#might do some other panels later

[nattikay]

comic panel redraw!

[edit] aight the longer I looked at it the more the dark blobs of hair drove me nuts so I made some minor adjustments; not perfect but at least the detail is a bit more legible now

[journey-to-the-attic]

one thing about ik is that she will always reach out

[age-of-moonknight]

“Incarnate,” Vengeance of the Moon Knight (Vol. 2/2024), #7.

Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[beesinspades]

i'm very :3 because the dark urge being fully customizable might be thanks to my very enthusiastic suggestion as a playtester.....I mean maybe other playtesters who came after me (my group was apparently the first to try the dark urge out, at least in gent, because the group before us didn't even know that origin existed) suggested it too, I don't know, but :3 even if I'm just one of the people who suggested it, I'm :3 because HELL YEAAAAH!!!!

I loved the dark urge so much (even though I couldn't finish my playthrough with them, since they were my second playthrough of the playtest) that i was like "this is too good, since they're not a companion origin story u guys need to make it possible to play them as any race not just the dragonborn variations"

AND THEY DIIIIID i'm so happy!!!!

[lynxgriffin]

Eldritchrune - Dreemurr of Jokes

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Toriel stops by Sans' shop for some goods, and for some more cheery distractions! Unfortunately, all this time later, it's still too difficult to escape reminders of what's been done.

It was fun finally getting to do some stuff with Sans in this universe! The last part for this trio of scenes will be up sometime next week!

Alt text for these pages is under the read more:

Page 1 Panel 1: Interior shot of a small store, with displays of goods, loose plywood, sacks of things. Two circular woven hangings bracket the door through which Toriel enters, a heavyset woman in a polka-dotted dress with a basket over her arm. Sans watches her enter, though we see only the back of his head. 

Panel 2: Toriel enters the shop and we see more displays, mostly food. There are large potted trees as well, and the shop’s counter, draped in patterned cloth and decorated with candles. Toriel: “Well, hello again. I was wondering if you had-” Sans, a jovial, bearded man dressed in loose robes and always smiling, waves a hand and cuts her off. “Hold on, you hear that?”

Panel 3: “...Hear what?” Toriel asks, nonplussed. Up close, her face is soft but distressed.

Panel 4: Sans leans over his slightly messy counter, still grinning. “I HERB that you needed some more cinnamon cloves, and look what I have here!�� He offers a handful of herbs. Up close, the cuffs on his robe sleeves are patterned with little bones.  

Panel 5: “Just what I needed! How did you guess?” Toriel exclaims, reaching out with a real smile to accept the herbs. She and Sans are framed by other mysterious shop wares- jars of things, open sacks, rolled-up mats. Things you might find in an open-air desert market. 

Page 2 Panel 1: Sans: “Was just thinking it’d been awhile since I saw you making the neighborhood rounds with some of those pies of yours… Figured you were planning to start this month’s soon!” Sans gestures up at Toriel in explanation. 

Panel 2: Toriel smirks, setting down a handful of coins.  “And perhaps hoping that I would stop by your place first with them?” Sans: “I pride myself on my forward thinking, y’know.” His grin is conspiratorial as he leans towards her and he taps his temple with one finger. 

Panel 3: Toriel, eyes sad despite her smile: “All right. How about this: Tell me a good joke, and you have my word you will have the first and freshest one.”

Panel 4: Sans: “Just a good joke?” He raises an eyebrow. 

Panel 5: Toriel clutches her chest- we don’t see her eyes. “I find myself in desperate need of levity these days.” 

Panel 6: Sans waves his hand as if to keep her from feeling like she need say more, scratching his chin in thought with the other.  “Sure, I got one…” 

Page 3 Panel 1: Sans, with the smug grin of someone about to tell a terrible pun: “Why was the empire soldier happy to get demoted to horse groomer?” Toriel, with her hand on her chin in thought: “I do not know, why?” 

Panel 2: Sans shrugs widely like the answer is obvious. “Because he finally had STABLE employment!” 

Panel 3: Toriel laughs in genuine delight, although maybe a little harder than expected. 

Panel 4: Toriel: “Thank you, I needed that.” She smiles a relieved little smile. Sans: “No problem. So hey, aside from the pie… Can I maybe get an invite to those little get-togethers I see some folks around here doing once a month?” He steeples his fingertips together. 

Panel 5: San’s dialogue continues: “I’m so curious as to what goes on then!” We only see Toriel, though, shocked and dismayed. She’s thinking of the Ritual gatherings- townspeople gathered in their robes and animal masks- reindeer, fish, but most centrally, the goat masks she and Asgore wear. 

Panel 6: Toriel: “Unless you are completely enraptured by tedious talk of planting schedules and building repairs, I believe I can sate your curiosity by saying you would find them quite boring.” She waves a hand in front of her, dismissing the thought- her expression is once again drawn and weary. 

Page 4 Panel 1: Toriel turns to leave, waving goodbye. “You should look forward to your well-earned pie more!” 

Panel 2: Sans gives her a slightly skeptical look. “Alright.” is all he says. 

Panel 3: As she leaves, Toriel looks down and sees for the first time a small statue set by the door, surrounded by candles- it’s not a merchandise display, more like an altar. The statue is a horned figure holding a bowl filled with greenery- an offering of some type. The figure is rounded like a sitting child, and simple, with closed eyes and little other detail. 

Panel 4: Toriel’s dialogue over a close up shot of the figure: “What an interesting little figure you have. It does not look like it is for sale, is it?” The little horned one has three toes and four fingers on its stubby little arms and legs, and a detail on its forehead that could be a suggestion of hair, or it could be a symbol. The pillar candles surrounding it have been burned enough to have long wax drips pooled around them. 

Panel 5: Sans: “Nah, that’s just a holdover from my home country. Supposed to help keep demons out of your space.” He seems uninterested in this bit of lore, but Toriel, still facing away, is wide-eyed and shaken.

Panel 6: Toriel whirls back to him, sweating. “I-Is that so?” 

Panel 7: Sans’s expression intensifies, eyebrows dropping dramatically. “Sure thing. You know what happens when demons get in your grain stores?” 

Page 5 Panel 1: “They’re OATsolutely RYE-ined!” Sans holds his hands wide, like he’s waiting for the rimshot effect. It’s almost like his shop counter and back wall are suddenly a stage. 

Panel 2: Toriel hides a giggle behind her hand, relieved. 

Panel 3: “Is that something you have had to deal with previously?” she asks, stepping a little closer in her interest. Sans makes a slight gesture of dismissal. “Nah, I don’t really go in for that sort of stuff, honestly.”

Panel 4: Sans: “My brother, though… He’s all in on charms and wards and that sort of thing.” He gestures up, as if to point to wherever it is in the town that his brother might be now. 

Panel 5: “Keeping customs from your home country, I suppose?” Toriel asks, drawn again into the shop and closer to Sans. “Something like that,” he responds, leaning forward on his counter. On the wall next to him, there’s another woven wall hanging like the ones over the door.  Toriel: “Do you have any customs that have a reverse effect?” 

Panel 6: Sans looks as skeptical as one can while constantly grinning. “You mean like, if you want demons in your house?” 

Page 6 Panel 1: Toriel puts a hand up in denial. “N-No, that would obviously be undesirable! I meant more… just out of curiosity about your home.” 

Panel 2: Sans stares up at her, for a beat of silence. 

Panel 3: “Maybe? Again, this stuff isn’t my thing.” He leans back in his chair with his hands behind his head, nonchalant as can be. “And anyways, we left our country for a reason. Old customs aren’t relevant in this town, y’know?” 

Panel 4: Toriel once again turns to go, with a rueful smile. “Maybe not… but I cannot imagine letting go of your entire history.”

Panel 5: Sans shrugs and looks away. “There’s worse things to let go of, honestly.” 

Panel 6: Toriel, gritting her teeth, thinks of a happier time tucking Kris into bed. 

Panel 7: Close on Toriel’s expression, now more haggard and pained than it was when she came in. She clutches her chest tight. 

[our-trans-punk-experience]

THE BATTLE JACKET MASTERPOST

FINALLY PUNKS IT'S HERE

a battle jacket (also called battle vest, cut-off, punk jacket, patch jacket, and probably other stuff) is a jacket (duh) usually made from denim or leather with DIY additions of patches, studs, flags, painted panels, chains, and other bonuses, used to signify subculture. Punk, metal, and biker scenes all use patch jackets, but I'll only go into specifics about how they're used in the punk scene. Metalheads, I think, almost solely personalise with music/band shit. Bikers use them to signifying which club you're riding with. Punks started using them in the 70s and they've remained a staple of the subculture's style since. They're good for signalling your politics, bands you like, and other information you might want to get across. They also look cool.

HOW TO START

If you're here I assume you wanna learn how to make your own so I'll cut the history lesson short and get on to the practicals.

