#that’s what makes a character Interesting™ isn’t it

[rabbits-of-negative-euphoria]

the hardest part abt writing SNK fic is that every character is more interesting than all the other characters

[shorthaltsjester]

nothing more morally reprehensible than a cleric (checks notes) using the key features of their class…? surely that can’t be where we are regarding analysis of character actions in cr at this point.

[theloneotaku158]

As of Batman: The Brave and the Bold #12, local precious-gremlin-who-I-would-die-for, Maps Mizoguchi, is now officially(?) the sixth Robin. Or at the very least, she's now "in" on The Secret™.

If this isn’t a set up for her taking up the Robin mantle officially then I genuinely don’t know what is.

As one of the twelve Gotham Academy enjoyers in existence, I am having the extremely normal reaction of "FUCKING FINALLY! LET'S FUCKING GOOOOO--!"

In all honesty, I'd be lying if I said I hadn't seen this coming from miles away. Like, Maps has appeared in a number of seemingly random cameo roles recently, including Batgirls (2021), and even technically as Robin in the backup issues of Batman (2016) #119-121, and in a short story in Batman Black & White. And most of those got collected in a standalone titled "Maps of Mystery", which specifically gathered all her appearances as Robin (and the Gotham Academy Belle Reve story).

And then, of course, her recent time-travelling Future-Trunks-esque appearance in Birds of Prey (2023), as the tech-based Meridian, from a potential future timeline where she apparently makes it as a superhero using gadgets she apparently designed, proving that she's hero material.

That's not something you do for a character for no reason. That's the sort of thing you do when you want to keep a character in the conscience of your readers for whatever reason, because you have bigger plans for them.

Also interesting to consider that, in the "Mother's Day" story where this took place, Alfred is standing right there and not lying down six feet under wood, dirt and a stone slab, and that Bruce is in the old Batcave under the manor so he still has Money™. So we must assume this was some nebulous time in the past (after GA: Second Semester(?), but before City of Bane)... which I won't bother to analyse the exact timeframe of because DC doesn't care about the post-Flashpoint / New 52 / Rebirth / Prime Earth / idfk / Dawn of DC timeline, so neither should I.

But I think it's really funny that this presumably means Maps has known The Secret™ for a long time relative to present-day comics, but always acted like she didn't.

But if all her appearances are in chronological order, that means Bruce is only the fourth Bat whose identity she discovered.

Like, she discovered Cass' identity almost by accident on a trip to the zoo, Damian showed off his grapple gun and gave her an actual Batarang during the three hours he was enrolled in the school (as if she wouldn't immediately put two-and-two together even back then), and she even found out Terry fucking McGuinness would become Batman in a future via a time-travelling grandfather clock.

No I did not make that last part up. Read Gotham Academy istg.

Did Cass know that Maps had been acting as a Robin when she met her, both at the zoo in Batgirls and her future version in Birds of Prey?

Does Damian know the one (1) friend(?) he made in Gotham Academy is potentially in the running for his job?

Is Bruce himself aware that she knows as much about their identities as she currently does?

How is DC going to retcon this so it all makes sense in the barely-functioning canon of the modern DC universe?

I'm digressing. Where was I going with this?

Point is, she's destined to become a Robin, and I'm glad DC finally pulled their fingers out their asses and capitalised on that destiny.

Let's just hope it doesn't take another year for them to follow up on this plotline again.

Bonus: Jason Todd, after learning of Bruce taking yet another happy kid under his wing as yet another Robin, giving her some advice:

[im-a-hoping-beetch]

Many people seem to get genuinely confused, whenever we, zutara shippers, mention how underdeveloped kataang really is. Usually, they’ll brush it off as us being delusional, bitter and you know the drill. Their main response to that, usually is: “How, could they possibly be underdeveloped, they had 3 seasons!?!”

The thing is they forget that the amount of time isn’t as important as what you do do with it. Cuz, yeah, Aang and Katara did have 3 seasons, but their relationship still managed to feel rushed as hell. Heck, even Bryke, out of all people, admitted to it. Which mostly as to do with a bunch of things that I’ll get into right now.

Let’s start with the fact that, Katara never actually shows any interest in Aang.

Now, many of y’all will probably come for me by citing how the cave of the two lovers or even the Headband have moments of her showing interest in him, but all of them end up falling flat at some point.

The cave of the two lovers:

The argument here, usually is“if she didn’t have any interest in him, why would she kiss him?” or “why would she blush at the idea of kissing him?”. The former seems to forget this is a life or death situation and that we don’t really know for sure that if there were another way to get out if this, she wouldn’t take it. For the latter, I’d like to say that blushing can have many significations such as, embarrassment. Which, here makes sense when considering what she says and overall demeanour, after suggesting to kiss.

Like yeah, a fourteen year old girl blushing bcz she’s embarrassed at the idea of having to kiss, her friend, out of all things, cuz you know… awkward. Can you imagine that (pun fully intended)???

The headband:

This one is going to be a ride, but stick with me. The arguments can range from “What about her jealousy while Aang is dancing with other girls.” to “What about the way she looks at him during the dance.”

Here, is said jealousy being shown:

And said look being done:

Now, yeah, I can absolutely see why these two exemples would be used as a way to prove her interest, but let me remind you that this is the same episode where we have this happen.

Yeah, the same episode where Katara is acting all jealous and giving flirty looks to Aang is also the same one where she pretends to be is… mother. While, I could go on about how it wasn’t the best idea on the directors or whoever was in charge of the episode part if it was their way of giving a glimpse of Katara being into Aang. The issue is, them doing so wasn’t completely farfetched either, because up until now it’s been established that Katara can be very motherly and she acts that way with almost everyone in the gaang. More specifically, the one with who she does so the most is, Aang.

I mean, even the show makes a point of poking fun at their mother-son dynamic on several occasions all throughout the show (ie. the don’t-rub-your-eyes-when-you’re-speaking scene in “The runaway” episode). So realistically, the two exemples shown way above could somewhat work, but only if you decide to completely ignore what episode they take place in, one that hasn’t really helped at stopping the mother-son dynamic allegations kataang has been getting, for years, now.

So, back to the development aspect, I think it has always been stunted from the beginning, because, fundamentally, the ship as always been designed to be Aang-centric. If you’d like more insight on that I’d recommend checking @starlight-bread-blog’s amazing post on the issue. But also, that their lackluster resolution is way much more obvious, cuz both are leads in the show. Katara's existence in the show, isn't solely there to serve as some love inerest for Aang. Shocker, but she's actually a MAIN CHARACTER in the show, meaning that we spend three seasons where we get to learn about her battles, fears and aspirations, none of which seems to involve a relationship with Aang.

Like yeah, the reason why The Ending Kiss™ feels so unsatisfactory is, simply, because, Katara doesn't like Aang (at least not like that). Katara, likes Aang, because the show said so. Now, stick with me, cuz I can already feel some of y'all ready to jump at the screen. Within the show, name a single moment where she ever comes to thinking of Aang in a romantic way. One that doesn't involve any external sources, such as someone suggesting about it or because of the given circumstances she has to. The answer is none. The only time we ever get to see her voice her ACTUAL opinion about it, this is what she says:

That's not even counting how her overall demeanor, from the body language to her choice of words seems to suggest that she's actually trying to let him down gently. Also, may I remind you that at that point THERE'S ONLY 3 FREAKING EPISODES LEFT BEFORE THE BIG KISS™ and this is where there at in their relationship. Plus, within the 3 episodes that are left WE NEVER GET TO SEE THEM TALK ABOUT IT, EVER!!!

This obviously was part of Bryke’s horrible attempt at the will-they-won’t-they trope. Which ended up playing right in their face, cuz like I mentioned they themselves had to come to glaring realization that kataang was rushed. Now, it could’ve been it, the creators realizing their obvious mistake and if they could, trying to fix it by giving us what seemed like the natural progression of their relationship, which was for it to end.

Instead, we got comics!Katara and oooh boy…

Basically, they decided that they would throw away Katara’s meticulously built characterization in order to make her existence revolve around, Aang. I kid you not, when I say that she isn’t allowed scenes, lines and actions that do not revolve around her “sweetie”.

Remember how I said that, Katara likes Aang because the show runners said so. This is an example of this cranked up to a hundred.

Essentially, when you start thinking about where these two are in terms of growth, kataang is the antithesis to development itself. On one hand it validates the regression of one (ie. the dropped chakra plot line), while simultaneously, having to strip any previously built characterization of the other (ie. comics!katara).

On that note, I’d like to remind people, how important Katara is to the story. Without her, the entirety of the gaang would be dead. Without her, there would be no story. Without her, there would be no Aang.

She deserved to have a voice within her own relationship and not for it to be stolen by two grown men who were still stuck in their childhood fantasy.

She deserved better.

[dreaminghelaena]

asoiaf characters as youtubers

cersei: she is the CRAZIEST mukbanger ever. always has some new drama to talk about and it’s very very interesting so she has millions of subscribers. you know that meme of azealia banks’ internet feuds list? yeah that’s cersei. she’s beefed with everyone on the platform and never makes any apology videos for it. she’s had the channel since before she gave birth to joffrey and it’s still going strong. she sometimes does sponsorships but only for wine companies

tyrion: he is the vsauce of asoiaf youtube. does a lot of videos about scientific theories and experiments that get a lot of views. sometimes has drama with people but it’s not very often. he did a face reveal once he got to 3 mil and people edited picsart flower crowns onto his head and made it their pfp, so his comments are just filled with those. sometimes does his own experiments but they always end up going wrong

margaery: she does a lot of makeup tutorials!! she makes sure to use easily accessible drugstore makeup products so people can follow along. she has a couple million subscribers and is renowned as the most non-toxic makeup youtuber of all time. tried to collab with cersei but cersei didn’t show up. she also used to be a nail tech so she has a master class on that

theon: OMGGG theon is THE internet gossip youtuber ever. he’ll literally be pumping out videos about feuds hours after they started. some call him shady cause of the types of videos he makes but he doesn’t care cause he’s having fun. he also has a twitch gaming streaming channel and he is the Jerma of his universe there. he sucks at the games and does not know anything about gaming consoles or the best mics/cameras etc so he has to get computer science™ major jon to help him

sansa: sansa is a fashion design major in nyc so of COURSE she is posting lifestyle vlogs. she started the whole channel because she was featured in a few of margaery’s videos and people kept asking for her to make her own. but she is also very careful with her privacy cause she’s scared of someone finding her. she also has a second channel where she posts sims 4 videos and it’s super chill and fun over there

arya: arya’s really into self defense so she mostly posts tutorials and videos about that. she’s super super helpful in the comments but will insult people brutally when provoked. her genre isn’t as popular as the others so she has a couple hundred thousand (very loyal) subscribers. she also has a secret second channel that only has around 10k subs and everyone there gatekeeps tf out of it. she posts roblox and fortnite videos with her siblings that are really funny and entertaining. all of the girls in the comments are thirsting for robb 😭

jon: jon doesn’t post very much but when he does post it’s minecraft videos. most of the time sam is in them and sometimes robb will make an appearance but he has no idea what is going on. jon posts minecraft builds and he has his own smp (is that what they call it????) he’ll occasionally post videos about playing choices matter games like detroit become human and until dawn. sometimes ppl go ??? because during his minecraft build videos he traumadumps in the background instead of just putting on music or smth. he doesn’t show his face tho cause he’s afraid of getting made fun of

myrcella and tommen: ok they have a super secret channel that only has around 1,000 subscribers where they post videos of their cat. that’s all. people in the comments are super sweet and myrcella and tommen make an effort to respond to all of them. their videos only get like 230 views each time they post but they don’t really care they’re having fun

renly and loras: they’re posting relationship vlogs and stuff but they don’t have a filter so sometimes they talk about really nsfw stuff and get in trouble for it. they’re mostly known for their travel vlogs but they also do videos about drama in their lives that is literally insane. like once renly casually brought up how his brother almost killed him during a ouija board game and loras is like “mhm mhm” but all of the comments are ???? margaery collabs with them all of the time too

bran: 3am challenges.

