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#watching his episode where he's just spying on everyone
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What's scarier in Decked Out: The ravagers, or the Zedaph living in the walls?
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iluvloganhowlett · 2 months
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I need more hugh and reader PLEASE he’s so cute pattotie which is such a contrast from Logan lmao
CUTIES ✮⋆˙
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in which ryan reynolds has a private snap story where he secretly films cute moments between you and hugh
warnings: none, just fluff!
do NOT ask how i thought of this…
the camera started by showing ryan, a bit too up close and personal for the average person’s liking. “hey nerds, welcome back to ‘i-spy with ry-ry.’ today, i just saw hugh and y/n make their way to hair and makeup together so we’re gonna follow them and see where the wind takes us. hopefully that won’t be to a small, crappy bathroom stall..”
alas, the camera flips and you and hugh can be shown skipping off to hair and makeup, babbling about whether or not a tomato should or should not be considered a fruit.
“baby when have you ever heard of tomatoes in fruit salad or in a fruit smoothie or when have you ever asked for fruit and were handed a cup of tomatoes?”
“never… but-“
“so then i rest my case, thank you very much.”
you squeal, running a little to catch up to hugh as he rounds the last corner to hair and makeup.
“hugh!” you call, landing a soft and playful punch on his back, causing him to swiftly grab you and tickle your sides.
as you giggle uncontrollably, the camera flips back to ryan, who unexpectedly has tears welling up in his eyes. “i’m sorry it’s just- god they’re adorable. they make me wanna have more children.”
your giggles can still be heard in the background, and for the next chunk of time, all that is shown is a rather unflattering angle of ryan watching you and hugh.
as soon as your voice can be heard again, ryan flips the camera back.
“y’know it’s not very nice to hold others against their will like that,” you mutter, looking up at hugh with a playfully-angered look.
he shoves you, causing you to lose your balance ever so slightly, “aw get outta here! you love me!”
you tilt your heard, grabbing hugh’s hand as the two of you swing your joint arms back and forth, “maybe.”
hugh’s head snaps toward you, brows high, “maybe?!”
you only smirk, “maybe.”
he shakes his head, “you’re a little shit i hope y’know that.”
“eh you love me,” you repeat, stealing his words.
ryan zooms in on your faces, and hugh can be seen clearly as his eyes—full of nothing but love and adoration—flicker between your eyes and your lips.
you close the small space between you two, leaning up on your tippy-toes and pressing your lips to his. the kiss is slow and passionate, making ryan squeal out loud; louder than he thought he had.
you two break apart, heads darting to wherever the sound came from.
“ryan what the hell?!” you exclaim, a bright smile on your face as you tilt your head.
hugh can be seen with a twisted face, looking his best friend up and down.
“alright i can explain-“ ryan pleads as if he’s in a movie, but hugh has already made his way towards the camera, snatching it out of ryan’s hand.
you follow suit, hugh’s hand on the small of your back to guide you. you lean up, almost choking when you read the title of the story, “ryan are you fucking forreal? ‘i-spy with ry-ry?”
“i-“
“you’re a strange man…” hugh states, wrapping his arm fully around you waste now to guide you the opposite direction from ryan, actually making your way to hair and makeup.
as soon as your backs are turned, ryan flips the camera to himself, “alright everyone, that’s it for todays episode of i-spy with ry-ry, stay tuned for-“
“ryan shut ya damn mouth, man!”
“bye-“ *camera cuts*
ok i’m actually satisfied with this bc 1) it’s veryyy original 2) tumblr deleted this whole thing and i had to rewrite it from memory🤦🏽‍♀️
taglist!!
@velvrei @spazwayy @oatmilkriver @sseleniaa @mei-simp @wittyjasontodd @wolverinesangel @realsimpbitchshit @pickuptruck01 @keigohawks @thereallchristine @zeeader @pink-jello-fish @twinky-wink @malfoys-demigod @seamlessepiphany @withafoll @lulawantmula
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em-ontv · 2 months
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If I can’t have you.
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Pairing: Homelander x fem!reader (who's a member of The Boys)
Summary: he’s obsessed with something he can’t have. And you just so happen to show up at a little Vought party.
Warnings: Homelander himself is a warning, language/profanities, mentions of violence, psycho behavior, a bit of stalking?, bits of obsessive behavior, use of y/n
Author's note: After weeks of hiding under a rock, I have returned with this little fic. Just a random thought, Homelander may be ooc, I don't know, I tried my best, I've only seen a few episodes of the show. Anyways, enjoy. English isn't my first language, there should be mistakes, apologies beforehand :)
Word count: 789
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You weren't supposed to be there. Not at a Vought party, not at this swanky corporate party with its champagne flutes, fancy lighting from the chandeliers, and a thousand faces that were too smug for their own good. But there you were, playing the role of a nobody, trying to blend in with the crowd. The plan from Butcher was easy — get in, get out, no problems.
But then he noticed you.
Homelander.
The Golden Boy. America's fucking sweetheart. The poster child of Vought International's entire empire. He was everything you despised, everything you were working with The Boys to bring down. You knew what he was behind the flashing lights and the cameras, the bodies he had left behind without so much as a second thought. He was a ticking time bomb, dressed up in red, white, and blue. But you didn't expect him to even look your way.
It started with a file. A damn file. Some low-level paper pusher at Vought had flagged you as a person of interest — seeing your connection with The Boys. Homelander caught wind of it somehow, maybe during one of his scans to sniff out a threat, or maybe he was just bored enough to pry where he shouldn't have. And then, there it was — your face, plastered on the screen. Something about you caught his eye. You didn't look scared. You looked defiant.
That pissed him off. But it also intrigued him. So, he started watching.
At first, it was just a curiosity, a passing interest. But then it grew, and festered. He started to check in on you more and more, looking through cameras, or, fuck, his x-ray vision, flying over the city to catch sight of you. It became a sick little game for him — seeing how close he could get without you noticing, and you didn't. He'd watch you walk down the street, watch you with Butcher and his merry band of assholes, watch you when you were alone. It was thrilling for him, intoxicating, even, to know that someone like you, someone who should be terrified, was living their life so... boldly.
And that's when it became an obsession. You were something he couldn't control, something he couldn't have. And that made him want you even more.
Which is why, when you crashed Vought's little party, you felt a pair of eyes on you the moment you stepped foot into the building. You knew something was wrong, you felt it. It made your stomach churn, as if it was a warning that told you to run. But you couldn't. You had a job to do, information to gather. And you knew that Homelander wouldn't dare to make a scene at a party that was hosted for him. Not here, not now.
But then you bumped into him.
Literally.
One second you were standing beside a door, trying to catch a few whispered words between the executives, acting casual. And the next, you were backing up right into the problem itself, quickly turning around and meeting the eyes that could burn holes through your skull or melt you into a literal puddle.
"Whoops," Homelander said, with that infuriating, perfectly rehearsed smile plastered across his face, as if he wasn't the most dangerous thing in the room. "Well, what do we have here? A little spy, sneaking around my party?" he hummed, his voice low, just for you.
"Oh, no. Just someone who’s enjoying the party like everyone else is, nothing special." you said, your voice steady, although you were absolutely fucking lost inside.
"Standing close to that door won't do you any good. Why don't you come with me?" his hand reached out, brushing a lock of your hair behind your ear, and you fought the urge to flinch.
His eyes were piercing, searching your face like he was trying to peel back your skin and see what made you tick.
Nope. You were leaving.
He couldn't have seen through you, could he? You've never even met face to face before; how could he recognize you? Did he know that you were with Butcher?
Fuck him. Fuck Butcher. Fuck this.
"I should go. This party's been delightful." you said, giving him a smile that seemed too forced, a sour look on your face.
You turned around and quickly paced your steps to the exit, as if your lifeline was just ahead. It was. But before you could reach it—
Homelander blocked in front of you, blocked your path. The smile no longer on his face, instead, it was replaced by a dangerous glint in his eyes. He moved forward, one step... two steps, backing you further and further away from the exit.
"Leaving so soon... y/n?"
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confused-pyramid · 8 months
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Tell Me Some Things Last | s3
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 23.1k
warnings: canon!typical violence, mentions of abuse, mentions of death, specific episodes mentioned in this part are 3x01, 3x02, 3x03, 3x06, 3x08, 3x09, 3x14, 3x16, 3x17, 3x19, and 3x20
a/n: season 3! The slow burn continues:) This was really fun to write, so I hope you enjoy it! (and I promise the chapters won't keep getting longer, this one just got out of hand LMAO) Title is from Heal by Tom Odell
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"Excuse me?"
Section Chief Strauss doesn't falter. "You can't expect me to believe you think Agent Hotchner has done an effective job leading this unit."
"You can't expect me to believe that you think I'd willing spy on my unit chief for you."
She sighs and you want to throttle her. "Agent L/N, I know you two share a history, but this is bigger than that. People have died on his watch."
You have been trying to remain neutral since you were called into her office, but every word that comes out of her mouth makes you see red. Yes, this past year has been tough, but none of it was in his control.
"I think you know my answer," you say coldly, straightening your back in her chair. "I have to go, we have a case in Arizona."
She holds your gaze for a second, before nodding and turning back to her computer. You stand up and leave her office without another word, hastening your pace to a light jog the moment you're out of her line of sight.
You want to talk to Hotch as soon as possible, but by the time you get back to the bullpen, the whole team and their go-bags are gone. Grabbing your own bag, you rush over to the airstrip where everyone is settled inside the jet.
He glances up with a thin smile when you take a seat across from him, and you return it, not wanting to raise his concern when everyone is around.
The Flagstaff police meet you at the airport when you land, and everyone jumps into the awaiting SUVs to get to the crime scene as soon as possible.
The victim is another brunette woman on the college campus, but luckily her body was found after curfew, so students aren't milling around.
You step closer to examine the woman's body as JJ glances down at her hand. "She had her Mace out, but she didn't use it?"
Morgan nods, looking around. "And it's well-lit. He's not afraid of being seen."
A bus stop sign catches your attention and you turn to Detective Griffith. "How often do the shuttles run?"
He answers immediately. "Every 10 minutes."
"Were all the other victims posed like this?" Reid asks, bending over to get a better look. "With their arms crossed."
Griffith frowns. "Yeah. Why?"
"It's a classic sign of remorse," Morgan responds, stepping in to take over the explanation. "The unsub kills the victim then immediately feels bad about it, so he poses them like this, so they'll rest in peace."
"You can tell that just by the arms?"
"It's why you called us here. To build a psychological profile of your killer."
After inspecting the crime scene, Gideon and Morgan leave to talk to the dean of the school, and JJ and Reid go to meet with the students living in the victim's dorm. Hotch is still back at the station, and you haven't gotten a chance to talk to him since meeting with Strauss, but you push it out of your mind as you accompany Emily to the coroner's office.
You're so lost in thought that the drive over is entirely silent, and it's not until you've parked that you realize she didn't say a word either.
When the coroner leads you to the victim's body, you notice how much clearer each of the markings and cuts are. Hotch doesn't assign you to speak with the coroners very often, usually sending Prentiss, because of her incredible attention to detail, but not that you're here, you appreciate the second chance to examine the victim.
"Did the other victims have this much overkill?" she asks, pulling out her camera as you flip open your notebook.
"Death was caused by a single, very forceful stab wound to the heart," the coroner confirms.
You lean in closer to see the insertion point and notice the lumpy discoloring on the victim's chest. "Yeah, it looks like he broke through the breastbone."
"And after that he just lashed out at random," he adds.
Emily hums in agreement before snapping a couple of photos. "Well, no defensive wounds. She didn't even hold her hands up to fight him off."
"The first two victims were the same."
A shudder runs through you as the two of you leave the cold room and emerge into the warm sunlight. "Why is it almost harder to look at the victims when they're cleaned up and no longer covered in blood?"
Emily considers your question for a moment. "Maybe it's because they look less human that way."
You remember Jeff's funeral, how lifeless he seemed in his casket, and how you could barely look at him during the proceedings. It was somehow worse than seeing him at the crime scene, blood everywhere. At least then, you could still see the warmth in his skin. Later, he just looked cold.
"I think you're right," you tell her just as her phone chirps with a call.
She stiffens imperceptibly when she sees the number, but you only notice because of how hyper-vigilant you have been about your own tells since speaking with Strauss. "I need to take this. Give me a second."
She walks away from you and answers the call, her tone hushed so that you can't hear her. You know it could easily just be a personal call about something private in her life, but there's something almost familiar about the look in her eyes when she saw the number.
"Everything okay?" you ask her when she returns, but she just sighs and starts walking to the SUV. "It's nothing."
You haven't known her for as long as the other members of the team, but it's not hard to tell that she's hiding something. She looks distracted as she avoids making eye contact, and when you remember how you did the same with Hotch on the plane, the pieces fall into place.
If Strauss gave her the same assignment she tried to give you, then you need to keep an eye on her. You don't believe that she would sell out the team, but you also know how terrifying you thought Strauss was when you first joined the bureau.
***
The profile leads you to take Nathan Tubbs, one of the campus security guards, into custody, and while Gideon interrogates him, you walk with Reid, JJ, and Emily through the quad to get back to the station.
"Everyone is so much younger than I remember being," JJ says, as you all pass through a crowded part of campus. Word must have spread that the team arrested someone, because you can't imagine why else there would be so many students hanging outside after dark.
"Yeah, it's a weird age," Emily chuckles. "You want to be treated like an adult, but you're still used to someone else solving your problems for you."
"All I remember is trying to figure out who I was."
That makes you laugh. "I had no idea what I wanted to do when I was in college."
"Didn't you go to college with Hotch?" JJ asks, her eyes twinkling. You expect she's hoping for an embarrassing, or at least interesting, story from those years, but your past with him feels almost like sacred territory: something you can't breach when he's not around.
"Not college," you correct, "just everything else before and after."
"What was he like then?" Emily asks, genuine curiosity in her tone. You still can't believe that she would spy for Strauss, but you also can't help your suspicions.
"He was completely different, but also the same." You smile as you think back to the early years of your friendship. "He was kind of a cool kid in high school, but he was just as focused and determined as he is now."
"Hotch was popular?" Reid asks in disbelief.
JJ snorts. "Why can't I imagine that at all."
"He was trustworthy," you shrug, "and kind. Even when people weren't kind to him."
The three of them go silent, and you suddenly feel extremely self-conscious, but you're saved when your phone rings with a call from Derek. "Hey."
"There's been another murder."
***
The case ends in a murder-suicide that a part of you believes Gideon should've seen coming. JJ calls the jet to take off at first light, and everyone looks exhausted when you arrive at the airport. You sleep most of the flight back, but when you step into the field office again, you know you can't ignore the talk you've been avoiding all day.
You go to his office in the hopes of having this conversation privately, but he isn't inside when you look through the open door. You turn back with a frown and are about to head down the stairs again when you see him leaving Strauss's office across the hall.
He spots you immediately, and before you can say anything, he says, "I just got suspended."
Your mouth falls open. "What?"
"Two weeks."
You blanche as you follow him into his office, where he immediately starts packing up his essentials into his briefcase. "Hotch...I have to tell you something. Something I should have mentioned yesterday."
"What is it?" he asks, his voice slightly distracted.
"StraussaskedmetospyonyouandIthinkshealsoaskedEmily!"
He blinks. "Can you say that again?"
You press your lips together, before trying again, slower this time. "Strauss asked me to spy on you, and I think she also asked Emily."
He closes his eyes for a beat, but it feels like years. You can feel the disappointment wafting off of him, but he doesn't say anything, giving you the time to explain in more detail.
"She asked me right before we flew to Arizona," you tell him, your chest aching at the defeated look on his face. "I told her I wouldn't do it, of course, and that you are the perfect leader for this team. But I was watching Emily the whole time we were there, and I think Strauss might have threatened her or made her some kind of offer."
His hands pause their packing and for a moment, you're worried that he's going to be angry you didn't come to him sooner, but then he just sighs, a deeply dejected sound. "I figured she would. It's basically in the FBI playbook."
"You knew?" you say, your voice almost like a gasp.
"I didn't know for sure," he amends, "but I believed so. And I'm usually right about these kinds of things. Anyway, it doesn't matter now. You guys will be fine without me."
You want to shake him; to reach forward and rattle his shoulders until he realizes that this is it. This is exactly why he makes such a great unit chief.
He doesn't get angry, even when he may have cause to be. He trusts his team so wholeheartedly that even under the suspicion of spying to the higher-ups, he still treats everyone the same. He puts the team above himself in almost every aspect, and the intermittent calls you get from Haley when you're in the middle of a long case prove that it may be to his own detriment, but he still does it. Because he cares so deeply, about each of you, and about each victim, and about catching each killer.
