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alternativewinxcontinuity · 4 months ago
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mental notes for rewriting season 7 & 8
Brafilius and Valtor are going in the bin, The fairy animals are on thin ice, and the Trix are going back into storage.
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Wild Magic is the name for the remnant chaotic state of magic which came before the Great Dragon emerged and formed order in the Magical Dimension.
Kalshara was a Wild Magic researcher who was corrupted by exposure to Wild Magic and became obsessed with the idea of returning the Magical Dimension to Primal Chaos.
Mavilla (with whom she had *history*) stopped her and banished her, but was unable to find the Chaos Seeds (time bombs of Wild Magic) Kalshara planted in the Magical Dimension which were to be set of and destabilize magic as we know it.
Wild Magic, being the chaos state of magic, destabilizes the ordered form of magic, causing spells to fall apart or have unforeseen side effects.
Unable to track down the Chaos Seed, Mavilla went into solitude to study Wild Magic, eventually developing a form - Butterflix - which gave immunity to the destabilizing and corrupting nature of Wild Magic.
The reason Mavilla couldn't find the chaos seed was because they were hidden in pocket dimensions (mini worlds, for which the quantum form Tynix is needed to enter) and star cores. (Which can only be entered with Cosmix)
When they start popping off, Argen is infected and mutated, his resentment growing until he loses reason and kills his sister, Dorana, he hungers for the light of the stars and goes on a rampage to devour the light of the stars.
Twinkly, Dorana's handmaiden and apprentice star guardian crosses paths with the Winx as she tries to stop it and avenge Dorana.
They team up, the Winx passing on the Butterflix's anti-chaos ability, and Twinkly giving the Winx the Cosmix so they can enter the Star Hearts with her.
Mavilla (still a former headmistress of Alfea) also leaves retirement to help various Alfea fairy teams to track down un-popped seeds while the Winx keep the stars on.
Twinkly becomes the star queen after helping to save the universe, and Argen sacrifices himself in penance probably to stabilize the stellar array. (The stars are part of the power operating system of the magical dimension or something.)
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foreststarflaime · 8 months ago
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Dragon!Genesis!! You razed Tifa’s kingdom??? 😭😭😭😭
Genesis: …I’ve no idea what you’re talking about. That must have been some other gorgeous dragon with the most shiny, handsome scales and impressive ability with fire.
[He gives a loud yelp as Tifa chomps his tail.]
Genesis: FINE. Goddess. Fine, yes, I may have started a small fire in the area that grew rather out of control. In my defence, I wasn’t at my best. We were dealing with rather a lot at the time, with that repugnant old wyrm Shinra’s curse eating at our minds. And I was much more focused on getting dear Sephiroth away from that wretched lich than a few screaming humans.
[Tifa is looming over him and glaring. Tifa’s angry look is scarier than Angeal’s disappointed look. Genesis silently questions again why he has to be the shortest of the bigger dragons.]
Genesis: Oh, don’t give me that look. You were better off getting away from that small-minded town anyways, I set you free. Or would you rather still be some pet princess locked away in a tower?
Tifa: My father died in that fire, Genesis.
Genesis: Ahem. Yes, well. He was keeping you from going out questing, like you wanted.
[Cloud has now joined Tifa in glaring down Genesis, sitting on her head like a glowering chocobo hat.]
Genesis (visibly cowed): I already apologized. What more do you want from me?
Sephiroth: I, for one, am terribly sorry for my part in that tragedy, Tifa.
Tifa: Thank you, Sephiroth. I forgive you; you weren’t in your right mind.
[They all turn to Genesis again. Sephiroth looks almost indiscernibly smug and loafs like a cat.]
Genesis: Goddess, why do you test me so. Fine, have it your way. I’m…
Cloud: “You’re…” ? Finish the sentence. Cat got your silver tongue?
[Genesis glares pointedly at Sephiroth, who is unfazed.]
Genesis: I’m. I’m ss… [He hacks dramatically like a cat coughing up a hairball.] I’m sorry, okay? Are you happy now?
[Cloud openly laughs at him. Genesis goes to flop dramatically on a pile of books and sulk. Tifa looks vindictively satisfied, but is clearly plotting pranks for later.]
Dragons au
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teh-nos · 2 months ago
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Since I was down to a sensible number of WIPs after finishing a few recently I have started more, which is definitely not a decision I will come to regret. (Ahem.) Here is one of them:
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Ruining his brother’s wedding day seems like a good idea at the time, but it begins a chain of events that leads to Jotunheim and to his brother’s betrothed ruining Loki’s own day when her burning-cold touch turns his skin blue beneath her fingers...
Pairing: Loki/Sylvie Rating: M Additional Tags: Jotunn Sylvie, Jotunn Loki (SURPRISE TWIST!), Canon Divergence - Movie: Thor (2011), Minor Sylvie/Thor, What If… Sylvie Was The Frost Giant Who Caused Loki's Big Reveal?, Rating May Change, Other Additional Tags to Be Added
Skin Deep (1/?)
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musicfeedsmysoul12 · 8 months ago
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Crashing Fantasies
To face your fantasy falling as the harshness of the world hits you.
Naomahn Tabris, Aine Hawke, Davhalla Lavellan,
Those We Care For
Having people in your life can inspire you to become better people yourself or to live life to the fullest you can.
Rosalind Amell, Lilith Hawke, Shok Addar,
Good Men Need No Rules
Anyone can believe their a good man, sometimes you have to learn to be one.
Folcher Aeducan, Archie Hawke, Lucas Cadash
To Be Kind
The strongest thing you can do after a life full of harm and hate is to be kind.
Caoimhe Tabris, Ivy Hawke, Revas Lavellan,
To Love Yourself
Loving yourself despite all your flaws and what life has taught you is one of the hardest yet most rewarding things you can do.
Riley Cousland, Ivy Hawke, Harel Lavellan,
For Freedom’s Design
Some people yearn for the familiar and some fight for their freedom.
Cian Mahariel, Lorraine ‘Lorry’ Hawke, Mila Treveylan, Andy Thorne
Mistakes Make Us People
When you make mistakes, you have to accept them and try to fix them. That's what makes you alive.
Thea Surana, Bernadette ‘Teddy’ Hawke, Ophelia Trevelyan
Faith Sustains
Having faith in something can drive you forward more then you originally thought possible
Brynja Brosca, Aisley Hawke, Charity Cadash
Uneasy Rests the Laurels
When you look around to see how far you come, are you happy with what you've done?
Lochlan Cousland, Simon Hawke, Edmund Trevelyan
With Bloody Hands
To get ahead, sometimes you have to stain your hands red.
Muirin Cousland, Willow Hawke, Gloria Treveylan
Revolution is not Kind
Sometimes the revolution is lead by the angry women not willing to back down
Runa Amell, Wyome Hawke, Abigail Treveylan
Anger Drives Us
Sometimes being angry at the world isn't useful. Other times it helps a lot.
Alanna Tabris, Diana Hawke, Tria Treveylan
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thehellishtrinity · 1 year ago
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Who’s pg?
Tough question but in human AUs PG is one of Virus's parents so make of that what you will!
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yangcherie · 1 year ago
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OMG OMG YOURE BACK HI HI HI!!!! and omg, you write for avatar? i didnt know!!! please explain your new atwow dc series to me omg.
hi! i was never gone in the first place, lol. and yes i do write for avatar (my childhood movie 🥺) and yes i’d soo happy to explain my new series! 💕keep in mind its dark content btww :)
so, the twsoia series is all about how reader is childhood-ish friends with neteyam, lo’ak and aonung, and they all have romantic interest in her. however, they fail to see that reader is interested in someone else – a girl. since the series is separated by four parts, the first three feature her separate rejection for each friend and how she lets them know that she’s interested in a girl (her name is tuseyä, btw)
the fourth and final is where it really gets dark and nsfw – the part where it’s reader’s turn to get rejected by tuseyä. so after getting left in the dust, she returns to our boys who she also left in the dust. they do bad things to her because lo’ak convinced them to and because they’re bitter, bitter men.
to sum it up,
first part – rejecting aonung
second part – rejecting neteyam
third part – rejecting lo’ak
fourth part – consequences
so yes, very dark. be cautious when reading it plz.
note that i took liberties btw with na’vi culture for a bit of homophobia which does NOT exist in the show btw! i doubt the na’vi are prejudiced lmao! so yeah thats the twsoia series explained achoo excited to finish it up hehe. lol
let me just list the inspirations ✨: the homophobia i faced from my male friends as someone who likes girls, nice guys always finish last trope, ‘breaking homie code’ = not leaving your friends for a partner 🙄
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novlr · 2 years ago
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How to Write Betrayal
Betrayal is a powerful plot element that is represented in countless stories. The gravity of betrayal brings a profound depth to character dynamics, plots, and themes alike, making it an indispensable tool for writers to explore emotions, conflicts, and the complexities of human nature. Let’s explore some quick tips on how to write betrayal!
