#they're like... character explorations?

[whumpitisthen]

"Am I not allowed to look at my most precious?"

To Grim, Mori is more than just a slave. He sees no difference between them and any other mortal that crosses paths with him; being privy to such information, he can quite literally see that their souls do not differ at all. The very word "slave" sounds performative out of his mouth, only ever used to mock them or belittle them for his own entertainment — but that only reinforces that he doesn't really believe them to be just that, since he finds such humour in it.

To Mori, however, when he calls them his "most precious", they have to stop and stare at him, bewildered. They do not believe him, but they don't think he means to mock them this way. To them, being anything more than a disposable slave, especially to someone so powerful, is just incomprehensible. Why would anyone think of them as something precious? There is nothing special about them; they aren't even good at their job, they have been broken down and used up by a hundred others before him, and they were given nothing but vitriol and demeaning words their whole life.

Deep, deep inside, they feel a kind of pride that makes them feel ill, a tiny part of them believing, or rather, wanting so badly to believe he means it when he says such impossibly nice things about them. No one ever has before... It's, different, or something. The layers and layers of insignificance bred and beaten into them won't let that vibrant appreciation come to the surface.

Grim doesn't mind. They do well to avoid growing used to love, or — perish the thought, take it for granted. Love is something they are unfamiliar with. Love hurts. Love begins and ends by another. Love is dangerous.

And in reality, is it truly love, what Grim feels? Fondness, obsession, craving, pleasure?

"All the same, no?"

[poorly-drawn-mdzs]

MDZS x Firefly AU: A ragtag crew.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[apollosgiftofprophecy]

one of the reasons why i love ToA so much is the little bits and pieces of the gods we get to see.

so i guess this is really more of a 'this is why i love the gods so much' rather than my usual 'this is why i love ToA' post lmao

but fr, the gods are just sooooo much more fleshed out in ToA. they're more complex, and have these layers to them that pjo and hoo just Did Not convey (and really, only conveyed those things post publication of ToA, which came with the tools on how to decode the gods and read between the lines).

and i'm not even talking about Apollo here. he is by far the most fleshed out god we have because he's the pov character, but i also mean all 12 of the other olympians - they're just so juicy!!

like okay, sure, in pjo and hoo we get glimpses that Dionysus may care more than he lets on, but ToA CONFIRMS this, but not in an 'in your face' way - but in the 'Dionysus picks at Apollo like a little brother would' way, and in that FIRST interaction between Apollo and Dionysus, we can SEE what their relationship was like!!

Hermes is another VERY layered god, ESPECIALLY with pjo's context. but that context ONLY gains its own importance BECAUSE of the story ToA gives us - we would NOT have 'resigned to fate' Hermes without it. or embittered at his favorite brother Hermes. we love this Hermes eheheheheheheh

Artemis also gains more character, and is no longer just the stoic cool badass #Girlboss she's largely presented as - she's scared, she fears for Apollo, so much so she SPLITS. she comes RUNNING to help him in TTT as soon as she could, giving her a softer side, while simultaneously expands on her previous appearances and allowing us to see how she is unconsciously enabling the abuse Apollo's experienced. LAYERS !! !! !!

DEMETER. OOOHHH DEMETER ILY, IN MYTHOLOGY AND THE RRVERSE. BUT FOR COMPLETELY DIFFERENT REASONS LMAO

we can infer Demeter has basically shot herself in the foot by obsessing so much over Persephone, where she NEGLETS her other kids (ex: Lityerses, Meg). myth Demeter would NEVER but rrverse Demeter is still a fav BECAUSE of how flawed she is.

ARESSSSS do i even need to say anything. we KNOW Ares and Apollo are bros because of how often Apollo takes pot-shots at him in his dialogue LMAO true brother behavior

Hades is a chill uncle with Apollo in particular. i mean. *gestures* he used to purposefully mess up Apollo's aim when shooting for no reason. need i say more?

looking back i'm also a little intrigued by how little Poseidon was mentioned - perhaps lending credence to the idea that he and Apollo grew apart over the centuries?

also Hestia's position as the goddess of the hearth and home calls into question how passive she is on olympus BECAUSE of the shitshow it's become!! she defends it!! what has caused the hearth and home, the FIRSTBORN OF KRONOS, of the ENTIRE PANTHEON to be so stagnant in the face of this toxic cycle? the people want to know and so do i.

Hephaestus is trickier to pin down for me because he has little mention, but there's one SPECIFIC one that has stuck in my brain and its the "apollo missed an entire decade watching Hephaestus's newton's cradle INSIDE HIS OFFICE"

what was apollo doing in his office. and why did hephaestus - notorious introvert - let him stay in there. these are the questions we are all dying to know.

ATHENAAAAAAA !! !! !! !! !! that nod she gives apollo at the end. her bet on his SUCCESS. need i say more? she's bros with him trust <3 add in the mythology and it gets SPICY

Aphrodite is arguably a tricky one to pin down too, and honestly we as a fandom have probably taken more from the mythos to pin down her character than with the others, but she's sooooo interesting too!! the eldest olympian. powerful goddess. extremely cunning and ruthless. and yet she's seen as airheaded and vain by practically everyone.

makes you wonder who else is like that. *quick glance at our favorite god* i dunno who that could be. *whistles innocently*

and do i need to say anything about Zeus? about the tragedy of him falling into the cycle he was meant to break? ABOUT THE TRAGEDY OF HOW HE DEF WANTED TO BE A FATHER BUT HIS PARANOIA GOT THE BETTER OF HIM UNTIL HE NO LONGER WAS ONE??

*seizes you by the shoulders* HOW AM I SUPPOSED TO BE NORMAL ABOUT THIS. HOW.

and ofc. one of my FAVORITE gods...Hera. oh, ho ho Hera. you do NOT deserve the hate you get <3 okay maybe a bit of irritation is warranted because you do pull off risky things in hoo but we stan a goddess who takes charge in this house.