"We need you," you say, emphasizing your words as though that will make him understand you better.
"Morgan and Prentiss will be fine," he says pointedly, as though trying to prove a point. "I'm sure they'll even be better off. And Reid and JJ can look to you for guidance. It's practically what they do already."
"Fine," you sigh, throwing your hands up in exasperation. "They'll be okay. But what if I need you?"
He looks at you then, and there's a sadness behind the stern set of his eyes. "You'll be okay."
***
You have to drag yourself out of the house the next morning. The knowledge that Hotch (and most likely Gideon) won't be at the office sucks the motivation out of you, especially because you have no idea what will happen once the team is given another case. Will they assign you a new unit chief? Will they temporarily promote someone on the team?
You push your questions out of your mind as you mindlessly get through security and flop down at your desk. There's a palpable difference with half the team gone, especially since Emily doesn't seem to be anywhere in sight either, and the emptiness of the office somehow feels more claustrophobic.
You finished all of your paperwork the night before, because you couldn't sleep after hearing of Hotch's suspension, so sitting at your desk now, you have nothing to do until a new case arrives.
Reid and Morgan dive into their own paperwork the minute they sit down, and they don't look up except to grab a new pen or refill their mugs.
You can see the tension lining everyone's shoulders, the stress about the future of this team, with its two senior-most members gone.
When you can't take the lack of work anymore, you head over to JJ's office, where she is poring over a stack of case files so tall that you can't see her face until you step in front of her desk. "Hey, JJ."
"Oh, hey," she says, looking up at you. "It's been really quiet out there."
You nod, dropping onto the sofa across from her. "Half the team's gone. It doesn't feel the same."
"I wish I could come out there and sit with you guys, but I have so many new case files to look over."
"Need any help?"
She looks up in surprise. "Actually, that would be great. Can I leave you with a few of them? There's a checklist for what I need you to note down at the top of that stack."
"Of course," you say before she hands you a thick stack of files. "I'll get them back to you soon."
"Take your time," she says, waving you away. "I have like a billion more to go through anyway."
When you're back at your desk, you set down the stack with a small thud and open the first file. You're bombarded with gory images of men who have been brutally stabbed to death, and you read over the case history quickly before opening the next one. This time, the images are of live women, all of whom share a skin tone and hair color, and have been kidnapped in the last week.
You slam the file shut and close your eyes in an effort to keep your head from spinning. You don't understand how anyone could classify these cases. How they could decide that one of these unsubs is worse than another. But there aren't enough teams like yours to cover every case that comes through the door, so someone has to.
You glance up at Hotch's office again, a force of habit, and the darkness in his doorway reminds you of the emptiness in the office. It's the same with Gideon's office, and Emily's desk.
You miss them all.
***
The first week of Hotch's suspension is hell. Gideon still hasn't turned up, and you can see his absence clawing at Spencer, who hasn't gone more than an hour without glancing at his office since he left. Derek doesn't admit it, but you can tell he misses Hotch's leadership over the team.
Strauss has come by periodically to "check in" on your team's work, but with the other units available to take on any new cases, she hasn't assigned you anything. You know she doesn't trust your team, but you're surprised that even with Hotch gone, she's still treating all of you like extensions of him. Not that she's wrong about that.
Without getting called in, you stay at home for the first few days, and even get some use out of your Peloton for once. You've been missing him all week, but it's not until the following Monday that you decide to actually do something about it.
Grabbing the files JJ gave you to look over, you stuff them in your bag and drive up to his house. Both cars are in the driveway when you arrive, and you belatedly realize that you should have called first.
You knock on the door hesitantly, and are surprised to see Jack in Haley's arms when she opens the door. She looks excited to see you, but you still feel bad about just showing up. "I'm sorry, I should have called."
"Not at all," she says, opening the door wider for you to enter. "You know I love seeing you."
"Y/N's here," Haley announces as she leads you into the kitchen and sets Jack back into his high chair. She shoots you a pointed look. "And she's not here to talk about work."
"Of course not," you say with a laugh. "I just wanted to see how the suspension was going. The team really misses you."
He acknowledges you with a small nod, and you take a seat opposite him at the table, where he is feeding Jack his cereal.
"I miss everyone, too," he says, "but it's also been nice to have some extra time at home."
"This suspension has been a blessing in disguise," Haley jumps in, ruffling Jack's hair. You don't miss the way Hotch's jaw twitches.
You aren't sure what to say to that, but Haley just pulls Jack out of his chair and turns to the doorway. "I'm gonna put him down for his nap. It was nice seeing you, Y/N."
"You too, Hales," you say earnestly, before smiling at Jack. "Bye, buddy."
When she's out of the room, you shoot Hotch a look that makes him lean back with a frown. "What?"
"You miss work, don't you."
He huffs, and you take that as an admission. "I've loved being home," he says, his words slightly more emphasized than necessary.
You can hear the candor in his voice. You don't doubt that he loves spending time with his family, you just also know the pull of the job. The fulfillment of saving people from unimaginable horrors, and the desolate ache that comes when you know you aren't doing everything you can.
"You can feel both things," you whisper as he exasperatedly runs his hand through his hair. He got a haircut.
The thought pops into your head against your will, and you glance up at his hair as you realize this is the shortest it's been in a long time. It suits him, but it also emphasizes the hard furrow of his brow.
"Haley doesn't understand that," he says simply, no ill intention in his tone, "but I can't expect her to. I barely understand it, and it's what I'm feeling."
To the outside listener, his words could be construed as complaints, but there's nothing but deep empathy in his voice. He loves her so much, and even though they're having differences about his work life, she loves him too.
You spend the next half hour talking him through each of the cases that JJ left you with, and when Haley returns to the kitchen after putting Jack down for his nap, you pull out a chair for her and tuck the files away.
"We need to have you over for dinner sometime soon," she says as soon as she takes a seat. "I can't believe we haven't done it yet." She looks to Hotch with an earnest sigh. "I guess Jack has been kind of a handful, but I can't believe this is your first time coming to the house since he was born."
"It's been too long," he agrees, draping an arm over the back of her chair. The sight of their casual intimacy is a reminder of what you once had, but the usual mistiness doesn't come when you think about Jeff. Your chest just fills with a liquid-y warmth that feels like melted chocolate and syrup.
"Likewise," you smile, patting Haley's hand. "I don't know if I can handle another night out, even with the mid-evening interruption."
She laughs heartily, and you see Hotch's lips curve up involuntarily. "I think I'm partied out for the year."
His arm slips down to rest against her waist, but she doesn't lean into him like she usually does. You avert your eyes, glancing up at their kitchen wall clock and faking a gasp. "I've taken up too much of your family time. I should go."
"It's okay," Hotch assuages at the same time that Haley says, "I'll walk you out."
They share a small glance, and you suddenly feel intrusive in their home. "I'll see you in a week."
He nods and you follow Haley to the door, where she gives you a quick squeeze and another promise to have you over for dinner soon. The sun starts to set as you drive home, and before you can second guess yourself, you're turning into a local farmer's market that is about to shut down for the night.
You rush through the stalls and stop in front of the flower shop, where you buy a dozen pink carnations. The vendor ties the bouquet with a silky ribbon and you hold the flowers close to your heart as you walk back to your car and start driving.
This time, you're more aware of the direction you're headed. You don't stop your car until you're in the parking lot and you don't stop moving until you're past the front gates and up the grassy hill where Jeff's headstone sits stoically under the waning sunlight.
You take a deep breath as you sink down to your knees, blissfully unaware of the grass stains coloring your slacks. You set the flowers down in front of his headstone, which you haven't seen in months.
                                                 Jeff Adler
                               Beloved Son, Husband, Brother
                                        Until we meet again
The carnations look bright against the gray stone, and you arrange them neatly so that they don't get blown away.
He loved flowers. He knew they were impermanent and likely a waste of money, but he still loved all of the different emotions they symbolized, and how beautiful they could be for as long as they lasted.
He brought you a bouquet of heliotrope almost every week after you got married, and when you asked him what it meant, he insisted that it was something you had to find out in your own time. That time came a quick Google search later, and when the words 'eternal love' flashed on your screen, you knew you had picked the right man.
You brush your finger against the petals of the pink carnations you brought, remembering the rest of what the search yielded. Angelica for inspiration, calla lily for beauty, and pink carnation for gratitude.
You're so grateful you met him. So grateful he loved you as much as you loved him.
"I love you," you whisper, suddenly needing to say the words out loud. There's no one around, and the sun has set far enough that there's barely enough light to see, but your words feel strong as they come out of your mouth. "Thank you for coming into my life. Thank you for giving me 10 beautiful years."
You wipe away the tear that falls from the corner of your eye. "Goodbye."
***
He takes his time as he walks through the halls of the Virginia field office on Monday morning. He hasn't been inside in two weeks, and after he and Haley agreed that he should request a transfer, he likely won't be back again for a very long time.
When he walks past the glass doors of the bullpen, he spots you at your desk, pointing out something to Morgan in a case file. He hastens his pace so you don't see him. He still doesn't know how to tell you that he isn't coming back.
"Good morning, ma'am," he says when Strauss beckons him into her office.
"I was hoping you'd do the right thing," she says, her lips pressed into a thin line. "Have you given any thought to what department you'll request?"
He shakes his head. "I was under the impression that if I left the BAU, I'd have my choice of posts."
"Well, I'll consider it after I fully complete my investigation."
She pauses before looking at him again. "You were a prosecutor. What about heading up a white-collar crime task force? That'll get you home at night at a reasonable hour."
That sounds like exactly what Haley wants for them. They spent hours over the last week discussing what the best path forward would be post-suspension, and after countless late-night arguments, they finally agreed on a transfer. It would be best for the team, and best for his family. So why does he feel so guilty?
"Sorry to interrupt."
Prentiss barges into the office, as though she had an appointment. She glances over at him, and he can't read her expression. "Sir, I've decided to resign from the FBI, effective immediately."
"I don't understand," he frowns, taking in her rigid posture. He remembers your suspicions, as well as his own, but this can't be where it ends.
"I'm taking the foreign service exam. With my connections, I'd stand a good chance of landing in the State Department."
"Prentiss," he urges, trying to convey his understanding in his tone. "I think that's a mistake."
She shakes her head with a sigh. "Well, don't try to talk me out of it. Garcia saw my name on the list, and she already tried."
That makes him pause. "If she can't talk someone out of doing something, no one can."
"Sorry for the interruption, but, sir, it's good to see you back." She turns her gaze to Strauss, even as she continues speaking to him. "The team needs you."
She stalks out of the room after a quick "Ma'am", leaving him alone with Strauss, who looks like she's up to her last nerve. "I'll be overseeing this next case until I can assign your replacement."
"You don't have any field experience, do you?" He doesn't mean for the words to come out so critically, but his emotions are a jumbled mess that he can't decipher well enough to fix his mood right now.
"My job is to protect the Bureau. If I have to hold the team's hand for one case, so be it."
Hold the team's hand. He can't imagine that Strauss will be of much help in the field, but he keeps his mouth shut. He's been around enough authority figures to know when to keep his criticisms to himself.
"Ma'am," he says gently, hoping he can turn his thoughts into useful advice. "In order to function effectively, this team needs stability."
She clasps her hands together on her desk, and he knows it's done. There's nothing he can do to fix this for the team, at least not on this case. "The BAU has some very talented people, and they're Bureau assets, and I believe it's time that they were out from underneath the leadership of you and Jason Gideon."
***
Hotch was supposed to come back today. It's not until you're on the plane that Derek informs the team that he's requesting a transfer.
"What?" you burst out, unable to keep your composure even with Strauss seated a few rows behind you.
"He didn't tell you?"
You shake your head with a forlorn frown, and Derek jumps back in quickly to remediate the situation. "I only found out because I ran into him on the way to the jet. He didn't seem like he was in the mood for talking."
But he tells you everything. At least you thought he did.
"It's okay," you say, forcing your face into a neutral expression. "This isn't about me. I just can't believe he's leaving."
"Yeah," JJ grimaces, "and I can't believe we're stuck with her now. You know, from this angle, she looks almost human."
You all glance behind you, but thankfully, her face is still buried in the case file.
"Emily didn't come in today, either," you point out, turning to the empty seat next to you. "We're down two agents, and Gideon's MIA."
Reid blinks, and you curse yourself for being so cavalier. You know how hard Gideon's absence has been on him.
He recovers quickly and leans in to the center console with a raised eyebrow. "Has Strauss ever even been out of the-"
A chorus of shushes come from Derek and JJ and he shuts up as Strauss walks down the aisle and sits across from you all. "Correct me if I'm wrong, but I believe it's protocol to brief everyone before we arrive at the crime scene?"
JJ turns red and she nods hastily, opening her file. "Yes, ma'am."
Strauss has only been here for ten minutes and you already want to strangle her. JJ explains the case details succinctly, and when the plane lands, you all head over to the crime scene to find Detective Wolynski, who called your team in when the murders got out of hand.
Within minutes of meeting them, Strauss manages to ruin your relationship with the local police by questioning their decision to wait so long to call in the BAU. JJ immediately takes matters into her own hands as she explains that we have to work with them if we want to be included in the investigation at all, but she doesn't seem to care.
You get a call from Penelope as you're heading back to the SUVs, and you step aside to get out of Strauss's earshot. "What's up, Pen?"
"I tried everything I could," she wails. You can hear the distinct clicking of her keyboard in the background. "I tried to convince him to stay, but he's so stubborn."
You sigh, glancing over at the scene, where Strauss looks positively nauseous. You can empathize with her emotions, because you know how hard it was for you to see your first crime scene in person, but this just further proves how unfit she is to understand what being on this team really means. "If he made up his mind, there's gonna be no changing it, unless he changes it himself."
She huffs, before audibly perking up. "I gave him the Milwaukee case file before he went home, and I also, uh, saw that his transfer hasn't passed through the system yet."
You're almost certain she had something to do with that, but your mind immediately starts going through the possibilities of what this could mean. If his transfer isn't in the system, then that means he technically still works on this team...which means him not being here is in dereliction of duty. If there's anything that can convince Hotch to show up, it's duty.
"You've been more help than you know," you tell her, before hanging up and hopping into the SUV.
***
When he arrived at his house with the case file Garcia gave him, he immediately stuffed it in his bag and tossed it onto the floor. He definitely didn't think about reading it the entire time he was changing out of his suit, and making a quick lunch for Haley and himself. When she went upstairs to put Jack down for his nap, he couldn't help himself any longer.
Reaching into his bag, he pulls out the file and flips it open slowly, being careful to angle the gruesome photos away from the stairs in case Haley came down without him noticing. Women taken in the afternoons and killed. Bodies dumped in the morning. Hearts cut out of their chests. The words pop out at him as he skims the page, and he's so engrossed in the material that he doesn't hear her until she's standing over him. "I thought this was over."
"It is," he sighs, closing the file. "I'm just curious." He doesn't know when he started lying to his wife, but he doesn't like it. The bitter taste of it in his mouth.
He can see her gearing up for a fight when their home phone rings. He picks it up and clicks the button to answer, but even after saying 'hello' a couple of times, no one responds. For a split second, his mind flashes back a year to the Fisher King and the secret message left on his home phone, but he pushes the thought away.
He clicks the phone off, looking up at Haley again, but then a shrill ringing sound starts again, this time from her purse across the living room.
An unfamiliar queasiness fills his stomach, and he maintains eye contact with her as her eyes flicker back and forth a couple of times. He promised himself he would never profile his family, but the analyses come before he can shut off that part of his brain. Shifting eyes. Rigid posture. All indications of lying and shame.
"What did the Section Chief say?" she asks, her hands going to her hips. Stance of power to overcompensate for-
He shakes the line of thinking from his head. "She suggested that I transfer to a white-collar-crime task force."
"Would you have to travel?"
"No, I'd have a nine-to-five life."
She nods, and he can see the finality in her stance. "Then, it's a no-brainer."
***
You haven't been able to focus as well as you'd like to with the knowledge that Hotch isn't coming back hanging over your head. When you get a spare moment at the station, you step out of the conference room where all of the evidence has been scattered around and press the first number on your speed dial.
"Hello?" It's Haley.
You stumble over your words as you say 'hello' back. You weren't expecting it to be her who answered. She clearly wasn't expecting you either, because she sighs dramatically when she hears your voice and you hear a quiet "It's Y/N" before the phone is handed over.
You can understand where she's coming from. When Jeff was about to start his undercover assignment, you were so angry at him for choosing to be away from you for so long. But then rationality won over, and you remembered why he was doing it...for the same reason you are.