[theerurishipper]

Personally I think there isn’t enough meta about Adricat being a girl coded character and you should make one too

Okay, so when I say "female coded," I mean that Adrien's character fulfils the role that female characters usually have done in media. He's the love interest, he's the emotional support. He's sensitive and he's emotional. He's the heart of the team. Marinette on the other hand is a "male coded" character. She's a leader, she comes up with strategies and plans, and she is the brains of the operation. I used to think that was really cool, the way they subverted gender roles and allowed the characters to shine as characters instead of putting them in a box. Marinette was a strong and determined person, but she also had moments of weakness and vulnerability. Adrien seemed like the usual trope of the damsel in distress, but he was also literally Chat Noir, who often escaped his own situation and whose arc was about him breaking of his father himself.

But then they leaned too far into it, and it just became a gender swapped version of the same tired tropes that we've all seen. Marinette became The Leader™ who can do no wrong and doesn't need to do that emotional support shit for her partner when he needs it. Adrien lost any and all agency in his own story, and effectively just became the damsel in distress who had to sit there and look pretty as he waited for Marinette the knight to come and save him. I mean, you can't get more on the nose than this.

(And yeah, this is supposed to be the class' fanfiction and not representative of what the show was building up to, but this is literally what ended up happening.)

His choices became more and more irrelevant, and his feelings became more and more unimportant, until the entire Ladynoir dynamic became Marinette being The Leader™ who doesn't need to tell Chat Noir anything and doesn't owe him anything, and Chat Noir became the emotional support who is always attentive and considerate of Ladybug's needs to the point of invalidating his own. His feelings of sadness at being left out of the loop and being pushed away by Ladybug ultimately did not matter.

And then Season 5 spent its time setting up a rivalry between Marinette and Gabriel over what's best for Adrien. The fight wasn't Ladybug and Chat Noir against Monarch, but Marinette vs. Gabriel, and whoever won got to take Adrien home as a prize. Adrien's agency was diminished throughout Season 5 and annihilated entirely in the Season 5 finale, where he spends the confrontation with his father locked away in a white room while Marinette has to take the fight to Gabriel and confront him on Adrien's behalf. And he is sound asleep far away from the conflict while Marinette and Gabriel fight over what's best for Adrien instead of him, you know, deciding that himself.

I mean, the finale could not have been clearer about it.

At least he's there in the dream lmao

And the end of Recreation reveals that Marinette is lying to Adrien about his father so as to protect him. Because apparently Adrien won't be able to control his emotions and needs someone else to make his decisions for him. Because clearly, he would be too emotional and wouldn't be able to make his own informed choices. And it's quite common for women to be told that they are too emotional and so the big strong man should make the decisions for them. So the female coded character is treated like his emotions are a weakness and a burden and like he requires other people to make his choices for him.

And so, Marinette the knight defeats the evil Gabriel, saves the helpless Adrien from his evil father, and they kiss in the sunset, and all is well. Except Adrien isn't being allowed to make informed choices about his own life and everyone around him is denying his autonomy, but he only exists to be the trophy for whoever won in the Marinette-Gabriel rivalry (which Marinette only won because Gabriel forfeited anyway), so he doesn't get to make choices and have any of those inconvenient emotions like anger or sadness, and all really is well.

Thomas Astruc even mentioned on Twitter that Chat Blanc was the reason why Adrien could not participate in the finale. And the implication is that he couldn't be there because he would be too emotional and would destroy the world. So Marinette had to do it for him, and Adrien had to be removed from his own story and put away in London with nightmares so that he wouldn't get in the way with his emotions. So yeah. The female coded character was reduced into being a damsel in distress and was told his emotions rendered him incapable of making his own choices because he wouldn't be able to control them.

Anyway, that's my take on it. Here are some other posts that discuss this.

Thank you for your ask!

[doodle-girl]

The Monsters of Eastridge: DOAI Playlist

Description: At this point, might as well make a playlist for everything. Welcome to my own personal demon-filled hell, this is mostly based on lyrics, vibes, or both 🎃 (Edit: Due to recent fixations, this now also includes some sitcom au stuff.)

(Yeah this is made mostly for @spookmuth but also just anyone else who’s interested in my music taste/how my thoughts work. Will update the post whenever the playlist updates, have fun! Also footnotes will be in brackets because I like footnotes)

Edit: Now on spotify! Courtesy of @witheredallium <3

“Happy Face” by Jagwar Twin [I have had an animatic for this jangling around my brain for actual several months oh my god]

“Turn the Lights Off” by Tally Hall

“A1 - It’s just a burning memory” by The Caretaker [Yeah idk how well this actually fits since it’s based on a song from like. The 30s. But I think it’s obligatory for any analog horror ever lol]

"I Can't Decide" by The Scissor Sisters [This one I got inspo from havoc-bloom's playlist/clip of Pastra finding it. A few of these are, actually, lol] [Edit: I have now realized just how well this fits Clyde in the sitcom au and I am once again plagued by art ideas 👀]

"I'M Sane" by Axie [Me when I torture the innocent with horrid monsters and become one myself. but I'm a little silly about it teehee~ 😜]

"The Circus" by Toby Fox [This popped up on shuffle when I was drawing Clyde once and my brain refused to let go of the vibes™ ever since]

"Animal Cannibal (Possibly in Michigan)" by Buckshot Princess [I would've put the one by Karen Skladany but it's not on apple music 😔 sad. This cover's really nice tho]

"The Dismemberment Song" by Blue Kid [Same reasoning as "I'M Sane," nyehehe. Also this song really feels like it's ripped out of a musical number. If you told me it was I'd believe you.]

"The Mind Electric" by Miracle Musical

"Horror Show" by K-Modo [You ever just. Think about why Lankmann does the things he did? Like what's his game here?]

"Dance of Corpse (feat. Hatsune Miku)" by Kikuo [this might also spiral into an animatic lol. Anyway do me a solid and go look up the music video, turn on the official english subtitles and come back to me.]

"The Nowhere King" by The Centaurworld Cast

"Nothing Changes" by Jewelle Blackman, Yvette Gonzalez-Nacer, and Kay Trinidad [this musical makes me feel. so many things. And I just think the vibes/lyrics of "why try when you'll only end in misery" might fall into the category of vibes here idk idk]

"Murders" by Miracle Musical

"Kitchen Fork" by Jack Conte [I don't remember exactly why I put this here rn but I just know this is an Alex song. It's so beautifully haunting and passionate stg] [Edit: yeah definitely an Alex song]

"Meet Me in the Woods" by Lord Huron ['kay I know the vibes are probably off but look at the lyrics and tell me it shouldn't go here]

"A Crow's Trial" by Vane Lily

"You're F****d" by Ylvis [Yeah I put this one here as a joke song. Every single character in here is SO doomed by the narrative, I'm sorry Alex but it's true. teehee~]

"UNCANNY / ft. KAFU" by kian [I actually couldn't find this one on apple music but galactinqq was right about this being an Alex song and I'm putting it on the post]

"Raising the Dead!" by Jessica Law [Styx, you madlad, this is SUCH a Lankmann song oh my god]

“Hymn for a Scarecrow” by Tally Hall [“Simon isn’t even in the series yet, though” My guy it’s called Hymn for a Scarecrow and it’s Tally Hall what else do you want me to do. I love Simon so much I miss him already <3]

"Destroid 8 Annihilate" by Excision and Far Too Loud -- Destroid - The Invasion ["But Doodle, wha-" do not question my playlist decisions. Sometimes I listen to one of my other 30 (yes it's that many) silly little playlists and the vibes just come to me. I am right about everything and my brain is huge /lh]

“Break My Mind” by DAGames

“In the Mood” by Glenn Miller [this one was in Vol 1! So I found it and I’m putting it here <3]

“Pictures” by Kyle Allen Music [I mean technically the series is videos but whatever. This song fits sue me]

“Ruler of Everything” by Tally Hall [I saw the words “mechanical hands” on a DOAI fanart once and it jumpstarted an idea that refuses to leave me. Turns out it fits VERY well holy crap]

"I'll Be There for You (Theme from Friends)" by The Rembrandts [shoutout to froggydrawz's own sitcom AU playlist for more material for me eheheheh ✌️ I'll be putting a few of those here]

"I'm Still Standing" by Taron Egerton [sitcom exclusive because canon Alex is fucking dead /lh]

"Digital Silence" by Peter McPoland

"How Far We've Come" by Matchbox Twenty [another sitcom one nyehehehe. This AU has me by a chokehold unlike any other AU I've been into istg]

"Who is She (Reprise)" by Kimiko Glenn [I apologize for those who came here for a normie-ass DOAI playlist, I promise it started out that way but y'know that's fixations for ya. Anyways I added this one on a whim because it gave off veldigun!Alex AU vibes. Might fit with other stuff idk do with that what you will ¯\_(ツ)_/¯]

"Soft Bitch" by Rio Romeo [pretty sure it was spookmuth that made a sitcom AU art inspired by this song and I love it]

"Runaway" by AURORA [secret-spirit if you see this at all just know this was your doing (/pos). This is like, my favorite AURORA song and seeing you do an Alex art in the whiteboard to this song sparked a primal "holy shit" moment in me]

"Lose Control" by Teddy Swims [I was doodling in the DOAI whiteboard when my mamá started playing this in the other room and my brain immediately went "oh my god what if Clyde and Winfrey"]

"Soft Apocalypse" by Charming Disaster [Once again, everybody give it up for Styx's music taste, this is making my brainworms go mad with art ideas 👏👏👏 sitcom AU song, btw]

Side note, might hit a word limit here? So Imma have to continue this list in a reblog, just look through those for more if ya want✌️

[winter-kh-sideblog]

The thing with Kairi is, for all of the “she has no autonomy and is barely a character” jokes, she is so so interesting if you are willing to put a little bit of effort into understanding her. And this is kingdom hearts, the fandom of digging through offhand comments from games across every console imaginable to put together snippets of backstories, so like, I KNOW there’s an audience of people willing to put in effort? So here is my little essay on why Kairi has so much potential

I think a lot of people get lost because they assume that Kairi is Sora’s girlfriend? And they say “oh well the narrative doesn’t show that, the narrative is giving us more reasons they should move on than that they should stay togehter” and it’s like!!! You’re correct!!!! The narrative IS saying that!!! This is because Kairi is not, and never was Sora’s girlfriend!!!

Most people (correctly, sadly) get the “thrown to the side, no autonomy, barely a character” vibes from Kairi. But then they just go “oh she’s a one-dimentional stock Woman ™ character” and don’t think farther

i think that, a LOT of Kairi’s canon treatment makes more sense when you realize she’s not the “hot popular girl who’s a prize to be won” trope that people think she is. She’s the dead wife.

