#source: oxford dictionary

[gothicmatter]

[gringolet]

do you understand .

[yyprompts]

🌙💙🤍

Unique English words for writing 3:

Miasma (n.) - A disgusting or unpleasant scent or odor

Selenolatry (n.) - The worship of the moon

Psithurism (n.) - The sound of the wind going through trees/leaves

Sough (v.) - (Usually of the wind) to make a sound like a sigh/rustling

Supernal (adj.) - Heavenly, divine / came from the sky or above

Spectral (adj.) - Resembling a ghost

Tintinnabulation (n.) - The sound/ringing of bells

Irenic (adj.) - Promoting peace

Amebean (adj.) - Resembling amoebas

Phial (n.) - A vial usually used for storing injectable substances

Biwinter (v.) - To make like winter

Spirable (adj.) - Capable of being inhaled / respirable

Autogamy (n.) - Self-fertilization

Shoal (n.) - A group of fish from different species

Bed (n.) - A group of eels huddled together in one area

[1o1percentmilk]

I'm fairly sure this is an example of English words originating from Romance languages (like French and Latin - according to the Oxford English Dictionary "decay" is borrowed from French) sounding more elegant, upper-class, and refined vs words originating from Germanic languages ("rot" is inherited from Germanic) which sound more down-to-earth and lower-class.

You can see this with more pairs such as "buy" (Germanic) vs "purchase" (French) and "woods" (Germanic) vs "forest" (French).

I've only touched the tip of the iceberg, but, there really is an essay to be written here!

decay sounds more gentle than rot. when something decays, it is gently taken apart in it's comfortable eternal slumber. when something rots, it's violently taken apart with agony. in this essay i will

[curiousorigins]

Btw Inkling is a fantastic word. It sounds fun and it's meaning and use is solid.

I have too many words I'm found of, in English and Italian to have a genuine ranking. But if I did, this would probably be in the top 100.

Ink-one of my favorite sound combos. (And mediums to work in although the medium shares zero etmology with this work. Their only relation being sound and spelling) and the sound Cling. I know it's uncommon to have favorite phonemes/syllable combos, but this one combo is just so fun on the tongue. It brings me joy. Inkling.

[flaming-shapeshifter]

hello would u potentially feel like sharing some of the victorian sex slang you know im writing gay sex set in 1847 and im struggling :(

hello! I would be delighted to; there is no higher use for the truly excessive amount of victorian porn I've read than to aid in this endeavour

Two caveats before I get into it: one, the main source that I used when I was originally researching victorian porn is a series of publications from the late 1870s/80s (I'll link the wikisource version and talk about it more at the bottom) and as such may not reflect exact usage for the period you're writing. I don't *think* language usually changes that fast, but I'm not a linguist so thought it worth mentioning. Where possible I've tried to cross reference with the oxford english dictionary to determine first recorded english usage, but the censorship laws of the time and subsequent lack of digitisation can make it difficult sometimes to get an accurate picture of popular usage. Two, language has changed quite a bit since the 19th century--there's a good chance the average ao3 reader is going to be relying very very heavily on context for several of the more unfamiliar words below, while others have had their meanings change a fair bit since that time. Should you choose to use them regardless, I commend you for your dedication to accuracy.

anyway, without further ado, a whole bunch of victorian sex vocab:

Genitalia &c.

I'm not sure what parts are involved in your gay sex and I'm a completionist, so you're getting all of them

priapus: the penis. A more high-brow, classical reference to the greco-roman god of fertility. English usage has been a thing since at least the canterbury tales, but it's unclear exactly at what point the usage transitioned from referring solely to the god (as in the tales) to a physical penis between the 14th and mid-late 19th centuries. However a medical dictionary from 1842 lists the definition very matter-of-factly as "penis" as well, so you should be good to go, especially with more formally educated/wealthy characters

pego: the penis, again. This one's been around since at least the 17th century and does not appear to have any alternative meanings; it also hit its peak usage for the 19th century in 1850 (by appearances in published texts), so definitely a safe bet

cock: the penis. This one is possibly both the oldest and the most modern of the penis-related nouns here; we use it in our smut today and used in to pun about sex all the way back in 15th century middle english. If you want something both recognisable and period-appropriate, this is your word.

prick: the penis. Similarly to cock, though slightly less common as a neutral/eroticised noun nowadays in my experience, "prick" has been in use since at least the 16th century, and has the benefit of being recognisable to the modern reader, though the connotations may have shifted slightly

roger: the penis. Usage in reference to said organ has been occurring since at least the 17th century, but by the 19th, it seems to be mainly in comical contexts, i.e. bawdy poetry.

quim: the vulva/vagina. Dates back to at least the early 17th century; most examples cited in the oxford english dictionary come from verse before the mid 19th, after which point it's all casual or erotica-type references.

cunny: vulva/vagina. thought to be a variant on "coney," which can in British English refer either to the organ or to a rabbit; this term has been in use since the late 16th century.

pussy/pussey: the vulva/vagina. A relatively recent term when used with regards to genitalia, dating to the late 17th century and only really gaining popularity in the mid 19th century. Probably the least likely to be used (with the possible exception of verse), but one of the most recognisable to a modern reader

cunt: the vulva/vagina. You could write a period-appropriate-language black plague au with this one (as "cunte" per middle english spelling) and still have it be recognisable for the modern reader. 1847? fucking go for it

mons veneris: the mons pubis. Often capitalised as "Mons Veneris"; seems to get mentioned at least once in every pornographic story involving ciswomen, possibly due to the classical reference to Venus and its associations. Cismen also have this structure (though it's smaller due to the lower level of estrogen), but tragically it does not get the same veneration. Usage increased steadily from the mid 17th century and peaked in the late 1800s.

clitoris: the clitoris. Dates from at least the early 17th century and has grown in popularity ever since; "clit," in contrast, only appears in writing in the mid 20th century and would be rather anachronistic.

bubbies: the breasts, pretty much always a woman's. The spelling didn't transition to "booby"/"boobies" in reference to breasts until the early-mid 20th century (previously, as a noun, a "booby" was merely a fool); "bubbies" was the way to go from at least the 17th century up until that point

ballocks/bollox/bollocks: the testicles. Similarly to "pussey," I add this one mostly for the sake of spelling, which varied mostly between "ballocks" and "bollocks" but doesn't seem to be standardised in colloquial English spelling until the very late 20th century, if at all. In use since the 15th century.

British slang referring to the ass (bum, arse, &c.) generally translates pretty well to the point where I don't feel it necessary to give them their Victorian-specific entries.

Much like modern writing, the Victorians seemed to enjoy figurative language for their genitalia--horses are an unfortunately common point of comparison for penises, but "Cupid's dart" and "engine of love" are also common euphemisms. Cavern-related language and "gap of love" are their equals for the vagina, but overall, there's not many metaphors you could make up that would feel inappropriate to the era.

Actions

Presented in the infinitive form; normal English rules for verb conjugations/spelling generally apply.

gamahuche: to perform oral sex, most frequently on someone with a vagina. A borrowing from French as of the late 18th century that seems to have mostly died out in the modern day--I don't think I've ever heard someone say "gamahuche" out loud unless referencing Victorian pornography

frig: to finger someone/give a handjob, or (less frequently), stimulate them internally with a separate moving object. Worth noting that the meaning of this one does appear to refer more and more specifically to internal stimulation over the course of the late 19th and 20th centuries, but all uses should be appropriate for 1847.

fuck: to penetrate (or mimic penetration i.e. via intercrural sex) specifically with a penis. According to the Victorians, if there's not a penis involved, it doesn't realllly count as sex, which is part of why so much focus on homosexuality was specific to male/male homosexual activity (more on that later). This particular word has been in recognisable use since at least the 16th century, gets used frequently in the 19th in the appropriate situations, and is very recognisable to the modern reader; 10/10 would recommend. Also varies in usage by location such as in the case of "bum-fuck"

sodomy (n)/sodomise: to engage in any form of penetrative sex other than penile/vaginal, regardless of gender. Typically more legal terminology than colloquial, and pretty much always used in a negative sense of an "act against nature"; equals "cunt" and "cock" in antiquity as it dates back probably to the 14th century

bugger: to act as the penetrative party in anal sex with a phallic instrument (whether dildo or penis), regardless of gender. not quite as old a term as sodomy, being first found in legal writings in the 16th century, but definitely a more common-use term for the time.

pederasty: to engage in specifically male/male anal sex. As may be deduced from the word components, this carries the connotation of a large age gap between the persons involved, and may originate from the ancient greek practice of sexual apprenticeships (for lack of a better word) between a teenage-ish boy and an older man. Despite these connotations, it could be used to refer to any partnering of male/male sex, but tended to be a comparatively academic term. English written usage dates back to at least the early 17th century.

spend: to orgasm, particularly if fluids are involved (regardless of genitalia). In use since at least the 17th century and may carry connotations for the modern reader relating to the cultural emphasis on sex for the purpose of procreation alone

come: to orgasm. This one has been ol' reliable for smut writers since the earl 17th century at least and continues to be so today

Language tends to be more descriptive with regards to acts rather than using specific words--then again, one could consider that just another form of the "show, don't tell" maxim.

