#this hands can draw and I will use this function to a limit

[mocking-the-bird]

bet you didn't see that coming

[alexiroflife]

jjk men reactions & aftercare when you use your safeword…

headcanons list

MDNI, highly suggestive content, smut themes, overstimulation, mentions of discomfort/pain, spanking (suguru), etc.

gojo, geto, nanami, choso, toji, sukuna

-> all i could think of when writing safe words was this from that one rick & morty episode please help

satoru gojo:

satoru gojo, before his relationship with you, was a full-fletched virgin.

while people close to him like suguru, before he left jujutsu tech, or shoko would have been able to tell anyone this fact after having known him for so long and so well, in satoru's later years, he finds that everyone assumes he has a rather promiscuous past before settling down with you.

he understands. quite frankly, it doesn't surprise him at all. he's a flirty personality with a sickenly gorgeous face, with the confidence and arrogance of a well-seasoned slut. he does not exude the energy of a person who went twenty-four years of his life without having sex with anyone. he had received and given oral maybe a few times in his early twenties, but he had never gone beyond that.

you're his first at twenty-four and you're his one and only from then one.

despite his lack of physical experience, satoru, unsurprisingly, is incredibly skilled with the use of his body. there's truly nothing that gojo can not do perfectly. he's seen enough, studied the physical reactions you have to him even when you're just speaking, knows you enough to treat you well without having had to fuck a million people beforehand.

and because you are satoru's one and only, he fucking worships you. he gets drunk off of you. he goes insane for you every single time the two of you are together intimately. while his stamina is incredibly high, his desperation proceeds him and his ability to maintain control is drastically lacking whenever he's got your pretty legs quivering over his head as his tongue licks greedy stripes over your puffy clit.

satoru is spoiled. he gets what he wants and does what he wants when he wants it, and he absolutely expects to get exactly what he wants from you when the two of you are in bed, which is to make you as much of a mess for him as he is for you. he wants you shaking, he wants you begging, he wants you crying for more as you struggle to handle just how good he makes you feel, and every single time, he succeeds.

the thought alone of pleasing you renders him dizzy, and his mind often wanders in the middle of meetings when he's supposed to be focused on the course schedule for the first years over the upcoming next few months. satoru is completely and utterly whipped for you, and with his greedy, mindless desire to hear you moaning for him into the early hours of the morning, he can tend to get a little out of hand.

satoru has never made you feel any less than heavenly, any less than adored, any less than cherished. he satisfies you in indescribable ways, and you're admittedly as head over heels for him as he is for you. he's soft, but then he's wild, whiny, relentless, sloppy, yet always so damn good. he pushes you to just the right limits, drawing out physical reactions you hadn't even known to be possible before him, and talking you through it all. though he's always on the brink of going too far, he never has.

so that is why you are close to panicking now that your legs and your throbbing, overstimulated pussy have gone numb with a rather unfamiliar tingling sensation.

you don't even think you can see anymore. you're long past an acceptable point of lack of functionality, and you can't even think. you hear satoru's voice murmuring as it always does, babbling on in his far-gone state as he pulls you closer for another round. the two of you started this when the sun was out, midday, and now, the sky is pitch black and the clock reads almost midnight, not that you can even tell.

you can feel satoru everywhere, hands flying to any patch of skin he can possibly find, yet the sensation is detached from you. you take a few seconds before realizing that you can hardly breathe, and your body is so spent you can barely move.

satoru, above you, is gone. exceedingly pussy drunk, having came more times than he could count in your mouth, on your stomach, on your back, inside your cunt, and yet he still seeks more. it's like his mind and body are on autopilot, searching for you blindly without any indication of how far he has gone or when he should stop. he's just as fucked out in the brain as you, but the only difference is that he somehow has more energy to spare. his dick is somehow still jumping to life, and you suddenly remember that this is satoru gojo you're talking about.

on the battlefield and in bed, he's a monster, unlike any other.

"c'mere, pretty, just-just one more, gotta feel you," he rambles, panting heavily as he tugs you closer and roams his crystal blue eyes over your trembling body. his sense of logic is skewed, the flags are not registering. he only sees you, and he is eager. he's so in love, so intoxicated by you, he's lost his damn mind.

"y'so gorgeous for me, baby, such a good pretty girl. my good pretty girl. love this pretty girl's pussy, so-so good for me. so good."

and there he goes, on and on about how he wants you, what you do to him, how perfect you are, and you can't even hear it. your ears are ringing. where the hell even are you?

satoru's moving to caress over your body, detailing the softness of your soaked skin beneath his palms before his hands meet your soaked cunt again. he's prying at your weak thighs, ghosting his fingers over your clit hungrily, and the second you feel the tip of his finger so much as graze your bundle of nerves, you're momentarily revived. you're gasping and pushing him away, crawling back.

satoru watches you, brows drawing together. he goes to reach for you again, but then you hastily breathe out. "purple! purple, purple, purple," you wail, body twitching as you curl in on yourself.

the moment your safeword falls on satoru's ears, he's snapping out of it. his blown pupils suddenly shrink and he reconnects with the world around him, with you, the way your heart races, the way you can hardly speak, the way you can't even lift your head from the pillow.

he looks down at the drenched state of your sheets, then back up at you, shaking, and he's finally back.

"baby," he coaxes in concern, crawling up to meet you. you don't even open your eyes when he hovers over you. you simply squirm, murmuring nonsense as chills rack you and your feet kick out. you're absolutely done. "fuck, baby. hey, you there with me? (y/n)?" he cups his hand over your hot cheek, worried eyes taking in the sight of you. he's never seen you like this before, and it's jarring. how long have you even been like this? did he seriously not notice that you had been spent for a while?

your hands go to push at his chest, but he stops you gently, holding your wrist and hushing you. "it's okay, princess, you're okay. you're alright... fuck, baby, look at you. you can't even understand me, can you?"

as expected, you don't show any indication that you can hear him. instead, your body slowly melts back into the sheets as though registering the shift in satoru's mannerisms and tone. you relax, slumping, and satoru almost thinks you've passed out.

"uh uh. don't pass out on me, pretty. come on," he urges you gently, patting your cheek. you groan and stir, at least showing him that you are still conscious. "okay, that's good, baby. that's a good girl, come here."

he pulls you into his arms, enveloping you in his safe embrace. your cheek falls against his bare pectoral and you hum, nuzzling into him as he holds your head close, petting over your hair and watching you carefully. satoru struggles to gather himself as well as he holds you, breathing heavily and twitching against your body whilst bringing himself back to reality.

you continue to rub your face against him, and he looks down at you, brows knitted together. fuck, he feels awful. he hadn't meant to push you this far.

"(y/n)?" he calls your name again, a rather rare occurrence. you take a moment to hum drowsily after a few minutes have passed. "can you hear what i'm saying?"

"...mhm," you hum again brokenly.

"yeah? you can?"

this time you only nod, and he sighs. "are you okay, pretty? are you hurt?"

"mm-mm."

"you sure?"

"y-yeah, tor..."

you don't even finish his name as you sink further into him. satoru kisses your cheek, then your temple. "okay, i get it now. i did too much? i went too far?"

"mhm," you whimper, and his arms tighten around you.

"i'm sorry. i'm so sorry, i should've known better," he apologizes profusely. "i got carried away, i wasn't even thinking. i wasn't even there myself- but that's no excuse. i'm sorry. stay with me, pretty."

slowly, your arms slide to wrap around your boyfriend's neck, and he melts like sap into you, cooing gently and showering you with kisses. he can feel your rapid heartbeat against his chest, your soft pants fanning on his cheek, your abdomen tightening and releasing with your shivers.

"you're so sensitive. i got you good, huh?" he observes. "i'll go easier, next time, pretty. okay? you did so good for me. you always do such a good job. just keep those pretty eyes closed and rest. i'll clean you up in a bit."

you nod meekly once more, cuddling impossibly further into him. you doze to the sound of his assurances, of his tender voices telling you that you’re safe, that satoru’s got you, that he’s so proud of you. he lets you rest before he has to wake you again to help you get ready for bed and to clean you properly.

he loves you so much. so so much, and despite him going overboard, his heart swells with relief at the fact that you feel comfortable enough to tell him to stop.

suguru geto: suguru is truly a kind and loving man. he's gentle and meticulous in the way he cares for you. he always makes sure that you have everything you need and that you're cared for the way you deserve to be cared for. and in bed, he's almost teasing with the way he loves you. he's sweet, keeping his searing lips to your ear as he floods your brain with declarations of future promises, of making you happy, of practically laying down his life if it means listening to you call his name over and over.

he's got a mouth on him, one full of filthy affections, and he gets you off on the sultry sweetness of his sugary tone constantly. he'll be knuckles deep inside you, kissing your cheek almost innocently as he murmurs seductively to you his devotions.

"you squeeze me so nice, sweet girl. you look so fucking beautiful like this. that's right, angel. feel it. feel my fingers stretching you out so good. fuck, i could finger you like this every day for the rest of my life. would you like that, angel? hmmm?"

he always makes sure you respond, as well. he's pulling orgasm after orgasm from you and urging you to speak while doing so, no matter how far gone you are. he's not satisfied until your angelic little voice is breathing out to answer him unsteadily, your words warming his heart and hardening his dick without fail.

nevertheless, despite suguru's generosity, he has the tendency to be so mean when he's agitated.

suguru has a pretty terrible attitude, and though it's not often on display when he is irritated, particularly by something you say, he's an entirely different beast.

his honeyed tone still remains when he punishes you, yet it's laced around far less pretty words. he teases, mocks, judges, and at times, it's enough to make you cry or second guess yourself if you were to hear him go on like this in any other setting.

suguru's presence is incredibly domineering aside from his normally gentle demeanor. when push comes to shove, he is still a man capable of murder, a man harboring the hatred of an entire species, and a man who manages to uphold his connections and his legacy through his cult by means of manipulation.

suguru is nice, yes, but he's also kind of a bully.

the dark-haired man doesn't find himself taking out his irritations on you often. he only deems it necessary to do so when his irritation is inspired by you, and while he has attitude issues, you mirror his tenfold... and he does not tolerate you doing so one bit.

now, you know suguru very well and are very accustomed to how he handles you when he's pissed off, but tonight, he's showing no mercy.

he's had you splayed over his lap for what feels like forever, your ass pointed upward and your wrists bound before you as you muffle your whimpers as best as you possibly can. you don't even remember what you had said or done to get suguru so worked up, but you know that your ass is stinging horribly and is likely marked up with several red angry hand prints, yet suguru is seemingly still far from finished with you.

you've tried crawling away multiple times, but his strong hands always pull you right back, keeping your back arched and your ass up for his access.

"don't cry now, angel," he says, voice dark as his hands roam over your ass. you tense as he gathers a handful of the fat into his fingers, squeezing tightly before raising his hand to smack down hard again with no warning. you lurch forward with a sob, your legs trembling harshly. "you weren't crying earlier when you were running your mouth so much, were you?"

"sugu," you hiccup, desperate for a break. "p-please..."

"nuh uh. you can't 'sugu' you're way out of this one," geto says, eyes heavy and dark as they look over the marks he has left behind. "after all, you're the one who wanted this."

"n-no," you deny pitifully.

"no?" he bites down hard on his teeth as he smacks you again, watching your plump flesh jiggle with the motion. he groans under his breath, sliding his hands over you again as you cry. "really? i could have sworn by the way you were talking to me, this was the only outcome you were looking for."

you can hardly hold yourself up anymore. your face falls flat on the bed as your body shakes with your laments. you don't know what number of spanks you're even on. was there ever a set count to begin with?

you try to reach a hand back, but you forget that your wrists are tied before you, leaving you with absolutely no defenses and suguru with the upper hand.

suguru roughly grabs a handful of your hair and pulls you up, looking over your tear-stained face with a quirked brow. "what's the matter? can't handle your punishment?" he taunts, eying you intensely.

you sniffle, eyes unfocused. your lips part to answer him, but he beats you to it, landing two more smacks to your backside, and you're seeing stars. the strike of his hand is starting to burn, stinging agonizingly over your skin. your ass is buzzing, throbbing with its own bruise-induced heartbeat.

you feel more tears break past your eyes and your brows scrunch up. "that won't do, angel," suguru says. "i must've gone too soft on you."

who goes to land one last strike, and you can't take it anymore. you're kicking away as best as you can, panting with your cries as your voice goes ragged.