This sounds wild at first, because she 

Is a teenager

Has never been in a relationship, let alone married

Is ALIVE

So it’s like. What the heck. How could she be the dead wife. But she IS. and i think it’s impossible to unsee once you realize it.

She’s been dead from the beginning. She’s always haunting the narrative. She’s barely present and doesn’t get to make decisions, but the things that happen to her catalyze the entire plot of almost every game?

The thing is, her stock cliche ending is not, and never was “she ends up with Sora bc she’s the Prize and the symbol of Winning and they live heteronormatively ever after.” Her ending was always. She is perfect and innocent and pure. She dies. Everyone is sad and angry for a bit. They fight for justice. Then they move on. The happy ending is catalyzed by her and she gets credit, but she doesn’t do anything, she doesn’t have autonomy, and she doesn’t get to stick around for the ending. 

And this is a REPEATING motif in her life. When she was FOUR years old she was sent ahead to stop the apocalypse. She is basically dead to her homeworld. They weren’t getting her back. She lost her memories and her family and her life.

In kingdom hearts one, she dies in the apocolypse and becomes motivation and a prop for Sora and Riku. She doesn’t get to fight, she doesn’t get blood on her hands, she isn’t faced with messy decisions.

In kingdom hearts 2, she’s again kidnapped to start the plot. She doesnt get to be with sora or riku or even know what’s happening for most of the game.

And then of course in kingdom hearts 3, she’s literally killed, and it’s like. It’s not even a fight. She’s literally just slaughtered for no reason other than Sora fight motivation.

She’s the symbol of home and family to Sora. It’s not just a matter of romance, there’s not even romance between them? Not really? It’s about childhood and closeness and the promise of forever.

And the thing is. She clearly doesn’t want to be the dead wife character. I don’t think anyone would??? But it is ALL she’s good at. And that’s the problem. She’s a princess of heart, which is defined by absence. She doesn’t have darkness. She doesn’t have evil or badness or anger or malice or anything. And it’s just so?????? She’s narratively destined to die young before she has the chance to get older and get involved in anything messy or morally dubious. Her “job” is to be perfect and good enough that people miss her when she’s gone.

And then???? They don’t????? That’s the whole thing with melody of memory. They let her stay in a coma for an ENTIRE YEAR. Her friends are upset when she dies, but Sora’s the only one actually fighting to bring her back. No one else makes an effort to be with her???? It doesn’t seem like Riku makes any effort to contact her at all in the time between kh1 and kh2 when Sora’s in a coma for an entire year???? They fight and kill to wake Sora up but not Kairi anymore?????

They can't even make a kairi GAME without making her basically dead because that's her Role.

And it’s like????? What do you do when you’re the dead wife. When everyone theoretically loves you but only for what you’re not. When they love you because you’re fragile and pure and have never done anything wrong. When you’re not allowed the chance to live enough to become anything complicated, and people act like that’s for the best?

What do you do when you’ve been dead since the beginning, when everyone has already mourned you??? When they've all reached the acceptance phase and you're not sure if they want you back? They've spent too long learning to be Without you to remember how to be With you and now you're an inconvenience and a reminder of closed wounds?

What do you do when you’re alive but you never learned How to be alive, because you weren’t Supposed To survive????? What do you do when no one knows what to do with you??????

I think a lot of people who want Kairi to break free from the narrative are the ones who keep saying things like “oh she needs to move on from Sora and get better friends” but Sora is one of the only people who gets it?????? He’s been one of the only people that we see onscreen???? making any kind of attempt????? To love her like she’s alive?????? Its not much but its literally ALL shes given?????? And i dont fault her for holding onto that?????? And cherishing it????

And I do think it can be very cool to see her move on???? But i dont think people understand that,,,, if Sora and Kairi were to end up together, it wouldn’t be playing into the cliche, expected ending. Kairi LIVING is already breaking free of the tropes. Kairi being allowed to be messy and hurt and heartbroken,,,, being allowed to want things for herself,,,, being able to ask for help IN THE MOMENT instead of having people guess what she would have wanted after she’s gone,,,, being loved as a person rather than as an idea,,,,, Thats breaking free of the narrative tropes in such a profound way. And i don’t even think it matters much whether it’s romantic or as bffs or as teammates???? It’s just about being chersished as a human person and given a support system.

So yes, i do want to see Kairi make new friends and get some self confidence and move past her layers and layers of survivors guilt and make an identity for herself that doesn’t revolve around a man???? But also????? I think that its 2023 and people should stop pretending that sokai is inherently the boring or cliche expected ending when they’re LITERALLY doomed by the narrative already. Like do you guys actually not realize how subversive it would be if they were to end up together. The romance of staying alive for each other and breaking the cycle out of pure love and spite. The rebellious act of LIVING and taking up space while you're alive, of being a person instead of a concept to be idealized.

You can ship what you want and whatever sparks joy but PLEASE for the love of everything do not call sokai the boring ending. Please stop saying that letting kairi continue to exist and be alive will make the games suck or be cliche. Please.  Just like put a little bit of effort into themes and narratives i beg of you. It is so much more fun.

[welldonekhushi]

Womp womp. “Positive place” “no hate” my ass. If we looked into your past we’d see a different story. 

You likely don’t care to address it but you gravely hurt one of my dearest friends. I doubt you realise anything you did, before or after they broke it off. And with reason. You took so much interest in everyone’s characters and stories but theirs, instead devaluing their opinions, spamming their inbox with shit they didn’t ask for without bothering to send them even one question or prompt in return. 

I want to laugh that only after he cut you off did you start asking others even a bit more about their projects. Only after it was too late did you bother to make a change. It’s pathetic, really, that you must have been trying so hard to cover up your true habits, that falling into your blatant disinterest in him. He’s better off without you. 

Speaking of your covering shit up, don’t think your queerphobia has been forgotten. Don’t think he and I didn’t see you delete a reply saying your OC “wouldn’t really get along” with his, when meanwhile your stoic, guarded military man is out there making friends with literally everyone else. The difference being everyone else who isn’t openly gay. Don’t think we’ve forgotten when your muse cried and tried to guilt-trip my friend’s when the latter came out to her. 

You prop up Scarlet as a friendly-to-all but Strong™ Female Character but I know she’s not. She’s a homophobic, insensitive, spineless little bitch - sounds like someone, doesn’t it? 

Who I am doesn’t matter. What matters is that there’s a third party who knows the truth. You’re fucking horrible. You might have other friends now but I hope one day all this comes to light, no matter how much you might have tried to change. Whether or not this letter ends up posted, I want you to read it once, twice, three times over. They say to forgive and forget but some of us never forgive and always remember. There is someone out there haunted by what you did to them and you can’t keep running from it.

Okay, anon. After reading your message, I would first like to mention that I don't know who you are, or the friend that you're talking about. So let's put the points together of what you said that you and the "he" you're mentioning feel.

First, you said that I'm queerphobic because I said that my OC wouldn't get along with your friend's OC because their character was "openly gay". It's the same meaning as saying "You hate me because I belong here." by directly coming to a conclusion, instead of not understanding the mindset they belong to or their indulgence in something that could be disagreeable to others. I don’t know who or which OC you’re mentioning, but If I said my OC would not get along with them, it doesn't mean I directly hate their OC (whoever they are). This doesn't make sense when I never disrespected or showed hatred towards anyone who presents their OC as queer. I have friends here who have queer ships with their OCs and canon characters and I support them fully by heart. I even had their OCs interact with them.

Second, you proceeded by saying that I never bothered to send your friend an ask, a question or a prompt. Can I be honest, anon? I have a life. I've always been busy with my uni and now I have finals on my head. I can’t even find time to draw, academic pressure is already stressing me out, and I don't even have inspo at times to be here and publish stuff here. If I happened to miss out on your friend (whoever they are), then I'll say sorry. Because it feels that they were only relying on ME to send them the prompts and asks, and not “the shit which they asked for” as you nicely mentioned. It seemed to me that they (whoever they are) don't really see the rest but me and me only, right? I'm sorry, I think their 'friend' got so busy that they tend to forget that the friend they have has a life out there, too.

Third, you proceeded to call my OC Scarlet a “spineless little bitch, homophobic, and insensitive". Huh. Seems like while proving your point, you thought to add some more spice to your heartfelt thoughts by shitting on my OC as well. You thought you cooked anon, but turns out your dish got rejected. Sorry, you are eliminated from the MasterChef Competition. (Talking about ‘spineless’ while hiding behind anon. The irony.)

Fourth, you thought I guilt-tripped your friend when they came out. Huh. I don't remember a day when I insulted or ridiculed someone for coming out when originally I'd be happy that they finally had the courage to represent themselves for who they are. If you're saying I guilt-tripped them, be a good anon, reveal yourself in the public to me and give me proof. If you're confident enough, then do it. I'll have no hesitation. I'll admit it was my fault. But show yourself first. It "doesn't matter who I am" but it does, because even if you're a person typing that, you're just an anon with no personality to me. No appearance. Nothing. Just blank. I explained who you are. Hope you're happy with that.

Fifth, you said that some forgive and forget, but some don't forgive and remember. Honestly, I understand how disturbed and angry you feel inside because of me, anon. Well, even if you say that I acted like that with your friend (whoever they are), so, here's the third time I'm saying this. If it makes you feel better. I am sorry. Instead, I feel pity that you might be feeling so frustrated because of my presence. If you don't want to forgive me, I'm okay with it. You have a right to do so.

In the end, sorry for you and for your friend. But I hope one day, you'll learn too that to 'forgive and forget', means to move on, letting go of the people who hurt you so you'd be happy as well. If I hurt you and your friend, you can block me, and move on. Be happy without me. I understand I wasn't a good friend to them, I don't refute you at all. Besides, you have every right to be angry. I'll not even say that you're all at fault here. I made a mistake? I'd fully admit it. But you accusing me for what I did while hiding behind anon is… unsettling for me. I don't know what else to say.

You thought you were making me scared and afraid by saying “Read it once, twice, three times over”, but no, you’re completely dismissed out of my mind when you come at me out of nowhere, attacking me with baseless accusations, and insults me and my OC. You’re just another hate anon to me. “You’re a horrible person.” Look in the mirror. I’m not the one sending someone a whole essay of a hate anon.

Have a good day anyway, anon.