YOU CAN'T CONVINCE ME SHE'S GONNA BE - well, nicer? is that the right word? - BETTER WITH APOLLO POST-TOA. AFTER SEEING EVERYTHING HE SUFFERED? AFTER SEEING HIM SHED THE MASK? AFTER JASON GRACE?

*pounds mercilessly on the table* I WILL NEVER NOT BE ANNOYING ABOUT THEM I LOVE THEM ALL INCLUDING THE BITS OF CHARACTER FROM THE MINOR GODS WE GET TOO!!

[citrusici]

been having thoughts about some kind of au where EC era genesis and angeal get their wings early. and also ifalna

[wardensantoineandevka]

the fact that people keep interpreting the word "consequences" to be exactly and only "punishment" and knee-jerk responding to it with "why do you want my precious Bells Hells pookies punished" frankly says a lot about more about you than it does about those who feel that C3 as a narrative never followed through on consequences for anything

this is ESPECIALLY evident when it is remembered that we're all talking about a story and doing narrative analysis and media critique here, yes, all of us, even the casual commentaries, debriefs and post-mortems of the campaign is analysis. consequences. narrative follow through. the consequential story beat that carries the weight and concluded a prior set up. results, negative or positive or neutral, that are incurred as a consequence of what happened before. a continuity of narrative logic. actions that result in the expected and prior established weight and outcome. feeling like things consistently matter and affect things meaningfully on various levels, including the personal.

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[buqbite]

Time loops and the abstraction of one's self-image

[tackykachowch]

S2: hey guys! Look at these cool new characters! They will (allegedly) help Jinx, Sevika, Vander and Silco become even more complex and-

My humble missile:

[starssoblue]

i'm teasing you! i love you just the way you are, marinette dupain-cheng.

[nerdy-hyperfixations]

Listen, I love Fiddlestan as much as the next guy, but where did we start getting the idea Ford was cold and dismissive towards Fidds during their time working on the portal???

I could totally be wrong because I haven't read every single GF related thing (hell, my journals aren't decoded because I'm a slacker), but like??? The first time he saw him, he bought him his favorite snacks *and* a whole ass banjo and said he'd make it his mission that Fiddleford would be comfortable in his home.

They go adventuring together and talk about things like fashion trends and the future and go stargazing.

Ford is *so* happy when Fiddleford returns that he hugs him immediately. Abd then he feels bad that Fiddleford feels bad about his failing marriage that he throws him a holiday party even though he doesn't celebrate and hates the holidays honestly. And he put on Fiddlefords favorite song (which he despises and honestly? ME TOO FORD. I HAVE BEEF WITH THAT SONG) and drank seemingly spiked eggnog with him despite not usually liking to drink. So that he could make Fiddleford feel better.

He also just openly adores everything Fiddleford does. Maybe it's only in his journals. You could argue he doesn't say it out loud but, like, he exclusively describes him as impressive all of the time-

And I get where it's coming from in like a "oh he's a workaholic who has the pressure of Bill breathing down his neck that he has to be working on the portal 24/7." And like yeah, but in the pages he's a workaholic he's a workaholic practically begging Fiddleford to stay up with him because he loves working along side him. Fiddleford and him work *together.*

Like the page where they're sorta fighting with each other because Ford wants to work more its not "leave me alone Fiddleford, I have to do this" it's "hey! How come you won't stay up with me! Ugh this is so unfair that you're going to bed even though you know I plan to continue working for another hour."

I'm just saying if Fiddleford wanted to cuddle, I imagine Ford's response would be "Oh! Awesome, I love spending time with him 🥰🥰🥰" but he'd just end up using Fidds' back as a table for his studies. Or they'd do that thing where one of them is working on a desk and they sit on one chair in each other's arms.

And, while we're here, realistically? Emotionally stunted, slapped by more women than He's dated, "I can't cry in front of people, and the only thing I'm good for is my fists." Stanley Pines??? He's not cuddling shit. He's got that toxic masculinity ingrained into him. It doesn't matter how incredibly touch starved he is, cuddling is too emotionally intimate and "girly" for him. Honestly if Fiddleford tried to cuddle him he'd probably throw him in a headlock because he's also been on the streets for years now with people constantly trying to attack him.

And I'm not saying this to diss on Fiddlestan. Again, I *like* Fiddlestan! But when I read "Ford could never appreciate him like Stan could" I don't understand it.

They so clearly bonded well together, and if Ford truly was being an asshole (or not an asshole, but just generally unpleasant even when he wasn't possessed) the whole time, I doubt Fiddleford would've stayed. Nostalgia and physical attraction can only get you so far, and Fidds is already facing the horrors in Gravity Falls, Stanford has to be a hell of an amazing person to make someone want to stay. Like, he's a grown adult. Sure he really wanted to impress Ford and allotted himself to be "the tech guy to Ford's smarts" but if he wanted to leave, he could've. And there didn't seem to much keeping him there. Especially when he was having doubts on the portal.

[front-facing-pokemon]

[science-lings]

so the Dark Knights of Steel didn't give any of the robins backstories or heavily defined characteristics and I want to change that. I love a good fantasy AU and the batfam. What could go wrong?

[eelclaw]

stupid fucking bastard. i am not coping with the leaks

[cowboy-robooty]

im not going to lie i have an illuminati type theory that fanfiction has gotten so fucking bad recently as yet another consequence of the pandemic

[tagarilaghost]

Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / SE5 (you are here)

I do in fact regularly gaslight my friends for their own good.

I can't have them suspecting the truth after all. (aka continuation of @the-cr0w 's playthrough)