"rose!!" you call, completely beyond yourself. "please, no more, please- i'm sorry! rose!"

suguru freezes, his hardened facade washing away. he breaks past the air of anger that he's been submerged in and sees the way you cry as he holds you up, your pearly tears dribbling past your chin as you continue to beg him to have mercy on you under your trembling breath.

"shit," he curses, slowly releasing your hair and easing your head back down. "i hear you, angel. loud and clear."

he hastily undoes your bind and tosses it to the side, setting your wrists free. you quiver, sinking over his lap. suguru catches a glimpse of the marks he has left once more, watching the blooming of purples and reds spread over your poor bum. he hadn't realize how bad it looked before, but he sees now just how hard he's been hitting you.

"fuck, angel, i'm sorry. i'm sorry."

his hand runs over the small of your back and he ducks down to the side of your face, which is still concealed as you cry. his brows curl and his heart lurches forward, his touch upon you now soft and delicate.

"(y/n)?"

"why'd y'spank me so hard," he hears you question into the blankets, speaking unstably amid your tears. suguru's heart drops then and there, and his entire demeanor shifts upon seeing what he's done to you.

"oh, sweet girl, i'm so fucking sorry. i'm sorry," he whispers to you soothingly, attempting to calm you. you're a wreck over his lap, shaking violently. "i don't know what happened. i don't know why i did that. i'm sorry, baby. i'm sorry."

he hisses as his thumb ghosts over his handprints, and even that has you jumping suddenly. "okay, i won't touch. i'm- shit, i really marked you up. that looks like it hurts so bad, angel, i'm sorry. i was being a dick. i don't know what came over me."

suguru slowly helps you up when you don't reply to him, and once he's got you slightly upright, you fall into his chest as you sob. his arms wrap over your upper and lower back securely, face burrowing into your shoulder. his long hair tickles your bare skin gently, his comforting scent consuming you, and you are reminded of your boyfriend's sympathy once more.

"a-are you really t-that mad?" you hiccup into his shoulder, dampening his skin with your tears.

"no," he tells you. "no, i'm not mad anymore. that wasn't- i just got carried away," he repeats. "you're okay, angel. you're perfect. i let my emotions get in the way too much."

"fe-lt like you hated me..."

"what?" he frowns, pulling back to look you in the eye. your red eyes meet his sorrowfully, and you sniff, searching for the kindness of those hazel eyes you so adore. you rediscover it the moment you look at him. "hate you? (y/n), no. don't say that. i could never hate you. i love you," he brushes your tears from your eyes and you whimper. "you're my sweet girl. my perfect angel. i would never," he says gravely. "i can't believe i made you feel that way."

"you spank hard," you pout, and he kisses your puffy lips, smoothing his hand over you hair and stroking your neck.

"i see that now. i'm sorry. i won't do that again," he kisses you again. "i'm sorry. i hate to see you cry like this. this isn't how i should make you cry."

suguru looks around and locates the bottle of water he left on the dresser prior. he leans forward, careful as to not agitate you, and grabs hold of it. "here," he unscrews the bottle around your waist and lifts it to your lips. "hydrate, baby. you need it."

you pucker your lips around the bottle as he eases it upward, easing the fluid into your mouth as you drink. "that's my girl."

once you're done, he leans down to put the bottle on the floor and slowly guides you off of him and onto your stomach after kissing your lips once more.

"what do you want, angel? ice? you want me to massage it?" he asks you, craning down by your ear as you press your cheek to the pillow and look at him tiredly.

"both," you say softly.

"yes ma'am. i'll be right back."

suguru spends the rest of the night treating you, rolling his cool hands ever so carefully over your bruises, cupping your ass, and massaging out the stings to increase blood flow. your brows arch and you moan into the pillow as he does so.

"i know, i know," he murmurs. "promise, i'll make it better. try to calm down for me."

he's kissing softly over the handprints, whispering endless apologies before applying ice every now and then. eventually, the pain begins to calm and subside as your senses dull, and suguru rubs circles over your waist.

"sugu?" you mutter after an extended period of silence.

the dark-haired man ducks down, gazing over your now serene features. "hm?"

he sees the corners of your lips pull upward subtly as you close your eyes. "you're mean, you know that?"

he puff of amused air blows through his nose as he nods, stroking your temple. "i know. i'm the meanest, angel. i'm sorry."

kento nanami:

kento nanami is a man among men, a perfect gentleman, the blueprint for all partners. he loves you dearly, and he takes any chance he can to show you or remind you of this love he harbors for you.

nanami treats you as though you are the only womann to grace this planet, and in many ways, that is exactly how he sees you. he dotes on you and makes you feel as though you are a queen among peasants, sending you flowers nearly every day, writing you sweet letters, cooking you dinner, keeping his hand to your waist to guide you close to him when you walk around in public, cooking your meals, and buying you every possible thing you could ever even mention wanting.

he's an angel. he's your dream man, and he's all yours and you're all his.

when kento is intimate with you, he likes to take his time. he likes to drag out every second of his fingers touching you and his lips ghosting over your body. he likes to admire you, every single part down to the last detail. he is never in any rush, and why should he be? why would he want this to end? you're his lovely woman, and you deserve every second of pleasure he has to offer you.

he handles you so lovingly, holding your gaze and intertwining his fingers with yours as he strokes into you deeply, a haze of raw passion capturing you both as you breathe into each other, fall into one another's longing gazes, and intertwine like pretty strokes of paint mixing into one another on a canvas.

he's enamored by you, kissing over your neck and listening to your pulse against his skin as he makes love to you, keeping you close, flush to him. tendrils of soft blonde hair sprinkle over your forehead as his lips meet yours, bodies rocking passionately. you can feel the fondness in the way he presses into you, the way he holds you, and you feel so feather light as your head floats into the clouds and heaven encaptures you in the bliss of his hold.

nanami is afraid of hurting you when you have sex. he tends to always handle you with care solely because of this fear of his, and while he has his moments of letting just a little bit more loose, of handling you just a little bit rougher, of pushing in just a little bit deeper, he doesn't want to overwhelm you to the point where you are in pain.

you, of course, spur him on and encourage him to let go. you don't believe that nanami would ever hurt you, or at least do so to the point of irreversible damage, but he still gives you a safe word to use for any time you may feel more sensitive than normal or need a break or simply want him to stop because he's making you uncomfortable. you never thought that you would need such a thing with him, but you had unfortunately been wrong.

it isn't even nanami's fault, per say. you like to push yourself more than nanami really approves, and while you can handle it just fine, you find a moment when you overestimate yourself.

you've been riding kento at his desk chair, your hands gripping his shoulders as his hands clutch your hips. his head is tossed back, normally neatly combed haired tousled messily, and his chocolate eyes drink you in through heavy lids. a chorus of hushed moans leave your lips as you work yourself down onto him, rolling your hips, grinding over him, and sliding up and down swiftly.

the blonde's lashes flutter as he watches you, a sight so beautiful and a sensation so purely exquisite that he can not bear to look away.

you lean down to him, wrapping your arms around his neck and pressing your chest to his unbuttoned dress shirt. his hands run over your back on instinct, eyes falling closed as he pants into your shoulder.

"ken," you pur into his ear. "fuck up into me, please..."

and normally kento would think on it more, but hell, you just feel too good for him to deny such a polite request. he obliges, gripping your hips and holding you down, planting his feet securely into the carpet and sheathing his throbbing length upward and into your welcoming, gummy walls.

"oh, sweetheart," he groans, wrapping his arms around your waist and burrowing his nose into the crook of your neck with furrowed brows. "you feel so perfect like this."

"fuckkk, ken," you whine.

after a while, you push yourself down at a faster pace, attempting to catch up with his strokes and speed him up. kento grunts, holding you tighter and understanding the message as he thrusts up into you faster.

soon, the sound of his hips slapping into your ass lifts into the air throughout his home office, and you're whining into him, rutting yourself down with him.

nanami's groaning into you, pace a bit wilder as he mimics your behavior. he's got a hand slid up your neck and into your hair as the other holds your waist down, no longer allowing you to move the way you had before as his thrusts proceed.

you're squelching around him, moaning prettily and growing louder by the second until nanami shifts slightly, sitting up straighter and holding you still as he fucks up into you.

he's rougher, as you had physically and verbally requested of him. while this isn't the first time he's handled you a bit harder, it's the first time you feel the weight of his tip bruise your insides with his position, his speed, and his access.

you gasp, breath hitching in your throat as pleasure rather quickly transitions into discomfort, and you squirm. you want to take it, you love taking him so much, but the longer he pulls you further into the harsh push of his dick into your cervix, the more painful it begins to feel.

you grip into nanami's hair, squeezing the muscles in your face as you breathe out heavily. it only takes a few more thrusts that slam into you way too harshly before you tap against his back.

"ah- ken, ken, hold on- mm- yellow!"

nanami stops even before the word leaves your mouth, pulling you off of him with haste as you wince. he sets you back down on his thighs, and you can feel his length twitching against your ass as he looks over you with pinched brows.

he looks so pretty, still thoroughly consumed with lust, captured by worry for your well-being. his hands remain on your waist as he looks over you sternly. "tell me where sweetheart. how did i hurt you?"

you already feel bad as your walls clench around nothing, rather disappointed in yourself. you tremble slightly, looking down. "sorry- i just... it just started hurting for a sec."

"i was going too roughly?" he asks you for clarification, warm brown hues of care looking up at you. he looks torn, devastated that he had broken the one promise he had made to himself about harming you in such a vulnerable state.

"it wasn't you, ken, i didn't think it would hurt that much," you say dejectedly, a tad woozy from the way you had just been handled. it wasn't as though you didn't enjoy it, your body had just reacted differently and reminded you of your limits with taking ken in such a way.

"of course it was me, honey, i'm not sure what you mean," he says softly, his thumb smoothing over your spine. "i'm so sorry, sweetheart. i never meant to hurt you. i must have allowed myself to get too worked up."

"it's okay, ken," you shush him, taking his face gently in your hands. he gazes at you, frustrated with himself but eyes so full of love for you, the darkness in his eyes still swimming about. "you always tell me to reel it in, but you just make me feel so good. i always want more of you. i pushed a little too hard."

"honey," nanami begins, taking one of your wrists in his veiny hand and turning to press a kiss to your palm. "i still would never blame you in this situation. i know better. i apologize sincerely. how badly does it hurt?"

"...it's not that bad, ken. it was just a sting."

"it doesn't matter," he shakes his head. "i think that's enough intimacy for today. i can not stand the thought of hurting you any further."

you give him a sad look. "but it wasn't all your fault, ken," you frown.

nanami smiles at you softly and leans in to press a long, gentle kiss to your lips. he pulls away from you and meets your gorgeous eyes. "i love you, sweetheart," he declares so warmly, so honestly and you return the sentiment without a second thought, heart thrumming.

"i love you more."

"let me run a bath for you, okay? then after, we can relax and order some food. i can give you a nice massage, too. how does that sound?"

"...can i massage you too?"

nanami laughs slightly. "darling, i'm not the one who got hurt."

"i don't care. i wanna help you relax too. you always have so much tension."

"i'm relaxed any time i'm with you. and you certainly were helping me relax a few minutes ago. perhaps, a bit too much."

you pout and he kisses you again, his soft lips warm and enticing against your own. "ken," you murmur against his lips as he draws himself back, rubbing his palm over your spine and sliding your shirt back down from its scrunched state.

"yes, my love?"

"i still want you."

he gives you a firm, warning look. "(y/n), i said that's enough. you need to rest a bit. you just said that you have the tendency to push yourself when it comes to sex."

"i know, but," you push your bottom lip out and lean back up against his chest, arms draping over his shoulders again. "it doesn't have to be sex. you can just... eat me out."

you feel nanami's chest stutter against you as he breathes out heavily. "you're playing a dangerous game, you know that?"

"please?" you beg, dragging your nose against his neck. "you're always gentle. and it feels so good... all you have to do is hold me down, i won't get hurt in any way with your tongue on me, i swear."

a groan rumbles in nanami's chest and you can feel his dick twitch back to life against you. you smile lazily, leaning back to look him in the eye. "pleaseee?"