[lynsstrange]

the marauders as color/winter guard performers headcannons

(For the enjoyment of me and the probably one other person on the platform who’s two niche interests somehow overlap)

James:

Section leader during marching season, team captain during winter season

Takes it VERY seriously

Is the reason they have twelve hours of practice a week, but also the reason they score very high

Everyone hates him the second conditioning comes around, constantly yelling at the team (Sirius) to try harder while they’re doing suicides and across the floors at seven in the morning

Rifle prodigy (he cannot stfu about showing off how many rotations he can do)

The overzealous upperclassman that scares off incoming freshmen

Always the one lending money at competitions for food. Also has first aid stuff, electric tape, hand warmers, and just about anything else the team could be in need of packed

Basically Team Mom ™

Mary:

TECHNICALLY co-captain

Her and James are constantly bickering over whether her position is official (“That’s Mary, our FLAG SERGEANT” “WHAT THE FUCK DOES THAT EVEN MEAN”)

She’s much more involved in flag, doesn’t like weapon as much

A good teacher, but brutally honest to anyone she sees as not meeting expectations

Resident playlist-maker, and has dominion over the speaker in the back of the bus

Is constantly critiquing the show design and advocating for aesthetic cohesion (“the rifles would look so much better if the bolts were taped blue, just saying”)

Sirius:

Is good at weapon, more so sabre

Doesn’t like flag as much, but always gets stuck on solos on it because he’s talented

Manages to miss his drill dot EVERY FUCKING TIME by just a little bit and it sends James into rage

Never really knows the counts, but always in time

Manages to look good even in the shittiest of costumes

Trauma dumps and tells wildass stories in the back of the bus on the way back from late night comps

Constant guard terminology sexual innuendo (“Remus, I need you to strip- your silk, Remus, mind out of the gutter 🙄”)

Remus:

He doesn’t know how he got here

Meaning he got dragged into it by Sirius and James

(Mostly James)

Is basically being held hostage because of his skill- that being that he’s a lot stronger than he looks, so he’s good at rifle when he actually tries

Always has some dusty ass beat up novel in his competition duffle (me)

Late to practice or gone often because he has so many other academic commitments lmao

Always covered in bruises from getting whacked by equipment

Competitive only when it comes to Sirius. (Sirius can do a one handed forty five?? Remus can do a DOUBLE one handed forty five)

Lily:

Marching band historian during fall season

Runs the guard’s social media pages

Organizes all team parties

A STICKLER for team traditions, and makes sure they’re continued on each year

Pretty well-rounded, but prefers flag

Like Remus, only truly competitive and spiteful when it comes to James

All the freshmen love her because she’s a good teacher, and she has a special talent of talking just about anyone into auditioning

Always mad about the state of disarray in the guard room

Peter:

Like Remus, isn’t sure how he ended up here

Isn’t really that great at anything, but he tries real hard

Plays trumpet or smth during marching season lmao

And somehow ended up in guard by peer pressure and a crippling fear of being left out

Marlene:

Weapon NERD

And honestly all around guard nerd

Is almost as enthusiastic as James

She even did baton for a short period of time for fun

Is one of those people who can just whip rifle around in that effortless way (you know the type of person I’m talking about)

Constantly coming to James with feedback about choreography, and they’re always either getting along very well or at odds

Definitely on her way to DCI

Resident makeup helper (she can do a mean cat eye, even on a highway in a school bus)

Maybe at some point I’ll do the skittles or other various characters lol but for now I’m imagining just the in-universe Gryffindors/marauders as one team haha

[reddbuster]

I've talked about this before but I don't think I worded it all that well so I kinda want to try again to articulate what it is that bothers me about Dahlia's writing cause I have some thoughts.

We really aren't supposed to like Dahlia. The text does not like her. She is supposed to be an evil, manipulative girl. A wolf in sheep's clothing. This is made very clear. From the moment we are introduced to her character, Mia herself very clearly doesn't like her. She is written to be a difficult and frustrating witness, having already wrapped most of the courtroom around her finger. Cross examining her is even more of an uphill battle than usual. The first time we beat her in turnabout memories is satisfying to the player, because we know justice is being served. Even when we learn her story, we aren't really lead to closely examine or to sympathize with it. Because Ace Attorney is not a game in which we decide if someone deserves to go to jail. It's a game where we deduce whether or not someone is a criminal. And Dahlia, by definition, is undoubtedly a criminal. She's a liar, and a manipulator, and a serial murderer. Mind you, the game isn’t COMPLETELY unsympathetic to her situation. Iris, her twin and narrative foil of a sort, Is an example of the kind of person Dahlia could have become if her circumstances were different. Iris even says as much herself. Ace Attorney acknowledges that Dahlia is a victim of her circumstances, at least to an extent. But it also treats her as if she’s too far gone to be worthy of any kind of closure. And more than anything else that's what bothers me about her story. Because if you take a minute to think about her at all beyond this very orthodox formalist lens she's SO MUCH MORE THAN THAT. She's suuuuch an interesting and complex and compelling character if you look below the surface but the game really doesn't encourage you to do that and that makes me really sad honestly. From a psychoanalytic lens I personally think that agency (or the perceived lack-thereof) is a big point in her story and that more than anything is what makes me want to write about her from a feminist lens, because agency is a really big point of feminist literary theory.

I've seen a couple people say that they don't think Dahlia needs to be thought about deeply because they see her as a cartoonish sort of villain character like Manfred and Engarde. And obviously this isn't an objectively wrong reading, anyone who follows me knows that I'm the first person to tell you that are multiple good and valid readings of a text. But PERSONALLY I disagree with this. I think Manfred is easier to read like that because he doesn't really have an.. understandable reason for any of his crimes? Like lets be real the murder of Gregory Edgeworth was petty as hell. Personally I think he's pretty interesting himself and worth thinking about deeper esp after watching the anime but I also thinks he fulfills the role of capital V Villain in the game really well so you don't need to if he doesn't compel you that much. Engarde imo is much more interesting as a character if you view him as a culmination of the game's themes, or as a device to cause conflict within other characters. Ofc you can psychoanalyze him to hell and back if that's what you wanna do, but you really don't need to at all. Dahlia on the other hand.. way too much has happened to her for me to comfortably read her as just Girlboss Manipulator Villain™. The more I think about Dahlia the more I appreciate her as a character, and it makes aa3 even better to me. Of course it also brings to light some of my issues with the game, but even so everything just hits harder when you consider the ending of aa3 from everyone's perspective. It's just such a bittersweet conclusion it hits me in the feels very time.

anyway TLDR I support women's wrongs and I personally think Dahlia deserved better from the story. I dunno the more I think about her the more her story just makes me sad and I just wish they gave her some kind of closure in the end. This is just my take tho don't come after me ok thankies

[a-shoebox-named-meap]

a guide to people’s names, titles, and other forms of address in cang lan jue/love between fairy and devil

so for chinese media, i like knowing how to read and pronounce the characters’ names, but when trying to look up the names of the clj/lbfad people, i found the info i wanted rather hard to find. i wanted to know what characters made up their names! how to pronounce them! what their different titles and nicknames meant and what kind of people address them by those names! so i decided to try compiling this info myself, on a whim. it’s taken a HOT minute, and a Lot of scrubbing through the episodes, and it will probably need to be updated and edited as i go about rewatching the show (and improving my chinese :’) aha) but here’s what i got for now! feel free to message me if you have suggestions, edits, corrections, or requests :) hopefully some people find this helpful or interesting – i know some of the things i’ve included here are lost in translation in netflix’s english subtitles.

disclaimer of sorts: for definitions, i used MDBG (mdbg.net) and the Pleco app. also, i’m a native english speaker who���s been learning chinese for a handful of years; my chinese is so-so and i tend to miss things like Connotations™. i’ve watched the show 1.5 times and read 1 page of the book. i did my best :P again, open to suggestions! please be sure to check this source post for the most updated version, as i imagine i’ll be making edits now and again.

this is in no particular order. for each person, i put their official/most commonly used name at the top, then in bullets beneath that i’ve listed definitions for the individual characters in their name, along with any other titles or nicknames that they have been called in the show. any somewhat extraneous information is in italics.

苍兰诀 Cāng Lán Jué

the title of the show and the original novel; 苍 (cāng) refers to Dongfang Qingcang, 兰 (lán) refers to Xiao Lanhua, and 诀 (jué) means “farewell.” i’ve seen some people translate this as the Parting of the Fairy and Devil. (i discovered this halfway through watching the show and it made me SO nervous for how the show would end)

九鹭非香 (Jiǔ Lù Fēi Xiāng) is the author’s name/pseudonym.

东方青苍 Dōngfāng Qīngcāng

character breakdown: 东方 (dōngfāng) = east, eastern. 青 (qīng) = green, sometimes blue or black (or blue-green), young/youth. 苍 (cāng) = dark blue, deep green, ash-gray.

my hypothesized derivation of his name: while i was researching the Black Tortoise (玄武 Xuánwǔ) for this post, I Discovered Something Rather Important. there are four mythological creatures that symbolize the chinese constellations and four cardinal directions. besides the Black Tortoise, there are the White Tiger (白虎 Báihǔ), Vermillion Bird (朱雀 Zhūquè), and the Azure Dragon (青龙 Qīnglóng). the Azure Dragon represents the east. so get this: its epithet is the Azure Dragon of the East. in chinese it is called 东方青龙 (Dōngfāng Qīnglóng) or 东方苍龙 (Dōngfāng Cānglóng). SOUND FAMILIAR?? ISN’T THAT COOL?? i just think that is so cool. yes, the characters are the same as in Dongfang Qingcang’s name. associated with the Azure Dragon are: East (direction), Spring (season), Dawn (time of day), Blue/green (color), and Wood (chinese element). my mind imploded when i discovered this, have a good day.

大魔头 dà mótóu: (used in the book, changed to “da mutou” in the show for reasons? some folks mentioned they might have been censoring “mo”) lit. translates to big devil head/boss/chief, big demon boss

大木头 dà mùtóu: (phonetically similar to da motou, changed to this in the show for Reasons™) lit. big wooden head, big wooden chief/boss, or big log. it can also be translated as big blockhead, as per the netflix engsubs, but it’s not my personal preference — the connotations and intent between “da mutou” and “Big Blockhead” feel very different to me. (i.e., if you’re writing dialogue in a fic, i would recommend Da Mutou over Big Blockhead.) Xiao Lanhua calls him this, saying that it sounds a bit less serious than other, more formal forms of address for him.

东方强 Dōngfāng Qiáng, 大强 Dà Qiáng: the name and familiar nickname Xiao Lanhua calls him in the early days before she knew his identity, after she misheard him saying his actual name; 大 (dà) = big, 强 (qiáng) = strong, powerful

本座 běnzuò: a term used to refer to oneself, like “i/me,” but specifically if that person is very high-ranking; your average person wouldn’t use this word. (the usual word for i/me is 我 wǒ. near the end of the show Dongfang Qingcang transitions to using 我 wǒ with Xiao Lanhua — it’s a notable switch that gets lost in translation! similarly, he also makes the switch during his heated tirade at his father in ep. 18, and switches back to his usual 本座 (běnzuò) after he momentarily collects himself. i could be wrong, but i think he drops the 本座 (běnzuò) when less formality or authority is required or desired, like when Things Get Personal, or when he’s stepping out of his role as Moon Supreme, so to speak.)

尊上 zūnshàng: “my lord,” by far the most common term used to address and refer to Dongfang Qingcang by a majority of characters who aren’t his enemy. also part of the phrase often used to formally greet Dongfang Qingcang, “拜见尊上!” (bàijiàn zūnshàng) “Greetings, my lord!”

月尊 yuèzūn: Moon Supreme, used to refer to Dongfang Qingcang or this position (as in the throne, the seat of the Moon Supreme, the name of this Job) respectfully

月尊大人 yuèzūn dàren: Moon Supreme Lord (netflix); 大人 (dàren) is a title of respect towards one’s superior. this title is often used to address Dongfang Qingcang directly. Xiao Lanhua uses it regularly when she is being kept in the Moon Palace, both in private conversation and in serious public settings. (as the show goes on, she switches to 大木头 (dà mùtóu) in their more private, casual conversations but maintains 月尊大人 (yuèzūn dàren) in situations that warrant greater respect and formality.)

魔尊 mózūn: devil king, demon king; used in the book to address him at times (by Lady Chidi for instance, who in the show calls him 月尊 (yuèzūn), Moon Supreme; were they trying to avoid the word 魔 mó in the show or something, i don’t know)

儿子 érzi, 孩子 háizi: “son/my son” and “child/my child,” respectively. used briefly by Dongfang Qingcang’s father to address his son directly. the other times, he calls him Qingcang.

