#this technique will also work for things that are not text

[aurosoulart]

by complete accident I have discovered how to make WORM FONT. (font link)

predictably, this has halted productivity for the day. I'm writing with worms now. take it up with them

instructions: separate dots out onto a layer above the font. activate dot layer style 'outer glow'. set glow blend mode to 'Luminosity'. change Technique from 'Softer' to 'Precise'. adjust Spread and Size for desired worminess - mine is set to 0 Spread and 32 Size.

edit colors as you wish and congrats. you got vurms. 🪱

[dideki]

idk if this would be helpful to you but how about. you pick your fave 5 letters. then make up a thesis statement/question/thing that stars with each of thise 5 letters. and then make a poll and have people vote on it? not the same as getting assigned something specific but it might give you direction. in case you dont have any favourite letters here are my 10 top 10 if you want more examples 1. j 2. e 3. o 4. g 5. d 6. b 7. i 8. l 9. z 10. u

if this isnt totally your thing and youre not interest u dont have to reply i just thought maybe u need a nudge like this :-)

augh this is brilliant thank you my friend ill give this a spin :-) those are very good letters indeed!! thank you for your help, getting peer reviewed should be very useful, so ill think about those statements now!

[gimmick-blog-bracket]

@hellsitegenetics

I love them

I didn't know I needed to know that the weed-smoking girlfriends post was genetically a wolf, but I did, and I do. Also puts great stuff on my dash.

it’s so fun to be scrolling unhinged posts and then boom. an organism!

so many moths‼ also, unexpected comedy with some of the matches

perfect blend of silly and informative, and makes for an excellent punchline at the end of a long post. puts creatures on my dash. literally what more could you ask for

It's a really unique blog concept and a lot of times the results are pretty funny. It's great when the sequence matches the post content too!

Creatures 👍

Finds beautiful creatures out of the mess of the hellsite

Offers finality AND gives us a creechur.

I love them. English speakers talk like moths

If this blog wins, they could run the text of the winning announcement, and determine the post's genus and species!

They're also very good about tagging the type of creature depicted in the results, so as long as you mute tags of creatures you don't want to see, it's a very fun time seeing iconic legacy posts (and new submissions) being reduced down to a string of letters and assigned a random species of fish or moth or something!

uhh it’s cool

BLAST

There are so many weird bugs in the world

Yippee!!

If, as Haldane said, God has an inordinate fondness for beetles, then surely this blog proves that Tumblr has an inordinate fondness for moths.

Top tier blog as a geneticist, I love seeing obscure organisms and MOTH

Admin got rate limited after trying to blast the bee movie

the knowledge of biology to pull this off (i have taken one biology class in my life) and also the work to find all the strings honestly deserves quite a bit of praise

This gimmick blog has it all: science, pictures of animals, interaction with the text of other peoples' posts, interesting information, and a unique and fun premise. As a biologist, I'm rooting for hellsitegenetics to reach the end and take the tournament, because it is truly a standout among gimmick blogs.

If they win, perhaps this blog too shall become a cool organism :3

@making-you-in-spore

Incredible works of art from a limited medium, the blog favors quality over quantity and I am always in awe when a dancing creacher in Spore [2008] crosses my dash.

His spores often take him multiple hours to create, and he will go through astounding amounts of effort to commit to the bit. He made his cull poll in spore and then blew it up. Hes also super responsive and active and seems really eager to share his creation techniques and spread the joy of making things in spore [2008]. His blog almost singlehandedly sparked a significant resurgence in interest and playerbase of a 16 year old game that most people see as nothing but a meme. Hes just a guy who likes spore [2008]

i say vote for making you in spore because seeing them blow up their opponents after they win is hilarious

[cowsabungus]

Art Hacks for Physical Disabilities!!

I know art can be inaccessible to physically disabled people for a lot of reasons, and I think art should be accessible to everyone, so here’s a couple of the things I found to help for a few different issues you may face that stop you participating!

I have a link to all these items (UK) in my link tree!!

IMAGE DESCRIPTION

Slide one: illustration of a white woman with pink hair, wearing a pink outfit, sitting in a power wheelchair, looking at the viewer with thumbs up. Text Reese “hacks to make art more accessible”

Slide two: illustration of three different kinds, using three different types of pencil grips. One hand uses a circular grip. 100 is a large, rectangular grip. Another uses a grip that is ergonomic and fit into the hand. Main text reads “Paul, grip, strength and dexterity”. Subtext reads “there are loads of different types of pencil, grips or design for different disabilities and conditions. Increasing the width of the pencil can give more texture for a better grip using a pencil with a thicker with also reduces the amounts of pressure needed to hold a pencil you can make your own using items like pool noodles. KT tape an air dry clay. You can also put these groups on things like paint brushes.“

Slide three: illustration of a hand using a tool that looks like a wrist support with a paintbrush connected to it text next to it reads “this talk next a paintbrush to your hand in a way that means you don’t need to hold the paintbrush with your fingers and you will need to move your arm around“ on the bottom right hand corner is in photograph of a guided hand device. Text read “regarded hand as a tool designed to reduce the need for moving your hands and fingers and relies on the movement of your shoulder and upper arms and can be used with different materials like paintbrushes, pencils, pens and styluses.

Slide four: main header reads “when in bed“. Illustration of an iPad pillow with a iPad in it is next to text that reads “iPad pillows, put your tablet at an easier to access level when sitting or lying down“. In the bottom left hand corner is an illustration of a girl sitting in bed in her pyjamas with a pillow behind her and a bed table as she is drawing. On the left hand side is a photograph of a bed table with the text reading “bed tables are used to give you a flat tire up surface while in bed, and are often height adjustable”. In the bottom right hand side is a bedsit, a pillow with the text underneath, reading “ bedsitters of specially shaped pillows that you put behind you in bed to help you set up and give you a soft surface to lean back on”.

Slide five: maisie had a read out “at a desk left”. On the left hand side is a photograph of the document holder with the text “document holders put your paper at an angle to help prevent crane in your neck down”. On the right hand, middle side is an illustration of someone using a armrest and on the bottom left hand side is a photograph of the armrest. Text next to them reads “economic arm rests clip onto your table or desk and give you a surface you lean you’re forearms or elbows on. This can be used to steady your arm and reduce pain and fatigue while sitting at a desk”.

Slide six: maisie reads “foot and mouth painters” . on the right hand side is an photograph of swapping Augustine, an Indian woman with no arms, wearing a sari painting with her left foot. In the bottom left hand corner is an illustration of a woman with green hair painting using her mouth. Text reads “foot and mouth painting is a technique used by artists who do not have, or cannot use their arms so hold the paintbrush in their mouth or using their foot. Swapna Augustine is a foot painter who has painted with her feet and participated in multiple exhibitions of foot and mouth painters. Her art is stunning and I would definitely recommend checking some of help work out.“

Slide seven: main text reeds “art without brushes and pens”. On the left-hand side is a photograph of a spin art device. Text next to read it reads “spin out involves using bottles of ink and squirting them onto a spinning piece of paper to create spiral art. On the middle right hand side is a illustration of a laptop with coding art written on the screen. Text me next to it reads “coding art involves making programs that design and create art pieces digitally. This could be used in conjunction with an eye tracking software.“ On the bottom left hand side is a photograph of a child in a power wheelchair with paint on their wheels painting onto a large piece of paper. Next to this is text reading “wheelchair painting involves putting paint on your wheelchair wheels and moving around and large piece of paper. Sometimes you can connect a roller to create more marks.“

Slide eight: text reads “what do you do to make art accessible for you?”

End of ID.

[comicaurora]

Hi! I remember you saying at some point (I think, on the podcast?) that just realizing you have ADHD helped you to deal with it because you found some practices and techniques to help it, even without medication - or something along these lines, do I remember correctly?

Can you tell, which techniques? I seem to be somewhat resistant to medication (tried all options we get in the country I'm in, and improvement is very minimal), so I'm interested what else can be done there just to make it manageable

Caveat that every ADHD person is different so what works for me might not work for you, but this is what I've found helpful:

Break up Executive Dysfunction and fight Time Blindness by SETTING TIMERS. I have a fitbit, and on days I can feel my brain being restless and uncooperative, I set a ten minute timer on it. When it runs out, I set another one, and so on. It buzzes on my wrist, so it's hard to ignore, but it's not gamebreakingly distracting so it doesn't ruin my mood if I'm on a work roll. A brief, tangible reminder that time is passing can help me snap out of a break period or, if I'm working, give me a feel for my rate of progress. I can also use that reminder to take stock of if I need to eat food, get up and stretch, or lie on the floor for a bit to reset.

Take SMALL, LATERAL BITES OF PROGRESS. If you're having a hard time working on something, feel out what else you might be able to make headway on. Maybe you've got some writing notes you could jot down to build on later. Maybe there's a tiny item on the day's to-do list you could cross off quickly. Maybe there's a text or an email you've been meaning to fire off, or you've got a mild itch to doodle something in a sketchbook. Any progress is better than no progress, and even if you're just on your phone on the couch, you can get a lot of good work done just jotting down thoughts in the notes app. The lateral element is also very important; if you're fixating too hard on the ONE thing you're SUPPOSED to do, you can trap yourself in a spiral of how it's what you're SUPPOSED to be working on but it feels IMPOSSIBLE. Literally let yourself do anything else. Don't trap yourself with "it's either doing your responsibility or it's NOTHING." Your work is not a plate of broccoli you're not allowed to leave the table without eating. Give yourself permission to un-imprison yourself.

Related, If there are external factors on the responsibility - like an outside deadline or a team of people you're working with waiting on your stuff - don't be afraid to let them know where you're at, or if you're uncertain you can make the deadline as stated, even if you think your "brain is not working" reason isn't good enough to justify the delay. Most people are extremely chill about it, and some of them will even offer to help or make it easier for you in some way. "Struggling with deadline" is not an ADHD-only experience. It is one of the most relatable human experiences, and basically everyone will be inclined to help you out.

ANY PROGRESS IS BETTER THAN NO PROGRESS. LARGE projects can feel extremely overwhelming because you know you can throw everything you've got at them for a day or even a week and it still won't be finished, and if you've got that shadow looming over you, you might sink into a malaise of "I can't finish it and that means I can't even bring myself to start it." The best way to fight that is to make ANY progress in ANY direction. Every large project can be broken down into bite-sized chunks. Anything feels overwhelming if you see it as an unassailable monolith. Work you do now is work you don't have to do later.

CHECKLISTS. It's hard to hold a large list of things that need your attention all in your head at once. It is unbelievable how helpful it is to just write them down somewhere obvious, and when you're done with something, CHECK IT OFF. Don't erase it, leave it visible that you FINISHED it.

Tell your anxiety to CALL YOU BACK. This one's weird, but when I'm stuck stressing over something, I've found it legitimately works to pull up my schedule and pencil in "worry about <thing>" for a specific date and time. My brain registers that SOMETHING has been resolved and nothing has been outright dismissed or ignored, so it settles down. When the time rolls around, the source of the anxiety is still there, but the feeling of anxiety itself has been drained out of it.