"only if you behave," he accepts, raising his brows. "i'm serious. i will go the pace i want to go, and you'll take it. slowly."

you bite the inside of your lip and nod, a pretty smile gracing your face. nanami hums, curving his hand over the back of your head and bringing you to his lips again.

"what am i going to do with you?"

choso kamo:

your brown-haired boyfriend is new to a plethora of human emotions and habits, yet sex is one thing he adjusts to rather eagerly and skillfully thanks to your influence.

choso is ever so inquisitive, seeking to explore every part of you so that he can ingrain your body and its incredible functions into his mind, so he can adapt, so he can improve, and you can confidently say that he proceeds to do so with each passing moment he studies, loves, and cares for you.

choso gets pretty flustered by you easily. you introduce him to not only a world of your love and affection, but a world of vulnerability, pleasure, and sensual exploration. he learns fast, the goal of making you happy driving him forward into picking up on the things you show him incredibly swiftly.

he's so handsy with you, unsure of how to properly convey all that you make him feel so he frequently clobbers you, enveloping you, consuming you in a needy daze, repetitively chanting about how he loves you and how beautiful you are, and how amazing you make him feel, how he never wants to let you go. he's pathetically obsessed with you, longing for your touch at any given moment yet he always allows you to initiate your intimacy first before he completely drowns in you. he's still working on managing himself around you as well as his own urges to refrain from acting out of line, being too forward, or misreading situations. he wants to be perfect for you, and never in your relationship does choso ever want to misstep or misread what you want.

getting him to vocalize when and how he wants you is one thing, but once you've started, sending him a text about how you need him, or running your hand down his thigh a little closer to his crotch underneath the table, or giving him that certain look in your eye that can only mean one thing, then he's completely and utterly unraveling at the very second you give him the green light.

choso's sloppy and uncoordinated but it doesn't matter and he doesn't care because all he's after is you, and when he has you, his brain goes numb, his hands, his dick, his everything are acting with a mind of their own.

the two of you are hot gasps and nasty sloppy noises as the purple eyed man above you pleads for you, though you're right there, aching for more until he can't even breathe.

you think choso is so beautiful like this, lips parted and brows curled as though he's going to cry from the euphoria. his brown hair falls over his shoulders and sticks to his forehead, free from the updo that he always wears, and for someone who can manipulate the blood in his body, he is beet red in the face as he watches the way he disappears into you.

choso would never hurt you. not in a million years. he would die before he hurt you, standing in front of oncoming traffic and sacrificing himself for the sake of your life.

therefore, when his crooked fingers are rocketing into your sopping walls as you cream over and over on his three digits, his lips slurping over your clit with your fingers lace into his hair and tugging at his scalp, he doesn't expect you to stop him.

he's only thinking of how you taste so sweet on his tongue, how your gorgeous pussy makes that squelching noise the deeper he thrusts his fingers in and out of you, and god, the way his dick twitches every time you pull at his hair- he can hardly tell if you're trying to yank him away or to pull him closer at this point, but he's not even thinking about that. he's not thinking at all.

he’s groaning and humming into you, whining in between breaths about how he just can’t get enough, but his fingers are beginning to thrust too fast, too far inside of your walls.

his noises shift between guttural, deep growls and shaky, heavy-pitched breaths. though you love every sound, you begin to feel yourself rejecting the feeling as it grows far too swift, too hard, too overpowering.

"c-cho," you whimper, your thighs moving to push you away, but he keeps you down with his free forearm to your lower abdomen. "baby, i c-can't- ah!"

his noises rise over your pleads and he doesn't stop, and you can feel an uncomfortable knot building in your stomach in addition to the ache inside you. you wince, the overlapping sensations proving to be way too much at once.

your hand pushes at his forehead rather harshly. "cho-! ngh- pinaepple!"

choso's brows twitch as he processes what you just said, his mind still not completely comprehending, but after a second or two, he rips himself away as though he's burned you.

panic swirls in his violet eyes, his saliva and your slick shining over his chin up to his nose. he looks up at you over your thighs, but you don't see because you're leaning your head back in relief and breathing heavily.

"did you just say your safeword?" he asks in a rush, ensuring that he has registered your words properly.

you nod stiffly, furrowing your brows. "y-yeah, m'sorry," you breathe. "i couldn't take anymore."

choso's pupils shrink as though you've just told him that all life is ending as you know it. his heart hammers through his chest, and he instantly peels away from your now cold sex to swipe his fingers on the bed, ridding himself of any reminder that he has pushed you too much.

he crawls up to see your face, caging his arms over you. his muscles tense as he looks over your expression, brows knitted and eyes glossy. you eventually open your eyes again, having sensed his presence over you.

"(y/n), i'm sorry," he apologizes so earnestly like it's the very last thing he'll ever say to you. he's suddenly deadly serious, firm, and ashamed of himself. "you've never used our word before. i... i didn't realize what i was doing to you."

"cho," you say his name softly. he tilts his head further down to you, his brows curling in sadness. "it's okay, baby. stuff like this happens."

"what do you mean?" he frowns, hand coming over your cheek the moment yours lifts to hold his. "this has never happened to us before. i'm not sure how i let it, either."

"i just mean in general," you clarify softly. you can feel your eyes growing heavier and your speech slurring. choso notices as well, keeping his hand on your face so that you remain with him, cognizant of his gaze and his touch.

"this has happened to you before?" he asks, slightly horrified and simultaneously agitated by the very idea. "when? with who?"

"baby, i'm trying to tell you mistakes happen," you laugh softly. "no, this hasn't happened to me before, but i'm saying we have a safe word for a reason for when these things do happen."

"oh," he murmurs. "but i never wanted you to actually have to use it..."

"well, how else would we learn about each other if we didn't run into things like this?" you smile warmly at him. choso's face blooms with further heat, humming to himself as he looks at you.

"tell me."

"tell you what?"

"tell me exactly what it was that i did. i'll be sure not to make the same mistake twice. i swear. i'm so sorry for hurting you," he declares, determined.

"it wasn't that bad, love," you assure him.

"i still want to know. i need to know."

"it was just the way you were using your fingers, and i was already super sensitive."

"...so, you don't want me to use my fingers on you anymore?"

"oh, god, no," you say, and you can see choso visibly relax.

"oh... okay, good. i would have stopped if you wanted me to, but i was hoping that wasn't it. i love fingering you."

your tired smile spreads as you lift your other hand to curl into his hair, scratching gently. his lashes flutter, heavy eyes matching your own. "i love when you finger me too, cho. just maybe next time, be gentler... only because you'd already made me cum so much. my body was just tired and i don't think it could keep up anymore."

he nods, taking in every word you say. "i understand. that makes sense, i'm sorry. i should have checked on you and asked."

"it's okay, baby, you don't have to keep apologizing."

"but i just can't stomach that i-"

"it's. okay," you whisper slowly, pulling him down to meet your lips with his in a delicate peck where you can smell yourself on his breath.

he sighs when you pull away, face twisted irritably. "are you sure, baby? you're not just saying that?"

"of course," you say softly. "it was just one little thing. that's all. i'm okay."

choso almost looks reluctant to accept your dismissal of the situation. he somehow feels like he needs to be reprimanded more for it, and you can tell simply by the way he stares at you.

"cho," you giggle. "stop, i told you i'm fine."

"i know. you're too sweet to me, (y/n)," he murmurs. "i wanna make it up to you. can i? is there anything i can do to make you feel better? please tell me."

you swoon internally at just how much cares. "can you just cuddle me please?"

"yes. absolutely, yes."

the brunette moves to kiss your forehead, then helps ease your legs over so that you are settled comfortably over the bed. before he lays down, he is reminded of the dampness beneath you, coating your inner thighs and creeping up to your belly button.

"love, do you have a towel?" he asks you gently as you start to curl over to him. "i need to clean you up, don't i? i made kind of a mess."

"later, cho," you mumble tugging at his bicep. "just want to be close to you right now."

he's torn momentarily. he's always quick to cater to what you ask of him, to just silently yet happily comply with whatever you need, but he knows that the second he gathers you in his arms, sleep is going to take over the both of you as it normally does after sex. the last thing he wants is for you to be laying in a sticky pool of your own arousal. he imagines you waking up uncomfortable, and it doesn't sit well with him.

"hold on a minute," he tells you. you look up curiously as he kisses your cheek and slides his arm slowly from you to stand. your hand slips into his before you release him reluctantly.

"cho?" you call him with big eyes, and the brunette almost gives in right there.

"just one more second. i remember us always doing this, and i don't want to neglect you now."

"...but-"

"one second. i promise, love."

you sigh and accept it. the moment you say okay, choso is practically sprinting to your bathroom and back with a towel. you can't help but smile gently as he hurriedly, yet gently, cleans you dry, holding your legs in his palm and easing them to the side when he's done.

"do you have to pee?" he asks you rather bluntly, gazing up at you as he folds the towel and places it on the ground.

you groan at the thought. "yeah, but i don't feel like it."

"that's okay. i'll take you."

"to pee?" you quirk a brow.

"yes?" he answers as though you questioning the thought is absurd. "i don't want you to go yourself. you're tired."

"yeah, but then that means you'll just be listening to me."

"(y/n), i've seen every part of you. i don't care about watching you pee."

"why would you want to hear or watch me in the first place?" you whine.

"to make sure it doesn't hurt you when you do."

"cho, baby, you did not hurt me that bad. oh my god," you run a hand over your face and shake your head with your laughter.

"i just want to make sure you're alright. i can close my eyes if it helps," he says stubbornly, leaning down to gather you slowly into his arms. your arms go to wrap over his neck as he lifts you up and walks you off.

"it's honestly fine whatever you do, cho, i just think it's a little funny."

"to worry?"

"nooo," you sigh, knocking your head against his shoulder. "nevermind."

choso responds with a peck to your head before sitting you down in the restroom. once the both of you are settled, you're back in bed under the covers. choso holds you with your back to his chest, palming soothingly over your abdomen as you drift off to sleep with the feeling of his chest rising and falling against you.

"(y/n)," cho's voice rumbles into you. you hum contentedly half asleep, his lips brushing the shell of your ear. "thank you for being honest with me. i love you. i love you so much."

"mmm. i love you too, cho. thank you for always listening to me."

toji fushiguro:

toji, mentally and physically, can not get enough of you, especially after long stressful days on the job. when he comes home from work and is greeted by the sight of your pretty face after having had guns pointed at his head, blood spilling on his face, and the weight of exhaustion and sore muscles hanging on his back, seeing you is like seeing the gates of heaven after death.

the assassin is always so quick to fall over you, pressing you to him and smothering you in long, deep, hot kisses as he walks you back or picks you up to carry you to your bedroom, or to the shower, or hell, even to the countertop in the kitchen.

toji fucking loves being inside you. he loves tasting you on his lips, feeling you clench around his fingers, watching you squeeze over his heavy cock as he sinks into you with a guttural groan and a devilish smirk. he loves the way your soft skin feels beneath his calloused hands, he loves licking the salty-sweet sweat from your neck as you toss your head back, he loves the sound of your pussy gushing around him with each slow stroke that inevitably transitions into ruthless pounding.

god, he loves fucking you as much as he loves you, and the moment he's got you in his arms with a week of stress pent up within his chest, he's pouring all if it straight into the way he fucks you, and he gets lost in the euphoria that is you.

you're such a pretty thing beneath him, so small compared to his bulking frame, and he is obsessed with it. one second, he's stroking in leisurely, absorbing every second of the way he slides his girth between your gummy walls, soaking up the way you greedily drag him back in with each thrust. and the next, you're in a mating press and he's grunting into your mouth through a sloppy lip lock, slamming in rhythmically, stilling his cock inside you for a second longer each time so that you can feel just had deep he is, just how deliciously he's stretching you open. hell, he doesn't even know when or how it happens. he just knows that you have him whipped, and his stress melts away with each drag of his seed he pumps into you after the umpteenth round.

