be 18+ here.

I'm a firm believer that inclusivity within the LGBTQIA+ community is fucking paramount. Polyamorous/kinky/transgender/acespec/bi/pan/queer peoples have always been oppressed as a group. Fight together, or die trying. Remember acab and the first pride was a riot for a reason.

DNI if you are a terf/minor/n*zi(even adjacent)/cop/think I'm a sissy/more if y'all need to be fucking reminded

Spread love and protection as wide as your heart allows💕🌈

(Edited again because I forgot about some stuff)

[thehorrormaven]

Learn More🔗- OFFICIALLY OPEN: Pride with a Bite Indie Publisher – The Horror Maven

“Pride with a Bite is an independent publisher of horror and horror-adjacent works by LGBTQIA+ creators. We aim to provide a safe space for diverse creators through our quarterly eZine, A Bite of Pride, anthology opportunities, and independent novels, novellas, and collections. We also offer marketing opportunities for established creators in this area.

Our mission is to help expand the queer horror space by providing unique opportunities and an inclusive community for LGBTQIA+ creators of all backgrounds to connect. We are dedicated to helping all of our creators get their voices out and honor the diverse range of voices that LGBTQIA+ creators represent.”

[gemmahale]

🫐🍐🍍 for the fanfic writers ask please and thank you :)

Fruit Fic Ask Game!

Hi Skelly! 💚 These were fun, thank you!

🫐 What’s your favorite underrated thing in your fandom? (A ship that only you seem to write for, a character there’s almost no fics about, a trope that criminally hasn’t been written yet, etc.)

I think @glossysoap said it best when she said "Best Girl Wins" tropes - it's almost fun to see these military men bested by a civilian, when written well. That and Gaz/Ghost and Price/Soap. Gaz/Ghost/Soap has been on my mind a lot lately too...for reasons. 😉 Otherwise, I feel like I have a wonderful diversity of fics that surround me - trans-inclusive/LGBTQIA+ stories, unique crossovers/AU's, and interesting canon plot ideas - that I think are wonderful and delightful and should be seen by more people.

🍐 Is there anything in canon that you absolutely hate and love to fix in fics? A wrong choice made, a fuck-up in characterization, a misunderstanding never cleared up, a conversation never shown onscreen, etc…

This one should come as no surprise, lol. Soap's death in MWIII. I think it was poorly written and the more analysis I see (from different POV's - martial artists and weaponry experts, plot progression, etc.) it makes me more and more grumpy, lol. Otherwise, I love getting to see Gaz and Ghost interact beyond the snippets we do see. Idk if that's a fix-it, but I feel like there's good mutual respect there that's less common to see in canon. (Maybe 1 or 2 non-verbal scenes?)

🍍 What kind of AUs do you like? Are there any AUs you hate or just generally have beef with?

Oh man, I fucking love AU's. I don't think I have anything I don't like or have beef with. (It's kind of a "I know it when I see it" type thing for me, sometimes I don't vibe and I don't fully know why.) But I think the really fun ones are when it's supernatural/supernatural adjacent in the canon world. There's so many different ways to spin it that there's an endless wealth of resources.

[boreal-sea]

Mastodon Server of the Day:

LGBTQ+ & Jewishness together in one place!!!

[sharpestasp]

Three Eric Roberts films I recommend

By The Sword: yes the critics call the screenplay atrocious, but I found the dynamic between F. Murray Abraham and Eric Roberts drove the movie adeptly, with the eventual reveal having a nice tang to it.

The Immortals: All star cast, though you might say most are b-movie listers. All I can say is a film with Eric Roberts, Tia Carrere, Joe Pantoliano, Chris Rock, William Forsythe, Clarence Williams III and Tony Curtis was a hell of an idea. And the twist of it all, with the heist and violence is very much up my street.

It's My Party: this one is the tear jerker, and a must see for anyone that is or was LGBTQIA adjacent through the worst of the AIDS epidemic. Olivia Newton-John, Margaret Cho, Bronson Pinchot, Devon Gummersall, George Segal, Lee Grant, Marlee Matlin, Roddy McDowall, Steve Antin, Bruce Davison, Sally Kellerman, Lou Liberatore, Nina Foch, Eric Roberts, and Gregory Harrison are all in the cast, and play their parts with sympathy and range.

All links to wikipedia write ups. Got an actor you want to see what I love by them? Send me an ask.