#non destructive method

[integratedndesolution]

Integrated NDE Solution in Pune: Pioneering Positive Material Identification for Quality Control and Safety Compliance

In the modern industrial landscape, ensuring the integrity and composition of materials is crucial for maintaining quality control and safety compliance. Positive Material Identification (PMI) is an essential non-destructive method used to verify the chemical composition of materials. Integrated NDE Solution in Pune offers comprehensive PMI services, utilizing advanced technologies such as X-Ray Fluorescence (XRF) analyzers and Optical Emission Spectroscopy (OES). This article delves into the intricacies of PMI, its benefits, and the cutting-edge services provided by Integrated NDE Solution.

Understanding Positive Material Identification

Positive Material Identification (PMI) is a non-destructive testing method used to verify the alloy composition of materials. PMI ensures that the materials used in manufacturing processes meet the specified chemical composition, thereby maintaining product quality and safety standards. This verification process is crucial for industries where material composition directly impacts performance, reliability, and safety, such as aerospace, oil and gas, power generation, and pharmaceuticals.

Importance of Positive Material Identification

Quality Control: Ensures that materials conform to the required specifications, maintaining the integrity and quality of the final product.

Safety Compliance: Verifies that materials meet industry safety standards, reducing the risk of failures and accidents.

Material Verification: Confirms the correct alloy composition of materials, preventing mix-ups and ensuring proper material usage.

Regulatory Compliance: Helps industries adhere to stringent regulatory requirements and standards.

Cost Savings: Prevents costly material failures and recalls by ensuring the correct material is used from the start.

How Positive Material Identification Works

Positive Material Identification is typically conducted using two main technologies: X-Ray Fluorescence (XRF) and Optical Emission Spectroscopy (OES).

X-Ray Fluorescence (XRF) Analyzers

XRF analyzers use X-rays to excite the atoms in a sample, causing them to emit secondary (fluorescent) X-rays. These fluorescent X-rays are characteristic of the elements present in the sample, allowing for a semi-quantitative chemical analysis. The key steps in the XRF process are:

Preparation: The surface of the material is cleaned to ensure accurate readings.

Excitation: The XRF device directs X-rays at the material, exciting the atoms within the sample.

Detection: The device detects the emitted fluorescent X-rays and measures their energy levels.

Analysis: The energy levels correspond to specific elements, allowing for the identification of the material's composition.

Optical Emission Spectroscopy (OES)

OES involves exciting the atoms in a sample using a high-energy spark or arc, causing them to emit light. The emitted light is then analyzed to determine the material's composition. The key steps in the OES process are:

Preparation: The surface of the material is cleaned and sometimes ground to create a flat, uniform surface.

Excitation: The OES device generates a spark or arc that excites the atoms in the material.

Detection: The emitted light is collected and passed through a spectrometer.

Analysis: The spectrometer measures the wavelengths of the emitted light, which correspond to specific elements, allowing for precise material identification.

Benefits of Positive Material Identification

Non-Destructive: PMI does not damage or alter the material being tested.

Accurate: Provides precise and reliable identification of alloy composition.

Quick and Efficient: Delivers immediate results, enabling rapid decision-making.

Versatile: Applicable to a wide range of materials, including metals and alloys.

Portable: PMI equipment is often portable, allowing for on-site testing.

Integrated NDE Solution in Pune: Leaders in Positive Material Identification

Integrated NDE Solution in Pune is a leader in non-destructive testing, offering a broad spectrum of services, including Positive Material Identification. Their expertise, state-of-the-art equipment, and commitment to quality make them a trusted partner for industries requiring reliable material verification.

Comprehensive NDT Services Offered

Positive Material Identification (PMI)

Remote Visual Inspection (RVI)

Magnetic Particle Inspection (MPI)

Ultrasonic Testing (UT)

Radiographic Testing (RT)

Liquid Penetrant Testing (LPT)

Eddy Current Testing (ECT)

Portable Hardness Testing

Ferrite Testing

Industries Served

Integrated NDE Solution in Pune caters to a diverse array of industries, including:

Aerospace: Ensuring the safety and reliability of aircraft components.

Automotive: Inspecting critical parts to prevent failures.

Construction: Verifying the integrity of structural components.

Oil and Gas: Ensuring the reliability of pipelines and equipment.

Power Generation: Maintaining the integrity of infrastructure components.

Pharmaceuticals: Verifying the composition of materials used in drug manufacturing.

Positive Material Identification in Action

Case Study: Oil and Gas Pipeline Inspection

In the oil and gas industry, the reliability of pipelines is crucial. Integrated NDE Solution was approached by a leading oil and gas company to conduct PMI on pipeline materials. Using advanced XRF analyzers, the team verified the alloy composition of the pipeline materials, ensuring they met the specified standards for corrosion resistance and mechanical strength. The inspection helped prevent potential failures and ensured the safety and reliability of the pipeline network.

Case Study: Aerospace Component Verification

A major aerospace manufacturer required PMI for critical components used in aircraft engines. Integrated NDE Solution employed both XRF and OES technologies to verify the alloy composition of the components. The precise identification confirmed that the materials met the stringent specifications required for aerospace applications, ensuring the safety and performance of the aircraft engines.

Advanced Positive Material Identification Equipment

Integrated NDE Solution in Pune utilizes the latest PMI equipment to ensure the highest level of accuracy and reliability in their inspections. Some of the advanced equipment includes:

Handheld XRF Analyzers: Portable devices that provide rapid, on-site analysis of alloy composition.

Stationary XRF Analyzers: High-precision instruments used for detailed laboratory analysis.

Mobile OES Units: Portable units that offer precise material identification in the field.

Stationary OES Systems: Advanced systems used for comprehensive laboratory analysis of materials.

The Role of Certified Technicians

The effectiveness of Positive Material Identification largely depends on the expertise of the technicians conducting the tests. Integrated NDE Solution in Pune employs certified technicians who undergo rigorous training and continuous professional development. Their skills and knowledge ensure that clients receive the highest quality of service.

Commitment to Quality and Safety

Integrated NDE Solution in Pune is dedicated to maintaining the highest standards of quality and safety. They adhere to international standards and best practices, ensuring that all inspections are performed with utmost precision and reliability. This commitment to excellence has earned them a stellar reputation in the industry.

Customer-Centric Approach

At Integrated NDE Solution in Pune, customer satisfaction is a top priority. They work closely with clients to understand their specific needs and tailor their services accordingly. Whether it’s a small-scale inspection or a large industrial project, they provide personalized solutions that meet the highest standards of quality and reliability.

Why Choose Integrated NDE Solution in Pune?

Expertise: Extensive experience and technical know-how in NDT services.

Technology: Utilization of the latest and most advanced testing equipment.

Quality: Commitment to providing accurate and reliable results.

Customer Service: Focus on building long-term relationships through excellent service.

Compliance: Adherence to all relevant industry standards and regulations.

Conclusion

In industries where precision and reliability are non-negotiable, Integrated NDE Solution in Pune stands out as a leader in non-destructive testing, particularly in Positive Material Identification. Their dedication to quality, use of advanced technology, and customer-centric approach make them the go-to choice for businesses across various sectors. By partnering with Integrated NDE Solution, companies can ensure the integrity and safety of their materials and components, safeguarding their operations and reputation.

Integrated NDE Solution in Pune continues to set the standard for excellence in non-destructive inspection. Their expertise in Positive Material Identification and other NDT services is pivotal in industries where safety and reliability are crucial. As technology advances and industries evolve, Integrated NDE Solution remains at the forefront, offering unparalleled service and support to their clients.

In conclusion, for businesses seeking the highest standards in Positive Material Identification, alloy composition verification, and comprehensive NDT services, Integrated NDE Solution in Pune is the trusted partner that delivers results. Their innovative approach, advanced technology, and unwavering commitment to quality ensure that every inspection meets the stringent requirements of today’s demanding industrial environments.

[techndt]

Ultrasonic tests play a pivotal role in ensuring the structural integrity of materials without causing harm. Here are a few ultrasonic terminologies. Read More!

[vincivilworld]

Magnetic Particle Test: Techniques and Principles Explained

Magnetic Particle Test (MPT) is a widely used non-destructive testing (NDT) method. It detects surface and near-surface discontinuities in ferromagnetic materials, such as iron, nickel, cobalt, and their alloys. This technique is renowned for its speed, cost-effectiveness, and relative ease of application, making it a preferred choice across various industries, including aerospace, automotive,…

[hiiragi7]

Some notes on intersex invisibility, from an intersex person...

Often people tell me, "I have never met an intersex person before," and they assume that we are simply rare by nature rather than continuously, purposefully, and violently eradicated. Intersex people themselves are not rare, rather the opposite; we are born all the time, everywhere. We are common variation by nature - Our perceived rarity is wholly man-made, caused by the purposeful destruction of our bodies and our identities.

The concept of intersex as rare is used to further our eradication by design; When PGD is used to terminate intersex embryos, when intersex infants and children are operated on to "normalize" them, when intersex people are not told about their own variation, when intersex people are told they have "disorders" they must be treated for but the word "intersex" is never so much as uttered, when we are isolated from each other and prevented from building our own communities, when medical institutions attempt to narrow down what falls under "intersex" to make our statistics appear smaller, when we are forcibly made as invisible if not as non-existent as possible - it is no wonder we would be assumed a rarity.

Those unaware often even assume our perceived rarity is natural, passive, and neutral, rather than created, gory, and methodical. This, too, I believe is purposeful; our destruction is largely hidden and we are silenced by this assumed-to-be fact of rarity. The details that people may come to learn about our mutilation are also made palatable, even understandable, through the lens of pathology; we are presented not as people who are mutilated and destroyed for who we are, but rather as sick patients with an unfortunate (but always rare) illness undergoing necessary treatment to hopefully lead fulfilling, "normal" lives. In this way, doctors are framed as our saviors rather than our executioners, and those who buy into our rarity and abnormality become complicit in our invisibility.

As intersex people, we carry the consequences of this deep within ourselves; whether it is in the form of literal scars, doubt and insecurities about our own claim to our identities and our bodies, isolation from others like ourselves and a deeply felt loneliness, an inability to access safe medical care or knowledge about our bodies, or a variety of other traumas, our community is suffering. To have that pain made so invisible, so insignificant, so pathologized, only serves to ensure our abuse and destruction is continued.

[that-neurodivergent-gay]

(not so) friendly reminder that a non-exaustive list of war crimes that isreal has committed is:

Wilful killing

Torture or inhumane treatment, including biological experiments

Wilfully causing great suffering, or serious injury to body or health

Extensive destruction and appropriation of property, not justified by military necessity and carried out unlawfully and wantonly

Intentionally directing attacks against the civilian population as such or against individual civilians not taking part in direct hostilities

Intentionally directing attacks against civilian objects which are non-military

Intentionally directing attacks against humanitarian assistance

Intentionally launching an attack knowing that it will cause loss of life, injury or harm to civilians or civil properties

Intentionally launching an attack knowing it will cause significant damage to the natural environment without necessity

Attacking or bombarding, by whatever means, towns, villages, dwellings or buildings which are undefended and which are not military objectives

Intentionally directing attacks against buildings dedicated to religion, education, art, science, charitable purposes, historic monuments, hospitals, and places where the wounded are collected, assuming they are not military objectives

Employing asphyxiating, poisonous, or other gasses, and all analogous liquids, materials or devices

Employing weapons, projectiles, and material and methods or warfare which are of a nature to cause superfluous injury or unnecessary suffering

Intentionally directing attacks against buildings, material, medical units and transport and personnel

Intentionally using starvation of civilians as a method of warfare by depriving them of objects indispensable to their survival

If you still think this is isreal defending itself, you're ignoring the signs. This is a genocide. These are war crimes. More than 25,000 civilians have been murdered. This is not okay.

Edit:

For all the people asking me for a source, here is a list:

https://www.hrw.org/news/2023/12/18/israel-starvation-used-weapon-war-gaza

Any of Bisan's videos/writings. There are so many people on the ground in Gaza who are documenting this. Stay safe and stay educated

[astrobydalia]

Aquamarine. Gold. Lavender.Colors of summer... Astro Observations

work by astrobydalia

Your 9th house rules your gandchildren! 9th house is 5th from 5th so your kids' kids.

Also, if you are any of your parent's first kid look at their 11th house to get a glimpse at how they will perceive your fs. (11th house is 7th from 5th, so your first kid's spouse)

^^these are derivative astrology methods so you gotta use whole sign system

The scorpion actually represents the underdeveloped/young version of Scorpio while the developed version of Scorpio is represented by the eagle which to me is analogous to the phoenix. That's why you see an eagle representing Scorpio in the The World card (cause this card signifies fulfillment or completion in tarot)

I think the song 'Part of Me' by Katy Perry really illustrates developed Scorpio energy. Is not resentful or vengeful but rather transformative and empowering, you can't end their spirit just like you can't end a phoenix. Underdeveloped Scorpio energy allows pain, trauma and resentment to ultimately k!ll their soul which turns into self-destruction, think how scorpion's stinger actually points at them (and fun fact: scorpions can actually k!ll themselves when they feel cornered)

Being "different" or an "outcast" is not an Aquarius trait, it's a Leo trait. Leo is all about being yourself, being unique, the one and only and main character energy. Aquarius rules inclusivity, equality, social cohesion, FRIENDSHIP (aka people who get you) and public validation, that's why it is a strong fame indicator. Aquarius energy is relatable to others, its new and fresh, Leo it not relatable because it is unique, it shines among the crowd and burns just like the Sun. Aquarius can be unique too but the main difference is Leos feel ultimately they only have themselves while Aquarius will always have people.

Leos are meant to experience feeling "different" or outcasted because they need to learn to accept and express themselves no matter what, that's why it rules bravery and courage. They often either feel alone in their "greatness" or feel like nobody accepts their real self. Either way its more common for them than for Aquarius to experience loneliness and rejection just like the sun can't never have anything come too close to it

Aquarius does not rule uniqueness per se it rules innovation, authenticity and detachment from the ego. Aquarians that try hard to be different and separated from "most" people are underdeveloped because they're still attached to their ego and this is the n1 thing that kills their innovative potential. Aquarius doesn't do things to validate the self like Leo, it generates ideas on how humanity can better express itself and develop, that's why it rules over technology, science and activism and that's why they're known to be trend setters. Air signs are all about finding common ground, aquarians are not meant to be different from communities or groups but rather find new and authentic new ways to represent them (hence the inclusivity).