Items involved

French letter: a condom. This terminology would be very recent for '47, having only started appearing in English in the early 1840s--similarly, they would be made of treated linen or bladder/intestine (a "skin" condom) at the time, as rubber condoms were not produced until the 1850s

cundum/condom: a condom. An older term than the letter, though only by a century; the latter (modern) spelling dominates usage in the 19th century

godemiche: a dildo. Another loanword from french, this would also be fairly recent language, as it appears to have only entered written English usage in the early 1830s. Not a super common turn of phrase either way

dildoe/dildo: a dildo. In use in writing since the late 16th/early 17th century, the use of flexible materials such as leather or (in the latter half of the 19th century) vulcanised rubber allowed for the creation of ejaculating versions which could also be set in harnesses to be used as what we would now call a strap-on

On the subject of lube: "lube," unsurprisingly, is not a word in use at the time; nor, for that matter, is "lubricant" as we use it in reference to the wonderful additive for sexual intercourse today. In the works I've analysed, anal sex is mostly conducted using saliva or vaginal fluids as lubricant, if a lubricating substance is used at all; the one exception to this is a reference to "cold cream" used for male/male anal sex, which appears to be a perfumed spermaceti- and wax-based substance intended for skincare and has been in use since the early 19th century at least

Culture

identity: as you may be aware, "homosexuality" as a term didn't become a thing until the sexological period of the latter half of the 19th century; up until that era, anglophone culture didn't really have a conceptualisation of sexuality as an innate characteristic. Rather, sex acts were entirely something that you did, regardless of the genders involved, which is how we get period words like "tribade," which referred simply to women who had sex with women without concern for attraction.

legality: for britain specifically, male/male gay sex warranted a death sentence in regular courts up until 1861, after which the sentence changed to imprisonment--legal scholars at the time deemed this change likely to result in more successful prosecutions, as courts were previously hesitant to indict when doing so meant capital punishment. Female/female gay sex, in contrast, was completely ignored by the law, as said law was completely focused on penises. Similarly, american courts (which were based on british law) would later rule in the years surrounding the turn of the 20th century that oral sex performed on a penis was illegal regardless of gender due to being sodomitic in nature, but cunnilingus was perfectly fine.

social perception: similar to the law, male/male sex was regarded as taboo such that it was generally talked around rather than named up until sexology started gaining ground (sexological texts were then promptly blamed for teaching people how to do gay sex). Based on newspaper op-eds that I unfortunately don't have on hand right now, all-male settings such as sailing vessels (especially sailing vessels) were seen as particular bastions of such activity. female/female sex? generally disregarded as harmless, particularly in all-female settings such as schools.

Bonus

At least in the latter half of the century, impact play in the genital region (particular with a rod or "birch," but any flogging implement would seem to do) was treated in both pornographic and psycho-medical sexological texts as a commonly acknowledged method of attaining arousal, to the point that at least one author raised concerns about the continued use of flogging as punishment in boys' schools. Huzzah for Victorian kink friendliness, I guess?

Further Reading/References

Unless otherwise noted, all etymology, usage trends, and century of (written) origin is based on the Oxford English Dictionary.

"The Pearl: A Journal of Facetiæ and Voluptuous Reading." William Lazenby, London Society of Vice, 1879-1881. https://en.wikisource.org/wiki/The_Pearl.

This is the Victorian porn publication I mentioned earlier, notable for its portrayals of gay sex compared to Lazenby's later publications such as The Oyster. Should you choose to do your own reading, it's worth noting that stories tend to involve topics of major consent issues, incest, underage sex and pedophilia, and period-typical misogyny, and racism. An interesting note about this particular publication is that it was relatively expensive for its time--apparently, the upper class liked their illicit gay smut.

Robley Dunglison • Medical Lexicon. A New Dictionary of Medical Science, containing a concise account of the various subjects and terms, … and formulae for … preparations etc • 3rd edition, 1842

For the medical definition of "priapus" as it refers to the penis.

Hernández, Anna. “Mons Pubis: What Is It, Location, and More | Osmosis.” Osmosis, January 6, 2025. https://www.osmosis.org/answers/mons-pubis.

Aine Collier (2007). The Humble Little Condom: A History. Buffalo, N.Y: Prometheus Books.

Beyond the scope of this post, for the most part, but if you're interested in writing period-accurate safer sex practices, it may be worth a look.

Saunders, T., and Edward Cox. The Criminal Law Consolidation Acts, 1861: The Other New Criminal Statutes and Parts of Statutes of the Sessions 1861 and 1862; Together With A Digest of the Criminal Cases Decided by The Court of Criminal Appeal, The Superior Courts, the Central Criminal Court, and on the Circuits. From 1848 to 1862. 2nd ed. London: J. Crockford, 1862.

Includes contemporary legal analyses of the changes to British legal punishment of male homosexual activity, as mentioned in the Culture section.

Richard von Krafft-Ebing, Psychopathia Sexualis, with Especial Reference to Contrary Sexual Instinct: A Medico-Legal Study., trans. Charles Gilbert Chaddock, 7th ed. (Philadelphia; London: F.A. Davis Co., 1892).

Psycho-medical perspectives on homosexuality and other "abnormal" sexual tendencies in the late Victorian era; contains a whole bunch of autobiographical testimonies. The downside is that anything touching on homosexual activity (which for academics at the time also included gender non-conformity) has been censored by being translated to Latin; you'll need to look at the 1960s or later for a fully English translation.

B. R. Burg. Boys at Sea: Sodomy, Indecency, and Courts Martial in Nelson's Navy. New York: Palgrave Macmillan, 2007.

A look specifically at social attitudes in the purportedly all-male spaces of naval vessels; though slightly earlier (~1790-1820) than the 1847 time period, it stands to reason that characters familiar with that environment may continue to bear attitudes shaped by it. Unfortunately it may be difficult to access without being able to go through a university-level library system.

Lorraine Rumson, “Kink in the Time of Sexology: An Interdisciplinary Approach to ‘Abnormal Sexuality’ in Victorian Culture,” in Kink and Everyday Life: Interdisciplinary Reflections on Practice and Portrayal, 1st ed. (Bingley, UK: Emerald Publishing Limited, 2021).

An interesting analysis of social attitudes based on pornographic depictions, and contains further resources for Victorian pornography--unfortunately, I no longer have the book on hand to give specific names of texts, but they do exist ("Venus in Furs" is one that I do recall); alternatively, if you want older pornographic works, "Fanny Hill" and anything by the Marquis de Sade are worth looking into, albeit with the same content warnings as I mention for The Pearl.

Donald Hall. “Teaching Victorian Pornography: Hermeneutics and Sexuality.” Victorian Review 34, no. 2 (2008): 19–25. http://www.jstor.org/stable/27793665.

Another resource for identifying Victorian pornographic works, and this one's easily available on JSTOR if you have access or scihub if you don't.

[avis-writeshq]

not me asking for it https://www.tumblr.com/avis-writeshq/744966259884556288/if-someone-asks-for-it-ill-write-a-fic-based-on?source=share

pairing: s9!spencer reid x fem!reader genre: fluff, established relationship, SMUT warnings: 18+ CONTENT; MINORS DO NOT INTERACT !! oral fem receiving, spencer reid is a munch, hair pulling, fingering a/n: a promise is a promise !! based off of this post <3 i hope this lived up to expectations !! first time writing fem oral ha h a ha wc: 1.1k

Honestly, if there’s one person Spencer can blame for the situation he is currently in, he blames himself. After all, he should have known that a ‘gathering’ at Rossi’s house that was planned by Penelope would only call for a lot of teasing, a lot of ‘get to know each other!’ games (despite the fact that he has worked with this same team for more than seven years. What else is there to know?), and a lot of alcohol. He didn’t quite realise that these games would be of the drinking variety. Alas, here he is, sitting on one of Rossi’s incredibly expensive leather couches and cringing at the horrid taste of whiskey. 

The game they’re currently playing is an alcoholic’s rendition of ‘who is most likely to?’, involving a thick stack of cards with different topics while each member of the team took turns reading out. Whoever ended up with the most amount fingers pointed in their direction was forced to drink.

Spencer hates this game. He has drank from his cup a grand total of six times, and he is not getting any more used to the spicy-poison-equivalent in his hand. 

“Alright, this is a good one,” Derek announces with a manic snigger. “Who here is most likely to be a munch?”

There is no hesitation in anyone’s answers, and all six fingers point into Spencer’s direction. His jaw drops at the betrayal, his head spinning from the sheer amount of shots he had to take but also what the hell is a munch?

“I don’t even know what that means!” He insists. 

“Oh–” Penelope wears a half delighted half pitying expression at his words. “We really need to get you onto the internet more. Reddit is probably up your alley.”

“Even Rossi knows what it means,” Emily cackles, gesturing to Rossi who looks all too pleased. “Hotch was my second option though.”