"fuckin' hell, doll, keep drainin' my cock just like that. thaaaaat's it, pretty baby- hah, fuck- take me so deep inside this perfect lil' pussy..."

toji has always been well aware of the size difference between the two of you. he's always been a freakishly large man, and that fact of course applies to the generous width of the monster he carries between his legs. he knows you struggle at times when he has to take a good minute or two to help you relax as he eases himself into you while you whine, that his size can be a bit overwhelming, but you've accustomed to him so well that he completely forgets about how much stronger, heavier, and bigger he is- especially so when he is stressed.

he is, however, unfortunately, reminded after he has curled your lower half up from the bed with your legs over his shoulder. your knees are hovering by your ears as he plants himself over you with his feet on the bed, holding onto your hips and pounding himself down into you almost vertically, keeping you flush against his torso.

his day had been particularly long and grueling, and the job he had been on took far longer than expected just for his client to argue with him about some bullshit once he had finished. toji's irritated, and he's fucking you like he is.

normally you don't have much of a problem with that, but this position he's got you in has you widening your eyes and practically screaming. he's too deep, pushing in too hard, and this angle gives you no room to squirm away or for his dick to angle anywhere but straight into your guts. it hurts, and his face is tense with blazing jade irises of fury, fingers digging into your skin bruisingly, and he's on the verge of going impossibly harder.

you choke, scrunching your face and moving to press against him. when he starts to reach for your hand and pin it down, you shout.

"orange!" you cry. "stop, toji, orange!"

he instantly stills, face falling as he stares down at you in shock. "oh shit, baby, for real?"

you nod quickly with a tight face and he's retracting within seconds, pulling out carefully and bringing your legs back down to the mattress.

"fuck, alright," he says, climbing over you and pulling you down gently. "sorry, baby, was it the angle?"

you don't say much, only nod again as you fight the tears that prick the corners of your eyes. you keep your eyes closed and toji wraps you up, laying back on his side and pulling you into his chest. he feels your legs twitching against his and your shoulders shaking as he holds you, and remorse floods his chest. "talk to me."

"w-was too deep, toji," you shudder, whispering shakily into him. "s'big, and that angle- it hurt."

toji's heart clenches as he holds you tighter around your shoulders. he kisses your forehead, pressing his lips to your hair. "i didn't realize, baby, i'm sorry."

"i told you it was too much..."

"i know, doll, but i didn't think you meant it. you usually don't."

"s'why i said... the word."

"yeah, you did. you did exactly what you were supposed to. good girl, doll," he praises, rubbing over your back slowly. he's never seen you look so pained in such an intimate space with you. the way your brows were pinched angrily when he looked up, the way your teeth bared in a soft grimace, the way you pushed against him and wanted him to get off, it breaks his heart. he feels like a complete piece of shit, especially so because he didn't notice until your safeword came flying out of your mouth.

"i'm sorry," he apologizes again. "i should've been payin' attention. i had a bad day... fuck, sorry."

you can tell he's remorseful, and that combined with the fact that you've been fucked stupid for the past hour and a half has you shaking your head against him forgivingly, head dizzy as you finally take a moment to collect yourself. "it's okay," you mumble into his neck lightly.

"it's not, doll. it ain't even fun or sex anymore if i'm hurtin' you," he frowns. you make a soft noise but don't respond to him verbally. toji looks down at you, gently lifting your head to catch the fuzzy look in your eye. "you hearin' me? you okay?"

you nod dumbly, a hint of unease pinching your brows when your legs twitch again and the ache in your core throbs. you burrow your face in toji's neck and he sighs.

"i gotta get you cleaned up, doll. then i'll make up for it."

"wait," you mumble the moment you feel him pulling away. he stops as you cling to him, peering up at him through sleepy lashes. "don't go."

"i'm just gettin' you a towel. i'll be right back."

you look at him sadly once he has completely torn away from you and stood at the edge of the bed. he watches the way you bring your knees to your chest and look up at him with sleepy, desperate eyes. toji exhales, tilting his head.

"you want me to take you with me?"

"yes..."

he allows himself to smile lightly in amusement. "alright, but you're not walkin' anywhere, you understand?"

he leans down and you reach up to wrap your arms around his neck. he hoists you up cautiously by your bum, allowing you to wrap your legs around his torso. you cringe slightly at the action, your legs burning after having endured such exertion, and toji can feel you shift against him as he holds you with one arm by your waist.

"that's not comfortable, is it?" he turns to your face, but it has already disappeared into his neck. you don't respond and toji exhales at the stubborn clinginess that you resort to in this fucked out state at the cost of your comfort.

he aids you by holding one of your thighs gently as he walks to your bathroom to retrieve the things he needs. with one hand holding you and the other gripping some cloths, he carries you back into your room and sets you softly onto your back on the cushions.

he gently unwinds your legs from around him and kneels on the bed beside you. he ducks down to kiss you softly, and you hum in satisfaction against him before he pulls away, stroking your forehead.

"close your eyes, doll. let me take care of ya."

a warm rag runs over your body, wiping over dark hickeys and lines of sweat. his lips follow in the cloth's wake, kissing over any part of you that he deems he has treated too roughly in his haste to relieve himself of stress.

he reaches your thighs, where the most pain resides, and presses his lips to them softly. his fingers run over your calves, up the sides of your plush flesh and he proceeds to pepper kisses between your legs, swiping the cloth over your damp entrance tentatively, keeping his eyes on your face to ensure that he isn't further harming you. you do jerk slightly, but that is the extent of your physical reaction.

"i got you, don't worry."

the second you feel the cloth leave you, toji's hands are pulling you up again, moving you around so that he can lay flat on his back beside you. you open your eyes, watching him curiously.

"come lay on me, baby," he guides you by your arm.

you do as he says, easing yourself chest-first onto of him and allowing your body to sink into his heat. his hands come over you and his palms work into the knots in your lower back, over your bum, and in your shoulder blades. he kneads into the balls of tightness, rolling over and rubbing them through lazily.

your eyes flutter at the relieving sensation, the green-eyed man's rough hands smoothing to rid your body of excess tension. "there you go," he kisses your shoulder. "i'll make you feel better, i promise. no more pain for my girl."

"love you, toj," you whisper sleepily into his skin.

"love you too. i'm sorry for hurtin' you. i'll be more careful."

ryomen sukuna: you know sukuna to be rough in all aspects of his life, and that certainly does not change when it comes to the two of you having sex- in fact, that very trait of his is enhanced. the moment he slips inside of you, he's pushing your head face first into the pillows, gripping your waist or your thighs or your throat with his large palms as to prevent you from running away, spitting into your mouth, fisting your hair, leaving red bite marks in his wake, anything he possibly can to remind you that you are his to devour whole.

you've always enjoyed the way he tosses you around or fucks you over the velvet pad of his throne, or holds you almost violently by the thighs in the air and spears you down on his ungodly thick cock while sitting at the edge of your bed with his feet planted into the floor. he knows he's not gentle with you, but aggression is the only way he knows to take you by, to show you how much you drive him fucking crazy, to bask in your enchanting screeches and your doll-like, hazy expressions.

and like the good girl he knows you to be, you take him every single time, and it spurs him on. it encourages him to plow harder, to grip tighter, to render you completely immobile beneath him as he ruts himself into you like it's the end of the fucking world and the only way for him to survive is to fuck you like a worthless whore, though you're nothing close to one.

while he always leaves you in a pool of your mixed fluids on the verge of losing consciousness, shaking like a leaf kissed by the breeze, you've never expressed an inability or refusal to handle him. you take him so well for a human, and sukuna's captivated by your strength, your insatiable desire when he's bullying his dick into your swollen cunt. while you get overstimulated, or hell even beg him to go slower or softer, he knows you don't really want him to stop because you haven't uttered the one word that he told you to reserve only for the times you feel you are beyond discomfort.

that is, until a few seconds ago, when the muffled word rips from your hoarse throat through the ball of your panties he's stuffed into your mouth.

sukuna's on top of you, pressing his heavy weight over your back with his arms wrapped under your frame and his thighs crushing in on your on. you're on your stomach, tears dribbling from your eyes and down your face as sukuna finally stills inside you after having thrusted painfully into your cervix over and over. he's so deep inside you, and he wants you to feel. he wanted to see how much further he could break you in, but clearly, he had mistakenly forgotten that you are still fragile.

the king of curses' eyes go wide, and he rips an arm from under you to tear the gag from your mouth. you heave out a sob, face falling into the pillows as you murmur your safeword again, a string of practically unintelligible spent moans that only sukuna can understand because he's never heard you utter that word before.

"red, red, red," you snivel, and sukuna's face relaxes.

"i heard you," he murmurs gruffly. "give me a moment."

you whine as your entire body collapses with the withdrawal of sukuna's arms from your body. he sighs heavily, looking over your marked skin as he smoothes a hand up your spine. you flinch with a whimper, and he clicks his teeth.

"this is what happens when you grow cocky."

"h-hurts, kuna. too hard," he thinks he hears you simper.

"never heard you say that before," he murmurs. "know your limits, woman."

he slowly eases himself out of your warmth with a clenched jaw and angled brows, watching your arousal gush onto the sheets the moment he's pulled back. you jump and curl further up into the pillow.

"oh my, how far have i taken you this time?" he hums, watching as you squirm under even the slightest touch he gives.

"ryooo," you whine.

"alright, alright," he comes back down over your limp body, curling his fingers over your forehead to pull your face up and gently brush your sweaty hair away. your eyes are closed as he turns inward to look over you, caressing your damp cheek softly. you're so warm, so shaky beneath him. your brows are pinched together in pain and exhaustion, and your lips are wobbling. hell, he's never seen you look so weak before.

"hey," he coaxes gently, voice rumbling tenderly against your back through his toned abdominals. you're releasing a series of trembles, broken hums, likely unsure of where you even are, and sukuna curses internally. he softens. "what do you need, peach?" he asks you in a low whisper.

your response is near incomprehensible, but sukuna is already thinking and moving before you even open your mouth. he exhales heavily and presses himself back up so that he can stand and gather you in his arms. you whimper when he goes to delicately flip you over.

"relax," he orders softly, smearing the wetness away from your cheek and smoothing his hands over your heated skin. you obey him to the best of your ability as he pulls you up.

as though it is muscle memory, you lean into his bare chest once he is holding you bridal style. you continue to tremble, and sukuna's crimson eyes roam your body carefully. he's truly done a number on you this time.

normally when it came to baths, sukuna would have one of his servants or uraume run them for you, but instead, he feels the need to take the duty on himself as he carries you into your large connected restroom. he sets you down within the inhumanly large royal tub slowly, and the moment he pulls from you, you reach for him lazily in retort as your head rolls back against the rim.

"be patient, i am not going anywhere."

he reaches to turn on the faucet as hot water streams around your feet. he's hasty with his movements, focused, knowing that you do not desire to be cold in this moment. he stands to retrieve the oils and soaps he's purchased solely for your pleasure and sits back down beside the tub.