All the Gemini Venus I've met were very loyal in their relationships idk what you guys are talking about. They are the golden retriever person that is head over heals obsessed with their partner. It's not easy to get them to commit cus they need someone who has that perfect blend between goofy and mysterious, too much of either bores them quickly. They love in a playful and child-like way so I see how they can be flighty and non-commital sometimes but if they're genuinely intrigued by you oh boy they'll be ALL over you in every way pretty consistently

Harsh aspects (esp square) between Mercury-Mercury in synastry are a no-go when it comes to compatibility. The two people can get along well and like each other if the rest of the synastry supports it but they likely have NOTHING in common. Efforts to try and find shared interests or ideas might be misunderstood or feel forced because there's none 😭. Even if you do have shared ideas or interests, you will have vastly different ways of looking at them because the way in which you both think/communicate always clash so you never really see eye to eye. You can get away with having unharmonious connections between venus or mars in synastry but mercury? Nah.

When it comes to predictions specially, you need to have AT LEAST three indicators for an energy to stick. For example, having just one planet at 29º doesn't mean you're gonna be famous, you need to have at least three fame indicators to even consider fame in chart. Also, I can't stress this enough, you REALLY shouldn't need to dig too hard to find the indicators, they're usually evident and fit into the context of the chart, meaning there are no other things contradicting or neutralizing said energy.

Even though we often look at 7th house for marriage, you are most likely to consider marrying and settling down with people who have their placements in your 4th house and/or 10th house, or you just see them as marriage potential in general. 4th house creates a sense of home, security and familiarity while 10th house synastry points to shared goals, seeing a future together, etc. That's how you'll feel tho, to see if that would happen you gotta check composite chart

If you have fire in your big 3 I just know you love being unhinged and a little wild once you get comfortable

Natives with Venus-Chiron aspects tend to have... questionable taste in lovers or get in relationships that are not so promising (forbidden love, etc). Their love life is always a struggle, they feel like they can't find someone that truly loves them and when they do it's always "complicated". With hard aspects they tend to date people who blatantly suck (abusers, psychos, players, etc). With easy aspects this can happen too but I've noticed they are more prone to attracting people who are alright however deep down are very troubled and/or unavailable individuals so the native tends to be the one to heal or sooth their lover.

Scorpio Mars can have sadistic tendencies... It obviously does NOT have to go that far for everyone, in fact most of them are pretty tame but this placement really gets off on the reactions of others I've noticed. Their n1 superpower is catching you off guard and poking at you psychologically. They know exactly what strings to pull and are very aware of how anything they do or say can trigger and affect others. This can manifest as smart and punchy humor, teasing... or really toxic behaviors. Oh and you do NOT wanna see them genuinely angry 😶 If you have this placement im gonna kindly ask you to please use your powers for good 😭💀

Females with Libra placements could have experienced being 'the other woman' I've seen this a lotttt. Either that or they constantly attract situatioships. They have a tendency to not be taken seriously by the opposite sex, only being seen as a trophy or a pretty face kinda vibe. Unless they also have Cancer energy

Which is interesting to see cause even though Libra rules marriage, the kind of women who are mostly perceived as marriage material by men are Cancer placements not Libra. If you think about it, it makes sense tho cause cancer rules family and motherhood

Water venus people have a very approachable and understanding aura. Very diplomatic and tactful, they'll effortlessly make you feel comfortable around them. Equally accepting of others both in public and in privet, but you'll automatically lose them if you make them feel invaded

Fire venus motto is "it's impossible to impress me.... but let's see you try😏". They purposefully market themselves as hard to get cause they want to see what you got. Will constantly crave interactions with some fun and friction

Earth venus are a lot more harsh, they haven't even talked to you yet but somehow have already decided you didn't make the cut 🥱 Silent observers, they'll have a mental spread sheet of what they like and don't like about you

With air venus you don't want to come off too strong otherwise you'll activate their fight or flight response 🏃‍♀️ You'll never know where you stand with them but if you wanna get closer you need to keep it playful and give them space

Virgo Sun/Mars/ASC like to help others but they do it in such way that is also indirectly self-serving to themselves. Virgos are sidereal Leos, they secretly want recognition for their modesty and want their actions and efforts to ultimately shine back on them

Underdeveloped Pisces Moons are selfish and out of touch. I’ve noticed this placement is painted in a way too innocent light but they can have a nasty shadow too. They will not accept anything that does not conform to their delusional expectations about life and when things don't go their way they’ll isolate in melancholy and victimize themselves using the ‘misunderstood’ card. They can have a really twisted perception of reality, confusing the lines between right and wrong to accommodate their own narrative. Think Thanos from MCU, that character is a perfect example of underdeveloped Pisces Moon fr!! They tend to be very aloof and weaponize their empathy to appear innocent . Can use the “I can understand the world but the world doesn’t understand me” mentality to justify everything they do without ever feeling bad about it.

Another Return that brings a lot of karmic lessons aside from Saturn Return is your North Node return which happens every 18 years (Ages 18, 36, 54, etc)

Gemini risings have a fabricated or fragmented personality. They're often attracted to things like astrology, personality stuff, psychology, etc because it helps them make sense of themselves through abstract concepts. They also tent to define themselves through imitation or comparison like "I do that too", etc. It's very easy for them to convince themselves they're something they're not (gemini rules lies and deception), that's why they're often good actors (Pisces 10th house). They come across as very air-headed cause who they present themselves to be is based on who they THINK and SAY they are vs. how that translates in reality

Based on my life experience and also the responses in astro/observation posts, I've observed Scorpio placements respond relatively well to criticism. Not saying they don't care, but they can handle being villainized quite well because when developed they can have a really healthy acceptance of their shadow side and toxic traits. They also don't mind being misunderstood cause that means people can't pry on their business

CANCER, Libra, Leo and Virgo placements on the other hand are the most sensitive to criticism.... They can't handle not being seen as "the good one" all the time

Most Pisces suns I've met gave off huge xNTJ vibes for some reason like very deep thinkers, silent, sarcastic with a low-key threatening and unapproachable aura. Also VERY elusive and protective their personal stuff, they embodied the "mysterious" Scorpio stereotype fr.

However Pisces sun+pisces venus combo gives much softer vibe, more quiet and doormat-like, you'd think they're high 24/7.

The other bunch of Pisces suns Ive met had a very bubbly and dramatic personality. Can be emotional in a really performative way

Libra Mars people are SMOOOOOTH. Not only with their words but also their mannerisms, how they move and do things in general. You'll never see them triggered or stressed, they make everything look so effortless

The Pluto in Scorpio generation (millennials mostly) were the ones who started this mental health awareness wave. All this concern with anxiety, depression, mental and personality disorders was started by them. They’re the ones who started putting focus on the deeper effects of the dark psychology (Scorpio).

All the people that have scared me and traumatized me deeply for life had planets in my 12th house with no 8th house synastry in sight whatsoever…

>>> In my experience 8th house synastry is only intense in the moment but eventually you get over it fast once you stop entertaining the person/situation. It might be hard to let it go tho cause the connection is intense and this person will leave a lasting impression, but once it’s done that person is forever dead to you. 12th house synastry on the other hand is giving "I fight with you in my sleep", 12th house feels harmless at first but it deals with themes of sorrow and shame. It lingers and haunts you fr. Let’s remember that Saturn, the planet of permanece and lessons, finds its joy in the 12th house…

8th house venus/juno is NOT a sugar baby indicator imo. As per my observation, it is actually the 8th house native that ends up making a lot of money and their spouse/partner benefits from the native's income and success. I swear every person I've seen with these placements had "we could hang out in my yacht if you want😉" as their main flirting technique LMAO. Their own power (8th house) is their main source of seduction and attraction (Venus/Juno)

I believe 2nd house Venus/Juno is more indicative of sugar baby energy. They want that spoiled good life with little effort even if that means being financially dependent on someone else or using family's money

In contrast I've noticed 8th house placements are not really like that, they have a HEAVY entrepreneurial spirit. Super ambitious individuals

With that being said, be careful if your have natal 8th house placements (specially Venus, Moon, Juno, 7th house ruler), cause the people you bond with WILL benefit from YOUR income and success. That's why these natives are prone to experiencing betrayal, cause if you surround yourself with the wrong people they'll take what they want from you or cause chaos in your life and then leave, so use your intuition!!

With 2nd house energy you are good at keeping your resources and income safe, but this means they can lose value if you don't use or invest them eventually just like food goes bad if it just sits in the fridge. With 8th house energy you are prone to loss, debt, loans and other financial risks where you either lose it all or gain lots and lots of money, the all or nothing nature of plutonic energy.

I bet any virgo placement can relate to being a little bit of mess but something I’ve seen in particular with Virgo risings is they are surprisingly sloppy?? You really wouldn't in a million years think so given how they always end up presenting good results but once you know them deeply you notice they often miss out on important details in the process or get so caught up with short-term things that they miss the big picture. Either way, they often look like they got it all together but they constantly improvise a lot more that what it looks like in the surface

Aquarius Mars is a placement I've seen A LOT in celebrities, specially well-liked ones. They attract people to them just by existing, they don't even have to try too hard

I’ve noticed a lot of critically acclaimed actors have air moons

Sagittarius Part of Fortune have a vibrant and fun spirit, you can’t never kill their vibes but they can tend to be immature. It’s like they’re completely oblivious to anything serious 

Libras are people pleasers due to a hidden inferiority complex (sidereal virgo)

work by astrobydalia

[gazstations]

Blue

ASK REQUEST: find original post here

ᯓᡣ𐭩 SUMMARY

You’re convinced Johnny would be better off without you. Johnny is determined to convince you otherwise.

FANDOM: Call of Duty

PAIRINGS: John MacTavish x reader

WORD COUNT: 3,324 words

WARNINGS: Angst: reader thinks poorly of themselves, mentioned body issues, relationship struggles. Fluff: Johnny being a real one, happy ending, he doesn’t put up with the negativity

◇ Notes: I know some of you only marked down being tagged in fluff and so I figured the little angst was okay because it still ends up fluffy??? Idk. If you have an issue, let me know. I’m new to this tagging system game, lol.

○●○ NAVIGATION MASTERLIST

♡◇♡◇♡◇♡◇♡

THERE WAS A VILE SICKNESS MAKING A MESS OF THE WIRING IN YOUR BRAIN. It was always there lingering in every squelching groove, sinking into the delicate, fleshy existence of life. You supposed the darkness was always there. It ate away at everything good until it reworked your DNA down to the very core.

You always lived with this subtle distaste for how you existed. You were a melancholic child who never learned how to purge out that sinister inner voice. It was you. That's not something a few good thoughts could work through. You were born blue in the face and would surely die that way.

Substitutes for temporary release were only that. Temporary.

Infection spread quickly, burning out the live synapses that produced the tantalizing joy. There was a steady muteness in your life. Your core was dispositioned, and that threw off the whole equilibrium.

When John MacTavish crashed head first into your life, he was crafted in an eager, child-like visage. He slithered methodically behind you, pinning you underneath his warm light. Because that’s what he always was: warm. He was this golden light you didn’t know how you lived without before.

And he wanted you. He traced the ridges of your rib cage with a slow, delicate nature as he searched for a way in between the grooves in order to grasp your heart. He was purposeful, laid out his intentions right in the beginning, leaving you no room to question or second guess.

For a long time, you were secured by this lively, bright muse that you somehow captured.

The fog was a gradual ascension. You were too busy with the calloused hands that cupped your cheeks each dewy morning to notice the grotesque, greedy hands that slowly sunk into your jugular. It wasn’t until they pierced your carotid artery that you realized the sickness in your brain had caught up once more.

It was always there. You shouldn’t have gotten so comfortable.

You began to doubt.

At first, the nausea only manifested like a small illness. Heavy behind the eyes as they leaked tears constantly, a tickle in the back of your throat, and a queasiness in the pit of your stomach. It was easy to hide, easy to push into the back of your mind even though you constantly felt the shadow behind you.

Then you became absent-minded. You lugged your weary body by the bone in a trance-like state to the kitchen each morning. Your morning beverage had a sour aftertaste, no longer appealing. Your food was bland, and you no longer felt excitement at the thought of eating. No matter what you did to stimulate yourself throughout the day, your joints still ached.

Then, you began to dismiss Johnny’s attempts to bond. This was where you felt horrible, which delved you further into your self-destructive attitude. He was a kicked puppy with every non explantive rejection as he watched you drift further away. A hollowed out phantom that haunted the halls where you first bloomed.

When you were in public, you stopped holding his hand. What he saw was malice creeping out through your pores. What you felt was that there were softer hands for him to hold. When he tried to hold you from behind while you waited in line or were just existing, you claimed you were too hot. His brow would furrow, and hurt would cross his face. He never questioned, and you hated yourself for ever giving him a reason to feel that agonizing pain and never know why.

As a natural physical touch fiend, Johnny tried to solve your issues with more. You knew all the ways he tried to initiate sex after so long in your relationship, and you could sniff out the desire from a mile away. By the time his voice dropped to a low brogue, his eyes half-lidded, and he was rutting his hips against your body, you were already far too tense.

Not now. I’m too tired.

It was always the fucking same excuse that fell from your poisonous lips. You were so cruel to the man that loved you wholeheartedly and you didn’t have the capacity to let words of confession slip past your lips.

Soon, he’d realize you weren’t worth all the effort to save. And though it would break your heart, you knew it would be for the better. You couldn’t purge this sickness in your mind. It was a chronic, permanent state of your being. Blue for the rest of your life.

You knew you had to play the part sometimes, however. So, when he initiated sex after three or four times of denial, you let him have his way with you. He peeled your clothes off your body, and yet you felt like he was prying the flesh from your bone. He dipped his mouth down between your thighs, and you stared at the ceiling, bile rising in your throat. You were suddenly hyper aware of every imperfect nuance of your body.

You hadn’t been caring for yourself like you should’ve. Your legs were prickly from not shaving for a couple of days. Acne was infested your skin. You hadn’t washed your hair for several days. None of those things Johnny had cared about before. He was never picky, but now, because you had your concerns, you believed maybe he did as well.

He moaned and groaned as he lapped at your slit. His fingers dug into your plush thighs and pushed them further away from each other. Anyone else could see he was seeing heaven right then and there, but to you, his warbles of content were over exaggerated. You despised yourself for convincing yourself at that moment that he only pretended that he had to enjoy it because he couldn’t hurt your feelings.

When he realized you weren’t into it, he lifted his head and softened his gaze. You weren’t going to find pleasure when you were already one foot out the door. When he went to hold you, you climbed from the bed and locked yourself in the bathroom. You turned on the shower to muffle your cries of self-loathing.