Aaron shrugs, sipping at his drink. “Guilty.”

A chorus of laughs and shrieks erupt from the group, leaving Spencer even more confused. “What?”

“Don’t Google it,” JJ chimes in. “Seriously.”

Spencer nods, and although he knows that he should have taken the warning seriously, the curiosity was getting to him and he had no choice but to search it up as soon as he got home. He gets the usual answers– the etymology of the word, what it means in the Oxford Dictionary, the popularity of the word since the early 1800s, and he really doesn’t understand what the fuss is. Does the team think that he eats loudly? Or that he chews with his mouth open? His brows furrow at the unsightly thought. 

His interest soon shifts to a different a different link, namely The Urban Dictionary. He blinks, clicking on the link without much thought and– oh. He does not get much sleep that night.

*** 

Your relationship with Spencer isn’t a secret. At least, it was never supposed to be classified as such. He is simply an incredibly private person that even his closest friends don’t know that you exist. It simply never popped up in conversation– or so he says.

The relationship isn’t necessarily new either. It’s nearing the one year mark and you have gotten to the point where the two of you have been more ‘experimental’ when it comes to sex. He finds it embarrassing. You find it unsurprising that he would. You find it even more surprising when he breaks a kiss halfway to lower you onto his bed, your head falling to one of his very expensive memory foam pillows. 

“I want to try something,” he announces softly into your ear, squeezing gently at your waist and looping his fingers into his shorts. “Is that okay?”

“Yeah,” you breathe, body hot with anticipation as he pulls down your shorts. It’s only when he brings his face between your thighs do you realise what he intends to do. “Spence, you don’t have to–”

“I want to,” he repeats softly, his fingers running up and down the lacy fabric at your slit. “If you want me to stop, you can tell me.”

You shake your head immediately at that, your hands moving to his grip his shoulders. “No, I don’t want you to stop but– but Spence, this is the first time you’ve done this. It’s okay–”

“Let me do this for you,” he says, his breath ghosting against the sensitive skin of your thighs. “I’ve done my research.”

“What–”

You’re silenced as soon as he presses his lips to your cunt, only separated by your pretty lacy underwear. He groans quietly at the taste of your slick seeping through the fabric, and his hands hold onto your thighs to keep them parted. It’s so good, so good, but it just isn’t enough. He pushes the fabric to the side, watching the way it clings and sticks to your skin. 

All it takes is one swipe of his tongue on your pretty clit for his brain to grow blank. The grip he has on your thighs grow firmer and his fingers dig in hard enough to leave little marks. His nose bumps against your clit while his tongue travels against your folds. 

“You taste so fucking good,” he breathes against you, lapping at your dripping cunt. “Fuck, angel, you’re so beautiful.”

Then, he’s on you all over again. His lips wrap around your clit and he whines into you as he sucks at the bundle of nerves. Each one of his actions has your back lifting from the bed and your hands tugging at his curls, to which he responds with a quiet moan. Amidst the pleasure, your mind nags you to be gentle, and you loosen your grip despite it taking all of your self control.

“Do that again.” He says it as a demand, guiding your hands back into his hair. “Do it again, angel.”

His head is spinning and he craves for more of you, his tongue flattening against your clit over and over again. He brings his own fingers to brush against your entrance, coating them with your slick before slipping his middle finger inside. It’s only the first knuckle but it’s enough to have you squirming beneath him. He pushes further until it reaches all the way, and Spencer groans at the feeling of you tightening around him. He kisses your clit again at the same time he curls his finger inside you and it’s all too much. 

“Spence–”

You gush around his finger and he licks and laps at your pussy like he needs it to breathe. His finger curls open and closed inside you while you rock your hips against his face, your grip on his hair tightening as each second of your high passes. 

“So good,” Spencer moans, kissing your clit. “Taste so good. You can do one more, right, angel? Just one more, I promise.”

reblogs are always appreciated !!

tagging the people who commented on the original post: @mosaicbrokenherz @doigettokeepyou @goblinintheblog @cassioxpeiaxmgg @daddytenebra @lilliumrorum @matthew-gray-gubler-lover @lightreiding

[writing-with-sophia]

Write a weak hero

Okay, first, what is weak? According to Oxford Dictionary, weak is lacking the power to perform physically demanding tasks; lacking physical strength and energy, or liable to break or give way under pressure; easily damaged.

That means, a weak hero is a character who isn't physically strong, mentally strong or even both.

So, how can we create a weak hero but do not make readers hate him/her? You will know after this post!

First, developing an effectively background

Unlike typical heroes who may have been born with incredible powers or had a dramatic origin story, the weak hero should come from a mundane background. They can be an ordinary person with nothing outstanding, a failure, etc. and suddenly have to shoulder the responsibility of "a hero" even though they don't want it.

Focus on their mundaneness and weakness. Describe the awkward situation where they are forced to become heroes. Why were they chosen to be heroes, when there are others who are more talented and powerful? What were the circumstances under which this happened? Make it as clear as possible.

Don't forget to describe their thoughts, feelings, and reactions. In their backstory, highlight times when the weak hero tried to be heroic or take on challenges, only to fall flat on their face. Was there a specific incident that shattered their self-esteem? Do they come from a family or environment that was overly critical? These past embarrassments and disappointments can inform their current self-doubts.

Use flashbacks strategically. Intersperse key backstory moments throughout the narrative to gradually reveal the hero's history and motivations, rather than dumping it all at once. This will help the reader better understand the character's journey and the reasons behind their reluctance to embrace the role of a hero.

Second, emphasizing their weakness

Focus on their mundane, everyday struggles. Rather than epic battles, the weak hero's conflicts should revolve around things like asking neighbors for help or failing to complete simple tasks.

You can also contrast them with stronger, more capable heroes. Have the weak hero regularly get overshadowed or overlooked by the more impressive feats of other characters.

The weak hero's ineptitude and frustrations can be a great source of comedy. So don't be afraid to poke fun at their failings :).

Third, slowly build towards small victories

If you want your weak hero to be liked by the readers, never let them be weak all the time. Drop subtle hints in the backstory that suggest the hero has untapped potential or unique talents that could one day be leveraged in unexpected ways, even if they don't realize it themselves.

Focus on the why. What made them become strong, or strive to become stronger? Is it a long-term motivation or a temporary one? Are they doing it for themselves or others? What will they do to overcome their weaknesses? Over time, the weak hero can learn to leverage their "useless" powers in clever ways and gain a little more confidence, even if they never become a heavy hitter.

And, remember to highlight their determination. Despite their shortcomings, the weak hero should possess an underlying stubbornness and refusal to give up. Showcase moments in their past where they persevered even when success seemed impossible.

Fourth, crafting challenges

When crafting challenges for a weak hero, you need to focus on obstacles that play to their specific limitations and insecurities. Here are some types of challenges a weak hero might face:

Outmatched in combat

The weak hero tries to take on a powerful villain, only to be easily overpowered by the villain's superior strength, speed, or abilities.

They get into a fight they can't win and have to rely on their wits or dumb luck to escape unscathed.

Inability to complete basic tasks

The weak hero struggles with simple everyday activities like opening a jar, fixing a leaky faucet, or assembling furniture.

These mundane challenges become major roadblocks that highlight their incompetence.

Social humiliation

The weak hero tries to interact with others, only to say the wrong thing and embarrass themselves.

They may attempt to flirt, negotiate, or simply make small talk, but end up flustered and socially awkward.

Lack of confidence

The weak hero doubts their abilities and has a hard time believing they can accomplish anything meaningful.

They may shrink away from opportunities to be heroic, worried they'll just mess things up.

Overbearing comparisons to stronger heroes

The weak hero is constantly overshadowed by the exploits of more powerful heroes, making them feel inadequate.

They may try to emulate the other heroes' successes, only to fail miserably.

Underestimation by villains

The villains dismiss the weak hero as harmless and ignore them, allowing the hero to stumble into accidentally foiling the villain's plans.

The villains may even make the mistake of toying with the weak hero, giving the hero a chance to catch them off guard.

The key is to create challenges that force the weak hero to rely on their limited abilities in creative ways. Gradually building their confidence through small wins can be a rewarding character arc.

Fifth, supportive relationships

The weak hero likely has friends, family members, or mentors who believe in them, even if the hero themselves does not. By including a support system of characters who see the weak hero's hidden potential, the narrative can strike a balance between the hero's self-doubt and the encouragement of those around them. These supporting characters can provide a counterpoint to the hero's negative self-perception, offering validation and pushing them to exceed their own expectations.

The interactions between the weak hero and their cheerleaders can also be a source of character development and emotional growth. As the hero gains confidence and finds ways to leverage their unique talents, the relationships with these supportive figures can evolve, deepening the overall narrative.

Supportive relationships can be of many types, but the most effective are:

A mentor figure who sees the hero's hidden strengths and pushes them to overcome their limitations.

A loyal friend who constantly encourages the hero and refuses to give up on them.

A capable sidekick or partner who can cover for the hero's weaknesses in battle.