"open your eyes," he reaches in to cradle your chin. you scrunch your lids and tilt your head to him, peeling your blurry eyes on his command. "lavender or peppermint. pick one."

your eyes weakly drift to the array of bottoms lined on the ledge. "lavender," you request tiredly.

your voice is so small, so light, a heady contrast to the way you normally challenge him with your playful tone. sukuna looks at you momentarily, soaking in your sweet mellow state, before retrieving the said bottle and pouring it into the rising steamy water.

he keeps a hand on your shoulder, rubbing over a bite mark with his thumb, as bubbles, soothing fragrances, and petals fall into the tub one by one. the hot water crowds over your bare skin, alleviating the dull ache between your legs and the stings of the marks on your skin.

sukuna holds an intense look of focus, swishing his arm around the water to ensure that all the properties he has included mix together well. you watch him, dazed, cheek propped against the porcelain with heavy (e/c) eyes studying his attentiveness. he feels your eyes on him, but only raises a brow at you once the bath is finished.

you truly aren't all there.

sukuna rises to his feet, slipping his arms behind you and under your own to hold you up as he steps inside with you.

you let him manuever you, your body too exhausted to dare to try to move. he pulls you flush against his chest, his thighs crowding over your own. you sigh out, leaning your head back against his shoulder as he brings a cloth over you, washing away remnants of spit and cum, massaging into the aches of your body wordlessly.

his chin comes down over your shoulder while his hands wind over your waist to stroke your legs. his fingers dance gently over your inner thighs, up your abdomen, ghosting over your neck. he's everywhere, and for the first time, in a supple, tender way, as though he is polishing glass that he does not wish to break.

you're humming, breathing steadily, chest rising deeply and slowly. sukuna's hands curve to smooth over your tits, and you flinch, leading him to smirk lightly. "sensitive, are we?" you pout, brows curling, and he turns his lips to your neck. "calm down, brat, i'm not going to push you. keep still."

his palms work over the sore plush of your breasts and you melt, arching into him as he massages over you with such care. a weak moan threatens to escape you and sukuna shakes his head. "do not. that is what led you here in the first place."

his hands release your tits and follow the curve of your body downward once more. he continues his massaging and caressing of your body until you're no longer twitching.

his hands fall over your hips, smoothing over your stomach. he lifts up slightly to look down at you. "are you still in pain?"

you take a moment to respond, but eventually, your eyes open again and they meet sukuna's lax gaze. despite the permanent angle of his brows, he appears calm before you, mutely compassionate.

you lean against him, holding his gaze, and shake your head slightly, a bit of your senses slowly returning. "only a little between my legs," you murmur.

he hums. "and how would you expect me to tend to this pain?"

you don't say anything, but the soft glint in your eye speaks for you as sukuna's hand slowly trails down your stomach and past your clit lightly. you inhale sharply, still thoroughly sensitive.

sukuna's eyes look over the whole of your face. "do you wish me to massage your sore cunt from the inside? is that what you so desire?"

you moan out a gentle sigh, heavy lids falling over your eyes in a blink as you nod helplessly against him. "slowly..." you murmur.

"you are insatiable," he mumbles lowly. his fingers ghost over the lips of your pussy, circling them gently before sinking past and sliding into your warm walls.

your mouth parts and your head knocks back as sukuna watches you closely. the water swishes around your legs as you move, sukuna's lips crushing slowly over your mouth.

"i suppose i can assist as a reward for you speaking up."

[the-shadiest-tomato]

Now seems like a good time to do this

First of all, William Finn, that legend is missed

But I wanted to introduce y'all to my

Falsettos binder

An entirely hand written book of all the (dialogue? Lyrics?) of the entire musical.

Based on the revival 'cause that one's my favorite.

We got: in depth analysis of every bit of significance in nearly every line. Dumb thoughts of mine. And memes.

[I'm not exaggerating when I said I went through eight packs of sticky notes]

The point

A probably incorrect timeline based on a few dates and hella real world assumptions

Pencil/colored pencil drawings featuring every character's musical assigned colors and me-assigned chess pieces

Depressing watercolor paintings

A cobbled together study on the chess pieces used in "the chess game" cause they look so strange and are never used again

An extensive study on the cube which I used to build the whole thing functionally in the real world

What I call ✨ notes on a scene✨

Which is commentary and observations of every bootleg production I've seen.

There's also an In Trouser analysis in here somewhere, but alas, I have reached the image limit.

Perhaps you can tell I'm just slightly feral for this musical and had a bit too much free time a couple months back.

[cy-cyborg]

Tips for drawing and writing amputees: The prosthetic needs something to hold onto

Prosthetics need to be able to hold on to the body.

If you're giving your amputee something similar to 99.99% of modern prosthetics, this will be done through a socket. This is a ridged cup made perfectly for the amputee that holds the prosthetic onto the body. Older prosthetics (mostly anything before the 90's) made the prosthetic socket intentionally tight in spots, which is what held it in place. Some people with sensitive skin still use this style of prosthetic but they've mainly fallen out of use in favour for suction sockets. These sockets create a vacuum seal that holds the prosthetic in place. These can work in two ways, either just by forcing excess air out of the socket and creating the seal that way, or for some legs, sucking that excess air out and into an "ankle" mechanism to offer some extra suspension and padding in the step.

Some prosthetics will also use additional measures as well as suction, such as pin-locks, where the amputee wears a sock with a screw at the bottom that clips into a mechanism at the bottom of the socket, or a prosthetic with movable panels that can be tightened via cables running through the socket.

I've used all of these except the pin lock socket, and they all have one thing in common: The sockets need as much space as possible. For prosthetics using suction in particular, this is to spread out the amount of force being applied to the leg. If all the suction is being applied to the end of the stump, it's going to get sore and could even damage the skin. If that same amount of suction is applied to a much wider area, it's going to feel less intense. Likewise, older prosthetics needed as much space to work with as possible too, as applying tight pressure to a small area as opposed to a larger surface to keep the tension isn't good for your skin or muscles in that spot.

For this reason, the sockets will take up all of the space available without limiting movement, meaning they will go all the way up to the next major joint. An amputee who lost their hand through the wrist will have a socket that goes all the way to their elbow. An amputee who lost their leg through or above the knee will have a socket that goes all the way to their hip.

Sometimes, if an amputation is particularly close to a major joint and there isn't a lot of space left between the stump and the next major joint, prosthetists will opt to immobilise the closest joint and take the socket all the way up to the next major joint. This was something I've actually discussed with my prosthetist. My left leg is amputated below the knee, but I only have a few centimetres of space below the knee. That leg occasionally needs revisions, meaning they take the very tip off of the stump to help correct issues with weird bone growth, scarring, infections etc, but if I get another revision, my leg will be too short to comfortably wear a socket, so my knee will need to be immobilised and my leg will become, functionally, an above knee amputation, despite still having the joint. This is rare, but it happens on occasion, showing that sometimes that need for space trumps even the use of a still functional joint. It's really important.

I wanted to bring this up because I see a lot of people draw sockets on their amputee's prosthetics, but they're much too tiny to be comfortable!

I did mention most prosthetics use a socket, but not all do. Some old prosthetics did not have sockets and were held in place using other methods.

This is a "prosthetic" my prosthetist found in his company's back room. He's not sure when it was made, but together we came up with an estimate of it being made around the 70's for a through-hip amputee (meaning someone who's whole leg was amputated with no stump at all)

It's designed so that the user would rest their hip on the cushion and use the handle to hold it in place and move it in time with their walk. This kind of mobility aid isn't often used anymore (me nor my prosthetist have seen one out in the world), and seems to have faded in use during the 80's as sockets were invented that could better hold onto the hip and pelvis for through-hip amputees and the use of wheelchairs for amputees became less stigmatised.

There's also A new type of prosthetic has been developed called the Osseointegration prosthetic, which also doesn't use a socket either. These are very rare as they are incredibly expensive and still very risky, but these prosthetics bypass the socket and implant the prosthetic directly into the body through a rod planted inside one's stump bone. This rod has a clip at the end of the stump, so the external part of the prosthetic can be removed as needed (and replaced). The reason they are risky though is that they are EXTREMELY prone to infection. I only know one person who had this implanted successfully, but he has to be very careful to keep his leg clean or else it will get infected (and it frequently does, he's constantly on antibiotics). Everyone else I know who got it had to get it removed.

With time these implants will get safer, but we are a very, very long way off from that right now.

[mistfallengw2]

How do charr hands function? Here's my headcanon (with drawings!)

So I made this poll earlier today and I ended up making some sketches to explain how I headcanon charr hands and their supposedly retractable yet too big claws. The idea is that both the game and the books are partially right: claws can be big (not as big as the models), and they're semi-retractable (so fully-fluffy paws). [Disclaimer: I am bad at anatomical drawings and did not try to make them super accurate :')]

Basically charr fingers are made of three phalanges, but functionally they're just two, with the 2nd and 3rd being much shorter and sort of "merging" with the claw itself, which is mostly supported by the 3rd and starts very close to the knuckle between them. The palm is covered almost entirely by a skin pad/paw pad, which usually extends to the first phalanx of each finger, and the fingertips are covered by pads as well.

The claws are semi-retractile, though the exact range of motion depends on the individual's genetics (claw size and shape + hand anatomy) and preferences (how much they trim the claw). The ability to retract their claws is managed by specialized extra tendons and muscles in the hand's structure, and they can lock the claw in place or move it, even while the fingers are bent, though with some limitation at the extremes of movement. While the claw at rest will stay at a "safe" angle, the claw's bed can shift on the cartilage structure when pulled, sliding back into a "sheathed" position or be pushed outwards. [note: I was too scared to go too far with the "x-ray" sketches and probably the claws could go a bit further back in the finger lol]

Ancestrally, this system kept the claws from always digging into the ground and losing sharpness when running on all fours, while still allowing for extra grip when necessary (similar to cheetahs) and the use when fighting or taking down prey. During the evolutionary transition in which charr started walking upright most of the time and using tools, it lost some of its ancestral necessity and functionality. However, instead of turning into something vestigial, charr evolved the ability of controlling each claw's movement independently from the rest of the finger, allowing for greater precision, fine motor skills and dexterity.

The pad grants grip and softer manipulation of items, while the claw handles movements finer and more precise than the pad allows, and other races find it complex, fascinating or a bit freaky. Some say that charr are as dexterous than humans, if not more, which is quite an accomplishment for creatures with such big hands.

That said, variety is huge among charr. Some have stubby paws with big, wide claws, while others have long, slender fingers with narrow claws.

Claws are still used as a natural weapon by many soldiers, but it's totally not uncommon for charr to file their claws down or keep them blunt, as there's a huge variety of reasons for not wanting sharp knives on one's fingers (job requirements, handling of delicate materials, safer interactions with cubs or creatures with softer skin, personal preference, etc), and some even keep their claws at different lengths for specific uses.

That said, claws can't be trimmed beyond the quick without bleeding or potential damage, and since it extends out of the sheath it's not possible for a charr to fully sheath their claws. Claws grow quite fast to make up for the daily wear and tear, so upkeep must be done regularly, as trimming too much might temporarily impact coordination. Declawing can happen during combat or following injury, and those affected might wear prosthetics/fake claws to make up for it.

[lillified]

Do you have any tips or guides on how to draw transformers (ur art is so good btw)

thank you so much!!

honestly I don’t put together a lot of tutorials or pointers or things like that because all things considered I genuinely don’t think I am /that/ good at drawing robots/mecha/etcetera (I’d love to be better!) but I can give you a few things I try to keep in mind:

unfortunately, one of the most valuable skills you can have is at least a rudimentary knowledge of robotics and the inner workings of machines. after an understanding of human anatomy, being able to recall and eventually even freehand mechanisms like joints and believable machine guts will take you a long way, both in the planning and execution of robot art!

if that sounds scary, a great place to start is just getting your hands on a model—transformer, gundam, whatever works! (honestly I tend to prefer model kits and other non-transformers because, while the functional transforming elements can be informative, most model kit figures are attempting to look more “believable” or “screen accurate.” besides, assembling them yourself means you know exactly what’s in there!). pay special attention to how the parts move and how the mobility is limited by the mechanisms. You can bend the rules, but it helps the verisimilitude if your figures are bending in a plausibly mechanical way.

You can stick very rigidly (literally) to rudimentary machine anatomy (I believe people call g1 style transformers “stacking boxes”) but what I like to do, counterintuitively, is find ways to work around the limits of machining to make my bots feel more organic. Instead of a straightforward hinge joint, I’ll try to replicate the interlocking shape of an elbow, and include physical adductor muscles and other more organic-looking elements (here’s an example of some robot guts from a scrapped comic:)

my point being: don’t forget to get creative with it! find some references of artistic renditions of machine innards and use your understanding of their function to inform your drawing. your robots will stand out if you’re constructing them with an idea of how they work in mind!

I know this was more conceptual than direct, but I hope this helps regardless!!

[mediumgayitalian]

“Halt!”

Across the common, three suspicious figures freeze, glance behind them, and then resume walking as casually as they can.

“I said halt! Do not move! Cease all function!”

Milling nervously towards each other, Dumb, Dumber, and Dumbest pause, shifting the three massive cardboard boxes they hold each.

“Hi, Annabeth,�� Will says, smiling innocently. Cecil and Lou Ellen match him, eyes wide, expressions angelic.

Annabeth stomps over to them, arms crossed tightly over her chest. She is entirely unmoved by the cherubic display in front of her. Nico stays right where he is, hidden by the shade of Cabin Eight.