"Hey."
He sounds guilty. You can imagine.
"Hey," you say simply, waiting for him to fill in the gaps. He owes you at least that much.
"I'm sorry," he says after a long pause, "but you knew this was coming. You know Haley hates what this job turns me into, and you know sometimes I hate it too."
That wasn't really the explanation you were expecting. Not willing to let him off the hook, you turn your face away from the conference room windows to hide your expression and lower your voice. "You should have told me, and you know it. That's why you're hiding behind this false justification...but I guess you know that too."
There's a small rustling sound over the receiver and you can imagine him running his hands through his newly cropped hair. "This doesn't change the fact that I'm leaving."
Sometimes you forget that he was once a young boy with an alarmingly developed moral compass that didn't always point in your direction. It's times like this that remind you.
"Fine." You feel like an irritable teenager again, but you can't contain yourself around him. Even when you want to hide a part of yourself, you can't.
"How's the case going?" he asks finally. His voice has gotten softer and you know he feels bad about how this call has been going, but with neither of you willing to concede, you decide to ignore it for now.
"Well, Strauss just offended the lead detective 45 seconds into her first crime scene."
He chuckles softly. "I'm not surprised."
"This isn't about to get any better, is it?" you ask, huffing out a forlorn sigh.
"I doubt it," he agrees. "I'll keep looking at the file from my end. Any idea how he's getting control of these women? Is he blitzing them or coercing them?"
"So far, we're coming up blank," you admit, glancing back at Morgan and Reid, who appear to be in a productive debate.
"All right. Keep me posted."
***
Another victim turns up and you're not any closer to figuring out who the unsub is. Derek steps away from the group a few minutes after you and you see him pacing the halls of the precinct, his phone pressed to his ear.
A break in the case comes when Garcia identifies school records of children who exhibit signs of perfectionism and co-dependence, leading you to a profile for the unsub. You're all listening to Garcia as she reads off the records when the door opens, with two figures standing in the entrance.
"Look who's here," Morgan grins, shaking Hotch's hand. Emily looks sheepish as she glances over at Strauss, who is downright fuming.
"How fast can you get us up to speed?" Hotch asks without another greeting.
Morgan scoffs. "How fast can you sit down?"
Strauss opens her mouth to say something, but Hotch beats her to it as he takes a seat next to you. You ignore the gesture. "We're only here to help."
She sighs. "We'll deal with this later."
With two more members back on the team, at least for the time being, the SUVs are split more evenly, and you join Emily, JJ, and Strauss in the first one as you head to the crime scene. Strauss is the first one to walk up to the scene, but the moment she sees the mangled body, she breaks down, her face contorting into a sob that she tries and fails to hold in.
You make a move to go and help her, but you're surprised when Hotch is the first to step in. "If you need a second, take a second. This is what it is. Just don't let the public see you break down."
He's so kind to her, even though she's the reason for all of his professional stress. You suppose she's not the only reason, but that isn't something you get to have an opinion on.
The devolution of the dump sites leads to an update of the profile, which gets you an address for a young boy who left school early with the nurse on duty. It doesn't take long to get to the house, and Derek and JJ coordinate some of the local police and SWAT as you strap on your kevlar vests.
After an initial argument about the probable cause of entering a house you don't know is dangerous, Emily pipes up with an idea. "Let me go in alone."
"Wait..." you start but she steamrolls over you, clearly needing to compensate for not being here before. "The boy's in the family room. He's looking for female authority figures. If he lets me in, I can signal as soon as I see anything that gives us cause."
"Technically, you're not even in the FBI," Reid points out.
She nods. "All the better."
Strauss steps in with a frown, to no one's surprise. "She's interfering with a federal investigation."
"Well, if I'm no longer in the FBI, then you have no authority over me." Emily shrugs and turns to Hotch for the approval she actually wants. "I'm just a civilian knocking on a little boy's door."
He nods and she pulls her hair back into a ponytail. Derek hands her his gun, and you suddenly remember that Hotch doesn't have his gun either. Reaching into your other side holster, you pull out your second firearm and hand it to him without a word. He doesn't lift his hand at first, but then he nods at you and takes the gun, his eyes filled with an earnest gratitude, and you know you've forgiven him.
Once she goes inside, you all wait in silence for the signal to breach the home. It takes almost too long, but eventually your earpieces fill with a loud beeping, and Derek yells "Go!"
You find her in a back room, where she's on the floor, her forehead bleeding from a thick gash. You enter just in time to see Hotch leap forward and take Emily's weapon from the little boy, before lifting him up and carrying him out of the house.
"I can't officially approve of how that transpired," Strauss says when you all come outside. You sit next to Emily and squeeze her hand as the paramedics patch up her forehead.
Hotch shakes his head, clearly done with the bureau politics. "The arrest was clean. It would be a mistake to break up this team."
She looks at him pointedly. "None of you will ever move up the chain of command, you know that."
"Why would I ever want to leave the BAU?"
You almost believe him. It's not that you don't think he wants to stay. You know he does. You just also know how much his family means to him, and how thin Haley's patience has worn.
Morgan asks if he means it, and he gives a vague answer that you expect, before turning to look at you.
"Here." He reaches into his waistband and pulls out your gun. "Thanks, I appreciate it."
His hand brushes yours when you take it back, and the warmth of his skin makes you shiver against the slight breeze. "You're welcome."
***
When he gets home, the lights are off.
"Haley?" he calls out into the empty silence. He tries to convince himself that he didn't see this coming, but after her last words to him before he left, it's a futile exercise.
"Make sure to give your son a kiss before you leave."
He left, even when she begged him not to. Now his wife has left, and she took their son with her, and once again, he is utterly alone.
***
Gideon's resignation comes through and you find yourself missing him more than you thought you would. If Hotch is the backbone of the team, he was the stoic foundation. He formed the roots of the BAU as a unit altogether, and you owe your life's work to his intelligence and foresight. But more than that, you can't help but remember the fact that out of all the members on the team, Gideon knew Jeff the best.
He attended countless lectures about past unsubs that Gideon put on at the academy, because he believed understanding why people do things was just as important as knowing how or what they were doing. He even went to Gideon's home for the occasional dinner, and he brought you along once after you got married.
You're not sure what the team will look like without his guiding hand, but you don't have to wait long to find out when JJ calls you with the notice that you're going to Portland.
Spencer is reading a piece of paper over and over again when you get to the office, and when you peek over his shoulder, you see the familiar scrawl of Gideon's handwriting.
Taking a deep breath, you reach forward to put your hand on his shoulder for a moment of comfort, but think better of it and pull back at the last second. Derek sees your indecision and cocks his head towards him.
You walk over to his desk and perch on its edge with a sigh. "I can't believe he would leave just like that."
"I can," Morgan shrugs, his eyes hard with contempt. When you shoot him a look, he softens. "I just mean that he's been showing signs of withdrawal for a while now. It still sucks for the kid, though."
You both look up at Reid across the aisle, where he is still scanning the letter. "At least he got a letter." You try to bring humor into your tone, but it doesn't work.
"It's not about us," Derek says gently, in a show of empathy for the older agent that is unfamiliar coming from him. "He did what he had to do to keep himself sane. We just have to let him."
You nod, just as JJ emerges from the hallway with Hotch on her heels. "We're starting the briefing."
***
"You must be the BAU."
A handsome man with a thick East Coast accent comes forward to introduce himself when you all enter the Portland field office. "Special Agent Bill Calvert."
"Hi, Jennifer Jareau," JJ smiles, extending her hand. "This is SSA Aaron Hotchner. This is Dr. Reid and Agents Morgan, Prentiss and L/N."
He smiles at each of you but his eyes linger on yours for a moment before he takes JJ's hand. "I appreciate your help on this case."
"You're from Boston?" you ask, trying to place his accent after having heard nothing like it since you landed. 
"The accent's kind of hard to miss in Oregon, right?" he grins, before reaching his hand out to you. "Agent L/N, was it?"
You shake his hand, shooting him a thin smile. You can already see Emily and JJ's smirks behind your back.
"We'd like to take a look around Jenny Wittman's apartment," Hotch steps in, moving forward to stand beside you.
Calvert nods. "I'd take you myself, but I'm waiting to meet her family, so I'll have another agent drive you."
"Thank you." Hotch rushes off with Reid and Morgan, and you stay back with JJ and Prentiss to work the victimology.
"Can we set up in here?" you ask Calvert as you start moving the boxes of case files and evidence onto the conference room table.
"Of course," he says, before leaving the three of you alone.
The first ten minutes of looking through the evidence is silent, and for a second, you nearly let yourself believe the other women won't bring up the elephant in the room, but then JJ lets out an involuntary giggle and they pounce.
"He's definitely into you," she says, making no effort to hide her gaze as she unabashedly stares at Calvert through the window. You want to retort immediately, but after seeing her check her phone about a dozen more times a day than she usually does, you suspect she may actually know what she's talking about when it comes to love these days.
Emily nods, biting her lip. "He couldn't stop looking at you."
"You're profilers," you argue, tossing the file in your hand onto the table. "You notice all kinds of insignificant stuff."
"So are you," JJ points out. "What do you think, then?"
They have you boxed in, and you can't think of any answer that would sufficiently appease them so you just groan.
"She's into it, too," JJ grins at Emily, who replies with, "I can't believe Y/N's gonna date someone from Portland."
Without thinking, you huff. "He's from Boston." All three pairs of eyes widen as you realize your slip in not denying her statement.
Emily laughs. "Ohh, it's so happening!"
***
When the men return from Jenny Wittman's apartment, Hotch instructs JJ to televise a statement warning possible future victims who fit the unsub's victimology. When Emily and Derek later find an ad hung up in a local laundromat that suggests he's been killing for longer than you'd previously thought, you decide to head back to the trail where the first bodies were found.
When you arrive on the scene, a dozen new bodies have been found further down the trail and near the water.
"How did we miss this before?" you think out loud, not realizing that Calvert has come up behind you.
"The trail's 40 miles long."
You jump when you hear his voice, and he apologizes after a small chuckle. "Didn't mean to scare you."
"Special Agent Calvert," you say, your voice slightly airy as you catch your breath. "No need to apologize."
"Okay," he smiles, turning to stand in front of you, "and you can call me Bill."
He's a good looking man, and you don't dislike the feeling of someone showing interest in you, especially as clearly intelligent and qualified as him.
"Sure," you say, returning the smile. "I'm Y/N, btw."
"That's a pretty name," he says, his eyes glinting with mischievousness, before he turns back to the scene before you. "They dug up eight new graves before you got here."
You frown. "So the unsub didn't stick to the pattern."
"Guy had a busy year."
You nod, pondering what this change in M.O. could mean, when Bill interrupts your thoughts. "I'm interested to hear more about how this profiling thing goes."
You give him a quizzical smile, and his lips quirk up. "I took a class in criminal psychology in college, but I don't remember enough to be useful in this area."
"We observe human behavior," you explain, ignoring the subtle smirk Emily is flashing you from behind his back. "Profiling is about making connections and predicting future actions based on history, victimology, and behavior."
He takes a moment to digest your words before huffing out a laugh. "Sounds to me like we called in the right team."
When another agent comes by to ask him about the crime scene procedure, you take your leave and walk up the hill of mulch by the open graves. You are nearly to the SUV when you spot Morgan beelining towards you.
"Not you too," you sigh, rolling your eyes dramatically as you stalk away from him.
He catches up to you easily and throws an arm over your shoulders with a grin. "I'm not gonna give you the giggly girl talk that JJ and Prentiss clearly have covered. I just wanted to say one thing."
You look at him expectantly and he brings you both to a stop by the cars. "You're a catch, L/N." You start to roll your eyes again, but he shakes his head. "You are, so if you want to have a little no-strings-fun, then I'll have your back through and through."
You have no idea what no-strings-fun would look like, but you glance back at Bill, who is speaking animatedly with another agent about the change in digging patterns of the graves.
"I don't know what I want," you admit as Derek drops his arm and turns to face you.
"That's okay," he says, before the corner of his mouth quirks up into a smirk. "But figuring that out can be just as much fun too."
***
He would be lying if he said he hasn't noticed you talking to the Special Agent on the case. Calvert, he remembers as he thinks back to the capture and subsequent suicide of the unsub from the roof of his old therapist office.
They were able to find the final victim before she died, so even with the unsub's death, the case feels like a victory, and the whole team looks light on the way back to the jet.
He has been trying to keep himself light too, but every time he gets a moment to himself, his mind reverts back to the silent darkness of his home after he returned from the last case. The reminder that he hasn't seen Haley or Jack in days.
When he reaches the tarmac, he spots you talking to Calvert again, but the conversation looks different than before. The special agent looks nervous, and he tries to gauge whether you seem comfortable, before realizing how relaxed you look.
When he gets closer, he catches the end of a question that likely started with "Can I have your number?" You smile at the man, and he turns away, trying not to eavesdrop.
He can't tell what he wants you to say. He knows it's been enough time since Jeff's death that real dating isn't out of the question, but he can't reconcile the protective instinct flickering in his gut.
Regardless of the distance he tried putting between you and himself, your voice carries over the tarmac, and he hears you say, "I'm sorry." before the rest of the sentence gets jumbled in the breeze. Something that feels alarmingly like relief settles in his chest and he frowns at the foreign feeling of it coursing through his veins.
He boards the plane and purposefully chooses a seat with an empty spot next to it, knowing you'll choose to sit beside him after he practically ignored you all day. He really wasn't trying to shut you out, he just doesn't know how to broach the topic of separation with anyone, let alone someone who had as stable a marriage as you did.
When you board the jet and take your seat next to him, he glances over at you sheepishly and murmurs, "I overheard the end."
He's surprised when you laugh lightly. "It's okay. Everyone was going to find out soon enough, especially with how excited Prentiss and JJ were about it."
He nods, glad that you aren't angry about his invasion of your privacy. Then, before he can stop himself, he looks at you and asks, "You didn't want to see him again?"
"I don't think I'm looking to just date for dating's sake anymore," you explain, your eyes flitting around the cabin at the sleeping forms of the rest of the team. "I had a true love...I don't want to settle down again for anything less."
He understands that completely, but he can tell there's something else bothering you, and not just because of the rhythmic bouncing of your knee that you don't seemed to have noticed. "What else?"
You shrug, not meeting his eye. "I used to have my usual excuse, but I can't really say it's too soon anymore, can I?"
He frowns as he notices the visible strain on you that this burden has caused. "You get to decide that for yourself."
"I know," you sigh, rubbing your eye with a loose fist. "I just worry sometimes that I use Jeff as an excuse to keep myself closed off." Your knee stills, and Hotch scoots closer, even with the armrest in the way.
"You don't seem closed off to me."
Your eyes crinkle with laughter. "I'm not sure if that means much coming from you. You're not exactly the picture of openness, Hotch."
He knows you're mostly joking, but your read punches him in the gut in a way he doesn't expect. You must see the shock on his face, because you immediately lean in closer. "What is it?"
He shakes his head, trying to delay for as long as he can. If he doesn't say it out loud, maybe he can pretend that he's still a happily married man. That he didn't fail his wife and son by being as absent as he had wished his father had been, early in his life.
"It's not about Gideon leaving, is it?" You scrutinize him for a moment before shaking your head. "No. Hotch, what's the matter?"
"We agreed not to profile each other," he sighs, gritting his teeth against the pain of having to vocalize one of the lowest moments in his life.
"Aaron," you whisper. Your voice is soft and gentle, and he breaks.
"Haley left."
Your mouth parts in surprise, and he looks down at his lap, taking a deep breath. "And I don't know if she's coming back."
***
You've been waiting in the arrivals lot of the airport for almost an hour. You're assuming his flight got delayed, and you're grateful for the time to get yourself ready to see him, but the wait hasn't made your jitters any better.
You haven't seen Hotch since you left for college last year, and with his pre-law internship that he somehow snagged as a first year, it was a lonely summer.
When he called you last week with profuse apologies for not staying more in touch and a somber tone that had to be about more than his regrettable phone habits, you had told him that you would love to see him, but your winter break doesn't start for another month. After a few hushed breaths and a second of thinking, he told you that he had bought a plane ticket out to California for the following weekend.
That's why it's Friday afternoon, and you're still waiting for his familiar mop of dark hair to appear through the exit doors. A boy walks out right then, with the same raven hair and fit stature, and your heart rate hastens for a split second, before you realize it's not him.