A tech-savvy ally who develops gadgets or abilities to enhance the hero's limited powers.

A family member who provides unconditional love and acceptance, even when the hero doubts themselves.

A romantic interest who sees the hero's inner strength and brings out their best self.

A rival or adversary who recognizes the hero's true talents, forcing them to confront their own insecurities.

A renowned hero or role model who inspires the weak hero to strive for greatness, even if they don't believe they can achieve it.

It is not easy to create a weak hero. Crafting a compelling weak hero requires carefully balancing their flaws and insecurities with moments of growth and determination. You must find ways to make the character relatable and likable, despite their shortcomings, by highlighting their underlying potential and the support system that believes in them.

Hope you enjoy this. If you have any questions about writing, inbox me. I will answer as best as I can.

[andy-wm]

I have thoughts on Jimin's SGMB

It's the gayest thing I've ever seen.

And by that I mean it's joyous, light-hearted, bright, and fun.

We can all agree, I think, that this is a happy and totally harmless song. Who could criticise Jimin for declaring his love in such a sweet and innocent way?

Of course not everyone will like it, and that's fine. You don't have to like everything he does - or everything BTS does - you are an individual with thoughts and feelings of your own - I hope. But putting that aside you'd have to be a troubled person indeed to take offence at anything here.

So, it is definitely a fan song, right? Jimin is singing to his fans... isn't he?

Maybe.

But if it is (I and I'm not convinced) it's not just a fan song.

It's sweet, so sweet, but....

Maybe it's a little too sweet?

We know Jimin is CUTIE SEXY LOVELY and LOVELY LOVELY LOVELY, but let's be honest, he's also a grown man. And Army are not children (mostly). In fact we have had many many conversations about how ARMY are not children.

But this whole production is pushing the sweet and innocent barrow so hard that I can't help wanting to look underneath and behind and inside to see what's really going on because it's so sweet it's hurting my teeth.

Compare the sophistication and self awareness of FACE to the bouncy, bright and child-like song-and-dance in the SGMB music video. They are WORLDS apart and we were told very specifically that the albums were linked.

"Following his first solo album, “FACE,” where he sought to explore his true identity, “MUSE” documents his journey in search of the source of his inspiration." said the Weverse notification.

So what's really going on here?

What are you doing Jiminie?

And more importantly, why are you doing it?

You could call it a pageant, or a carnival, or a circus - with Jimin as the ringmaster.

But my view is:

This a pantomime. And it's very clever.

According to the Oxford Dictionary, a pantomime is "A dramatic entertainment,  originating in Roman mime, in which  performers express meaning through  gestures  accompanied by music." Yes, that describes it.

Merriam-Webster tells us "[A pantomime] is an ancient Roman dramatic performance featuring a solo dancer and a narrative chorus" That also makes sense.

Oxford also specified that it's a modern BRITISH tradition. "a theatrical entertainment, mainly for children, which involves music, topical jokes, and slapstick comedy." It's a perfect fit.

The British link is already there - Jimin clearly told us he's influenced by The Beatles' Sergeant Peppers Album. There's also the styling of his suit. The stovepipe pants, narrow tie, and fitted jacket are very 1960s (and 1980s) British pop.

There's something old-school about a pantomime. It harks back to childhood, and to the nostalgia of holidays. And the styling of the MV is in keeping with that nostalgic feel too - from the Mountain scene with the vintage film title, to the intertitles - or title cards , to the circular frame of the opening scene.

But back to the Pantomime itself...

A quick google search told me the following are important elements of pantomime. And we have most, if not all of them in this production.

Gender role reversal - TICK

Slapstick comedy - TICK

Colourful costumes - TICK

Audience participation - TICK (the children ARE the audience)

Exaggerated facial expressions - TICK

Take another look at the music video - it's all there.

Wikipedia tells us that pantomimes traditional told fairy tales or folk tales - often love stories - and that the primary role in a Pantomime was:

The 'Principal boy', a hero or charismatic rogue, traditionally played by a young woman in men's clothing.

Smart, very smart. With all the other conversations we've been having a round gender this is totally on the money.

Wikipedia goes on to say "Another pantomime tradition is to engage celebrity guest stars... Contemporary pantomime productions are often adapted to allow the star to showcase their well-known act.... If the star enters into the spirit of the entertainment, he or she likely adds to its overall effect"

Welcome, Loco.

(yes, I know collabs are de rigueur, but that doesn't change the fact that it fits - celeb guests are an established practice in Panto.)

So if this IS a Pantomime (and I'm not saying it definitely is but it looks like one to me), then it's intended to be a sung-story, told as much through dance and gestures as through words.

If it's a pantomime, what is it about?

I'm glad you asked! This little charade is the story of a young person called Jimin who is looking for love. He finds romance easily enough...

but real love takes a little longer.

Fortunately for our hero, he's brave (he will confess to his lover) and he is patient (he encourages them to do so too).

In between, there are shenanigans and goofing...

But our Charismatic Rogue is charming (if devilish) and wins the hearts of the audience - and his lover.

Let's take a closer look at how the story unfolds...

At the start of the MV, as the initial credits appear, Jimin is on stage vibing with his band. Loco is chilling on a rock like a lizard in the sun.

We get the ye olde intertitles, welcoming the audience and introducing.... SMERALDO Garden Marching Band

It's not Smeraldo Garden - Marching Band. It's Smeraldo *pause* Garden Marching Band. Smeraldo (secrets) has the emphasis.

After the intertitles, the scene opens on a group of children - they are ostensibly the audience of the band. They're playing paper-scissors-rock to see who will call for Jimin's attention.

The children run over to him and the tale begins.

Jimin, the main character of this story, immediately launches into song.

He starts off singing about Bangtan - mentioning their harmony (song and personal I think), he shows the Bangtan hand gesture we all know so well, and he sings "we gift happiness every day".

But he mentions June 12th.

Why June 12th?

Why not 13th, their debut day?

BECAUSE THIS IS NOT A SONG for ARMY. He's making it clear that at this point he's referring to Bangtan specifically, not the whole juggernaut of the fandom and fame. June 12th precedes ARMY.

He's made it clear from the start - this is NOT ABOUT ARMY.

Then he leans in and whispers to the children - and the camera -"lets talk about us".

Look at the kids' faces - they're miming shock. Ooooohhh! This is a big secret he's about to tell them - and us.

Look at Jimin's expression - he's just a tad smug. This is not a shocking secret to him, this is a fun secret.

Yes, he is indeed the charismatic rogue of this story.

He sings:

"All the things we couldn't say before

And your hidden feelings too (just for you)

Don't you worry anymore

Since we're together now**

Let's be a little more honest."

So it seems our main character has a LOVER. Someone who couldn't be revealed and who hid their feelings.

<Wow, I have no idea who this could be...>

Hang on, what's happening in the MV??

On his journey, it seems our young hero has a few short-lived romances. And if you look carefully, they are all with men.

He accepts the rose from a man, and plants himself on the bench right up close to .... a man. He jumps up unperturbed, and gifts the rose to (you guessed it) another man.

Jimin manages to sidestep (or completely ignore) all the women except one, who he sends graciously into the arms of a random man before continuing on his journey.

Wait one moment... his romantic partners were ALL MEN??

ALL MEN??

ALL MEN?!!!!!

Yes darling, all men. Let's continue.

So, it seems none of Jimin's previous romances grew into anything more, but he takes his own advice with his mysterious lover and confesses first.

He smirks. He flicks his jacket with pizzazz. He's ready.

He sings:

"Ooooh I love you babe,

I'll come closer to you

I want to hold your hand,

I want you babe (yessir)

Please note the hand gesture in this choreo - it's another one we've seen many times.

The dance ends and Jimin scans the surroundings and spots his old friend...

[Enter stage left: Loco]

Oh look, the friend is a rapper a few years older than Jimin. They seem to have a lot of fun together, Jimin and his rapper friend. There are ZERO romantic overtones here. This guy happily goes along with all the goofing and silliness even though he looks a tiny bit mortified. Either they are both very good actors, or a lot of the time, Loco was holding in his laughter. And Jimin seems incredibly amused by that.

They hang out together until.... something in the atmosphere changes:

The colours become richer, light become warmer, and oh look....

It's *The Golden Hour*

I AM NOT MAKING THIS UP, PEOPLE. HE REALLY DID THIS.

Jimin leaves Loco, chasing the golden light as he sings about "the dazzling sky." Golden confetti (champagne, anyone?) falls all around him and then ...

fucking sunflowers bloom.

SUN FLOWERS.

BLOOM.

FOR HIM.

<I need to lie down and process this>

SUNflowers...

Remind me again what sunflowers are known for? Oh yes, they are symbolic of the sun. Guess what else? They turn to face the sun.

Yup, the sunflowers all turn their faces toward the camera. I'm not crazy, okay?! I'm not.

SMH... let's move on.