“Explain yourselves,” Annabeth orders.

The three stooges exchange a look.

“Whatever do you mean,” Lou Ellen asks, shifting the boxes to free up her hand only to place it delicately over her chest. “Why, we are only helping our dear friend William —”

“Our dear, dear friend,” Cecil adds.

“— carry these many boxes of medical supplies, so as to lower his great burden —”

“Massive burden,” Will says sagely.

“— and free up his evening in order for him to spend his limited time with us, his most cherished friends.”

“Especially cherished,” Will and Cecil chorus together.

Unable to bite back a smile, Nico rolls his eyes so hard his skull hurts. They’re not even trying to not get caught, at this point.

Clearly agreeing, Annabeth scoffs. “Yeah, right. Boxes down, all three of you. You’re being detained for suspected illicit substances.”

“Annabeth!” Will cries, mock outraged, “after all I do for this camp, you would accuse me of being — illicit?! Me?! The outrage! The insult! The impugn, the —”

“Can it, Solace. Open the boxes.”

Huffing in perfect unison, the three of them carefully lower their boxes to the ground.

“Tape off.”

Intentionally slowly, they run a nail along the edge of the packing tape.

“Flaps open, guys, c’mon.”

With flourish, the trio fling open the thin cardboard panels. Inside each box is rows of bandages, packaged syringes, sterile bands, tongue compresses, and more that Nico can’t name.

“See?” says Cecil, gesturing grandly. “The shipment just came in from my dad.”

Annabeth’s eyes narrow. “Your dad is in a conference with the rest of the Olympians right now, Markowitz.”

“Well,” Cecil says, and then nothing else.

“He meant it in the royal sense,” Lou Ellen pipes up in his silence. Cecil nods frantically. “You know, ‘just’ as in, like, recently, as in this morning —”

“Do you three think I’m stupid —”

“It’s just medical supplies! You can look through them if you want —”

Even if they weren’t acting like criminals, Nico knows his friends. He knows his boyfriend, especially, and recognises that damn look on his face. He can also physically see Annabeth’s stress ulcer coming back.

Closing his eyes, Nico fades into Cabin Six’s shadow. It’s a quick jump, so the stretch is easy, and the darkness bows easily to his hold. He reappears silently behind the group, taking advantage of the setting sun, and darts out to grip Lou Ellen’s arm.

“Boo,” he whispers.

She shrieks at the top of her lungs, jumping three clean feet in the air. Coincidently, the boxes of medical supplies flicker, turning into a truly baffling amount of instant mashed potato boxes as her grip on the Mist loosens.

“I knew it!” Annabeth shouts.

On cue, all three doofuses turn to Nico, jeering and complaining about ‘ruining the fun’. Nico’s glare is ineffective on Doofus #1, but the other two can be cowed. He focuses on channelling the flames of hell to reflect in his eyes like his father showed him until they look away, muttering at the ground.

“We still don’t have any illicit substances,” Will insists, glaring right back. Nico sticks out his tongue. He crosses his eyes like a four year old. How immature, honestly. “So we’re just gonna take our stuff and —”

“Absolutely not, Golden Boy. Put that hand away.”

Wisely, Will draws slowly back from the boxes, tucking his hands in his pocket.

Annabeth stares, hard, at the three of them, flicking her dark eyes from the potatoes and back. The tips of her worn-out converse tap slowly on the packed grass, tip-tap-tip-tap, as they all squirm.

Understanding suddenly dawns on her.

“It’s supposed to rain tomorrow, for the strawberry plants.”

They squirm harder.

“Oh, you godsdamn bitches.”

“It would’ve been really funny,” Cecil mumbles, staring at the ground. “Rain making the ground turn into a sea of mashed potatoes. Like Cloudy With A Chance Of Meatballs.”

“The only meatballs around here are the ones clogging up your skull!” Annabeth shouts, which doesn’t quite make sense but sounds clever coming from her anyway. “Who was gonna clean that up, huh? Magic?”

“I mean, probably,” Lou Ellen says, promptly shutting up at Annabeth’s glare.

“And you, Will! I cannot believe! Where is that responsibility you’re known for, huh?”

Will pouts. “I can be responsible and do fun things.”

“Fun, he says. I’m going to fucking kill you. The one day I’m left in charge, I cannot believe —”

“If it helps, it’s less about you and more about April Fools being tomorrow,” Cecil interjects tentatively. “Like, we were going to do this whether or not Chiron left.”

Annabeth glares darkly. “Of fucking course you were. It’s always you three, I swear to the gods. I should have known.”

“It’s honestly kind of embarrassing for you guys, stopped before you’re even started,” Nico adds. He smiles smugly at them, relishing in their rolled eyes and mocking hands. “Like, everyone expected this. You did this to yourselves, honestly.”

“Boo, you jag,” Lou Ellen protests. The other two knuckleheads joint in the booing, Will taking it an extra stop forward and blowing a raspberry, both thumbs pointing down. Nico responds with a bright grin and two middle fingers.

“Enough,” Annabeth says, rubbing her temples. “Extra chores, all three of you. Go help the cleaning harpies until sundown. And not another peep of complaint or I’ll have you on chores tomorrow, too.”

Without another glance at them, she turns around and walks away, muttering at least you caught it early at least you caught it early at least you caught it early over and over to herself.

“Pretty sure you guys have physical labour to do,” Nico says brightly when she disappears into the Big House. “I’d get started on that, if I were you.”

“Butthead,” Cecil mutters.

“Kiss-ass,” Lou Ellen agrees, making a face.

“Traitor,” Will whispers, pressing a kiss to his cheek as he walks past.

Nico watches them go, standing guard over the boxes in case they try to come back for them.

He can’t help but think that they all look a little too jovial for having their plans ruined before they even started.

[cripplecharacters]

This might be a bit of a weird question as I know this isn't a drawing blog, but do you happen to have any pointers for finding good reference photos for drawing cane users? I'm having trouble finding interesting/dynamic poses, and the vast majority of pose generator sites I've found don't even show people with mobility aids. Stock photo sites and google are also limited in their usefulness, mostly giving me very stiff poses. If you have any tips that would be great.

hello dearest asker!

I tried to be an artists once upon a time so let me direct you to some things that might help! Here is an excellent post written up by @deoidesign shows how motion and functionality with a cane works. Here is a post by @sparrowsocks on the cane design itself and the practicality of it. Here is another "How To" guide that is a bit more simple but covers how the hand changes with different handles.

Here is a reference of hands gripping cylindrical objects that I think might be a little helpful. Grabbing a cane or just moving it are all things that go into it too.

If you're going for more a historical setting, Here is a library of sources of historical walking sticks and canes. That source is more novelty canes and not for practicality for a mobility aid, but Here is another source for History and it has more practical canes.

Also things like old photo rolls when film was just becoming what we know today could be something helpful too.

[Image Description: A black and white picture roll of two sets with twelve frames in each. The first roll is a side angle of a man holding a can and walking then taking a right turn and walking back. The second roll is a backside angle of the man walking with the cane and then taking a right turn and walking back.]

We can see for example in the first two frames how the opposite leg moves with the cane.

And of course we have more photos from the Victorian era of men with canes. Granted canes were used largely for fashion but a lot of people did use them for balance and such too. Also they're good references for poses while holding a cane.

Another thing I can recommend is just watching videos of someone using a cane. Look up disabled YouTubers or people who do physical therapy videos and they show largely how movement with a cane should look and more.

If you're looking for dynamic poses I would recommend looking up cosplayers or models who are disabled and use canes. But also looking up disabled actors that use canes or similar mobility aids and go through their filmography is another good way to see references. A lot of disabled people who are artists also post their own photos and videos for art references specifically too.

One last thing is how the character holds their body and what type of cane they need is gonna depend on how they are disabled. Working that out and doing more research is gonna change some things. But also even though there is a proper way to use a cane, some people use canes in different ways to suit their needs and comfort. The biggest example in media is House from House MD and while Hugh Laurie isn't disabled, he does a pretty accurate portrayal of someone using a cane in an alternative way. I personally (when I was getting fitted for one) would use my cane very much as House does, and other people have said much the same.

Hopefully this helps in some way and your fellow artists may be able to throw more help in the notes. Happy drawing!

~Mod Virus 🌸

[whiplimbed]

Service top! Fletcher. ?

pull up a chair my friend.

(disclaimer that i'm ofc talking about my own specific interpretations here mainly as they pertain to my own fics, so ymmv)

so here's my thing: the fletcher in my brain is kinda already a service top and that informs so much of what i write for him. obviously in my fics it's skewed by andrew's perspective (for now...) but i really do see the things he does in sexual situations being done in service to andrew and based on what he needs/wants in that particular moment, and fletcher being so attuned to his psychological inner workings that he can provide it without needing to be asked.

i think he sees caring for andrew (with the word caring being used very loosely lmao) as part of his duty as his mentor, his cosmic punishment as his abuser, and his dual honor/burden as his creator. i mentioned it a bit in my fletcher bottom reply, but i do think there's a certain worshipfulness to the way he treats andrew because he really is a god among men and no one knows that better than fletcher. he fashioned a god out of clay with his bare hands and now he's having to resculpt it every six seconds so it doesn't completely fall apart.

the great thing about this dynamic is that, because he's the one who made andrew, andrew requires the exact brand of care and service he's able to provide. fletcher can't be nice, but andrew wouldn't want it even if he could. andrew needs cruelty, he needs a firm hand, he needs to be put in his place and slapped and degraded and humiliated to function at this point. he's hardwired for adrenaline and it's fletcher's job to give him a constant supply, which he of course does gladly– but i do think he does it because andrew needs it moreso than because he himself wants it (which he would of course never admit but the point still stands).

on the other hand, i do think fletcher enjoys doing things for him on a more basic, traditional level too. i think he likes the notion of being a carer (looking at you, child he has in the script that is inexplicably absent from his life and sweet interaction with the random little girl before the concert) and there is something paradoxically nurturing about him, even if it is in a uh... nontraditional way. and the beautiful thing about taking care of andrew as opposed to, say, a child or an animal or whatever, is that it doesn't really matter if he fucks up because andrew's already a splintered wreck of a human being. he doesn't need to offer constant reassurance or nurturing or vulnerability, he's allowed to be closed off and cruel and kick him when he gets frustrated and andrew will thank him for it!!!

ANYWAY, YOU'RE HERE FOR SEX, I KNOW. but all of that informs how i write sex for him and i needed to talk about it lmao.

so sexually speaking, i think fletcher already draws a lot of his own personal pleasure from what he gives to andrew and how andrew reacts to it. even when he slaps him and chokes him and calls him slurs, the pleasure he's getting out of it isn't in dominating andrew so much as it is the fact that andrew likes it. i think he finds andrew (and the nigh-nonexistent limits of what he's capable of not only taking but actively enjoying) fascinating and hot and horrifying all at once. i really truly believe he looks at andrew every single day of his life and wonders how a person like him could even exist. andrew is the sum of everything he spent his entire life trying to create, what he was beginning to doubt was even possible to create, and he wants to hold him and all of his miraculousness as close as possible for as long as possible. he wants to fucking destroy him, sure, but then he also wants to be there to put the pieces back together again. he is but the humble and loyal advisor to the mad boy-king he has created, and if said boy-king needs to get pummeled into a fine pulp and fucked so hard he can't sit on the kit without remembering what they did for weeks, then, well. who is he to deny him that y'know 😊🫶

and i think he would also be very much happy to take a more passive top role if andrew was in the mood to be more of a power bottom type. in fact i think he would secretly enjoy that just as much in its own way but never ever admit to it ever. i think there's a certain amount of pride he feels when andrew out-monsters him in any context, but to be the subject of his cruelty WHILE getting ridden so hard it might send him into an early grave??? stunning showstopping awe-inspiring

(and also i can see a world in which they're both in good moods and inebriated beyond shame and just fuck like normal human beings with no goal or game beyond feeling good. a rare glimpse into what normalcy could look like for them that they are only capable of accessing under precise perfect circumstances. but man... fletcher going slow and just seeing what kind of noises he can get out of him... sigh... you know a relationship is fucked when that feels paragraph feels kinkier than anything i have written before it lmao. AND FOR THEM IT IS! it really is. that's the shit that would give them horrible morning after shame where they can't look each other in the eyes for a couple hours. and then fletcher will call him a faggot and smack him upside the head and all will be normal again ofc <3)

[wyfy-meltdown]

I FINALLY DID IT!!! SHE IS DONE!!! Meet my first Madoka Magica OC: Komoe Mimura!!!