You look down at your car's radio and twist the dial to change the station. It's been playing the same Madonna song nonstop, and you shut off the volume when the other stations are no different. Your shift in focus takes your attention away from the airport exit, so you jump in your seat when a quiet knock sounds at your passenger side window.
He's here. Your lips curve up into a bright smile and you unlock the door, letting him get in.
"Hi," you say, your voice weaker than you'd like.
"Hey, Y//N," he replies, pushing his long hair back from his face. The simple motion sets off butterflies in your stomach and you turn back to your steering wheel to keep your emotions off your face. He could always read you so easily. "It's good to see you."
He grins at you and leans forward to give you a quick, awkward hug over the center console. You involuntarily inhale as he pulls back, and the scent of his natural musk mixed with whatever new cologne he's been wearing smells dreamy on him.
You said you were over it, you tell yourself in your head. He has a girlfriend who he's going to marry, and you are his best friend. At least you were.
You don't really know where things stand between you two now. A year is a long time to go without seeing someone, and you're sure college has changed him in similar ways that it has changed you.
"I have one more class today," you say quickly as you pull your car out of the lot. "It's criminal psychology, so I figured you wouldn't mind coming to the lecture with me."
"Sounds fun," he says, before leaning his cheek against the window to watch the scenery that zips by. "God, the weather here is crazy."
"It's definitely warmer than I'm used to," you agree, struggling not to glance over at him. "We never had 70 degree winters growing up."
"Which do you prefer?"
You grin. "Home, of course."
"Of course."
You look at him then, and his expression is one you don't understand. It's the same look he gets when he's in the library and he finds a book he's been looking for.
The drive doesn't take long, and you bring him to your lecture, where he proceeds to pay more attention to the information being presented than you do. The class usually feels too short for you, but today, the time ticks by, because you can't focus.
It's been so long since you've sat next to him in a class, and the sight of him jotting down notes on a scrap piece of paper takes you back to high school, when he was still the more attentive one.
After the lecture, you both grab a quick dinner in the dining hall and settle back into your double dorm room, which you painstakingly cleaned up before he arrived.
"So, how long have you guys been friends?" your roommate, Katy, asks him as he drops into your desk chair. You've been watching her ogle him since he arrived, and if he's still as perceptive as he was in high school, it hasn't escaped his notice either.
"Forever," he says, looking at you with a grin. "We met when we were eight. When she judged my taste in The Beatles, it was over for me."
You can't help the heat that flames in your cheeks, even though you know this story by heart. Katy keeps glancing over at you as he explains how you guys met, and eventually she gets up and flops down onto your bed next to you. "You're bringing him to the party tonight, right?"
Your eyes widen as you remember that was today. "Oh, I don't know. We might just stay in."
"You have to come!" she squeals, shaking your arm. She turns to him with a pointed look. "We already have outfits picked out."
"I guess we gotta go, then," he smiles at her, before looking at me with a small raise of his eyebrow. You okay with that?
You dip your chin into a nod, and he stands up. "I'll head out for a walk as you guys get ready."
"Sounds good!" Katy says, grabbing your hand and sliding off the bed. "We'll see you in an hour."
Once the door closes behind him, Katy turns to you, her mouth agape. "You never told me how cute he is."
"What?" you sputter, your cheeks turning a bright shade of pink.
"You also didn't tell me you're, like, in love with him."
You scoff involuntarily, your usual diversion technique when someone brings up a topic you want to evade. "What are you talking about?"
"Okay," she shrugs, reaching into your closet and tossing you the dress you were planning to wear. "If that's how you want to play it."
You go into your attached bathroom to change into your outfit, but after seeing Hotch, the mini sundress you picked out feels like too much. You hate how much you're overthinking something as stupid as an outfit for a party.
You turn away from the mirror and go back into your dorm, where Katy is applying her signature shade of red lipstick in her little mirror stand.
"He has a serious girlfriend," you whisper, almost too quiet for her to hear you. But she is more perceptive than you give her credit for. "Like eventual marriage-serious."
"Oh, honey," she coos, patting the bench seat next to her. You scoot in until you're side by side and she wraps an arm around your shoulders. "I'm sorry I brought it up."
"It's okay," you shake your head, leaning on her shoulder. "I just need to get over it. It's a stupid crush that I've had since high school, but it's time. Maybe this party will help."
"Yes, exactly!" she grins, turning her head to look at you. "Nothing that a little music and a few shots can't fix."
"A few shots?" you laugh.
She nods. "Each."
~
You down another shot of whiskey before tossing your cup onto the table and following Katy onto the dance floor. She grinds against her boyfriend as you dance beside them, moving your hips side to side with the rhythm of the music.
Being in Los Angeles, the temperature outside is already warmer than it should be in November, but inside the house, your dress is sticking to your skin from the sweat and body heat surrounding you.
You're feeling the alcohol enough to have a good time even in the sweaty throng of bodies around you, and you throw your head back as you close your eyes and feel the thump of the music vibrating the floor boards.
Meanwhile, Hotch can't find you anywhere. He's drunk enough already that he knows he won't be able to find you himself, but he doesn't know anyone else here, so he grabs a half empty bottle from the drinks table and makes his way to the dance floor, where the life of the party seems to be centered.
He's usually a lot more fun at parties, but lately he hasn't felt like himself. Ever since you left for school across the country, it has felt like something in his life was wrong, like he was missing a limb. Then, things started looking up with Haley, and he pushed you away in the hopes that he would forget about any of the doubts he had, but it didn't work. The more he missed you, the worse things got in his relationship, and suddenly he wasn't sure what his life was supposed to look like anymore.
He takes another swig from the bottle and leans back against the counter as he watches people dance against each other in the dim light of the house. His eyes flicker over the mess of bodies until they catch on someone he almost doesn't recognize.
Your eyes are closed and your hands are in the air as you move to the beat. It's not exactly graceful music, but you have managed to find some semblance of a rhythm as you slide your hands down your thin dress, which is sticking to your body in a way he can't take his eyes off of.
He doesn't realize he has lifted the bottle to his lips again until the liquid is burning his throat, and he tears his eyes away from you as his head starts to spin. Maybe he's had enough for tonight. He puts the bottle down just as your roommate spots him. Katy, he thinks, or is it Sadie?
"Aaron!" she calls, stumbling over to him as a man holds her up with an arm around her waist. "Where's Y/N?"
"Not sure," he lies easily, barely conscious of the way his words have started to slur together. "I may head out soon."
"Don't leave without her," she instructs, her voice suddenly getting serious. "I'm staying with him tonight." She pats the man's arm. "So I won't be going back with her."
He nods with a resigned sigh, and slumps down on a couch in the next room, leaning his head back to stop the room from spinning.
~
When you tire of dancing, you push to the back of the crowd and look around to find any familiar face. You can't see Katy or her boyfriend anywhere, but after exiting the room, you spot Hotch asleep on the couch.
You walk forward with a slanted smile and put your hand on his shoulder to shake him awake. "Hotch, get up."
He groans, peeling his eyes open slowly. "I'm awake. Just resting my eyes."
"Yeah, yeah," you tease, looping your arm through his to help him up. "How much did you drink?"
He shrugs and you wrap your arm around his waist to hold him upright as he stumbles forward. "Whoa there. Okay, let's get you back."
You manage to get him out of the house, and once the fresh air hits, he can almost stand up straight on his own. You keep your arm around him just in case, trying to ignore the way his tee shirt is slowly riding up around his waistband.
You make the walk back in silence, and he falls back onto your bed as you lock the door behind you.
"I'm sorry," he whispers when you perch on the edge of the bed next to him.
"It's okay," you say, huffing out a laugh. He looks so young with his hair falling onto his face, and you resist the urge to push it back off his forehead. "Happens to the best of us."
"No, not that." He rolls over with a groan, flopping onto his back and scooting back so he can lay on your pillow. "I'm sorry I stopped calling."
Your heart skips a beat and you tuck your hair behind your ear, needing to occupy your hands somehow as your mind races with a million questions. "It's my fault too."
"No, it's not."
He isn't slurring his words anymore, but you can still hear the earnestness that only comes when one's filter is completely shattered. He was never one to hide things from you, but you also know how truthful people can get when alcohol takes their mask away.
"Haley and I have been having problems for a while," he mutters, making you sigh. So that's why he flew here in the middle of the school year. "We haven't been seeing eye to eye on a lot of things, and we decided to take a break, but I haven't told anyone, because the only person I wanted to tell was you."
You can't look at him. His gaze is too much, his eyes too full of truth and intensity. "Hotch-"
"I miss you so much," he says, cutting you off. "You're the only person I've ever really been able to talk to, but you know that, don't you? It's the same for you, it has to be."
You don't say anything. The air feels thick with tension, and you're afraid that if you say something, the room will explode.
"She's the perfect girlfriend," he says wistfully, his voice tight with an emotion you can't decipher. "I know it's me who's fucking it up, and I hate myself for it, because she's trying so hard to make this work. But every time it feels perfect, and I think I've finally gotten what I wanted, I just remember-"
"Aaron."
You look at him and his eyes are already staring into yours. You have wanted him to love you the way you loved him for years, but not like this. Never like this.
"You can't fuck this up," you whisper, your voice stronger than you expect it to be. "Call Haley tomorrow morning. Tell her you're sorry, and that you love her, because you do. You know you do."
"I love her," he nods as sleep pulls his eyelids down. "Tomorrow..I'll call her."
You watch him as his limbs relax and his breathing evens out, but you don't fall asleep until the sun starts to rise and you physically can't keep your eyes open anymore.
***
"Happy All Hallow's Eve, folks."
Reid pulls his mask off as Derek looks at him with a frightened frown.
"Are you scared of Halloween?" you ask him, trying to keep the grin off your face.
"I didn't say I was scared," he corrects, glancing over at Reid, who drops his mask on his desk and pushes his hair back from his face, "I said I was creeped out."
"What creeps you out about it?" Emily asks, before grinning at you.
"I bet it's the candy," you joke. "Those muscles probably cower at the sight of anything that isn't meat or protein powder."
Emily snorts and Derek frowns at both of you. "It's the masks. I don't like people in disguises."
"That's the best thing about Halloween," Reid chimes in. "You can be anyone you want to be."
Derek grins. "No, I'm pretty good just being me."
You and Emily share a look. "Yeah, why is it that neither of those points of view surprise me?"
"Guys," Reid suddenly calls out, his voice hushed. "He's here."
You turn around to see Hotch walking down the stairs, accompanied by Agent David Rossi, who you've heard a lot about in your years at the bureau. He was one of the founding members of the BAU, and you can't help but wonder what made him want to come back.
JJ introduces him to everyone, before Reid starts spouting off a list of facts from one of the old cases he solved when he was the chief of the unit.
"Reid, slow down," Hotch says with an uncharacteristic smile. "He'll be here for a while. Catch up with him later."
He nods. "Right, sorry."
Agent Rossi doesn't seem fazed. "No problem, Doctor."
This pleasantly surprises you. It's all too often that new people who meet Spencer don't immediately treat him with the respect he deserves.
"Let's start the briefing."
***
The flight back from Texas is hushed. The case went about as well as you could hope, with them catching the unsub and saving the final victim, but the way Rossi went rogue over and over again has rubbed you the wrong way.
You watch him across the cabin as he pores over his little notebook, and you wish you could peek inside his head. You know that the team aspect of the BAU is a newer addition to the unit, but you don't understand how he can keep all of his thoughts to himself.
"What are you thinking about?"
"Gah," you fright, jumping in your seat. "When did you sit next to me?"
Hotch shrugs, his lip quirking up. "A few minutes ago."
"Well, you should really wear a bell or something, god."
"Y/N," he says, giving you a pointed look. He doesn't let you use your evasion tactics anymore. Given your penchant for aimless talking, you suppose that's a good thing.
"I was just thinking about Rossi," you sigh, glancing up at him again. "Lying to the press to get a reaction from the unsub? Taking over that phone call? I don't like how he works, Hotch."
"He's from a different time," he says, even though you can hear the agreement in his voice, "but he worked with Gideon, and if you remember, it took you a while to warm up to him too."
You heave out a breath but it's the only concession you're willing to give in this moment.
"He's used to an older way of doing things, but he's a great agent."
"He clearly has good ideas," you whisper, "but I just worry that you'll have to work over time to keep him under control."
Hotch ponders this, and you think that maybe he knows you're right. Your eyes shift up and you realize his hair has been shorter for a while now, but you're still not used to seeing so much of his forehead. Not that there's anything wrong with his forehead. It's a fine forehead.
"He was the team leader before he retired," Hotch says suddenly. "He may be tough as a subordinate now, but I'm still glad he's back. We needed someone to fill Gideon's spot, we were low on hands."
"Speaking of, why do you think he's back."
He looks at you with a quizzical frown. "Is it really so hard to believe that he may just want to help us out?"
You think for a second, before shrugging. He laughs.
"I don't know," you concede, with a small chuckle. "I think I'm just expecting things from him that aren't fair."
He turns his body to face you. "Like what?"
You press your lips together, trying to formulate your words properly, so you can clearly articulate the tornado of thoughts in your brain. "I know Gideon wasn't a father figure exactly, but he was someone that Reid and Elle latched onto."
Hotch exhales. "I don't know if Gideon is someone I'd want as a father."
You let out a surprised laugh. "Fair enough."
"How is your father doing, by the way?"
You blink in surprise. It's not that he doesn't talk about your family, it's just that the timing is uncanny. You haven't spoken to him in months. After your mom died, you two were almost inseparable, but then you left for school, and you realized how much bigger the world could be when you weren't always bogged down by your grief. "I haven't called him in a while."
"What did he say after Golconda?" he asks, his voice gentle. After Frank, he means.
You close your eyes, guilt flooding your body. "I never told him."
"What?" You don't look at him, but you can see the shock in the stiff line of his posture. "Did something happen between you two?"
You shake your head, your protectiveness over your family flaring up at the concern in his eyes. "Nothing happened. I just didn't want to worry him."
"That's his job," Hotch stresses, scooting his leg over so his knee bumps yours. "If something like that had happened to Jack, I wouldn't know what to do with myself."
"That's what I'm scared of," you tell him, your eyes flitting over to the window, where the clouds are dancing across the horizon. Sometimes, when you're on the jet, you like to pretend that the time up here isn't real. That as long as the world looks like a series of splotches and blinking lights, nothing can really hurt you. "My mom's death nearly killed him. I learned to cook when I was ten, because he couldn't leave his room for a month." Hotch knows all of this already, but he lets you vocalize your thoughts, obviously knowing how badly you need reassurance for the guilt you're feeling. "Then, when Jeff died, I stayed with him for a few weeks to have some company, but...but.. I was so glad when I left, because then I could finally let myself fall apart."
He reaches under the armrest and clasps your hand in his, extending the comfort you didn't know you needed.
"I've never told anyone that," you whisper, feeling your voice tighten with tears. "I love my dad, I love him so much, but I just needed the chance to recover on my own."
"He loves you too," Hotch says, finally breaking his silence. "You know he loves you. I still remember the themed sandwich baggies that he packed your lunch with all through middle school."
You choke out a laugh. "You would always steal the Spiderman ones."
He smiles, squeezing your hand once. "Maybe you just need to give him another chance to be who you want him to be. He might just surprise you."
You know he's right. Somehow, he's always right.
You nod, flashing him a small smile, and lean your head on his shoulder as the clouds float past your window.
***
He glances at his watch for the tenth time since he sat down in his office. The plane landed just over an hour ago, and he sent you home immediately with the instruction to get some rest. He probably should have gone home too, but ever since he got his new apartment, home hasn't felt the same.
He used to be able to look around any corner and see a memory: the couch where he and Haley made love on their first night at home, the soft carpet where Jack took his first steps, the doorframe where he measured his height on his first birthday as Haley held him up by the arms. He also remembers that he wasn't there to see Jack's first steps; he was in Pittsburgh, working a case and thanking his lucky stars that Haley had had the foresight to take a photo as his son stood upright all by himself.
He lifts the picture frame from the edge of his desk, running his fingers over the cool glass and looking at the blue drawing underneath. Jack had drawn his favorite cartoon character and left it for him on the kitchen table, a few nights before his suspension went into effect.
Putting it back down, he looks at the photograph of him holding onto Haley as she clutches newborn Jack to her chest in the hospital. He still has the photo of just him and her on their wedding, but he pushed it to the back, behind the pictures of Jack, and the one of you and him at law school graduation.
A knock sounds at his door and he looks up to see Dave standing in his doorway. "Can I come in?"
"Of course," he says, waving him in. He doesn't sit down, so Hotch stands up too, unsure of how he feels about the power imbalance in the room. "What can I do for you?"