Behaviour
Secretive actions
Dishonesty
Becoming emotionally distant
A sudden change in routine
Pushing people away
Nervous or fidgety movement
Frequent lying or making up stories
Unexpected aggression or irritability
Unjustified mood swings or emotional outbursts
Increasingly defensive
Interactions
Disturbed interpersonal relationships
Frequent misunderstandings or fights
Withholding information
Avoiding personal discussions
Insincerity in conversations
Frequently cancelling or missing plans
A sudden shift in relationship dynamics
Quick to deflect or place blame
Frequent subject changes
Gradual emotional detachment
Body Language
Avoiding direct eye contact
Defensive stance and crossed arms
Covering mouth or touching face
Shuffling or restless movements
Forcing smiles or laughter
Constantly looking around or at the ground
Stiff, tense posture
Heavy breathing or frequent sighing
Avoiding touch or skin contact
Exaggerated gestures
Attitude
A lack of concern or empathy
Increasingly personal and hurtful arguments
Erratic or unpredictable reactions
Self-centeredness
Insincerity
Dismissive or negative attitude
Callous disregard for other's feelings
A negative or pessimistic outlook
Inability to handle criticism
Withdrawal from relationships
Positive Story Outcomes
In the wake of a betrayal, a story can manifest various positive outcomes that add depth to the plot and its characters. Relationships can be strengthened, showing their resilience. Characters may discover newfound self-reliance and learn valuable lessons about trust and forgiveness, leading to an increase in empathy and understanding, personal growth, and the reinforcement of personal values. These experiences can encourage a clearer understanding of personal boundaries, prompt self-reflection, introspection, and the development of healthier coping mechanisms. Ultimately, these positive outcomes can bring about improved communication and honesty, forming the silver lining in the cloud of betrayal.
Negative Story Outcomes
The aftershocks of betrayal can reverberate throughout your story. This might include an irreparable fracture of trust and damage to relationships. Betrayal can trigger psychological trauma, leading to an increase in suspicion and insecurity. Feelings of inadequacy or self-blame may surface, and characters can experience a heightened sense of isolation. The fear of forming new relationships or trusting others can become overwhelming. There may also be an escalation of conflict or violence and the reinforcement of negative behaviours or patterns. Damaged self-esteem or self-worth may be another repercussion, and this can encourage destructive coping mechanisms.
Helpful Synonyms
Treachery
Deception
Double-crossing
Duplicity
Backstabbing
Two-faced
Disloyalty
Unfaithfulness
Infidelity
Falseness
Perfidy
Treason
Fraud
Deceit
Slander
Misrepresentation
Falsification
Chicanery
Double-dealing
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sojumimi · 3 months ago
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又 : loving you again ──── 西村力 (니키)
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SYNOPSIS : where two meet as strangers and then become friends, but then one leaves the other behind, and that they are strangers again... will they mend their relationship to become friends again or even something more, or would they leave everything as they had left it?
COUPLE : high school student!ni-ki x high school student!reader to ➤ ???!ni-ki x ???!reader
GENRE : romance, slice of life, reality check, and a sprinkle of angst [maybe a little more than a sprinkle, but you know what i mean], slow burn!!
BEFORE READING : the story starts out when both ni-ki and the fmc/fl [female lead/female main character] are in high school, it’s a bit of a long start before they meet again, cause like you need development and plot ㅠㅠ ⋮⋮ face claim of the fmc/fl [female lead/female main character] is only for imagery purposes only!! in no way shape or form am i shipping her with ni-ki! ALSO FYI TIME WILL NOT MAKE SENSE- I didn't think this through guys ㅠㅠ
WARNING : vulgar language, and kys/kms jokes will be made, and some maybe nsfw jokes
CAST : enhypen members, leehan [bnd], sungho [bnd], eunchae [lesserafim], myung jaehyun [bnd]
STATUS : on going
STARTED : 20250330 @ 23:11
ENDED :
ꜱᴏᴊᴜᴍɪᴍɪ : my first SMAU and I think my storage is dying 哈哈哈哈, and plot may not be plotting, please bear with me ㅠㅠ
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chapters & profiles :
PROFLIES : [daisie.co] || [#popular] || [honorable mentions]
CHAPTERS :
01 im sorry what, now?!
02 why. why would you choose that-
03 research
04 group hangout (not)
05 fracture, dumb shit happened
06 who the hell is that?
07 planning?
08 cafe date!
09 disaster
10 looking after a man child, only for tutoring ofcourse
11 oh- she's mad
12 arcade
13 results, shedding happy tears
14 group study session?? and more injuries
15 all nighter #grumpy yn
16 exam season midterms, finals, and ap exams
17 more all nighters
18 extra circulars
19 collage aps
20 bowling? youre a bowl???
21 that’s gay
22 ate night gathering
23 crushes, teasing, getting love from hyungs
24 k-tv, #sunghoon and sungho embarrassing moment
25 summer plans
26 news
27 letters and sobs
28 did she delete her account?
29 gone, she’s gone?
30 graduation
31 starting again ( time jump second year of university)
more coming soon...
reminder all chapter titles are subject to change! <3
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──── taglist : closed
likes, comments and reblogs are always appreciated !
© all rights reserved sojumimi 2025
do not copy, steal or repost my work without permission.
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warnersister · 2 years ago
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Oh, how you’d changed him
Tom Riddle x Reader
Summary: how you’d changed Tom and his life for the better, and how ridiculous his previous plans seemed after that.
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Tom had carefully planned out his world domination, created his alias Lord Voldemort and the horrors that would go with him. He decided that he would single-handedly take over the wizarding world by any means necessary and reek havoc amongst the weaklings that surrounded him. This; a plan he had created since he was merely a boy, determined to return what this cruel world had forced upon him - sorrow and pain.
Until he met you. To Tom, you were like a breath of fresh air, an unbeatable presence with bright and hopeful features that offered a sense of peace in his life. You had been acquaintances since first year, however had become more familiar in sixth-year potions, just as he was plotting his first horcruxes along with the basallisk attack, you had been assigned as station-partners in the early September of that year.
When your names had been read Tom quirked a brow, however was not disappointed with the testily - having duly noted your previous achievements in the subject and feeling as though you could come in handy later down the line when his domination was more of a priority than his studies, but his world came crashing down when you turned in your seat to examine him.
Tom was lead to believe that he was incapable of love. A monotone psychopathic freak lacking human emotions, yet obtaining alien abilities. It when your eyes looked him over and your hair swayed behind your shoulders, he was unable to ignore the way his heartbeat quickened and breath faltered, in Tom’s eyes you were unfathomably gorgeous and he was unable to look away, a Medusa incapable of stoning her victims.
You held your hand out calmly and he admired the way your posture was straight and head held in a confident stature. “Y/n,” you said, lips soft and plump and voice soothing and gentle. “Tom,” he replied, voice failing him as he fumbled over his words with a stutter - something having never happened to him previously. You giggled at his mistake and he found himself enjoying the sound, instinctively making it his mission to hear it once more, unable to stop the smile appearing on his lips.
Tom also appreciated your knack for perfection. Your potions never failed to exceed beyond perfection and your applause was always deserved, taken with a humble nod to your peers before you set out defying the next odds in your path.
Naturally, Tom began to gravitate towards you outside of lectures, also. He’d find himself on the path to walk you to class or accompany you to the dinner table, or beside you in the library studying beyond the librarian’s patience and working hours. Tom found comfort in your presence and allowed himself to indulge regardless of what ‘Lord Voldemort’ told him to do.
Eventually, he’d offered his arm to stroll down with you to Hogsmeade on a chilly autum day, a few weeks before Christmas celebrations would commence and the winter solstice would turn the Scottish highlands surrounding you into an awe-worthy winter wonderland. “May I accompany you to Hogsmeade?” Tom asked with a small smile, holding his arm out to you while you friends giggled and pushed you towards him. You’d laughed with him as you threaded your forearm alongside his, joining you both at the hip while you replied: “yes, you may Tommy.”
Strangely, he never felt any kind of resentment to any nickname you’d give him other than his name. He welcomed your names with open arms and answered to nearly any plausible noun that passed his lips. He even bought you butterbeer to warm your frostbitten lips, sipping simultaneously while the barmaid offered a few obvious knowing glances.
You shivered as you walked on, the many layers you had adorned on top of your skin no match for the ever-growing cold attacking Hogwarts and found yourself struggling with chattering teeth. Tom immediately removed his long coat and wrapped it around you, admiring both the chivalry of his actions and the satisfied smile on your face when your body temperature started to rise. “No, no, Tom. You’ll get cold.” You said, a reluctant whine passing your lips to which he shrugged. With anyone else, he would’ve let you freeze to death, but not you. He would die for you, freeze to death if you will. “I’m fine, I’m more concerned about getting you back to the castle without hypothermia.” He says with a small chuckle, pulling you into his side by the waist. “I guess you aren’t so cold-hearted as you make yourself out to be, Tom Riddle.” He looks down at you and considers your words for a few seconds.
“You confuse me, y/n. I’ve never felt so warm and gleeful around a person yet you never fail to bring a smile to my face. Teach me how to do that.” I instructs but you shake your head no gently. “I cannot do that simply due to the face that you do it to me, also.” You reply, each exchanging knowing glances between each others eyes and lips. He leans down and traps your lips with his own, warming your body through a simple yet sophisticated gesture and from that day forward you were referred to as his girlfriend.
Of course, however he had also come clean about his upbringing and eventually the chamber and the basilisk. He had told you he was conceived under the influence of a love spell and believed that he was incapable of loving until he had met you. You laid on his bed as you talked; his head on your chest while you weaved your fingers thought his chestnut locks and listened to him. “I read a while back now about a recently investigated muggle issue called autism and it has occurred to me that you’re not incapable of love, you have asbergers Tom. I’ll read the passage to you later.” And all of a sudden all of his unjustified emotions and troubles made sense and he could finally find an unknowingly lost sense of peace within himself knowing what truly made him into the Tom Riddle he was.