兄尊 xiōngzūn: a specific form of “brother”; the word that Xunfeng uses to address and refer to Dongfang Qingcang. 兄 (xiōng) = older brother (i.e., only a younger sibling would use this term), 尊 (zūn) = a respectful honorific often appended to these titles, usually signifying high, venerated status. 尊 (zūn) comes up a lot :)

for those who are curious about the reverse: Dongfang Qingcang usually addresses Xunfeng by name. when Dongfang Qingcang refers to Xunfeng with a familial term in ep. 2, he says “我那弟弟,” my younger brother (possibly translated as “that younger brother of mine”). for “younger brother” he uses 弟弟 dìdi, there’s no 尊 (zūn) or other honorific — probably because his younger brother is lower than him in status, so there is no need for an honorific. (it’s also interesting to see that he dropped the 本座 (běnzuò) for this line and used 我 (wǒ), but i’m not sure yet if this implies anything, if it might be a mistake, or if it just sounds more natural. in ep. 10, Dongfang Qingcang calls Xunfeng “本座的同胞弟弟,” “my younger brother (borne of the same parents),” where he does use běnzuò to refer to himself, but this line is a bit sarcastic in tone.)

both Dongfang Qingcang and Xunfeng refer to and address their father with 父尊 fùzūn, which is father + honorific, similar to 兄尊 (xiōngzūn). others usually call their father the previous/former/old Moon Supreme, 老月尊 lǎo yuèzūn. (extra note: Dongfang Qingcang doesn’t use 父尊 (fūzūn) in every case where he is referring to his father — on a rare few occasions he uses the more generic term 父亲 (fùqīn) — but based on my Research and consulting a few people with better chinese than me, this may be because of the way the word “father” is used in the sentence. more of a grammar/syntax thing than something significant to the plot or his character.)

a neat thing that happened in ep. 21, around timestamp 38:15: Dongfang Qingcang accidentally uses 父尊 (fùzūn) when talking about his father to Xiao Run in the mortal realm, which might have implied to Xiao Run that his father is of very high, emperor-like status (very sus, for an undercover agent); however, he catches himself, and switches to 父亲 fùqīn, which is the more common term for “father.” in the engsubs it just looks like he’s stuttering over the word “father.” 父亲 (fùqīn) is also used in modern day to refer to one’s father, but it’s a bit formal and usually used in conversation with other people or in writing; you wouldn’t use this term to address your dad directly, that’s 爸爸 bàba. in case any modern AU fic writers were wondering ¯\_(ツ)_/¯

少尊 shàozūn: Young Lord. used to address Dongfang Qingcang when he was a boy, when his father was still the Moon Supreme.

属下 shǔxià: subordinate. used to refer to himself (in 3rd person) when speaking to Xiyun, when he was acting as her servant after her rebirth. (this term is also used by Shangque with Dongfang Qingcang.)

小仙 xiǎoxiān: lit. little immortal, perhaps translated as low/lower immortal. this isn’t so much a title as a description of his position, when he is pretending to be from Shuiyuntian in front of Xiyun. this scene helped me understand how the word 仙 (xiān) works, actually. Dongfang Qingcang called himself a 小仙 (xiǎoxiān) of Shuiyuntian, to which Xiyun later said, “你身上没有仙气。根本不是仙族。” netflix engsubs wrote, “You have no immortal aura on you. You are not immortal.” and then i thought to myself, but he is immortal though, isn’t he? but 仙 (xiān), meaning “immortal” or “celestial being,” refers more to the race of people in Shuiyuntian rather than the state of immortality. immortal the noun, not immortal the adjective. Xiyun isn’t saying, “you are not an undying entity,” (because he is); what she really means is, “you are not of the fairy realm/tribe.” 仙族 (xiānzú), the term she uses in this sentence, means fairy tribe or immortal realm, referring to Shuiyuntian.

东方员外 Dōngfāng yuánwài: translated as “Mr. Dongfang” by netflix. this is the mortal title Jieli assigned to him, and how he is usually addressed during the mortal realm arc. 员外 (yuáiwài) is an old word meaning “counselor” or “landlord.” Jieli intended for him to be a wealthy businessman. when he is just addressed as 员外 (yuánwài), it is translated to “sir.”

东方兄 Dōngfāng-xiōng: 兄 (xiōng) refers to one’s older brother; this is a familiar term Xiao Run uses to address Dongfang Qingcang when they become Bros™

内兄 (nèixiōng): brother-in-law, wife’s elder brother. Xiao Run calls Dongfang Qingcang this, after Jieli announces that Xiao Lanhua is Dongfang Qingcang’s sister.

郎君 lángjūn: translated by netflix as “young man” and “sir.” it is also an archaic form of addressing one’s husband, and could refer to the playboy of a rich family. however, i think in this show it is a respectful form of address, possibly directed at the head of a household unit (Xiao Run’s father and occasionally Xiao Run himself are referred to with the same term). i’m unsure though.

小兰花 Xiǎo Lánhuā (Orchid)

character breakdown: 小 (xiǎo) = little/small, but commonly used in front of names and nicknames for ... reasons i am too lazy to explain here, but other people have definitely written about it if you’d like to look it up. 兰花 (lánhuā) = orchid.

小花妖 Xiǎo Huāyāo: lit. little flower demon, little flower monster; the name that Dongfang Qingcang initially calls Xiao Lanhua, when he still doesn’t like her. netflix subs say “little flower spirit,” but to me this phrase loses a bit of the evil/demon/monster connotation — i feel like Xiao Huayao is not meant to be particularly respectful or polite :’) interestingly, i noticed in ep. 10 that Shangque calls her 小花妖 (Xiǎo Huāyāo) to her face, perhaps because she was annoying him, but he calls her Xiao Lanhua (Orchid) in his private conversation with Dongfang Qingcang shortly after. forms of address really have so many potential implications…

兰花仙子 Lánhuā xiānzi: Fairy Orchid; she is sometimes addressed as just 仙子 (xiānzi), “fairy,” including in situations where her name is not known by the speaker

仙族女人 Xiānzú nǚrén: Fairy Tribe woman (used by some Moon Tribe people to address her in third person, not when speaking to her directly)

月主 yuèzhǔ: translated as Moon Queen; zhǔ on its own means host, owner, or master. this is how people of the Moon Tribe address Xiao Lanhua after she undergoes her trip to Non-Abidance Cave to marry Dongfang Qingcang.

息芸 Xīyún: her name as the goddess. 息 (xī) = breath, or to cease/stop/rest; 芸 (yún) mainly refers to the plant Ruta graveolens, the common rue, as far as i can tell

息山神女 Xīshān shénnǚ: Goddess of Xishan; 山 (shān) = mountain

息兰(族的)神女 Xīlán (zú de) shénnǚ: Xilan Goddess (without parentheses) or Goddess of the Xilan Tribe (with parentheses, used by Xiao Lanhua at one point to refer to herself). Goddess of Xishan is the more common title, compared to Xilan Goddess, but both have been used.

breakdown of previous: 息兰 (xīlán) = the name of the tribe, containing the words for “breath” and “orchid”; 族 (zú) = the word for tribe, clan, race, nationality, ethnicity, etc.; 的 (de) is a possessive particle; 神女 (shénnǚ) = goddess (lit. god-woman; it’s also slang for “prostitute” but that doesn’t come up in this show)

故人 gùrén: old friend (literary); how the Xuanwu god addresses Xiao Lanhua/Xiyun. (this word is also used to refer to the deceased/departed, but not in this context.)

when referring to Xiao Lanhua’s plant form, people in the show use (小) 兰花草, (xiǎo) lánhuā cǎo. 草 (cǎo) = grass. it means (little) orchid plant. not every mention includes the “little.”

her familial relationship to Xunfeng: in ep. 28 Dongfang Qingcang says, “If you still regard me as your brother, then she is your sister-in-law.” 她就是你的阿嫂。阿嫂 (ā-sǎo) is an archaic term for sister-in-law, specifically for one’s older brother’s wife. if Dongfang Qingcang and Xiao Lanhua were married, Xunfeng might call her this, but this never happens in the show. Xie Wanqing, similarly, also refers to Xiao Lanhua as her future 阿嫂 (ā-sǎo). in a modern AU, Xunfeng would call his sister-in-law either 嫂子 (sǎozi) or 大嫂 (dàsǎo). my mom is a native speaker and says the latter is more likely. it refers to the oldest brother’s wife, the “big” sister-in-law, even if she is younger than the speaker.

on that note, the word for “wife” is 妻子 (qīzi), and it’s sometimes used in the show when referring to Xiao Lanhua per her relationship to Dongfang Qingcang. Dongfang Qingcang himself often uses 月主 (yuèzhǔ), Moon Queen, in lieu of “wife.” a couple exceptions: when he’s pretending Xiao Lanhua is his wife to trick Xiao Run, the word he uses for “wife” is 内子 (nèizǐ). when he’s speaking to Changheng in his dream state, he does use 妻子 (qīzi) to refer to her as his wife.

兰花娘子 Lánhuā niángzǐ: Lady Orchid. commonly used to address Xiao Lanhua in the mortal realm. 娘子 (niángzǐ) is a polite form of address for a young woman, at least in Ye Olde Days™; it can also be used to address one’s wife, which Dongfang Qingcang does when he’s pretending that Xiao Lanhua is his wife to trick Xiao Run. there, 娘子 (niángzǐ) is translated as “honey.”

女侠 nǚxiá: heroine, lit. woman-hero; 侠 (xiá) can mean chivalrous, brave, heroic. this is how Xiao Run calls her when he first meets her, thinking she’s The One.

画中仙 (子) huàzhōng xiān(zi): fairy in the painting. Xiao Run calls her this early on after meeting her, and whenever he refers to the fairy in his dreams.

月尊副将 觞阙 Yuèzūn fùjiàng Shāngquè (Moon Supreme’s lieutenant, Shangque)

character breakdown: 副将 (fùjiāng) = deputy general, translated by netflix as “lieutenant.” 觞 (shāng) = a wine cup or goblet, or to propose a toast. 阙 (què) = an archaic term for the watchtowers on either side of an (imperial) palace gate.

Dongfang Qingcang, Xiao Lanhua (later), and Xunfeng address Shangque by just his name. Jieli later refers to Shangque by name but addresses him with “stupid black dragon,” usually.

黑龙大哥 hēilóng dàgē: lit. black dragon big brother, translated by netflix as just “Black Dragon.” used by Xiao Lanhua and Jieli to address Shangque, at least in the earlier stages of knowing him — Xiao Lanhua eventually just calls him Shangque, and Jieli switches to “stupid black dragon.” 黑龙大哥 (hēilóng dàgē) is still a respectful form of address, but the appended 大哥 (dàgē) gives a bit of familiarity to it that i feel like “Black Dragon” alone doesn’t quite convey. (Jieli calls him this name as soon as she meets him. my guess is that she is trying to sound close to him, as a ploy to appeal to familiarity in order to persuade him not to throw her in prison.)

觞阙哥哥 Shāngquè gēge: Jieli calls him this at least once in the show, when she’s trying to be cute and wheedle a favor out of him.

觞阙大人 Shāngquè dàren: Lord Shangque (大人 (dàren) is a title of respect toward one’s superior). palace staff address Shangque with this.