1: first you're going to want to get a plain jacket, probably denim or leather, but you could get a canvas jacket if you're nervous and new to the scene because it's way easier to stitch canvas, so you could experiment with that as you're building confidence. The jacket should be at least a bit oversized because with all the stitching and painting or whatever you'll be doing, you could run into fit issues with a very form fitting jacket. also, this jacket might frequently be worn over other jackets or layers so that will help with that too

2: start making choices. namely whether you want to keep the sleeves. obviously you can remove or reattatch the sleeves later but I think making that big mod first is a good starting point to help you feel like it's a work in progress. so if you're going to chop the sleeves I say do it now

3: brainstorm. I know, I know, coming up with your own ideas is hard, but this is your own totally literally unique piece, so think about what sorta look you want

4: you don't have to brainstorm alone though. search tumblr or pinterest for punk jackets, punk patches, punk clothes ect for inspiration. you might get a good idea for an individual patch, or for a broader layout

PATCHES

1: the big deal. this is what will make your jacket into a battle jacket. there are some unofficial rules/sayings in the scene about what sort of patches you should put on your jacket. some people get dickish sometimes about if you put a non-punk band on your jacket? however i think that is bollocks and you should do whatever you want forever. one saying i do personally mostly stick to is "politics up front, bands on the back" with the idea you stick your politics on your front so you can see the punches coming

2: where do you get the patches? you make them yourself. You can buy ofc but don't get shit off amazon or shein or whatever the fuck. If your fav band or small artist is selling patches go for it though. You will have the most choice if you make your own patches. Do you have scrap fabric (maybe the sleeves of the jacket, which is where i got a lot of my patch material)? Do you have paint and paintbrush? good. you can make a patch

3: how do you do that? well depends on whether you stencil or freehand. stencil means you cut out an outline, of say a band logo, out of card, and use that as a stencil. freehand means you paint whatever tf you like

4: paint?? yes paint. messy as you like. start maybe with simple slogans or symbols often found in the punk scene like "ACAB" or "eat the rich". maybe an anarchy symbol. i also like to paint a layer of mod podge over my designs to waterproof them.

5: great, you've got a patch, what are you going to do with it? sew it onto the jacket. unless ofc you bought an iron-on in step 2, in which case iron that shit on and be careful punks. most likely though, you're sewing it on. a lot of punks use tooth floss to sew on because its cheaper, easier to find, readily waxed and waterproof, and does a better job sewing shit down onto heavy duty material like leather or denim. I use a combined running stitch and whip stitch personally

STUDS n SPIKES

1: all those punks you've seen have metal sticking out their jacket eh? yeah, theres a whole lot of options here. spikes of many different sizes and shapes, which within that can be stitch on, screwback, or have fold down prongs on the back of them

2: where do you put them? probably the front or top of the jacket. you can put them on the back but that might be uncomfortable, or rip up someone's upholstery

3: where do you get them? you can still DIY these by cutting up a metal drinks can [whole other post] but BE CAREFUL. i suggest checking out the internet for these, same buying rules as patches though. no shein. no amazon.

OTHER SHIT??

1: go wild

2: other common additions would be chains, lighter caps, badges, and can tabs

HAVE FUN PLS ASK ME QUESTIONS AND SHARE IF YOU START A BATTLE JACKET

[em-dash-press]

Ways to Skip Time In Your Stories

Finding ways to skip time in stories can feel challenging. Writers often worry it’ll make their work feel too amateur or negatively affect their pacing. 

The truth is that every author includes ways they skip time to maintain their pacing and plot. Check out a few ways to do it with confidence. 

1. Start a New Chapter

Yes, it’s really that simple. Go back to your favorite books and note how each chapter ends. You’ll likely find a few of these tricks that transition the story in ways that match the story’s flow.

Ideas to End a Chapter

The protagonist goes to sleep (likely overused, but practical)

The characters end a conversation

One character informs another of a plot twist

Unexpected action occurs, like a car crash

2. Emphasize the Season

You don’t need to tell the reader exact dates or hours to pass the time. You could mention the season instead.

If a scene or chapter ends in the summer and you need your plot to start in winter, make your protagonist mention something about the leaves changing color and giving way to snow before your action picks up again. It will only take a sentence or two, so it’s also an effective method for short stories.

3. Visualize a Movie Montage

Imagine watching a movie about a character who goes on a summer adventure. They backpack through Europe, but they have to take a flight to get there. 

You likely wouldn’t see them standing in airport security lines, napping in a terminal or watching a full movie on their flight to their destination. Instead, you’d get a montage of them driving to the airport with a shot of their plane cruising over the open ocean.

Writers can do the same thing, minus the soundtrack in the background. Describe how your character got to their destination when a new chapter or scene starts. Your readers will get the general idea and appreciate getting straight to the plot that made them pick up your story in the first place.

Here are a few ideas to do this in just a few sentences:

One delayed flight and a bad airplane dinner later, I was walking out of the Amsterdam-Schiphol Airport with an aching back and excited heart.

My trip began with the perfect flight. I got an entire row of seats to myself, which made napping through the trip much easier. A flight attendant roused me awake when it was time to land. I couldn’t believe how fast I’d arrived in Athens that quickly.

My flight was just long enough to catch up on the movies I’d been missing over the last year. The landing gear bounced along the runway in Rome just as the Barbie credits started flashing across my iPad.

4. Showcase Some Confusion

Sometimes we aren’t aware of what time it is. We only know time has passed. That might be the best way to make time pass in your story if your protagonist gets confused, caught by surprise, or otherwise discombobulated.

These are some examples:

I woke up with a bad taste in my mouth. The sun was already peaking in the clear blue sky. How long had it been since my explosive video call with my ex the night before?

The time machine landed with a thud that knocked me to the ground. The control panel exploded in shimmering sparks. What year was it?

Working a double shift always left my brain spinning. I left work, walking across the parking lot with only the stars watching my back. I could feel the hours aching in my feet, but didn’t care what time it really was. I just needed to sleep.

5. Employ a Phrase

There are many quick phrases you can use to make your time jumps immediately clear. Consider using a few of these when you feel creatively stuck:

Later that morning

A few weeks later

After months of trying

Six hours later

The following week

As the store closed for the night

-----

There are many other ways to make time pass in a story. Starting with these could help you figure out the best way to move your story forward without disrupting its pacing. 

Remember, you’re in control of your story at all times. There’s always a way through creative challenges if you take a deep breath and try something new.

[moondirti]

sorry, this was born out of a need to indulge myself featuring: gaz, ballerina!reader, stalking, intrusive thoughts, delusion, mentioned SA and kidnapping

Kyle first spots you on the Piccadilly line in London's underground.

He's usually wary of public transport – would really rather walk the hour from Knightsbridge to Hammersmith than risk the inevitable unsavoury interaction bound to happen in an overcrowded tube – but it was late at night, he'd just spent his day sitting in a hotel lobby gathering intel for Price, and the idea of ducking down narrow streets in the blistering cold was the last thing he wanted coming to fruition. That's how he ended up in a (thankfully empty) train car anyway; hoodie up and hands stuffed deep into his pockets, thumb brushing over the handle of a switchblade.

He's focused on the shady character stretched across three seats adjacent to him when you happen to prance in. Perhaps prance isn't that accurate an account either, but it's hard to attribute much else to you when you're dressed like a character from one of his sister's childhood storybooks. Angelina ballerina, or something of the sorts – mismatched leg warmers, knitted bolero sleeving a black camisole, basketball shorts over nude-coloured tights, and dance booties that look like little puffer coats for your feet.

The duffel bag slung over your shoulder concerns him briefly – it's hard to look at carryalls the same after serving the military, he finds – but the tired look on your face pacifies any suspicions he might have of your intentions. Wouldn't be wise to execute an offensive when one of your operatives is weary, especially given they're the only agent in sight. Regardless, he's hit with a distinct trepidation that takes a while to name.

You slide past the figure he'd been observing early, hop over Kyle's boots as well, fingers clasped over your behind as if to protect yourself from any wandering hands. The feeling rippling in his chest worsens, yet it's only as you slot yourself onto a far-away seat is he able to recognise it.

You shouldn't be here this late. This isn't the place for you.

With your hair neatly pulled away from your face, he's given full reign to ogle at your darling features. Round cheeks. Hydrated lips. Pretty thing. His molars grind against each other. There are no doubt men on this train that'd want to take advantage of that. Press your mouth open with a thumb on your tongue, rub themselves raw just to see cum decorate your lashes and drip over your brow. Barrack talk, the type of shit he hears floating between his comrades-in-arms when missions drag a little too long. Perversion brought on by desperation.