On a related note, this might not be an ADHD thing, but I've found it's very useful to Avoid Anxiety And Guilt Spirals by HOLDING COMPULSIONS AT ARMS' LENGTH. I picked this up from some readings on OCD, which is in the category of "I don't seem to HAVE this to a diagnosable degree, but some of the structures were at one point familiar to me." It's good to be aware that, if your brain keeps circling back to any given thought that distresses you, that is structurally an obsession, and if in reflexive response you have a desire to do a specific thing to mitigate that feeling, that is structurally a compulsion. This includes things like "I bet my friends think I'm annoying - I should message them something fun and casual to see if they still like me." Or "I'm worried about the state of the world - I should check the news so no new horribleness blindsides me." The compulsion might contain a sensible thing to do; checking in on your friends is good, keeping up with world events is smart. But done AS a compulsion, it reinforces the anxiety cycle. Even when it results in something neutral or positive, it only confirms that this innocuous thing is your only lifeline over a yawning abyss of terror and stress, because if this time it was fine, it must be because THIS time your vigilance Saved You. So you'd better do it next time, too, because there WILL be a next time, and you might not be so lucky twice, right? The way to stop this cycle is to weaken it over time by, when the obsession pops up (a random reminder of a stressor, an old fear) and the compulsion is prompted, do not do it, no matter how reasonable it seems. Hold the compulsion at arms' length, becoming aware of what the obsession wants you to do and why. Similarly, sit with the awareness of the obsession. You are having an unpleasant thought, but having a thought does not make it inherently meaningful in any way. It doesn't mean you're actually in any danger, any more than you were before you had the thought. It's discomfiting because it removes the salve of the compulsion from the sting of the obsession, but in the medium to long term, it withers the cycle at the root and makes the entire process loosen its grip. Then you can do things like talk to your friends and check the news without it being underlaid with the sting of panic and desperation; they are, after all, neutral activities with typically beneficial consequences, not lifelines over the abyss. It might startle you when, months later, an intrusive thought pops up that used to send you spiralling into misery for hours or days, but now it feels irrelevant - even absurd - and easy to disregard. It really does work, and it's surprising how many things you can untangle this way.

Avoid boredom time prison by HARNESSING HYPERFIXATIONS. My most controversial take, but I think if your brain is desperately hungry to do This One Cool Thing Today, it's a good idea to let it. Even if that means you spend the whole day drawing fanart or bingewatching a show or baking croissants instead of Getting Work Done, the benefits you reap from just letting your brain tap into the rare Infinite Dopamine Opportunity usually outweigh any and all work slowdowns that result from taking the impromptu day off. When your brain works in the ADHD way, your enthusiasm is a vital fuel to keep it running. You need to have energy and joy in your life, energy and joy to spare and spend on things that may not be inherently energizing. If you have the option to spend a day doing something ridiculously fun, fill up that tank and reap the productivity benefits for the next week straight.

[mariasont]

I know youre working on a fic right now but can you sometime make a fic where a new agent comes to work at the bau (the reader) and early seasons Spencer catches her interest, to which he's completely oblivious? Like just a cute little fluffy fic where two genius idiots can realise they like each other throughout their case together.

(also a lot of jokes from Morgan lol)

Reading Between the Lines - S.R

masterlist

pairings: spencer reid x reader

warnings: reader just being in love with dr. reid

wc: 1.2k

The two of you were alone in the police station break room, which had become something of unofficial workspace for the team during the case. You'd been sitting there for a while, mostly pretending to read through a file while Spencer, across the table, actually read his — flipping through pages faster than should be humanly possible.

You'd been watching him out of the corner of your eye for the last ten minutes, trying (and failing) to keep your focus on your own. You couldn't help it. He was enthralling to watch. His long fingers moved smoothly over the paper, turning each page with that ridiculous speed-reading technique of his.

And when he tilted his head slightly, his eyes scanning the words so quickly it looked like he was barely reading at all, you were sure you'd never seen anyone more unfairly attractive in your entire life.

And you did mean unfairly in the purest sense. It was undeniably unfair — no, unnatural — for a man to possess such a perfect plethora of qualities, like Spencer Reid did.

You hated how obvious you were being. Every time Spencer glanced up at you, your face grew hot, and you had to fight the urge to duck your head like a nervous schoolgirl. It was absurd. You were a grown adult — a professional in the FBI, for gods' sake. You had no business mooning over someone this hard. But... it was Spencer. How could anyone not?

Eventually, you gave up trying to work and leaned forward on the table, resting your chin on your hand. "How do you do that?"

Spencer glanced up, blinking. "Do what?"

"Read that fast," you said, gesturing toward the file in his hands. "I mean, it's like you're just flipping through the pages for fun, but you're actually... reading them, right? You're not just pretending?"

Spencer tilted his head, his lips twitching into a smile. "No, I'm not pretending. I'm absorbing the information. It's called speed-reading."

You raised an eyebrow. "And you just... taught yourself how to do that?"

He nodded, setting the file down in front of him. "It's not as hard as it looks. Anyone can learn it with enough practice."

"Anyone?"

"Anyone," Spencer said, leaning back into his chair. "It's all about training your brain to recognize patterns in the text and absorb information in chunks rather than word by word. It's just a matter of rewiring how you process what you're reading."

You stared at him for a moment, then a grin spread across your face. "Teach me."

Spencer blinked, clearly caught off guard. "Teach you?"

"Yeah," you said, sitting up straighter. "If anyone can learn it, prove it. Teach me how to speed-read."

For a second, he just stared at you, like he wasn't sure if you were serious. But then his expression morphed into something that looked almost... excited. "Okay. I can teach you."

You tried not to look too pleased as he reached for a book sitting on the nearby counter and slid it across the table toward you. It was some dry academic text about linguistic patterns across extinct languages — typical Spencer reading material — but you figured it didn't really matter what the book was. You weren't here for the content.

"Alright," Spencer said, pulling his chair closer to yours so he could see what you were looking at. He leaned in, his shoulder brushing yours, and every single coherent thought you had ever had evaporated into thin air. You swallowed hard, staring at the page but unable to actually read anything. "The first thing you need to do is stop subvocalizing."

"Sub... what?" you asked, already lost.

"Subvocalizing," he repeated patiently. "It's when you say the words in your head as you're reading them. Most people do it without even realizing it, but it slows you down. If you can train yourself to read without subvocalizing, you'll process the text much faster."

You nodded slowly, though you weren't sure you entirely understood. "Okay. So... how do I stop?"

Spencer smiled. "It takes practice, but one way to start is by using your finger to guide your eyes. Like this."

He reached out and gently took your hand, guiding your index finger to the first line of the text.

Your brain short-circuited for a second. His hand was warm, touch light as he moved your finger along the page. Did he notice the way you tensed up? Did he feel how clammy your palm was? If he did, he didn’t mention it, his focus entirely on the page. Meanwhile, your focus was entirely on him.

"Try to keep your eyes moving with your finger," Spencer said. "Don't focus too much on each individual word — just let your brain take in the whole line."

Every time you inhaled, you caught the faintest hint of soap and coffee — clean, warm, him — and it was becoming impossible to think straight.

"Okay," you said softly, moving your finger along the line as he'd shown you. "Like this?"

"Exactly. Now, try to pick up the pace. Keep your eyes moving."

You tried, but your focus kept slipping — not because of the text, but because of the way Spencer was leaning so close, his shoulder almost brushing yours as he watched you. You could feel his breath, soft and even, against the side of your face, and you were suddenly very aware of the fact that this was probably the closest you'd ever been to him.

"Am I doing it right?"

"Mostly," Spencer said, his hair brushing his forehead as he leaned even closer to point at a section of the text. His long fingers hovered just above yours, and your heart stuttered at the proximity. "But try not to pause at punctuation. Just keep your eyes moving in one fluid motion."

"Okay," you said again, though honestly, you weren't sure how much you were actually absorbing. Your brain was too busy screaming Spencer Reid is touching me. Spencer Reid is this close to me.

For a few more minutes, Spencer guided you through the process, his hand occasionally brushing yours as he helped you adjust your pace. You couldn’t tell if you were actually improving or if you were just doing your best to survive the moment without completely embarrassing yourself.

"You're doing better already," he said. "It just takes time to get used to."

You smiled back at him, cheeks warm. "Thanks. You're a good teacher."

Spencer’s ears turned pink, and he glanced down, his fingers brushing idly at the edge of the book. "I don’t think I’ve ever been called that before. A good teacher, I mean."

You couldn't stop smiling.

"Maybe next time, you can teach me," he said suddenly.

You laughed. "I don’t think there’s anything I could teach you that you don’t already know, Spencer."

"I wouldn’t be so sure about that," Spencer said, his voice quieter now, almost teasing. A faint smile tugged at the corner of his mouth, and for a second, his eyes met yours, before flicking back to the book.

Correction, you wouldn't be able to stop smiling for the next 3-5 business days.

Morgan was leaning against the hallway wall just outside the break room, holding his phone and scrolling casually, when you finally stepped out of the room.

You didn't see him at first — you were too busy floating on a cloud, practically glowing as you replayed the last few minutes with Spencer over and over in your mind. You were smiling so much your cheeks hurt, and you could still feel Spencer's hands on yours.

"Well, well, well," Morgan voice cut through your daydream, startling you so badly you almost tripped. You snapped your head toward him, your heart jumping to your throat. He was grinning like a cat who'd just caught a mouse. "What's got you all smiley? Pretty boy say something sweet, or are you just thinking about those magic hands of his?"

You felt your face burst into flames. "What? No! It's not —"

Morgan held up a hand, shaking his head as he chuckled. "Save it, girl. I know the look of a lovesick rookie when I see one. Trust me — you've got it bad."

You sputtered, desperately trying to come up with a convincing rebuttal, but Morgan was already walking away. "Better make your move before he speed-reads right past you!"

You groaned, burying your burning face in your hands as Morgan’s laughter faded down the hall. Lovesick rookie? Was it really that obvious?

Yes. Yes, it was.

taglist: @readergf @edencherries @aurorsworld @princess76179 @malindacath @broadwaytraaaaash @r-3dlips @m-indkiller @sunfyyre @sleepysongbirdsings @trulycayla @reiderrambles @averyhotchner @hbwrelic @sky2nd @messylxve @alexxavicry @doigettokeepyou @pleasantwitchgarden @kodzukenmaaa @hiireadstuff @dilflover-3 @spenciesslut @phoenix-le-danseur-de-pole @c-losur3 @theylovemelody @alahnizamolo @oliver-1270 @ssahotchbabe @savagemickey03 @justanotherbimboslxt @imoonkiss @spiderladyleah @estragos @khxna @spencerssoup @de-duchess @raysmayhem-72 @piinksdoll @reidfile @sugarbutterbailey @aecd27 @persephonestears @moonyxstars @xxmooxmooxx @spookyysinsanity @proxxyshouse @spoolsofgreenspoolsofblack @jungchloee @she-wont-miss @duchesz @i2rapunzel @historicallyweirdandqueer @lcvealwayss @p13rc3-th3-m4tt13 @babyhoneybyhs

join my taglist here!

[yourneighborlyweirdo]

The Easiest Way to Manifest/The Ultimate Beginner’s Guide to Manifesting! (My Personal Method)

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What if I told you there was a way to instantly manifest whatever you’ve ever wanted?

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I’m talking like, you think it and it appears minutes (or even seconds with practice) right before your eyes?

If you’re interested, this is how.

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Introduction:

So, let’s get into it. Hey, if you don’t know me, I’m kinda new here on Tumblr—new like I just started posting today type shit. (I literally set up my account hours ago.) I’ve been scrolling on this app for atleast a month now and I’ve been seeing some posts that are pretty helpful, so I just want to give my personal advice to any of those who are struggling. (Because that used to be me.) I wanna start this off with a warning…

Warning: If this doesn’t resonate with you, take what you like and leave the rest. If my advice doesn’t help you out it doesn’t have to! And don’t force yourself to use my technique if it feels weird to do or something you aren’t comfortable with. But if my method doesn’t work for you, (which I highly doubt because this can work with anyone and everyone) then maybe it just wasn’t meant to be. And also, I am not a professional. I am merely a vessel trying to pass my knowledge on to others. But, I do consider myself a Master at Manifesting, only because I’ve Mastered it. And my only goal is to help you Master it too. If you have any questions or concerns, feel free to drop a comment or a DM. Thanks!