蠢黑龙 chǔn hēilóng: stupid black dragon. this is the affectionate insult Jieli uses to address Shangque. 蠢 (chǔn) means stupid, foolish, clumsy, or dull.

属下 shǔxià: subordinate. used by Shangque to refer to himself (in third person) when speaking to Dongfang Qingcang.

将军 jiāngjūn: general. the palace doctor calls Shangque this. it’s odd to me because Shangque was first introduced as “deputy general/lieutenant” — i’m not sure which is more accurate for the name of his position. unless Shangque got a mid-show promotion when i wasn’t looking.

结黎 Jiēlí

character breakdown: 结 (jiē) = (of a plant) to produce fruit; alt. pronunciation jié means to tie, knot, connect, bind. 黎 (lí) = many, multitude; (literary) black, dark; a surname; the Li ethnic group.

掌柜的 zhǎngguìde: shopkeeper, manager of a store. netflix translated this as “Miss” when the delivery man addresses Jieli in ep. 2.

长珩战神 Chánghéng zhànshén (God of War, Changheng)

character breakdown: 长 (cháng) = long or length; always, forever, constantly (not to be confused with zhǎng, an alternate pronunciation of the same character, with a different meaning). 珩 (héng) = an archaic term for the “top gem of a girdle-pendant (as worn by aristocrats and high officials)” (thank you, Pleco). 战 (zhàn) = war, battle, fight. 神 (shén) = god, immortal. 战神 (zhànshén) is his God of War title, and Lady Chidi’s as well.

长珩仙君 Chánghéng xiānjūn: Lord Changheng. fairies call him this, and he is often directly addressed just as 仙君 (xiānjūn) mid-conversation. 仙君 (xiānjūn) lit. means immortal ruler, as a title it’s usually translated to “Lord/my lord” or similar.

Supreme Liyuan and Master Sansheng call him 长珩战神 (Chánghéng zhànshén), in the first episode.

罪仙长珩 zuìxiān Chánghéng: immortal criminal Changheng :(

萧润 Xiāo Rùn: Changheng’s name in the mortal realm arc. 萧 (xiāo) is a surname, and a word that means miserable, desolate, or dreary. 润 (rùn) means moist, sleek; to embellish or enhance; or profit, remuneration.

润郎 Rùn-láng: the friendly name by which Qu Shui addresses Xiao Run, and by which Dongfang Qingcang also addresses Xiao Run when they are being Bros™. (however, when referring to Xiao Run privately, Dongfang Qingcang just calls him Xiao Run.)

萧家二郎 Xiāojiā èrláng: translated by netflix as Mr. Xiao, used to refer to Xiao Run when his gifts were formally presented to Lady Wanqing. i might translate this as “the second child/son of the Xiao family,” but to be honest, the definitions i’ve found for 郎 (láng) are a little hazy to me. i could be wrong. but Xiao Run does have an older brother, who is referred to as 萧家大郎 (Xiāojiā dàláng), which i would translate as “the eldest young master of the Xiao family.” Xiao Run’s father, similar to Dongfang Qingcang, is referring to as 萧家郎君 (Xiāojiā lángjūn), which is translated to “Master,” presumably as the head of house.

萧家郎君 Xiāojiā lángjūn: and on that note, Xiao Run is also addressed as 郎君 (lángjūn)! not often, but on at least a couple occasions, such as by Lady Wanqing and Xiao Lanhua. this form of address is still translated by netflix as Mr. Xiao. again, in other situations Xiao Run is referred to as 二郎 (èrláng), and his father is referred to as 郎君 (lángjūn). i honestly don’t know how the word 郎 (láng) works at this point.

萧公子 Xiāo-gōngzi: also translated as Mr. Xiao. could also be “Young Master Xiao.” used to address him directly.

丹音仙子 Dānyīn xiānzi (Fairy Danyin)

character breakdown: 丹 (dān) = cinnabar, red, powder. 音 (yīn) = sound, musical note, tone, noise.

曲水 Qū Shuǐ: Danyin’s name in the mortal realm arc. 曲 (qū) is a surname, and a word that means bend/to bend. 水 (shuǐ) = water.

蛐蛐儿 Qūqu-ér/Qūqur: it means Cricket, and it contains a homonym for the first character of Qu Shui’s name. this is Xiao Run’s familiar nickname for Qu Shui.

容昊仙君 Rónghào xiānjūn (Lord Ronghao)

character breakdown: 容 (róng) = to hold, contain, allow, tolerate; appearance, look, or countenance. 昊 (hào) = vast, limitless; the vast sky. interesting potential interpretations for his name! (both also happen to be surnames on their own.)

仙君 xiānjūn: Lord, my Lord, in his case. this is how the fairies address him.

阿昊 Ā-Hào: what Lady Chidi calls him. 阿 (ā) is placed as a prefix before monosyllabic names or kinship terms to indicate familiarity; this form of address shows that Lady Chidi is close with her apprentice.

海市主 Hǎishì zhǔ: Lord of Haishi; same 主 (zhǔ) as in 月主 (yuèzhǔ), Moon Queen, meaning “host” or “master”

主上 zhǔshàng: Lord, my lord, the lord. this is how he is addressed and referred to in his Lord of Haishi persona, such as by Dieyi and other Haishi underlings.

海市 (Hǎishì) is made up of the words for “sea/ocean” and “city”; together, they mean “mirage.”

also the 昊 (hào) in 容昊 (Rónghào) is the same as the 昊 (hào) in Haotian Tower, where Dongfang Qingcang was imprisoned. 昊天塔 (Hàotiāntǎ). “the vast, limitless sky” would be my translation of Haotian.

战神 赤地女子 zhànshén Chìdì nǚzǐ (God of War, Lady Chidi)

character breakdown: 赤地 (chìdì) = barren land. there’s an idiom that goes 赤地千里 (chìdì qiānlǐ), meaning “a thousand li of barren land — a scene of utter desolation (after a drought or insect plague)” (copied from Pleco). this definition reminds me of the Xuanxu Realm. hmm … thoughts for later. anyway, 女子 (nǚzǐ) = woman, female.

i’ve seen some translations of her name as “Chidi Woman” but i much prefer “Lady Chidi”

师父 shīfu: Master. this is how Ronghao addresses her (same as Xiao Lanhua towards Master Arbiter Siming).

谢惋卿 Xiè Wǎnqīng: Lady Chidi’s name during the mortal realm arc. 谢 (xiè) is a surname, and also means “to thank,” or sometimes “to apologize.” 惋 (wǎn) is a sigh, or to heave a sigh. 卿 (qīng) has several archaic meanings: high-ranking official, term of endearment between spouses, term used by the emperor for his subjects, or an honorific. (oh, where would i be without my dictionaries…)

惋卿娘子 Wǎnqīng niángzǐ: Lady Wanqing, commonly used to address Xie Wanqing in the mortal realm. when she is addressed as 娘子 (niángzǐ) alone, it is translated as “my lady.” (again: 娘子 (niángzǐ) is a polite form of address for a young woman, at least in Ye Olde Days™; it can also be used to address one’s wife, but that isn’t usually its purpose in this show.)

月族首领 巽风 Yuèzú shǒulǐng Xùnfēng (Moon Tribe Chief, Xunfeng)

character breakdown: 巽 (xùn) = to obey; one of the Eight Trigrams 八卦, symbolizing wood and wind; ☴; ancient Chinese compass point: 135° (southeast) (this definition copied directly from MDBG because all these definitions seem cool). 风 (fēng) = wind

巽风殿下 Xùnfēng diànxià: 殿下 (diànxià) is an honorific, usually meaning “Your Majesty” or “Your Highness”; Xùnfēng diànxià basically means “Your Highness Xunfeng.” he is sometimes addressed as “dianxia” alone, it’s not always Xunfeng dianxia.

to clear up possible confusion: Xunfeng is introduced in ep. 10 with the title card “Moon Tribe Chief,” per the netflix engsubs: 月族首领 (Yuèzú shǒulǐng), Moon Tribe leader/head/chief. this occurs after Dongfang Qingcang is reinstated as Moon Supreme, but in ep. 2 and ep. 10 it was mentioned that Xunfeng was made Moon Supreme (月尊 yuèzūn) upon Dongfang Qingcang’s presumed death 30,000 years earlier. nobody in the show, as far as i’ve noticed, calls or refers to Xunfeng as 首领 (shǒulǐng). the kings of the North and South are also introduced with the title 首领 (shǒulǐng), while we’re on the subject.

Dongfang Qingcang and Xiao Lanhua call him Xunfeng; Shangque and most other people call him 巽风殿下 (Xùnfēng diànxià) or just 殿下 (diànxià).

random note: if you’re like me and some of my friends who have watched this show after watching or reading Tian Guan Ci Fu/Heaven Official’s Blessing, it might seem like 殿下 (diànxià) is a term specific to the prince or crown prince-type figure. turns out, that’s not exactly the case. Xie Lian’s title, 太子殿下 tàizǐ diànxià, marks him as the crown prince. 太子 (tàizǐ) = crown prince. but Xunfeng doesn’t have this title, he’s just Your Highness, 殿下. anyway, this was kinda like that one twitter meme for me. “guy who has only seen tgcf watching any other chinese drama with a prince in it: so when are they gonna call him taizi dianxia?”

another note: it seems to be somewhat common practice on tumblr to refer to his character as Dongfang Xunfeng, but i should mention that nowhere in the show does anyone append Dongfang to his name. for several reasons (see my reblog), i don’t believe Xunfeng has a last name, and i don’t think Dongfang operates like one. it’s likely that Dongfang Qingcang is just the guy’s name, and Xunfeng is just another guy’s name, and that the two brothers don’t necessarily have a family name. BUT, i will say, if you’re looking to bequeath a last name to a modern AU Xunfeng, Dongfang probably works. “Dongfang” is an actual last name, in other contexts.

水云天 帝君 云中君 Shuǐyúntiān dìjūn Yúnzhōng-jūn (Shuiyuntian Emperor, Lord Yunzhong)

character breakdown: 水云天 (Shuǐyúntiān) = lit. water, clouds, sky/heavens. 帝君 (dìjūn) = emperor. 云 (yún) = cloud, 中 (zhōng) = middle, amidst, among; i might translate the meaning of his name as Amidst the Clouds.

云中君 Yúnzhōng-jūn: Lord Yunzhong. this is his usual title when people refer to him.

君上 jūnshàng: my lord. used to directly address Yunzhong. (yes, similar to the 尊上 zūnshàng used to directly address Dongfang Qingcang; “jun” and “zun” really abound with this show, but they are different terms. don’t ask me why some characters have jun and others have zun, i only have a vague notion.)

兄君 xiōngjūn: a specific term for “brother,” used by Changheng to address and refer to Yunzhong; again, similar to how Xunfeng addresses + refers to Dongfang Qingcang with 兄尊 (xiōngzūn)

in Changheng’s trial (perhaps a more official setting), Lord Yunzhong refers to his and Changheng’s father as 父神东君 fùshén Dōng-jūn, Lord Dong (lit. father-god Dong-lord) and Changheng’s mother as 母神 mǔshén (lit. mother-god). in other settings, Changheng refers to Lord Dong as 父君 fùjūn, similar to how Dongfang Qingcang and Xunfeng call their father 父尊 fùzūn.