Below the cut is more info about her ♡✧⁠*⁠。

Bio / Base Information

Name: Komoe Mimura

Wish: "I wish I could grant wishes!"

Age: 16

Height: 5'2

Weapon: Magic Wand

Power: Grant Wishes*

Soul Gem: Purple, Rabbit Head Shaped

Witch Name: Velveteen

*Her ability to grant wishes is limited to things that can be created or destroyed.

Ex: she can grant the wish "I wish I had lots of money" but she cannot grant the wish "I wish I was rich" (one implies gaining something while the other implies altering the current reality).

Ex2: she can grant the wish "I wish [Name] would break up with his girlfriend" and/or "I wish [Name]'s girlfriend died" but she cannot grant the wish "I wish [Name] broke up with his girlfriend" and/or "I wish [Name]'s girlfriend didn't exist". (1&2 implies events that can occur in the future, 3 is past tense [meaning it would have already had to happen, thus altering the reality], and 4 would alter reality).

Personality

Design Breakdown

She has a very optimistic outlook and determined personality. She tries her best to get to know everyone, and her soft voice contradicts her upbeat personality. She absolutely loves magical girls to a stalkerish extent: she's willingly gone into witches labyrinths with hopes of meeting magical girls, and has a diary where she keeps all her information on the "magical girl secret world". She's very girly, and loves feminine things: dresses, long hair, and cuteness are all things she adores. Her favorite pastimes are watching tv, sketching, and hanging out with friends. Often times she can come off as pushy or intimidating (especially to girls she scouts to be magical girls) but she genuinely means no harm, and doesn't ever realise she's acting poorly. She takes great pride in being a magical girl, and her current goal is to thank the magical girl that saved her.

Trivia

I'm not sure if I fully like the design (mainly the waistcoat thing, and I should've given her gloves) but I'm happy I managed to actually draw her. This was a very self-indulgent design (not a sona though) and so I included ungodly amounts of ruffles and pastel pink!

Underneath her skirt is layers and layers of ruffles to the point her legs are not visible, and she has a double sleeve situation (also with ruffles underneath). The teacup & saucer hat is... rough, but I loved the concept and wanted to include it! Her rabbit ears are attached to a headband which has a ribbon on it. Her soul gem is located on her monocle chain; the alternate locations were the rabbit ear headband, one of the hairtie ribbons, and an anklet. I went with heterochromia because I could not decide whether I liked the pink or purple more (I also debated on mint, but I wanted to keep the colour palette analogous), I also struggled with very light purple vs very light pink for the hair; and went with very light pink (but I'm not sure how I feel about it). Those hair flicks near the top of her head aren't real rabbit ears, but are meant to resemble floppy rabbit ears. I wanted her overall design to invoke the feeling of "magical girl" strongly, and I hope I succeeded in that!

Her magic wand shots a magic beam(?) thing from the top (between the ears) and functions like a whip; the hand-guard is based off a rapier's, and the bottom has a sphere that looks like a rabbit tail. Her soul gem features a rabbit head on top, and a clock face (sorta) as the bottom symbol. ALSO! I promise her purple eye is the same colour as the soul gem, the glass shading from the monocle makes the eye look lighter!

Her original wish was "I wish to be a magical girl!" but Inkyuu (the resident incubator) told her to pick a different wish since she'd become a magical girl regardless

She was aware of magical girls before being approached by Inkyuu due to being saved from a witch by a magical girl; she has gained an obsession with magical girls as a result

She uses her power of granting wishes to scout potential magical girls for Inkyuu

Her white rabbit theming is because she leads girls down the rabbit hole of becoming magical girls (the day I stop using metaphors and symbolism for everything is the day I die)

[Adding onto above] She has no particular love of rabbits or Alice in Wonderland, but thinks her theming is cute and so plays into it

She'd either be a mentor figure or an antagonist or possibly both

She either knows the secret of witches or if she found out about the secret of witches she'd probably be supportive of incubators (maybe even intentionally becoming a witch[?])

She hasn't been a magical girl for very long, but is very enthusiastic about it so she's fought many witches

She's very close with Inkyuu and carries him(?) around with her

[ballgame]

I'm going to ramble a little on my thoughts on magic in Deltarune, but I'd like to preface this by saying that a lot of this falls more under the realm of speculation (and at times headcanons) rather than genuine theory-crafting. I'm fully prepared to have some of these ideas be completely blown to smithereens come later chapters.

I'm not exagerrating when I call this rambling, so I'm putting it under a read-more.

I like to think that the Deltarune reality is the way it is because its Earth is just innately less magical. This is of course working under the assumption that Undertale's Earth is innately magical in some sense, with both monsters and humans pulling from that innate magic in their own ways.

DR monsters are still likely largely physiologically the same as UT monsters, but they can't effectively use their magic because almost all of it goes into sustaining their bodies. I'd wager that the limited magic they do have isn't even quite understood in-universe as being magic, if it's observed at all it's likely called something else. This difference is potentially also why they're more "sturdy" than their UT counterparts, since they never adapted to relying on environmental magic, potentially having slightly more physicality (although they presumably still turn to dust, so not too much more).

Humans on the other hand do not use magic at all, since there's no readily available source to draw it from. Hypothetically they could get and use magic in other ways, since it still exists outside of Dark Worlds to an extent, but I'd reckon these methods are either completely unknown due to a lack of research or are extremely underground/taboo (think about how Kris turned to "occult" stuff when trying to learn magic).

Less magic could potentially also help explain why the functionality of SOULS is unknown in Deltarune. In Undertale, monsters are said to be attuned to their SOULS due to their body being composed mostly of magic. So if DR monsters have less magic than UT monsters, or rather their bodies use it more stringently, this attunement might be dampened or outright nonexistent. This would then majorly stunt the study of souls in early history and limit the wider understanding of them.

Hell, I actually think that the line of logic I've presented here could even explain why Dark Fountains can be created in Deltarune in the first place. This was never a conclusion I was planning to come to, but the more I think about it the more it makes sense to me. Let me explain:

So there's a good possibility that "Darkness," the force that Deltarune's plot revolves around, also exists in Undertale. Entry No. 17 seems to imply this, since it's most likely from Gaster when he was the royal scientist. The very scant concrete, official information we have about Gaster actually does well to explain why he would know about it, since researching ways to draw energy from the Earth to create and maintain the CORE would naturally lead him to learning about darkness if it does indeed exist in Undertale. Now, if Gaster needed something like the CORE to even scratch the surface of what darkness is, then that would seem to suggest that it exists as a layer under the Earth's magic (not in a literal physical sense, I'm speaking metaphysically here). Normally, to draw power from the Earth you need determination, but I would assume the amount of DT an individual would need to reach past magic and into darkness is insurmountable for even the most determined human. But, in a world virtually without magic, one like Deltarune's, darkness is allowed to bubble up from the depths.

[bubblegum-bros-sys]

i hope this isn’t intrusive, and you can refuse the question if you want! but i have to ask, is it possible for different alters to have different art styles? i find it fascinating because usually an art style is a matter of muscle memory n such, so having multiple for different alters is super cool!

This is like the furthest thing from intrusive but I appreciate you trying to be respectful lmfao 😭😭😭 /gen

And yeah alters can and often do have different art styles (and handwriting!!) even if it’s very slight differences

For our system, muscle memory definitely affects it and limits the range of differences that we can have but with being plural, our muscle memory and motor skills ARE different from each other!!

For the most part, everyone in our system CAN replicate my art style and handwriting (because being host, it’s what our body is most used to) and often times we will just default to it as a short hand

But many of us, whether naturally or by choice, do draw and write differently!

We have different memories, personalities, motor skills, etc and all of that affects how we do a lot of things from drawing to writing to speaking to walking to even just our posture in general!

When alters switch between each other, LITERALLY different parts of the brain become more or less active, and that affects how we do and process things

That’s why different alters can have different voices, mannerisms, handwriting, art styles, taste in food or music, even general abilities, which is why some alters can have certain struggles or disabilities that others in the system don’t, or can struggle with them to different extents

How much it actively/literally affects the body can depend on what it is and the system and why they function that way etc. but most alters function as themselves even when it doesn’t align with the body, so differences in many aspects will be present, even if subtle

[yuri-is-online]

Back with some more thought experiments! This time, let’s talk about the actual worldbuilding of Twisted Wonderland. I mean, this is a completely separate world where fairytales and fantastical things actually exist. It’s functionally impossible for Twisted Wonderland to just be Earth plus some Disney sprinkled on top.

The biggest point that really gets me is that fact that methods to foresee the future exist. Astrology is a valid class in NRC and Yuu suffers from plot convenient prophetic visions. The mere idea that the future can be foreseen should have huge ramifications on how businesses and governments operate. Imagine knowing the effect of a deal or policy before it even happens. Or minimizing crisis by knowing about it before it strikes.

Magic should also affect technological development. We know that there was an age before magic was widespread among humans, thanks to Trein in GloMas. In that sense, I can see how up to a point technological development may be similar… but post-magic the technology should be different due to a different set of limitations.

Language is also an interesting topic. Setting aside things that humans probably can’t event speak like the Fae languages seen in game, what of the languages used in Twisted Wonderland? Would they be similar to Earth as a result of the Disney movies used to create its history? Does that explain why Rook speaks French?

This isn’t accounting for religion either. The Age of the Gods is a thing, drawing from the Hercules movie. That would mean that the Greek gods actually exist in Twisted Wonderland. So how did they fall out of worship? I mean, only Hades seems to be recognized anymore due to the Great Seven, and not even in a religious way.

Look, I’m going to hit the character count if I keep trying to list all of my questions. This is just all so fascinating! And true to my fixation on Yuu, this is all great content for exploring just how alien Twisted Wonderland must feel. Like, Yuu should honestly ask more questions. I don’t buy how easily they adapted in the game.

- 🦐

*cracks knuckles* Shrimp you have brought up stuff I've been thinking about for a hot second, I'm so glad you have come into my inbox ( ๑ ˃̵ᴗ˂̵)و ♡

I agree that I don't think Yuu would have adjusted as easily as they are depicted to in game, but this is a mobile app gacha game licensed by Disney so it's not going to focus as much on stuff like that. Luckily that's what we're here to do anyway~ I am going to go through these points one by one.

Point One: Astrology

The most we learn about how fortune telling works in game is from the Scalding Sands hometown event. There is an exchange between Cater, Trey, and Jamil about using coffee grinds to tell fortunes, and Trey specifically says something I think is interesting: we get two really interesting lines:

From what's said here we can tell two things: A) there is a distinct difference between types of fortunes and B) a distinct difference in the quality of fortune tellers. Someone like Cater is correct most of the time with his divination, but not everyone will be making actively relying on it for major decisions. I could absolutely see older kingdoms having a seer employed who a ruler could call on for supernatural advice, but I don't think that would be common practice in modern day Wonderland outside of maybe Briar Valley. Besides, just because you know something bad will happen doesn't mean you will be able to efficiently mobilize your forces in time to make a meaningful difference.

Speaking of which, not to touch on spoilers too much but Leven seems to be implied to posses the ability to actually clearly see the future, and as for Yuu's visions...

Well Lilia says he thought they might have a curse like Silver's (not that he knew why they were dizzy)... and the ability to see the future IS often handed out in Greek Myths as a curse, but well. Make of that what you will.

Point Two: Magi-Tech

The way technology works in Twisted Wonderland is a bit vague. From how Idia talks, I think there is a distinct difference between technology and magitechnology, with Idia specifically specializes in the latter. I actually went a really long time thinking that since Yuu hadn't a single trace of magic on them they wouldn't be able to ride a magi-wheel because of how Deuce talks about it syncing with your own magic and what not. Even magicless people in Twisted Wonderland don't seem to be completely magicless, they just don't have enough of a mana pool to actually cast a spell.