"You said out there, 'The team shares everything.'"
He nods. "That's right."
"There is no 'I'?"
He nods again, not liking where this may be going.
Dave glances down at his desk, where his phone sits next to the picture frame of his family. "Seems a big thing to withhold. Separating from your wife, your child."
He freezes, unconsciously looking at the door to see if anyone heard. "What are you talking about?"
"You used to call Haley 10 times a day," Dave says, his voice not unkind. "We've been together 48 hours and I haven't seen you call her once. You haven't mentioned her, and you're not going home now."
He frowns, feeling his brow settle into place like it's a uniform he wears whenever he's at the office. "What's your point?"
"I guess you're just not used to sharing."
He doesn't say anything, but Rossi seems to interpret this the wrong way. "Or maybe it's something else." He looks out the window at the empty bullpen, but the implication is still clear. "Was it because of...?"
"What?" He doesn't know where this is coming from, but he can't stop the anger that rumbles through him at the connotation. Unable to help it, he looks down at your desk, and Dave tuts.
"I won't say anything."
"Dave," he shakes his head, trying to remain calm. "You have it all wrong. She's my best friend...since we were children. It isn't like that. It was never-"
It was never like that. That's what he's about to say, but that wouldn't be true. Rossi is a good enough profiler that he would be able to spot a lie from a mile away, so he shuts his mouth and shakes his head again. "It's not like that."
"Okay," he accepts, lifting his hands in surrender. "My mistake."
Hotch nods, and Dave leaves his office, but he can't get their conversation out of his head until later that night when his head hits his pillow and his eyes finally fall shut.
***
"Hey, Dad."
You called him when you got home from work that night, and he answered on the second ring. "Hi, sweetheart."
"How are you?" you ask, clutching the phone to your ear as you sink down onto the couch in your living room.
He doesn't answer for a moment, and you can hear him taking a breath. "I'm good, Y/N, how are you? Is work going well?"
"It's good," you tell him. "Really good. We were able to save a woman today, before the unsub could kill her."
"Unsub?"
"Unknown subject," you explain, quickly realizing just how long it's been since you've spoken to him. "It's what we call the bad guy before we know who he is."
"Right," he says, and you can practically see him rubbing a hand over his face, his nervous tic. "I knew that. Anyway, how is everything in your life? Do you still work with Aaron?"
"Yeah, I do," you say with a laugh. "He was actually asking about you earlier today."
"That's nice of him," your dad says, his voice brightening slightly. "He was always a good friend to you."
You tell him about your most recent case, and about Gideon and Elle leaving the team, but eventually you can't evade the topic you've been trying to avoid all night.
You're okay, you think to yourself. Frank can't hurt you anymore.
"Dad," you whisper, closing your eyes as you take a deep breath. In 1, 2, 3. Out 1, 2, 3. "I have something to tell you."
Then you tell him everything, and he just listens, exactly like you hoped he would.
***
"I met this guy." You didn't even see Penelope approach you, but here she is, looking at you like she's about to say something dirty.
"Hell yeah," you grin, trying to match her energy. "Where?"
"A coffee shop," she smirks. "He was having trouble with his computer, so I fixed it for him, and then he asked for my number."
"Look at you," you joke, giving her a side squeeze, "putting your technical analyst skills to good use."
"Thank you," she huffs, throwing an annoyed glance over her shoulder. "That's more of the response I was looking for."
"What do you mean?"
"Derek," she says simply, and you nod, already knowing where she's going with this. You know they have an uncommon relationship, so you're not surprised that he didn't react exactly how she hoped he would.
"He's an idiot," you tell her, patting her arm.
She laughs. "You don't even know what he did."
"Uh, yeah," you say, turning around to face the bullpen, "I definitely do."
***
The case takes the team to Florida, where an unsub has been feeding women their fingers, killing them, and then carving pentagrams in their skin.
The pentagrams suggest a religious element, so you go with JJ, Morgan, and Rossi to the local church to meet with the priest.
"Rossi, do me a favor," Morgan says just before you walk inside. "You talk to the priest, all right?"
You remember his agitation on the jet when Reid prodded him about his beliefs, and given the cruelty of his childhood, a crisis of faith wouldn't surprise you.
"Hi, Father Marks," JJ greets the priest when you enter the church. She introduces all of you to him, before shaking his hand. "We're sorry we have to be here under these circumstances."
"It's good of you to come," he says, greeting all of you. "Abbey's parents are upstairs in my office."
"We'll go up," Rossi says with a nod, "but Agent Morgan actually has some questions for you."
Your eyes flash to Rossi, but he doesn't return your gaze.
"I have some questions too," you offer, and Derek nods gratefully.
The priest answers the few questions Derek spits out at him, and you watch as his eyes wander around the hall, his shoulders raised with tension. You insert a few of your own questions before heading outside with him to wait for JJ and Rossi to finish up with the victim's parents.
"What happened in there?" you ask when he doesn't meet your eye. "Being rude to Father Marks? That wasn't like you."
"You know what happened to me, L/N," he says angrily, kicking his foot out at a loose stone on the pavement. "I went to church everyday, and I prayed for it to stop, but you know what God did? Nothing."
"I know what a crisis of faith looks like, Derek." You stand in front of him, forcing him to look at you. "But Father Marks doesn't know your story. He's not judging you, he's just showing his faith how he knows best."
His shoulders are still tense as his jaw twitches. "Who does Rossi think he is, throwing me under the bus like that?"
"He's an instigator," you shrug, letting the topic slide for the time being. You'll talk to him again later if he still needs it.
"I didn't love the way Gideon did things either," Derek says, his posture going from agitation to annoyance, "but Rossi might just take the cake. Even if he is better with the victim's families."
"I can't help you there," you almost laugh. "I had the same conversation with Hotch after the case in Texas, and he managed to convince me to give the guy a chance. So...if you can't bring yourself to trust him, just think of it as putting your trust in Hotch."
Derek hums, bumping your shoulder with his. "I guess I can do that."
***
The search party for Tracey Lambert only leads to the unsub taking another woman, and suddenly the ticking clock gets a lot louder. By the time you find his lair and the bodies he has been cannibalizing for years, you're already struggling to keep down even the water you've been drinking. When he reveals where Tracey actually is, you feel so sick, you can't breathe.
When the jet lands back in Virginia, you go home immediately, desperately needing some peace and quiet away from the team for the first time in a while. But that doesn't last long.
You're awoken by the shrill ringing of your home phone. Rubbing the sleep from your eyes, you check the number and answer the phone. "Is this payback for the last time I called you past midnight?"
"Y/N...it's Garcia."
You shoot up into a sitting position as Hotch explains what happened. "How bad is it?"
"I don't know."
"I'm on my way."
You change into a sweater and a pair of loose jeans before grabbing your keys and flying out the door.
"She's in surgery," JJ tells you when you find them in the waiting room. She pulls you into a hug before returning to her hunched position in an uncomfortable vinyl chair.
"There's no other word," Hotch adds, giving you a quick hug as well. With his cheek pressed against your temple, he whispers, "Police think it may have been a botched robbery."
"Where's Morgan?" Emily asks, standing up from her chair.
"He's not answering his cell."
Reid nods, stepping away. "I'll call him again."
He squeezes your hand before he exits the waiting area, and you glance down at JJ again. Her eyes are red from crying, and her chin is pressed into her palm as she stares at the floor. You watch as Emily sits next to her and pats her hand, before clasping it in hers.
You don't realize you've been staring at the same spot on the floor until Hotch stands next to you and nudges your shoulder. You okay?
"I will be," you say out loud, barely registering that he didn't actually ask you anything. "As soon as she's out of surgery." When you got the call that Penelope was shot, you had been hit by an intense feeling of deja vu. Only this time, the call didn't come from bureau leadership, because she wasn't killed at the scene. Because she's going to make it.
He doesn't seem fazed as he checks his watch again, his frown lines deepening. "It shouldn't take this long to get an update."
"Where have you been?" Reid asks suddenly. You look up to see Derek walking into the waiting room, his eyes wide with panic.
"I was in church. My phone was off."
"There's nothing you could have been doing here," Rossi assures him, before nodding at Hotch and pulling him aside to discuss something with the deputies outside. You use the momentary lull to approach Derek, putting your hand on his arm as an initial test. When he doesn't jerk back, you pull him into a hug that he returns gratefully.
The doctor walks in a few minutes later and explains that Penelope will be fine, but she needs to rest until the morning.
"David and I will go to the scene," Hotch informs, his eyes fixing each of you with an empathetic look. "I think the rest of you should be here when she wakes up. I don't care about protocol. I don't care whether we're working this officially, or not. We don't touch any new cases until we find out who did this."
When they leave, you pull Derek down into the chair next to you and lean your head onto his shoulder. After a beat, he relaxes in his seat, and lets out a long sigh. "She's okay."
***
Early the next morning, the doctor shakes you all awake with the notice that Penelope's up, so you rush into her room, trying not to crowd her as she blinks awake.
"Hi," she says softly, her voice small. She looks so innocent, laying in her hospital bed with her blonde hair a halo around her head. You can't imagine how anyone would want to hurt someone like her.
"No tears," she smiles as you swallow down your anger. "I'm afraid if I start crying, I'll come unstapled."
JJ presses a kiss to her cheek, before Derek and Emily start gently plying her with the usual questions. When it comes out that the man who shot her was the same man who asked her out at the coffee shop, your anger turns to anguish, and you reach forward to squeeze Penelope's hand in an effort to comfort her.
"I just thought he liked me," she whispers, the pain in her voice breaking your heart.
"We need a name," Emily asks abruptly. You can see her mentally kicking herself at how serious her words came out, but you know Penelope understands the gravity of this situation.
"James Colby Baylor."
She asks you and JJ to stay back for a second as the rest of the team leaves to investigate Baylor.
"What's up, honey?" you ask, smiling at her sweetly as she uses her other hand to take JJ's.
"I feel so stupid," she sighs, her breath turning into a gasp as tears fill her eyes. "Maybe Derek was right about all of it."
"No," JJ says sternly, reaching forward to brush some of her hair behind her ear. "None of this is on you."
"What she said," you echo, nodding at JJ, "and don't listen to Morgan. He loves you, and he's very protective over you, but he's also a man."
She sniffles out a laugh, before pressing her lips together. "One last thing."
JJ blinks. "Anything."
"Please don't talk about me like I'm a victim."
***
The case wraps up back at the office, where Baylor, whose real name is Deputy Battle, was shot in the head by JJ, who doesn't seem as plussed by the situation as you would expect. You tried to talk to her afterwards, but after telling you she was fine, she put all of her attention on Penelope, who has spent the last week recovering at home.
Now, you're sitting in the break room stirring your black coffee, just for something to do. Hotch finds you in there and walks inside, shutting the door behind him.
"It's been a long week," he grumbles, looking longingly at the spot next to you on the worn couch.
You lift your cup and nod your head at the full coffee pot. "That's what caffeine's for."
"We really should sleep at some point," he says, filling up a paper cup and carefully dropping into the spot beside you. The couch you chose is small enough that his thigh presses against yours when he spreads his legs even the slightest bit.
You snort. "Sleep's overrated."
You both sip your steaming coffees in silence as you watch the other agents shuffle back and forth across the bullpen, unaware of your watchful eyes. The break room is the one place in the office to go for a little bit of privacy, but the unobstructed view of everyone's desks isn't unpleasant either. You imagine this is how Hotch feels when he looks out his office window.
Your eye catches on the stapled wood planks that are currently replacing the broken glass door that leads into the bullpen. He must be looking at the same thing, because he breaks the silence and says, "I think we may need to get JJ out into the field more."
His tone catches you off guard and you crack a small smile. "She does seem remarkably well-adjusted, given that it was her first time."
He nods, turning his head to look at you. "Do you remember your first time?" Killing someone, is the part he doesn't say out loud.
"Of course." You take a deep breath and gulp back more coffee. "He was a serial rapist in Texas. One shot to the heart. I wasn't trying to kill him, he just ran at the last second."
"Serial killer in Florida," he responds simply. "Headshot. He died instantly."
"That was your first year at the BAU, right?" He nods and you sink back into the cushions. "I wasn't even in the field then."
He hums, a low sound that you feel as vibrations on your skin. "I worry that I brought you in here too early. Jeff had just died, and I assumed that getting you out of the house and in the field would take your mind off of things, but I wonder sometimes if I made the wrong call."
"You didn't," you assure him, turning your body to face his, even as he doesn't meet your eye. "First of all, you brought me in six months after he died, and by then, I definitely needed an excuse to leave my bedroom."
He sighs, a small concession, and you continue. "The first case I went into the field for after he died, I could barely hold my gun. Every time I pulled it on someone, I would imagine his body...with all of those bullet holes...and I would just freeze up. It took me months to pass my firearm certification again, but I still don't regret it."
"You sure?" he asks, his voice almost timid.
"Positive," you smile, nudging your thigh against his. "Besides, I didn't realize it until later, but it wasn't getting out into the field that helped me through my grief...it was meeting the team. These people became my family in the moment that I needed one most."
You turn back to your coffee and sip it again, though it's no longer as hot as you'd like it to be.
"How are you doing, by the way?" he asks suddenly. "With Garcia, I mean."
An involuntary shudder runs through you as you remember her pale face in her hospital bed last week, but the warmth of the coffee cup in your hands makes it pass quickly. "I'll never get used to it. But she's okay now, so hopefully it'll be easier this time."
***
You're jotting down notes in the margins of a new case file JJ asked you to look over when your cell phone rings. Hotch and Reid are at a nearby prison, interviewing a serial killer on death row for the Criminal Personality Research Project, so you're not expecting a call from either of them. The rest of the team, except for Rossi, is scattered around the bullpen, but you don't expect him to call you either.
After finishing the line you were writing, you check your phone and see a name you haven't spoken to in weeks.
"Haley," you answer after clicking open your cell. "Is everything okay?"
"I know you're busy," she sighs, her voice tight with what you can only decipher as irritation, "but I didn't know who else to call. Aaron hasn't been answering my phone calls."
You get up from your desk and step out into the hallway to get some privacy. "He and Dr. Reid are at a prison right now, interviewing a criminal for this research project. There likely isn't any cell service out there."
"It's not just today, Y/N," she says, her tone getting colder as she inadvertently directs her anger towards the only person she can get ahold of. "He hasn't been taking my calls for days."
"I can talk to him," you suggest, trying to keep your tone light in an effort to keep this conversation from derailing. "I'll tell him to give you a call."
"I appreciate that," she sighs, losing her steam. "I'm sorry for involving you, I just really need to speak with him about something."
"Is everything alright with you and Jack?" you ask her quickly, wanting to make sure that you aren't making the wrong assumptions about why she's calling.
"Oh!" she inhales sharply. "Yes, of course, we're doing great. Well, great maybe isn't the right word, I didn't mean- I just-" She sighs. "You know what I mean."
"I do," you assure her as your heart twists at the sound of her shallow breathing. You know how hard the separation has been on Hotch, but you know Haley too, and she has always been better at hiding her pain that she seems. "Where have you been staying?"
"With Jess," she says, her voice brightening considerably at the mention of her sister. "She's been a godsend. I feel terrible taking up so much of her space, but she doesn't seem to mind."
You smile, remembering the few times you met Jessica Brooks while Haley and Hotch were together. "She definitely doesn't mind. She always loved children. I bet she's already scheming on how to steal Jack from you."
Haley laughs, and the sound is like wind chimes twinkling in your ear. "She totally is."
Her laughter slowly fades, and you both stay on the line for a few moments in comfortable silence.
"I'll tell him to call you," you promise.
"I know," she sighs. "Thank you."
***
The prison was a bust, but Reid got a chance to use his intelligence to get them out of a tough spot without anyone getting hurt, so the day wasn't a total loss.
He is sitting in his office, drafting an email to the project coordinator, when you walk inside and take a seat in front of his desk.
"Thanks for knocking," he says sarcastically before finishing up the sentence he was working on. Once it's done, he saves the draft and turns off his computer. "How was Indianapolis?"
"Good," you say, leaning back in the chair. "Great, actually. Rossi got to close up the case that's been haunting him for a decade, and the three kids are finally safe."
"I'm surprised he wasn't more excited when he got back," he notes, watching your body language. You look wired, but not about this. Something else is bothering you.
"The unsub wasn't exactly the most gratifying arrest," you sigh, rubbing a hand over your temple. "We don't even think he committed the murders intentionally."
He frowns, shaking his head. "Those are the worst kind."
You're silent for a moment before you sit up straighter and look at him. "Haley called me this morning. While you were at the prison."