澧沅仙尊 Lǐyuán xiānzūn (Supreme Liyuan)

character breakdown: 澧 (lǐ) = a surname, as well as a river in Hunan Province called Lishui River. 沅 (yuán) = the name of the Yuan River, another river in Guizhou and Hunan. funnily enough, both rivers flow into Dongting Lake. don’t ask me if that means anything significant, though.

仙尊 xiānzūn: Lord or my lord, in his case. similar to 仙君 (xiānjūn).

爹 diē: “father,” as addressed by his daughters. (please, it is not pronounced like the english word “die” … dee + ehh = dyeh, kinda like that)

司命仙君 Sīmìng xiānjūn (Master Arbiter/Lady Arbiter)

character breakdown: 司 (sī) = a department; to manage, take charge of, or attend to; it’s also a surname. 命 (mìng) = life, fate, destiny. so she Manages Fates, basically.

仙君 xiānjūn: Lord/Lady/Master. this word haunts me

司命星君 Sīmìng xīngjūn: also translated to Lady Arbiter, but there’s a new title this time! this is what Changheng and Dongfang Qingcang call her when they pay her a visit, near the end of the show. 星 (xīng) means star, or heavenly body. so this title means that she’s a lady of the heavens, or something similar. i wonder if this is because she was imprisoned and no longer an immortal of Shuiyuntian, where everyone is referred to with the word 仙 (xiān).

师父 shīfu: master (as addressed by Xiao Lanhua; the chinese subs say 师父, it’s a variant of 师傅, also pronounced shīfu)

sometimes addressed as just 司命 (Sīmìng), such as by Shangque and Dongfang Qingcang at the beginning of the show. by the end of the show, Dongfang Qingcang still refers to her as 司命 (Sīmìng) when speaking with Changheng, but addresses her with her title 司命星君 (Sīmìng xīngjūn) when speaking to her directly. Changheng, in contrast, keeps using her title even when she is not present.

上仙 shàngxiān: high immortal. less of a title and more of a description of her position in Shuiyuntian, e.g., “she is a high immortal of Shuiyuntian.”

海市流芳阁主 蝶衣 Hǎishì Liúfāng-gézhǔ Diéyī (Pavilion Master, Dieyi)

character breakdown: 蝶 (dié) = butterfly. 衣 (yī) = clothes, clothing; cover, skin.

阁主 gézhǔ: Pavilion Master. this is how most of the Haishi underlings address Dieyi.

流芳阁 (Liúfānggé) = Liufang Pavilion. the chinese subs use 留 instead of 流 sometimes, but for all these names and titles i default to the title cards written onscreen, not the subtitles.

三生仙君 Sānshēng xiānjūn (Master Sansheng)

character breakdown: 三 (sān) = three, 生 (shēng) = life, birth. in buddhism, 三生 (sānshēng) refers to three lives — past life, present life, and next life.

仙君 xiānjūn: Lord/Lady/Master, pretty much. if you’ve read this far you should kinda get what this means by now, right? and yes, the term is gender neutral, if anyone was wondering. a lot of these titles are.

三生姑姑 Sānshēng gūgu: Aunt Sansheng; the fairies call her this. (姑姑 gūgu refers to one’s paternal aunt, but can also be a familiar term for an aunt-like figure who is not related by blood.)

元龟 玄武 yuán guī Xuánwǔ (the Great Turtle, Xuanwu)

this dude’s got whole wikipedia pages dedicated to him but i’ll try to sum it up

玄武 (Xuánwǔ) literally means Black Warrior, Dark Warrior, or Mysterious Warrior. it is often translated as the Black Tortoise, though the name contains no animal-related words — this is just due to how it’s usually depicted. the Xuanwu is one of the four symbols of the chinese constellations, each being a guardian of one cardinal direction. the Black Tortoise’s usual epithet is 北方玄武 (běifāng Xuánwǔ), the Black Tortoise of the North. the other three are the Azure Dragon of the East (!! Dongfang Qingcang??), the White Tiger of the West, and the Vermillion Bird of the South. each symbol represents seven of the 28 Mansions; the Xuanwu would be the seven mansions of the north sky (or the god of the north sky in Taoism). each symbol is also associated with a season, time of day, and chinese element, but i’ll let you look those up yourself. anyway. tl;dr he’s a cool dude with a lot going on.

上古神灵玄武 shànggǔ shénlíng Xuánwǔ: netflix’s translation is “Great Turtle. Xiao Lanhua calls him this when she first meets him. i might translate this title as “Ancient God Xuanwu” or similar. 上古 (shànggǔ) = distant past, ancient times, remote ages, antiquity. 神灵 (shénlíng) = god, deity, divinity, spirit, spiritual being, supernatural entity. Xiao Lanhua also addresses him by just 神灵 (shénlíng), a moment later. (it’s translated as “God” — no, not that one.)

玄武上神 Xuánwǔ shàngshén: God Xuanwu, as addressed by Xiyun. could perhaps be translated as High God Xuanwu.

元龟 yuánguī: translated by netflix as the Great Turtle. Sansheng refers to him with this term. the place where we see the Xuanwu is called 玄武幻境 (Xuánwǔ huànjìng), which basically means “Xuanwu dreamland.”

凶神太岁 xiōngshén Tàisuì (Evil God Taisui)

character breakdown: 凶神 (xiōngshén) = evil god; demon, fiend, devil. 太岁 (tàisuì) = a deity, the God of the Year, who was believed to change his dwelling on earth annually; also an archaic name for Jupiter, and a nickname for the most powerful man in a locality. (i think in this show he’s just some kind of evil deity named Taisui, not necessarily the God of the Year described in the dictionary.)

乌姑 Wū-gū (Ms. Wu, Dongfang Qingcang’s childhood caretaker who taught him woodcarving and music)

character breakdown: 乌 (wū) is a surname, but it can also mean “crow” or “black/dark.” 姑 (gū) refers to one’s aunt, a father’s sister; here, it is Dongfang Qingcang’s familiar term for her. (same concept as with Aunt Sansheng, although i’m not sure why it’s translated to Ms. Wu instead of Aunt Wu, especially since she seemed to have a very close relationship with Dongfang Qingcang. the singular 姑 (gū) might convey a bit less familiarity or closeness In Olden Times compared to 姑姑 (gūgū), and Dongfang Qingcang as the young lord might have had to maintain that marginal bit of distance for politeness and tradition and royalty reasons, but i could very much be mistaken, or just reading into it more than necessary.)

look, i know she’s not a major character but she was important to ME, ok! so here’s her name. hope someone writes a fic involving her someday.

长渊 Chángyuān (Arbiter’s dragon husband)

character breakdown: 长 (cháng) = long/length; forever, always, constantly. 渊 (yuān) = deep pool; deep; profound.

罪龙长渊 zuìlóng Chángyuān: convicted dragon Changyuan, dragon criminal Changyuan. same 罪 (zuì) as in “immortal criminal,” 罪仙 (zuìxiān).

aaaaaall righty, i am done for now. (it’s been over a week… phew…) again, i’ll update this if i discover new things or receive suggestions. thanks! :D

[itsnothingofinterest]

So, overall thoughts on 393 & predictions for 394:

I really liked 393 for the most part. I do have one gripe/concern with the current situation (and I’m gonna talk a lot more about that than anything else; that’s just how the internet is sometimes); but overall I really liked a lot of what this chapter did.

First off, the flashback to the League; the camaraderie, the stupid jokes, Dabi being a pretentious jerk who thinks these people aren’t his friends when they totally are. It’s all just *chef’s kiss* perfect, no notes. Other’s have gushed enough for this scene and analyzed all the interesting things it says about these characters so I’ll just add:

“Dudes...Being Dudes!” Can’t believe I didn't see that until now.

But moving on from the “dudes”: Uraraka has earned my praise for having done easily the best to reach out to her villain of any hero kid in the entire arc; not least of which because she’s the only one having any back and forth, and because she seems to be genuinely trying to help Toga. Uraraka’s position isn’t quite perfect, still room to improve for reasons we’ll get too; but she has by far done the best at talking to her villain out of the entire class thus far. Her blood offering™ especially is really big for Toga.

Although, briefly moving on to predictions for the next chapter: my hottest take of a theory is that...I’m honestly not sure how Toga will take Uraraka’s offer. Because having someone in her life who understands her and is willing to offer her blood was, once upon a time, everything Toga ever wanted. But now there’s a bigger question on her mind that Uraraka hasn’t really answered properly yet. 

What will she do with Toga? What will happen to Toga if she goes along with whatever Uraraka wants her to do now?

This is basically my biggest and only remaining concern for this plot-line: Toga still absolutely believes she’ll be sent to death row if she’s captured, and her prospects genuinely don’t look good from an objective view. And when Toga brings this up, Uraraka…doesn’t really go against her claim. I mean she makes clear she doesn’t want to murder Toga like Hawks did Jin; but her still going to death row seems a part “the obvious truth for both of [them]” and she “can’t wipe [Toga’s] slate clean”. So what will/can she do for Toga’s very real fear for her life?

It's possible Uraraka doesn’t have any good answer for that. I know some readers are interpreting the dialogue to think she does, that she’ll keep Toga from going to prison if Toga gives up; but putting myself in Toga’s shoes, it doesn’t sound like she’s willing or ready to go against the legal grain like that. And if she doesn’t then, for as much as she’d like that lifetime’s worth of blood, Toga may not give up here if she thinks her lifetime will be a few weeks that way. Heartbreaking as that’d be for her. (Which makes the drama queen in me consider this outcome even more.)

And also just in general, when the Todoroki’s fumbled saving Dabi as bad as they did; I can’t help but doubt Ochako’s chances of fully reaching to Toga in turn just a little.

Although…all that being said; Uraraka’s specific terms on the blood offering™ aren’t for Toga’s surrender. That’s just all of us reading between the lines, and maybe even jumping the gun. Ochako is asking to talk about love, so there may be a twist to expectations there where Toga still fulfills her end of the bargain without just giving up the fight for her life in exchange for blood.

What might come from that I can’t say. Well besides maybe discussing Uraraka’s feelings for Deku but I don’t know anything interesting that’d come from that. Although, maybe it’ll come back around to Toga’s fear for her life if she brings up her loved one, Twice, getting killed by a hero and who Toga is trying to avenge. And maybe this’ll get Uraraka to contemplate the kind of double standard she & her side have been applying to which actions warrant consequences. I mean if Hawks & Endeavor got off scot-free for their wrong doings (not to mention the currently ongoing Operation: Kill Shigaraki); maybe being lenient with the League in turn would be fair. That’s one way I think their conversation could go anyway.

[calciferous-kelpie]

Hey btw if your ever in need of ranting about a blorbo/oc, this is an ask that tells your to do so. What is the most interesting thing about them? Do they have any symbolism to them and if so what is it about? Favorite ideal situation to put them in? Any romance ideas?

Anon, I want to start off by apologizing for taking EXACTLY A YEAR to reply to this! Happy One Year Anniversary! 💀😭 Obviously, I’ve been thinking about this a lot, trying to decide who I wanted to talk about and trying to put my thoughts into words. And, of course, it took even longer because I wanted to include drawings of the characters… 🤦‍♂️Anyway…

I’ve decided to talk about multiple characters of mine, since they are important for my upcoming comics: Boxman’s mother, father, and sister! I have some New™, Fresh™ information to share about all of them today! Hope you enjoy my ramblings!

