#superhero spoilers

[thisshadowwrites]

i have seen gay porn less homoerotically charged than whatever the fuck they were doing in that hyundai civic

[cirilee]

they kissed nasty in that technobabble room and you know it!!🫵🫵

[the-siren-in-your-fridge]

I love the concept of Gwen being trans because it implies the following conversation

Gwen: I’m a girl

Her dad: of course, I love and accept you, what do I need to do to help you with this

Gwen: I’m also spider woman

Her dad: absolutely NOT

[ukiyoebirds]

"An Aunt May Seminar: So Your Kid Is Spiderman"

She also has an upcoming seminar called "A close friend is actually a backstabbing villain who tried to destroy your kid: How to let go of toxic people in your life."

[thesuperheroesnetwork]

Texts From Superheroes

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[muirann]

all comic fans know how to do is: develop superiority complexes based on their personal perceptions of a character, eat hot chip, and lie

[dailyflicks]

THE BOYS (2022 - ) I 4.06 DIRTY BUSINESS

[egophiliac]

LEON

LEON YOUR EYEBALLS

[theflashjaygarrick]

The ladies of Gotham (and Talia) as Reductress/Onion headlines

[gojosbf]

i know many people are complaining about megumi '"living for someone else" instead of himself part but you've got to understand that there is no right or wrong way to get over depression, it effects different people differently. while i would've loved seeing megumi get his revenge and be a total badass but i also understand this plot choice. one doesn't cure their mental health and go on to conquer it's cause immediately, so i get it.

this is his first step towards himself because while he phrased the choice as "to live for someone else" he did have to choose to not give up on himself to get here. this is only the beginning, he will get there, he is still recovering from all the trauma but slowly and surely he will learn to live for himself, give it time.

[queerxqueen]

PETER PARKER & HARRY OSBORN in Marvel's Spider-Man 2 (dev. Insomniac)

[cordycepspog]

Things that absolutely fucked my shit up this episode, an incomprehensible list:

- Ellie liked the smell of Frank’s sleeping bag

- Joel still wearing Frank’s shirt

- Joel staying up all night to guard while Ellie slept

- “They’re not gonna hit you. Look at me, they’re not gonna hit you.”

- “Mom! Mom! Mom!”

- The way the doctor gave the lines “I delivered you. I held you in my hands.” and “I’m your doctor” so simply when asked for reasons why he shouldn’t be killed

- Ellie’s smile when Joel tried to tug the gun from her hand

- The way Joel bumbled his way through trying to make sure Ellie was okay, and ask if she wanted to talk about it after she shot Bryan

- All of the superhero drawings on the wall that Sam drew of him and Henry

- The mask that Sam had drawn on his face

Something about how everyone is undeniably human, and how unafraid they are of not shying away from that.

[silverwhittlingknife]

from this real advice column:

i see you person who wrote this sdfsdfdsf

[shortmexicangirl]

anyways rewatched eps 15-20 and in case u forgot them this is like. the general vibe.

[maxwell-grant]

So is Worm good from what you have read

"Yes" doesn't begin to cover it but yes. Worm is a brain-rewiring mobius strip disguised as a bible disguised as a superhero web serial that either cured your cancer or shot your dog or both depending on who you ask, and it has many extremely dedicated, brilliant scholar priest surgeons publicly dissecting it on this platform on the regular to the point I don't think I have much to add to the conversations surrounding it, even if I do have some The Thoughts about it. I had never even really seriously thought about superhero prose before and Worm isn't a thing I go back and reread frequently but it did a complete and total 180 on the way I think about superheroes and even fiction, and I've never stopped thinking about it since I've read it.

It is a monumentally impressive story with completely absolutely incredible characters that I cannot stop thinking about. No matter where it was going, even past stretches that were less interesting or more of a slog to read or worse, I could not put the story of Taylor Hebert down for one minute. Tattletale fascinated me every step of the way, I had to keep up with her. Rachel Lindt was a character I feel like I'd been waiting my whole life for. What was I gonna do, not see them through? I feel like Worm easily loses you if you don't particularly connect with the characters enough to justify to yourself the amount of time you'll spend with them, but man, I could not unglue my eyeballs from these people enough (I love all the core Undersiders, to be clear, I'd say it's Rachel > Taylor > Tattletale > Aisha and Alec and Brian, there are very small gaps between these, I just don't go berserk for the last three like I do for the first three, I'm taking Bitch and Skitter to the grave I'm dead serious)

Worm irreparably destroys your ability to engage with superhero fiction the same way ever again, as evidenced by the fact that it destroyed the author's own ability to engage with his own superhero fiction ever again. And everybody who read it has one or several gripes with it with some major dealbreakers in the mix. Tumblr's kinda the only place online where you can really talk about them at length without the spectre of John Wildbow hanging over the discussion, which enables discussion to the point where yes, maybe it does look like to outsiders that nobody can agree on whether Worm is good or what is it even about or whether it even has worms in it (it has at least one, although it's a very big one).

And it is good, it has the Undersiders in it and the Undersiders are one of the greatest groups of characters ever put together, but everyone has at least one major point of contention with Worm whether it's the timeskip or the length or the racism or the gross fatphobia or aspects surrounding the Dallon-Pelham Torment Nexus and etc. I'd say it has maybe the most racist vision of Latin America I've ever seen in a superhero text a hair short of pro-colonial tracts in Golden Age comics and that is a tall fucking order by any metric (part of why I started WEON4 as a project was motivated by spite, to try and make my own stories about non-American superheroes even if just as practice). It is Complicated, and that winds up making it so fascinating to talk about.

Worm has self-sustaining ecological systems of posts up here, far away from the Spacebattles and Reddit battlegrounds where it has different ones and that's not getting into Weaverdice or the sequel or Wildbow's larger body of work, which I haven't gotten to and probably will not any time soon because Worm was enough of a commitment as is. Do I recommend Worm to everyone? It is certainly not to everyone's tastes and I personally find it difficult to describe it simply enough to make it sound appealing or not like a pyramid scheme. But yes I do think it's good, in fact great, in fact, amazing, except when it isn't, and except it Plainly Sucks, but then something like Taylor vs Mannequin or Kevin Norton's interlude or "You needed worthy opponents" happens and it fucks harder than anything has ever fucked before and you don't walk away from it the same, so yes I guess "good" will have to do now.

It's certainly a lot but I definitely found it worth my time to read and then read the texts written about it here. You'll have to take my endorsement of Worm as proof of it's quality and proof of how deranged it makes it's readerbase, they're not mutually exclusive. If you can make it, Worm and the wormosphere has layers and layers to wade through and talk about and enjoy, despite how we're all so very small in the end *gunshot*.

[thesuperheroesnetwork]

Texts From Superheroes

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