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The Law:

In this technique, I will be using the Law of Assumption. If you’re not sure what this is, let me explain…

The Law of Assumption is a universal Law for manifestation. As the name suggests, it means assuming. Everything you assume will become your reality. Practicing the Law of Assumption means realizing that the 4D (Your mental reality, your imagination) is the only thing that matters, not your 3D (Your physical reality, the thing you’re seeing right in front of your 2 eyes.)

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(Side Note: I use “LOA” to abbreviate/shorten “Law of Assumption.” Both of these terms will be highlighted in pink for your understanding. Also, the 4D is your imagination and the 3D is the physical world around you. I suggest you remember these terms.)

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An Example Scenario of Using The Law:

Example: Let’s say, I really want a soda. But I’m laying down in my bed, so obviously, I can’t see a soda in front of me. But, using the LOA, I can get my soda. Here’s how…

So, I’m sitting here in my bed really wishing I had a soda in my hands. To manifest a soda, I will use the LOA. To use the LOA, I will either think or speak out loud, whatever you want to do, to manifest. I will start thinking. “Damn. I really want a soda right now. I know I’ll get my soda. I want it so I can get it. I will have my soda, one way or another.” And a couple minutes later, I got a text from my parent saying they brought me a soda from the gas station. (Yes this example is a true story on how I started manifesting using the LOA for the first time.)

If you’re not picking up what I’m putting down, let me break it down. Here’s what just happened in that example:

1. I really wanted something (in this case the “something” was a soda)

2. I started to think about how I wanted it, then I assumed that I would get it, one way or another.

3. Boom! I got my desire. (Which was the soda in this case.)

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Breaking It Down:

See how easy that was? Within minutes I got my desire in only 3 easy steps. If you’re still confused, let me explain…

What happened there was I identified what I wanted (AKA: My desire being something I wanted.) Then, I used the LOA to manifest my desire to becoming my reality. Then naturally, the 3D followed what I thought in my 4D.

Literally the only thing I did was think what I wanted to happen and it happened in front of my eyes.

You: “But why? But how? How is that even possible—”

What happened was I thought something in my imagination (my 4D) and the physical world (the 3D) conformed because the 4D will always be in charge of the 3D.

Think of the 3D as a chief in a restaurant. The 4D is the waiter, and you are a customer in that restaurant. Let’s say you wanted to manifest a soda, so you’d say, “Waiter! I would like one soda please.” And the waiter, (The 4D) writes down in his notepad that you ordered a soda. The waiter would then go to the back and go tell the chief (The 3D) what you ordered, and then the chief would make it, and then you would get it.

That’s what the 3D and 4D are. You’d “tell the waiter what you want to order” (AKA: Think in your brain using your imagination/4D what you want to manifest) Then the “chief would cook up what you ordered and you’d get your order.” (AKA: The 3D will make what you manifested happen in your physical world and your manifestation would appear in front of your eyes.)

Hopefully now you understand what the LOA is, how to use it, and what happens when you do use it.

·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*

What Happens When I Manifest Something and The 3D doesn’t conform?

Let me say this now: That is impossible. It is impossible for your 3D to not conform to the 4D. The 3D only will NOT conform when you ASSUME it won’t.

Your assumptions will become your reality. To change your assumptions, use your thoughts and imagination, (AKA: the 4D) and your 4D will become your 3D.

Assumptions are thoughts. Thoughts are your reality.

Read those 2 sentences again until they are memorized.

Don’t you see? Do you understand how easy it is?

So let’s say, you manifested something, imagined it (using the 4D) and it didn’t appear right infront of your eyes. Don’t panic. It’s okay. Take a breather, and tell yourself that you will get your desire. You imagined it in the 4D, and after reading this post, you’re sure that the 3D will conform because it WILL. Just persist in the fact that you WILL get your desire.

(Do you get what I’m saying here? Assume, assume, assume. Assume you will get your desire. Assume it will come quickly. Assume that it’s easy because it is! When in doubt, assume, assume, assume.)

If you don’t get your desire, it’s because you’re assuming (AKA: Thinking) that it won’t. Assume that you can and will manifest, and it will.

The 3D DOES NOT MATTER. You know why? Because, I’ll repeat,

Assumptions are thoughts. Thoughts are your reality.

·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*

A Step By Step Tutorial:

1. Identify what you want to manifest.

2. Assume it will happen by thinking.

3. You get your desire.

You can assume things many ways. Here are my favorite ways in the form of sentences:

1. Assuming it will happen in the future. (Example: Using sentences containing “I Will.” Sentences in the future tense. “I know I will get desire one way or another.”)

2. Assuming it will happen in the present. (Example: You use sentences containing “I Am.”Sentences in the present tense. “I have my desire.”)

3. Assuming it already happened in the past. (Example: You use sentences containing “I Had.” Sentences in the past tense. This is also referred to as “Living in the End.” “I already have my desire.”)

Remember that all of these ways are ways to manifest. There is no better one than the other—use what works best for you! (I personally use all 3 ways all the time. They all work the same way and for me, not one is better then the other. They’re all great and they all work. Use what works best for you!!! Don’t let anyone tell you one works better then the other because that’s simply not true. I’ve manifested using all three and so can you!)

·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*

Summary And Last Thoughts:

In order to manifest, you only need to figure out what you want to manifest, then think about it as an assumption, (one of the 3 ways I listed above, using a Past, Present, or Future sentence) and then just wait knowing you will get your desire.

Notice how in this post I never covered the “how” or the “when.” (The only “how” I covered was how manifestation works with the 4D and 3D, nothing beyond that.) Because you don’t need to focus on those things! Focus on manifesting, NOT how it happens or when. The only time you should be focusing on the when is when you are manifesting your desire to come quicker.

Also notice how in this post, it was a continuous cycle of…

Thoughts=Assumptions

Thoughts+Assumptions=Your Desired Reality

Anyone can manifest. And this isn’t the only way to manifest, this is one method of many. It’s easy when you assume it’s easy!

·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*:· ·:*¨༺ ♱✮♱ ༻¨*

I hope this post helped atleast someone. Have a good evening, morning, or afternoon. If you have a question or concern, feel free to drop a comment or send a DM.

The ultimate Law of Assumption song (You deserve your manifestation and that’s why you should get it!)

⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️

Sincerely,

Your Neighborly Werido

[aropride]

blue lighting in shows is actually going to be the death of me WHY do they make it so DARK. this took me almost two hours (in part bc i forgot to turn off my blue light filter for the first 45 minutes and it was fucking w the colors LMFAO) and the colors STILL arent quite where i wanted them. when i die im asking whoevers up there to reincarnate me into a world with better tv/movie lighting.

fucking look at this. tears were nearly shed

[ashfae]

Edit on 5/2/2025: I have mixed feelings about aspects of this essay these days but have chosen to keep it up and pinned as I'm still happy with my analysis even if I'm furious at NG, who is mentioned several times. TW for that. Argh.

-------------

The thing about romance is, it makes a good story.

As soon as NG described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[shouyuus]

could i request car mechanic!vi and fem!reader hcs and little moments of their daily life now that they’re officially dating? 🤭🤭 you write vi so wellll nghghhh 😫

sfw fluffy hcs for car mechanic!vi au bulletpoints bc im in that mood today

breakfast is always a long, drawn out thing -- almost ritualistic, bc "breakfast is the most important meal of the day, sweets! c'mon, you oughtta know that." and you take turns making it, either for each other or for whoever else is in the house that day (sometimes vander, sometimes silco will drop by for coffee, sometimes powder and ekko will stay the night, in which case ekko almost always makes breakfast, bc powder's very particular about her pancakes)

you can't rmbr the last time you sat in a chair proper bc vi's always pulling you into her lap (except at the dinner table, where she tries to show a TAD more decorum, esp if you're having dinner at your place instead of hers, but even then, she'd pull her chair close to yours, just so she can press her leg against yours or reach out to put a palm on your thigh)

on the days that you're not together, you definitely text vi a bit more -- she's got her hands full of repairs, and your biggest worry on the daily is what you wanna make for dinner that day, and if you need to drop by the grocery store before you head over to vi's

the first time you try to teach vi how to use chopsticks, you end up just plopped in her lap, feeding her off your plate bc she claims that "it's easier this way" and that she can "watch your technique better from up close" although it's so stupidly obvious that she's not looking at your hands bc she can't keep her eyes off your lips and how you can't stop giggling when you twist around to feed her

on the lazy summer nights when all the work has been done and all the stuff that can still be done can wait till tomorrow, vi takes you up the hill behind the city, to her favorite little outlook, tucked into the side of a backroad that no one except the true locals know about -- from there, you can see the entire city spread out beneath you, sprawling net, cast in light and shattered stars. "i used to hate this place... just a little, cause i thought i'd never get out of it," she tells you. "and now?" you ask. "now... i kinda love it... it's my home and... well, it gave me you, didn't it?"

vi thanks the heavens that you only live a few streets over, and that it takes her about 5 minutes on her bike to get between your houses (even though, yeah, you do technically live on the rich side of town, just across the train tracks), bc sometimes, 5 minutes is just about as long as she can wait before she starts to feel fidgety about the thought of seeing you again

the nights she spends at yours are always fun -- your bed's more than big enough for the pair of you to sprawl out on; you'd flick through channels on tv till something catches your eye, or carry as many snacks as either of you can up and post up for a movie marathon. it'd always end up with one of you lying against the other, your body curled between her legs or the other way around

sometimes she falls asleep against you, and you'd let the entire movie play before trying to slip out from behind her to turn off the lights. she always wakes up when you move, and she always grumbles and tries to pull you back; you always laugh and promise her that you'll be right back, to which she'd always pout but it morphs into a smile as she watches you patter around the room in a big t-shirt, turning off the lights and clearing the snacks off the bed before climbing back into her arms

she always keeps her hand tucked around your hip whenever the two of you go out anywhere, or she's got her hand pushed into the back pocket of your jeans or shorts or whatever the hell else; she claims its just bc she wants you close; you both know that it's also bc she wants zero questions as to who you belong to when you're walking down the street

when her hair gets long in the back, she lets you braid it and in it up with cute lil clips bc she likes the way it makes you smile

she almost loses it a little when she wakes up one day at yours and finds that you've put out an extra cup for her, and bought her a new toothbrush to use; it's then that she realizes she's already left like a quarter of her wardrobe here and that your parents no longer even look up when she comes downstairs in the morning, bedhead and all, to greet them, and that they've somehow always already made coffee for her, just the way she likes

"hey prett girl, can i ask you something?" "yeah, sure." "what... do you think about moving in together?" "hm? oh --" "not like right this moment or anything but --" "i'd love to. i mean, it does get a little complicated splitting time between my place and yours." "oh... that was -- i thought you'd be a bit more..." vi swallows, trailing off. you cock your head and fix her with a look, "a bit more what? hesitant? i mean... we're basically together all the time now anyway. it'd just make things easier, right? and --" a blush flushes into your cheeks as you look away, clearing your throat, "it'd -- it'd be nice not to have to be so q-quiet, sometimes."

vi nearly blacks out at your words; and yeah, so what if she starts looking at places that exact afternoon?

[ariestrxsh]

🖤 content warning: 🖤 smut, sneaking around, getting caught, jealousy, daddy kink, praise/degradation, sensory deprivation (blindfold), threesome, oral(m!receiving), unprotected sex, jealous!matt, jealous!chris, sneaky!reader

🖤 summary: 🖤 while exchanging information about their sex lives, matt and chris find out you've been hooking up with them both behind the other's back.

i got this idea from @sturnobessed who had the idea for this plot, and it was also heavily inspired by these two edits ( 1 & 2) that make me cum everytime. okay, enjoy! (also, chat, i think i might be a chratt girl???)

soaked

"Who are you textin'?" Chris collapsed down onto the couch, teasingly nudging his brother Matt, who was smirking down at his phone. "Just a girl I've been talking to," Matt vaguely responded, eyes glued to your text. "Is that code for fucking?" Chris chuckled, nudging him again. "It might be," Matt replied, silently reading the dirty message you'd just sent him:

"In desperate need of your cock. Come over. I'll do that party trick with my mouth that you like so much."