The intercom dings, and the lady with the soothing voice announces their arrival to Hammersmith. His stop, yet the thought of getting off and abandoning you is enough to keep him stuck to his seat. His stomach upturns as possibilities occur to him like frames in a technicolor film; none pleasant, all ending with you tied up in the trunk of some random van. Some part of him recognises his paranoia, the ridiculousness in his attachment to a perfect stranger (which chides him in a voice eerily similar to Price's, all gruff vowels and whispered consonants), but it does not change the fact that when the doors open to his station, he does not move.

Yeah. He stays on so long as you do – which fortunately is not an extensive length of time. You collect your stuff one stop later, standing to wait at the door once the lady announces Acton Town. He doesn't get up until you're a few seconds out though, slipping through the closing panels of the entryway to follow a few paces behind your heel. Up the escalator and down the block.

The night air nips at his nose, chilling his knuckles so they creak if he curls them. Are your nipples knotted under your layers? Or would they need the help of his fingers to perk up? His throat stiffens. He shakes the thought from his head.

You make a turn. Kyle stops for a second, breathes in, before veering left behind you. Heading towards the west part of town, now. It's a good place to live, all things considered. Still, he wonders if you deadbolt your doors, if you keep yourself safe online. You seem smart, but there are people who won't rest until they get their way. People like the one's he deals with at work – amoral men with biceps that could crush your head. Rotten, horrible men who are only rotten and horrible to cope with the tasks assigned to them. Depraved enemies, depraved friends. Only difference between the two being which flag they fight for.

You throw a look over your shoulder, shoulders shrinking as you wrap your arms tighter across your chest. He looks around, seeking the threat you seem to be so put off by. Nothing but brick-and-mortar storefronts and flattened cigarette butts.

He's compelled by the urge to shush you, to scratch your back as he tells you that there's no need to worry. He'll walk you all the way home. Make sure you get nice and situated, listen for the tell-tale lock of your deadbolt, watch for the dimming of your light. He'll stay until you fall asleep, then walk back to where he came from, take the returning line to Hammersmith – so when he flops back down into his own bed, he'll be reassured by the knowledge that you're safe a mere 4 miles away.

Might take a shower before then, though. Your arse looks great when you're speed-walking like this, pronounced even behind the loose material of your basketball shorts. He hopes the image remains as vivid when he's attending to the heavy mass between his legs later.

Kyle halts right in his tracks.

What is he doing?

You're nearly running now, shrinking away from him at an exponential rate, and duck another corner when you look back to see that he's no longer in pursuit. Completely out of sight.

His Captain’s voice comes to life once more, echoing in the part of his brain he has yet to compartmentalise.

You draw the line wherever you need it, Sergeant.

[katabay]

SUBTEXT

so I've focused in on Perceval and Bors before, and I've done Perceval and Gender (for more on this specifically, see: Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey) and did a whole comic that leaned into some subtext™ on temptation, but actually let's throw out the subtext! let's bring Augustine into this!!

Perceval, de Troyes (trans. Burton Raffel)

introduction to Confessions, Augustine (trans. Sarah Ruden)

so for perceval a knight is both the gender he wants to perform but also something that is expressly compared to god, and if god is a lover that seduces. well. does this not also apply to knights as well?

Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow

and while galahad might be the obvious choice, I think perceval's relationship with bors during the grail quest narrative is more interesting. it's not god that transforms perceval, it's the sight of knights for the first time. something in here specifically is incredibly intriguing to me, but there's a different text I need to finish reading to fully form some thoughts on it.

le Morte d’Arthur

and finally! tentatively. I think I might slowly start turning this idea I had a couple years back into a fully formed comic. we'll see! I had most of it blocked out, but halfway through reading augustine's confessions, I think was when perceval finally clicked for me as a character in a later narrative cycle setting. I think I might have to spend a lot of time doing some visual research first because my god I cannot consistently draw armor to save my life......back when I lived in new england, there was a museum with a wonderful medieval armor collection I could visit.....alas.........I will have to hit the books (literally, I have a collection of books on medieval armor but this is apparently the one thing I can't visualize properly in my imagination. save me, museum collections, you're my only hope)

⭐️ credits for the collage panels! (all open access or public domain, etc.)

-Saint George and the Dragon -Saint George and the Dragon (different one lmao) -Pages and Knights, Frontispiece for "The Man at Arms" -Cloisters

⭐ if you like my comics and have a couple bucks, I have a tip jar (ko-fi)!

⭐ and other places I'm at! bsky / pixiv / pillowfort /cohost / cara.app

[darkficsyouneveraskedfor]

Someone New 7

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include angst, pining, romcom tropes, and some darker elements later in the series. Some triggers may not be specifically tagged. My warnings are not exhaustive, enter at your own risk.

This fic will contain explicit content. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You’ve had a crush on your best friend for years, but you’re slapped in the face with reality when he takes things to the next level with his girlfriend.

Characters: Steve Rogers, Thor

Note: I am queuing this so who knows if Im still suffering.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The morning is going splendid. You spilled your coffee and the tea you packed in a thermos, you left on your counter. The realisation doesn’t hit you until you pull up to the site. You huff and hang your head, gripping the steering wheel as you brace yourself for your caffeine withdrawal. 

At least it’s dry. Mostly. As Thor forecast, the rain didn’t come until the night. The steady patter kept you awake, along with that lingering displacement that never quite leaves you. Fatigue is another constant. Your new normal; sleepless nights and sleepy days. 

You get out and set to work. It’s all you can do. It’s all you’ve been doing. Just keep going. It doesn’t matter how, just get it done, get through the day. 

You yawn at your task, brushing digging, oh so gently wiggling the little form. It’s almost out. Almost free. In your eagerness for some progress, you get careless. Your hand slips and the spearhead grazes our palm. Is isn’t until the stinging splits your skin that you realise it’s a slash. 

Damn it, you didn’t put your damned gloves on. 

Great, with the luck you’re having, you’ve just contracted some ancient virus. You hiss and grip your wrist. Your adrenaline triggers your heart. You take a few breaths to stay calm as you watch the blood bead to the surface. 

You curse and stagger to your feet. You grab the rag from your back pocket and clutch it in your injured hand. You grip it tight as you cross the site, careful not to tread to heavily, and you angle the fencing to sidle between two panels.  

You clumsily pull open the car door and reach under the seat. You always keep an emergency with you. It’s a rule of thumb for your sort of work. You never know what might happen. Bug spray, sunscreen, bandages, swabs, a hole trove of supplies. 

You shake as the pain intensifies, thrumming through your palm. You come out and rest the plastic tote on the hood and sift through with your single hand. This is going to be awkward as hell. While you enjoy your solitary, it can sometimes be unsettling. What if something worse happened? 

“Ruff, ruff, rrrrruffffff,” the growlish yet high-pitched barking comes from up the mountain road. 

You pause as he peek under the rag and peer up as gravel mulches. Another visit? Your work is so boring, you wouldn’t expect him again. Thor appears as Thunder hops before him, spastic as she sniffs the ground in circles. He smiles and waves but you can only manage a grimace before you look back to your wound. 

“Morning,” he booms as he scoops up the small dog and nears the other side of the car, “it’ll be a sunny one.” 

“You sure?” You look up at the greyish blue skies, than at him. Hm, the hue of above is rather similar to his eyes.  

“I know so,” he assures you and tilts his head curiously, “why are you so grim?” 

You show him your hand as you lift the cloth from it. He lets out a sympathetic hum and sets Thunder on the ground. She runs over to inspect the fence as he rounds the hood towards you. As he gets closer, his size is even more obvious. He’s well-built, you can see it even at a distance, but up close and personal, he’s almost inhuman in stature. 

“Yikes,” he offers his hand, “may I?” 

“Really, it’s not—I can handle it.” 

“I’m certain you can. Only the bravest woman would come to these grey lands and sit alone in the dirt,” he jokes. “Please, it’ll be easier with two hands.” 

You relent, a tinge of embarrassment hot in your cheeks, and peel the rag away. You hold your hand out to him and he brings one of his large ones to cradle it. Wow. He’s massive. The difference in your hands is startling. 

“Nasty cut,” he muses as he reaches over for the swabs you’ve piled out on the metal, “but it shouldn’t need more than a snug wrap.” 

“Thanks,” you look away, eyeing the dirt as his proximity makes you squirm.  

You can’t remember the last time a man touched you, especially a handsome one. Well, aside from Sam and Bucky but those were just hugs and usually ended in them arguing anyway. You’ve never been the most popular girl in the world and those men you managed to reel in didn’t stay on the hook very long. You never really tried to keep them. You were always too distracted. 

You wince as he wipes the cut with the alcoholic cloth. He softens his touch but holds your hand firm from beneath. He offers a rumbling apology as he focuses on tending to you. His intent is new to you. The way he looks at your palm holds more than any look you’ve ever gotten from a man. Or anyone. 

