#new disney movies

[rainwalker-dragonblade29]

Okay but the teaser for wish! The animation THE ANIMATION!!!!!!! WHAAAAAAAAAAA—

[princessalbertroseofarizona]

Live Action Disney Movies

[copingchaos]

that last sentence is so powerful considering everything that's going on

including recent events in which french senators are currently trying to pass a bill to criminalize critiqueing the state of israel/ speaking up against zionism: "those who insult the state of israel would face two years imprisonment and a fine of EUR 75,000 "

imagine making it illegal to speak up against a state that has bombed civilians with white phosphorus

imagine making it illegal to speak up against a state that is carrying out collective punishment against the entire population in Gaza, as we speak

this might soon be the world we live in

[scurviesdisneyblog]

𝙳𝚒𝚜𝚗𝚎𝚢 𝚌𝚘𝚗𝚌𝚎𝚙𝚝 𝚊𝚛𝚝Ｉᴛʜᴇ ᴘᴏꜱᴛ-ʀᴇɴᴀɪꜱꜱᴀɴᴄᴇ [ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ] ᴇʀᴀ (2000 - 2008)

[plaguedocboi]

I don’t really care about Disney Princess movies because y’know, I’m almost 25, but it does make me sad that they just don’t seem to do villains anymore. Like, at all. The last good disney Princess villain was from like 2009. It makes me sad because as a young queer goth kid I loved the villains, i literally only watched the movies to see the villains. Disney villains used to slap and then they just. Stoped. Who are the weird little emo kids supposed to look up to now? The dude from Frozen who was just sort of an asshole? The lava monster from Moana who turned out to be the good guy?

Why did fun villains go out of style anyway? I would argue that some of the older bad guys are more iconic than the protagonists. Does anyone remember the plot of Sleeping Beauty or do you just remember Maleficent slaying absolute cunt? Because that’s all I remember. I had a plush Maleficent dragon. Where are the dragons now

[prideprejudce]

the fact that reboots used to be like thirty or forty years apart and are now instead like 3-10 years apart is absolutely ridiculous. like are we so trapped in a capitalist hellscape that instead of us naturally cherishing a beloved piece of media like it deserves and looking forward to NEW stories with NEW universes we have to watch the same thing over and over and over again with reboot after reboot after reboot until that media has been so sucked dry that us as an audience are literally sick at the mere mention of it

[madame-helen]

[spiderman-into-the-sapphiverse]

I find it so refreshing that we are in this rare stage in western animation where disney is actually not monopolizing all the attention. If anything, 2022 has been one of their worse years yet in the animation department. Everything they have done has been completely eclipsed by other studios for once. Their Pinocchio "movie" was just obliterated by Guillermo del Toro's version. Strange World was completely forgotten because of poor marketing choices, allowing Dreamworks to come back with the Bad Guys and Puss in Boots, the first being very good and the second absolutely excellent (I'm being serious, this movie is SO MUCH MORE than a simple Shrek spin-off).

TMNT even got its time to shine with probably the best 2D animated film this year (in a technical aspect at least), rekindling an interest for the entire franchise (with another TMNT movie by Seth Rogen in production!!)

The Sea Beast was amazing. Wendell & Wild was a masterclass. 2022 has just been excellent throughout, and it's Disney that happens to be the weakest at the moment. Even the Minions 2 got more attention than most things that came out on Disney + Animation this year (not saying that the movie was great or anything, but it's saying a lot)

And when we look at the next Pixar movie coming out next year, the hype pales in comparison to the Mario movie, and let's not even TALK about Across the Spiderverse......everybody knows it's going to snatch everyone's wig, and all the awards under the sun to match it.

So yeah, western animation gets to breathe a little, and it feels amazing.

[aeirithgainsborough]

THE EMPEROR'S NEW GROOVE (2000) Dir. Mark Dindal

[hisonetrueloveee]

1 year ago, today, disney and pixar released the animated video of 1 true love by 4*town exclusively on disney+.

the music video got a public release the following day.

[gazagfmboost]

Ahmed & young daughters Messo & Rawand

Vetting: Personal IG content with kids going back to 2015 & Personal IG Video #1 Instagram: Khalel.a7md Tiktok: khalel.a7md

Ahmed is hoping to save his sweet young daughters Messo & Rawand from the starvation & harsh conditions they're currently living in, & to give support to his large family that includes 12 small children! He's doing his best to get the word out to ask for help but is having a difficult time being seen & really needs our help to interact with his content & to share his story-

if you have the means, we would deeply appreciate any size donation to help give these young women a chance at life!

View this post on Instagram

A post shared by Christine Walden (@thickyump)

Thank you so much for your time & consideration

Help my Family ESCAPE GENOCIDE of GAZA gofund.me/92538f2e

[kuzcoskingdom]

Emperor or no emperor, it's called common courtesy. If it were me, I'd march right back there and DEMAND to see him, you know I would!

[the-barefoot-hatter]

people, can't believe i have to say this, Asha and Isabella don't look alike. look at the wildly different profiles! they are just both disney brown girls with dark hair in purplish dresses

Similarly, Asha does not look like Esmeralda

or even really Elena

you know who's face profile she does map over?

friggin'

rapunzel

the hair even parts in the exact same place!

c'mon disney, did you have to reuse this body model AGAIN? you think just because you tweaked it very slightly, we wouldn't recognize the same silhouette??

disney, you just did Encanto, did you learn nothing about designing female characters? You also did Raya, and Strange Worlds, and Moana-

let 2010 gooo already

[copingchaos]

this happened 7 years ago, the people were only trying to help a girl who was bleeding from a shot wound.

Watch the video yourself, you can see the people who gathered were not posing as a threat, they were only concerned about the girl. Yet an officer felt it necessary to harass a man in a wheelchair?

There is no neutrality. There is nothing complex about it once you open your eyes and realise the people of palestine have been dealing with an oppressive force for years

[bixels]

Weird hyper-fixation right now.

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.