"How long have you guys been talking?" Chris asked his brother, eager to hear more about the girl that had him smiling like that. "A few weeks. It's nothing serious. We're just messing around," Matt shrugged, still gazing down at his phone screen. "I've been talking to a girl for about the same amount of time. She's really fucking hot," Chris bragged. "Can't be hotter than my girl," Matt scoffed.

"She does this thing when she's giving me head," Chris started to say, but then he stopped himself. "Go on. Finish your sentence," Matt perked up, curious to hear what he was going to say. "She just does this thing with she teases the tip with her tongue while she's sucking and bobbing up and down on it. And she'll moan while she does it. It's like, multi-dimensional," Chris relayed, his cock twitching at the thought of it.

"Wait, because my girl does the same exact technique," Matt narrowed his eyes at his brother. "I mean, that's probably common. I don't know. I haven't gotten head from that many people, but I didn't know it was possible for someone to do that many things with their mouth at one time. She calls it her party trick," Chris responded, running his fingers through his hair. His body temperature was rising just thinking about it.

Matt stared intently off into the distance, taking in this familiar information. "Chris, I think we may be fucking the same girl," Matt admitted after a few seconds of silence. "No way. What would even be the odds of that ever happening?" Chris gave the boy to his left a skeptical look.

"On the count of three, say her name," Matt replied, setting down his phone and turning towards his brother. They counted to three in unison, and then at the same time, your name passed through both of their lips. The two of them stared at each other with widening eyes and dropped jaws as it dawned on them that you might have been sleeping with both of them behind the other's back.

"There's only one way to know for sure," Matt said, picking up his cellphone and going to his gallery. "I'll pull up a picture of my girl, and you pull up a picture of yours," Chris suggested, flipping through his camera roll. They placed their phones side-by-side, each clicking on your photo and confirming their suspicions.

"Holy shit, it's the same girl," Matt replied. He felt jealousy coursing through his veins. "I mean, I'm not planning on dating her. Is it weird if we both just keep fucking her?" Chris wondered out loud, laughing. "I have a better idea. What if we confront her?" Matt asked with a twinkle in his eye. This idea piqued Chris' interest. "I'm listening."

"She's texting me right now, practically begging me to go over and do her. What if we both show up?" Matt devilishly grinned at his brother. "Why the fuck is she texting you and not me?" Chris asked, checking to see if the service on his phone was working. "Maybe I just give better dick than you," Matt nonchalantly responded, knowing how to push his brother's buttons.

"Or maybe she's just saving the best for last. You know, asking you to come over first as a warm up before she invites me over later to finish her off," Chris shot back. Matt punched Chris in the arm. Hard. "We'll see about that," Matt muttered. "What do you mean? Are you suggesting we..?" Chris raised an eyebrow at Matt.

"I'm suggesting we make her choose. Have her tell us who fucks her better. She put us in an uncomfortable situation, and now we're going to put her in an uncomfortable situation," Matt shrugged. "Get even. I like it," Chris nodded, impressed by his brother's plan.

"I'm on my way over. Leave your door unlocked. Wear that pretty lingerie set I like. I want you blindfolded and waiting for me when I get there," Matt maliciously texted back.

Matt couldn't help that he was always one step ahead of everyone. He wanted to get back at both of you, at you, for lying to him and at Chris, for his smart mouth.

He drove over to your house, going a bit faster than normal. The entire time he was death gripping the steering wheel and clenching his jaw. Chris sat beside him playing a new Lil Skies song as they cruised through the winding roads and mountains to your place.

"So, what's the game plan?" Chris asked Matt as the two of them pulled into your driveway. "She doesn't know we know yet. I told her to wait up there in her room for me. Blindfolded. Just follow my lead. Let me do the talking," Matt relayed to Chris as they got out of the car and let themselves inside.

Matt held his finger up to his lips as they made their way up the stairs, trying to synchronize their steps as much as possible, so you couldn't distinguish between their two sets of footsteps. Matt rested his hand on the doorknob of your room and began to turn the handle.

"I've been waiting for you," you lustfully responded, laying on your bed with your legs spread while you were in your pink lingerie with a matching blindfold covering your eyes. They both took in the sight, burning your image into their memories.

"Hey, baby. Sorry it took so long. My brother, Chris and I had to clear something up before I could come over," Matt smirked at the way you laid there, unsuspecting. "Oh, yeah? Well I hope you guys got it figured out," you nibbled on your lip, nervous to hear Matt say his brother's name. "Oh, we sure did. You look so pretty, baby," Matt said, wandering over towards you and starting to run his fingers under the pretty fabric of your panties. You let out a soft whine.

"What are you doing?" Chris silently mouthed to Matt with a confused expression. Matt held his finger to his lips again while he gazed into Chris' eyes. "Trust me," Matt silently replied. Chris read his brother's lips, but he couldn't help but be skeptical of him.

"I know you don't like to talk about the other guys you see, and don't get me wrong, we're not official or anything, so I respect that. But wouldn't it be hot if I fucked you in front of one of them and made them watch?" Matt asked you, a malicious smile overcoming his face while he pulled his dick out of his sweatpants.

"Oh, my god. That does sound kind of hot," you whimpered back as Matt pulled your panties to the side and started teasing your hole with his tip. Chris' jaw tightened as he realized what Matt was doing. He was totally cucking him.

"I know you must really like those other guys you entertain, but you must like me the most, huh? Is that why you're always begging me to come over and ruin you?" Matt cooed, sinking into your heat. "Ahhh. Yes, daddy. You treat my pussy so good," you murmured back, adjusting to his thick rod as it stretched you out.

"Tell me I do it the best," Matt replied, glancing up at Chris, who was shocked, angry, and admittedly a little turned on. "You do it the best, daddy. No one could ever fuck me as hard as you," you cried out as Matt started thrusting inside of you. Chris' cock twitched as he listened to you moaning his favorite word to hear during sex, daddy.

"You know. We have a little bit of a problem, sweetheart. Daddy knows you've been naughty," Matt cooed, still picking up the speed as he pounded into you. "Yeah? Have I been a naughty girl?" You wondered in a flirtatious tone, assuming it was all part of the role play.

"You know you have. Why did you lie to me and tell me you've never met my brothers, hmm?" Matt asked in a sweet sounding voice, but his intentions were far from it. You gulped. "I haven't. I've never spoken to Chris," you said defensively, hoping Matt wasn't onto you. "Blowing your cover already. I didn't say which brother. You know, you're not a very good liar," he replied to you.

"I-I'm not lying," you said in a quiet voice. Panic flooded your system. You thought you'd done such a good job at sneaking around with both of them, making sure they'd never crossed paths when leaving and coming to your house.

"I'm not enough for you, huh? You need my brother, too?" Matt smirked, still rocking his hips back and forth. "I don't know why he'd say that," you responded in between moans, still playing dumb. "Yeah? You think he's just jealous or something?" Matt asked.

"Yeah, maybe he's just jealou- oh!" You whimpered as Matt grabbed your hips and pulled you closer to him, filling you to the hilt with his length. "If he's never met you, then why does he know about that thing you do with your mouth?" Matt questioned you. "I don't know what you mean," you bluffed.

"Sure, you do. I know how proud you are of that trick. Remember? You used it to make me cum a few days ago? I complimented you on it," Matt grunted. You reached up to peek under your blindfold, but Matt stopped you. "Ah, ah, ah. No peeking," he swatted your hand away. "How does he know about it?" Matt asked again, his voice becoming more stern, envy seeping into his tone.

Your stomach dropped, and you swallowed hard. You decided to double down. "I don't know, daddy. I don't know how he knows," you whined as Matt pumped into you mercilessly. "Well, he seems to know a lot about it, so why don't you ask him?" Matt chuckled.

"Ask him?" You said with a confused inflection. "Yeah. Since you don't know, just ask him yourself," Matt said, removing the blindfold you had wrapped around your head and throwing it back at you. Your gaze immediately met the eyes of the brother you didn't even know was in the room with you yet. "Chris," his name escaped your lips as more of a sultry moan. "Yeah, now you know who he is, don't you? Does he make you cum as hard as I do, baby?" Matt asked, leaning over and grazing your cheek with the back of his hand.

You nervously shifted your glance between both of them. Fuck, you thought to yourself. "I thought I was the only one you called daddy in bed," Chris told you with a twinge of jealousy and hurt in his voice, taking a few steps closer to you.

"So, we don't really appreciate that you've been keeping us both a secret from the other, and we're gonna make you choose. Which one of us do you want more?" Matt wondered, studying your pathetic expression while he hit your sweet spot. "I can't choose," you softly mewled, shaking your head.

"Come on, sweetheart. Just pick one. Who fucks you better, hmm?" Chris asked, coming around to the side of the bed to brush a few stray hairs out of your face. "Yeah. Pick one. Who's it gonna be?" Matt chimed in. "Both of you," you whispered.

"What was that, sweetheart? Speak up," Chris smirked down at your needy expression and started teasing your nipples through your pretty, pink bra. "Both of you," you cried out. "Both of us?" Matt chuckled at how desperate you sounded. "If I can't have you both at the same time, then I don't want either one of you," you said in a bratty tone.

"Yeah, sure. I've had to share my toys with Chris my whole life, and now I have to share my favorite one?" Matt sighed and rolled his eyes. "You really can't pick just one? You know I get jealous easy," Chris peered down at you lustfully, pulling out his throbbing member and sliding it between your lips.

"Yeah. Come on. Don't you know I'm the jealous type, too, baby?" Matt cooed, reaching down and stimulating your clit with his thumb. "Such a greedy little slut. One of us isn't enough to satisfy you, hmm? Open up," Chris demanded, You stuck out your tongue, and Chris began gently tapping the head of his dick against your tastebuds while he reached into your lacy bra and cupped your breast.

"It's okay, baby, you don't have to lie to spare Matt's feelings. I know I make you feel so much better than he ever could," Chris whimpered, running his pink tip along your soft tongue. "I bet Chris has never made you squirt like I did the other night," Matt shot back, digging his fingers into the fleshy insides of your thighs while he rammed into you.

"Who cares if you made her squirt once?" Chris sneered at Matt. "Remember when I made you cum five times in a row last weekend, baby?" Chris turned his attention back to you, sinking more of his length behind your pouty lips. "Five times?! Jesus, Chris. Quality over quantity," Matt ranted.

"Come on, babe. Do that little thing I like," Chris cooed, ignoring his brother and stroking your cheek. You generously bobbed your head while you circled his tip with your tongue, suckling as you did so and moaning against all his sensitive nerve-endings.

You loved the way Chris reacted to your party trick. The way he'd hold eye contact and grip the back of your head while smiling and biting his lip. You relished in the sweet sounds from Chris that filled your ears as a bit of his pre-cum pooled onto your tastebuds.

Matt continued jackhammerimg into you, bringing you to the brink of orgasm. "You don't even have the patience to edge her and make her squirt, do you?" Matt snarked at Chris. "Why the fuck would I wait when I can make her finish over and over?" Chris retorted.

The way they were arguing with one another, fighting over you, and taking verbal jabs at each other made you clench around Matt. Chris grabbed ahold of your hair while you hummed against his cock, and you stared into his beautiful blue eyes.