You were drifting out in a minefield, and Johnny was struggling to follow you.

He hadn’t tried to touch you since.

He was respecting you. Waiting for you to break and come to him for guidance. He didn’t want to be the one that forced you to change or heal. He was allowing you to come to that conclusion yourself.

No, maybe he was finally realizing you weren’t worth the effort.

A month passed of this disease. You withered away, and Johnny tried to save face in the public eye. Your shared home was a warzone, however. Sleep deprivation made you quicker to snap. It made you further your atrophy. You were trying to fix it, but it destroyed itself even more. Self-destruction was a war not many came back from.

Johnny was a problem solver, however. He broke. Not in the way you anticipated where he separated from his role in your life, but in how he clung to you again. He was a good man. He was observant, empathetic, and loving.

You were having a bad day. You stood in front of your mirror and dissected every physical manifestation of your insecurity. You tried to be good, to find a means to hype yourself up. To build your palaces amongst the rubble. It led to you on the floor of your bedroom, several items of clothing on the floor around you.

You were naked, stripped down to the very core of you. You were overstimulated, tears of frustration pooling out your eyes as your stuffy nose wheezed. Mucus collected in your throat and made it hard to breathe. You could feel the individual follicles of your hair, brushing against your body. You wondered how fast you could shave yourself bald.

“Oh, doe. It’s okay. C’mere.”

Johnny didn’t worry about past boundaries he set for himself in order to give you space. You didn’t realize he was home until his arms wrapped around your heaving body and pulled you back into his embrace. You were too weak to deny him this time.

He kissed your heated temple softly. You were making yourself ill from your deterioration. You choked on spittle and just sagged into his chest. Once the sorrow started, you couldn’t stop it. Your eyes tainted him as well, dampening his shirt as you sobbed pitifully.

You were so exhausted.

“C’mon, doe. Talk tae me,” Johnny pleaded. His hand ran over your head in soothing pats before descending down to your back, where he traced each vertebrae of your spine.

“I don’t know what’s wrong,” you choked. “Why I’m like this.”

Johnny shushed you quietly and kissed at your hairline again. He didn’t try to discount your feelings by telling you that you didn’t need to feel this way. That wasn’t how you convinced someone to heal. You could give them assurances, but at the end of the day, they had to take the initiative to believe those words.

“Tha’s okay. Ye dinnae need tae ken,” he said.

You wondered if Johnny was naturally intuitive or if it was a learned trait after years of perusing different social circles. And your brain leaked poison back into your synapses. You weren’t like him. You struggled deeply to empathize with people when you were so caught up in your own gloom. Socially, you didn’t understand, and so you hardly connected with anyone. Not like Johnny.

“Doe…” Johnny’s voice brought you back. He pulled your head from his chest and cupped your quivering jaw. It ached from constant clenching. “Did ye hear me?”

Confusion made you tilt your head. You sniffled quietly and shook your head, admitting that you had disappeared inside your head.

“Ah asked ye if ye could try tae explain it tae me,” Johnny said carefully, as if you were going to frighten and lose what intimacy you had just allowed him.

You swallowed. “I don’t know,” you paused and felt the lump growing in your throat. “I don’t know how.”

“Is it me?” Johnny questioned. He pouted his lip and gave you a saddened look. Had he always been dissolving alongside you?

You have a single clue on which words to conjure. You were at a blockage, and it overwhelmed you. This self mutilation was far too complicated to simply explain. Too many branches grew off of the main trunk. Too convoluted. Too frustrating.

“It’s everything.” Was what you settled for. It was a pathetic response.

Johnny didn’t falter, though. He let out a soft, cooing noise and ran his thumbs along your cheekbones. It took your answer in stride despite all your attempts to absolve him of his responsibility to keep your wither away. You didn’t understand his psyche.

What you didn’t realize was that he understood the unwavering doubt and dissolution. As a soldier, he was well-equipped in the crippling agony that followed every decision. He understood that some days it was just simply everything.

Johnny sat back against the foot of the bed. He simply patted his lap, baby blue eyes watching you closely. Fondly. Sorrowfully. His own eyes were glassy as if he was sympathetic to your treacherous plight. It was almost as if your agony was his burden to bear as well.

You crawled into his lap like a wounded child. He helped your thighs cradle on the outside of his in a straddle as he stared at you quietly. Your damaged heart fluttered when he simply raised your hand to his lips and kissed your knuckles. Then he transferred to the other hand.

“Ah cannae help ye if ye dinnae talk tae me, doe,” He said.

“I’m sorry,” you whispered. Your heart was leaking, and you were tearing yourself apart.

“Why?” Johnny booped your nose and then kissed the tip. You watched his long eyelashes flutter as he blinked naturally. “Because ye ‘ave a couple bad thoughts?”

“More than a couple,” you muttered.

Johnny smiled faintly at your small correction. He wiped at the underside of your eyes delicately to not disturb that thin stretch of skin. You sighed softly, feeling the callouses rub across your face. It was more comforting than you wanted to admit.

“Ah think yer the bonniest thing ah ‘ave ever seen,” he said.

You scoffed. It was self-pitying. Pained. Those words made your own tongue feel dry even though he was the one who said them. Johnny noticed and frowned, “Not lying, doe. Ye need the truth right now.”

You couldn’t answer. You felt awful for what you worried about. What he had never been privy to this whole time. Or maybe he already knew what thoughts were naturally part of the package when it came to self-deprecation.

“Tell me how tae help ye,” Johnny pleaded.

“I don’t know…” You breathed out. “I’m just tired of my brain trying to sabotage a good thing.”

“Do ye see me runnin’?” He asked.

You shook your head. No, he wasn’t running, and for some reason, that was scarier. You noticed your hands were trembling, and you went to tuck them in between your thighs. Yet, you couldn’t fool your soldier, and he intercepted the movement by cupping both of your hands.

“Doe, look at me,” he ordered softly.

You listened to the command, prompted by the subdued syllables in his tone. It was pleasant on your ears, and your body slackened in his hold. His unwavering hold. That lump in your throat grew bigger. You almost thought you’d suffocate on it. Your throat was burning so deeply, and you swallowed to tamper down the urge to sob more.

“Yer okay…” Johnny assured. “Jus’ us. And ah love ye as much as ever.”

You made the mistake of locking eyes with the perceptive blue, and suddenly, you felt you were lost at sea. Endlessly staring at that one beacon of light to get you back to the shoreline. Except you kicked and tried to just give up, let the current drown you.

“Why?” You asked.

“Could write a novel fer ye,” Johnny said.

You huffed through your tears. You didn’t believe him, but somehow, the words still calmed you. He was trying to appeal to you, even if you spat it back out. You were an infection of hollowness, a husk, and Johnny was this beautiful being that somehow had all the capacity in his heart nurture. Even when he was shackled down by his own demons.

“Serious,” Johnny added. “Already talked silly ‘bout ye in my journals.”

Now, that was surprising. Johnny never showed you what was hidden beneath the leather-bound journals he continuously collected. You accepted it was personal. Some things you didn’t have the right to. Even as his partner.

“There’s no way you have that many good things to say,” you protested.

Johnny tapped your hip and helped you stand up. His bad knee cracked as he followed, a slight tension in his face. He once said it wasn’t painful, only when it got cold. It was just tight and felt like walking through tar. A reckless decision that permanently changed his body.

He grabbed your hand and led you over to his side of the room. He opened a drawer and pulled out two journals. He hummed softly as he checked the contents before turning and offering them to you.

“Read ‘em,” he declared. “Then try tae tell yerself that yer something to be disgusted by.”

He was offering you his heart with this one gesture. It made you more nervous than you expected. You were afraid to see yourself as Johnny supposedly saw you. Like if you weren’t damned then there was nothing worthwhile about you. The churning waters were your home. You were terrified to grab at the shoreline—that beacon of light now right in front of you.

It brought you to safety.

You were taught to snarl at it and question its motives.

Still, you took the journals with bated breath.

Johnny kissed your forehead, pleased. “Find me when yer done.”

He gave you space to stew as he stepped out into the hallway. You didn‘t move until you were faint from locking your knees so tightly.

♡◇♡

You climbed down the stairs with heavy steps. Your body was numbed, tears clumping your eyelashes together. Your emotional output was severely depleted. You had run yourself dry.

Johnny was in the kitchen when you found him. He was leaning back against the counter. The sleeves of his shirt were rolled up, and his jeans wrapped around his thighs detectably. But your mind wasn’t on that, not right now.

He smiled brightly when he saw your wounded form approaching, and he simply opened his arms. He understood what you needed at that moment. You hadn’t realized how much he saw you until you made it cover to cover in both of those journals.

You sniffled quietly, muffled by his shirt. You didn’t cry. You just sat there in his embrace. He saw you. He always had seen beneath the crippled, hollowed husk you were.

“You mean it?” You questioned.

“Aye, bon. Every single word,” Johnny said. “It breaks my heart tha’ ye dinnae see ‘ow wonderful ye are.”

“I didn’t think you’d…” you bit your tongue as acid burned on the wet muscle.

“Tha’ ah what?” Johnny pressed.

You deep down groaned that he didn’t let you off the hook, that he forced you to put your words out into the air. That your insecurity had to have a body. It seemed more ridiculous that way. Those stupid thoughts that circulated in your brain had less weight once they were out into the clean air.

You caught on to what Johnny was doing.

“I just… I don’t understand why…” you paused, brain pounding in your skull. “I think about your exes and your friends and how easily you just… live. And here I am…”

“Dinnae need the most confident bird, doe,” Johnny says. “Aye, ah yap a ton. But ye help me take a step back. My life is active, ah like havin’ my bon all calm. Ye the one ah chose as my partner. So the other birds ah’ve been with disnae matter.”

You went to speak, but Johnny literally covered your mouth, halting any leakage. You squinted as you stared at him, and he just gave you a boyish grin. It worked. It turned off your mind for a moment.

“If yer gonna talk shite, ye keep tha’ mouth shut,” he said.

You stared at him for a long, calculating moment. Then, you sighed, and your shoulders slumped in defeat. You didn’t have any emotionless replies. You didn’t have a self-deprecating joke. You had nothing. That was a good thing for once.

When Johnny was certain no acid would seep out of your mouth, he dropped his hand.

“What do ye want for dinner?” He asked as if it hadn't been an emotional warzone the past…well…whole time.

“What?” You blinked in confusion, head still reeling.

“Ah'm ordering us something,” he stated matter-of-factly as if it was the most obvious answer in the world.

You were at least grateful he didn't offer to take you out because you really didn't want to go out. You weren’t really sure if you were hungry either, or maybe you were. Food didn't sound too repulsive right now. Though, if he hadn't said anything, you probably would've just gone straight to bed.

“Oh…”

You really didn't know what else to say.

Johnny hummed, seemingly picking up on that. He kissed your forehead before peeling himself away from your coiled tight body. The air was filled with a little less anxiety and far more sweetness than there had been in months. It put you at ease.

“Go take a shower, doe,” Johnny ordered softly. “Ah got this covered.”

And you believed it.

°•○●○•°

TAGLIST

@shhitskinkytime @all-by-myself98 @ladywraith

If you would like to be added to future works, fill out the google form in my pinned post!

[borderlinereminders]

The DBT Cope Ahead skill is the one that I found most helpful at the beginning of my journey. Though this did involve some knowledge of others skills to do, it helped me be prepared for strong emotions and tough situations.

One of the things I recommend the most when giving advice is planning ahead. Planning out grounding techniques or coping skills that you can use to make it easier to recall and use those skills in stressful situations. This skill does that, but also makes plans for specific situations.

This skill is intended to help us plan for certain situations that invoke certain feelings. It can help us be prepared for stress. This goal of this skill is to formulate a plan so that we can effectively use our skills.

Step One - Think of a situation that may spark uncomfortable emotions.

This might be one that you know you've had before (like a struggle in a relationship, or something you struggle to cope with, or any number of things you think you could use help preparing for.) Then describe the situation. When describing the situation, try to identify feelings you think would be likely to come up. If relevant to you, what urges may come up as well? Perhaps you know that in the past you've felt angry. Maybe you know you've had a panic attack before. Maybe you know you've had urges to do something destructive.

Step Two - Decide what coping or skills you might use

For me, I sit down and I think about what the problems are, and then I look at how I can solve those problems.

If you know that you feel angry, how could you cope with that? For me, I know that walking away to collect my thoughts is the best way for me to handle my anger so I might write down that's what I'd do. I also may know I'd have urges to say something harmful, or lash out. In that case, I'd write down that I'd use my urge surfing skill.

If it's a relationship issue, what skills could you utilize to solve the problem? Skills like DEAR MAN can be effective for communicating effectively. Other interpersonal skills may also be useful here! FAST and GIVE are two others ones I like to use.

If I know I'll struggle to make a decision on what to do, I might also plan to use a skill like WISE MIND.

If it's something like I know I spiral anytime a friend cancels a plan, or something like that, I might familiarize myself with Check the Facts.

There are a lot of DBT skills, and coping methods outside of DBT that can be useful. Planning ahead can make it easier to recall what skills to use, and having practiced them beforehand can help make them easier to apply in a stressful situation.

Step Three - Imagine the scenario and rehearse how you'd handle it.

How do the skills you've picked fit into the possible situation? If it's a skill like WISE MIND, or DEAR MAN that have multiple steps to them, maybe write out how those steps may play out.

Practice this until you feel you could apply this skill. It's okay if this step isn't perfect. In fact, it's normal. It's okay to need to try and it a few times. It's okay for this skill to be a work in progress.

See below the read more for an example situation:

Step One - I know my friend has mentioned coming down with something. It's really possible that she cancels our plans this weekend. I know that if that happens, despite there being a valid reason, I start spiraling and thinking that she hates me. This spiraling can lead to me panicking, or lashing out.

Step Two - One way I can cope is to use my Urge Surfing skill to resist my urges to lash out at her. I can also use Check the Facts so that I can challenge the irrational thoughts. Another way I cope is by re-reading screenshots that affirm that she cares about me. If I still feel it's not resolved, I can ask my friend for reassurance in a healthy, non confrontational way.

Step Three - If my friend cancels my plans, I will tell her "Thank you for letting me know. I'm disappointed I won't get to see you, but I really hope that you feel better soon!"