When he took you into the chamber he’d told you all about his plan for domination and his large magical snake and how he had a few followers and you never judged him once. If anything you thought it was impressive that he yearned for revenge instead of acceptance but reasoned that perhaps an oversized snake and a killing spree were not the solutions he was searching for. The basilisk lived shrunken to normal size in a glass cage beside his bed after that.
And as the time went by and your relationship flourished, Voldemort seemed more like a past phase than a goal and was more focused on the life he going to create with you. He called his ‘followers’ pathetic and told them to get a life when they questioned his authority over their devotion.
Eventually, it came time for you to graduate and Tom’s hand was tightly clasped in your own as you looked at the castle for a final time. You were silent, acknowledging the end of this era and slowly coming to terms with it. After a while, Tom scoffed. “World domination.” He said with a smile shaking his head. “Who’s ever heard of such a thing?” He turned and picked up your bags along with his own. “Ready to go, darling?”
The two of you had shared your own compartment on the train ride home, others finding their own cubbies as Tom scared them off from sitting with you. Your head was rested on his shoulder as he read a muggle book to you that you had bought the previous summer ‘the great gatsby’. It was a deep and considerate book and made you think about your future, also.
“What’re we going to do now?” You ask out of the blue, interrupting his sentence as he simply closes his book and looks down at you, your face deep in thought. “Well,” he hummed, thinking for a moment. “We’ve booked that cottage in the Peak District for a few weeks, how about we think it all out then?” And you nod. “Sounds like a plan then.”
The next few weeks were spent waking together in the high peaks of the muggle countryside, simply talking and appreciating one another’s company and plotting your lives.
“Is it bad that I want to stay here forever?” You ask him, looking out at the sunsetting one warm winter evening. Tom thinks thoughtfully before saying “if it is then it’s bad that I want to stay here too.” As a pureblood witch you were born under the believe that muggle life was pointless and undeserving, and as had Tom - but together you realised you preferred the quiet and solitary, and not needing to use magic to do everything all of the time. It was a change. And it was nice.
One morning mid-august Tom was reading the newspaper and you were making you both toast. “Someone’s selling the property up the street.” He says and you sip on your drink and look out of the window. “What? The old farmhouse.” “No, the one with the long drive and vines up the side.” You sigh dreamily. “Oh, if only.” You say with a chuckle. “Darling we can afford it.” Tom says and you stay in silence for a moment, sharing the thoughts weaving through your minds. “It wouldn’t take up a large chunk of our savings.” He drops his reading glasses to the end of his nose and smirks. “We’re rich in muggle terms.” You laugh and shake your head at him. “You’re so humble, Riddle.” He stands up and slides his hands around your waist to hold you close as you share the view of the house in question. “We’re buying it.” He spoke after a while, finalising his decision. “What happened to the ‘I hate muggles and never want to be amongst them’?” You ask, turning to him with a cocked brow. He just shrugs. “They were Voldemort’s views. Not mine.”
Matter several months going back and forth with the previous owners and settling on an asking price, you were standing in front of the house- your house, beside tom, exactly how you had when you were leaving Hogwarts. “This is our house.” You say, not taking your eyes off of the scenic view before you. Tom takes you into his side and rubs your arm comfortingly before kissing your temple. “Our home.”
Tom became an Auror, acting as an undercover wizard in the muggle setting catching and reporting any source of dark or unrightfully used magic. You took up being a healer, training in the wizarding world but practising in your home village, being known as a respectable young doctor who all the elderly or adjacent citizens resided in to get treatment - and anything you gave them always worked.
It was a spring morning when you were down at the bakery picking up a loaf of bread for your dinners. “How’s that fella of yours?” The lady asked with a smirk. “Oh Tom’s fine, just left for work.” “Popped the question yet?” The old woman asks, elbowing you slightly. “We’re only twenty Agatha!” You say with a laugh. “Well, Arthur and I were married when we were nineteen.” She crossed her arms. “I thought you were telling me how much you hated him?” You laugh. “Oh he gets on my wire, but we were still married!”
That left you with the thought in your mind for the remainder of the day - you’d decided that Tom Riddle was the man you wanted to spend the rest of your life with and then some.
In February you both took a trip down to the Lake District and rented a boat house with a large lake, your jobs and ‘trust funds’ inherited from family members allowed you to do this rather frequently and easily, nothing out of the ordinary to take a trip for a long weekend.
It was at sunset, rather early due to daylight saving hours when you rowed out onto the lake to just sit in tranquility for a little while, appreciating the quiet time together. You’d rose to your feet, sure that you had seen an owl fly by and when you turned around, Tom was on one knee, box in hand. In the box, the ring of Salazar Slytherin himself with a bunch of roses in the other.
“Agatha told me today is Cupid’s holiday.” He say, voice just beyond a whisper as a smile grew on your face and tears formed. “You know, until I was sixteen I was asphyxiated with the idea of taking over the world, finding a victim to take the pain that I felt. But those silly little thoughts were gone when I met you, the only person I live and breathe for. I never thought I could, however I love you, yn ln. And it would do me great honour if you would be my wife.”
You’d kissed and hugged him and wept into his shoulder as you happily embraced - ready to start the rest of your lives together. There were no other young women in the village and your parents had practically alienated you when you went to live with muggles so the ladies who attended your doctors practise took you shopping for your wedding dress - Tom insisted on paying.
Dolly was brutally honest and Susan started crying, Agatha kissed you and called you her daughter and it was certainly a day to remember - a gorgeous fitting dress, white and highlighting your features gracefully.
You’d gotten married in the village church, an audience of your neighbours and close friends and a few companions from school, Agatha was your maid of honour and Greta your flower girl, gleaming smile on her face while her husband rolled her down the isle in her wheelchair while she sassily threw rose petals. And Dumbledore was sat in the front row, a smart suit on while he smiled at the man the little evil boy turned out to be, and the gorgeous woman you had flourished into.
It was a beautiful ceremony and a beautiful day. And you were now the beautiful yn Riddle.
In September, Abraxas Malfoy and his wife wanted to celebrate their wedding anniversary and asked if they would drop their son, Lucius off for the week so they could go away. You and Tom decided to take the week off work and look after him, after all, the young lad needed to be accustomed to his god parents!
One evening Lucius had pleaded with you to go sit in the garden and paint together and of course you complied, taking the supplied and the young boy on your hip, and headed for the grass to make a mess. And make a mess you did, there was red in your hair and blue on his white libel shirt, and hardly anything on the page. Tom watched from the window sipping on a cup of tea, watching as you interacted with the young boy so naturally, tickling his stomach and laughing as you played hidey-boo. It created an odd twang in his stomach, the same he had felt when he had first laid eyes on you.
One day when the boy had been reunited with his parents, Tom had been sent on a mission to retrieve an escaped boggart. During his time at Hogwarts, his biggest was recognisably his own dead corpse, but when he approached the creature, it’s form was your grave with him sat looking deathly ill beside it weeping. Your headstone read ‘a loving wife and doctor, no children’ his stomach dropped when he realised what he needed. What he needed right now.
He got home that night and held you close and cried, feeling you warm and full of life. You caressed his shaking body as you soothes him, and when he had calmed he had taken your face into his hands and cradled it, telling you suddenly “yn I want a baby.”
Throughout your pregnancy, Tom was tender and reluctant to let you move without him being beside you. He became more protective than he already was an even took an extended paternity leave just before your due date.
Prior to that however, he worshiped you like a goddess. He would make you decaf tea - something you grumbled about but he refused to listen. He stopped smoking his pipe inside the house, instead taking it to the end of the garden while he and Mr Garson next door chatted about his wife and you. He made you lay on the settee and sat on the floor beside your growing stomach while he read old wives tales from a book inherited from his mother. He even sang to it once or twice. After the sixth month mark when your belly was becoming noticeably plump to the point you could rest your tea cup upon it without it falling off, he began carrying you everywhere. Regardless of how far the distance, and the fact you were carrying another human, he acted as though you were a feather that needed assistance and carried you the way he did on your wedding night.
When you took your own maternity leave, he was even more pleased - before he’d sit beside you in your doctors office and never took his eyes off of you, now he needn’t a reason to why. In his eyes, his love was pregnant and needed tending too. He’d shower with you and lift your stomach until he saw the face of satisfaction he knew well and loved. And he’d be lying if he said the breasts you were growing didn’t make his mouth water, as well as the fact there was a possibility that he could impregnate a pregnant woman - a thought that drove him wild but alas after many attempts, it was eventually an unsuccessful mission.
And in the next July, Tom was sweating as he held your hand and felt a great pain as you cried in agony beside him. You were in a muggle hospital, Agatha had awoken in the middle of the night and heard your pained cries and ordered her husband, Mr Garson to drive you to the hospital which he did, adjusting his thick-lenses on his glasses and having to be awoken a few times at the wheel from Tom’s furious barks, but you made it on one piece, and at quarter to ten, you produced him a son, deciding on naming him Mattheo Riddle.