"Don't fucking look at him. I'm the one making you cum right now," Matt glared at you while you came undone around him. "Maybe I'm just more fun to look at," Chris shot back, giving you a devilish grin. You glanced between them both, unsure of who to give your attention to. You couldn't get enough of either one of them.

Your climax washed over you, trapping you in its riptide and flooding your system with immense waves of pleasure, ebbing and flowing through every inch of you. Soon, you weren't looking at either one of them, your eyes rolling into the back of your head, but both of their mental images played on the insides of your eyelids.

It was happening again. You felt yourself squirt, your fluids spurting all over Matt's rod as the knot in your stomach came unraveled. Your whole body violently shook as you soaked your sheets, and you let out a slew of delighted sounds as you finished.

"See how good I make her feel?" Matt snarked at his brother. "Just wait until it's my turn to make her cream all over my cock," Chris challenged. After your orgasm subsided, you breathlessly shifted your gaze between them again. They each slowed their movements, pulled themselves out of you, and switched places.

"Why don't you clean up the mess you made?" Matt suggested, a double meaning in his words while he shoved his sensitive head between your lips. Chris lined himself up with your entrance and slowly pushed in his tip, letting you get used to him inch by inch. He watched the way he disappeared into your hole, flickering his gaze up at your desperate expression.

He gently rested his hand on your lower stomach and started applying pressure while he was inside of you, deviously smirking up at you while your eyes rolled back once more. Matt sweetly smiled down at you and the way you generously accepted him.

"That's it. Show me that trick again," Matt demanded. You obediently listened, encircling all his favorite nerve endings with your tongue while you sucked on it. You pumped him in and out of your mouth while your lips vibrated against him, and you watched his reaction.

You loved watching him lose his composure, the way his forehead would wrinkle, and the way his jaw would drop. Matt's knees grew weak, and his eyes lost focus as you swirled your tongue around on it. "You're so good at that," he whimpered, savoring the sensation.

"Stop watching him," Chris gently smacked his hand against your face a few times to pull you out of the trance Matt had you in. "Look at me instead," he said with an imperative and dominant tone. Your eyes shot up at Chris, who was burrowed deep inside of you. "Don't listen to him. Look at me," Matt cooed, carressing your face and tilting it further in his direction.

"Matt can fuck off. Listen to me. Look me in the eyes while you cum for me," Chris commanded you, maintaining his stamina and tilting your chin to make you watch him instead. "Shut up, Chris," Matt barked, fucking your face. "You shut up. Let her enjoy how good I make her feel," Chris shot back, his tip getting to all your hard-to-reach places.

An explosive feeling brewed deep within you. You could feel your heat rhythmically clenching around Chris as you reached your climax. Your juices flowed out of you, coating Chris' length in your essence. "One," Chris counted, smirking down at you.

You felt desire burning in your core as he continued pumping in and out of you after he made you finish, coaxing another orgasm out of you. "Two," Chris cooed, mercilessly fucking you harder than before. You lost control of your body, giving into the throes of ecstasy that overtook you. Your legs trembled as you reached your third climax in a row.

"Three," Chris grunted, pumping in and out of your pink hole that was drooling all over his dick. You felt yourself fluttering in and out of consciousness as Chris pulled climax after climax out of you. "Okay, I get the point, Chris," Matt replied. "Get on your fucking knees, you two-timing slut," Chris commanded you.

You obediently fell to your knees in front of them and opened your mouth for them. They both fervently pumped their cocks back and forth while you hungrily waited to swallow their loads.

Simultaneously they each finished onto your tongue, filling your tastebuds with their flavor and moaning in unison as they smirked down at you. You loved the way they looked, towering over you with the pleasure you made them feel engraved into their expressions.

"You really can't choose, huh?" Chris asked, peering down at the mess you were after they were done. You glanced back and forth between them with your big doe eyes as you wiped their cum from the corners of your lips, "I can't. I really mean it."

taglist: @m00n-llght @bsturnzmtt @sturniolo-girl @theyluvme-2315 @zariyam @brookiecookie-18 @maggot3647 @slut4chriztopher @strnlslvr @sleepysturniolo @lvrsturniolo @sofieeeeex @imjusthereforthesturniolosmut @matts-myloverboy @new2024cats4life @witchofthehour @slutforsturniolosss @sturniolosweetheart33 @whoahoahoahoahoa @ilovechrissturniolosposts @smt-obsessed @sturnioloxlver @that1fangirll @hrtz4alex2211 @luvhsien @sp3ncerslvt @sturniolo-munch44 @jakewebberswifee @ssturniolooss @thenickgurl @sturniolo-fann @sst7niolo @babysturniolo @chestersturniolo @riowritesitall @camzeecorner @mattsturnixlo @annedebeijer @scorpioosworld @mattlover-00 @sweetlikesug4rvenom @m11rx @sturniolocharms @mickelodeon-2003 @sigmarizzler1 @chrislova @stellarsturns @lelesturniolo @sturniolodoll

[4theitgirls]

study methods

the second brain method

this method focuses on organizing the information you learn to maximize effectiveness. a common way of doing this is through the CODE method:

capture - be quick and efficient in how you receive the information

organize - organize the information in a way that works for you

distill - break the information down to its key elements

express - apply the information you’ve learned

* there is a ton of information out there about this method. if you struggle with burnout and knowing where to start, i recommend researching this method further to figure out what works for you.

the pomodoro method

the pomodoro method is a time management method. the most common expression of this method is to pick a task, work for 25 minutes on that task, then take a break for 5 minutes. then, repeat. if you’re planning to work all day, you may up the time spent studying. for example, after a while of this, you may work for 30 minutes at a time, then 40, then 45, and so forth. this method is particularly good for when you’re feeling unmotivated or having a hard time focusing. if you’re still not feeling it after a while, you may start to take longer breaks. for example, you may study for 30 minutes, break for 15, and keep going like that.

the 5 minute rule method

this method is good for when you have to do a shorter task, but you’re procrastinating doing it. this method requires you to dedicate only 5 minutes to do your task. after that, you may stop, but chances are, once you’ve started, finishing won’t be as difficult.

the blurting method

this method is particularly good for revision. the blurting method requires you to read over the content you are learning, then put it away and write down everything you know or can remember. then, check the content and revise everything you didn’t write down.

spaced repetition

spaced repetition requires you to spread out your study reviews over the period of a few days. this has been shown to improve memory. rather than studying one thing at a time, then studying something else the next day and so on, review the information right after you’ve learned it, then recall it after a few hours, then a few days, then a few weeks, and so on. if you’re studying something you will need to remember for an extended period of time, this method would be perfect for you!

active recall

this is my absolute favorite method! it’s been shown to improve your studying immensely and so many people have benefited from practicing active recall. active recall involves retrieving information from your brain, usually done through questions. a good way to do this is to explain the concept to yourself, to someone else, or act like you’re doing a presentation on the subject. after you’ve recalled all of the information you know about the subject, go over your material again and be sure you covered everything and explained everything the best way you could. if you didn’t, review everything you did not remember or got wrong, and go again. do this until you get everything. doing this can also be referred to as the feynman technique.

the SQ3r method

survey - skim your text and identify bolded text, headers, images, etc.

question - generate questions about the text based on what you surveyed. what are the key concepts in this text? what is each paragraph about? what information do i need to take away from this text?

read - read through the entire text and answer the questions you created

recite - summarize what you learned in your own words

review - recall the key concepts and answers to your questions

[sam-keeper]

Hey Look At This Comic: Chainsaw Man and Don't Get Around Much Anymore

this title is so funny. hey you probably haven't heard of this small indie comic, yeah it's pretty obscure it's called Chainsaw Man.

here's an even funnier joke: hey have you heard of this comics guy, name of Art Spiegelman?

before Spiegelman wrote that book you probably know him better for (ha ha he he) he did a lot of other comix, particularly a lot of one page experiments. one in particular stuck with me: Don't Get Around Much Anymore, a simple exploration of a narrator's apartment. there's a lot things Spiegelman does to enhance the sense of stasis, isolation, and depressive gloom in this comic, and the New Yorker a while back published a great summary by Spiegelman of his own techniques. what stuck with me the most was the sense of time out of joint created by his manipulation of narrating text and panel contents. throughout the comic, the text and images are "out of synch [sic]". for many panels, the text describes the image we've just seen rather than being illustrated by the panel it's in. there's even a weird pivot in the middle where we briefly look ahead before getting caught again in the backward flow.

because of the kind of person I am, I flashed back to this comic after reading Chainsaw Man issue 172. in it there's a bunch of moments where speech bubbles and panels also seem to be out of sync. so, I dug DGAMA out again and took a look. actually, I did more than reread it: I followed its soundtrack instructions, "to be read to the accompaniment of a dripping faucet, slowly." I'm trying to do more dumb bullshit that artists tell me to do these days because A. it's not like they're going to squirt me with their rubber flower or get me with the ol' ink around the telescope trick, come on and B. we do all kinds of arbitrary, annoying tasks in order to access an intended artistic experience: we call it "video games".

so I went in the bathroom with my girlfriend's copy of Metamaus, found the page where they reproduce DGAMA, and adjusted the faucet. how slowly to drip? well, if it's too low "slowly" becomes "inaudibly" so nudge it up a bit more. ok, tap... tap... couldn't hear that one... tap... good enough. and I read, and when I got to the panel where the narrator's description lines up with the panel contents, "all the water I can use pours out of the faucet with a flick of the wrist," the faucet made the loudest little "plop" yet. damn. A+ Art.

the reading experience is something like this: where a comic might often get chewed up fast, eyes rushing across the page, this one encourages a kind of juddering, halting back and forth between panels. it's almost got a hypnotic quality, paired with the dripping tap. it's such a simple page, but I found myself weaving back and forth over it many times in order to make sense of all the relations. the schematic representations at the top of the page take on an almost mocking quality--you can piece together the floor plan and how everything fits together, but doing so just pulls you into the comic deeper.

the effect of disjointed time in Chainsaw Man isn't the same, but there's some parallels. I find that I have to reread Tatsuki Fujimoto's action sequences a lot of the time to figure out just what is happening in them. this could be seen as a flaw but I think creates a deliberate sense of chaos. whatever occurs in Chainsaw Man can be understood, but only after the fact. in the moment events just occur, then we are invited to dissect the aftermath like crime scene investigators.

for that kind of effect, the disorienting pairing of seemingly out of sync words and drawings works perfectly. Fujimoto likes action sequences that don't linger on the tweens, jumping instead from impact to impact to impact. (this contrasts his dialogue scenes which often incorporate pauses and repeated static panels.) in the page here, a devil whose deal I can't be bothered to remember says "I dodged it!" only to realize that their head's been cut off. only, that's not really right, is it? the speech bubble is "I dodged it!" but in the panel the killing blow has already been struck. the speech bubble, as in Spiegelman's comic, seems to be lagging a bit behind the action. look at the two page splash too: if we're inclined to read the action the same way we read the rest of the comic, right to left, we arrive on the right hand of the page, where the action has already completed. we don't follow Chainsaw Man's trajectory but instead focus on where he already is, reconstructing the violence as we pass back across the rest of the page. to me, the skipping of intermediate moments, the page compositions, and this disunity between text and image, invites something similar to the passing back and forth over panels that we see in DGAMA.

is it that deep? if you think about this I suppose you can conclude "this is the character dying before they know it" which, sure, though I think that raises some interesting questions like "how do you get a whole sentence out with a severed windpipe and vocal cords". there's a moment later on when some dude is like "you guys! get behind me!" as, again, the panel shows his head and arms flying off. I guess there's a pretty established convention in manga and anime at this point of allowing gravity to be as weak as it needs, in order to let someone say as much as they want while their limbs are flying off, not unlike opera's convention of having someone get stabbed and then stand up to sing an aria with the sword still sticking out of their lungs.

nevertheless, I think it feels experientially distinct when you have a static image, ostensibly representing a unit of time, and the panel contents are this transparently incompatible. a more interesting way of looking at it is: death comes so fast for these characters that the comic can't keep up. it's not the speech but the speech bubbles that are out of joint here, the action leaving its medium behind. it's a radically different end effect than the one Spiegelman aims for, and is a lot less ready for the cover of The New Yorker, but the underlying principle of decoupling word and image in order to create a sense of time not quite functioning correctly remains the same.

if you wanted to achieve this in film, what could you do? maybe desync the audio track? it's an interesting possibility, though one I think a lot of viewers would experience as a transcoding error rather than an intended effect. or you could do something like the astonishing sequence in the most recent episode of The Elusive Samurai where, like Chainsaw Man, intermediate actions are removed so that a character is abruptly standing next to a bunch of headless corpses blooming blood flowers in slow motion. there's ways to capture something of the energy of Fujimoto's work.