Then I will step away to collect my thoughts, and take some deep breaths. I might use my 54321 method to ground myself. If I begin having urges to lash out and say "Okay, I get that you don't want to see me", I'll use my urge surfing skill and remind myself that I can ride this wave. Having an urge doesn't mean I need to act on it, and then I will remind myself it will pass.

I will open up the note on my phone that walks me through Check the Facts. Using this skill will help me challenge my thoughts. It will remind me that my spiraling thoughts that she always cancels and doesn't want to see me aren't true because she hung out with me recently. The fact that it feels she always cancels doesn't mean it's true. I might realize that while my emotions are valid, they don't "fit the facts". If I'm struggle to check the facts, I will reach out to my other friend to help me check the facts.

If after this, I am still feeling insecure or like spiraling, I might reach out to my friend and say 'Hey, I'm having a bad brain day. When you have some energy, could you please give me some reassurance?"

I might also ask if we can plan another hang out for when she's feeling better. Having a future plan might help my anxiety.

Knowing she is sick means she might not have the energy to answer me, and I will be prepared with other coping methods if that happens so I don't spiral. I will reach out to my other friend, put on a comfort show to distract myself, or use another self-soothing technique.

[wordsbymae]

Saviour Complex- goddess!Reader x Warrior

Plot: Reader is a young goddess, still yet to come into her full power. The patron goddess of innocence and compassion, she resides deep within the forest, caring for any lost souls who come her way. Destruction finds its way to her lands, as the Emperor's men flood the forest, tasked with cutting down anyone who refuses to denounce their heathen ways. One warrior finds the reader's temple, and tasks himself with 'saving' the reader from herself.

TW: Loosely based on posiden and medusa, which if you know is a trigger warning all on its on, SA, Implied non/con, talks of religion and religious genocide. Neither the warrior's or reader's religions (so to speak) are actual practised or once practiced religions. They are completely made up. Sexual talk. This fic is from the warrior's point of view so very much misogynistic, ignorant, and him being a dick. Also breeding is mentioned (a few times, opps) I see the warrior as Pedro Pascal as Pero Trovar

Notes: This was meant to be priestess reader but I liked this idea better. Enjoy!

He would hardly call the temple before him a temple. It was nothing more than some stones and arches pilled together, hidden under the canopy of a great oak. It was not as old as the other temples he and his comrades had pulled down. The other's, older and more grand than the one in front of him, were infested by savage heathens. They had been dozens of them milling around the great stone pillars. Some leaving tokens of good faith, other's seeming to be in constant service to their wild gods.

This land he found himself in was not under the watchful gaze of the Eye. Nor were they subjects of the Emperor. Instead they worshipped petty gods and goddesses, born from mortal parent's, given gifts of power from Mother Wild. The gifts given depended on their actions as growing gods. Raised as mortals until their 20th nameday, when Mother Wild gives them her final gift, immortality. At least, immortality to a point.

They age as mortals do, but the hands of time pass ever slowly by. As they watch their family and friends grow grey and old, only days have the wild gods aged. It is said that they can one day grow old, grey and tired, succumbing to death as all living things do. But none had ever yet to reach such an age. Gods were able to be killed but it took strength and numbers to do so, and the sword of Caleen, the first wild god ever born. Caleen's own blood had been mixed with the metal, creating a sword capable of penetrating through the gifts given to them. The sword, gifted to him by the Emperor, lay dormant in its sheath by the warrior's side. It was the only method known to truly kill a wild god.

Until then, the only way to defeat a god without the sword was to force them to act in a way that went against their patronage. Salios, once god of law and order, had his gifts ripped from him by Mother Wild, when he unjustly killed an innocent man. Without his gifts, age and sickness came for him thousands, if not hundreds of thousands, of years before he should have perished as a god. Yet such an act had not occurred for hundreds of years, least of all forced by human hand. So these wild gods reigned over their forgotten wood, almighty in power and reverence.

It was heresy.

These 'almighty' beings were nothing but demons, given unholy power by the forces of darkness. Born human, yet corrupted by power. It was unnatural, it was all that went against the teachings of the Eye. Humans were sinful creatures, and the more power one had, the more corrupted they became.

The warrior grimaced as he walked up to the temple. A stupid move if he was being honest. He was here alone after being separated from his battalion. But he needed a place to shelter the coming storm, the air thick with the scent of rain. He would rather face a barbarian than freeze in the wilderness. The temple seemed to be empty, no worshippers leaving offers or priests caring after the god. It was quiet and lonesome. Yet strangely welcoming. He could feel warmth emerging from inside the temple, the scent of delicate florals dancing through the air.

He hesitated at the threshold of the temple, it was clean and well looked after. The walls were lined with soft candlelight, and murals of prancing deer and maidens dancing through the woods. A statue of a woman stood silent in the middle, bathed in dark sunlight by a round hole in the roof. The statue was covered in crowns of flowers. Some placed on her bowed head, others hooked onto her arms as they reach outwards, palms facing towards the sky. Gifts of pearls, lilies and feathers of pure white were placed delicately at the foot of the statue.

He did not care to learn these savage gods names. There were hundreds of them, some more powerful than others. Some given patronage over small, worthless things. He had laughed for hours when he discovered that there was a patron god of footprints. Whoever this temple was erected for, was loved yes, but not revered.

The warrior walks deeper into the temple, becoming enveloped in a sense of peace and compassion at the care given to this little goddess. He grunts in frustration, these stupid gods and their stupid 'gifts'. When he and his brothers in arms desecrated the patron god of fear's temple, the battle was nearly lost as they nearly fell to the wild gods powers. Fear racing through their ranks. Just being in the presence of a god was enough for their powers to linger in the air, effecting a mortal humans thoughts and feelings.

This little goddess must still be here.

Rain began to fall from the heavens, it came down with a fury. Yet, the rain that fell through the hole came down in fat, gentle drops upon the statue of the goddess. Water drippled down her stone face, the warrior had to admit this little goddess was quite the beauty. If her statue was anything to go by. He walks deeper into the sanctuary, closer towards the statue. He stops just in front of her image, breathing in deeper at what he can only imagine is her scent, sweet yet comforting, there was an earthiness to it too. He reaches out to caress the stone cheek of his little goddess. What a pretty thing she was.

He kneels to take in the sight of the gifts offered to her. There were the pearls, feathers and lilies he had seen before. But now he could see spools of white wool, wrapped in ribbon, and carvings of hearts, flowers and dozens of names circling the statue.

Lightly touching the most prominent of the carved names, he allowed himself a grin. He had found the wild goddess of innocence and compassion.

He had found you.

You were the youngest of the gods, only decades since you were gifted your immortality. Yet, you had quickly become beloved by your worshippers. The patron goddess of innocence and compassion, you resided deep within the forgotten woods, caring for the animals of the forest and any travellers who crossed your path. It is said that only those in needing of help or guidance, and children looking for a home could find you. The delicate smell of flowers leading the way to your temple. The names carved upon the stone at your feet were those you had cared for over the years. Travellers lost and afraid. Children without parents or care. Women hiding from vengeful men. And men scarred by life itself. All found their way to you, to your compassionate and pure hands.

You were the last of the major gods that the warrior and his men were yet to find. Your brothers and sisters before you had fallen. Some had run like cowards leaving their temples, and their followers, to burn into the night. Others, slaughtered by his hand. Time may only harm the wild gods so much, but Caleen's sword is a deadlier foe than time itself. It filled him with joy remembering plunging Caleen's own sword into the first wild god's heart. He was the first of the wild gods and as such he was the first to fall.

The warrior stood to his full height quickly as soft footsteps made their way through the temple. They came to a stop, the owner hidden by darkness still.

Outside the storm raged on.

"That you little goddess?" the warrior jested, hand coming to rest lazily on his sword's pummel. He stepped around the statue, giving a slight kick at a doll that was laid carefully at its feet.

The sound of hesitant shuffling could be heard. His little goddess was nervous.

"May I see your face, dear one? I have come a long, long way to find you. I wish not to leave this place without seeing your face, it would break this poor soldiers heart" he pouted in fake hurt, creeping towards you as a wolf moves closer to its prey.

"Who are you?" you ask, voice calm and strong. Yet, he could sense fear in your words.

"Just a poor soldier, a lost traveller if you will. Seeking the care and compassion of your grace" he answers, bowing slightly. He toys with his pummel, he had a feeling he would not need to draw it this day.

"Are you hurt?" you plead, taking a closer step towards him, your sense of empathy and compassion shinning through.

The warrior saw his chance, and he was going to take it.

"Not physically your grace, but I have not yet broken my fast or had a drop of water in days." he furrows his brow, grimacing and holding his stomach with his free hand.

"Oh! Your poor thing!" you exclaim, rushing forward to meet him. Once in the light, the warrior damned the creator of the sculpture for failing to capture your beauty. The statue was nothing in comparison to you. Your hair was thick and healthy, framing your face perfectly. Your skin soft and supple. Lips dewy and oh so kissable.

Your were the most beautiful woman he had seen in his entire life.

And here you were, all his for the taking. You were dressed as a goddess deemed fit, perfectly tailored and fetchingly so. But all he could think about was ripping it from you in a daze of lust. You rushed up to him and guided him deeper into your temple. He only realised that the temple was much larger than it seemed when he was outside. These wild gods and their tricks. You cooed to him the entire time. Stating there would be a warm bath and fresh fruit and clear spring water for him in his room. You hadn't even noticed his weapon, or if you had, you truly were the patron god of innocence.

He allowed you to fuss over him. Allowed you to lead him deeper into your temple, until you reached an open court yard, filled with plants of all colours and sizes, soft grass below his feet. At one end a statue of Mother Wild stood, vines and flowers blooming across her figure. In the centre of it was a beautiful flowering tree, more gifts had been left here to.

He stopped you from leading him further on, his eyes set on this tree. There was magic in its very fibre, unnatural power. He could feel it.

"Everything ok soldier?" you try, hand coming to rest on his back. He flinches at the contact, it was so soft and kind. No one had touched him with such care before.

"What is this tree?" he turns to you.

"Oh! Its a magnolia tree" you grin

"No, I know that, why is it here, and why.." he stops himself, he was going to ask you why he felt power radiating from it. "why are there gifts at its base."

You give him a soft smile, gently grabbing his hand you lead you to its base. You softly bring yourself and him to the ground. White flowers fell softly to the ground. You reached a hand out to touch the bark, closing your eyes, before reopening them to look at the warrior.

"Here, give me your hand"

Without thought he places his hand in yours.

What wicked spell have you put him under.

And why does he not care to know.

With your gentle touch on his, the warrior felt heat rise deep inside him. You placed his hand on the bark, yours overlapping his.

"Do you feel it?" you whisper, voice soft and kind.

Of course he could feel it. Pure innocence, unbridled compassion and love.

He hated it.

"This tree is an extension of myself. The day I was born, when my parent's realised who and what I was, they planted this tree. They understood that they and all those who I love would grow old, die and leave me alone. This was their way of giving me a companion. The day I received my gifts and my patronage was the day I laid my parents to rest under this tree's shadow."

He watches in silence as tears well up in your eyes.

"I hadn't even turned four and ten springs yet, when...when they attacked. They were raiders from the south. Brutes, really. My parent's told me to flee, but there were younger children, pregnant women and injured men who couldn't flee, or didn't know where to flee to. So while the warriors in my village tried the best they could to defend us. I went back and forth between this tree and the village, carrying, dragging and leading all those I could to the safety of the great oak that shadows my temple. When I went back the last time, there was nothing left. Our warriors were slain and my parents...."

You break off, tears trickling down. He feels the sudden urge to wipe them from your cheek. He lets himself have the honour of doing so, and your let yourself have the pleasure of him touching you.

"Anyway, there wasn't much else I could do, so I brought them here, buried them, and cared for the survivors the best I could. It was then I was given my gifts, for my compassion for my people and my innocence in the face of death, I was given my patronage. We rebuilt our village, and life was good. But the years after I was given my final gift, were... difficult to say the least. Watching my friends grow old, have families of their own. Then watching their children age and grow grey. I... it was difficult."

You give him a pointed stare, now turning your back onto the tree and rested upon it. He removes his hand from the bark, mirroring your actions.

"Can I tell you a secret?" you plea, eyes big and soft.

"Of course my little goddess, I will take it to my grave." he sternly replies, practically giving you his oath as a holy warrior of the Eye. You thought he was joking, jesting with you after such an emotional story. You gave him a giggle and playfully smacked his chest.

"No need for that, but thank you." you trail off, thoughts of long ago in mind. He nudges you softly, eager to learn your secret.

You look back up and him and sigh, turning off into space.

"Sometimes, when I have no one to look after, and its been months, sometimes years, even, since someone has walked through my temple's door. I wish I wasn't born a goddess. I wish I could grow old, fall in love, marry, have children of my own." you look down, playing with your hands.

The warrior was troubled, yet excitement grew. You could be saved. You wished to be without the corruption of the dark forces that ran through your very being.

"But you could start a family. I have heard tales of demigods"

"Yes, but I can't" you stress turning to him. "I am the goddess of innocence, not just compassion. To bare a child would mean I am no longer innocent, therefore my powers would be stripped from me. I would be mortal again."

You huff in frustration. Even if you were able to have a child, it would still grow old, and you would be left to bury another one of your kin below your beloved tree.

The warrior was delighted. Overjoyed, perfectly happy with this news. Some gods had gifts that were hard to strip from them. How do you make the god of footprints go against footprints? Cut off their feet? Unless....

No he's getting distracted. Here he was being given his own gift, from his god. The Eye was testing him, for sure. Allow a wild goddess to continue her wicked magic, or save the mortal within. You already told him you wished to be free of your curse, the burden placed on you the moment you were born. All he had to do was take your maidenhead. Put his seed in your womb and watch it grow. And what a fine mother you would be. You had spent decades being a mother to hundreds, so what more a burden would a few of your own be. In fact he was sure your would revile in it.

You were practically begging him to fill you with his seed, with those big, soft eyes and those curves that screamed at him to take you. He was without a wife, he would have to break you in for sure. You were a wild one of course. But with a few whelps to look after and one surely in your belly, how much could you defy him?

His cock began to stir. His eyes laden with lust. You look up at him once more, brow furrowing at his darkened eyes.

"Is everything okay soldier?" you sweetly ask, actually concerned for his wellbeing.

"Let me give you the life you want, little heathen" he begs, pushing you down onto the soft grass below the tree.

"What? No! Get off!" you plead, pushing against him. He tightens his grip on your wrists.

"Give me the honour of cleansing you of your dark powers, instead allow me to gift you the honour of carrying my seed." He growls, coming down to give you a lust filled kiss.