He crumples up the used wipe and takes another. He’s thorough. You feel a shiver roll through you despite the warmth in the air. He trades the wipe for the roll of gauze and wraps the strip around your hand, hooking over your thumb and looping your wrist. He uses the little metal clip to pin it then turns your hand over, brushing his own over it as he grins. 

“Good as new,” he announces, “though I recommend you not use it too much. And perhaps a pair of gloves.” 

“Yeah, I forgot. Long day.” 

“It’s nine in the morning?” He chuckles. 

“Yep,” you agree dryly. 

“Hopefully it gets better,” he says. 

“Yeah, maybe,” you agree dully and toss the things back in the tote.  

He picks it up before you can and keeps it from your reach, “like I said, you should take it easy.” 

“Well, there’s work to be done,” you say as he moves to the open door and slides the tote inside. “What are you doing back here?” 

“Ah, I let the queen lead the way,” he stands straight and closes the car door. He looks past you and your head perks up. Thunder is very quiet. “As ever, she does not tread with caution.” 

You turn to find the chihuahua inside the fence. You jump in place and sprint over, clattering between the panels as you call after her. “No, no, sweetie, be careful!” 

You chase her around where you were digging as you sense Thor watching from without. Great! You hope she didn’t pee anywhere. 

A sharp whistle pierces the air and Thunder stops. She sits in place, still wiggling, but doesn’t move. You peek back at Thor and he nods. You near her and pick her up. 

“Sorry about her, she is a free spirit,” he tuts as you cross back to him. “I will be certain she does not stray again. My apologies.” 

You’re taken aback by his sincerity. You try to remember the last time someone apologised to you and sounded like they meant it. Hell, when’s the last time you even got an apology. You dip out between the grating and hold out the dog. 

“I would hate to get in your way any more than we already have,” he hugs her with one arm and spreads his other hand over his chest, “we will be on our way. I do hope the sunshine brings some brightness to your day.” 

“Um, thanks,” you shift on your feet and hide your twiddling fingers. “You too.” 

“I’ve already found my sunlight,” he grins even wider and blinks, “now, Thunder, let’s go make a storm somewhere else.” He twists on his heel and lumbers off, “perhaps mother might put up with you for a time.” 

You stand just outside the fence and watch him go. A lock of his golden hair hangs loosely form his bun, dangling down his back, wagging almost like the dog’s little tail. He bounds over the lumpy ground and disappears behind the rock face. You look down and smile. 

Not everything is so bad and you can see the amber ribbon limning the clouds. The sun will be there soon. Just like he promised. 

💟

Thor comes back again. 

It’s a week since you cut your hand. Like before, you can’t predict him. You don’t hear him approach as he’s alone. You only notice him as he clangs something on the fence and lets out an ‘oops’. You pop your head up and look over at him through squinting eyes. Your forehead hurts from the expression. 

You smooth out your face and stand, facing him. He wiggles a metal canister in his hand. The wind sweeps the strands around his square jaw as the sky pulses in shades of gray behind him. 

“Thought you might like some hot tea,” he holds up the thermos. 

“Oh, uh... you didn’t have to...” you look at the sky and its quivering blanket. You’ve been pondering packing up for the last hour. “Thanks.” 

“Not to worry, I was restless.” 

“And you always go walking through the mountains when you’re bored?” You wonder as you step around the markers in the dirt. 

“I live here, there isn’t very much else to do and it isn’t a good day for swimming.” 

“Swimming?” You nod and click your tongue. “Sounds like the life to me.” 

“Mm, it can be rather languid when there isn’t work to do,” he turns the thermos in his hands as he talks, “Have you tried cloudberry?” 

“Cloudberry? Never heard of it.” 

He pokes the thermos between the panels and you take it. He pushes the barrier back into place between you, hooking his fingers into the links. You feel the warmth through the copper-coloured metal. 

“You didn’t have to come all this way for tea,” you laugh. 

“I wanted to ask after your hand. See how it’s healing,” he says. 

“Oh, uh,” you open and close your gloved hand, “just a scab now. I’m all good.” 

He smiles and keeps himself from leaning to heavily as the fence dips towards you. He coughs and realigns his feet, brushing back the looses strands around his face with a flick. He pushes his shoulders back and drops his hand. 

“So uh, you should try the tea. I put together the herbs myself, steeped it...” he bounces on his heels, “I suppose it’s not that impressive but it is good. Antioxidants, anti-inflammatory.” 

“Wow, sounds like one of those superfoods,” you scoffs as you pull of your glove and tuck it into your work belt. You untwist the cap and steam wisps out. You smell the tea and blow over it. You look up and find him watching you. “You’re starting to make me nervous, what’s in it?” 

“Just tea,” he assures. “I can’t lie to you, though. It wasn’t my idea. My mother suggested it. She’s very interested to see what you’re digging up but I’m afraid she can’t do much at the moment.” 

“Oh, your mother? Is she sick?” 

“She is in perfect health aside from her dislocated knee. She went rock climbing and well, accidents happen, eh?” 

“Yeah, sure do,” you show him your cut. “But they get better.” 

A lull rises as you take a dainty sip. The tartness tweaks your cheeks and you scrunch up your nose. 

“You don’t like it?” 

“It’s... different but not bad,” you say. “So, your parents live up here too?” 

“Mm, yes. I’m afraid I’m occupying their attic at the moment. I sold my home in Oslo, it was much too... cold.” 

You can’t help but snort, “it’s Norway.” 

“Ah, so it is. I should be used to it,” he agrees. “And how are you faring here? Have you adjusted to these dour lands?” 

“Eh, I’m trying,” you put the lid back on and turn it until tight. “Thanks for the tea.” 

“My pleasure,” he assures you. “Seems lonely work.” 

“I don’t mind it,” you shrug and cross your arms, tucking the thermos beneath one arm. 

“Interesting though. Have you found very much?” 

“Ugh, a spearhead and some pieces of the shaft. A vase, cracked though. Some beads.” 

“Beads,” he echoes thoughtfully, “is this all confidential?” 

“Not really, you wanna see?” 

“Very much so,” he says. 

“Right, uh, let me just...” 

You go back to where you were sat and plant the thermos in the dirt. You scurry around, overly aware of his observation, and go to the pin of your catalogued items. You find the bone beads and brings the little dish of them over to the fence. You hold them up as he peers between the links. 

“They have runes,” he intones. 

“Yeah, I’ve got the meaning of all of them except, er...” you pull out the single bead made of jade, “this one.” 

He hums and considers it closely, leaning in. 

“Not a rune. That’s a family symbol.” 

“Oh?” 

“My family’s.” 

“Wow, uh,” you lower your chin, “that’s... I... kinda feel like a thief.” 

“Can’t have cared very much about it if it’s down there,” he remarks, “you know, my father has mapped out much of our genealogy. As much as he can. He might be able to assist with your research, if he can find the time. Bit of a hermit these days.” 

“Oh, uh maybe, I’d hate to bother,” you smile sheepishly, “erm...” you look around, “where’s Thunder? Awful quiet without her.” 

“She’s keeping mother company. I’ve told her not to be too much of an imp, can’t have her making it worse,” he shakes his head. “The two of them are both stubborn as the other.” 

You can’t help the twitch in your eye. All this talk of your family has you suddenly homesick. You fight not to crack and swallow tightly. 

“Anyway, thanks again for the tea.” 

“Your parents must miss you,” he says abruptly. 

“Erm, yeah, my mom calls now and then but she’s better as an empty nester. Dad’s got his head under a hood most days so...” 

“Friends? Boyfriend?” He wonders. 

You arch a brow. He’s not very subtle and yet his inquiry can’t be anything but innocent, right? You’re still strangers. He can’t be into you. Not someone who looks like him. How long did you pray for Steve to even see you like that? This man is definitely not going to. 

“Friends. Sam likes to pester me when I should be sleeping and Bucky... they’re funny.” You sniff and gaze past him. You won’t mention that giant elephant in your head. The one you think about at night. 

“Lots to miss back home, it sounds like,” he breaks the silence before it can settle. 

“Yeah, but not every day you get to travel.” 

“And to a beautiful land,” Thor declares, “I hope one day you’ll come out of the dirt and see more of it. You’ll be surprised what lays further up the mountain.” 

You smile and look down, “yeah, maybe one day.” 

“Until then,” he backs up on his heel, “I won’t distract you any further. Enjoy your tea.” He turns and strides away, pausing halfway as you linger by the fence, “the rain will be here around five so I would leave early, otherwise you’ll be driving through it.” 

“Right,” your chest deflates just a little. You don’t know what you wanted him to say but you’re disappointed, “thanks.” 