...I don't think the anime adaptation of Chainsaw Man really tries, for the most part. both the slow awkwardness of conversations with their static compositions, and the way the action tends to skip clear movement for noise and destructive aftermath, aren't really suited to the style of high budget blockbuster anime, which wants to pack the screen with little movements, as though to make sure the money is visible with each frame, all the ones accounted for. the adaptation has largely opted to look as good as possible all the time, for a given value of good, in a way that I think loses a lot of the grungy charm of the comic.

even the most suited adaptation, though, would still lack one of the fundamental qualities of the comic page: its altogetherness, its arthrology as Thierry Groensteen terms it, its nature as a bunch of panels in a metaframe, taken in at a glance, or pages easily flipped back and forth across. it's this that allows us to pass back and forth over the page like we're reconstructing the calamity from the evidence after the fact.

this post originally ran on Cohost on August 19, 2024. you can read more reviews in the Hey Look At This Comic tag and support me on Patreon.

[soobnny]

dating him | lee felix

❝ if you win this round, i’ll give you a kiss ❞

chan | lee know | changbin | hyunjin | han | FELIX | seungmin | jeongin

lee felix

the pda king that u are

sorry to get straight to the point but

he’s always touching u in some way 😭

obsessed i’m telling u

whether that’s a hand on ur back pocket, maybe ur intertwined hands in his hoodie pocket, his legs over urs on the couch

he just wants to be touching u all the time bc he is just a lovestruck boy at the end of the day

and there is no feeling more blissful than having you so close to him

i 100% stand by the idea that he would be so insufferable if circumstances were to separate u for a moment

would send u 91837473 texts

calls u too if u aren’t busy

most preferably facetime so he can see u

the boys end up gifting him a pillow with ur face on it bc he just would not shut up about missing u

he is also the saw this n thought of u texts

yes that’s why u receive a million texts

bc a million things remind him of u

he sees a spoon?

hey! u use a spoon too!

the weather is nice?

he has to tell you that! he knows u love when the weather is nice!

speaking of texts, good morning and good evening texts at the most abnormal hours

(sent at 3:24pm) good morning princess ❤️

(sent at 5:11pm) goodnight my love

moving on

u two actually dated bc of hyunjin

look i know felix is extremely good looking and handsome and could pull 92848 girls

but he is honestly just such a shy boy

“hi, felix lost his number. can u give him yours instead?”

“did u just hit on me for him?”

😭😭😭😭😭

TEARSSSSS like hyunjin is shameless

but whatever, it worked

sometimes felix sends him a gift too on ur anniversary bc it’s all thanks to him

one of his favorite memories of u two dating is when u taught him how to braid his hair

who knew it could be so convenient

and look THAT good too

u catch his hair braided while gaming when u surprise visit once

it isn’t as neat as it would’ve been if u were the one who did it

but u could recognize that technique anywhere

it’s the one u’d taught him noooooo 😭

love language: physical touch and baking sessions and teaching u to game

physical touch done

next up .. baking sessions

u could either make the best batch of brownies or almost burn the kitchen down bc u two were too busy making out

u’d also get into a mini food fight

would 100% put red icing on ur lips and blue on his and say u two should make purple

he thinks he’s so cool and smooth

who’s gonna tell him

he’s a LEWSERRRRR but your loser

felix just honestly is happy he gets to combine two of his favorites: baking and u

and then there’s him teaching u to game

he would be so patient with u

and if u were playing, he’d be by ur side the whole time and coaching u

he’d take videos and photos for sure

if he’s the one playing, best believe you’re on his lap if the game isn’t all that competitive

“boooooo! hyung!” — jeongin 2024

he says that bc while felix was communicating, he heard u

felix also strikes me as the type to build u a world in minecraft

he’d make you a cute little house with cherry blossoms around and a garden and a pet

and he calls you just to RAMBLE excitedly about it

man he’s just too cute what the hell 😭😭😭😭

his dates are actually kind of expensive

and his gifts too

he’d be like “no no no i swear it isn’t expensive”

and it’s a louis vitton necklace or smthn

u have so many cute dresses

he especially loves picnics with wine and fresh fruits and carefully made sandwiches in a basket

and FRUIT PICKING

he would love that so much

i think felix would also love if u helped him dye his hair

bc again .. he loves having u close

so i said changbin fails at legos right

felix is too good

he LOVES legos

he even buys u those flower ones

he would do anything to spend time w u

including legos

he particularly loves that it takes kind of a long time so u two would be together the whole time

anyways felix is honestly just such a sweetheart

very very very green flag behavior

he respects ur needs

listens to u without judgement

u have such a healthy relationship with his family

like his mom calls you

“hi! felix isn’t home rn”

“oh no no, i called to say hi to you”

oh they love you

gagged felix

u have dates with his sisters

and it confuses him too like

u would come over their house and he’d tell his family like oh! my gf is allergic to this!

his mom replies “i know”

LIKE WDYM YOU KNOW

felix couldn’t be any more happy anyway

it’s great

congratulations ❤️

note. credits to user @.luvknow for the layout of this post! let me know what you think! please discuss these with me i’m crazy

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

[sidemari]

• Bun in the oven •

Some texts about you telling them that you’re pregnant and some headcanons about how they’re during the pregnancy. 

Characters included: Johnny "Soap" MacTavish, Keegan P. Russ, Kyle ‘Gaz’ Garrick, König, Nikto and Simon “Ghost” Riley x Fem!Reader 

TW: Mild angst, mentions of abortion and insecurities, implied smut. But everything works out in the end. 

Johnny "Soap" MacTavish

You call him from the corner of the room, that nervous smile on your face. Soap knows right away that something big is coming — he feels it, like he senses danger on the field… But this time, it’s something different. Something good.

“Johnny… Do you remember the night you came back home after being away for so long due to that mission?” You tested the waters by avoiding telling the truth right away.

“Yeah… How could I forget that night?” He smiled warmly, his mind flashing with the images of that day. “What about it, hon?” 

“Well… You know we got carried away and…”

“And…?”

“We’re having a baby.” You finally share your secret. 

He blinks. Once. Twice. His usual playful smile disappears for a second, replaced by a stunned look, as if he’s trying to decode what he’s just heard.

“Are… are you serious?” You nod, and he… explodes with joy. He literally lifts you into the air with a surprised cry, almost laughing and crying at the same time.

“Oh my God! We’re going to be parents?! Aye, fuck, baby, is this really real?”

He kisses your forehead, then your belly, even though it hasn’t even changed yet. He murmurs a bunch of sweet things in that warm accent — promises, plans, dreams. And then he whispers very softly, just for you to hear:

“I swear I will be the best father in the world… to our baby. And the best man to you. Always.”

When the morning sickness starts, he becomes your personal bodyguard against any suspicious smells: “What the hell is that in the air?! It smells like poison, honey. Close that window!”

He researches everything about pregnancy and becomes the most emotional “expert” on the planet. He sends you messages like: “Did you know that the baby already has little fingers today? LITTLE FINGERS, BABY!”

He talks to your belly every day, telling them about his missions, his friends on the team, and asking if the baby prefers soccer or rugby: “If you kick now, it’ll be rugby, okay?”

He starts to become obsessed with photos. He takes a thousand selfies with you and your belly, even while you’re sleeping. 

He refuses to let you carry anything, literally: “Not even the bag. Not even the remote. Let me carry it, honey.”

He massages your feet every night, and even develops a ‘military relaxation technique’ just so you can sleep better.

He has a hospital bag ready with 30 unnecessary things, like three types of chocolate, a teddy bear, and a mini speaker to play Scottish music for the baby.

He’s always reminding you how beautiful you are, even when you feel uncomfortable and insecure. “No matter how big your belly is, you’ve always been the love of my life, and now you’re carrying our little miracle. And no, I don’t give a single fuck about those stretchmarks. You’re nurturing a life inside your womb and your body is adapting itself because of it. I still think you look damn hot and I’m forever thankful that those pregnancy hormones shifted you into a little insatiable thing.”

He gets touchy-feely, sometimes hugging you in the middle of the night just to say thank you. 

He makes up nicknames for the baby while he’s still in the womb, like “Little Soap”. 

He gets really emotional during the first ultrasound. He holds your hand tightly and tries not to cry… but fails miserably.

He makes special playlists with soft Scottish music, movie soundtracks and even records himself talking so the baby can hear at night.

He buys miniature army clothes, but also absurdly cute ones, like animal costumes, because “he needs to have style in the nursery”.

One day he shows up with a crib set up in the middle of the living room just because “he wanted to see if it would look nice in natural light”.

He learns to cook your favorite foods (even if it turns out to be a disaster) just so you can eat what you want safely.

He keeps notes with the dates of the first times: first kick, first time their heartbeat was heard, first photo of your belly. He’s creating a secret “dossier” of love.

He swears he’s going to be the most present father in the world. No matter how much life changes, he will always be there for you two. 

It was a quiet night at home. The sky was clear, with a million stars shining through the open window. You were sitting on the couch, with a cup of hot tea in your hands, and Soap was lying next to you, with his head on your lap, apparently tired from the intense mission of the day. The conversation was calm, but you knew it was time to tell him the news. He was so focused on caressing your stomach as you played with his hair, that he didn't notice how nervous you were.

"Did you know you're going to be the best dad in the world?" You said softly, feeling your heart race. Soap looked at you with a crooked smile, his eyes shining with evident affection.

"I have no doubt about that, love. But what do you mean, best dad? If I'm not, who will be, huh?" You laughed, but you were feeling overflowing with happiness. Suddenly, the moment was there, and it was as if time had slowed down just so he could hear your words.

"Well… I can't say who's going to be the best father, but you're the best for me, and… Our daughter is going to be very lucky." There was a pause. Soap stood up quickly, looking at you, confused, as if he hadn't quite understood. His eyes were curious, but his smile stubbornly wouldn't leave his face. 

"Wait… What?" He asked, his eyes shining even brighter. You laughed, feeling the heat rise to your face. 

"I… we're expecting a little girl." Soap's eyes widened for a moment and he was silent, processing the information. When it finally sunk in, he leaned forward, with a dazzling smile.

"A little girl?" he repeated, his voice full of disbelief. 

"Yes, a little girl," You said, your heart almost jumping out of your chest. "You're going to be the father of a little girl." And then, he simply laughed. A genuine, happy laugh, one of those laughs that seemed so honest that you felt your soul warm. He stood up from the couch, holding your hands tightly before he jumped close to you, not caring about the teacup that almost fell to the floor.

"Are you sure about this? A real little girl?" He asked again, his eyes shining with happiness.

You laughed then, finally, the feeling of nervousness disappearing. He was more excited than ever, and his happiness was contagious.

"I'm sure!" You answered, laughing along with him, the two of you hugging each other tightly. "We're going to have a daughter, Soap." He ran his hand over your belly, still not fully believing it, but with a sparkle in his eyes that didn't fade. 