You bite his tongue with a vengeance, the taste of blood trickles onto your tongue.

"Mother!" you scream, turning onto your belly. Reaching for the silent statue of Mother Wild. She sat impartial, watching silent and cold. You begin to sob, as the warrior pulls your hips and ass into his crotch.

"Shh, shh little goddess, it will all be over soon. You shall be my sweet wife and you shall grow fat with my child." he comforts, his words tasting like iron on your lips.

"No!" you cry, elbowing him in the nose. You get up to run, straight towards Mother Wild, you drop in front of her and beg for her help.

"Help me Mother Wild. Please!"

You were only gifted the power of healing and other small gifts that now seem useless. What could were they against a man like this? The warrior gets up with blood streaming down his chin.

"My! The little heathen has some bite, huh" he sneers, pulling his sword from its sheath. You turn to look at him in fear, surely that was not what you think it is.

"Recognise this? I drove it through your first wild gods heart, and many more of your brother and sisters since then. I wish not to harm you little goddess, but if you do not renounce your claim to your wicked birth right, then I will be forced to kill you." He almost grins at the sight of you kneeling and afraid.

'That's it heathen, fear me, fear the holy Eye.'

You turn to Mother Wild once more, pleading and begging for protection.

Nothing happens.

You sob as you are ripped from your place by the statue and dragged back to the ground under your tree. You are pushed onto the soft grass, for a moment you forget what is happening, and you are young again, watching the sky through the leaves of your tree. Your parents are still alive, you had yet to be given your gifts, and you can kid yourself into thinking life will be like this forever. You are broken from your daze as Caleen's sword is plunged into the soft dirt by your head, and you are quickly reminded what madness you found yourself in. You stare up at the warrior in front of you, fat tears rolling down your cheeks. He kneels down onto you. His blood drools out of his mouth, dripping down his chin. His eyes are filled with lust and pride.

What an evil, wicked man.

You choke back a sob in fear of what is to happen next.

"My dear one, do not cry for the life you are renouncing, cry with joy for the life we are to create." He shushes you gently, a rough hand caressing your tear stained cheeks.

"What poetry is this, that you should lose your gift of innocence the very place it was given"

[hayatheauthor]

The Arsonists’ Handbook: A Writer’s Guide To Igniting Fire

This comprehensive guide is crafted to assist writers in creating realistic and gripping depictions of arson scenes. We'll explore the psychological motivations behind arson, the different types of fires, and the intricate dynamics of how a fire spreads.

I personally wrote this blog due to a story I’m working on involving the Salem trials fires, thus the extensive research. I hope this comprehensive guide will help you out with your fiery (written) endeavours! (Heavy on the written). 

Understanding Fire: The Basics

How Fire Starts

At its core, fire is a chemical reaction known as combustion. For fire to ignite, three key elements must be present: heat, fuel, and oxygen. This trio is often referred to as the fire triangle. Removing any one of these elements will prevent or extinguish the fire.

Heat: The energy source that raises the temperature of the material (fuel) to its ignition point. Heat can come from various sources, such as an open flame, electrical sparks, friction, or chemical reactions.

Fuel: Any combustible material that can feed the fire. This can range from solid objects like wood and paper to liquids like gasoline and alcohol, and even gases like propane and natural gas.

Oxygen: Fire needs oxygen to sustain itself. Typically, the air around us provides the necessary oxygen, but in certain conditions (like in an oxygen-rich environment), fire can become significantly more intense and harder to control.

Fire Behavior

Once a fire ignites, its behavior is influenced by several factors, including the type of fuel, the amount of oxygen available, and the environment. Understanding how fire behaves is crucial for writing realistic scenes, especially when it comes to describing how quickly a fire spreads and the destruction it causes.

Spread of Fire

Fire spreads through three main methods: conduction, convection, and radiation. Conduction is the transfer of heat through materials, like when a fire heats up a metal door. Convection occurs when hot air rises and circulates, spreading the fire. Radiation is the heat that spreads through the air, setting nearby objects alight without direct contact.

Stages of a Fire

A fire typically goes through four stages: ignition, growth, fully developed, and decay.

Ignition: This is the beginning stage where the fire starts. It’s often small and contained, but the potential for growth is high.

Growth: As the fire consumes more fuel, it grows in size and intensity. During this stage, the fire spreads rapidly, and the heat increases, potentially igniting nearby objects.

Fully Developed: The fire has reached its peak intensity. All available fuel is burning, and the temperature is at its highest. This is the most dangerous stage, where the fire is hardest to control.

Decay: As the fire runs out of fuel or oxygen, it begins to die down. The flames reduce in size, and the temperature starts to drop. However, if there’s still some fuel or oxygen left, the fire can reignite.

Types of Fire

Not all fires are created equal, and understanding the differences between various types of fires can help you write more accurate scenes. The type of fire often determines how it spreads, how it's fought, and the damage it causes.

Class A (Ordinary Combustibles): These fires involve materials like wood, paper, cloth, and some plastics. They are the most common type of fire and are usually extinguished with water or foam.

Class B (Flammable Liquids): These fires involve flammable or combustible liquids such as gasoline, oil, and alcohol. They are more dangerous than Class A fires and are typically extinguished with foam, carbon dioxide, or dry chemical agents.

Class C (Electrical Fires): These fires involve electrical equipment, such as wiring, circuit breakers, and appliances. Water should never be used to extinguish a Class C fire because it can conduct electricity, making the situation worse. These fires are typically fought with non-conductive agents like dry chemicals or carbon dioxide.

Class D (Combustible Metals): These fires involve metals like magnesium, titanium, and sodium. They are very dangerous and are fought with specialized agents like dry powder designed to absorb heat and smother the fire.

Class K (Kitchen Fires): These fires involve cooking oils and fats, often occurring in kitchens. They are fought with wet chemical agents that cool the fire and create a barrier between the fuel and the oxygen.

The Stages of Arson

Arson, the act of deliberately setting fire to property, is a complex crime that involves planning, execution, and, often, a great deal of psychological motivation. Understanding the stages of arson can help you create more realistic and engaging scenes in your writing.

Planning and Preparation

Before an arsonist sets a fire, they usually go through a detailed planning and preparation phase. This stage involves selecting a target, gathering materials, and determining the best time and method to set the fire.

Motive: The reasons behind arson can vary widely. Common motives include revenge, financial gain (such as insurance fraud), psychological compulsion (pyromania), or even a desire to destroy evidence of another crime.

Target Selection: The arsonist will choose their target based on various factors, including the accessibility of the location, the presence of flammable materials, and the likelihood of the fire being discovered quickly. For example, an arsonist might target an abandoned building, a business with financial troubles, or a residence where they hold a grudge against the occupants.

Materials Gathering: The arsonist needs to gather materials to start the fire. This might include accelerants like gasoline or kerosene, tools to break into the target location, and possibly even timing devices to delay the ignition. Some arsonists use household items like matches, lighters, or candles, while others might resort to more sophisticated methods.

Timing: Timing is crucial for arson. The arsonist might choose a time when the target location is unoccupied to avoid detection or ensure maximum damage. Alternatively, they might set the fire at a time when the building is full of people to cause harm or send a message.

Ignition

The ignition stage is when the arsonist actually starts the fire. This is often the most critical and dangerous part of the crime, as it requires the arsonist to be physically present at the scene.

Methods: There are various methods an arsonist might use to start a fire. The simplest method is using a match or lighter to ignite flammable materials. However, more sophisticated arsonists might use chemical accelerants, timing devices, or even electrical equipment to start the fire remotely. In some cases, the arsonist might create a trail of flammable liquid leading to the target, allowing them to ignite the fire from a safe distance.

Initial Signs: The first signs of a fire are usually small flames and smoke. Depending on the materials used, the smoke might be thick and black (indicating the presence of accelerants) or lighter and less noticeable. The smell of burning materials is also a telltale sign, and in some cases, the arsonist might use scented materials to mask the odor of burning chemicals.

Fire’s Progression

Once the fire is ignited, it begins to grow and spread. The speed and intensity of the fire depend on several factors, including the type of fuel, the amount of oxygen available, and the structure of the building.

Growth: As the fire consumes more fuel, it grows in size and intensity. Flames spread to nearby objects, igniting anything that can burn. The heat generated by the fire causes nearby materials to reach their ignition points, further fueling the blaze. In a well-ventilated area, the fire can spread rapidly, engulfing the entire structure in minutes.

Environmental Effects: The fire’s heat can cause significant damage to the surrounding environment. Smoke and toxic fumes fill the air, making it difficult to breathe and see. The intense heat can cause glass to shatter, metal to warp, and wood to burst into flames. The fire might also create a backdraft, a dangerous phenomenon where a sudden influx of oxygen causes an explosion of flames.

Aftermath

After the fire has been extinguished, the aftermath reveals the full extent of the damage. This stage involves assessing the destruction, investigating the cause of the fire, and dealing with the legal and emotional consequences.

Destruction: The fire leaves behind a trail of destruction. Buildings are reduced to charred skeletons, possessions are destroyed, and in some cases, lives are lost. The damage caused by fire can be catastrophic, leaving victims homeless, businesses bankrupt, and communities devastated.

Investigation: Arson is a criminal act, and a thorough investigation is usually conducted to determine the cause of the fire and identify the perpetrator. Fire investigators look for clues like burn patterns, residue from

The Psychological Profile of an Arsonist

Arsonists come from diverse backgrounds, but their motivations often stem from deep psychological issues. Understanding the mind of an arsonist can help you create more complex and nuanced characters in your writing.

Common Motivations

Revenge: Many arsonists are motivated by a desire for revenge. They might set a fire to get back at someone who wronged them, such as a former employer, an ex-partner, or a rival. This type of arson is often impulsive, driven by anger and a need to assert control.

Financial Gain: Arson is sometimes committed for financial reasons, such as insurance fraud. The arsonist may set fire to their own property or hire someone to do it, intending to collect insurance money. This type of arson is usually well-planned and methodical.

Psychological Compulsion (Pyromania): Some arsonists are driven by a psychological disorder known as pyromania, where they experience an uncontrollable urge to start fires. For these individuals, the act of setting a fire provides a sense of excitement, satisfaction, or relief. Pyromaniacs often set multiple fires and may stay to watch the fire burn.

Attention-Seeking: Arsonists may set fires to attract attention, either to themselves or to a cause they believe in. This can be seen in cases where someone sets a fire to highlight an issue, make a political statement, or simply because they crave the spotlight.

Thrill-Seeking: For some, the act of arson is about the thrill of taking risks and the adrenaline rush that comes with causing destruction. These arsonists might not have any particular grievance or financial motive but are instead driven by a desire for excitement.

Psychological Traits

While not all arsonists fit a single profile, there are common psychological traits that many share:

Lack of Empathy: Arsonists often exhibit a lack of empathy, unable to fully grasp or care about the consequences of their actions on others. They may not consider the potential loss of life or property and are more focused on their own desires and needs.

Impulsivity: Some arsonists act on impulse, setting fires without fully considering the long-term effects. This impulsivity can be linked to other behavioral issues, such as a history of aggression, substance abuse, or other criminal activity.

Desire for Control: Arson can be a way for individuals to exert control over a situation or person. The fire represents a powerful force that the arsonist can manipulate, giving them a sense of power and dominance.

Isolation: Many arsonists are socially isolated, struggling to form meaningful relationships. This isolation can fuel their desire for attention or revenge, leading them to commit acts of arson as a way of asserting themselves.

Physical Signs and Symptoms of Arson

When it comes to describing a fire in your writing, the physical signs and symptoms of arson can add a layer of authenticity and vivid detail to your scenes. Understanding these signs not only enhances the realism of your narrative but also helps to convey the severity and impact of the fire.

Visual Cues

One of the most striking aspects of a fire is its visual presentation. The flames, smoke, and other visual cues can vary greatly depending on the type of fire, the materials involved, and the environment.

Flames, Colors, and Intensity of the Fire: Flames can vary in color depending on the materials burning and the temperature of the fire. For instance, a fire fueled by organic materials like wood or paper typically burns with orange or yellow flames. In contrast, fires involving chemicals or metals might produce blue, green, or even white flames. The intensity of the flames can also signal the fire’s progression, with small, flickering flames indicating the early stages and roaring, high flames signifying a fully developed fire.

Smoke Characteristics: Smoke is another key visual indicator of a fire’s behavior. The color, thickness, and smell of smoke can provide clues about the type of materials burning and the presence of accelerants. Black, thick smoke often suggests that the fire is consuming synthetic materials like plastics or rubber, while white or gray smoke might indicate burning wood or paper. The smell of the smoke can also vary, with a sharp, acrid odor suggesting the presence of chemicals.

Heat Effects

Heat is one of the most destructive elements of a fire, and it can have profound effects on objects, structures, and people. Describing these effects can make your arson scenes more visceral and impactful.

Effects on Objects and Structures: The intense heat generated by a fire can cause a wide range of damage. Wood and other combustible materials might blister and char, while metals can warp or melt. Glass windows might crack or shatter due to the rapid temperature change. The heat can also cause scorch marks on walls and floors, which are often key indicators in an arson investigation. Understanding these effects allows you to describe the aftermath of a fire with greater accuracy.

Scorch Marks, Blistering, and Charring: Scorch marks are darkened areas that indicate where flames or intense heat have come into contact with a surface. Blistering occurs when the heat causes materials to bubble and expand, often seen on painted or varnished surfaces. Charring is the blackening and partial burning of materials, typically seen on wood. These signs can be crucial in determining the origin of the fire and whether an accelerant was used.

Human Reactions

The physical and emotional responses of individuals during a fire are critical elements in conveying the terror and urgency of an arson scene.

Physical Responses to Heat and Smoke: The human body reacts dramatically to the extreme conditions of a fire. Heat can cause burns, ranging from superficial first-degree burns to more severe third-degree burns that destroy deeper layers of skin. Smoke inhalation is a common and often deadly consequence of being trapped in a fire. It can cause coughing, choking, and disorientation as the smoke deprives the body of oxygen and fills the lungs with toxic gases. Victims might experience blurred vision, dizziness, and confusion, making it difficult for them to escape.

Emotional Responses to Fire: The emotional toll of being caught in a fire can be overwhelming. Panic is a common reaction, as the instinct to flee overwhelms rational thought. Fear and anxiety can paralyze individuals, making them unable to act. However, some characters might respond with determination and resolve, driven by the need to save themselves or others. Describing these emotional responses can add depth to your characters and heighten the drama of the scene.