"Oh?" Something that feels like ice slithers down his spine even though he can probably guess exactly how the conversation went.
All week, he has felt an enormous weight on his chest in the form of a stack of divorce papers that Haley served him with. She had called him right after, with the explanation that they both should have seen this coming, but he really hadn't. He was a profiler, whose entire job was to notice and analyze human behavior, and he truly hadn't been able to let himself believe that this could be a possibility. That his marriage could actually be over.
"She said you've been ignoring her calls."
He had been ignoring them. He knew she would just tell him to sign the papers, and he couldn't bear to hear her say it again. Once was enough.
He reaches into his desk and pulls out the manila folder that he hasn't opened since his initial read-through. He suspects you already know what he's about to tell you, but he also knows that it won't feel real until he says it out loud. And it's about time he came to terms with what his life would be from now on. "Haley wants me to sign the divorce papers, uncontested."
"She doesn't want to involve a lawyer?" you ask, your voice delicate as you walk him through the explanation with clarifying questions. It's the technique they use when interviewing the families of victims, to help them feel comfortable as they talk about the hardest thing they've ever gone through. He's surprised at how reassuring it feels coming from you.
He shakes his head, running his fingers through his hair. It has grown out a bit since he last cut it, but he doesn't think he minds. Haley wanted him to cut it short when Jack was in his grabbing and teething phase, but now, he likes how he can push it back when he wants. "I don't want to sign, of course, but she's adamant that we get this done soon."
"You'll be okay," you say, and he looks up in surprise. "You're a good man, Aaron."
"I'm not," he whispers, heaving out a sigh. "I'm not doing anything right. At home, I was an awful husband and an absent father, and at work, Strauss would replace me if she had even the slightest bit more ammunition. I can't focus in either place. Maybe Haley's right, maybe I'm just selfish."
You lean forward and grab his hand, even as he doesn't look at you. "You're not selfish. You're the farthest thing from selfish. You don't want to sign, but you will. You're giving her what she wants, even though it's the last thing you want."
He nods, but his heart isn't in it. He glances down at the folder again and takes a deep breath as you give him a small smile and stand up.
"I'll see you tomorrow, boss?"
He nods again. "See you tomorrow."
When the door shuts behind you, he flips open the folder, faster than he meant to, but he's afraid if he doesn't do this quickly he'll lose his nerve. Grabbing a random pen from the mug on his desk, he uncaps it and scrawls out his initials on all of the earmarked lines throughout the stack.
When he finishes the last page, he shuts the folder and leans back in his chair, letting out a long exhale. He did it. He supposes he should feel some sort of severing away of his old life, maybe an audible snap as the ties to his marriage get cut, but there's just silence.
His office suddenly feels stifling, and he loosens his tie before reaching forward and lifting the picture frame with him and Haley on their wedding day. Her smile still looks beautiful to him, and his content expression as he gazes at her doesn't make him feel anything different. Their marriage may be over, but he still loved her.
He runs his thumb over the smooth edge of the frame, and then opens his desk drawer, before sticking it inside and pushing it closed.
***
"Thank you for watching him," Hotch says, his voice slightly muffled over the phone.
"Of course," you smile, sitting down on your couch with the pasta you made for dinner. "It was my pleasure. Jack's a total sweetheart."
Jess was out of town for a couple of days, so he had asked you to watch Jack while he and Haley met up to finalize the divorce in front of an attorney. She had been adamant about finishing the process over the phone, but he wanted to ensure that she and Jack would be taken care of after the papers went through.
"Did he eat lunch?"
"Kind of," you say, quickly swallowing the bite you took. "He didn't want a full meal, but I got him to eat some fruit and bread with cheese."
"I'll make him a snack soon," he says quietly, but you can tell he's just thinking out loud. "Alright, I'll see you at the office. Thanks again."
"Always," you tell him, genuinely. "See you."
The phone clicks off and you scarf down the rest of your pasta before doing your dirty dishes and cleaning up your kitchen. You're considering whether to change into your workout clothes so you can crank out a few miles on your Peloton, but then you hear a knock on your door.
You're not expecting anyone, and with Hotch watching Jack, it can't be him. You peek around the corner into your foyer to see who's at the door, and relax when you spot a familiar mop of brown hair.
"I'm sorry I didn't call first," Spencer says when you open the door, his fingers fidgeting with the edge of his book bag. "I just didn't know how to ask you this over the phone."
"Spence, what is it?" you ask, opening the door further to let him in. He doesn't step forward, and a pinprick of anxiety enters your system.
"If I come inside, I won't be able to do this," he says vaguely, before reaching into his bag and pulling out a flyer. He hands it to you and you read the title, the tension seeping from your body as the words sink in: Narcotics Anonymous for Law Enforcement.
"I know it's a lot to ask," he whispers, "but would you drive me to the meeting tonight?"
Your heart feels like it's about to crack open. Only a boy who was never looked after, never given the love and care he deserved, would think that something like this was too much to ask.
"It's not too much," you tell him, glancing down at the address. "I'll get my keys."
When he's settled in your passenger seat, you pull out of the driveway, not commenting on the fact that his car is parked on the street beside your sidewalk. You understand the need for company more than most people.
The drive to the rec center where the meeting is being held is mostly silent, but you don't press him. He stares down at his hands for most of the ride, and when you stop in front of the entrance, he unbuckles his seatbelt and turns to you. "Thank you."
"Of course," you smile. "I can wait, if you'd like."
He gives you a thin-lipped smile. "It's okay."
"You sure?"
He presses his lips together and looks at you, his eyes reflecting the question in yours.
"Go on," you say, patting his arm. "I'll be here."
He nods and steps out of your car, and you pull into a parking space to wait in while he's in the meeting. You turn on the radio and it's the same song they've been playing for the last week, so you turn the volume down low and close your eyes for a few peaceful moments.
You must have fallen asleep, because you're jarred awake by the chirping sound of your cell phone ringing. It's a bureau number, so you clear your throat and answer the call. "L/N."
"Hey, Y/N." It's JJ, and she sounds tired. "We have a case. It's urgent, so we're flying to Texas tonight."
You sigh louder than you meant to. "I can be there in 20."
"See you soon."
The line clicks off and you rub the sleep from your eyes. A quick check of your watch tells you that you were only asleep for about a half hour, but that's just half of the meeting time. You know Spencer will come back when he gets the call, so you turn the radio off and sit up in your seat.
A few minutes later, he returns to the car. You saw him just over 30 minutes ago, but he already looks lighter than he did when he got to your house.
"I'm proud of you, Spence," you tell him as you start the car.
He nods, a quick thanks. "This federal agent gave me his one year medallion after I left the meeting. I've only been clean for 10 months, but he still gave it to me."
"He believes in you," you say simply, glancing over at his confused expression.
"He doesn't even know me."
You shrug. "You don't have to really know someone to care about them, Spencer. You just have to see something of yourself in them."
"Is that what you see in me?" he asks, finally looking at you.
You consider this for a moment. Is that why you feel so protective over him?
"I don't know," you say eventually, not wanting to lie, even by accident. "I definitely wasn't as smart as you were, or as focused. I wasn't all that driven in high school at all, to be honest. I was lucky to have Hotch. He gave me the push I needed to get out there and focus on school."
He's silent for a minute and you worry you may have said something wrong. Then: "I didn't have anyone in school." He pauses for a beat, before speaking again, his voice quieter this time. "I was in the library one day, and this girl comes up to me, and she tells me that Alexa Isben wants to meet me behind the field house. Alexa Isben was, like...easily the prettiest girl in school."
You frown, already not liking where this story is going. "Did she not show up?"
"No, she was there." His voice sounds almost resigned, but there's a note of something darker underneath. Something raw and painful, that likely still hurts after all these years. "But so was the entire football team. They stripped me naked and tied me to a goal post. So many kids were there, you know, just watching."
"No one stopped them?" you ask, trying to keep your voice steady.
"I begged them to, but they just...they just watched. Then finally they got bored and they left." He clears his throat, and the sound is small, like a little boy's. "It was like midnight when I finally got home. And my mom didn't...Mom was having one of her episodes, so she didn't even realize I was late."
"You never told her what happened?"
He shakes his head. "I never told anybody. I thought it was one of those things that I thought if I didn't talk about it, I'd just forget. But I remember it like it was yesterday."
"You don't need an eidetic memory for that, Spence," you whisper, trying to stay focused on the road even as his words swirl into your memories and create an agonizing hurricane of emotions. "I was only ten years old when my mom was killed, but I can still remember every moment of her funeral."
The field office comes into view and you push forward as you scan your badge and slide into a parking spot below the upper garage. When the car is in park, you undo your seatbelt and turn to him. "I know how hard it can be to push away the painful memories, but there's something more important that I need you to remember."
"Remember what?"
He looks at you then, and you reach forward to squeeze his hand. "You're not alone anymore."
***
"Is it always this hot?" You look up at the beating sun through your shaded sunglasses and fan your face with both of your hands.
"Every day, all day," Emily huffs, running her fingers through her bangs to unstick them from her forehead.
Everyone is sweltering in the Miami heat, but then Derek gets off the plane with a wide grin, his skin glistening in the sun, and you resist the urge to throw your bag at him. "South Beach, baby."
He immediately shuts up when he spots the stunning Miami PD detective who called your team in for the recent string of murders. JJ shoots you a smirk before introducing her to the team. "Detective Lopez. We spoke on the phone."
"Tina," she corrects, before shaking her hand. "Thank you for coming down so quickly."
"Hey," Emily says from beside you, making you turn to see what she's looking at. "Isn't that..."
You spot the person she's referring to, and your face splits into a big smile. "Detective LaMontagne!"
"He's here to ID the cop they pulled from the bay last night," Tina explains.
You don't miss the flush in JJ's cheeks as she shakes his hand. "Detective, good to see you."
"How are you?" you ask, giving him a quick hug that he returns.
"Yeah, Charlie Luvet and I worked together for seven years."
Derek frowns. "Sorry for your loss, man."
Tina looks confused, and you don't blame her. "So, you all know each other?"
"Professionally," JJ is quick to add. Will whips around to look at her, and you turn to Emily with an eyebrow raise, feeling like you're intruding on a private moment. You aren't sure why she won't just admit that they've been together since New Orleans, but that's her business.
***
You join JJ and Will at the IDing of Officer Luvet, and you keep your distance as he glances down at the body and affirms the report.
"Yeah, that's him."
JJ looks like she wants to comfort him, but instead she sticks to the professional approach. "If you need help making arrangements, liaising with families is part of what I do."
Will nods, his voice choking up slightly. "I might just take you up on that. Excuse me, I'll be outside."
When he steps outside of the coroner's office, you can't help but notice the longing look on JJ's face as she watches him go.
"Let's go," she says to you softly, her eyes still on the door. You follow her outside, but by then Will is nowhere to be found.
"It's okay, you know," you blurt out. You weren't really planning on talking to her about this, but sometimes your mouth takes over before your brain can catch up. "I know you worry that being around a band of profilers all the time makes you vulnerable."
"I'm not sure what you're talking about," she says simply, not quite meeting your eye.
"JJ," you say seriously, trying to convey your pure intentions. "If you keep trying to hide it, you'll lose him."
She purses her lips, and you squeeze her forearm, hoping you aren't pushing past her boundaries. The whole team is sparing with details about their personal lives, but you like to think that you're someone people feel comfortable sharing things with.
"I know you, hon." You flash her a knowing smile, feeling a shot of satisfaction as her lip twitches. "I know that it's enough for you to know that you care about something, but it's not enough for everyone."
She exhales, tucking her hair behind her ears. "He's upset with me, but I don't know what to do. I'm still scared."
You sigh, understanding her predicament, but still wanting her to push past it. "You can let yourself be happy, JJ. You won't always get hurt."
She nods before glancing around the room again, searching for Will even though he's long gone. It's an instinct you recognize.
Later, when JJ finally acknowledges their relationship by pulling him in for a kiss at the police station, you can't help but take it as a win.
***
Your house feels emptier than usual when you get back from Miami. Seeing JJ and Will find each other again reminded you of how much you miss having someone to share your life with.
Deciding to take a night to yourself, you pop open a bottle of red, and pour yourself a glass, which you swirl around before taking a sip. It's drier than you tend to go for, and when you check the label, you realize that's because you didn't buy it.
How can you drink this stuff?
It makes me feel sophisticated.
Jeff would break out the fancy glassware every chance he got, because he didn't believe in special occasions. He used to say that people waste precious moments of their life waiting for the right occasion to come around.
The memory feels warm in the back of your mind, and you take another sip of wine before walking over to your cupboard and grabbing the fanciest wine glass you can find. You pour the rest of your wine into the new glass and place the other in the sink, before swirling it around again. No time like the present.
You bring the glass to the couch with you, where you turn on the television and skip through the first few channels. As the wine in your glass depletes, the loneliness sets back in. You're about to pour yourself another pity glass when your phone buzzes with a call from Hotch.
"Do your television channels suck as much as mine do?"
You smile, muting the television and pressing the phone to your ear. "Definitely not."
He chuffs. "I guess I'm not used to the new tv controls."
Right, his new apartment. After the papers were finalized, he gave the house to Haley and moved into a new place ten minutes away.
"We can share mine," you say, listening to the sounds of his breath over the receiver. "I also have wine."
That gets a laugh. "I'll be there in 15."
You hear a knock on your door exactly 14 minutes later. When you open it, you're greeted with the sight of Hotch in a tee shirt and jeans. "A little underdressed, aren't we?"
He snorts, taking the wine glasses from your hands and following you into the family room. "What are we watching?"
"You're the one with the broken tv," you grin, flopping down on the couch and taking your glass from him. "What do you want to watch?"
He thinks for a minute, before his eyes sparkle with an idea. You cut him off before he can suggest what you already know he will. "We are not watching Top Gun again, Hotch!"
"You asked," he shrugs, hiding his smile behind a sip of wine. "What do you want to watch, then?"
You can see him watching you over the rim of his glass, so you blurt out the first name that comes to your mind. "Footloose."
He looks at you blankly for a moment, before his brow twitches, and your jaw drops. "You haven't seen Footloose?!"
"It came out when we were in high school," he groans, taking one of the throw pillows off the couch and stuffing it behind his back. "Terminator and Dune came out that same year. I remember because you tried to get me to watch it then too."
"It's an amazing movie!" you exclaim, standing up to go dig through your movie cabinet. "We're watching it right now."
He groans and sinks back into the pillows as you find the DVD and start the movie. You've seen it at least a dozen times, mostly because it makes you nostalgic for your teenage years, but the opening still gets you excited.
As the movie plays, you keep glancing over at Hotch, trying to see if he's enjoying the scenes just as much as you did on your first watch. To his credit, he watches the movie faithfully, without checking his phone or straying from the television screen.
"Enough," he grumbles suddenly, startling you.
"What?" you question, whipping your head around to face the screen.
"I'm watching the movie," he huffs, fixing you with a pointed look. "You don't have to keep checking."
You frown, hugging a pillow to your chest. "I wasn't checking, I just like seeing people's reactions to my favorite movies."
"Either way."
You groan, reaching out to thwack his arm.
"Eyes on the screen," he berates you, pointing at the TV. "The dance scene is starting."
You sip your wine bitterly as you try to resist the urge to glance over at him. Eventually, the movie takes over your attention and soon it's the final town council scene where Kevin Bacon gives a speech to the whole town.
"'There was a time for this law'," you quote along with the movie, "'but not anymore.'"
The movie comes to an end, and you click the remote to turn off the television. When you turn to Hotch with an excited grin, you're surprised to see that he has fallen asleep.
His head has fallen to the side, resting on the armrest, and he looks so peaceful with his expression completely neutral. His characteristic frown is nowhere to be seen as he snores quietly through his nose.
Your lips curve into a smile as you stand up and grab a blanket from a basket beside the couch. You drape it over his body, being careful not to wake him, and take the wine glasses to the sink before heading up for bed.
***
"That's because you pick horses the same way you practice law."
You hold your breath as he glances into the crowd for a brief second.
"...by always taking the long shot."
Emily snickers under her breath, and you see even Reid crack a smile as the lawyer starts floundering. The rest of the day in court goes by quickly and you all wait for Hotch in the hallway of the courthouse as he finishes up inside.
"That was impressive," you grin, nudging his shoulder as he walks alongside you. "I can't believe that was my first time seeing you in full prosecutor mode."
"Hardly," he says, rolling his eyes lightly. "I was called to give testimony, it's very different."
"I'm just surprised that prosecutor is still walking after how hard you hit him." He shoots you a look and you raise your hands in surrender. "Metaphorically, of course."