"I promise that I'm going to be the best dad in the world. It's going to be a pleasure to watch our little girl grow up." You leaned back against the couch, feeling your heart beat faster. 

"I know you will." And as he continued to rub your belly, smiling like a fool and in that moment, you were more certain than ever that he was the kind of father who would do anything for her. 

Keegan P. Russ 

You hadn’t planned to tell him like this. You wanted something elaborate, symbolic… maybe a candlelit dinner, a note written in your nervous handwriting. But there, sitting on the couch, with his hand resting on your thigh and his eyes intently watching a movie, you felt the right moment — a comfortable, intimate silence, just the two of you.

“Keegan…” You began, your voice low, almost as if you were keeping a precious secret between your lips. He turned his face to you right away. He always did that — when you spoke, he listened. With his eyes, with his whole body. It was a habit of his to offer you his total presence.

“Is something wrong?” He asked immediately, already with that protective look that always came when you hesitated.

“No… it’s just...” You took his hand and brought it to your belly, as if that would be enough. Maybe it was. For a moment, he didn’t understand. He looked back at your face, at your eyes filled with unshed tears, at his hand under your still flat stomach, but which held a secret growing in silence.

“Are you...?” He didn’t finish the question, but his eyes said it all. You nodded, with a shy, uncertain, but hopeful smile. The air between you changed. He didn’t say anything for a second too long — but you saw it. His shoulders relaxed as if he had been waiting for this news without knowing. His eyes watered, and his mouth opened slowly, a whisper coming out between his lips:

“Are we becoming a family...?” The way he hugged you that night was different. It was a protective, reverent grip. As if you were made of porcelain. As if the most important miracle of his life was inside you — and it was.

The focused, meticulous soldier appeared in a new form: in nutrition spreadsheets, reminders on his phone with alarms for his snacks, vitamins, and appointments. He went with you to all of them—even when he was exhausted, even when he had just returned from a mission the day before. He sat next to you, held your hand, and listened intently to every word the obstetrician said.

Keegan was the type of person who didn’t say much, but showed it all through his actions. He learned to cook healthy meals even though he didn’t know how to cut a tomato properly at first. He would run his hands over his belly before bed every night, with a caress that felt like a silent prayer.

And when the symptoms got tough — the nausea, the aches, the bloating — Keegan didn’t run away. He showed up with tea (and if you refused to drink them, he’d force you to, saying it was for the good of the baby you were nurturing), warm blankets, and concerned eyes. He sat on the floor beside your bed when you didn’t want to talk. He was just there and it was enough. 

Sometimes, during the night, he would wake up just to check if you were still sleeping well. He would run his hand over your forehead, carefully adjusting your position, as if he could protect you even from nightmares.

Keegan, during your pregnancy, was as firm as steel and as gentle as a cozy blanket. He became your safe haven, your silent and constant guardian. He slept with his hand on your belly, talked to the baby when he thought you couldn’t hear, promised he would be there, always, that he would take care of you, that no one would ever hurt you both. 

You found him in the kitchen, cooking your latest craving: berry pie.

“Baby,” You called, leaning against the door frame. He looked up immediately, a small smile forming when he saw you there.

You walked over to him slowly, your heart racing, and pulled out the small pair of blue booties you had bought that morning.

“For when he gets here.” You said, placing the booties in his hands. A cheesy way to reveal the gender of your baby, yes, but those booties were just too cute for you to ignore. 

Keegan frowned, confused at first — until understanding dawned on him. He blinked a few times, in disbelief.

“A little boy?” He asked, almost in a choked whisper.

You nodded with an excited smile. He laughed softly, shaking his head as if he was still processing it. Then he pulled you slowly closer, resting his forehead against yours before spinning you around slowly and carefully to not make you nauseous.

“My little boy… Our little boy!” He murmured, his voice cracking with joy.

When the time arrives, Keegan is incredibly calm on the outside, but inside he is a whirlwind of emotions. He has never been so scared and so happy at the same time. He held your hand through every contraction, whispering “You can do it,” “I’m here,” “It’s going to be okay” like a mantra — as if his voice could protect you from the pain. When he heard the baby cry for the first time, his eyes filled with tears instantly. He tried to hide it, but the emotion overflowed in his eyes and in the way he smiled at you and when he held his son for the first time. He was completely mesmerized: his big fingers touched the little body with the greatest delicacy in the world, as if he was afraid of hurting his own son. 

Keegan refuses to sleep while you rest. He sits in an armchair with the baby on his lap, just observing every little detail of the newborn. When the medical team came back and found him with the baby sleeping on his chest, and you sleeping in bed, they said it looked like a scene from a movie. 

He talks to the baby even though he knows he doesn't understand: "You have your mother's eyes... And you'll be strong like her too." 

Takes pictures of the tiny feet, of the baby grabbing your finger, of you breastfeeding him, bathing him and sleeping with him and keeps them all in a folder that only he has access to.

Kyle ‘Gaz’ Garrick

You realized something was wrong when you woke up with an upset stomach for two days in a row — and without having eaten anything heavy. The smell of the breakfast you loved started to make you nauseous… and that was the first warning sign. Kyle even jokingly commented: “Are you abandoning me in our sacred coffee ritual?” — and you forced a smile, pretending you weren’t worried. A few days later, you realized your period was late. A week. Then ten days. And then fifteen. And then, sweet fear hit deep in your chest.

You bought the test by yourself, on a quick trip to the pharmacy, and hid it in your purse as if it were a state secret. On a cold, slow morning, you took the test while Kyle was still sleeping. The silence in the bathroom was almost deafening as you waited the five minutes that the package indicated. Two lines. Two lines that changed everything. You stood still for long minutes, in the same position, holding the test with shaking hands and teary eyes. You didn't know whether to laugh or cry. You did both. The first thing you thought was: "How am I going to tell him?" — and right after: "Will he want this with me?" 

You tried to plan a cute way to tell him. A special dinner, a little box with the test and a note. But anxiety got the best of you. You told him in a simple way, on a normal afternoon, when it was just the two of you, sitting together. He noticed something different about you, and when you shared the secret you were carrying alone, time seemed to stop.

He was sitting on the couch, his eyes softly focused on you as you walked slowly toward him, your hands clasped in front of you, as if trying to contain your racing heart. He could tell right away — you were nervous.

“Are you okay, love?” He asked, his voice low, full of affection.

You nodded, but your throat was dry. You took a deep breath, then walked over and sat down next to him. His hand came naturally to yours, his warm, firm fingers wrapping around yours as if to say ‘I’m here, talk to me.’

“Kyle…” Your gaze met his, and there was so much tenderness there it almost hurt. “I’m pregnant.” For a moment, the world seemed suspended. His smile froze mid-smile, his eyes wide with surprise. You saw the emotion building there — first confusion, then a wet gleam in his eyes, as if he’d just heard something sacred.

“Are you… pregnant?” He repeated in a whisper, as if he was afraid to break the moment.

You nodded, with a small smile. His answer came in the form of a soft, almost breathless laugh, before he pulled you into a hug full of warmth and reverence. He held you as if you were made of glass, but at the same time with such intensity that your heart seemed to fit into his.

“We’re going to have a baby… Fuck’s sake!, that’s so amazing...” He whispered against your neck, as if he still couldn’t believe it. 

“Kyle… No swearing around the baby.”

“Copy that.” He smiled. “I'll be here. Every step, every beat of this little heart… I want to live it all with you.” After that, he placed his hand lovingly on your lower belly, as if he could already feel the new life you had started together. And in that moment, between soft smiles and slow kisses, the whole world seemed to fit between his arms.

He became obsessed with learning everything: he read medical articles, downloaded three different pregnancy apps, and asked the internet if certain strange food cravings were normal. 

He created a ritual: every night, he would lie with his head on her belly and whisper stories, just to “familiarize the baby with his father’s voice.” He would always say proudly: “Our baby will be born hearing the most beautiful accent in the world, honey.” 

He was so protective, but in a sweet way —  accompanying you to every appointment, carrying healthy snacks in his bag, and talking to doctors like you were a secret agent on a mission. 

When your belly started to grow, he bought funny “Loading… Baby 50%” T-shirts and forced you to wear them just to see your grumpy little face. No need to tell him they look awful, he’s already taking pictures of you. 

One day, he found you crying watching a random video of a stray dog being adopted and he just sat down with you, hugging you tightly, and getting emotional too, without even knowing why. 

He insisted on putting the crib together with his own hands. He made several mistakes, got his fingers stuck, and cursed the manual — but in the end, the crib was perfect.

When the contractions started, he went into military mode in 0.1 seconds. He grabbed the hospital bag, checked the checklist, warned everyone and took you to the hospital as if he was on a mission.

During the birth, he held your hand the whole time, letting you crush his fingers without complaining as he kept murmuring something along the lines of “Breathe with me. I’m with you.”

When the baby was born and cried for the first time, he cried too — the kind of silent, emotional cry that comes from deep in the chest.

He was paralyzed for a few seconds when he saw the baby in his arms, with teary eyes, whispering: “We did it. Look… we did it.”

You waited to find out the baby’s sex until the birth. It was a huge shock when the obstetrician said that a little boy had been born: “Hell yeah!”, he celebrated. “My little boy,” he murmured, his voice hoarse with emotion. “Our son...”

König

He finally returned from that mission that seemed to have no end. 

You call him by name with that soft voice that makes him feel weak to his knees. He notices something in your tone. The blue eyes fixed on yours with attention… and a hint of anxiety. “Was ist passiert, mein Schatz?” (“What happened, my love?”)

You take a deep breath, smiling with a nervousness that he immediately picks up on — and you finally say three words that change everything: 

“I am pregnant.” For a moment, he freezes. Not with rejection. Not with anger. But as if the world had gone silent. His eyes widen slightly, he takes a step back as if he’s been shocked, only to then approach you again with visible hesitation in his hands. The mask covers half of his reaction, but his eyes say it all. Pure vulnerability. The doubt of whether he deserves this. The desire to believe he still deserves to be happy. 

“Is it… mine?” He asks, his voice lower than ever.

“Of course it is, König!” 

When you say that — of course he knew it was his — König lets out a shaky sigh and puts his hands on his head, walking a few steps as if he doesn’t know what to do with his own body. Then he stops and he comes back to you. He kneels and he hugs your still-flat belly, pressing it against his face with an almost religious reverence.

“Mein Gott (My god)… you gave me a new life.” He murmurs, his voice hoarse and muffled.

Then he looks down at you, with teary eyes — the intimidating giant now looking like a lost, happy boy — and says something you would never forget:

“I never thought I would have something so precious. I will take care of you. The both of you. Even if the world falls apart… you will be safe.” 

In the first few months, König is on constant alert. Every moment of nausea, every different expression on your face, makes him stop everything to check if you are okay. 

He obsessively researches pregnancy in silence, on his cell phone, reading scientific articles, forums, and even mothers' groups — all in secret, with his eyes fixed on the screen as if he were studying military tactics. 

He tries to cook for you (with… variable results), just because he read that certain foods help with morning sickness. 

When your belly starts to grow, König starts talking to you when he thinks you are sleeping. He lies down next to you, his head resting gently on your belly, murmuring in German with a sweetness that seems unthinkable for such a huge man. "Dein Vater liebt dich sehr, mein kleines Wunder..." ("Your father loves you very much, my little miracle...") 

He starts to accompany you to every medical appointment as if they were a mission, paying attention to every comment from the doctors and nurses as if his life depended on it. 

When your belly is already heavy and your steps are slower, König starts carrying you to any place that involves stairs. Literally. He doesn't even ask. He just picks you up with the greatest care in the world, as if you were made of glass. 