For a more detailed guide on burns, read how to write burns. 

Common Misconceptions About Arson

When writing about arson, it’s important to address common misconceptions that can lead to unrealistic or inaccurate scenes. Debunking these myths can help you create more credible and compelling narratives.

Fire Spreads Quickly

A common misconception is that fire spreads almost instantaneously. While fire can indeed spread rapidly, especially under the right conditions, there is often a progression that can be influenced by various factors such as the type of fuel, the presence of accelerants, and the structure of the building. In reality, a fire might start small and take several minutes to fully engulf a room, especially if there’s limited ventilation or the materials are slow to ignite. This progression allows for moments of tension and potential escape in your narrative.

All Fires Look the Same

Another myth is that all fires behave similarly, regardless of the environment or the materials involved. In truth, the appearance and behavior of a fire can vary widely. For example, a fire in a well-ventilated area with plenty of fuel will look very different from a smoldering fire in an oxygen-deprived environment. Additionally, fires involving different types of materials—like wood, gasoline, or chemicals—can produce vastly different flames, smoke, and heat. Recognizing these differences can help you craft more nuanced and realistic fire scenes.

Fire and Explosions

Thanks to Hollywood, many people believe that fires often result in dramatic explosions. However, explosions are relatively rare in most fires and usually require specific conditions, such as the presence of flammable gases or liquids in confined spaces. While a fire can cause small, localized bursts (like when a pressurized canister overheats and ruptures), full-scale explosions are uncommon. Incorporating this knowledge can prevent your scenes from falling into the trap of over-the-top sensationalism.

Easy to Identify an Arsonist

The idea that arsonists are easily identifiable or leave obvious clues behind is another misconception. In reality, arson investigation is a complex and challenging process. Arsonists often go to great lengths to cover their tracks, using methods that leave little evidence. The fire itself can destroy crucial evidence, making it difficult to determine the cause and origin. Investigators must rely on subtle clues, like burn patterns, residue from accelerants, and witness statements. Writing realistic arson investigations involves understanding the nuances and difficulties involved in linking the crime to a specific individual.

Real-Life Case Studies

Exploring real-life arson cases can provide valuable insights into the motives, methods, and consequences of arson, helping you to create more authentic scenes in your writing.

Notorious Arson Cases

The Boston Fire (1919): This fire, started by disgruntled city workers, caused extensive damage and highlighted how social unrest can lead to destructive acts of arson. The arsonists used a combination of accelerants and timing devices to ensure the fire spread quickly and was difficult to control.

The Happy Land Fire (1990): A tragic case where an arsonist set fire to a social club in New York, resulting in 87 deaths. The fire was started with gasoline, and the arsonist’s motive was personal revenge after an altercation with a club employee. This case illustrates the deadly potential of arson when combined with crowded, enclosed spaces.

The Oakland Hills Firestorm (1991): Although not initially an arson case, this firestorm was exacerbated by arsonists who set additional fires in the area. The fire destroyed thousands of homes and underscored the difficulty of controlling fires in densely populated areas with dry, windy conditions.

Lessons for Writers

Real-life cases like these offer important lessons for writers. They demonstrate the variety of motives behind arson, the different methods used, and the devastating impact that fire can have on individuals and communities. Incorporating these lessons into your writing can help you create more complex and realistic arson scenes.

Complex Motives: Arson isn’t always about destruction for its own sake. It can be motivated by revenge, financial gain, political statements, or psychological issues. Exploring these motives can add depth to your characters and their actions.

Diverse Methods: Arsonists don’t always rely on the same techniques. Understanding the different methods used to start fires allows you to vary your scenes and avoid repetitive or predictable narratives.

Realistic Consequences: The aftermath of arson can be devastating, with long-lasting consequences for the

Arson in Literature and Film

Arson is a powerful narrative device in literature and film, often used to create tension, drive plot, or explore character motivations. Understanding how arson has been portrayed in these mediums can help you craft more compelling and nuanced fire scenes in your writing.

Arson as a Plot Device

Arson is often used as a plot device to introduce conflict, create suspense, or catalyze a story’s events. It can serve as a turning point in the narrative, forcing characters to confront their past, make difficult decisions, or reveal their true nature.

Catalyst for Change: In many stories, a fire is the catalyst that sets the plot in motion. The destruction caused by the fire forces characters to adapt, overcome obstacles, or seek revenge.

Revealing Character: Arson can also be used to reveal a character’s true nature. A character who commits arson may be driven by anger, greed, or desperation, and their actions can expose underlying flaws or hidden motivations.

Symbolism: Fire is often used symbolically in literature and film, representing concepts like purification, destruction, or rebirth. The act of setting a fire can be a symbolic gesture, reflecting the character’s desire to destroy the past, cleanse themselves of guilt, or start anew.

Notable Examples in Literature and Film

"Jane Eyre" by Charlotte Brontë: In this classic novel, the character of Bertha Mason sets fire to Thornfield Hall, an act that is both literal and symbolic. The fire represents Bertha's madness and desperation, as well as the destructive secrets hidden within the estate. The blaze ultimately leads to the revelation of Mr. Rochester's past and serves as a turning point in Jane Eyre's journey, symbolizing the destruction of the old and the possibility of a new beginning.

"Fahrenheit 451" by Ray Bradbury: In Bradbury’s dystopian novel, fire is used as a tool of oppression. Firemen are tasked with burning books, a symbol of knowledge and freedom, to maintain societal control. The protagonist, Guy Montag, initially takes part in these acts of arson, but as the story progresses, he becomes disillusioned and eventually rebels against the system. The novel explores themes of censorship, conformity, and the power of knowledge, with fire serving as both a destructive and a purifying force.

"Carrie" by Stephen King: In King’s horror novel, fire is a key element of the climactic scene where Carrie White, after being humiliated at her high school prom, uses her telekinetic powers to set fire to the gymnasium. The fire is a manifestation of her rage and desire for revenge, and it leads to the destruction of her school and the deaths of many of her tormentors. The scene is a powerful example of how fire can be used to convey intense emotions and serve as a metaphor for uncontrollable anger and retribution.

"Rebecca" by Daphne du Maurier: The burning of Manderley, the grand estate that serves as the novel’s primary setting, is a pivotal moment in du Maurier’s gothic tale. The fire, set by the vengeful housekeeper Mrs. Danvers, symbolizes the destruction of the past and the erasure of Rebecca’s lingering influence over the characters. It also represents the liberation of the protagonist from the oppressive shadow of her predecessor, allowing her to finally step out of Rebecca’s shadow.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[integratedndesolution]

Integrated NDE Solution in Pune: Precision in Ultrasonic Thickness Measurement

Ensuring the integrity and safety of materials and structures is crucial in many industries, and ultrasonic thickness measurement (UTM) is a key non-destructive testing method used for this purpose. Integrated NDE Solution in Pune specializes in providing comprehensive ultrasonic thickness measurement services, leveraging advanced technologies to deliver precise and reliable results. This article explores the importance of UTM, its benefits, and the state-of-the-art services offered by Integrated NDE Solution.

Understanding Ultrasonic Thickness Measurement

Ultrasonic thickness measurement is a non-destructive testing (NDT) method used to determine the thickness of a material from one side. This technique employs high-frequency sound waves to measure the time it takes for an ultrasonic pulse to travel through the material and reflect back to the transducer. By calculating the travel time, the thickness of the material can be accurately determined.

Importance of Ultrasonic Thickness Measurement

Material Integrity: Ensures that materials have the required thickness and are free from thinning or erosion.

Safety Compliance: Verifies that components meet industry safety standards, reducing the risk of failures and accidents.

Preventive Maintenance: Identifies areas of concern before they become critical, enabling timely maintenance and repairs.

Quality Control: Confirms that materials conform to the specified thickness, maintaining the integrity and quality of the final product.

Cost Savings: Prevents costly failures and downtime by ensuring the correct material thickness from the start.

How Ultrasonic Thickness Measurement Works

Ultrasonic thickness measurement involves several steps and the use of advanced equipment:

Preparation: The surface of the material is cleaned to ensure accurate readings.

Couplant Application: A couplant (gel or liquid) is applied to the surface to facilitate the transmission of sound waves.

Transducer Placement: The ultrasonic transducer is placed on the surface, emitting high-frequency sound waves into the material.

Sound Wave Reflection: The sound waves travel through the material and reflect back when they reach the opposite surface or an internal flaw.

Measurement: The time it takes for the sound waves to return to the transducer is measured.

Thickness Calculation: The material thickness is calculated based on the sound wave travel time and the known velocity of sound in the material.

Benefits of Ultrasonic Thickness Measurement

Non-Destructive: Does not damage or alter the material being tested.

Accurate: Provides precise and reliable thickness measurements.

Quick and Efficient: Delivers immediate results, enabling rapid decision-making.

Versatile: Applicable to a wide range of materials, including metals, plastics, and composites.

Portable: UTM equipment is often portable, allowing for on-site testing.

Integrated NDE Solution in Pune: Leaders in Ultrasonic Thickness Measurement

Integrated NDE Solution in Pune is a leader in non-destructive testing, offering a broad spectrum of NDT services, including ultrasonic thickness measurement. Their expertise, state-of-the-art equipment, and commitment to quality make them a trusted partner for industries requiring reliable thickness measurements.

Comprehensive NDT Services Offered

Ultrasonic Thickness Measurement (UTM)

Remote Visual Inspection (RVI)

Magnetic Particle Inspection (MPI)

Ultrasonic Testing (UT)

Radiographic Testing (RT)

Liquid Penetrant Testing (LPT)

Eddy Current Testing (ECT)

Portable Hardness Testing

Ferrite Testing

Industries Served

Integrated NDE Solution in Pune caters to a diverse array of industries, including:

Aerospace: Ensuring the safety and reliability of aircraft components.

Automotive: Inspecting critical parts to prevent failures.

Construction: Verifying the integrity of structural components.

Oil and Gas: Ensuring the reliability of pipelines and equipment.

Power Generation: Maintaining the integrity of infrastructure components.

Manufacturing: Ensuring the quality of machined parts and assemblies.

Ultrasonic Thickness Measurement in Action

Case Study: Oil and Gas Pipeline Inspection

In the oil and gas industry, the reliability of pipelines is crucial. Integrated NDE Solution was approached by a leading oil and gas company to conduct ultrasonic thickness measurement on pipeline materials. Using advanced ultrasonic equipment, the team measured the wall thickness of the pipelines, ensuring they met the specified standards for corrosion resistance and mechanical strength. The inspection helped prevent potential failures and ensured the safety and reliability of the pipeline network.

Case Study: Aerospace Component Verification

A major aerospace manufacturer required ultrasonic thickness measurement for critical components used in aircraft engines. Integrated NDE Solution employed advanced ultrasonic equipment to measure the thickness of the components. The precise measurements confirmed that the materials met the stringent specifications required for aerospace applications, ensuring the safety and performance of the aircraft engines.

Advanced Ultrasonic Thickness Measurement Equipment

Integrated NDE Solution in Pune utilizes the latest UTM equipment to ensure the highest level of accuracy and reliability in their inspections. Some of the advanced equipment includes:

Digital Ultrasonic Thickness Gauges: Portable devices that provide rapid, on-site thickness measurements.

High-Frequency Transducers: Used for measuring the thickness of thin materials with high precision.

Dual-Element Transducers: Ideal for measuring corroded materials and rough surfaces.

Through-Coating Transducers: Capable of measuring the thickness of materials through coatings and paint.

The Role of Certified Technicians

The effectiveness of ultrasonic thickness measurement largely depends on the expertise of the technicians conducting the tests. Integrated NDE Solution in Pune employs certified technicians who undergo rigorous training and continuous professional development. Their skills and knowledge ensure that clients receive the highest quality of service.

Commitment to Quality and Safety

Integrated NDE Solution in Pune is dedicated to maintaining the highest standards of quality and safety. They adhere to international standards and best practices, ensuring that all inspections are performed with utmost precision and reliability. This commitment to excellence has earned them a stellar reputation in the industry.

Customer-Centric Approach

At Integrated NDE Solution in Pune, customer satisfaction is a top priority. They work closely with clients to understand their specific needs and tailor their services accordingly. Whether it’s a small-scale inspection or a large industrial project, they provide personalized solutions that meet the highest standards of quality and reliability.

Why Choose Integrated NDE Solution in Pune?

Expertise: Extensive experience and technical know-how in NDT services.

Technology: Utilization of the latest and most advanced testing equipment.

Quality: Commitment to providing accurate and reliable results.

Customer Service: Focus on building long-term relationships through excellent service.

Compliance: Adherence to all relevant industry standards and regulations.

Conclusion

In industries where precision and reliability are non-negotiable, Integrated NDE Solution in Pune stands out as a leader in non-destructive testing, particularly in ultrasonic thickness measurement. Their dedication to quality, use of advanced technology, and customer-centric approach make them the go-to choice for businesses across various sectors. By partnering with Integrated NDE Solution, companies can ensure the integrity and safety of their materials and components, safeguarding their operations and reputation.

Integrated NDE Solution in Pune continues to set the standard for excellence in non-destructive inspection. Their expertise in ultrasonic thickness measurement and other NDT services is pivotal in industries where safety and reliability are crucial. As technology advances and industries evolve, Integrated NDE Solution remains at the forefront, offering unparalleled service and support to their clients.

In conclusion, for businesses seeking the highest standards in ultrasonic thickness measurement, non-destructive testing methods, and comprehensive NDT services, Integrated NDE Solution in Pune is the trusted partner that delivers results. Their innovative approach, advanced technology, and unwavering commitment to quality ensure that every inspection meets the stringent requirements of today’s demanding industrial environments.

[techndt]

Total Focusing Method (TFM) represents an Advanced Ultrasonic Testing (UT) Technique that revolutionizes flaw detection in materials. Read More!