[alicenthighstower]

TILE TRANSITION TUTORIAL

a couple of people have asked me for a tutorial on how I did the penultimate gif in this set, so here goes! this is my first tutorial, so please feel free to reach out with further questions if anything's unclear.

note: this tutorial assumes you know the basics of gifmaking, can create the base gifs, and are familiar with timeline mode.

STEP ONE: create the base gifs! I'd recommend staying between 25-40 frames for each gif, since the transitions we'll use later tend to increase gif sizes. these are the ones I'll be using for this tutorial:

STEP TWO: create the guide layouts for both base gifs. for this panel, I chose a 4x4 grid — I would recommend keeping the number of "tiles" low because it can get tedious, but have a minimum of 9 (3x3 grid).

now your canvas should look like this:

STEP THREE: create the tiles. this is where the going gets rough; there might be easier ways to do this that I couldn't think of 😭 if there are any please send me an ask!

essentially, in this step we'll cut up the base gifs into smaller squares so that each tile can be manipulated separately when we put both gifs together. to do this, first create a square using the rectangle tool and the guides. then duplicate the base gif, move it above the square, apply a clipping mask, and then convert the clipped gif and square (selected in the image below) into one smart object.

ALTERNATELY: you could duplicate the original base gif and use layer masks to isolate tiles. create a layer mask for the duplicated gif layer and, with the layer mask selected, drag your mouse over a square (using the guide layout) and press delete. then press ctrl/cmd + i to invert the layer mask so that the gif only shows in the square of your choosing.

now repeat until you've got the entire gif in tiles, and do the same for the other gif!

since the transition effect is achieved by staggering the crossfades for each tile of the final gif, you can cheat by having multiple tiles "flip" at a time, ideally no more than four. this means you need to cut the base gif up into fewer pieces. to do this, simply draw multiple squares instead of one and then merge the shapes, before duplicating and clipping the gif onto them.

if you do this, it's essential to remember that you have to divide both gifs up in the exact same way. each piece of the b/w gif has to correspond to a piece of the purple gif!

this is what the layers look like for each gif once I'm done:

I have them lettered so that it'll be easier to match them up in the next step.

STEP FOUR: this is the complicated bit that took me two days to figure out. I'll do my best to explain but don't hesitate to reach out if something isn't clear!

to begin, open up a new psd and import both base gifs into it. (remember to click "create video timeline" and ensure that your gifs are all in order before proceeding.)

now, the trickiest part about this transition is ensuring that all the little tiles sync up so that the larger gif is coherent. so first we'll create some markers (just empty layers) to ensure that everything lines up as it should. — marker 1: at about halfway through the first gif (b/w in this case) — marker 2: at about a quarter of the gif length — marker 3: close to the end of the gifs

at this point we're ready to start bringing in the tiles. I'm going to delete the base gifs from this new psd just to keep things cleaner!

first thing to do is import my b/w tile. move the timeline slider over to marker 1 and split the first gif. (if it helps, rename the split gifs and add (start) and (end) to the two halves.) then, move the (end) half to the beginning of the timeline, and the (start) half to line up with marker 3.

the purple tile is easier to manage. simply import it into the psd and line it up with marker 2.

your timeline should now look like this:

notice the overlap between the gifs at their beginnings and ends — this is where you'll be able to cascade the tiles flipping, so it helps to have a significant amount of overlap.

crop the three gifs for this tile as you see fit! since this is the first tile I want to flip from b/w to purple, I'll crop gif 1a (end) all the way to the current position of the timeline slider (red line with blue tip) and leave the beginning of gif 2a uncropped. for the flip from purple to b/w, I'll crop both gifs a bit.

once that's done, drag all three gifs onto the same level in timeline so they form a video group. your timeline should look something like this:

now you just repeat the process for all the other tiles! as long as you made sure that all the tiles in one gif correspond with tiles in the other gif in step three, this should be a fairly painless process. make sure to crop the starts/ends of the gifs separately so that they don't all flip together.

this is what my layers look once I've done all the tiles:

and the gif!

STEP FIVE: transitions! click on the half-white square (top right of the left column in the timeline, beside the scissors) and select the crossfade transition, then drag it between two gifs in a video group. it should create a two-triangle symbol and shorten the overall length of the video group.

apply the transition to all the tile flips, ensuring that the duration of all transitions is constant. this can sometimes be tricky because ps likes to change the duration of each transition, so right click on the transition symbol and manually change all your transition durations to be the same.

your layers should now look something like this:

STEP SIX: draw the grid. bring back the guide layout from step two and using the line tool (I like 2px thickness), trace the grid. adjust opacity as you see fit (50-80% is usually a good idea), so that the canvas looks like this:

STEP SEVEN: export and celebrate! you're done!

I hope this tutorial made sense and was easy to follow, and happy giffing! my inbox is always open for any questions <3

[detachedminxsfics]

Motel

Masterlist

Characters: Negan (Dead City) x F!Reader

Summary: You've grown particularly close with the Motor Inn's personal walker killer and decide to pay his motel room a visit.

Word count: 4.5K

Warnings: NSFW - Oral (m receiving), vaginal sex, hair pulling, shower sex, praise, dirty talk, negan's usual foul mouth, gentle dom negan

A/N: If you're from my tiktok (which spawned the chaos that motivated me to finish most of this bc you guys are crazy), hello! This is my first time managing to actually finish and upload a oneshot in months, so I apologise in advance. I was also extremely tired when I wrote most of this, but I hope it was worth the wait for the handful of you bombarding my comment sections for the past 24 hours. 😂 I knew what I had to do the moment I saw that shower scene...like damn.

You downed your third shot of the day before slamming it back down onto the counter and wiping the corner of your mouth with the back of your hand, your eyes idly following the neon lights on the sign hung proudly behind the bar. The Easy Stay Motor Inn. It was a shithole. It only served as a way of keeping four walls and a roof over your head, and walkers off your ass. Speaking of, there was only one guy you'd grown particularly fond of during the month you'd spent working for the lady who owns this place and lapping up the amenities of their accompanying motel, Negan. He wasn't from around here, that much you gathered just by taking one good look at him, but then neither were you. You were both drifters. Heading from one place to the next, never staying anywhere long enough to see it through and find out whether it'd go to shit or hold out long enough before eventually falling to pieces. You just kept moving. That mentality had served you well so far and had kept you alive long enough to say that you'd made it well over a decade into the apocalypse now, not that you had much to show for it.

"Want another?" The guy behind the bar asked, half expecting you to agree to it as you had with all the others and making his way over to the bottle of vodka you'd been chipping away at.

"No thanks", you shook your head with a small smile and slid off the bar stool, "I'm gonna go try to entertain myself someplace else, but don't be surprised if I come back and finish that off later." You gestured to the vodka with a tilt of your head, and the certainty in your tone had the bartender smiling.

You headed towards the backdoor that led to the motel out back, the harsh change of lighting making you squint and shield your eyes to adjust for a moment, the dim vivid hues of the neon-lit windowless bar you'd been sitting in for the past hour or two being snuffed out once you stepped into the natural sunlight. Visual disorientation aside, you made your way down the row of motel rooms lined at your side, your interest only lying with the idea of arriving at one motel room in particular, and you stopped in front of the door when you found it. The door was a stark black to match the wooden panels sitting on either side of the window not too far from the right of the door, vines having wrapped around some of the slats in the wood from the overgrowth of shrubbery on the floor beneath it. It was run down and uncared for like just about anywhere else in this world. You tested the handle to see if the door was unlocked and to your surprise, it was. Twisting it fully you pushed the door open and stepped inside, closing it behind you as you began to observe the interior of the room. It was generically decorated like just about any other room in this place, and he didn't seem to have left anything behind for you to snoop through. The room was so empty that if you didn’t know any better you might have thought that he'd moved on already, packed up all his shit and hit the road. You figured that this was on purpose and probably explained why he didn't care too much when it came to keeping the door locked since he didn't have any shit to steal. Smart.