Jimin re-joins his band, and the sunflowers do their sunflower thing, and Jimin sings:

"So tell me how you feel,

let whatever you feel

wash over you"

Then he sings

"I love you babe, (yessir)

I'll come closer to you

I want to hold your hand,

I want you babe (yessir)

Please note the hand gesture again

👉 👈

The bridge is next, and Jimin takes us back to Bangtan. As all the stars appear (that ocean of purple light that surrounds them at concerts) and everyone takes their place on stage, they turn up the music. <Are my eyes watering? Perhaps>

"I think we're ready now

<NGL I may have shed a tear here>

Lets begin 1, 2

<Ok fuck, I bawled at this point. Goddammit Jimin!>

Put your hands up"

*cute wiggle-dance commences* and Jimin spots his good friend the rapper again, hiding on the sidelines. He pulls him into the chorus line and they do more silliness and everyone is having a great time.

Confetti- flower petals fall, there's laughter and happiness all around, and they bow and bid us good bye.

The show is over.

*THE END*

But wait, I am not done.

A few more things bear mentioning here:

I saw quite a few comments saying this song is for ARMY.

It is categorically NOT for ARMY. Besides the fact that we already have Closer Than This - a fan song - on this album, Jimin specifically chose a date before debut - before ARMY existed - to place in this song. No mention of ARMY at all. Accept it graciously, this is not for you.

I wanna hold your hand

This lyric is a reference not only to the Beatles song "I Want to Hold Your Hand", It's also a common theme with Jimin and Jungkook. We see them finding any feeble excuse to hold hands, shake hands, touch hands. Yes, we see you two...

I am you, You are me

The gesture used in the choreo when Jimin is singing his confession - I failed miserably to catch it in my screengrab but there's no doubt it's their "I am you, You are me" gesture. Take a look for yourself.

All Jimin's romantic moments happened with men.

I'm not saying in his life, I am saying in this MV. All of them. The only interaction he has with a woman is one brief moment where he grabs her wrist as she passes by and he swings her into the path of a guy behind him. He even scoots around the women and sidesteps them. That can't be accidental. He's making a point.

The addition of 'yessir' in the lyrics makes it clear that he's confessing to a man.

I cannot see any reasonable way to refute this. The BH subtitles include it even though you have to listen carefully to catch it. THAT IS A CHOICE, NOT AN ACCIDENT.

"Even though we're together now"

These lyrics could mean theyre an established, committed couple. But if we think a little broader than that, and a little more literally, who is he together with right now?

It's strategically brilliant.

This is his 'tell all expose' but he has built in a rock solid escape clause by using the panto format. Staging the whole love story - including the prior boyfriends and the man he's now in love with - as an over the top comedy show makes it easily dismissible as pure fiction. By including the fantasy/magical elements he just makes it more so. Deniers will be able to come up with a dozen reasons to reject this... 'It's a fantasy story', 'not all songs are autobiographical', 'he's making a point', 'he's raising LGBTQIA+ awareness'... all true maybe, but that doesn't change the fact that this is HIS song, about HIS muse. If you've been paying attention (and even if you haven't) you will know this is certainly not pure fiction.

AND FINALLY....

The most important one, I left till last. I actually want to scream this, in all caps, in the biggest font possible. But I will restrain myself.

The song is bookended by references to BTS.

That is hugely important. For those who may not be aware, this is a literary device. Bookending a story provides a start and end reference point. Here, the Bangtan bookends provide context for the rest of the lyrics - they frame the lyrics within them. That means the events happening in the song, happen within the context of Bangtan. Reading between the lines, the person he is singing to/about is within Bangtan.

This is not reaching. This is like mixing blue paint and yellow paint together. You will get green paint.

💛+💙=💚

So yes, this song is the gayest thing I've ever seen.

And I DO mean it's joyous, light-hearted, bright, and fun.

But yes, it's also absolutely and totally really really GAY

🏳️‍🌈🐥🦄🌈🏳️‍⚧️🌻🐰☀️🏳️‍🌈

Thank you Jiminie

[thevixenwitch]

Sources for Celtic History and Paganism!

So today I was reading Ancient Fire: An Introduction to Gaulish Celtic Polytheism by Segomâros Widugeni when it struck me just how many of the sources were the type of thing that wouldn't necessarily come up on a regular search, particularly some out-of-print books, a lot of which are actually available on the Internet Archive! I took some time to take note of each listed source, and tried to see if I could find the right place to request them from (in the case of a handful of articles and theses), find PDF links where they did already exist, basically whatever I could! Some books are available to buy, most secondhand, and while most are available on Amazon, I won't be linking those here. I'd encourage anyone shopping to consider an alternative option if they can! Now, I haven't read through all of these, but the moment I found at least one of them seems to be impossible to find, I was reminded of the dangers of dying media. So I wanted to put these together so anyone could use them. Not every resource listed is in English. Anyway, on to the list~

Cernunnos: Looking a Different Way

By Ceisiwr Serith

https://ceisiwrserith.com/therest/Cernunnos/cernunnospaper.htm

Cernunnos Origin and Transformation of A Celtic Divinity

By Phyllis Fray Bober

https://www.scribd.com/document/460345187/cernunnos-origin-and-transformation-of-a-celtic-divinity-phyllis-fray-bober

Basic Celtic Deity Types

by Alexei Kondratiev

https://naomh-na-tursan.livejournal.com/5752.html

Deep Ancestors: Practicing the Religion of the Proto-Indo-Europeans

Book by Ceisiwr Serith

https://www.scribd.com/document/362472999/Deep-Ancestors-Practicing-the-Religion-of-the-Proto-Indo-Europeans

The Gods of the Celts and the Indo-Europeans

Book by Garrett S. Olmsted

https://www.academia.edu/38135817/The_Gods_of_the_Celts_and_the_Indo_Europeans_revised_2019_

Dictionary of Celtic Myth and Legend

Book by Miranda Aldhouse-Green

https://www.thriftbooks.com/w/dictionary-of-celtic-myth-and-legend_miranda-aldhouse-green/543335/#edition=5215209&idiq=16154030

The Book of The Great Queen: The Many Faces of the Morrigan from Ancient Legends to Modern Devotions

Book by Morpheus Ravenna Further

to tongu do dia toinges mo thuath [“Mi a dyngaf dynged it”], &c.

By John Koch

https://www.academia.edu/7242277/Further_to_tongu_do_dia_toinges_mo_thuath_Mi_a_dyngaf_dynged_it_and_c

Goddesses in Celtic Religion Cult and Mythology: A Comparative Study of Ancient Ireland, Britain and Gaul

By Noémie Beck

http://theses.univ-lyon2.fr/documents/lyon2/2009/beck_n#p=0&a=title

The Integration of Mercury and Lugus: Myth and History in Late Iron Age and Early Roman Gaul

By Krista Ovist

https://archives.library.wales/index.php/integration-of-mercury-and-lugus

Lady with a Mead Cup: Ritual, Prophecy, and Lordship in the European Warband from La Tène to the Viking Age

Book by Michael J. Enright

How to Kill a Dragon: Aspects of Indo-European Poetics

Book by Calvert Watkins

https://ia801404.us.archive.org/view_archive.php?archive=/7/items/twain-mark-a-connecticut-yankee-in-king-arthurs-court/1-ptry.zip&file=How%20to%20Kill%20a%20Dragon%20-%20Aspects%20of%20Indo%20European%20Poetics.pdf

The Celtic Gauls: Gods, Rites and Sanctuaries

Book by Jean-Louis Brunaux

The Apple Branch: A Path to Celtic Ritual

Book by Alexei Kondratiev

https://archive.org/details/applebranchpatht0000kond

Oxford Dictionary of Celtic Mythology

Book by James Mackillop

https://archive.org/details/dictionaryofcelt0000mack

The female deities of the Celtic religion: worship and mythology: a comparative study of ancient Ireland, Great Britain and Gaul

By Noémie Beck

https://theses.fr/2009LYO20084

Celtic Curses

Book by Bernard Mees

https://www.academia.edu/1012094/Celtic_Curses_Woodbridge_Boydell_2009

Guide to Irish Mythology

Book by Daragh Smyth

https://archive.org/details/guidetoirishmyth00smyt

The Sacred Isle

Book by Dáithí Ó hÓgáin

https://archive.org/details/sacredislebelief0000ohog

The Matronae and Matres: Breathing New Life into an Old Religion

By River Devora

http://polytheist.com/the-web-of-blessings/2015/08/12/the-matronae-and-matres-breathing-new-life-into-an-old-religion/

Interpretatio Romana and Matronae Iconography

By River Devora

http://polytheist.com/the-web-of-blessings/2015/08/31/interpretatio-romana-and-matronae-iconography/#:~:text=The%20overlay%20of%20interpretatio%20Romana,and%20plaques%20and%20glean%20valuable

Celtic chiefdom, Celtic state: the evolution of complex social systems in prehistoric Europe

By Arnold, Bettina and Gibson, D. Blair

https://searchworks.stanford.edu/view/3086499

*butacos, *wossos, *geistlos, *ambactos. Celtic Socioeconomic Organisation in the European Iron Age. Studia Celtica 40, 2006: 23-41