[hadesoftheladies]

Opinion: We Need to Start Talking About Violent Feminist Activism Seriously

while i do not think that females are as violent or would be as violent as males without patriarchal obstruction, i think it's mostly the emasculation of women (female socialization) that leads to this demureness that perpetuates female subjugation. we often frame femininity as something that inhibits consciousness-raising, but it is actually far more frightening and deeper than that. femininity and its practices inhibit female self-worth which in turn causes women to devalue themselves. this is why women are not accustomed to fighting for themselves, like every other animal (male and female) on this earth. women are so used to "lying down and taking it" because it is something they are primed to do. the danger of femininity isn't just that it deforms our bodies or divides us from each other, it is that it physically and mentally disables our ability to fight back.

i have often neglected to mention alternative methods in my separatist posts, but separatism is not the only way we can enact large-scale societal transformation. it is the only nonviolent way.

the truth of the matter is, as much as we make jokes and fantasize about killing men, the reason most women and girls "behave" when it comes to men and men do not "behave" when it comes to women is because women simply aren't feared, despite the fact that we have the power to become a threat. even in feminist circles such as this, talk of women physically harming men is seen as taboo, as something that can be easily used against us. so we have to constantly disclose that we aren't serious. i think this is part of the problem.

the other word for fear is respect. men cannot respect or revere men they do not fear on some level. in a twisted way, in order for women to become human to men, we have to get scary. we have to hold real power over them and become intolerant to them.

this doesn't necessarily have to be done strictly in violent ways. resisting femininity can range from allowing ourselves to frown and even scowl in public, not being hospitable toward men, not complimenting, affirming, validating or cleaning up after them. but the point of combatting female socialization is resisting the role of women in patriarchal society: sexual object, or in other words, victim. it is the victimization of women that men find especially erotic. that's why consensual sex isn't enough for them. they are fuelled by female terror.

in short, gyns, i'm saying the time has come when we should aim to put the fear of god in these bastards. the only way they will view rape as badly as they view cannibalism is if there is a constant looming threat of brutal social castration. they need to fear social punishment, which is difficult because half of society is made up of men that approve. so how can the other half, women, make it so that the other half are afraid to do so?

which brings us, ironically, back to separatism and also gender non-conformity. in order for women to reach a place where we can defend ourselves using violence and not get taken ten steps back for killing/maiming a rapist, pedo, abuser we need women to have access to ironclad female solidarity.

male solidarity is what keeps the status quo intact, and female solidarity is its only worthy counterpoint. the reason patriarchy is so strong is because of female solidarity with males rather than intra-community solidarity. this is the weak point of patriarchy, it's over-dependence on women on a cellular level. society as we know it, patriarchal or not, will fall to shit if women refused to participate in its core structures. literally the only reason children are still being born, raised and schooled in the face of men's destructiveness is because of women. men can destroy as much as they like and a society will still function for the most part because of the resilience of women. literally the biggest economic problems societies face come from male criminality whether from upper or lower class men. the only reason any of it still functions is because of women. women are the glue of the home themselves, the basic unit of society. take women away, and i promise there's nothing fucking left.

for this reason, the biggest de-radicalization tools patriarchy employs against female liberation are marriage/co-habitation with men, femininity and religion and i will get into the details why briefly:

-marriage/co-habitation often results in the woman's isolation from female community or larger society because the man strategically makes himself the central focus/recipient of her resources (health, attention, energy)

-femininity keeps women focused on male approval as a source of power, further encouraging female-female competition and destroying solidairty

-religion and romance are explicitly androcentric, focusing on framing men as the only possible givers of life, purpose, fulfillment and meaning to women while simultaneously demeaning, obscuring and devaluing the fact that women are oftentimes the primary sources of human life and love

now see that all three do three very important things for de-radicalization: they frame men as sources of life, meaning and vitality as opposed to a threat or disadvantage, isolates women from their true selves (devaluing their friendships, erasing their history and contributions, distorting their nature), and pits women against each other. to sum up, centering men and then erasing and isolating women from each other and themselves.

but we won't scare men by psyching ourselves out of what's going to be necessary to defend ourselves. in order for women to be mobilized to take power men have no authority to deny them, we have to cultivate strong, nearly unbreakable self-esteem. we need to esteem ourselves so highly that we never question whether or not we should feel entitled to a better life.

that's why refusing to emasculate yourself is the first step. decolonizing your mind of its male-centeredness and no longer seeing yourself as subordinate, inferior or less worthy to a life of freedom than him.

the second step after de-centering men within yourself is to quickly center women. that's where separatism comes in. not only does this also aid you in decolonizing the rest of your mind, but it gives you the courage to go for better rather than settle for what men say you deserve. seeing that actually, men aren't vital at all to a wonderful life. throwing yourself into female centricity and replacing male hegemony with female history, philosophy, culture, literature, all of it. but not just on a mental level, on an interpersonal and financial level as well. this boosts you economically and empowers you buy giving you that independence necessary to make demands.

then when it comes to the dire, when men retaliate as they are prone to do, you don't hesitate to punish them for it. you don't hesitate to make it cost them. whether that's in organized feminist cyber attacks (doxxing, phishing, DDos attacks, etc). you make them see themselves as potential victims. where what they do to others can also be done to them. where they fear being poisoned, disappearing, outed, isolated, killed.

this kind of organized self-defense will not happen without female solidarity. we already have examples of women coming together to beat abusive men up and get rid of the threats themselves when victims of male violence fear state retaliation too much to defend themselves. female solidarity can substitute for state neglect. it is the only thing that can. the king of the pride doesn't stand a chance against a pack of lionesses. and the state cannot punish all its women lest it destroy itself entirely. governments know that restricting women restricts their economy, so killing masses of women is just not feasible.

female solidarity is the missing piece, and that's what the status quo continually tries to dismantle. also, non-violence in the face of our oppression has never been a virtue. it is something the patriarchy has counted on.

the lie of femininity is that men will respect or care for us once they see how we suffer and how beautiful we are. we think they will set us apart as sacred if they are in love with us. but the truth is they will only respect us if they fear us.

anyways, i'm just thinking out loud here, and these are all generalizations. i'll need to make a whole other article where i break this down on an infrastructural level.

[antoniosvivaldi]

Neural Filters Tutorial for Gifmakers by @antoniosvivaldi

Hi everyone! In light of my blog’s 10th birthday, I’m delighted to reveal my highly anticipated gifmaking tutorial using Neural Filters - a very powerful collection of filters that really broadened my scope in gifmaking over the past 12 months.

Before I get into this tutorial, I want to thank @laurabenanti, @maines , @cobbbvanth, and @cal-kestis for their unconditional support over the course of my journey of investigating the Neural Filters & their valuable inputs on the rendering performance!

In this tutorial, I will outline what the Photoshop Neural Filters do and how I use them in my workflow - multiple examples will be provided for better clarity. Finally, I will talk about some known performance issues with the filters & some feasible workarounds.

Tutorial Structure:

Meet the Neural Filters: What they are and what they do

Why I use Neural Filters? How I use Neural Filters in my giffing workflow

Getting started: The giffing workflow in a nutshell and installing the Neural Filters

Applying Neural Filters onto your gif: Making use of the Neural Filters settings; with multiple examples

Testing your system: recommended if you’re using Neural Filters for the first time

Rendering performance: Common Neural Filters performance issues & workarounds

For quick reference, here are the examples that I will show in this tutorial:

Example 1: Image Enhancement | improving the image quality of gifs prepared from highly compressed video files

Example 2: Facial Enhancement | enhancing an individual's facial features

Example 3: Colour Manipulation | colourising B&W gifs for a colourful gifset

Example 4: Artistic effects | transforming landscapes & adding artistic effects onto your gifs

Example 5: Putting it all together | my usual giffing workflow using Neural Filters

What you need & need to know:

Software: Photoshop 2021 or later (recommended: 2023 or later)*

Hardware: 8GB of RAM; having a supported GPU is highly recommended*

Difficulty: Advanced (requires a lot of patience); knowledge in gifmaking and using video timeline assumed

Key concepts: Smart Layer / Smart Filters

Benchmarking your system: Neural Filters test files**

Supplementary materials: Tutorial Resources / Detailed findings on rendering gifs with Neural Filters + known issues***

*I primarily gif on an M2 Max MacBook Pro that's running Photoshop 2024, but I also have experiences gifmaking on few other Mac models from 2012 ~ 2023.

**Using Neural Filters can be resource intensive, so it’s helpful to run the test files yourself. I’ll outline some known performance issues with Neural Filters and workarounds later in the tutorial.

***This supplementary page contains additional Neural Filters benchmark tests and instructions, as well as more information on the rendering performance (for Apple Silicon-based devices) when subject to heavy Neural Filters gifmaking workflows

Tutorial under the cut. Like / Reblog this post if you find this tutorial helpful. Linking this post as an inspo link will also be greatly appreciated!

1. Meet the Neural Filters!

Neural Filters are powered by Adobe's machine learning engine known as Adobe Sensei. It is a non-destructive method to help streamline workflows that would've been difficult and/or tedious to do manually.

Here are the Neural Filters available in Photoshop 2024:

Skin Smoothing: Removes blemishes on the skin

Smart Portrait: This a cloud-based filter that allows you to change the mood, facial age, hair, etc using the sliders+

Makeup Transfer: Applies the makeup (from a reference image) to the eyes & mouth area of your image

Landscape Mixer: Transforms the landscape of your image (e.g. seasons & time of the day, etc), based on the landscape features of a reference image

Style Transfer: Applies artistic styles e.g. texturings (from a reference image) onto your image

Harmonisation: Applies the colour balance of your image based on the lighting of the background image+

Colour Transfer: Applies the colour scheme (of a reference image) onto your image

Colourise: Adds colours onto a B&W image

Super Zoom: Zoom / crop an image without losing resolution+

Depth Blur: Blurs the background of the image

JPEG Artefacts Removal: Removes artefacts caused by JPEG compression

Photo Restoration: Enhances image quality & facial details

+These three filters aren't used in my giffing workflow. The cloud-based nature of Smart Portrait leads to disjointed looking frames. For Harmonisation, applying this on a gif causes Neural Filter timeout error. Finally, Super Zoom does not currently support output as a Smart Filter

If you're running Photoshop 2021 or earlier version of Photoshop 2022, you will see a smaller selection of Neural Filters:

Things to be aware of:

You can apply up to six Neural Filters at the same time

Filters where you can use your own reference images: Makeup Transfer (portraits only), Landscape Mixer, Style Transfer (not available in Photoshop 2021), and Colour Transfer

Later iterations of Photoshop 2023 & newer: The first three default presets for Landscape Mixer and Colour Transfer are currently broken.

2. Why I use Neural Filters?

Here are my four main Neural Filters use cases in my gifmaking process. In each use case I'll list out the filters that I use:

Enhancing Image Quality:

Common wisdom is to find the highest quality video to gif from for a media release & avoid YouTube whenever possible. However for smaller / niche media (e.g. new & upcoming musical artists), prepping gifs from highly compressed YouTube videos is inevitable.

So how do I get around with this? I have found Neural Filters pretty handy when it comes to both correcting issues from video compression & enhancing details in gifs prepared from these highly compressed video files.

Filters used: JPEG Artefacts Removal / Photo Restoration

Facial Enhancement:

When I prepare gifs from highly compressed videos, something I like to do is to enhance the facial features. This is again useful when I make gifsets from compressed videos & want to fill up my final panel with a close-up shot.

Filters used: Skin Smoothing / Makeup Transfer / Photo Restoration (Facial Enhancement slider)

Colour Manipulation:

Neural Filters is a powerful way to do advanced colour manipulation - whether I want to quickly transform the colour scheme of a gif or transform a B&W clip into something colourful.

Filters used: Colourise / Colour Transfer

Artistic Effects:

This is one of my favourite things to do with Neural Filters! I enjoy using the filters to create artistic effects by feeding textures that I've downloaded as reference images. I also enjoy using these filters to transform the overall the atmosphere of my composite gifs. The gifsets where I've leveraged Neural Filters for artistic effects could be found under this tag on usergif.

Filters used: Landscape Mixer / Style Transfer / Depth Blur

How I use Neural Filters over different stages of my gifmaking workflow:

I want to outline how I use different Neural Filters throughout my gifmaking process. This can be roughly divided into two stages:

Stage I: Enhancement and/or Colourising | Takes place early in my gifmaking process. I process a large amount of component gifs by applying Neural Filters for enhancement purposes and adding some base colourings.++

Stage II: Artistic Effects & more Colour Manipulation | Takes place when I'm assembling my component gifs in the big PSD / PSB composition file that will be my final gif panel.

I will walk through this in more detail later in the tutorial.

++I personally like to keep the size of the component gifs in their original resolution (a mixture of 1080p & 4K), to get best possible results from the Neural Filters and have more flexibility later on in my workflow. I resize & sharpen these gifs after they're placed into my final PSD composition files in Tumblr dimensions.

3. Getting started

The essence is to output Neural Filters as a Smart Filter on the smart object when working with the Video Timeline interface. Your workflow will contain the following steps:

Prepare your gif

In the frame animation interface, set the frame delay to 0.03s and convert your gif to the Video Timeline

In the Video Timeline interface, go to Filter > Neural Filters and output to a Smart Filter

Flatten or render your gif (either approach is fine). To flatten your gif, play the "flatten" action from the gif prep action pack. To render your gif as a .mov file, go to File > Export > Render Video & use the following settings.

Setting up:

o.) To get started, prepare your gifs the usual way - whether you screencap or clip videos. You should see your prepared gif in the frame animation interface as follows:

Note: As mentioned earlier, I keep the gifs in their original resolution right now because working with a larger dimension document allows more flexibility later on in my workflow. I have also found that I get higher quality results working with more pixels. I eventually do my final sharpening & resizing when I fit all of my component gifs to a main PSD composition file (that's of Tumblr dimension).

i.) To use Smart Filters, convert your gif to a Smart Video Layer.

As an aside, I like to work with everything in 0.03s until I finish everything (then correct the frame delay to 0.05s when I upload my panels onto Tumblr).

For convenience, I use my own action pack to first set the frame delay to 0.03s (highlighted in yellow) and then convert to timeline (highlighted in red) to access the Video Timeline interface. To play an action, press the play button highlighted in green.

Once you've converted this gif to a Smart Video Layer, you'll see the Video Timeline interface as follows:

ii.) Select your gif (now as a Smart Layer) and go to Filter > Neural Filters

Installing Neural Filters:

Install the individual Neural Filters that you want to use. If the filter isn't installed, it will show a cloud symbol (highlighted in yellow). If the filter is already installed, it will show a toggle button (highlighted in green)

When you toggle this button, the Neural Filters preview window will look like this (where the toggle button next to the filter that you use turns blue)

4. Using Neural Filters

Once you have installed the Neural Filters that you want to use in your gif, you can toggle on a filter and play around with the sliders until you're satisfied. Here I'll walkthrough multiple concrete examples of how I use Neural Filters in my giffing process.

Example 1: Image enhancement | sample gifset

This is my typical Stage I Neural Filters gifmaking workflow. When giffing older or more niche media releases, my main concern is the video compression that leads to a lot of artefacts in the screencapped / video clipped gifs.