I think it would make sense to suggest magic and magitechnology probably affected Twisted Wonderland's development in the same way the silicone chip did ours, but the key difference would be that if you put too much magic into a device most humans can't use it. That would bring up a completely separate set of setbacks and issues... while there might not be a difference in the type of things built their internal construction would definitely be wildly different.

Part Three: Language

I think the easiest answer to this is yes. We know there is a "common" language that most places now use... I like to headcannon that language as being unique to Twisted Wonderland but I have seen some people think it is probably English. Which brings out my scrunchy face because the prevalence of English in our world is because of the British Empire... which never existed in Twisted Wonderland.

Rook speaks French because one of his favorite plays is set in Fleur City/the Shaftlands... which as a side note. In his Vampire card vignette he names the play that made him like Neige so much: Kingsroad~ The Sword to Become King!~ which is literally the Sword in the Stone based off of the little song he sings from it. I have been going crazy since GloMas thinking about if this suggests that King Arthur is french in Twisted Wonderland or if Rook is referring to another play... personally I think he's from Sage's Island but that's a crack for another post

Part Four: Greek Myths and Religion

There doesn't really seem to be any religious presence in Twisted Wonderland at all. It's unclear if Hades was ever worshiped or if he was just referred to as a god due to his perceived immortality and power. Given that there is something called the Jupiter group... and the Shrouds are a branch of the Jupiter family... AND that the Titans you fight in Chapter 6 are yelling about getting to and killing Jupiter... I think that it's highly likely there are events in Twisted Wonderland's history that correlate to the stories of the Great Seven, but didn't necessarily involve the Great Seven themselves. It's just that those events are remembered as having been done by them... for some unknown reason. Not to be conspiratorial... but do we have any proof they ever actually lived in Twisted Wonderland at all? (━＿━)ゝSure there are relics and things, and there are apparently paintings in the Land of Dawning Meusuem, but where did they come from? How old are they? I don't need sleep I need answers, is this a primary or a secondary source about the Queen of Hearts Riddle?

The End

I also wish Yuu would ask more questions, but I get why they don't :/ this is a gacha game blah blah blah but also. I don't think Yuu knows what questions to ask, there's a lot of stuff about life you don't think about as being abnormal until someone looks at you funny and I think Yuu realistically does a lot of that, but if you put every single instance of that into a game it would get very exposition heavy very fast. Luckily you, I, and everyone reading this have massive brains and can talk to each other about it!!!

[il3x]

Worm OC Tumblr I would like to present my silliest most self-indulgent OCs:

They're a largely non-violent villain duo known for high-profile thefts. I keep them around because a) fun to draw, and b) if I ever need a few low-stakes enemies to throw at other OCs they work pretty well.

Power details (a lot of details...) below the cut.

NU11 (Alicia Lee, she/her)

Age: Early 20s

PRT Classification: Tinker/Stranger 4.

Affiliation: Villain

Null is a Tinker who specialises in breaking or "nullifying" other technology, including Tinkertech. The more complex, the easier to nullify, though some tech requires specialised tools or conditions. PRT have her down as an infiltration/countersurveillance Tinker, and there's some debate online as to whether she's actually a Thinker.

Null uses her powers for infiltration, hence the Stranger rating. She "nullifies" such things as cameras, security systems, and locks. Her power sabotages a device's intended function, so if a lock is intended to stay closed, Null can get it open. Again, the more high-tech, the easier; Null learned mundane lockpicking to use on simple mechanical locks, since that's easier and less intrusive than trying to Tinker them open.

Null can only create tech if the result is solely for tech nullification, e.g. her EMP cannon. She approximates other gadgets by starting with a complicated piece of technology and selectively nullifying its functions. This is how she got her goggles' attachments. Her power sometimes manifests in combat-Thinker-esque ways, like "I want to nullify that load-bearing wall, on top of those people, using, oh, this handgun". (It gives her the necessary mental facilities to use her "tools" for the nullification, which can include perfect aim if the "tool" is a weapon. She is still limited by her body, though, so things like hand tremors will get her. Someone like Tattletale could tell her aim was due to one-off power hax.)

These two don't have much backstory, but Null triggered from being stalked.

-----

Void (Undecided, he/him)

Age: Undecided (adult)

PRT classification: Breaker (Mover) 7-ish

Affiliation: Villain

A shameless Kurogiri expy. Void's Breaker state is purple-black fog that acts as portals; Void can split himself up into blobs of fog (usually roughly door-sized) and anything or anyone entering one blob is instantly teleported out of another. Void chooses the exit point.

His fog acts like normal fog, can be kept out of a room by airtight sealing, can't really interact with solids in a meaningful manner. He has telekinetic control over his 'true consciousness' blob. Portals are anchored in place, so you can't blow them away or disperse them.

He can have a (seemingly) indefinite number of portals open at once, and a (seemingly) indefinite distance between portals, but there are some limitations:

He can only leave a portal somewhere he is, and he has to move conventionally. He can telekinesis himself along at up to his top human running speed, without exhaustion.

He produces more fog at a fixed rate, so there's a time delay between making portals

Portals vanish when Void exits breaker state, meaning he has to spend a lot of time in his fog state to use his typical M.O. (multiple portals far apart to get rid of enemies and/or retreat). He can't speak in fog state, or interact with solids objects much, and his senses are limited.

Void can also swap his consciousness, and effective respawn point for his human form, to any of the portals. Tldr: teleport himself and any people and loose and less-than-door-sized objects pretty much anywhere. Justifies a 7+, I think?

Physical engagements with Null and Void tend to end with being shoved in a portal and finding yourself in Australia. Void also leaves portals open to their HQ, so you're fighting a Tinker with a shortcut straight to her workshop. Fun!

Void is the powerhouse, but his weaknesses make him pretty useless without a partner. He flows in around the vault door or whatever, the safe is there, and... now what? The way his portals work, you have to enter them with some velocity, and he can't push the safe in himself - he's barely corporeal. Exiting Breaker state kills all the portals, leaving him Just Some Guy locked inside the vault for the cops to find.

-----

Fun Facts:

One of them chose their cape name as a pun on the other's. Null would be more in-character, but Void would be funnier, so I can't decide which.

Null does not need her EMP emitter to be that big, or to look like a weapon. She's just extra (and the look on her enemies' faces when she levels a gigantic Tinkertech cannon at them, albeit as a bluff, is well worth the cost in subtlety).

Null (or rather, Nu11) has never had a copyright suit from the Yangban. She's never had ANY contact with the Yangban. She's just covering her bases.

I don't have much backstory for how they got into villainy, but I reckon one or both of them worked for hire on the Blacklist, and they ended up hired for the same job. Power and personality synergy led to them striking out as a team.

Void has more of a serious backstory and motivation, though I don't have any specifics in mind. Null is here to break shit because she gets happy shard feedback from breaking shit. The pay and cool outfits are a bonus. (She also kind of turbo-nuked her civilian ID, but she wouldn't admit to that.)

Void helps with evacuation at Endbringer fights.

Void exists for the pun and cool power synergy. Null exists for me to draw in fun sexy outfits (at least, I think they're sexy? I'm aro-ace, so not really qualified to judge). In-universe, Alicia partially created the Null cape persona to wear fun sexy outfits, as a fuck-you to the people who insinuated that if she looked or dressed differently she wouldn't have been stalked and harassed (and a fuck-you to her stalker: "I do dress slutty, just not for you").

[2024-grimoire-challenge]

October Week 5 - Getting Crafty

This week is all about getting our hands dirty and working on those fantastic books we’ve been making. Papercrafting and decorating and fancy writing, if that is your chosen medium. Or even how to make pretty digital pages! This week is about bringing the grimoires to life! Lots of links and ideas this week for inspiration (grimspiration?) on ways to put our books together!

Monday - Digital Mediums

I know some of these require payment and subscriptions, and there are plenty of other free options out there if anyone knows of them feel free to add them in a reply or reblog!

Gimp - Photo/ Image Editing

Adobe Photoshop - Photo/ Image Editing

Word/ Excel (Or wordpad, cause its free) -

Tuesday - Papercrafting

Scrapbooking

1 - Tips and Tricks

2 - Ideas

3 - Witchy Ideas

A general search on the internet, Youtube, or Pinterest will give a bunch of other ideas! Some things I've done in my own include pages with envelopes and scraps of paper with sigils on them, s bit of foil on a page dedicated to mirror magic, and a functioning, turning wheel of the year!

Junk Journaling

Pinterest - Witchy Junk journal Ideas

Youtube - How to Junk Journal

Bullet Journal

How to

Witchy Themed

Witchy Ideas

Journal

How to

Guide to Journaling

Wednesday - Stickers and Ephemera

This kind of speaks for itself. But like anything on the crazy old internet, its all about tags and searching. Think about the tags you follow here on tumblr. Witch, witchy, grimoire, dark academia, vintage, plant and flower, magic, magick, wicca, paganism etc. Be as specific in some cases as you can be, though a vague search will sometimes lead you to what you're looking for. Below are a few places I've found things to use in my papercrafted grimoire journey.

Amazon/ Temu

Etsy/ Bigcartel/ Depop any of those!

Small business/ Artists

Art from friends

Thursday - Other things to add and other links

No draw art ideas!

So you want to build a grimoire - Patheos

Laurel's Guide -Tumblr

Cauldron and Brew - Wordpress

Don't hesitate to add anything you can think of both written/ typed or physical trinkets to your grimoire. It doesn't have to be neat and trim, unless that's what you're going for. It can be overstuff and gritty. Whatever works for you! Add twigs in the shape of runes, charms, crystals, leaves or flowers, plants, anything! Locks of hair, photographs, charts and graphs, anything and everything you can think of. It is literally yours to create how you wish!

Friday - do the thing!

Now that we’ve covered a bunch of links with all kinds of ideas, get crafty! Make your pages! Or take the pages you’ve started and decorate them! Make them your own! Whether your grimoire is form over function or function over form, make it yours!

Don't let these be the limit of your creative searches! Find more online tools, find more physical books, find inspiration for your creation anywhere and everywhere, but most importantly, express yourself freely within your grimoire!

-Mod Hazel

[bardic-tales]

Here is a sneak peak behind the prep for Blood and Stardust, my Final Fantasy 7 fan fiction. I am approaching this like I am writing an original novel.

Today's bit of prep featured how much magic that I want in the unofficial novel. There is a blending of original magic from Bianca and the canonical magic system of Final Fantasy 7.

Is there magic in the story? Yes, there is magic in this story in multiple forms. Final Fantasy VII’s world revolves around materia, crystallized Mako energy imbued with magical properties, allowing characters to cast spells or summon beings. However, Bianca’s unique Aether-based magic sets her apart, drawing from her celestial and demonic heritage. Unlike materia, which is external, Aether is an innate energy that functions as a battery—depleting with use but recharging over time. These two systems interact and contrast, symbolizing the blending of human technology with Bianca’s supernatural origins.

If yes, what sort of magic? In this story, I want to highlight two distinct forms of magic: materia and Aether. Materia represents the technological and environmental aspects of the FF7 universe, allowing for elemental manipulation, healing, and summoning. It complements the setting’s sci-fi themes while remaining grounded in its rules. On the other hand, Bianca’s Aether magic reflects her celestial-demonic lineage, offering a broader, more personal form of power that feels ancient and instinctual. This dual system emphasizes Bianca’s outsider status and creates narrative tension as she learns to integrate her power within this world.

While materia is practical and constrained by its external limits, Aether is highly versatile but comes with risks—overusing it can drain Bianca physically and mentally, leaving her vulnerable. By combining these systems, the story can explore themes of balance, identity, and the consequences of power. The limitations on both forms of magic also provide opportunities for strategic and emotional storytelling, as Bianca must decide when to rely on her innate abilities versus adapting to the local magic system.

I’ve chosen to avoid traditional fantasy elements like necromancy or mindless spell-slinging, as they could feel out of place in FF7’s established lore. Instead, magic in this story should feel purposeful and tied to character development or world-building. Materia has its roots in environmental manipulation, fitting with the story’s ecological and technological themes. Bianca’s Aether, on the other hand, is deeply tied to her identity and emotional state, representing a more intimate and unique take on magic. By limiting magic to these systems, the story maintains coherence while allowing room for creative and meaningful exploration.