By Raimund Karl

https://www.academia.edu/245239/_butacos_wossos_geistlos_ambactos_Celtic_Socioeconomic_Organisation_in_the_European_Iron_Age_Studia_Celtica_40_2006_23_41

The Ancient Celts

Book by Barry Cunliffe

https://archive.org/details/ancientcelts00cunl_0

Sengoidelc: Old Irish for Beginners

Book by David Stifter

https://archive.org/details/sengoidelcoldiri0000stif

Greek Kελτóς and Γαλάτης, Latin Gallus ‘Gaul’

By Kim McCone

https://spr.harrassowitz-library.com/article/spr/2006/1/6

Celtic Heritage: Ancient Tradition in Ireland and Wales

Book by Alwyn and Brinley Rees

https://archive.org/details/in.gov.ignca.36494

Celtic Reconstructionist Paganism

By Erynn Rowan Laurie, Kathryn Price NicDhàna, Aedh Rua Ó Mórríghan, Kym Lambert ní Dhoireann and John Machate, ed. by Erynn Rowan Laurie

https://web.archive.org/web/20080418025755/http://www.witchvox.com/va/dt_va.html?a=usma&c=trads&id=6645

Which witch is which? : a concise guide to Wiccan and Neo-Pagan paths and traditions

Book Compiled and Edited by Patricia Telesco

Sources for the Three Realms

By Annie Loughlin - original source link is dead, need help to locate!

Dictionnaire de la Langue Gauloise

Book by Xavier Delmarre

https://archive.org/details/dictionnairedelal00dela (referred to as “Essential for Gaulish Language study)

The Settling of the Manor of Tara

By R.I. Best

https://www.ucd.ie/tlh/trans/rib.eriu.4.001.t.text.html

The court of law in Iron Age ‚Celtic’ societies. In R. Karl & J. Leskovar (eds.), Interpretierte Eisenzeiten 3. Fallstudien, Methoden, Theorie. Tagungsbeiträge der 3. Linzer Gespräche zur interpretativen Eisenzeitarchäologie. Studien zur Kulturgeschichte von Oberösterreich Folge 22, Linz: Oberösterreichisches Landesmuseum 2009: 135-60.

By Raimund Karl

https://www.academia.edu/245221/The_court_of_law_in_Iron_Age_Celtic_societies_In_R_Karl_and_J_Leskovar_eds_Interpretierte_Eisenzeiten_3_Fallstudien_Methoden_Theorie_Tagungsbeitr%C3%A4ge_der_3_Linzer_Gespr%C3%A4che_zur_interpretativen_Eisenzeitarch%C3%A4ologie_Studien_zur_Kulturgeschichte_von_Ober%C3%B6sterreich_Folge_22_Linz_Ober%C3%B6sterreichisches_Landesmuseum_2009_135_60

Matasović Etymological Dictionary Of Proto Celtic

By Ranko Matasović

https://archive.org/details/matasovic-etymological-dictionary-of-proto-celtic

Hammer of the Gods: Anglo-Saxon Paganism in Modern Times Second Edition

Book by Swain Wodening

https://archive.org/details/hammerofgodsangl0000swai

Various Works by Christopher Scott Thompson - recommended re: honor in Gaulish society

https://cateransociety.wordpress.com/books/

A Handbook of the Scottish Gaelic World

Book by Michael Newton and Michael Steven Newton

Celtic Values

By Alexei Kondratiev

http://dagdacelt.freehostia.com/values.html

European paganism : the realities of cult from antiquity to the Middle Ages

By Ken Dowden

https://archive.org/details/europeanpaganism0000dowd

A Definitive Reconstructed Text of the Coligny Calendar

By Garrett Olmsted

https://www.academia.edu/62011364/A_Definitive_Reconstructed_Text_of_the_Coligny_Calendar

New Calendar of Gaulish Polytheism

By Jess via Nemeton Nigromanitcos

https://thebloodybones.wordpress.com/2015/07/10/new-calendar-of-gaulish-polytheism/#more-265

Calendar of Feast-Days of Deities

Via the blog Deo Mercutio

https://deomercurio.wordpress.com/calendar-of-feast-days-of-deities/

Altkeltische Sozialstrukturen

By Raimund Karl

https://homepage.univie.ac.at/Raimund.Karl/Sozialstrukturen.pdf

La Langue Gauloise

Book by Pierre-Yves Lambert

https://www.scribd.com/document/782869557/Lambert-1994-La-langue-gauloise-description-linguistique-commentaire-d-inscriptions-choisies

Death, War, and Sacrifice: Studies in Ideology & Practice

Book by Bruce Lincoln

The Gods of the Celts

Book by Miranda Aldhouse-Green

https://archive.org/details/godsofceltsar00mira

War Goddess The Morrigan And Her Germano Celtic Counterparts

Book by Angelique Gulermovich Epstein

https://archive.org/details/WarGoddessTheMorriganAndHerGermanoCelticCounterparts

Epigraphik-Datenbank Clauss/Slaby

- Database of “almost all inscriptions ever recorded”

https://db.edcs.eu/epigr/hinweise/hinweis-en.html

A website on Gallo-Roman religion:

http://www.deomercurio.be/en/

A scholarly website with information on Epona:

https://epona.net/

[sweetinsaniiity]

MASTERLIST

𝐆𝐫𝐞𝐞𝐭𝐢𝐧𝐠𝐬.

I'm Aren and if you're here, you should probably be re-thinking your choices, because clearly, they’re questionable.

I write Ateez fanfics most of the time, if not all the time, in oneshot formats. I can definitely write a series, but will I? Who knows.

𝐃𝐎 𝐍𝐎𝐓 𝐓𝐑𝐀𝐍𝐒𝐋𝐀𝐓𝐄. If in any need to translate my work, please message me. Most likely I'll message back.

𝐃𝐎 𝐍𝐎𝐓 𝐏𝐋𝐀𝐈𝐆𝐀𝐑𝐈𝐙𝐄. There are more than a million words in the dictionary (Source: Oxford. If I'm wrong? Sue them, not me), and you have the need to replicate mine? You can do better than that.

𝐌𝐘 𝐑𝐄𝐐𝐔𝐄𝐒𝐓𝐒 𝐀𝐑𝐄 𝐎𝐏𝐄𝐍 𝐂𝐋𝐎𝐒𝐄𝐃. 𝐈 𝐰𝐢𝐥𝐥 𝐫𝐞-𝐨𝐩𝐞𝐧 𝐭𝐡𝐞𝐦 𝐬𝐨𝐦𝐞𝐭𝐢𝐦𝐞. However, I am slow in producing them. I take great pride in the quality of my work, which constitutes me doing my utmost best in giving you what you want to see, and I will not sacrifice that quality for something quick and easy. If that's what you want, then I'm not the author for you. Thank you for understanding.

𝐍𝐄𝐓𝐖𝐎𝐑𝐊𝐒: @keopihaus @dove-net @ksmutsociety @cromernet @othersideoutlawsnetwork @pirateeznet @illusionnet

𝒦𝒾𝓂 𝐻𝑜𝓃𝑔𝒿𝑜𝑜𝓃𝑔

𝐒𝐨𝐫𝐞 𝐀𝐧𝐝 𝐒𝐢𝐜𝐤 - Your sleight of hand gets you in trouble one day when you are caught stealing red-handed

𝒫𝒶𝓇𝓀 𝒮𝑒𝑜𝓃𝑔𝒽𝓌𝒶

𝐌𝐚𝐤𝐞𝐬𝐡𝐢𝐟𝐭 𝐂𝐡𝐞𝐦𝐢𝐬𝐭𝐫𝐲 - Seonghwa's obsession with you knew no bounds and he will do everything and anything to have you whether you liked it or not and whether it was bordering on the moral grey of things.

𝒥𝑒𝑜𝓃𝑔 𝒴𝓊𝓃𝒽𝑜

𝐇𝐚𝐢𝐥 𝐓𝐨 𝐓𝐡𝐞 𝐊𝐢𝐧𝐠 - You are an ex-princess and your kingdom has been taken over by another King, Yunho, and he will break you because your father ruined everybody's lives when he was king.

𝒦𝒶𝓃𝑔 𝒴𝑒𝑜𝓈𝒶𝓃𝑔

𝐃𝐨𝐧’𝐭 𝐋𝐞𝐚𝐧 𝐎𝐧 𝐌𝐞 - You fall in love with the campus outcast whose face you have never seen before since he always wears a mask.

𝒞𝒽𝑜𝒾 𝒮𝒶𝓃

𝐌𝐲 𝐋𝐢𝐟𝐞 𝐅𝐨𝐫 𝐇𝐢𝐫𝐞 - You and San switch bodies and have to pretend to be each other despite the fact that you hate him.

𝐌𝐲 𝐇𝐞𝐚𝐫𝐭, 𝐈 𝐒𝐮𝐫𝐫𝐞𝐧𝐝𝐞𝐫 - An intruder breaks into your home and does unspeakable things to you.