MEREDITH (Boxman's Mother)

Most interesting thing: Hmm, well… the things I find most interesting about Meredith are kind of spoilers for my comics, but an interesting thing about her is her special ability! (“Every proper siren has one, darling.” 💅) It’s called Eye of the Storm, and it allows her to summon and control a raging thunderstorm at will. Obviously, this sort of thing takes a lot of energy to maintain, so this ability actually comes with a secondary feature: Meredith can occasionally choose a victim to steal the energy from, and all she has to do to steal said energy is to make direct eye contact with them. The lady’s got a mean glare as it is, but with this power on top of that? Wowza. Watch out.

Symbolism: Given my answer to the previous question, you won’t be surprised to know that I associate Meredith with storms! She is a passionate character with a wild side, and when she truly gets going, she will step aside for no one.

Favorite situation to put them in: Meredith is a complex character with a lot going on, and I don’t want to reduce her to just an antagonist… but MAN, does she make a good antagonist! 😆 I love to put her into situations in which she terrifies/intimidates other characters, and trust me, she will have a lot of chances to do that in the comics!

Romance ideas: Meredith isn’t much for romance. At least not anymore. Heron was her first love, and after her relationship with him went south, her trust in men was destroyed. (To be fair, it was shaky to begin with.) She has, however, made an attempt at another relationship or two for monetary reasons. If that even counts lol

HERON (Boxman's Father)

Most interesting thing: Heron has had a wide variety of experiences across his lifetime, and during that time, he has developed many, many skills. These skills include (but are not limited to): farming, fishing, sailing, cooking, baking, sewing, crochet, whittling, building, juggling, and playing the banjo! Just… don’t ask him to sing, okay?

Symbolism: Heron’s symbolism is… probably pretty obvious, huh? I mean… he’s got an anchor… tattooed… on his back… *ahem* Anyway. The anchor is connected to a lot of Heron’s positive attributes—loyalty and sturdiness being the main ones. But it is also connected to some of his character flaws and the way he views himself. In a way, Heron himself is an anchor, for all the good and bad that entails. ⚓

Favorite situation to put them in: Despite the immense amount of comic outlining and scriptwriting I’ve been doing for Siren Theory, I can say pretty confidently that any scene in which Heron interacts with Professor Venomous is one of my favorites. It’s partly due to the “meet the parents” trope, but the other part of it is that Heron is just an unusual guy who does unusual things, and having a stranger witness that firsthand is hilarious.

Romance ideas: While Heron has had his share of crushes in his youth, he has never been in a serious relationship with anyone but Meredith… and he would like to keep it that way. He still feels like he’s putting the pieces of himself back together after their messy separation.

REBECCA/SIRENA (Boxman's Sister)

Most interesting thing: I think the thing that I enjoy most about Rebecca is the duality in her personality. She is very charismatic and graceful onstage as Sirena, but offstage, when she’s just Rebecca, she can be pretty socially awkward and kind of a klutz.

Symbolism: Some of you may have made the connection already, but Sirena’s real name, Rebecca, is a nod to Rebecca Sugar, the creator of Steven Universe and the spouse of Ian Jones-Quartey (creator of OK KO). This name was actually a suggestion by my sister (Thanks, girlie!) because she knew Sugar sang the end credit song of OK KO, and that little song was one of my inspirations for creating Sirena in the first place. Since then, the name has really proven itself to be a perfect fit for my little superstar siren! The meaning of the name Rebecca is “to tie/bind,” and Rebecca really is the character that ties her family—and the narrative of a lot of the comics—together!

Favorite situation to put them in: My favorite moments for Rebecca are the ones in which she is emotionally vulnerable. It isn’t always easy for her, but there are some things that will happen in the comics that will force her to wear her heart on her sleeve. I’m excited for that!

Romance ideas: Honestly, I’ve come up with so many ideas for OK KO that I won’t have space for all of them in the narrative, even though I’m planning to create, like, 19 comics! 😂 One of those things that won’t get a lot of time in the spotlight is Rebecca’s developing romance with a certain someone. That being said, it wouldn’t be a big spoiler for me to say… Plazecca! 🎵

Thank you so much for asking, Anon! Truly, you have enriched my enclosure. 💖

[littlelesbianintern]

Gonna post this here quickly before tomorrow’s episode drops but the way the show handles “Nice Guys” is so interesting to me; take Mr Daniels for example. This is a ramble so be warned!!!!

Mr Daniels managed to curate this Nice Guy™ reputation; he’s popular with both students and colleagues. But it’s widely know he had some sort of relationship with (according to Twitter??) a 14 year old student. He’s clearly aware of the power he holds as he says to Olivia in episode 4 “You’re teenagers. You don’t have any rights or power”. This for me is one of the creepiest lines in the show considering the context of his relationship WITH OLIVIA. He’s openly admitting she has no power here, whereas we know he does because he’s white/male/wealthy (maybe?? He bought that nice house). and yet because of this Nice Guy™ façade he’s got he’s able to manipulate the narrative to the point where a 14 year old girl is being punished and he GETS TO KEEP HIS JOB because he’s a Nice Guy™ so who wouldn’t believe him?

But the show does it so well because we, the audience, are left feeling so angry that others haven’t spotted it and called it out.

The same also goes for Buddy. Obviously he’s not as bad as Mr Daniels (a whole predator) but he also benefits from his reputation as the “good guy” despite not doing much to deserve it. Everything that makes him a “good guy” is handed to him; the student presidential election, the position as star quarterback, the lead role as Romeo, etc because he’s white/male/wealthy. And this wouldn’t be as big as a problem as it is if only he would admit this/do something but he ACTIVELY CHOOSES not to despite numerous opportunities to do so:

he could have set the record straight about him and Jane/continued to date Jane despite rumours - he doesn’t

he could have chosen Susan over Jane to help him as student president considering Susan helped him with the election - he doesn’t.

He could have set the record straight immediately with the election results considering he knows he didn’t win - he doesn’t.

He even could have tried to stop the crowd turning on Wally (HIS FRIEND) during the football game considering he supposedly does worse and isn’t abused for it - but he doesn’t.

Buddy constantly chooses to do what suits him best. Even when he doesn’t actively choose to anything about a situation, his passiveness benefits him because his reputation remains clean. And when he’s called out on this he doesn’t change. Particularly in episode 5 when flips the narrative on Jane that she’s in the wrong for crashing a Halloween party 🚩 BIG RED FLAG 🚩.

Like I said he’s not as bad as Mr. Daniels because sometimes I think Buddy is genuinely clueless that maybe what he’s doing isn’t right because it’s what he (the ‘good guy’) has been doing his whole life so it must be right. But his PASSIVENESS IS HARMFUL.

It’s interesting though because his exit at the end of episode 6 definitely indicates something up with him and I wonder if maybe he’s coming to the realisation that he might not be as great as he’s always been told and the pressure is mounting up to meet these expectations. But both his and Mr. Daniels Nice Guy™ façade allows them to get away with a lot more than any other character in the show, whether consciously or not. To quote Hanna Flint in Strong Female Character (which I highly recommend): “they [Nice Guy™] are the type of men to be most worried about”.

Anyway jury’s still out on Buddy but I’m hopeful for some growth. Not for Mr. Daniels though; chuck him in a cell and throw away the key.

[spineless-lobster]

Alright so I was reading the wikipedia article for the limpet mine because I am Very Normal™ about the antics my favourite characters get up to, and I went down a rabbit hole about this guy who I believe to have somewhat inspired the character of the Captain. (long post warning, TL;DR at the end)

I present to you, Cecil Vandepeer Clarke, the man who helped develop the limpet mine. (the last name Clarke might ring a bell to those who have read There’s A War Going On by Glowinggreeneyes)

Born in 1897, (which could’ve been the Captain’s birth year) he first served in WWI as a second lieutenant. He did quite a few things but the main thing that I want to focus on was his achievements. He was rewarded the Military Cross medal for his part in the battle of Vittorio Veneto in Italy in 1918. If you’ve seen my other infodump post you know that in the Captain’s pilot design, he had the Military Cross (underlined in red) and the Italy Star (underlined in blue) as medals (which later changed). Now, the Italy Star was specifically for WWII but I feel like we can excuse that because of creative licensing and all that. I just think the link between Italy is interesting. The France and Germany Star and the War Medal are part of his canon design, so which ever part of his story that relates to that must’ve made it through the cut which is 👀

Clarke married Dorothy Aileen Kendrick and had three children, which isn’t that important but my brain won’t let go of “a friend of Dorothy” so there’s that.

Clarke developed the limpet mine during WWII with his friend Stuart Macrae. They had to think of a detonation technique (remember, they had to attach the mine to the hull of the ship. You can’t have your frogmen blowing up) they found that an aniseed ball (a type of candy that resembles a gobstopper, only smaller) left by Clarke’s children in his office disintegrated at the perfect rate in water in order to detonate the mine.

While they were testing the limpet mine, they had to make sure it didn’t get damp in any way lest the aniseed ball starts dissolving. So naturally they wrapped it in a condom while not in use.

I initially made this post because the thought of the Captain being all flustered next to Havers while handling a detonator wrapped in a condom was sending me into hysterics but uhhh I got a bit carried away.

The Captain mentions that the limpet mine used suckers to attach to the side of the hull. But in reality they used magnets to attach them to the ship, which was the idea from the start. So tbh I have no idea what he’s going on about.

Now here’s something interesting; Clarke worked on improvements with the limpet mine in a country house called Aston House, which was acquired by the Secret Intelligence Service (SIS) in 1939. The mine was being manufactured by the Special Operations Executive (SOE) and the house was handed over to them by the SIS where it was known as Station XII (hm, oddly close to Button House XI don’t you think?) Clarke also developed many other weapons at the house. Aston House is in Stevenage, Hertfordshire which means literally nothing to me but it might mean something to someone else.

While developing the limpet mine Clarke had come up with the idea of an underground tank (which sounds cool as hell) and proposed his idea twice, the first time to the Ministry of Supply (which was rejected) and the second time directly to Churchill himself (who essentially said “that’s great, but we’re making one of those already”). Although he was put in charge of the “trenching machine” as he was made assistant director in the Naval Land Section, he grew to hate his job and was called for military service shortly after he left. (Hm, who else absolutely despises the navy? Perhaps our favourite little army man?)

Clarke was later promoted to captain (but acted as a major) and was stationed at Brickendonbury Manor (Station XVII) where he trained SOE agents. There he suffered a bone fracture due to a rough landing during parachute training. The wiki article doesn’t mention where the fracture was but if it was in his knees I might punch a wall.

Clarke was released from the army in November of 1945. He returned to Bedford where he joined the Territorial Army as a captain and served there for six years before being transferred to the Intelligence Corps. Later he ran as like a counsellor or something and was part of the Labour/Liberal Party, but I don’t think that’s very relevant. He retired as a major at the age of 60 and died in 1961. The wiki article doesn’t mention a cause of death (which is just poetic irony at this point) but it does mention that he had a non fatal heart attack. But non fatal means he didn’t die from it so ?????

TL;DR:

- Possibly same birth year?

- Similar(ish) medals

- Developed the limpet mine with a close friend

- Stationed at a country house (twice in the case of Clarke) during WWII

- Hate the navy (though that seems to be common amongst soldiers)

- Fucked up bones

- Worked in intelligence and weapons development

- Prominently known as a captain

- Died under mysterious circumstances apparently

I am leaving out A LOT of other information so there might be more connections that I’m missing. If you wanna learn more about Clarke and the limpet mine I found this article which delves further into the development and it was a very fun read.

I… I need to lie down