After giving him a bath, the midwife’s tried to take him away ‘give you a break’, but you refused. Groggily saying “I’ve only had him ten minutes why would I need a break.” And Tom soon shooed them off, getting into the bed beside you and holding your son skin-to-skin as he slept on his fathers chest, and you on his shoulder. When you drifted off he kissed the top of your head gently and whispered sweetly “well done, mummy.”
Tom was determined to be the father he didn’t have. And a good one at that.
Mr and Mrs Garson cried when you asked them to be the godparents, you would’ve appointed the role to everyone in this village if you could - your own little family larger than it seemed.
The newborn stage went by awefully fast and you and Tom self with every hurdle and hiccup together, all the nappies and sick, and the 3AM walks when baby Matty would not settle. It was gone and soon you had a walking talking toddler of whom you were both awfully proud of.
The chilly autumnal eves suddenly turned into even colder winter morns, Christmas was making its rounds in the muggle world and you and Tom had became accustomed to it. You decorated the tree, hung candles, sung carols, gave presents and ate specialty meals on the 25th. Tom sat in his armchair, Mattheo on lap, reading glasses down to the end of his nose as he read A Christmas Carol to him.
You were making dinner, Mince Pie was on the menu that night in particular, and you smiled as you notice the snow falling. You wiped your hands and leant against the doorframe watching your two boys in awe, just memorising the picture for a moment. “Are you alright, my love?” Tom asked, smiling up at you. “Just admiring the picture.” You say, mirroring his grin. Then you turn to your son. “I’m awfully sorry to interrupt, master Riddle. However, so I do believe it is snowing.” He gasped dramatically when he heard the news. “Snow! But we’re reading! But snow!” You both laugh at his dilemma then suggest “how about we eat dinner, then we’ll read out in the snow and make a snowman.” The young boy squeals in delight and runs to the dining room to eat, sitting ever so patiently yet with an impatient smile on those cheeky lips.
That evening you built a snowman, read the last part of the book, and put your son peacefully to sleep in his bed after singing ‘Silent Night’ to him. You and Tom basked in the sight for a moment, just taking in the calmness of the setting.
And as Tom looked down at you, he thought of how you’d changed him.
*scoff* Lord Voldemort, who’d ever heard of anything so ridiculous?
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caramelclover · 3 months ago
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Hello I bring u a little thought experiment I had: Swapwashing. An au where the tulpar crews professions are all swapped amongst each other but their personalities remain intact hehe
Poor Anya surrounded by idiots and she is on her last strand of sanity
Little character dissection and possible plot under the cut!!
About The Crew
Swansea - The Captain - Swansea is the captain and has been serving for a while. He's made it to the top all the while having settled and had kids with his wife. All in all he's comfortable and self assured to a fault. He knows the ins and outs about the company, so he's able to lead his crew with a bit of of a softer hand and more chummy attitude. This is why he'd view Anya, a younger co-pilot that transferred onto the Tulpar a few years back, as a thorn in his side when she starts worrying about the ship and questioning his practices.
Anya - The Co-pilot - Anya is an accomplished Co-pilot, however she does not strive to become a captain. The work is arduous, tedious, it stresses her out to no end to the point that she's started growing grey hairs at the age of 32. She's a rather anxious person and in turn it makes it hard for her to enjoy her line of work. Instead she wants to keep the ship running well, but she does want to find work elsewhere, preferably in an environment that won't treat her lesser than her male coworkers.
Curly - The Mechanic - A low stress job that allows Curly to flex his muscles is something he enjoys. It allows him time and energy to both focus on his work and wonder what the next chapter of his life will bring. Overall he is outgoing and is looking forward to doing more for his crew; he wants to help them all as best as he can
Jimmy - The Nurse - Curly put in a good word for his friend Jimmy in the pursuit of helping him get a job. This, as well as the requirements for being a nurse while working at Pony Express, means that Jimmy has a bit more power than he's used to. He's keen on harassing his co-workers under the guise of "medical necessity", and he makes many nasty remarks to Anya specifically, disregarding her status. Anything he says or does is a "joke" and Swansea defends that.
Daisuke - The Nurse Intern - Daisuke is sweet, he does his best and tries to learn from the best. But Jimmy isn't exactly a positive influence, and Jimmy actively sabotages Daisuke's learning to ensure he does not become a nurse under Pony Express by feeding him false information and practices. The one thing he can keep alive though is his tamagotchi.
The Plot (WIP)
So my main idea for the plot itself hinges on Anya crashing the ship. While it may not be 100% in character, there's a reason for this. Jimmy isn't exactly the most above board nurse there is, neither is Pony Express. I believe Pony Express would use some cheaper, off brand alternatives to medication, including experimental drugs. Coupled with Jimmy not being the most attentive nurse, while also having ulterior motives, would try to harm Anya in some way. However this would essentially back fire, as the medicine would result in her having a psychotic break and crashing the ship. Her psychotic break would be mostly hallucinations, but they'd be led by her hatred for her situation. After all, the captain who has scorned her for most of her stay gets to have glowing recommendations and a chance at a job after the firing.
When the ship crashes Swansea is the victim, and the story would then follow Anya's guilt for what had happened, as well as her feelings of rage and anxiety as she's now the sole captain of a crew that sees her as lesser.
The story is still a bit of a WIP and i'll be sort of chewing it over, so things are subject to change. BUT that's my premise :D
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rainsinheaven-if · 3 months ago
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☆彡Update Log 1.0 - DEMO IS OUT!
Play the Demo here!
After months of writing, editing, and coding, the prologue and Chapter 1 is finally out! With code, the prologue and Chapter 1 is about 20k words. It’s a little short if you compare it to other IFs but I can promise that Chapter 2 is probably gonna be longer. The demo should be playable on both PC and mobile.
Warnings: this update involves injury, blood, attempted murder, death of a minor character, parental physical and emotional abuse, and parental favoritism.
In the prologue, you will:
Get a glimpse of your parents’ favoritism the moment you were born.
Choose the skin color, hair color, and eye color for you and Nolan.
Wonder who’s talking about you, Nolan, and your future.
In Chapter 1, you will:
Have a weird dream?
Receive some gifts from Aria and Nolan.
Give a gift to Nolan.
Greet the Royal family.
Make your first friends.
Witness an attempted murder.
Have your heart shattered (or rage explode)
Cry yourself to sleep with a burning red cheek.
One thing to note is that the sections on the side bar are still under construction and subject to change. In some cases, you may see the word “null”; do not fret, it isn’t an error. This is a variable I set to “null”, and would probably be changed when you get to a certain point in the demo. Also, if you're playing on mobile, you might notice that the title in the front page is not aligning properly to your screen. I am aware of this and I'm working on fixing it, but it has to be like that for now.
Hope you enjoy it, and thanks for playing! If you find any grammar errors, bugs, etc., feel free to send them through Tumblr asks, go over to my Discord, or DM me those issues on any of the mentioned platforms plus Twitter (@/nabearbot). I’m also open to any suggestions or questions you have about the plot or demo <3
Additionally, thank you to all the beta testers who helped me through Discord. I’ve learned a lot from their reports.
As this is my first time doing this sort of project, please be patient and kind with me and my work 💖
Join the discord server!
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caitchercatlady · 1 month ago
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Sleeping Over at Ramshackle w/Silver
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Silver asks you for a favor in between classes. As you two are about to have a slumber party this weekend, he’s been asking questions about it (as he’s never slept over at “a friend’s” before). This, however, is a mandatory request and not something Silver is going to skimp on.
“Please remind me to put on my nightwear before I go to bed. I mustn’t wear my school uniform when I sleep.”
You can’t blame Silver. You won’t like a wrinkly uniform either, especially when you have the attention of Riddle and Vil on your radar. Nevertheless, with Silver’s habit of falling asleep in the middle of the day, it’s already bad enough to be caught dozing off while representing Night Raven College.
Friday night comes, and so does Silver with his overnight bag in tow. You offer to drop everything off in the guest bedroom for later, but Silver refuses to see the room, fearing that seeing a bed will make him sleepy. You find this fair.
To keep Silver awake for the party experience, you come up with some active ideas. The first activity you conduct is baking the sweets. The special treat you have in mind is the classic thumbprint cookies. With many steps to follow, Silver is kept busy, not stopping for a second. While the cookies are baking in the oven, you guys prepare the thumbprint fillings, cutting and muddling fruits. Then, you combine the fruit by topping it on the finished cookies, after they’ve cooled a bit.
“What do you call these cookies? Why did we press the middle of the dough with our thumbs?” Silver questions.
You explain the thumbprint cookie concept to him, saying that they have a personal charm.
“Thumbprint cookies. That feels so…modern.”
“Not really. They’ve been around for about two hundred years, I would think.”
“I’ve never heard of such a concept. Father would be head over heels for this.”
At the thought of Lilia attempting thumbprint cookies, you change the subject and decide to move onto the next activity: movies. You’re about to give Silver a real treat. You’ve been meaning to see this movie since you got it in the mail (at Idia’s recommendation).
Fortunately for Silver, he finds this heroic romantic film intriguing. It’s a wise idea for you to get a movie with more plot events on screen than subtlety. However, his favorite part isn’t the sword fighting.
“He is truly in love with her.”
You scoff. “How can you tell? It’s acting.”
“Yes, but look at how he embraces her at their reunion. It's as if he hasn’t seen his beloved for one hundred years. His life stopped when she was captured, and he knew restoring it meant slaying the ones responsible for stopping it at the beginning. She is his peace. One day, I hope to find my peace, too.”