When you start having false contractions, he goes into a state of absolute focus—the hospital bag has been packed for weeks, the routes have been planned, the emergency numbers are posted on the fridge. But despite this, he is always kind, always calm with you, even though he is seething with nerves inside.

He has internal crises of insecurity, but he never burdens you with them. He writes everything down in a hidden notebook, as a way of letting off steam. 

You find him on the balcony, the sky tinged with gold by the sunset. König’s back is turned, still, silent, as he usually does when he’s thinking too much. His large hands are resting on the railing, his broad body almost blocking the light. He turns when he hears your footsteps, and his soft gaze immediately lands on your belly with an almost reverent affection.

You smile, and he responds with that shy little smile at the corner of his mouth, his eyes still seeming to search for more signs that you’re okay.

“What did the doctor say?” He asks in a low voice, waiting for each word as if they were sacred.

You walk towards him, slowly, feeling your heart beat faster — not from nervousness, but from excitement. Then you take one of his hands and guide it to your belly.

“She’s fine,” You begin, looking into his eyes. “And yes... I said she.”

König’s eyes blink, as if it took him a second to process.

“She...?” He whispers, almost in disbelief. You nod, smiling even wider.

“We’re having a little girl.” His breath catches for a moment. His blue eyes — usually so restrained, so trained not to show too much — shine with immediate moisture. He kneels, letting his forehead touch yours while his hands wrap around your belly with a delicacy that doesn’t match its size.

You run your fingers through his hair, feeling him snuggle closer, his arms around your waist as if he wanted to protect the two of you from the entire world.

“She’s already so loved, König. By me… and by you.”

“I… I don’t know if I’m ready. But I’ll give everything. Everything. For both of you.”

“You’re already everything she needs. And everything I need too.” 

Nikto

The truth is that you found out you were carrying his child only in the third month of pregnancy. The missions, your dangerous job, the obligations, plans and goals, your own complex relationship with Nikto… all of this was too much for you to handle. The days became weeks and the weeks became months as you just ignored the symptoms, thinking that the nausea and exhaustion would pass. But they remained very present, and your suspicion only increased.

You took a pregnancy test, which came back positive. And to be sure, you also took a blood test some days after and then, an ultrasound, which finally revealed the baby's gender: a little boy was coming into the world. You did all this without saying a word to Nikto, fearing that he would hate the news. You weren't stupid, you knew he would soon realize something was out of place. Your body was changing, your symptoms were still present, and you even avoided exposing yourself to any kind of risk, as much as possible, unlike before.

He suspected the possible reason why this was happening, but he never forced you to admit anything. Not until you were ready.

When you told him the news, at first he reacted with silence and a hard look, trying to process the information. He’s not the type to show emotion easily, so you thought he was angry or indifferent… But inside, he would be conflicted. Part of him would feel vulnerable — the idea of ​​having created a new life would hit him harder than he expected. Another part would be on edge, worried for your safety and that of the baby, since his world is too violent for something so innocent.

But he wouldn’t shy away from responsibility. He just wouldn’t know how to show he cares in the traditional way. You’d see him more protective, more present, but also more silent. His love would be shown in actions, not words.

The base was silent that night—just the hum of the generators and the occasional sound of boots echoing in the hallway. He was sitting at the table, cleaning his weapon with the meticulous precision of always, his mask pushed up to his forehead, revealing those hard eyes… but that always softened when they landed on you. You walked in slowly, your fingers intertwined in front of you, your heart beating fast.

He noticed it instantly. He dropped the metal piece on the table and watched you silently. Not like a soldier, but like a man. Your man.

“Are you hurt?” He asked, standing up immediately, his tone low but attentive.

You shook your head, taking a deep breath before speaking.

“It’s not that. But… I need to tell you something. And it’s important.”

His eyes narrowed. He crossed his arms, his body firm as steel, but his gaze… almost nervous.

“I’m pregnant, Nikto.”

The silence that followed was as thick as the darkness outside. He didn’t answer. He just stood there, motionless, as if time had frozen. What did you expect? A scream? A sigh? A “how did that happen?”?

None of that came.

He walked towards you, slowly, as if he were stepping on unknown land. He stopped so close that you could feel the heat of his body. His gloved hand rose to your face — it hesitated in the air for a second — and then landed with a delicacy that no one would ever imagine that man was capable of.

“My son?” He murmured, his voice so low that it seemed like a secret between you and the universe.

Son… And he even had guessed the baby gender right.

You nodded, tears in your eyes, but smiling.

He closed his eyes for a moment, and when he opened them again, there was something there. It wasn’t fear. Or anger. It was… instinct. A raw kind of love — unconditional, protective.

"How do you…" You hugged him, and that took him by surprise. It took Nikto a few seconds to hug you back, but when he did, he stroked your hair with affection. "How do you know it's a boy?"

"Is it?"

"I mean… yeah."

"Perhaps it was just my intuition." He kissed the top of your head, wanting to protect you from the world.

“You will not leave my sight.” His voice had returned to its firm tone. “I will take care of you both. From now on.” And then, for the first time since you met him, Nikto knelt down, making himself vulnerable before you. Lifting your shirt, he pressed his lips to your slightly swollen belly, so gently that it barely seemed real. But it was. It was his promise. No pretty words. Just presence. Just surrender.

Nikto was already a controlling person by nature, but from the moment he found out about your pregnancy, he became a constant shadow by your side. He checks safe routes before you go out, monitors the environment where you sleep, and leaves discreet trackers on everything you wear “just in case.” He doesn’t say, “I’m afraid something will happen,” he just acts—as if he could take on the whole world for you and the baby.

He’s not the type to say, “You look so beautiful carrying my son” but out of nowhere you find a soft blanket on the couch, hot tea on the table, or maternity clothes in your size neatly folded on the bed. When you ask him if that was his doing, he just answers curtly, “Maybe.” But if you insist, he might say, “I like to see you comfortable.” (And he looks down, because that was the most vulnerability he could show that day.)

If you’re lying down and you let out a whimper of pain or discomfort, within seconds he’ll be there, kneeling beside the bed, pressing his hands firmly against your back. He never comments anything, he just keeps going until he feels you’ve relaxed. When you say a weak “thank you” he’ll give you a quick nod and maybe — just maybe — press a kiss against your forehead before leaving the room.

At night, when you are dozing on the couch or in bed, he will slowly come over and, if he is comfortable doing so, he will rub your belly while speaking to the baby in Russian. They are short, almost military phrases, but sweet in his own way: "Your mother is stronger than anyone. You will get this from her." Or even: "You will not know war. I swear."

Even with all his confidence, he sometimes stays silent for long periods, staring at you from afar. When you ask him, he ends up saying something like: “I don’t know if I’m cut out for this. I only know how to fight.” It’s at this moment that you see his most human side. He’s not afraid of war, but he is afraid of failing you. And when you hold his hand and tell him he’s already doing more than enough, he doesn’t respond. He just squeezes your hand tightly — and doesn’t let go.

Simon “Ghost” Riley 

Hot and intense nights became common when the pressure of the world became great enough to suffocate you both.

You sought refuge in sex, night after night indulging your most primitive and sinful desires as a relatively effective, but twisted, way of enduring the horrendous reality of serving the country.

Even though you knew that being careful was relatively far from being part of your routine, you felt the world fall apart when the first symptoms began.

Nausea, fatigue and insecurity had become part of your essence and the fear of the future permeated your soul.

You tried to hide your pregnancy for as long as possible, not wanting to tell Simon, much less your team members.

Bringing an innocent life into the hell you lived was a senseless act. Then why did you feel so much love for someone who hadn't even been born yet?

You were almost four months pregnant when, during a mission, you fainted for no apparent reason. You weren't taking care of yourself enough — eating little, sleeping little and keeping so many secrets to yourself... It came as no surprise to anyone when your body couldn't handle all of that.

"Stay with me... Hey! She needs medical help!" Ghost shouted, looking around desperately, protecting your body as if you were the most fragile thing in the world at that moment.

Your consciousness slowly returned, and you realized that you were being carried by him to a safer place.

"I'm sorry." You stammered, feeling guilty for having interrupted the gathering of such important information.

"Don't apologize. I've never seen you so pale and weak like this, not even on worse missions." You were finally in a calmer place, still alone with him, and before other people entered the room to check on you, you decided it was time to tell him the truth.

"Simon, I..." You hesitated, wondering for a moment if being honest with him was really what you wanted.

"You...?" He encouraged you, squeezing your thigh affectionately, as usual.

"I... I'm pregnant." His eyes widened, and his grip on your thigh tightened, almost hurting you.

"What...?" He mumbled to himself, slowly fitting the pieces of the puzzle together and everything made sense — your extreme sensitivity to the tastes and smells that you usually liked, your endless naps, your hurried and unannounced trips to the bathroom, your lack of complaints about cramps, almost as if you hadn't had your period that month... It all made sense, and his head almost exploded.

"How did I not notice?" He whispered, pulling you close, hugging you tightly as if he wanted to protect you from all the evil in the world. "How far along are you?"

"Almost four months." You mumbled against his chest as he stroked your hair lovingly. "I think it was on your birthday..." 

That night... That fateful night.

"How are you feeling about this?"

"I... I don't know what to think..." Your hands involuntarily went down your body, caressing the slightly swollen belly due to the life that was developing there. "But I love them so much already..."

He smiled against your hair, hugging you tighter, a genuine happiness slowly forming inside his heart.

"I'm scared, Si." You admitted. "I'm scared of bringing them into this world only to suffer and see horrible things like the two of us."

"Hey, don't say that. Even in hell I found you. I found someone worth fighting for and waking up to everyday. Life isn't all bad, you taught me that yourself." You didn't answer, but he understood what you meant.

"Regardless of your decision — whether you’re keeping them or not — I will support you and stay by your side. Until my last breath." And he kissed the top of your head.

You couldn't muster the courage to abort that life. They were the fruit of the love between you and Simon and they were the best thing you had.

So you decided to keep it, to face the consequences of your acts, to carry the responsibility of bringing a life into this world. 

Months passed without you wanting to know the baby's sex, until Simon convinced you to investigate it.

"Guess." You murmured against his lips, your hands cupping his cheeks.

"Hmm, I have a feeling it's a girl." He secretly longed for one. You guided his hand so he could feel the baby moving, kicking you weakly every now and then.

"It's a girl! We're having a little girl, Si!" His heart fluttered with joy.

"Bloody hell, love... Fuck, I love her so much already. I can't wait to finally meet her."

He has a habit of murmuring sweet nothings your swollen stomach as his fingertips caresses the skin of your belly.

He doesn't let you lift a finger to do almost anything and he even asked captain Price not to allow you to leave the base for any more missions. He couldn't bait to lose both of you.

He helps you with your craving and pregnancy pains —  his massages are divine and melt away any tension you may be feeling.

Close to delivery, when you can no longer bear the weight of your very own stomach, he holds your belly gently with both hands, slowly freeing you from the weight of your little girl for a few seconds — seconds that relieve you absurdly.

Actually cries when he sees his baby for the first time — she's just so tiny, all wrapped around a blanket and her baby clothes, her foot is barely the size of his thumb and she's a little carbon copy of him in appearance. He's utterly glad you decided to keep her over five months ago. He couldn't imagine a world where you three didn't exist anymore.

He is completely disarmed by his daughter. He can face any enemy without hesitation, but if she cries in the morning or asks for something with that look in her eyes, he simply melts.

Protection is his second name. He checks locks, cameras, and sleeps lightly, as if he was still in the field. But the truth is that he just wants to make sure that nothing will hurt the two people he loves most in the world.

As your husband (fucking finally, right?), Simon is silent… but constant. He doesn't need big words; he shows it with actions. Coffee ready, blanket pulled up in the middle of the night, arm around waist without saying anything. He is simply perfect.