Negan hadn't been around for too long now, in fact, he'd only arrived about a week after you, but he left a lasting first impression. He was useful. He pulled his weight by taking care of any of the walkers that roamed or wandered into the perimeter of the motor inn, and was never bad company on the occasions that he'd sat on the bar stool next to you and made conversation. As time went on you'd gotten closer and more comfortable with one another, and you quickly found yourself noticing that Negan was the one person you'd opened up to the most in the duration of your entire stay here, better yet felt the most comfortable doing so with. Your vulnerability wasn't one-sided, either. He never went into an awful load of detail, but he had a bad past. He wasn't on the run per se, but there was a group of people that he was hoping to avoid the possibility of encountering for the rest of his days, a community that he had a difficult history with. He alluded to what seemed to mostly amount to horrible shit that most people had done by now just to stay alive, the kind of things you see at night when you close your eyes, haunting you from the backs of your eyelids. You paid it no mind, and you told him that too; he seemed to appreciate your lack of judgement. Gradually, the conversations grew more personal and not so casual, things got flirty. It was subtle, but Negan would make small coy comments on things that you say, or little compliments now and again that toed the line a tad too much for what could be considered harmless flattery or him shooting his shot. You were able to keep yourself humble up until the night when he had jokingly mentioned how good your ass looked in your jeans after more than a few drinks, not that he needed it to let you know just how much he was checking you out. Your thoughts were interrupted by the twist of the doorknob and the sight of it being pushed open afterwards, revealing a rather sluggish and slightly dishevelled-looking Negan. Negan had a silver beard that he seemed to keep well-maintained, the hair decorating his top lip thicker than the rest. His dark hair was always slicked, though it seemed to have transitioned to more of an ashy brown over time with grey tinging at the sides of his hair. He was ruggedly handsome, that was for sure. A grin crept onto his lips when he noticed you standing by one of the beds, closing the door behind him and running his hand through his hair, slicking some of the strands that had fallen out of place in the process.

"Just letting yourself into my place now, huh? We graduating from drinking buddies to whatever the hell this is?" He quipped but was amused by how bold you were to just waltz on into his motel room.

"It's not like you don't want me here." You remarked with a knowing smile as you sat on the end of one of the double beds, to which Negan chuckled and ran his tongue over his bottom lip, a seemingly small mannerism of his that always drove you wild.

"Touché."

He sauntered to the bed next to you until he stood at the foot of it and started to shrug off his leather jacket with a sigh.

"Well whatever it is honey, it's gonna have to wait. I have been out there cracking rotting skulls for who knows how long, and now I need a damn shower."

The checkered flannel shirt he'd been wearing open underneath it was next, him tossing it on the bed in front of him before his fingers brush over the hem of his black tank top. He glanced at you with the material still pinched between his fingertips, a cocky smile creeping onto his lips as he noticed the way you were shamelessly staring at him and didn't seem to plan on stopping anytime soon.

"You gonna watch me strip now too, darlin'?"

You playfully shrugged and let your eyes wander down his torso, an eye movement Negan most certainly followed judging by the way his smile grew, as did his ego.

"I can turn around if you're too shy, Negan."

The throaty chuckle he let loose was almost immediate, his eyebrows raised as he shook his head in disbelief.

"Me, shy? Fuck no. You can stare your little heart out, and you would most definitely be staring."

Well, you certainly hadn't expected him to take it with such pride, so you caved and turned so you were facing the wall next to the bed. You could hear the sounds of clothes falling against the sheets and the clinking of metal as he undid his belt, and then the zipper on his leather pants.

"You still thinking of sticking it out here for a bit longer? I know last time we spoke you weren't so sure." Negan muttered as he got his pants down to his ankles and started to try to shake his ankles out of them.

You thought for a moment, then sighed a little.

"I think so? I don't know, I'm just trying to go day by day. Why, would you miss me?" Your tone picked up towards the end as did the enthusiasm in your voice, the suggestion making Negan's sudden laughter start in the form of a snort.

"Miss you? Shit, course I would. I'd probably move on from here after that."

You opened your mouth to speak but found yourself unable to form the right words. He made it sound like you were the only reason he was still staying here, and that without you there'd just be no point. You didn't ask him to elaborate though, just silently rolled the thought around in your head.

"Well, time to take that shower. I'll be right back, and I don't know maybe we can grab a drink or some shit afterwards?"

"Sure." You mumbled in response.

After that all you heard was the soft tread of his footsteps as he made his way past you and into the bathroom, then the sound of the water being turned on and beginning to crash against the floor of the shower for a few moments before it became more muffled with Negan's body interrupting the stream, and you turned back to face something other than the blank yellow wall you'd be staring at whilst he was stripping. You did your best to focus on the small details of the room to occupy your head, the peculiar framed pictures decorating some of the walls, and the hideous design choices when it came to the taste of the room, but it was no use. All you could think about was what Negan had looked like underneath all those clothes when he was a mere few feet behind you, and what he looked like right now standing in the shower in the very next room, the image of water droplets trailing down his torso and body making it harder to stay seated with every passing second until you just couldn't take it anymore. You stood to your feet and made your way to the bathroom, standing in the doorway for a moment as you stopped in your tracks. The shower had a sliding door that Negan had slid shut, the distortion of the glass still allowing you to be able to make out the sight of him with his head tilted town and one of his palms pressed up against the wall, and the tattoo decorating his shoulder blade. There was no turning back now, you had made up your mind. You approached the glass and gave it a soft knock, the sound startling Negan a little as he turned and slid the glass just enough for him to lean into the gap he'd made.

"Everything okay?" He asked, concern tinging his voice as he used his other hand to sweep some of the hair that had fallen into his face back in place.

Your only response was the sight of your fingertips grasping the hem of your top before you pulled it over your head, holding the top in your hands for a moment as you gazed at him, trying to gauge Negan's reaction to your now exposed breasts. He seemed taken aback for a moment or two, and then his eyes darkened with lust.

"Can I join you?" You asked, fingers teasingly dancing along the waistband of your jeans as though you could tell by just the look in his eyes that he wasn't going to deny your offer.

He didn't.

"Fuck yeah you can." He rasped with a shit-eating grin, leaning back and pushing the sliding glass all the way open to make room for you to join him.

You stripped until there was nothing left, discarding all of your clothes into a pile on the tiled bathroom floor and stepping into the shower with him. The first thing you noticed was the heat. The steam from the hot water, the heat coming from Negan's body, all of it swarming your body with warmth. Then, him. All of him. From the water droplets falling from the scruff of his beard, the dark hair decorating his chest and trailing down the centre of his torso, and even the skull tattoo inked on the right side of his chest. The man was gorgeous. Your eyes dragged down his body, drinking in every inch of him until you got to the part you'd been anticipating most, but were interrupted. He cupped the underside of your jaw and urged your head back up, his thumb brushing along your chin as the tip of his thumb traced just along the edge of your bottom lip.

"You like what you're seeing, huh?" He seemed to be making more of a statement than genuinely asking, but you entertained him nonetheless.

"A lot." You replied simply, the intense and lustful look your eyes were lit with corrupting your stare as your eyes bore into his.

"Good."

He used the hold on your jaw to guide your lips to his, his lips claiming yours. The hand that had been cupping your chin moved to grasp the nape of your neck, his other hand gripping your hip and drawing your body against his. You could feel him hard against your thigh as he groaned into the kiss, his tongue slipping into your mouth so you could taste him and his hands keeping you pressed firmly against his body, your own hands beginning to wander from the top of his chest down to his abdomen. The water cascading down his shoulders caressed along your fingertips and down your breasts, the warm water trailing down your body whilst he continued to move his lips against yours until you couldn't breathe, and you were forced to pull back for air. The moment you did Negan dove his head into the crook of your neck and pressed his lips against your pulse point, gently sucking the skin there and occasionally teasing it between his teeth in a way that was sure to leave marks, his beard scratching along your jaw as he did. The attention he paid your neck had your hand rushing up the nape of his neck and into his hair, combing your fingers through the back before taking a fistful of his wet strands. The slight tension on his scalp and the way your breath was shaking right by his ear made him pause for a moment to smile against your skin, a hoarse chuckle following shortly thereafter. The warmth of his breath from the laugh felt hot on your skin, and you used the strands of hair you'd taken in your palm to urge his head back until his face was inches from yours again. His tongue swiped over his bottom lip when you found your voice.

"You've thought about this before haven't you, fucking me?"

His brows raised at your boldness, the corners of his mouth fighting a smile.

"Damn right I have. I'd have to be blind or crazy not to, you are easy on the eyes, darlin'."

"Oh?" You tilted your head as you feigned mock surprise, his eyes looking you over like you were good enough to eat, and you might just let him.

Slowly you leaned in and seductively ran your tongue over his lips, finishing with a small kittenish flick at his top lip before leaning back. You soaked up the wanton look in his gaze when you sank to your knees, your eyes locked with his all the while. Now kneeling on the floor of the shower you reached up and closed your hand around his shaft, the way his breath caught in his throat once he felt your touch giving you the encouragement you needed to lean in and run your tongue over the swollen tip, beads of precum gathering along your tongue as you did. As you licked at it you felt Negan's fingers stroke over your hair before he started to gather it in his hand, all of your hair soon clutched into his fist like a makeshift ponytail.

"Don't be a tease." He warned as he slid his free hand underneath your chin and cupped it, allowing him to use both the grip on your hair and your jaw to urge you forward.

Willingly your lips parted, his cock sliding past your lips and into your mouth.

"Fuuuck, there we go." Negan slurred as he slid further into your mouth, stopping just before he reached your throat.