You haven’t a clue that Silver’s such a romantic. His explanation brings tears from your ducts and out onto your cheek. He gazes upon you, and Silver jumps in his couch cushion spot.
“Why are you crying?” he asks worriedly. “Did I offend you?”
“No. I’m not.” You wipe the tears, smudging them across your blushing skin. “It’s just…What you said was very beautiful. I never thought of it that way.” To be fair, how can you when you have Ace spewing his playboy escapades at every bragging opportunity?
By the time the movie ends, it’s already striking 10PM on the clock. You and Silver agree that it’s time for bed. At the word “bed,” you remind Silver to wash up and put on his pajamas before getting under the covers. He is thankful for your words.
What you don’t count on  by the time the two of you are done with getting bed ready is Silver asking for one more thing from you.
“Forgive me if my request is overstepping my boundaries as your guest…May I lay next to you tonight?”
Silver seems so forward about it. You know he has no ill intentions, but you can’t help but ask why anyway.
“I…I think I needed more peace tonight than I thought.”
Who are you to say no to that?
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bitegore · 2 months ago
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I made a character sheet to plot your OC's development over time! (There's supposed to be a character name in the big white space next to "over time" but it got eaten a little lmao)
You can use this for whatever you want, and you don't have to credit me. Feel free to change or edit anything you feel like. Please don't tag me if you credit me - just link to the original post.
Credits, explanations & a transparent version under the cut :D
Credits:
The actual image was made with the free NBOS character sheet creator, which is a sort of dated but free and solid text-layout sheet maker intended for ttrpg style character sheet creation.
Fonts used were Bisdak (titles) and Rockwell (body). Both are free! You can use them to fill it out if you like.
Inspired by a comment @maybe-solar-powered-calculator made on this other post about filling it out for characters at multiple points along their arcs. Thanks for putting the idea in my head :D
This is explicitly released under a CC0 1.0 deed, ie: you can do fucking whatever you want with it and I don't care and you don't have to tell anyone where you got it from and no one gets to stop you.
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Last time I made one of these I got a bunch of questions on all manner of things, and I can never keep up, so I'm just appending a set of notes for how to use it and a glossary because I know some of these phrasings will be confusing.
Ignore or change anything you don't feel like works for you here. You can do whatever you want forever.
Suggested / intended use & general notes:
This sheet could work for something story-level, if you want. But it's really only good for individual arcs; if the character goes through multiple arcs in your story, then they're going to fit poorly here. In that case, you're probably better off doing versions for each arc, or just adapting this to a different format more suited to your thing.
Also, if your arc has a nontraditional structure - divorced from the typical "rising action - climax - conclusion" type of structure where there's a clear 'important turning point' - it may not work as well either.
The mindset section is meant to come at it from a 'golden mean' standpoint - that is, everything on either extreme of the slider is 'too much' and therefore bad. It's not bad-to-good! The far right side is a flaw too. They're only grouped the way they are on basis of the specific OCs I personally had in mind when I put it together.
Growth is labeled 'worse'-to-'better' but it means, like, active decrease in that area vs active increase; if nothing changes, it should stay at the center even if it sucks. The category is about contrasting changes, and sometimes changes are for the worse!
The entire sheet is very deliberately subjective. It should really be answered from the character's perspective - how they feel about it, not what's necessarily true. Technically you can do whatever you want and I can't stop you, but it's a better tool if you approach it from the point of view that the character may believe things that aren't true - that will define their behavior way more than the objective facts of the story.
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Definitions:
This part is long as hell - recommend using ctrl+f to find the specific words you're stuck on. I defined everything.
General categories:
Mindset: how your character thinks about themself and how they act. Their understanding of their own approach to life. Attitude, viewpoint, decision-making process, that sort of thing.
Circumstances: the relationship between your character and the world around them. Where they are, what that place is like, and how they feel about it.
Growth: how the character and their impact - their attitude, their behavior, their immediate surroundings - changes over time.
Outset: the start of the character's arc.
Present: the 'center' of the arc. If you're planning something ahead of time and it hasn't 'happened' yet, then this is the near future.
End-game: where they are after the conclusion of the arc.
Mindset terms:
Center of the world: "If I have a problem, it's the only thing that matters to me." Self-centered, self-absorbed. Doesn't necessarily mean anything beyond that - they don't necessarily have to be unpleasant to be entirely focused on their own life.
my life isn't relevant: "Everyone else's problems are so significant, I don't pay any attention to my own". Someone who ignores or neglects their own life in service of some other thing, or doesn't consider their own behavior to have any real importance.
Only see enemies: Paranoid. Everyone's out to get them. Anyone who seems nonthreatening is hiding their potential for danger and everyone who seems threatening is a threat. The character must remain ever-vigilant, lest the cashier at the 7/11 suddenly stab them, or their best friend turn out to secretly be trying to poison them to death.
Only see friends: Naïve. Everyone is a good actor who wishes everyone else well, and if they don't seem like they're acting from a place of kindness or care then you probably don't understand what they're up to. The character is pretty sure the stranger holding that knife is, like, someone to chat up maybe, they're clearly only hanging out in this dark alleyway because it's a nice spot and no other possible reason.
overthink everything: Ten thousand thoughts per every single action taken. Maybe they never get around to acting at all. They have to consider every possible outcome. What if by eating lunch they accidentally trigger the apocalypse?! Who's going to think about these things if not them?!?!?!
impulsive to action: Act first, think never. What do you mean "consequences of actions"?
Unilateral decisions: "I will make every choice and no one else's opinions or thoughts are relevant". Discounts outside suggestions. Firmly convinced that they know best in any situation, and will brook no disagreement with their views when it comes to actually doing things.
Command me, please: "I don't know what to do and I don't know what to even start with, someone please tell me what to think". No confidence in their own views. Will not make any decisions unless forced and even then will beg someone else to please tell them what to do. Has no idea what's best and is pretty sure anyone else will have a better idea.
can't ask for help: No one will ever help the character; they have to do everything themself, even the things other people have repeatedly offered to do for them and have much more experience with. Doesn't necessarily mean that no one will help them or that they are explicitly barred by some real-world circumstance; just that, for whatever reason, they refuse to ask for help. This is an attitude thing - will they ever reach out? No? Then they're here.
too reliant on others: Have they ever solved a problem alone? Do they believe they're even capable of doing so? The character all the way at this end of the scale absolutely never expects to be able to do anything themself, has no trust in their ability to solve a problem, and needs someone else to come save them from it. The kind of person who needs ChatGPT to do their homework. Again - doesn't actually mean anyone will help them, or that the people they're relying on are reliable - just that they think they are helpless without ... well, help.
Weapon maker: This has to do with problem-solving strategies and not actual weapons. The weapon-maker is a character who views every situation as a conflict that cannot be de-escalated or solved by cooperation, and responds appropriately. The most fundamental weapon maker character turns everything into an argument, a fight, a war, etc. There are a bunch of other responses to conflict, though - they might avoid problems that need solving because they avoid conflict generally too. Fundamentally what you want to answer here is: when they see a locked box and they don't have the key, do they respond to it the same way they'd respond to someone telling them "you can't open this box"? And how do they respond to that? Typical weapon-maker approaches: - brute-force the box open or try and then give up if it doesn't work; and also get into an argument that might turn physical with the hypothetical person - shrug and give up immediately, in both situations so on and so forth. Another hallmark is that they kind of suck at problem-solving and give up if brute-forcing a problem doesn't work. This is not someone who is picking locks unless someone else told them to - they have one solution, it's to make everything into a conflict, and then to win that conflict by beating them or to give up because they think they'll lose.
Tool maker: This person approaches every situation like it's a puzzle, not a fight - up to and including actual fights. Tool-maker characters generally assume that a situation can be solved by just finding the right approach and doing it the clever way. There's the same fundamental question as above - if your character sees a locked box and has no key, would they approach it differently than someone telling them they're not allowed to open the box? 'Typical' tool-maker approaches: - I can trick the person into giving me the key by saying the right things, and I can also pick the lock because fundamentally there are 'right answers' to both of these - If i make friends with this person, they might change their mind, because now we're cooperating. I can still pick the lock because there are 'right answers' there. - The person has a reason for wanting me not to open the box, so I can definitely figure out what that is and solve the reason so then they'll let me open it. I can take whatever it is even if they really want to keep it if I just find the right answer. I'm going to break this box into little pieces because that's the easiest way to get into it but I could probably open it some other way if that wouldn't work.
A note - the center of this bar is someone who generally has different responses to different kinds of situations - like, in the box example, they'd approach the box and the person with two different general attitudes and processes - but generally responds to those situations using the same kind of decision-making process for each category every time. Most people are nowhere near either extreme. Characters tend to be classifiable into weapon-maker and tool-maker because they are fictional and it's easier to define one kind of approach than many. Approximately average approaches: - pick the lock if no one's around, but give up if someone is there because someone telling me not to open the box is a conflict i think i'll lose but a locked box is just a puzzle that i can solve - argue with the person, but give up on the box, because they're approaching the box as a puzzle and they don't think they have the skill to get into it, but the person is someone who can be convinced or bullied into handing over the key
I made this particular dichotomy up, which is why I think I get a lot of questions on it whenever I put it into anything, but I also don't know of any other snappy way to describe this sort of thought or approach variance, and it's genuinely useful for character writing in my opinion.