𝒮𝑜𝓃𝑔 𝑀𝒾𝓃𝑔𝒾

𝐒𝐢𝐜𝐤, 𝐋𝐢𝐭𝐭𝐥𝐞 𝐆𝐚𝐦𝐞𝐬 - You encounter a man who prevents you from leaving by tying a rope on your wrists while holding the other end with his big, strong hands.

𝒥𝓊𝓃𝑔 𝒲𝑜𝑜𝓎𝑜𝓊𝓃𝑔

𝐀𝐧𝐨𝐭𝐡𝐞𝐫 𝐋𝐢𝐟𝐞 - You fall in love with your best friend but it's unrequited.

𝐂𝐥𝐨𝐬𝐞𝐫 𝐓𝐨 𝐓𝐡𝐞 𝐄𝐝𝐠𝐞 - Wooyoung is a sex worker you met and kept calling not to do the deed, but for company and his comfort. Until, you develop these unexplainable butterflies in your chest.

𝒞𝒽𝑜𝒾 𝒥𝑜𝓃𝑔𝒽𝑜

𝐆𝐢𝐯𝐞 𝐌𝐞 𝐋𝐢𝐛𝐞𝐫𝐭𝐲 𝐎𝐫 𝐃𝐞𝐚𝐭𝐡 - Your beloved comes back to you after five years, except he wasn't the one you loved all those years.

ℛ𝒶𝓃𝒹𝑜𝓂 ℋ𝑒𝒶𝒹𝒸𝒶𝓃𝑜𝓃𝓈:

ateez as !mafia members

soft-turned-dom!San request

free use!San request

[nolablu]

THE MOON: A VESSEL FOR PROJECTIONS

Hello! This is Magnolia :)

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The word ‘projection’ derives from the Latin word proicere, which meant to stretch out, throw forth, hold in front, fling away, or drive out. Now, the definition of projection from a psychological perspective: According to the Oxford Languages Dictionary, projection is the unconscious transfer of one’s own desires or emotions onto another person.

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To sum it up, projecting (either physically or psychologically) requires one to direct and exert force outward. This is complete opposite to the Moon, as the Moon receives light from the Sun in order to reflect it outwardly. It does not merely project light on its own so in turn it cannot be a force that naturally projects but the vessel which receives these projections.

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This sentiment is also reflected in the Moon’s alchemic metal, silver, which is known for its exceptional ability to reflect light, more effectively than any other metal, reflecting up to 95% of light that strikes its surface. Interestingly enough Silver has historically been used as a coating in mirrors because it is one of the most reflective metals, as mentioned being capable of reflecting up to 95% of visible light.

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A mirror reflects what is in front of it, or whatever is in its surrounding environment, depending on the size of the mirror. It perfectly captures the impressions projected onto it and reflects them back to the person who projected them. However, to be in a state to receive such impressions, one must be receptive. The Moon is a receptive planet, just as it is associated with the mind, which is also highly receptive.

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Interestingly, the Moon is the natural karaka (significator) of the 4th house, which governs early childhood, the home environment, and the experiences that shape our early emotional development. Children, much like the Moon, are highly receptive, absorbing the light and energies of the people and environment around them. Parents, particularly the mother, serve as the first and most significant sources of this ‘light,’ shaping the child’s perception of the external world.

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Hello again! Just an interception here lol I just wanted to share that this particular paragraph (the 6th) has been edited. I just came to an awesome realization that really connected the dots for me. I tried to make it sound as understandable as possible here ahhh

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It reminds me of Yesod’s role in the Kabbalistic Tree of Life, it’s the channel that funnels and projects energy from the higher sephiroth into Malkuth, the physical world. Unlike Binah, the form-giver that shapes raw energy from Chokmah, Yesod acts more like a mirror-portal. It doesn’t generate energy on its own; it receives, filters, and then directs what it’s been given. Since the Moon is associated with Yesod, it functions in a similar way. It isn’t just passively receiving, it’s actively channeling and reflecting what it absorbs. That makes its receptivity dynamic. 

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Think of it like this: if the Moon is the mind (Yesod), and the body is Malkuth, then whatever the Moon takes in, such as beliefs, moods, behaviors, gets filtered through the psyche and eventually manifests through the physical form. However as I said prior to this edit, I will touch on this more and how the Moon acts as a conduit later on (down the road).

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Now, returning to the point at hand, just like a mirror reflects whatever is projected onto it, children also reflect the energies they have been exposed to. These early impressions, formed in the home environment, can reveal the influences that the child has absorbed, whether positive or negative. The child becomes a mirror for the energies, moods, and attitudes of those around them, carrying these imprints as they grow.

This also has been a reason to why I firmly believe that Moon is rightfully associated with the Ego (the ascendant also has it’s own role in this) and also the formation of our personality rather than the Sun: https://www.tumblr.com/teepeejr/778296553212395520/the-sun-is-not-the-significator-of-the-ego-so-who

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This leads me to also consider the 5th house, which governs creativity and children. Beyond creative expression, I believe that the 5th house can provide insight into a child’s home life and the way they are treated, as a child is a vessel (just as the Moon) that’s reflecting the influences around them. Look at the drawings of children, it will reveal a lot!

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If you’re still wondering how all of this demonstrates that the Moon serves as a vessel for projections, consider this: the Moon operates much like a mirror. Its entire essence is rooted in reflection, rather than emission. When it does emit it acts as a portal. Due to its receptive nature, the Moon is open to external projections, much like a mirror reflects whatever is placed before it. However, due to its elusive quality, the Moon rarely reveals its true nature, which is what makes it not as easy to decipher as it seems. While the Moon is powerful in it’s own right, its inherent nature of reflection cannot be overlooked.

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Yay! You’ve made it to the end. I want to thank you for attending my Ted Talk or should I say Astro coke rants? Hm, they’re interchangeable lol. Anyways, here’s a photo of Shinji perceiving you :)

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[literaryvein-reblogs]

The Language of Science: Nomenclature

The dates below are those of the first recorded usage, as given in the Oxford English Dictionary.

SCIENCE NAMES

biology (1802) ⚜ petrology (1807) ⚜ taxonomy (1828)

morphology (1830) ⚜ palaeontology (1838)

ethnology (1842) ⚜ gynaecology; histology (1847)

carcinology (1852) ⚜ embryology (1859)

CHEMISTRY

tellurium (1800) ⚜ sodium (1807) ⚜ strontium (1808)

platinum (1812) ⚜ silicon (1817) ⚜ caffeine (1830) ⚜ chloroform (1848)

sucrose (1862) ⚜ cocaine (1874) ⚜ argon (1895)

PHYSICS

centigrade (1799) ⚜ sonometer (1802)

colorimeter (1844) ⚜ ohm (1861) ⚜ ampère (1863)

joule; voltmeter; watt (1882) ⚜ electron (1891)

BIOLOGY

flagellum (1807) ⚜ chlorophyll (1819) ⚜ spermatozoon (1836)

diatom (1845) ⚜ bacterium (1847) ⚜ leucocyte (1870)

symbiosis (1882) ⚜ mitosis (1887)

chromosome (1889) ⚜ photosynthesis (1893)

GEOLOGY

apatite (1803) ⚜ cretaceous; Jurassic; pliocene (1831)

mesozoic (1840) ⚜ triassic (1841) ⚜ Cambrian (1842)

oligocene (1856) ⚜ bauxite (1861) ⚜ Ordovician (1879)

MEDICINE

gastritis (1806) ⚜ laryngitis (1822) ⚜ kleptomania (1830)

cirrhosis; neuritis (1840) ⚜ diphtheria (1842)

haemophilia (1854) ⚜ aphasia (1867) ⚜ claustrophobia (1879)

Any examination of the growth of scientific vocabulary in the 19th century would find that some sciences are conspicuously underrepresented, for the simple reason that their foundations had been laid much earlier. Example: Most of the basic terms of anatomy had been introduced by the end of the 17th century, as had a great deal of mathematical terminology. On the other hand, from the end of the 18th century rapid progress in chemistry, physics, and biology led to such major lexical developments as the nomenclature of chemical elements and compounds, and the Linnaean system of classification in natural history.

Source: T. H. Savory, 1967; incorporating 2017 OED revisions More: Word Lists ⚜ Historical Thesaurus

[word-for-today]

Word for today: gigil

A Tagalog word recently added to the Oxford English Dictionary, generally meaning the fidgety feeling one gets with strong emotion, most often (but not necessarily) upon seeing something cute. Cuteness aggression is a form of gigil, possibly as well as squeeing and glomping, although Filipino sources note that gigil can also be caused by frustration or anger

Pronounced “ghee-gil” (not “jee-gil”) and can be used as an adjective or noun.