"That was a straight knock out." Derek comes up behind you and throws an arm around your shoulder as he spins you both to face Hotch. "The crowd practically cheered when you cleaned the floor with him."
"Thank you," he concedes, flashing his eyes at you. "Now let's get back to work. We still have to get more evidence for the rest of the trial."
And just like that, everyone switches back into work mode. Derek drops his arm and jogs forward to catch up to Rossi and Spencer, while Emily calls Garcia to get the latest update.
Using the moment of solitude, you bump his shoulder again. "Do you ever wish you were still a prosecutor? Your life would certainly be a lot simpler."
He shakes his head, the answer coming quickly and firmly. "I couldn't do it then, and I still couldn't now. Seeing the murderers come in after they've finished killing...I needed to know I could stop them before they were done."
His sentiment sounds familiar. Your mind flashes back to the little boy who took matters into his own hands, because no one could stop the pain for him.
You blink and it's present day again. You loved your best friend who fought his own battles without asking for help, and, even though he's vastly different, you love your best friend as he is now.
***
"Five shootings in two weeks."
"It's about time we got the call."
The whole team, plus Garcia, flies up to New York, where an unsub has been shooting people around the city, seemingly at random.
"Kate Joyner heads up the New York field office," Hotch explains, glancing down at his cell phone. "She's running point on the case and called me directly."
You have heard of her, which isn't too surprising, but all you know is that she's British and seems to be very good at her job.
"You know her?" Morgan asks him, echoing your thoughts.
Hotch nods. "We liaised when she was still at Scotland Yard."
They liaised. You don't know what that implies, but you also know that he and Haley didn't take a single break during their relationship after graduating college, so it can't be anything too personal.
JJ and Emily share a look, but you don't engage with them, instead looking back at the case file and trying to focus on any of the words that aren't 'Kate Joyner'.
***
"Kate."
A pretty blonde woman approaches you all with a smile only for Hotch. "Aaron. How have you been?"
He nods. "Well, thank you. This is my team." He introduces each of you to her, but you don't miss how her eyes linger on you when he mentions your name.
"Thanks for being here," she says, before walking you all through the background of the case. Shootings in different precincts, seemingly random, FBI only brought in after the fourth murder.
After explaining the details and introducing you to the local detectives on the case, she pulls Hotch aside for a private word in her office. You turn back to the team, trying not to let your gaze linger on them as they walk away.
The NYPD doesn't seem happy that SSA Joyner has taken over their case, but even though she comes off as a bit brusque, you can tell she cares about catching this unsub just as much as they do.
"What's your partner's problem?" Reid asks Detective Cooper, the only local officer who has made an effort to meet any of you.
"We're glad the FBI was brought in," he explains with a heavy sigh, "but all of a sudden Joyner's taking meetings with the mayor and calling in you all without us knowing anything about it."
You can understand his hesitation, but you also need his cooperation if you're going to get anything done here.
"We're only here to help," Emily tells him as you turn around to find JJ.
"Has Garcia gotten settled in with the New York tech analyst?" you ask once you find her staring at a map of the various boroughs. She doesn't answer immediately, so you nudge her shoulder. "JJ?"
"Huh?" she startles. "Oh, sorry, yeah. She called a few minutes ago, she's all good."
JJ is usually the focused one who brings you back on track, so you're surprised by how distracted she seems. You nod in acknowledgement, scrutinizing her expression for another second, before heading back to the team. Your eyes involuntarily dart over to Kate's office, and you notice how close together she and Hotch are. You're about to avert your eyes when their body language becomes a bit clearer: each time she leans in to say something, he subtly pulls back.
The dynamic of their relationship is suddenly apparent, and you mentally kick yourself for daring to assume the worst when he first mentioned her. You can't say the same for your opinion of her, though. He's still wearing his ring, for God's sake. Based on how little you've heard about her from him (nothing, you mean), you doubt she even knows about the divorce yet.
Derek and JJ head out with the detectives to check out the last crime scene, while you stay back with Emily and Spencer to build the anti-geographical profile. When another victim is shot, you head to the new scene to see if you can build a working profile.
"It's a different borough again," you sigh after getting out of the SUV and joining Hotch, Kate, Derek, and JJ in front of the body. "Prentiss and Reid are back at the office still working the profile from a geographical angle. We're starting to think maybe we should get officers out onto the high-traffic intersections, and maybe even get some of us out there too."
"Uniforms are rounding up witnesses," Kate jumps in, ignoring you. "It doesn't seem like anyone got a clean look."
You see Derek glance at you out of the corner of your eye, but you don't entertain the look. If she has some issue with you that you aren't aware of, you won't give her the satisfaction of letting her get to you. "The unsub's probably gone before anyone even realizes it's happening,"
Hotch nods, turning to face Kate. "Is this what it felt like during the Son of Sam."
She returns his gaze. "First we realized that if the violence was truly random, there was almost no way of stopping it. Seems like these people have figured that out."
You look up, trying to see if there's anything in the vicinity you can use to ID the unsub. Your eyes catch on a security camera outside one of the delis directly behind you. "From the placement of that camera, odds are the only view they're going to get is the back of his head."
She frowns. "Let's not be too quick to decide what we do or don't have."
This time it's both Derek and JJ that glance at you, but you turn to Hotch, who is avoiding meeting your eyes. Kate steps away to speak with the detectives at the scene, so you grab his arm and pull him aside. "What is her problem?"
He exhales, rubbing a hand over his face. "FBI brass has made it clear to her that if she doesn't bring this case home, she's going to be reassigned. And you are at the top of the list to replace her."
"Replace her?" you echo, trying to process what he's saying. "I haven't even been in the BAU that long."
"It's not about field experience," he says, angling his body so that you're separated from the others. "You've been with the bureau longer than I have, and your work speaks for itself. It's not a surprise that they'd want to promote you."
You still can't wrap your head around the fact that you could be leading a unit yourself, or that you may have to leave the team you love, so you focus on what you do know. "I thought the bureau was proud of the fact that they stole her from Scotland Yard."
"I don't know," he shrugs, glancing back at her. "Politics here are different."
***
After finishing up at the crime scene, the whole team heads to the hotel to get some rest for the night. You feel more alert than you usually do after a long day of building a profile, and you adjust your bag strap on your shoulder as you dig around the side pockets for your room key. You don't plan on going to bed for at least a few more hours, and you might as well use the time to work on the case, but you need your key if you're going to get any sleep at all.
When your fingers finally catch on the thin plastic card, you look up to see a familiar face that you've been seeing more often than not, as of late. "Wait, isn't that..."
JJ looks up with a start, and she doesn't look distracted for the first time all day. "Will."
He gets up from the lobby chair he was lounging in and approaches her. "Hey, I took a shot and flew to D.C., but when it didn't work, I figured a train ride to New York was only a few more hours."
"Detective." Hotch reaches out and shakes his hand, before glancing at you with a frown that says, Did you know he was coming?
You shake your head imperceptibly and turn back to Will as he looks longingly at JJ. "Look, I'm sorry for showing up like this. I know you're working, but I can't stand you being on this case and me not being near." He pauses for a beat. "Not with what's going on."
That makes you frown too.
Hotch echoes your thoughts. "Is there a problem?"
JJ takes a deep breath and turns around to face all of you. "I'm pregnant."
Oh my God.
"Oh, my God," Emily exclaims, pulling her into a hug, the first of you to regain her bearings after hearing the news. "JJ, congratulations."
"That's amazing, JJ," you grin, hugging her next.
You don't miss how stiff Hotch is as Will shakes his hand. "I've asked JJ to marry me."
"Will," JJ says tightly, a warning in her voice.
He chuckles. "Well, we're working out some kinks."
"We'll give you both some privacy." Hotch turns away from them, his face falling the moment she can't see him anymore. You know he's hurt that she didn't trust him with this information, but you're surprised by just how downtrodden he seems.
JJ rushes after him. "Hotch-"
"JJ, you could have told me," he says softly, his voice both confused and stung.
She looks down. "I know."
"Because I understand if you need to take some time."
"No," she shakes her head, without a look back. "I want to be here."
"Okay," he nods, not looking at any of you. "7:00 AM."
You try to catch his arm as he walks off, but he either ignores it, or he doesn't feel you reaching for him. You choose to believe it's the latter.
***
You all deliver the working profile to the police officers first thing the next morning. While you're explaining an alternate possibility, Garcia calls with an update that a possible unsub was caught on camera shooting someone on a subway platform at one of the intersections you suggested that your team patrol yesterday.
"We could have had that guy," you say, your voice fuming with anger as you turn to Kate with a glare you haven't used in ages.
She doesn't falter. "Even if we were on that platform, odds are he would have moved onto someone isolated."
"Maybe, but it was worth taking a shot."
She fixes you with a stare. "I had every available man on the street."
"And I suggested to you that you use this team." You can't believe that her decision to ignore your advice yesterday might have just cost someone else their life. You can see the rest of the team looking at you with some blend of concern or indignation on your behalf, but you don't care. You just need Hotch to back you up.
Instead he just looks at you. "L/N, second-guessing doesn't do us any good right now."
You're so angry, you can barely see straight. Emily reaches for your arm, but you shake her off. "Hotch, how are we supposed to look these cops in the eye and tell them that we're actually here to help them, if she won't let us do our job?"
"We're here to present a profile," he says simply, not quite meeting your eye. "That's what we need to do."
You gape at him, your back straightening as you get ready to stand your ground. You don't disagree on things like this often, but when you do, it's usually a civil conversation that gets resolved quickly. You've never felt this angry about his handling of a case before, but then again, he's never not had your back before. "We've got seven bodies, Hotch."
He looks at you then, and you can't discern anything from his expression. It's a blank slate that sends a shiver down your spine. "It's not your place to have this discussion."
"Screw you."
You spin around, shoving away Derek and Emily as they try to talk you down. You stalk past them and out of the field office, where the cool evening air fills your sinuses and clears your head for a moment of silence. You stand on the sidewalk for a few seconds, waiting, and when he doesn't follow you out, you just manage to convince yourself that you're not disappointed, but relieved.
***
You're sitting at the hotel bar when Rossi finally finds you. You only ordered a lemon water, still feeling like you're on the clock, even if there's a good chance Hotch won't let you back into the investigation.
"I know," you huff when he takes a seat beside you. "I was out of line."
"You got too emotionally involved," he says, turning to face you. "I know you and Hotch are friends, but that doesn't mean you get to be unprofessional."
You sigh, your body deflating as all the fight leaves you. "I just felt like he was taking her side. Like he didn't have my back."
"There are no sides here."
You nod. "I know."
"And he does have your back." You look at him then, and he flashes you a small smile. "That man will always have your back. Right now, he's just worried about how Kate is holding up, with the word on the street."
That surprises you. "You know about the promotion?"
He nods. "People talk. But if she were to get fired, it would be because we didn't solve this case."
You frown, lifting your hand in defense. "Rossi, I hope you're not saying you think I want her to fail."
"Of course not," he shakes his head. "I just hope you know what you're doing."
"I lost my head for a second," you acknowledge, taking a sip of water. "I think I just needed a minute."
"And you got it," he says simply. "But right now, I see someone who wants to get back on the job. Or is there another reason why you ordered a glass of water at a bar?"
You set your glass down, letting out a surprised chuckle. "Where is everyone now?"
You both stand up, and he leads you out of the lobby. "Joyner took your advice. We're spreading out across the city."
***
"Emily, what happened?"
You rush forward to where she is standing over the dead body of a young man. Detective Cooper was taken in an ambulance to a nearby hospital after getting shot, and you only just arrived on the scene.
"He was strangely calm," she whispers as Derek and JJ come up behind her. "It's almost like suicide by cop."
"Why?" JJ thinks out loud. "Why would he do that?"
Derek looks at you. "We need to walk back through this profile."
Hundreds of thoughts are swirling through your brain, but based on the look on everyone's faces, you can tell they're thinking the same thing you are: terrorism.
After the crime scene officials arrive, you head over to your SUV to get back to the field office. Derek heads out to brief Homeland Security, and Reid leaves to talk to the Port Authority police, while Hotch and Kate call with the update that they will be going to speak with the mayor's office.
You start your SUV and pull out into the street when a loud explosion goes off a few streets behind you, the plume of smoke and fire large enough that you catch the high end of it in your rearview mirror.
You screech to a stop, just as your phone starts to ring.
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ifyoucandaniel · 8 months
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i know we all love our jason “reads classical literature and makes obscure literature references” todd, and usually damian is the other reader in the family and they either bond over their love for classical literature or try to kill each other. however i would like to take this a step further and say that EVERYone in the batfam are big readers. i come from a big family and all of us read in some way or another so here are my headcanons for the bats:
jason, as we know and love, is a massive classic literature buff. pride and prejudice, the brontë sisters, the iliad (he swears achilles and Patroclus are the greatest love story of all time), etc. he IS pretentious and everyone groans when classic literature is brought up in any debatable capacity. however his all time favorite book is the princess bride and he would die for buttercup. when the whole family starts watching jujutsu kaisen, jason reads the manga just so he can spoil things for damian that never actually happen. the day a new episode comes out jason tells damian panda was actually a spy and kills megumi. damian tries to kill him with his cereal spoon
while damian was with the league talia made sure he was sufficiently educated in classic literature in all their original languages, and he doesn’t mind a good classic. however i think he actually reads a lot of manga and children's classics. he read where the red fern grows and old yeller and cried, but he won’t ever admit it. he loves shonen and shojo manga, he really likes naruto and attack on titan (i can’t really decide what i think he’d like actually)
Dick is a smut slut girly!! he is in a bookclub with babs and steph where they read the sluttiest books to ever make it through publishing. He read ACOTAR and was constantly facetiming babs to rant. they're currently reading haunting adaline. Bruce once asked what the big deal was when the girls were talking to dick about fouth wing in the kitchen and they all looked at him with such offended expressions he never asked again
tim is also a pretentious fucker, but he reads dark academia. he will ride or die for Donna Tarte, his copy of the secret history is always on the desk by the batcomputer and he takes if we were villians on patrol with him. jason fucking hates his books and they're always fighting on who's taste in books is better. jason actually really loved a little life a cried seven times while reading it, but he would rather die than concede
steph is an AO3 girly!! she's part of the slut bookclub with dick and babs, but at heart she's an ao3 girly. she's also written her fair share of bruce wayne x batman fanfics. she once read a superbat fanfiction out loud to the boys and dick was absolutely enthralled, duke was morbidly facinated, damian had never been more disgusted in his life, and jason laughed so hard he almost threw up
duke reads a lot of comics (spiderman is his favorite because i say so and the MCU is their comic world), and he likes X-men and wolverine. he also really likes high fantasy and has read every book brandon sanderson has ever written
Cass like romance novels and ya books. damian acknowledges her taste in books after she defends his stance on harry potter and percy jackson being classics when jason tries to argue that they don't belong in the same category as his books. she read the cruel prince and convinced bruce to get her a snake she named percy. she reads books damian recommends and he would never actually say it out loud, but he secretly loves sharing his books with her and feels a lot closer to her because of her willingness to read what he recommends
bruce isn't typically a reader (he's too busy serving justice and kicking ass) but he will read books that his kids ask him to. he read the entire wheel of time series with duke and would go on patrols with him after just to talk about it. he read the golden compass to dick when he first took him in, and he read all of jane austen's books after jason told him he must be illiterate if he'd never picked up a classic
now what about alfred...
i dont have time to do everyone else and this is super rushed, but I just couldn't stop thinking about dick and babs having a little book club and reading the sluttiest books ever
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IOTA Reviews: Conformation and Re-Creation (The Final Day)
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Well, here we are. The final two episodes of Season 5. It's been a long and complicated journey, so let me get you up to speed on what exactly happened this season, episode by episode.
Evolution: Ladybug and Cat Noir chase Monarch through time, and it's not nearly as cool as it sounds.
Multiplication: Adrien likes Marinette now because the plot says so.
Destruction: Cat Noir accidentally Cataclysms Monarch, and it somehow leads to the most guilt he feels using his Cataclysm on anyone.
Jubilation: Ever want to have the image of Ladybug and Cat Noir being teen parents burned into your brain? No? Too bad!
Illusion: Nino establishes himself as a leader so terrible, Zapp Brannigan would call him an idiot.
Determination: Marinette likes Cat Noir now because the plot says so.
Passion: Nathalie shows she'd rather silently judge Gabriel for his actions over actually doing anything to stop him.
Reunion: Marinette talks with the spirit of Joan of Arc, and it's not nearly as cool as it sounds.