Pessimist spot-finder: Generally a downer but not necessarily. This kind of character just approaches everything with a close eye for problems, issues, reasons to find fault. If they're miserable, it might be why, but like, they can be a cheerful spot-finder if you want, I just wanted to get at "the glass is half empty" and "the glass is half full" more than anything.
Optimist upside fan: The opposite. "The glass is half full". If there are problems, they can find something about them that's not so frustrating or bad to focus on. Pretty damn good at overlooking minor issues if there's no reason to fixate on them. Not necessarily cheerful.
Abysmal company: could not give less of a damn about treating people the way they 'should' be treated. Maybe they take pride in that. Maybe they just think it's irrelevant. Either way, they know they treat people badly and they don't see any reason to stop. Does not necessarily mean that they treat people badly if they think they're doing the right thing and are wrong. Doesn't mean they're actually pleasant or unpleasant to hang out with, either, unless you really want it to mean that.
Decent to others: treats people well as a matter of course, or at least they sure think they do. Makes an effort. Would probably care and/or consider changing their behavior if someone said they were treating someone poorly. As before - they can be completely un-self-aware and just think they're doing right by people while treating them completely horribly.
Morality is irrelevant: 'abysmal company' for broader approaches to life and problems. Maybe they just know they're myopic and don't think other people's problems matter. Maybe they just gave up on trying to differentiate between 'good' and 'bad' and outsourced it to someone else or stopped paying any attention. Maybe they just like to take morally unjust actions and can't be bothered giving a damn when someone points out that they're morally unjust, or maybe they're proud of it. Kind of a villain trait generally, but not necessarily - it doesn't have to mean they act badly, just that they don't care if they do. Also, this is about how they choose their own actions and view their own behavior. They can think morality is relevant for other people as long as they ignore it when they act themself.
Always in the right: feels morally righteous in every decision they make. Standard superhero type of trait. Doesn't necessarily pass judgement on others, doesn't necessarily act well according to everyone's moral code (see: blue and orange morality), but they are extremely principled and will never deviate from the moral code they personally believe in. And they do genuinely believe in it.
Circumstances terms:
Generally terrible to generally excellent: how subjectively decent is your character's situation, overall? If they think everything is horrible, but the situation is charmed to everyone except them, then it's generally terrible.
Need for changes to passive tolerance: will they do something about it? Do they feel like they have to?
No agency in action to decisions are huge: agency being "how much power do I have to make changes here?", this just asks how much they have. No agency means that, no matter what they do, nothing will happen - they might be locked in a cage or somehow otherwise completely unable to use any sort of power at all, even the power of just leaving. The other end of the spectrum is where every decision the character makes makes a huge difference, not just to themself but to everyone around them as well. They can start wars, they can have anyone they want killed, they can do anything whenever they feel like it. If they think they have no agency even though they do actually have agency, they don't have agency here. If they feel like they have all the agency in the world and can do anything, then they do even if it's not true. It's perceptual again.
Stakes are deadly to mistakes solvable: what are the consequences of failure? Will you die, will you lose status you can't afford to lose, will you lose belongings, will you have to apologize, will nothing happen at all? Mistakes solvable is where they think every mistake is solvable forever - the character pushes someone through a woodchipper and they come out and to fix it, maybe an apology has to occur, but not much else. Does not necessarily mean no one gets hurt or killed as long as the character thinks there are no permanent consequences. This is the most important one on this section to keep subjective because it will greatly influence how your character approaches situations. A character who thinks everything is deadly-stakes may go to cartoonishly-extreme lengths to avoid turning a report in a day late. A character who thinks all mistakes are always solvable may push someone through a woodchipper and then just assume they can say they're sorry and it'll all go away. The setting and their approach do not need to be applicable.
Needs go unmet to attended with care: how do the people around them treat them? Do they pay attention when the character needs something, or do they ignore it? Does the character have to do everything themself around here, or are there people who will help out?
Regarded poorly to regarded well: how do they think other people see them? Are they respected, are they liked, or are they disliked? Do people broadly trust them or are they pretty sure everyone regards them with suspicion?
Nothing changes to changes in seconds: functionally the 'stability' meter of your setting - is the situation generally stable, or are things constantly changing? Does your character feel like every five minutes, there's a new problem that needs dealing with, or do they feel like nothing has ever happened ever?
Growth terms:
Changes in place: do they go somewhere else? Does the physical setting otherwise change (eg; earthquake, war, etc) ? Are there any other reasons that the 'vibe' or 'experience' of the place is different from before?
Change in power: does the character's percieved agency (see: no agency in action to decisions are huge) change? Alternately you can use it if they've gained or lost power in some percieved way (deposed, assigned a commanding position, etc).
Change in bonds: do their relationships with people change? Have they made new friends, lost old friends, changed the nature of their relationships with friends or partners, etc?
Change in beliefs: straightforwardly, have their beliefs, morals, etc, changed?
Change in hurts: have they undergone some horrible experience? Do they have past trauma from some pre-arc horrible experience they're healing from and/or discovering they're more powerfully subject to? Did they experience a physical injury that they're recovering from or which materially changed their life? Did something recent dredge up old issues? So on and so forth.
Change in hopes: Do their desires for the future look the way they used to? Do they care about different things now? This is something the character is not actively working for, but may be tied to actual goals.
Change in fears: are they overcoming fears? Growing past them? Gaining new ones? Are they scared of shit different from how they used to be?
Change in goals: Not the same as a hope because it needs to have a specific, achievable outcome the character is actively working toward. Do those material goals look different? Perhaps they no longer want to work against something, maybe they didn't have any goals and now they do. Or maybe they've realized the goal is impossible, or something has happened to make that goal unachieveable. Whatever it is, if there's a change, it's a change.
Change in self-awareness: their beliefs about who they are and what they're like, and what their circumstances are. Have they gotten more self-aware, have they gotten less self-aware, or has nothing changed?
Change in relationships: their relationships' overall health and resilience, as far as the character is concerned - which doesn't mean they're necessarily good, just that the character thinks they're how they're supposed to be. Have they improved? Have they gotten worse? Have they not changed?
Change in knowledge: do they feel like they know more about the world, their place in it, the people around them, etc? Not necessarily how to do things - just general information and awareness.
Change in social standing: how does others' regard for the character change over this part of their arc? Do people like them more or less? Are they respected more or less than before? Has nothing changed? And so on.
Change in skills and abilities: do they feel more skilled than they were before? Do they feel like they know how to do as many things as before? Again - not necessarily rooted in reality - a classic example of a character being wrong about this is a 'big fish in a small pond' character who used to be the high school sports star going to college on a sports scholarship and discovering they're not the best any more, and suddenly feeling like they're the worst - when they're better than they've ever been in an objective light. Use a subjective viewpoint for this.
Change in agency in life: how does the character's percieved agency change? Do their decisions matter less now than ever? Do their actions make way more happen than before? (See: no agency in action vs decisions are huge)
Change in outlook: Here's the upper/downer part. Are they more or less hopeful for the future? Do they think things are more terrible now? Are things improving as far as they're concerned? Or has that not changed?
Change in goal progress: how do they feel like they're progressing on the goals they've set for themself? Are they getting further and further away? Are they getting closer?
If some of this doesn't make sense and you want a clarification, you will have to tag me to get my attention, because I'm turning notifications for this post off the minute it leaves my immediate social circle.
Transparent version: (sorry you had to scroll so far)
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soombee · 7 months ago
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ଳ⋆。˚𖦹 caught in the current of you — kim leehan ,𓆝₊ ⊹
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dear diary, manifesting an aquarium date with him!!
༉‧₊˚. soombee presents… Caught in the Current of You!
𓆝 𓆟 𓆞 in which .. you stumble upon your classmates’ band and immediately became attracted to the most oblivious man known to earth, who, of course, has no idea you exist beyond the accidental glances you share in chemistry
or .. you unexpectedly meet your realistically unrealistic crush at an aquarium, a chance encounter that shifts the tides and, maybe, just maybe, the currents of fate will finally bring you two together—only if leehan manages to catch on !
𓇼 pairing . kim donghyun (leehan) x yn (mostly as @dessi_dessi_d on ig!)
➻❥ incl. bonedo, kiof, aespa, trainee a, iland
𓇼 genre . m.sci major!leehan x bio major!yn , obvious x oblivious , artist x fan , “got it?” x “yes ma’am!!” , bonedo as a small band , fluff , crack , half smau + half written🪼
𓇼 warnings . curse words , sensitive jokes (kys, etc.)
𓇼 status . fin! :o
୨🪼୧ taglist (closed) ! @saintriots @yourmyst4r @sftsohee @httpenhoon @alisonyus @astrae4 @lynnimini @enhacolor @mari3s @voikiraz @yveol @sol3chu @saritahwang @kazemiya @kamfaye @meoriapeuda99 @1starqi @dylanobr1ens @lisaswifey
note/s : lowkey started rhis as a one shot but then the banner i made would be a waste so here we r 😮‍💨 ++ plot may be subjected to small changes ! (comment or ask if u wanna be tagged!!)