[greenwitchcrafts]

October 2023 witch guide

Full moon: October 28th

New moon: October 14th

Sabbats: Samhain

October Hunter's Moon

Known as: Blood moon, drying rice moon, falling leaf moon, freezing moon, migrating moon, moon of the changing seasons, shedding moon, ten colds moon, winterfelleth & windermanoth

Element: Air

Zodiac: Libra & Scorpio

Nature spirits: Frost faeries & Plant faeries

Deities: Apollo, Astarte, Belili, Cernunnos, Demeter, Hathor, Herne, Horned God, Ishtar, Kore, Lakshmi & Mercury

Animals: Elephant, jackal, ram, scorpion & stag

Birds: Crow, heron & robin

Trees: Acacia, apple, cypress & yew

Herbs/Plants: Angelica, apple blossom, burdock, catnip, pennyroyal, sweet Annie, thyme & Uva ursi

Flowers: Calendula, cosmos & marigold

Scents: Apple blossom, cherry & strawberry

Stones: Amethyst, beryl, obsidian, opal, tourmaline & turquoise

Colors: Black, dark blue, Dark greens & purples

Energy: Artistic works, balance, creativity, harmony, inner cleansing, justice, karma, legal matters, mental stimulation, partnerships, reincarnation & uncovering mysteries or secrets

It is believed that this name originates from the fact that it was a signal for hunters to prepare for the upcoming cold winter by going hunting. This is because animals were beginning to fatten up in preparation for the winter season. Moreover, since fields had recently been cleared out under the Harvest Moon, hunters could easily spot deer and other animals that had come out to search for remaining scraps. Additionally, foxes and wolves would also come out to prey on these animals.

The earliest use of the term “Hunter’s Moon,” cited in the Oxford English Dictionary, is from 1710. Some sources suggest that other names for the Hunter’s Moon are the Sanguine or Blood Moon, either associated with the blood from hunting or the color of the changing autumn leaves. 

Samhain

Also known as: All Hallow's Eve,  Ancestor Night, Feast of Apples, Feast of Sam-fuim, Feast of Souls, Feast of the Dead, Geimhreadh, Hallowmass, Martinmass, Old Hallowmas, Pagan New Year, Samana, Samhuinn, Samonios, Shadowfest & Third Harvest

Season: Fall

Symbols: Apples, bats, besom(brooms), black cats, cauldrons, ghosts, gourds, jack-o-lanterns, pumpkins, scarecrows & witches

Colors: Black, gold, orange, silver & white

Oils/incense: Basil, cloves, copal, frankincense, gum mastic, heather, heliotrope, mint, myrrh & nutmeg

Animals: Bat, boar, cat cattle & dogs

Stones: Amber, anatase, black calcite, black obsidian, black tourmaline, brass, carnelian, clear quartz diamond, garnet, gold, granite, hematite, iron, jet, marble, pearl, pyrite, ruby, sandstone, sardonyx, smokey quartz, steel & tektite

Foods: Apples, ale, beef, cider, corm, fruits, garlic, gourds, grains, hazelnuts, herbal teas, mushroom, nettle, nuts, pears, pomegranates, pork, poultry, pumpkin pie, sunflower seeds, thistle, turnips & wine (mulled)

Herbs/plants: Acorn, Allspice, catnip, corn, dittany of Crete, hazel, mandrake, mugwort, mullien, oak leaves, pine, rosemary, sage, straw, tarragon, thistle, wormwood & yellow cedar

Flowers: Calendula, chrysanthemum, deadly nightshade, rue & fumitory

Goddesses: Al-lat, Baba Yaga, Badb, Banba, Bast, Bebhionn, Bronach, Brunhilde, Cailleach, Carlin, Cassandra, Cerridwen, Copper Woman, Crobh Dearg, Devanyani, Dolya, Edda, Elli, Eris, Erishkigal, Fortuna, Frau Holde, Hecate, Hel, Ishtar, Kali, Macha Mania, Morrigan, Nemesis, Nephthys, Nicneven & Rhiannon

Gods: Arawan, Baron Samede, Belenus, Coyote, Cronus, Dagda, Dis, Hades, Loki, Nefertum, Odin, Osiris, Pluto, Woden & Xocatl

Issues Intentions & Powers: Crossroads, darkness, death, divination, honoring ancestors, introspection, the otherworld/underworld, release, visions & wisdom (of the crone)

Spellwork: Divination, fire magick, night magick, shape-shifting, spirit calling & water magick

Related festivals:

• Day of the Dead- (Spanish: Día de Muertos or Día de los Muertos) is a holiday traditionally celebrated on November 1st and 2nd, though other days, such as October 31 or November 6, may be included depending on the locality. It is widely observed in Mexico, where it largely developed & is also observed in other places, especially by people of Mexican heritage. Although related to the simultaneous Christian remembrances for Hallowtide, it has a much less solemn tone and is portrayed as a holiday of joyful celebration rather than mourning. The multi-day holiday involves family and friends gathering to pay respects and to remember friends and family members who have died. These celebrations can take a humorous tone, as celebrants remember funny events and anecdotes about the departed.

• All Saints Day- is a Christian solemnity celebrated in honor of all the saints & martyrs of the Church, whether they are known or unknown

Activities:

• Dedicate an altar to loved ones who have passed

• Boil a simmer pot to cleanse your space

• Have a silent dinner

• Light a candle for your loved ones & yourself

• Decorate your house and/or altar

• Release negative energy & cleanse your with a ritual bath

• Pull tarot cards to see what may be in store for you ahead

• Cleanse, clean & de-clutter your space

• Leave offerings to the Fae

• Journal & reflect on your accomplishments, challenges & everything you did this year

•Go on a nature walk

• Learn a new form of divination

• Have a bonfire with your friends and/or family

• Carve pumpkins

• Express yourself creatively through art, music, ect

• Visit a cemetery & help clean off areas that need it or to visit a family member/ ancestor & leave an offering

• Hold a seance

• Bake spooky treats & bread as offerings

• Refresh your protection magicks, sigils & rituals

Samhain is a Gaelic festival on 1 November marking the end of the harvest season and beginning of winter or "darker half" of the year. Celebrations begin on the evening of 31 October, since the Celtic day began and ended at sunset.

This fire festival is celebrated on October 31st & is considered the Pagan New Year. It is the first Sabbat on the Wheel of the Year, a cross-quarter festival & the third (final) harvest festival of the mundane year. This is the time when the veil between the worlds of the living & those who have passed is the thinnest, which allows greater communication between the two

Some believe this is the time of the Goddess's mourning of the death of the God until his rebirth at Yule. The Goddess's sadness can be seen in the shortening, darkening days & the arrival of cold weather

Sources:

Farmersalmanac .com

Llewellyn's 2023 magical almanac: practical magic for everyday living

Wikipedia

Llewellyn's Complete Book of Correspondences by Sandra Kines

A Witch's Book of Correspondences by Viktorija Briggs

[theafroamericaine]

The Zoot Suit in Black Culture

In today's history lesson, we will discuss the vintage zoot suit, a men's suit with high-waisted, wide-legged, tight-cuffed, pegged trousers, and a long coat with wide lapels and wide padded shoulders.

The Chitlin Circuit (during the era of US racial segregation) was a network of clubs, theaters, and other venues where Black entertainers were allowed to perform, as defined by the Oxford Dictionary. These hotspots had comedy shows where entertainers such as Pigmeat Markham would dress up in baggy suits as part of their routine. This took place in the 1920s, eventually giving way to the more flamboyant, stylish and colorful zoot suit.

Born out of the inner city ghettos and African-American creativity, the suits were first associated with cities such as Harlem, Detroit and Chicago in the 30's. Musicians helped popularize the suit with a more tailored distinguished look, Cab Calloway, an American entertainer, famously wore the zoot suit in the movie, Stormy Weather (1943). Jazz and Jump Blues were all the rage back then and you could spot these suits at the dance halls.

“The zoot was not a costume or uniform from the world of entertainment. It came right off the street and out of the ghetto.” -Harold C. Fox, a Chicago clothier

According to Cab Calloway's Cat-ologue: A "Hepster's" Dictionary (1938), he called the zoot suit "the ultimate in clothes. The only totally and truly American civilian suit."

It was the signature look of the African-American subculture of Hepcats. A young Malcolm X could be seen wearing one. Dancers to businessmen to singers to instrumentalists, all dressed in zoots. It wasn't just about making a fashion statement, but a sense of cultural pride.

The look picked up in other communities such as the Mexicans, Filipinos, Japanese etc... forming their subcultures respectively.

On June 3, 1943, a string of attacks against Mexican-Americans started in Downtown Los Angeles, CA. Approximately 11 sailors got into a heated confrontation with some young Mexican-Americans and proceeded to assault them. The next day, hundreds of sailors traveled to a predominantly Mexican-American settlement in East Los Angeles and began another assault. Harassing anyone who wore a zoot suit, making them strip and burning their clothes. White residents and servicemen used the excuse that the zoots weren't "patriotic" due to it containing large amounts of fabric. This is during World War II were rationing food and fabrics were seen as necessary. This vicious and violent behavior spread to different cities leaving nothing, but devastation and trauma in its wake. These were known as the infamous Zoot Suit Riots of 1943.

Source 1 Source 2 Source 3 Source 4