He grunted once you flattened your tongue on the underside of his shaft and leant forward, bracing one of his hands against the tiled wall of the shower when he lowered his head to look at you.

"Shit, you look so good with a mouthful of cock." He rasped crudely with the dirtiest smile before pushing himself down your throat, and you fought the urge to gag as he did.

He started to move his hips, the motion prompting you to place your hands just above his knees for support whilst he slid in and out of your throat. Soon enough tears began to well in your eyes, the urge to choke too great as you finally gagged on him, the sensation making Negan momentarily screw his eyes shut before sliding out of your mouth. He let you breathe for a moment or two before he was already pushing down your throat again, his groans getting louder and deeper with every thrust.

"Ohh, good girl." He cooed, his sounds of pleasure gradually turning into a blatant string of curses as he repeatedly thrust down your throat, and you shamelessly took every single inch.

Eventually, the movement of his hips got slower, his moans getting louder until finally his hips stuttered and his abdomen began to tense. He tightened his grip on your hair, the harsh grasp burning your scalp, and then you felt the hot wet spurts of warm liquid coating your tongue. You waited until you knew he'd spilt every last drop and then carefully removed him and swallowed his release, your breath a little laboured whilst Negan hovered above you with totally ragged, uneven breath, his eyes half-lidded as he tried to come down from the high of his orgasm. A few tears had escaped your waterline and slid down your cheeks as he fucked your throat, but it had mixed with the occasional stream of water trickling down your face from the shower.

"You did so good, baby. So good." He praised as he finally released your hair from his hand and started gently running his fingers through it instead, his touch soothing some of the pain he'd inflicted upon your scalp.

You stayed like that for a moment just listening to the sound of the water until you felt his hand leave your hair and the sight of him extending it out in front of you for you to take, which you did. He helped you to your feet and wrapped his arm around your waist the second you straightened your back, his mouth crashing against yours and allowing him to taste himself on your lips, the urgency with which he kissed you making you moan into the kiss a little. Whilst he stole your air Negan guided you backwards until your back came to press against the steamy tiled wall, the condensation pooling on the tiles smearing against your skin, and the faint coolness to it making you gasp. You wrapped your arms around Negan's neck to draw him in closer, your hips subconsciously moving to bring your groin against his and allowing his still proudly hard cock to brush against your inner thigh. You broke the kiss to try to regulate your unsteady breathing, leaning back just enough so that your lips were practically still brushing, the hot heavy pants Negan breathed against your lips making you need him all the more.

"Negan?"

"Yeah?"

"I need you inside me."

He couldn't hold back the dangerous look his eyes filled with when you whispered exactly what you needed, an arrogant look in his eye as he leaned back and cockily smiled.

"Your wish is my command, sweetheart. C'mere."

He slid his hands all the way up the backs of your thighs, towards your outer thigh, and then took hold of your hips. The gesture prompted you to do a small jump that allowed Negan to hoist you up and trap you between the wall and his body, your legs wrapped around his waist as his hands moved to cup your ass. In one calculated movement Negan lined himself up and sank inside you, the way you stretched around him eliciting a filthy moan from your lips almost immediately.

"That feel good, baby?" He purred, his voice full of arrogance.

He knew it did, he just wanted to hear you say it.

"Yes, god yes." Was all you could manage as he set a hard and intense pace, drawing all the way out before slamming back inside you, the feeling of fullness with every thrust making your mouth fall open.

One of your hands slid down his chest, his dark chest hair brushing up against your fingers as you did, whilst the other slid up his shoulder and moved to rest on the nape of his neck. His fingers were digging into your skin with the grip he had on you, strands of your hair clinging to the condensation of the tiled walls as you slightly threw your head back, uncontrollable sounds of pleasure spilling from your lips from the way he roughly fucked into you. The overwhelming sensation caused you to idly weave your fingertips in the hair at the top of his neck and run your hands through the back of his hair, occasionally tugging at it when he buried himself especially deep and you could do nothing but squirm in his grip. The water was still running just off to Negan's side, the hot water wasting onto the floor and creating a small pool at his feet. With the way you'd angled your body it allowed him to lean in and lick a stripe up the valley between your breasts, your skin feverishly hot against his tongue as he gathered some of the water droplets and left nothing but a trail of spit before beginning to kiss up your throat. He littered your neck with kisses, moving his affections to the side of your neck before planting a few kisses along your jaw, his stubble scratching along the side of your face all the while. It felt like heaven. You couldn't think about anything other than his touch, the way his mouth shamelessly marked your skin, the sounds of his heavy breath and the guttural groans spilling from his throat like music to your ears. By this point your sweet moans grew to resemble sobs, your legs slightly shaking in his hold as Negan thrust into you over and over, and a feeling started to burn in the pit of your stomach unlike anything you had ever felt before.

"Negan." was all you managed to choke out, practically in the form of a cry.

All you felt was his lips claiming yours, and the occasional parting of your lips just enough for him to whisper into the kisses.

"I got you, I got you, baby." He swore over and over, his gentle reassurance paired with his hard thrusts tipping you completely over the edge, and your whimpers getting lost in his heated kisses.

You feel the knotting in your abdomen just before everything comes crashing over you, waves of pleasure ripping through your body and making you clench around him as Negan continues to fuck you throughout your high, your mind hazed with overstimulation. Eventually his movements began to stutter, his abdomen clenching amidst the deep v-lines framing his hips, and a string of gravelly curses poured from his mouth. Carefully, Negan unwrapped one of your legs from his waist and urged you to set it down on the floor of the shower, the other still wrapped around his hips as he held it there. His free hand moved down to his shaft, wrapping his hand around it and giving it a few quick strokes until he finally came. His hold on your leg became more of a firm squeeze as he threw his head back a little and grunted, liquid splashing over the top of your inner thigh and beginning to gradually trickle down your leg. The bathroom was full of steam now, the air thick with humidity and both of your chests rising and falling rapidly as you both tried to catch your breath. After a few moments you felt Negan place your other leg down, his release still dribbling down your skin as you tried to come down from your incalculable high. His breath evened out a little, his eyes still half-lidded when his hazel eyes locked with yours, his gaze capturing you amidst the knowing grin playing on his lips. You were totally fucked out, and the sight made him chuckle.

"That good, huh?" He teased with raised brows, his tongue dragging over his bottom lip making you playfully roll your eyes and manage a small laugh.

"Shut up."

You'd give credit where credit is due, the man knew what he was doing, but you couldn't allow yourself to stroke his almost nauseating large ego any further. He shook his head with a smile, both of his hands smoothing over your waist and then taking hold of it, using it to lead you towards him. You let him coax you to the space closer to the shower head, the water now splashing directly against the back of his neck and trailing down his body, droplets of water simultaneously forming along Negan's jawline and repeatedly falling from his wet beard. He kept one hand on your waist whilst the other held one side of your face, his eyes boring into yours. His head tipped forward so he could rest his forehead against yours, water sliding down his neck when he started to speak in almost a whisper at first.

"If I hit the road, I want you to come with me."

You thought you may have not heard him right at first and leant back with slightly wide eyes, shock etched into your features.

"Really?" You muttered.

"Yeah."

A moment of silence passed, the stare you shared serving as more of an answer than any words you could utter, but you parted your lips to speak and did anyhow.

"You've got yourself a deal."

[nrdmssgs]

Making Nikto a meal from his homeland 🥺

Maybe learning enough Russian to say that you care for him?

Masterlist

Love, I kinda-sorta have something similar here, but, I'm ready to feed this sweet guy his favorite meals on a daily basis.

Nikto doesn't get sentimental when it comes to his homeland. At least not when others are around. His house is not full of Russian books, shelves are not littered with trinkets from there, he doesn't watch films from his childhood with you. It might seem, that he's just indifferent to his own past, but you suspect, this is not the case.

He's stubborn, headstrong, “don't understand, what's there to miss” each time you ask him about his childhood. But notice little cracks in his demeanor, when he pauses a little too long, seeing something, that reminds him of home. It can be a dilapidated prefab panel block, any other person would avoid looking at. You already remember its funny name - 'panelka'. Sometimes it's just a streetlamp, captivating a gloving cone of snowflakes swirling around. You believe, there is no particular name for this, but in moments like this Nikto's gaze grows distant, and he mutters 'kak v detststve'.

You don't know what that means. The problem with Russian is that it's so terribly complicated to distinguish spoken words, that you fail to even write down what Andre is saying to himself in such situations to try to translate it later. When you ask him to teach you more words - he pulls a pitiful face and huffs.

"You don't need Russian."

It seems, he doesn't realize, how much you do need it. Because the cracks are right there, before your eyes. And behind them - his aching heart. Skipping a beat before an old ugly house, freezing under that streetlamp.

It's enough of joy to him to just open the door of your shared place and hear you there right away. You are enough for him to not be bothered by anything missing from his life.