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‘’🐚,, chapter catalogue !
profiles .. boynextdoor // divas (plus sangwon)
prologue ; fine shyt acquired
ch. 1 : fish facts & a lil chemistry
ch. 2 : ionic bonds
ch. 3 : when worlds collide
ch. 4 : sangwon is fakeness
ch. 5 : 𝓲 𝓯𝔀 𝔂𝓱𝓾 𝓱𝓮𝓪𝓿𝔂
ch. 6 : chemistry or chemistry ?!
ch. 7 : which could mean NOTHING
ch. 8 : there’s other fish in the sea =͟͟͞͞(꒪ᗜ꒪‧̣̥̇)
ch. 9 : checkmate !!
ch. 10 : what are we, kim donghyun?!
ch. 11 : #takeleehanback
ch. 12 : diva down!
ch. 13 : i sea us together forever
epilogue ; our forever <3
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purely © soombee ‘s work ― all rights reserved !! please refrain from copying , stealing , or translating my work ( w/o permission ) thanku!
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k4vehrtz · 2 years ago
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⸻ YOU'RE A CRISIS OF MY FAITH
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. ✦ . starring — dom!top! t. fushiguro / m! reader
warnings — porn with some plot, sacrilege, a copious amount of religious themes, priest! reader, virgin reader ergo loss of virginity, allusion to homophobia / internalised homophobia, unprotected sex, blowjob (r receiving), deepthroating, fingering, riding, creampie, toji lowkey has a corruption kink, use of the nickname 'angel', toji refers to the reader as father once but that is entirely in a religious sense . ✦ . wc — 2.1k . ✦ . notes — we'll all pretend that didn't just happen!! anyway!! i'm so so normal about toji...and !! i don't know what exactly falls under dark content but seeing as this contains sacrilege you've been warned nevertheless. not proof read bc t**blr stressed me out
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“what does —” he stops himself mid-sentence to motion upwards, “the big man upstairs think about homosexuality?”
you swallow hard, your adam’s apple bobbing. you hadn’t expected the question, naturally. especially from the likes of toji fushiguro of all people. but you answer anyway. “well,” you murmur, averting your gaze so that you’d stare out the window as the first signs of winter begin to settle in for its extended stay instead of being forced to meet toji’s pointed gaze. “we all are subject to desires that may or may not reflect god’s light, but these desires aren’t sinful unless you act or encourage others to act on them.”
he nods almost absentmindedly in response before following up with: “…even you, i imagine, as a man of god, could fall victim to such desires?”
and you pause for a beat, your jaw tightening as an image escapes the dark recesses of your mind; the neat box you’ve forced what you deemed unpleasant thoughts into.
the man in your mind didn’t look quite like anyone you knew at first. he was just a man without a name or a face — similarly to the world before god’s divine intervention, he too was without form. but then, by chance, you met toji fushiguro and his teenage son. then the man who’d haunt your thoughts began to change.
he was older, weathered by life experiences and parenting, and taller, maybe 6’2, with messy black hair that fell over his brows. his hair reminded you of the cloudless, starless night sky. then there was that scar on the corner of his right lip. you’d imagined yourself on more than one occasion leaning toward him, pressing your lips against it before he’d open his mouth and let you explore the wet cavern.
though you shake your head as if that would dismiss your thoughts, fingers curling defensively around the window’s ledge. “everyone encounters temptation in their day-to-day, but, like god’s son, we must resist.” you counter eventually. “you’re not one for idle chatter.”
“i’m not,” he agrees, his voice smooth, something akin to the feeling of silk against your skin. it gives you goosebumps and makes the hairs stand up. he puts his hands up in mock surrender, his gaze intent. you can feel him burning holes into the back of your head. “you know, i think i’m long overdue for a confession.”
“as you wish.”
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“our heavenly father has declared the following in the book of james, chapter five, verse sixteen: ‘therefore confess your sins to each other and pray for each other so that you may be healed. the prayer of a righteous person is powerful and effective’. now, in the name of the father, and of the son, and of the holy spirit, amen.”
silence — and then toji sucks in a breath, his voice thick with an emotion you can’t quite grasp but has you shifting in your seat on the other side of the confessional booth anyway. you’re, on some level, disgusted by your behaviour. it’s unprofessional at best, or perhaps the beginning of your unravelling at worst. you fear it’s the latter.
“bless me, father, for i have sinned,” the words slide off his tongue with ease, “it has been two months since my last confession.” and your eyes flutter closed, or maybe you forced them closed because you feel no better than a pervert by the way you ache at every sound that comes out of his mouth.
either way, you don’t notice the way the door creaks as toji lets himself out of his side of the confessional booth and opens the door to yours until he’s kneeling in front of you, the pads of his fingers digging into your sides. the skin of his fingers is rough, worn out from the different tasks he takes on to keep himself and megumi afloat, you think. he’s become something of a handyman around town.
“to be honest, father,” he says, now directly addressing you. “i came here fer’ your guidance…you see, i’ve been havin’ thoughts lately that i don’t think align with what god wants.” and you find yourself at a loss, your eyes still closed, though your adam’s apple bobs again as you swallow your suppressed thoughts. “my guidance?” you repeat quietly, “confess your…thoughts…then, and seek forgiveness. it’s not a sin unless you act on those thoughts.”
he lets out a pleased hum at that, leaning forward so that his face is practically buried in your clothed crotch. “so,” he counters, “if my understanding is correct, would it be a sin if i told you to spread your legs f’me?”
you don’t trust yourself to speak right now — not when your thoughts are all muddled. so, you simply nod and toji clicks his tongue. “but sin or not, you’re going to anyway because you and i both know how we feel about each other, right? c’mon, use your big boy words and tell me.”
the smart thing—no, the right thing to do here would be to say no. adamantly deny the lingering touches and glances that the two of you had come to share. affection between two men could only go so far. but then again, you’ve gone so much farther in the safety of your bedroom long after the sun has set. how much longer could you shamelessly show your face to the other members of the church and listen to them confess their deepest secrets to you? you’re parading as a righteous man when you’re anything but.
if it turns out to be as bad of a sin as they say, god will strike you down.
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turns out it’s not as bad of a sin as they say — or maybe it is and you’ve yet to receive divine punishment.
“god works in mysterious ways,” you say under your breath but toji hears it anyway. how could he not when you’re in such proximity to each other? you hadn’t meant to say it out loud but it doesn’t matter. and toji (ever the charmer) takes it upon himself to respond, “maybe he brought us together for a reason…or maybe i’m one of lucifer’s lackeys sent to seduce you.”
you make the conscious decision to ignore that which seems to entertain toji even more. he’s ridiculous in ways you can’t fathom. like…the way he’s got your legs spread, back pressed firmly against the wood of the confessional, your thighs trembling as he clicks his tongue, “spread yer’ legs a little wider f’me angel, s’not enough f’me to suck that pretty cock.”
he… he knows what he’s doing. whereas you were clumsy and inexperienced. but, to be fair, you had taken a vow of celibacy when you were twelve.
now, though, you’re experiencing true pleasure for the first time — and with a man, no less. you tilt your head back in what little space the confessional affords you as toji gives your balls tentative touches, maybe light squeezes, as he aligns the head of your leaking cock with his mouth. you’re embarrassed, warmth flooding your cheeks, but you can’t look away. not when this is all you’ve ever wanted.
there’s pre-cum on his lips; your pre-cum. it’s there, as clear as day, and he’s entirely unbothered. all of his attention is on your cock. your cock that’s throbbing as he sucks on it. pre-cum and saliva mixing. it’s all so new to you.
as for him…well isn’t this cute? you’re trying your hardest to stifle those needy moans of yours, he can tell. but no matter how much you bite down on your lower lip or how you press your hands against your mouth those pretty sounds you make always find a way of escaping. part of him, somewhere deep down, feels guilty for corrupting you like this. but perhaps he doesn’t feel guilty enough.
he continues to work on your cock, sucking on it whilst simultaneously fondling with your balls. you’re quivering, rutting your hips forward now and then. occasionally you go too far and it scares you at first — you didn’t mean to push your cock all the way to the back of his throat! ever the unbothered, though, he welcomes it until you’re spurting your load down his throat. and he swallows, utterly content.
then he coos at you, bringing a thumb up to your face, and tracing the outline of your jaw. “don’t worry about me, angel, you’re not going to hurt me. what you’re going to do f’me is let me reposition us so i can see your pretty boy hole, m’kay? my boy can do that f’me, right?”
my boy. the idea of being his. after so long…it only feels right. so, you allow him to readjust your position so that you’re straddling his lap and somewhere in the process you both disregard your clothes.
“you’ve been thinking about my cock? that’s why yer’ hole is winking f’me? all ready to take my cock like a big boy?” he asks and you nod your head eagerly. every word that comes out of his mouth is dirty but your reactions are the icing on the cake. you’re not the quiet, unassuming priest he met by chance all those months back. and to think that he’s the reason why.
well, he doesn’t linger on the thought. you’re impatient, squirming on his thighs in search of friction. but he’d be lying if he said it didn’t get him going and he may be many things but he would not force himself into you without properly preparing you to take him.
so as much as you whine about it, he ultimately takes his time with you. the nearest lubricant happened to be some sort of oil, but he made sure that it was safe to use before coating his fingers in a generous amount. then he oh so carefully drags his finger across your hole. it makes you shudder, but after a few minutes of this, you find yourself unprepared for the stretch of fitting a singular digit in. it hurts and the moment you so much as whimper toji’s pressing his lips against yours. the same lips that were around your cock only moments ago. his lips are gentle, soothing, even.
and he keeps it like that — his lips against yours as he slowly introduces more fingers into your ass. it takes a while but your pained whimpers soon morph into more desperate, filthy little noises as he drags his fingers in and out of your hole before curling them, tips grazing your prostate.
you want it, you decide. his cock, that is. you want his cock in your ass beyond a reasonable doubt. it’s all you need. bouncing on his fingers feels good but you just know that his cock would feel so much better.