To fix the artefacts from compression, I go to Filter > Neural Filters, and toggle JPEG Artefacts Removal filter. Then I choose the strength of the filter (boxed in green), output this as a Smart Filter (boxed in yellow), and press OK (boxed in red).

Note: The filter has to be fully processed before you could press the OK button!

After applying the Neural Filters, you'll see "Neural Filters" under the Smart Filters property of the smart layer

Flatten / render your gif

Example 2: Facial enhancement | sample gifset

This is my routine use case during my Stage I Neural Filters gifmaking workflow. For musical artists (e.g. Maisie Peters), YouTube is often the only place where I'm able to find some videos to prepare gifs from. However even the highest resolution video available on YouTube is highly compressed.

Go to Filter > Neural Filters and toggle on Photo Restoration. If Photoshop recognises faces in the image, there will be a "Facial Enhancement" slider under the filter settings.

Play around with the Photo Enhancement & Facial Enhancement sliders. You can also expand the "Adjustment" menu make additional adjustments e.g. remove noises and reducing different types of artefacts.

Once you're happy with the results, press OK and then flatten / render your gif.

Example 3: Colour Manipulation | sample gifset

Want to make a colourful gifset but the source video is in B&W? This is where Colourise from Neural Filters comes in handy! This same colourising approach is also very helpful for colouring poor-lit scenes as detailed in this tutorial.

Here's a B&W gif that we want to colourise:

Highly recommended: add some adjustment layers onto the B&W gif to improve the contrast & depth. This will give you higher quality results when you colourise your gif.

Go to Filter > Neural Filters and toggle on Colourise.

Make sure "Auto colour image" is enabled.

Play around with further adjustments e.g. colour balance, until you're satisfied then press OK.

Important: When you colourise a gif, you need to double check that the resulting skin tone is accurate to real life. I personally go to Google Images and search up photoshoots of the individual / character that I'm giffing for quick reference.

Add additional adjustment layers until you're happy with the colouring of the skin tone.

Once you're happy with the additional adjustments, flatten / render your gif. And voila!

Note: For Colour Manipulation, I use Colourise in my Stage I workflow and Colour Transfer in my Stage II workflow to do other types of colour manipulations (e.g. transforming the colour scheme of the component gifs)

Example 4: Artistic Effects | sample gifset

This is where I use Neural Filters for the bulk of my Stage II workflow: the most enjoyable stage in my editing process!

Normally I would be working with my big composition files with multiple component gifs inside it. To begin the fun, drag a component gif (in PSD file) to the main PSD composition file.

Resize this gif in the composition file until you're happy with the placement

Duplicate this gif. Sharpen the bottom layer (highlighted in yellow), and then select the top layer (highlighted in green) & go to Filter > Neural Filters

I like to use Style Transfer and Landscape Mixer to create artistic effects from Neural Filters. In this particular example, I've chosen Landscape Mixer

Select a preset or feed a custom image to the filter (here I chose a texture that I've on my computer)

Play around with the different sliders e.g. time of the day / seasons

Important: uncheck "Harmonise Subject" & "Preserve Subject" - these two settings are known to cause performance issues when you render a multiframe smart object (e.g. for a gif)

Once you're happy with the artistic effect, press OK

To ensure you preserve the actual subject you want to gif (bc Preserve Subject is unchecked), add a layer mask onto the top layer (with Neural Filters) and mask out the facial region. You might need to play around with the Layer Mask Position keyframes or Rotoscope your subject in the process.

After you're happy with the masking, flatten / render this composition file and voila!

Example 5: Putting it all together | sample gifset

Let's recap on the Neural Filters gifmaking workflow and where Stage I and Stage II fit in my gifmaking process:

i. Preparing & enhancing the component gifs

Prepare all component gifs and convert them to smart layers

Stage I: Add base colourings & apply Photo Restoration / JPEG Artefacts Removal to enhance the gif's image quality

Flatten all of these component gifs and convert them back to Smart Video Layers (this process can take a lot of time)

Some of these enhanced gifs will be Rotoscoped so this is done before adding the gifs to the big PSD composition file

ii. Setting up the big PSD composition file

Make a separate PSD composition file (Ctrl / Cmmd + N) that's of Tumblr dimension (e.g. 540px in width)

Drag all of the component gifs used into this PSD composition file

Enable Video Timeline and trim the work area

In the composition file, resize / move the component gifs until you're happy with the placement & sharpen these gifs if you haven't already done so

Duplicate the layers that you want to use Neural Filters on

iii. Working with Neural Filters in the PSD composition file

Stage II: Neural Filters to create artistic effects / more colour manipulations!

Mask the smart layers with Neural Filters to both preserve the subject and avoid colouring issues from the filters

Flatten / render the PSD composition file: the more component gifs in your composition file, the longer the exporting will take. (I prefer to render the composition file into a .mov clip to prevent overriding a file that I've spent effort putting together.)

Note: In some of my layout gifsets (where I've heavily used Neural Filters in Stage II), the rendering time for the panel took more than 20 minutes. This is one of the rare instances where I was maxing out my computer's memory.

Useful things to take note of:

Important: If you're using Neural Filters for Colour Manipulation or Artistic Effects, you need to take a lot of care ensuring that the skin tone of nonwhite characters / individuals is accurately coloured

Use the Facial Enhancement slider from Photo Restoration in moderation, if you max out the slider value you risk oversharpening your gif later on in your gifmaking workflow

You will get higher quality results from Neural Filters by working with larger image dimensions: This gives Neural Filters more pixels to work with. You also get better quality results by feeding higher resolution reference images to the Neural Filters.

Makeup Transfer is more stable when the person / character has minimal motion in your gif

You might get unexpected results from Landscape Mixer if you feed a reference image that don't feature a distinctive landscape. This is not always a bad thing: for instance, I have used this texture as a reference image for Landscape Mixer, to create the shimmery effects as seen in this gifset

5. Testing your system

If this is the first time you're applying Neural Filters directly onto a gif, it will be helpful to test out your system yourself. This will help:

Gauge the expected rendering time that you'll need to wait for your gif to export, given specific Neural Filters that you've used

Identify potential performance issues when you render the gif: this is important and will determine whether you will need to fully playback your gif before flattening / rendering the file.

Understand how your system's resources are being utilised: Inputs from Windows PC users & Mac users alike are welcome!

About the Neural Filters test files:

Contains six distinct files, each using different Neural Filters

Two sizes of test files: one copy in full HD (1080p) and another copy downsized to 540px

One folder containing the flattened / rendered test files

How to use the Neural Filters test files:

What you need:

Photoshop 2022 or newer (recommended: 2023 or later)

Install the following Neural Filters: Landscape Mixer / Style Transfer / Colour Transfer / Colourise / Photo Restoration / Depth Blur

Recommended for some Apple Silicon-based MacBook Pro models: Enable High Power Mode

How to use the test files:

For optimal performance, close all background apps

Open a test file

Flatten the test file into frames (load this action pack & play the “flatten” action)

Take note of the time it takes until you’re directed to the frame animation interface 

Compare the rendered frames to the expected results in this folder: check that all of the frames look the same. If they don't, you will need to fully playback the test file in full before flattening the file.†

Re-run the test file without the Neural Filters and take note of how long it takes before you're directed to the frame animation interface

Recommended: Take note of how your system is utilised during the rendering process (more info here for MacOS users)

†This is a performance issue known as flickering that I will discuss in the next section. If you come across this, you'll have to playback a gif where you've used Neural Filters (on the video timeline) in full, prior to flattening / rendering it.

Factors that could affect the rendering performance / time (more info):

The number of frames, dimension, and colour bit depth of your gif

If you use Neural Filters with facial recognition features, the rendering time will be affected by the number of characters / individuals in your gif

Most resource intensive filters (powered by largest machine learning models): Landscape Mixer / Photo Restoration (with Facial Enhancement) / and JPEG Artefacts Removal

Least resource intensive filters (smallest machine learning models): Colour Transfer / Colourise

The number of Neural Filters that you apply at once / The number of component gifs with Neural Filters in your PSD file

Your system: system memory, the GPU, and the architecture of the system's CPU+++

+++ Rendering a gif with Neural Filters demands a lot of system memory & GPU horsepower. Rendering will be faster & more reliable on newer computers, as these systems have CPU & GPU with more modern instruction sets that are geared towards machine learning-based tasks.

Additionally, the unified memory architecture of Apple Silicon M-series chips are found to be quite efficient at processing Neural Filters.

6. Performance issues & workarounds

Common Performance issues:

I will discuss several common issues related to rendering or exporting a multi-frame smart object (e.g. your composite gif) that uses Neural Filters below. This is commonly caused by insufficient system memory and/or the GPU.

Flickering frames: in the flattened / rendered file, Neural Filters aren't applied to some of the frames+-+

Scrambled frames: the frames in the flattened / rendered file isn't in order

Neural Filters exceeded the timeout limit error: this is normally a software related issue

Long export / rendering time: long rendering time is expected in heavy workflows

Laggy Photoshop / system interface: having to wait quite a long time to preview the next frame on the timeline

Issues with Landscape Mixer: Using the filter gives ill-defined defined results (Common in older systems)--

Workarounds:

Workarounds that could reduce unreliable rendering performance & long rendering time:

Close other apps running in the background

Work with smaller colour bit depth (i.e. 8-bit rather than 16-bit)

Downsize your gif before converting to the video timeline-+-

Try to keep the number of frames as low as possible

Avoid stacking multiple Neural Filters at once. Try applying & rendering the filters that you want one by one

Specific workarounds for specific issues:

How to resolve flickering frames: If you come across flickering, you will need to playback your gif on the video timeline in full to find the frames where the filter isn't applied. You will need to select all of the frames to allow Photoshop to reprocess these, before you render your gif.+-+

What to do if you come across Neural Filters timeout error? This is caused by several incompatible Neural Filters e.g. Harmonisation (both the filter itself and as a setting in Landscape Mixer), Scratch Reduction in Photo Restoration, and trying to stack multiple Neural Filters with facial recognition features.

If the timeout error is caused by stacking multiple filters, a feasible workaround is to apply the Neural Filters that you want to use one by one over multiple rendering sessions, rather all of them in one go.

+-+This is a very common issue for Apple Silicon-based Macs. Flickering happens when a gif with Neural Filters is rendered without being previously played back in the timeline.

This issue is likely related to the memory bandwidth & the GPU cores of the chips, because not all Apple Silicon-based Macs exhibit this behaviour (i.e. devices equipped with Max / Ultra M-series chips are mostly unaffected).

-- As mentioned in the supplementary page, Landscape Mixer requires a lot of GPU horsepower to be fully rendered. For older systems (pre-2017 builds), there are no workarounds other than to avoid using this filter.

-+- For smaller dimensions, the size of the machine learning models powering the filters play an outsized role in the rendering time (i.e. marginal reduction in rendering time when downsizing 1080p file to Tumblr dimensions). If you use filters powered by larger models e.g. Landscape Mixer and Photo Restoration, you will need to be very patient when exporting your gif.

7. More useful resources on using Neural Filters

Creating animations with Neural Filters effects | Max Novak

Using Neural Filters to colour correct by @edteachs

I hope this is helpful! If you have any questions or need any help related to the tutorial, feel free to send me an ask 💖

[howtofightwrite]

Since adrenaline makes it easier to ignore pain, I’m wondering how severe an injury can be before adrenaline isn’t enough to allow a person to keep fighting

Fatal.

The scary thing about adrenaline is that you can suffer a mortal wound and not realize it until you drop dead. If you've ever seen the, “humans are space orcs,” meme, adrenaline is a big part of that. If you don't finish someone off, they are still a potential threat until they are clinically dead.

While it may seem slightly comical, the image of someone literally checking themselves for holes after being shot at is a real practice with genuine purpose. If they had an adrenaline rush, they might not be able to tell that they've been hit, and will need to physically examine themselves to ensure they're not bleeding to death without realizing it. (And, yes, that can absolutely happen.)

As a general rule, anything that will immediately kill someone, such as decapitation or catastrophic head trauma, will stop someone through an adrenaline rush. Destruction of the skeletal structure, (which is to say, destroying joints), might not completely stop them, but it's an injury they won't be able to power through (even if they aren't immediately aware of it.)

It's a little worse than I'm making it sound, too, because you can suffer non-fatal injuries during an adrenaline rush, and then aggravate the wound to the point that it becomes life threatening (or life-altering.) An adrenaline rush can, potentially, persist for over an hour.

In most cases, the adrenaline rush will drop off within a few minutes of the threat passing, though the state of threat is assessed by your brain, so your psychological state heavily affects that. Meaning, if you feel threatened, even if the actual danger has passed, the rush could continue (though it will usually drop off after, roughly, an hour.)

The “good” news is that an adrenaline rush will not prevent you from bleeding to death. So, if someone has been shot multiple times and is bleeding out, they'll still lose consciousness. You just need to make sure that they're actually incapacitated. Not that it matters, but as a minor up-side, adrenaline is delivered via the circulatory system, meaning if you start seriously bleeding, that's your adrenaline rush going with it, so the rush is likely to drop off prematurely in the event of fatal blood loss.

I'm not completely sure what the subjective experience is there. Catastrophic blood loss during an adrenaline rush is not something I have personal experience with, and my experiences with bleeding while dealing with an adrenaline rush is more just that bleeding is an extremely annoying inconvenience, when you don't need to consider what's happening. (To be clear, that's not just a glib dismissal, being aware of bleed was actually annoying. It might sound hilarious to be pissed off at your own blood leaking down the side of your face, but that was my experience. Also, for the record, I did not feel the gash that I was bleeding from, and angrily rubbed it a few times before realizing I'd been injured.)

The short answer to your question, “how much severely do you need to injure someone through an adrenaline rush?” You need to kill them.

That said, killing them is absolutely not your only option. Less than lethal devices, such as tasers or chemical sprays, can absolutely incapacitate someone under an adrenaline rush, without severely harming them. Similarly, restraints, and other submission techniques can be used to hold them down. In the case of restraints and submission holds, there is a danger of the individual injuring themselves, while they try to work their way out of the hold, but that risk is still vastly preferable to killing them on the spot.

Adrenaline is a very potent survival tool, in your physiology, and if you try to simply overpower that tool through direct force, it will lead to catastrophic consequences. However, alternative methods (in particular, shorting out someone's nervous system with a direct electrical charge, or simply interfering with the mechanical structure of their joints, can be just as effective at stopping them with far less dire consequences.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.