That is why he's confused, when you meet him at the door and don't let take a single step in, before you recite a little speech, that you brought together with the help of online videos, some of your friends and a good dozen of dictionaries.

"...Ya skuchalali i dumala o tebya i potomy prigotovila odnu vesh`*"

He doesn't care for your little mistakes. Nikto pulls his mask and balaclava off, and you see little crinkles gathering around the corners of pale blue eyes. This man's eyes can scare, paralyze, haunt, but also - smile, shine with a silent, yet obvious gratitude. And something almost elusive - softness grows more present deep in his gaze with each your word.

You finish your speech and take his hand to lead him to the kitchen, but he pulls you back for a hug.

"Idi syuda*." And he hides you in his arms, softly cups the back of your head and buries his face in your hair, inhaling deeply. This phrase you know already: he uses it, when he desperately craves your proximity. His way of calling you to come closer, when all the languages, he speaks, mix together, or he's just tired.

No words shared afterwards - only soft touches, breaths calming down, deepening. Maybe you considered learning a few sentences in Russian not a big deal, but to him this means a lot. You, caring for the parts of his life, that even Nikto himself gave up on.

When you finally pull him to show, what you cooked, he's speechless. It takes some time to convince him to come closer to the dinner table. Such a powerful, dangerous animal, he now walks in the tiniest cautious step. As a wild dog, not sure, if he's about to get a treat or to get captured.

You giggle and point to every bowl, telling him, how you made it. It was a battle to remember, so many youtube vids watched, so many tries and fails now you have mad respect to all those Russian, babushkas...

You fall silent, when he slowly squats down, resting his chin on the edge of the table. He looks struck, disarmed and lost.

"All that... for me?" he asks barely audible, and you nod enthusiastically.

Nikto takes a deep breath and exhales familiar words.

"Kak v detstve*"

You are still not sure, what does it mean, but judging by how much kisses he gives you, this 'kakvdetstve' thing makes him really happy. A kiss after every second bite. Andre can't concentrate on either tasting your delicious food or tasting your soft blushing cheeks, so he combines two experiences.

He doesn't let go of you even a few hours later, when you two are in your bed already. You slowly fall asleep to the low rumble and purr of his breathing. Your face pressed to his chest, and the drape of his arm warmer than any blanket. The span of his fingers over your chest is a heavy comfort. You brought him home today and the only thing, he wishes for is to do the same for you.

...Ya skuchalali i dumala o tebya i potomy prigotovila odnu vesh`* - I missed you and thought about you, so I cooked you something. (although intentionally with mistakes)

Idi syuda* - come here

Kak v detstve* - like it was in the childhood

[skulldetergent]

ghost scar headcanons (CW for his backstory)

no tattoo/no text version & explanation under the cut

CW⚠️ discussion of child abuse, torture, self harm & sa

since i headcanon ghost to have quite a few scars, i decided to make a "character sheet" or "scar map" to keep my art more consistent.

in the drawing, the scars are already labeled and i think pretty self-explanatory, but i will go into some more detail and elaborate on my headcanons. again, please read the content warning. i did my best at trying to discuss the following in a sensitive way, but it may be upsetting to read nonetheless.

let's begin with the ones that say "mission". i imagined they are just random scars he sustained during his service over the years, like gunshot scars or knife slashes from close combat.

but others like "roba's hook", the autopsy scar, tally marks, the whip scars and his glasgow smile are from during the time where he was captured and tortured. i headcanon reboot ghost to have pretty much the same backstory as OG ghost, with some slight differences and additions of my own.

things like the glasgow smile or tally marks are made up by me, and others like the being hanged from his ribs actually happened (comics). ghost was also canonically sexually assaulted multiple times, which gave me the idea of said tally marks to emphasise how cruel his captors were.

correct me if i'm wrong, but in the comics ghost doesn't have any scars after being tortured, any cuts shown on his body just cease to exist a few panels later. but considering what he was put through, i do think that there would be permanent scarring.

now, it's also canon that ghost was abused by his father in ways like him bringing large animals such as snakes in his room to scare him, or having him watch a woman die from OD, which made me consider what the full extent of his terrible father's "parenting" must've looked like.

ghost has a small, almost faded scar under his eye, he was too young to remember how he got it, only finding out when his mother told him. his father was being neglectful when he was supposed to watch him, and simon injured himself while wandering around.

now, it is unclear in the comics if mr. riley's abuse was purely psychological, or if it extended to physical as well (again, correct me if i'm wrong). but i didn't find it unrealistic to have the latter be the case, which is why simon has cigarette burn scars on his neck and legs. his father found it amusing under the guise of "making him a man" and seeing how long little simon could take it before he would start crying. nowadays the burns are barely visible.

and lastly, the self harm scars covered up by the tattoo sleeve on his left arm. considering what simon had to go through at an early age, it is not unlikely that he might have resorted to SH as a teenager. and later, he got the tattoo as a reminder to himself that those days are his past and not his present.

i really read the comics and said:

[tomurawr44]

How would Shiggy go about being infatuated with a girl who’s shy and just as much of an inexperienced, asocial loser as he is? (Might his corruption kink motivate him to make the first move?) NSFW too plzzzzzzz

A/N: IM SORRY FOR THE IMAGE HAHA IM RUNNING OUT OF BW IMAGES TO USE FOR THIS BLOG (send me some plz send more tomura panels)

WARNINGS: nsfw under the cut

Now I'm sorry if like this isn't on par with the ask but he's also a loser so he'll try and reinact things he's seen from hentai, and you two will fail miserably.

he wants to take your virginity but he's a virgin himself and he's not sure how to initate it other than you push you somewhere and get you stuck (jk)

you two will be somewhat intimate? like you'll make the first move and try to hold his hand or lock arms, silly things like that.

it's cute watching a bunch of young adults act like preteens and their first relationship.

he finds himself more erect often when he's alone and also unable to jack off to his usual porn, but when he finds one where the actresses look like you or share something with you, he's hard as a rock.

he's not particularly shy, mostly he hates people. so you two would probably meet at a cafe or gamer cafe/gameshop or arcade.

he will try and make the first move, you two have probably been close by now and let it slip that you also watch porn or something because like losers, they kind of tend to ramble when someone's there to listen.

he'll try and put something together to sleep with you but god he's at a loss.

he finally mans up and watches something that gives him a decent idea. So he goes out, buys condoms, hides them under his pillows and invites you over.

you two will start playing games together probably sitting on his bed or something before you make the first move.

after a loss, you're sitting there upset while he stares at you with a cocky smile before you muster up the metaphorical balls to kiss him.

he's excited, really excited, it makes him pop a boner instantly.

everything proceeds with foreplay, making out, slowly taking clothes off, some odd gamer talk in the middle of it,

but since the both of you are inexperienced, it's kind of a struggle. you ask him to prep you, he has no lube and he's scared of decaying the only person he actually holds close so he asks you to prep yourself.

while you do it, it's embarrassing but don't worry he'll be jacking off while he watches so it's fair, right?

once you're done, he gets up, gets the condoms and you two struggle to slide it on him, who knew this shit could be so hard to do and so confusing?

he eventually does slide it all the way down and he gets ontop of you to try different positions.

the best one for the two of you is missionary, so he tries that, he tries to put it in but really he's kind of just humping your folds.

a good struggle later and he finally slips it in, it feels heavenly for the both of you, he doesn't really know how to thrust but he tries, it feels so good.

both of you will end up cumming quick, and doing it over and over again, exploring and experimenting with eachother until you're both covered in fluids and panting on his bed happily.

The aftercare will consist of fastfood and mariokart. or a duo on league.

and that's it you're his girlfriend now.

—Ake 2024

[beaulesbian]

[egghead spoilers, up to chapter 1110]

Sanji's humanity & Zoro's strength

(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.

So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.

Yes, this whole post started because of these few panels: (" ...!!")

After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.

Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.

There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!

It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).

In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.

Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:

Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):

^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,

and only again was in chapter 1031 - where his eyebrow changed:

and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.

Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!

Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):

(still the "bad eyebrow" - he had that the whole chapter 1031).

After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.

1036 & 1044 (hearing Luffy awaken his powers):

All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -

ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:

ch. 1078, protecting his crew from Seraphim, bad eyebrow:

in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:

and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:

interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):

and the next page he still has the bad eyebrow:

in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:

Which leads me to the point from above with Zoro.

chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)

I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.

These words (in my opinion) were chosen on purpose for multiple reasons:

First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.

When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.

also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.

Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.

The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:

Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.

The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.

I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:

One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."

was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:

When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:

and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:

Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).

Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"

which goes through to Sabaody arc.

Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)

Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.

It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:

Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.

He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")

There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:

and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:

The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.

Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.

And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:

Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:

Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)

So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.

To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.

The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.

So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.

It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.

To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.