“this is a sin, we’re both sinning,” you announce, your words strong but your delivery coming in between laboured gasps as his fingers continue to graze your prostate. “so i expect you to fuck me like you mean it.”
and he doesn’t need to be told twice. with a scoff — one that sounds more amused than annoyed — he pulls his fingers out of you. shaking his head as you whimper at the loss. but it’s soon replaced by something bigger and much thicker. it’s his cock, covered in the same oil, and you almost can’t believe it when he’s aligning it with your entrance, pushing past the tight ring of muscle.
you have to take a few breaks before you fully sink on him with a low groan. he makes you feel so full and he hasn’t even moved yet. and when you take it upon yourself to ride him you revert to the softheaded boy he makes you out to be.
your movements are clumsy — mediocre, you’re sure of it. but toji doesn’t intervene. he simply leans back, big, warm hands on your hips, while you figure out your rhythm. and after a few failed attempts you find one that works for both of you. it feels good, it feels great even. his hard cock filling you to the brim while you all but mindlessly bounce on his cock, your walls clenching around his throbbing length.
you’re going to cum soon, you’re sure of it. and when you do eventually watch through teary eyes as your cock spurts ropes of cum onto his stomach you’re not surprised whatsoever. toji, however, takes a lot longer to cum. you’ve probably cum at least two more times by the time toji takes control, his grip on your hips tightening as he angles you just the right way to hit your prostate with each thrust of his hips upwards. your toes curl, eyes half-lidded, and you just barely acknowledge the warmth of his semen in your ass.
all you can think of, and just barely manage to stutter out is: “you’ve fucked me,” and he stares up at you with a smug smile, chest heaving as he copes with his orgasm that has been a long time coming, “yeah, i’ve fucked yer’ pretty boy hole.”
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lyratea · 7 months ago
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Winter Legacy Challenge
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You’ve always hated the heat, as a kid you dreamed of snowy mountains and chilly air. But now, as a young adult, you're finally leaving your warm hometown behind to start fresh in the cold, serene peaks of Mt. Komorebi. With nothing but the winter landscape ahead, and ready to build a new life — a legacy — in the heart of the snow. Welcome to the Winter Legacy Challenge! Expansion packs you'll need: -- Snowy Escape. If you don't have snowy escape, but have seasons, this works fine too. It's okay to play through spring considering the weather conditions BUT you'll have to remember to enable testingcheats and change it back to winter once it becomes summer with seasons.set_season 2 -- Seasons Recommend packs, but BG alternatives provided: -- Outdoor Retreat -- Life and Death -- Spa Day Not needed, but nice for gameplay: -- Island Living -- Eco Lifestyle
Rules: -- You may use freerealestate for your first house, but after please refrain from using any other cheats while playing. -- Normal or Long lifespans. -- Careers are up to you, UNLESS stated otherwise. -- You need to complete each requisite (goals, and challenges for the generation. Aspirations if stated) before that sim dies. If they die before everything is completed, their heir must pick a goal or challenge to complete in honor of them. -- If they die before producing a heir, you fail. -- If a sim dies from freezing, their heir must honor them by building a small memorial or shrine. Gen 1: Winter Dreamer Backstory: Having spent their life in the desert, this Sim dreams of snow-covered landscapes. They’ve saved enough to move to a permanent winter wonderland. Snow brings them joy, and they dedicate themselves to creating a cozy, snow-loving life. Traits: Cheerful, Loves Outdoors, Family-Oriented Aspiration: Mt. Komorebi Sightseer  Goals:
Complete your aspiration entirely. 
ALWAYS Complete the Winterfest holiday tradition (decorate the tree, cook a holiday meal, etc).
Have a Hot Tub on your plot. (OR build a pool and add decorative rocks and greenery around it)
Collect all Sammies. 
Challenge: Your Sim must spend 3+ hours outside daily, no matter the weather or their needs. (It can be making snow angels or exploring town, etc.)
Gen 2: Frostbitten Adventurer Backstory: Growing up surrounded by snow, this Sim craves adrenaline-fueled adventures. They embrace the wildness of winter, seeking thrilling experiences and surviving extreme conditions. Traits: Adventurous, Active, Self-Assured Aspiration: Extreme Sports Enthusiast Goals:
Master the Snowboarding skill.
Reach at least Rock Climbing level 5, to prepare for intense outdoor activities. 
Woo a partner during a Festival of Snow or a snowy outing.
Challenge:  Participate in at least three snowboarding, sledding, or skiing competitions—and win at least one before aging up.
Gen 3: Icy Artisan  Backstory: Born into a family of survivors and adventurers, this Sim found solace in the beauty of the winter landscape and became a renowned artist known for their winter-themed works. Traits: Creative, Loves the Outdoors, Proper Aspiration: Painter Extraordinaire Goals:
Visit a National Park (via Outdoor Retreat pack) or build a homestead filled with outdoor elements.
Paint or take 8 winter-themed works (snowy forests, ice skating, festive winter scenes).
Embrace Winterfest as their favorite holiday, decorating the tree, and hosting festive gatherings.
Challenge: To make a living, they will rely only on their art—no regular jobs allowed. No thermostat can be used to heat the home this generation, use fireplaces or space heaters instead.
Gen 4: Frozen Royalty Backstory: This Sim believes they are the ruler of a frozen kingdom. Eccentric and ambitious, they build an empire to match their icy vision, complete with loyal subjects and a grand icy palace. Traits: Ambitious, Snob, Romantic Aspiration: Mansion Baron Goals:
Host at least two grand events each winter (Winter Balls, fancy dinners, or other social gatherings). These events must include 6+ guests, top-quality food, and gold-level rewards.
Have at least one child with Father Winter.
During the winter season, go ice skating. Max the skating skill. You are allowed to put them on your plot so you don't need to travel, if you have the funds and room. (There is one located somewhere in Mt. Komorebi, if you dont have Snowy Escape, travel to Magnolia Blossom Park in Willow Creek during winter.)
Challenge: Your heir must inherit an heirloom and keep the ‘icy empire’ alive. (if you don't own life and Death, that’s okay, just pick something that stays with the heir until they die. It can be in their inventory or place somewhere in the lot.
Gen 5: The Eternal Winter Keeper? As the heir to a family built on the love for winter and it’s traditions, you’ve always known your role: to continue your ancestors’ mission of preserving the eternal frost. But as the years go on, you’ve begun to question your destiny. You long for warmth, sun, and freedom from the cold. The decision weighs heavily on your heart:
Will you stay loyal to your family and uphold their wintery legacy? Or will you break away and forge a new path, leaving snow behind for the warmth of tropical shores?
Path 1: Frozen Protector Backstory: For generations, your family has served as stewards of winter—a lineage entrusted with keeping the delicate balance between the icy season’s beauty and its unforgiving harshness. You’ve grown up knowing that, as the next heir, the title of Winter Keeper will one day fall on you. Will you prove yourself worthy of the mantle, or will winter lose its way in your hands?Traits: Loyal, Outgoing, Lovebug (If not possible, use Romantic)Aspiration: Successful Lineage Goals:
Befriend at least three Sims who are “winter aligned” (traits like Loves Outdoors, Loner, or Creative, etc) and strengthen your bond by doing winter-related activities together at least once a week with one of them. If you have Get together, make a club with outlines relating to cold or festive activities. 
Find your soulmate in a winter setting (at a snow-covered lot or during a winter festival). Woo them with romantic gestures like snowball fights, outdoor stargazing, or ice skating. Have an outside wedding with them.
Ensure your child connects with winter traditions by maxing out a related skill before they become a young adult (e.g., Violin for haunting melodies, Charisma for storytelling, or Fitness for winter sports).
Challenge: Add at least one major improvement to the family’s estate if you haven’t already: build an outdoor skating rink, a winter conservatory, or a family mausoleum for past heirs.
Path 2: The Sun Seeker Backstory: You’ve always felt like an outsider in your family, your dreams of warmth clashing with their love for snow. After years of feeling stifled by the cold, you decide to take the boldest step of all: abandoning your family’s icy traditions and embracing a life of sun, freedom, and joy. But forging a new path is never easy, especially when your roots are steeped in frost. Traits: Child Of the Ocean, Outgoing, Foodie Aspiration: Beach Life (Angling Ace if you don't own IL) Goals:
Move to a tropical destination (preferably Sulani) and embrace the warm climate fully. Marry a local Sim and raise your family in the tropical paradise!
Max out the Fishing skill
Befriend the dolphins (Island Living) or form a club of locals to celebrate your new lifestyle.
Challenge:  Abandon all winter traditions. You can never celebrate Winterfest again. You must create a new summer holiday, or host a big party every Summer.
If you decide to take part, let me know by using #TS4WinterLC in your post! I hope to start this challenge in the next few days and share my progress ^.^
If you’d like to read it on a different platform, here’s the google doc!
I hope you have fun, stay warm, and happy simming everyone! ☃️
@ts4challengehub
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