Elation: Someone tries to murder Marinette over ice cream for the third time in four seasons.
Transmission: Yeah, I totally believe you're replacing Marinette and Adrien with two new main characters in the middle of your fifth season.
Deflagration: Because of Tikki and Plagg's terrible decisions, Monarch comes the closest he's ever come to winning.
Perfection: Kagami becomes a giant cloud Akuma, symbolizing her also becoming a total airhead for the rest of the season.
Migration: The writers realize they have no idea what to do with Luka, so they kick him out of the show entirely.
Derision: “How many things do you want to retcon to make this story work?” “Yes.”
Intuition: Gabriel continues to prove how pathetic of a villain he is, even when he has unlimited chances.
Protection: Even after being tricked three times by her, Kagami still thinks Lila is a trustworthy person.
Adoration: “We have Lumity at home”.
Emotion: The episode where Felix essentially commits genocide is somehow also the one where the writers want the audience to start viewing him in a sympathetic light.
Pretension: Felix likes Kagami because the plot says so, and vice versa.
Revelation: Lila only gets as far as she does thanks to Marinette becoming as dumb as the rest of the class.
Confrontation: Our heroes expose the villain's evil plans by spying on them through a bathroom peephole.
Collusion: Remember kids, violent revolutions against politicians are never the answer.
Revolution: Remember kids, violent revolutions against politicians are always the answer.
Representation: To the surprise of literally no one, Felix is revealed to be a Sentimonster, yet the writers still won't tell us that Adrien and Kagami are the same.
Now that you're all caught up, let's get into the twenty-fifth and twenty-sixth episode of Miraculous Ladybug's fifth season: Conformation and Re-Creation
After a brief news report showing everyone enjoying the first day of Summer vacation, Gabriel and Tomoe finally decide to launch “Perfect Alliance”. What does this plan entail? For starters, Gabriel transforms into Monarch, detransforms to akumatize himself into Nightormentor again, gives himself the powers of the Mouse, Rooster and Horse Miraculous in order to clone himself and fly around the globe to spread his nightmare dust. Because just akumatizing Sandboy again and giving him the Mouse Miraculous' Multitude was just too complex of a plan.
Marinette is the first to be affected by the dust, we get a dream where she dresses up as a knight to save Adrien from a cheap recolor of Fang in his dragon form.
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This is a weird episode of Super Why.
Marinette defeats the dragon, who reverts back to Gabriel, who is accidentally killed by the fight, causing Adrien to cry since Adrien was watching the whole thing. Marinette wakes up, thankful that it was all just a bad dream sequence. She decides she needs to find out just where Gabriel sent Adrien to make sure he's safe, something that won't make sense as I'll explain later on. As she tries to leave, she keeps experiencing sudden headaches, as do her parents and Alya.
Meanwhile, Adrien is still left reeling from the effects of the nightmare dust from last episode, to the point where he has a panic attack, demanding to be let out. Gabriel, seemingly aware of this, decides to give Adrien the “antidote”, an Alliance ring with an app called “Perfect Alliance”. So once again, despite claiming to do this for his son, Gabriel willingly chose to make his life worse as part of his evil plans. Remember this, it'll be important later on.
Plagg suggests Adrien transform into Cat Noir, but Adrien reminds him that there are cameras everywhere, so he can't risk it. Plagg disables the cameras, but Adrien still says no. Whether he was aware that the robot who was sent to give him the Alliance ring with the new app had a hidden camera is irrevelant, because Adrien gives a different reason why he can't transform.
Adrien: I'm not in my right mind. I'm too angry; at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm. Marinette, Ladybug...
Plagg: Surely Ladybug can help you.
Adrien: If I ask her for help, I'd have to give her information that would jeopardize my secret identity... and I can't.
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Okay, let me make one thing clear. The reason that Adrien can't risk exposing his identity thanks to all the cameras is a good one, and the fact that he doesn't want to risk exposing his identity to Ladybug in particular is a good sign of character development, but the problem I have is the fact that the writers decided to bench Adrien in the first place.
Yes, you heard that right. In arguably the most boneheaded decision in the show's history since... well, a lot of things this season, Adrien, despite being the son of the main villain, isn't going to get involved in the final battle at all.
There are multiple reasons why Adrien staying put in this room is a terrible idea, and most of them involve the fact that almost none of the in-universe explanations for this hold up.
Adrien is being heavily monitored by cameras? We just saw Plagg was able to disable them with ease.
Adrien can't ask Ladybug for help without jeopardizing his secret identity? The fact that he's at risk of being akumatized as is, with or without the Cat Miraculous, will still blow his cover due to Monarch's mind reading abilities (which we saw when Monarch almost learned Luka's secret in “Migration”), so he really has nothing to lose here.
Adrien isn't in the right state of mind thanks to the nightmare dust? Literally every other character who takes part in the final battle is able to either find a way to fight off the nightmares or keeps going while still under the influence of the nightmare dust.
Adrien's ultimate plan to take off his Miraculous and let Plagg choose a new temporary holder? We saw this exact same scenario play out earlier this season in “The Kwamis' Choice”, and things went horribly, horribly wrong.
Do you see why this makes no sense? Even though the show loves to boast about how valuable of an asset Cat Noir is, the writers are bending over backwards to justify keeping Adrien as far away from the final battle as possible, because they know damn well that they'd have to address how terrible his father really is with the reveal.
And the best part? This is basically the last we'll see of Adrien in this episode. Do you want to know how many lines he gets in the next episode, AKA, the final episode of the season? Three. AND THEY'RE ALL AFTER THE FINAL BATTLE.
But we're not done talking about this stupid idea yet, because unlike the other episodes, I have something else to rant about: The writers' commentary. In November of 2023, around four months after the finale premiered, the writers of this show recorded their own audio commentary, and while I don't have the exact translation (if anyone reading this has a translation of this, I would really appreciate the effort), I have seen one post summarizing the things they said, and all I can say is DEAR. LORD. This is not just shooting yourself in the foot. This is shooting yourself in the foot multiple times with Judas Bullets.
Like, it's amazing. We've always speculated just what goes through the writers' heads that makes them come up with some of the strangest ideas to take the story, and now, we have a first-hand account of why these episodes turned out the way they did. For this one moment, they gave about three explanations as to why Adrien was benched for the finale.
Let's start with the first one, Cat Blanc. I know what you're thinking, wasn't Cat Blanc an Akuma from an alternate timeline that our Adrien shouldn't know about? Not according to Melenie Duval. While Adrien's fear of being akumatized is reasonable, Duval claims that he could become Cat Blanc... which makes no sense as A) Adrien's nightmare was of an entirely different Akuma, and B) The aforementioned nightmare dust never informed Adrien of the alternate timeline where Cat Blanc destroyed the world, it just provided him with a nightmare about a similar scenario.
And in case you weren't questioning this woman's judgment, Duval has done on the record to state that her favorite episode of the entire show is “Derision”.
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Our next reasoning is especially stupid, as the rest of the writing team reveal that they had planned to keep Adrien out of the final battle as far back as 2014, nine years before the finished product premiered. Why would they do that? Because they wanted Ladybug to unify with the Cat Miraculous, of course! Sure, you could have just saved this unification for a special or something like that so you don't bench one of your main characters, or you could have at least had Adrien willingly give his Miraculous to Ladybug to unify with in person, but nope. This is seriously one of their defenses— I mean, explanations, for why Adrien isn't allowed to be in the final battle, because they thought it would be more important to give Marinette her 10th new form in three seasons than letting Adrien get some form of closure with his father.
And here's the final reason they gave in the commentary. Remember that dream sequence of Marinette dressed as a knight that was also sort of foreshadowed in “Gabriel Agreste”? Turns out, the writers wanted to, and stop me if you've heard this before, play with the tropes and symbolism of fairy tales. Wow, I've never seen any kind of pop culture do that before... except for Into the Woods, The Princess Bride, Hook, Shrek, Princess Tutu, Ella Enchanted, Hoodwinked!, Enchanted, Tangled, Once Upon a Time, Frozen, RWBY, Ever After High, Red Shoes and the Seven Dwarves, Guillermo del Toro's Pinocchio, and Nimona. But other than those, that's so original!
Even though the writers are acting like they're breaking new ground, do you want to know what they mean by this? They're just doing another damsel in distress situation but this time, Adrien, the boy, is the one who needs to be saved by Marinette, who is, GASP, a girl?! WOW! That totally changes everything!
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Okay, yes, the damsel in distress trope has usually been seen as a misogynistic one due to the fact that the people who needed to be saved are usually women, but like I mentioned way back in my “Gabriel Agreste” review, just swapping the genders isn't enough to breathe new life into a trope as old as this one. It's arguably worse because Adrien isn't just someone who needs to be saved. He's a superhero, and like I mentioned, there were plenty of options to get him out of his room in London.
And I'm guessing that some of you are thinking, “But IOTA! You just want Adrien to save the day by himself because he's a guy!” Just remember that I had this exact same problem last season where the roles were reversed. Remember how I hated the way Marinette's arc about dealing with the stress of being Guardian was hijacked by Adrien complaining about Ladybug not trusting him? This time, we have an arc about Adrien trying to break free from his father's influence that's been hijacked by Marinette needing to save Adrien by herself, robbing him of any agency he had to the plot entirely. This issue isn't about gender. It's never been about gender. I would have the exact same problem if Adrien was the one who confronted Monarch by himself while Marinette was trapped in her room.
This leads to the biggest problem I have with this plot development: It ultimately goes against the core theme of teamwork the show keeps trying to convey. Remember how last season, Marinette needed to learn to let other people trust her? Now, she's going to beat up Monarch all by herself without any help. Remember how last season, Adrien needed to prove he didn't deserve to be left in the dark about everything? Now, he's going to stay all the way in London while his partner gets in the fight of her life. It's detrimental to both of them as characters, and makes everything that happened to them in Season 4 completely pointless.
Okay, now that I've spent five pages ranting about this insane decision, let's get back on track, shall we? As the Perfect Alliance app helps Adrien and Kagami calm down, Marinette sneaks into the Agreste mansion as Ladybug. Meanwhile, Nathalie has her own nightmare about Gabriel winning, AKA, the very thing she could have stopped a long time ago by ratting her evil boss out to Ladybug and Cat Noir.
We then learn just what the Perfect Alliance app really does. Basically, thanks to the technobabble, it helps alleviate the stress from their nightmares. Or, to put it in Layman's terms, Gabriel and Tomoe plan to get the entire population of Earth addicted to cyber crack. We see this affect several of Marinette's classmates, but because Mylene has a sudden disdain for technology that “Was made without respect for the Earth's resources”, she's the only one who sees the problem here. I'd ask why this wasn't established earlier this season, but it doesn't matter, since Mylene gives in anyway,
Because it's a day that ends with a “Y”, Gabriel goes to talk to Emilie's body yet again, and it seems like even the writers realized how tired this got, as Nathalie finally decided to ambush him with a crossbow.
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Miss Sancoeur, I served with Buffy the Vampire Slayer. I knew Buffy the Vampire Slayer. Buffy the Vamprie Slayer was a friend of mine. Miss Sancoeur, you're no Buffy the Vampire Slayer.
Yes, it only took five seasons worth of evil plans for Nathalie to realize just how demented her boss really is.
Nathalie: I can't let you do that... if you make the wish to bring her back, someone will have to go in her place. Emilie would never have agreed to this!
Gabriel: Do you think I'd be monstrous enough to sacrifice a human being?
Uh... yes? That is literally what equivalent exchange means. You really don't know how the wish works after researching it?
Shockingly, the frail woman armed with nothing but a crossbow isn't able to stop someone with superpowers. There isn't even a fight. Monarch just knocks the crossbow out of her hands and she faints. Maybe you should have actually come up with some sort of plan before confronting Gabriel by yourself, dumbass.
Back to Ladybug, she searches through Gabriel's stuff and finally learns he's Monarch... even though she should already know thanks to Felix and Kagami's play last episode. She even looks pretty shocked to see Monarch detransform.
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Back to the commentary, the writers justify this with their absurd “Every episode can be watched on its own” rule. Because simply having Marinette say she already knows was out of the equation, I guess. Seriously, earlier in the episode, Tikki (who, along with Plagg, wasn't affected by the nightmare dust for some reason) had doubts that Marinette should break into the Agreste mansion, and it came across like neither of them knew the truth, and this was a reckless decision that wasn't motivated by Gabriel being Monarch at all. Once again, the writers fail to understand the idea of using “Previously On...” segments to help new viewers catch up on what's happening. It's even more confusing when you remember that Tikki knows Adrien is Cat Noir, so his father being Monarch coupled with his sudden absence should be setting off all kinds of red flags in her book.
Ladybug tries to text Cat Noir about who Monarch really is, but chooses not to send it after Gabriel pushes a few of her buttons. Rather than jumping Gabriel while she still has the element of surprise, she only chooses to grill Nathalie for questions once Gabriel is out of the room. And of course, only when she's on death's door does Nathalie tell Ladybug to stop Monarch, but not before telling her to transform back.
We see Gabriel and Tomoe put their plan into action. They create a fake scene of Ladybug and Cat Noir kidnapping Adrien and Kagami in order to rile up the public (who aren't in the best state of mind thanks to the nightmares) in order to for them to use the Alliance rings to transform them into the “Miraculized”. In other words, it's basically “Heroes' Day” all over again. Seriously, think about it. Just like “Heroes' Day”, it looks like Adrien is being harmed by Ladybug in an attempt to push the population to the brink of despair so Gabriel can create an army in the process. Yeah, the public doesn't know the two are the same, but the audience does. Granted, this is a minor nitpick compared to the rest of my problems with this episode, but I hope you can see what I'm getting at here.
Case in point, the reason Nathalie told Ladybug to detransform was because Gabriel has found a way to track her and Cat Noir through their “quantum signatures”. With Cat Noir, it was thanks to the dust from Gabriel's Cataclysm wound, and with Ladybug, it was thanks to the Magical Charm she gave Gabriel earlier in “Gabriel Agreste”... which he shouldn't have since it was destroyed in “Dearest Family”.
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Seriously, this is the season finale. How the hell are the writers still struggling to remember important events like this?
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Now's as good a time as any to talk about the Miraculized's design. Yeah, they're pretty lame. They all look like they're wearing fencing gear, and don't look intimidating in the slightest. They also now have the ability to use every Miraculous power at once, which breaks the previously established rules about the Alliance rings in that only one ring can handle each Miraculous power. You could at least argue that the robots used in “Confrontation” had more advanced technology that made them capable of using multiple powers, but nothing has changed about the Alliance rings to justify this. And remember, this is something every Miraculized in the world can use, yet the system hasn't been completely fried, and as we'll later see Monarch can still freely use the other Kwamis' power even when they're being shared with the Miraculized across the world. In fact, how can the Miraculized even transform like this? Monarch doesn't akumatize anyone to spread this transformation. Gabriel just tells to say “Alliance, Miraculize Me!”, and now they can transform. Was this always a function of the Alliance rings? Is there a tiny Akuma hidden in each ring? How the hell does any this work?
Ladybug fights off some of the Miraculized who used Voyage to find her, and remembers Nathalie's advice to detransform. So just like in “Passion”, even though she's still wearing her Miraculous, the system specifically designed to track her down isn't able to find her unless she's still transformed. Marinette runs away to a safe place before running into Plagg, who tells her Cat Noir is out of commission. With no other options, Marinette decides to unify with the Ladybug and Cat Miraculous, turning into Bug Noire, revealing her identity to Monarch in the process, and ending the episode.
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Bug Noire's design is admittedly pretty nice. I like the balance of red, black, and green, though the hair is a little too long for my taste. Granted, I still don't get why this is the reason why Adrien can't be here to fight Monarch alongside his partner. I'm just saying, was it really worth it, writers?
THE BIGGEST IDIOT OF THE EPISODE IS... NATHALIE
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Yep, right before the finish line, Nathalie gets her second award this season. After spending several episodes doing nothing but letting herself rot away, Nathalie only chose to finally do something about Gabriel once he was literally about to enact his final plan, thought she could stop him with nothing but a crossbow, and only begged Ladybug for help when it looked like she was about to die and had nothing left to lose.
“Re-Creation”, the final episode of the season, starts off with Lila watching some broadcasts of people succumbing to their paranoia (and she does it while smirking because the writers still don't think we understand she's evil) and transforming into Miraculized while she puts on a new disguise that makes her look like an evil Edna Mode.
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How come Lila isn't even affected by the nightmare dust like the rest of the human population? As always, never explained!
Back in the Agreste mansion, Bug Noire and Monarch are duking it out, and we get some pretty creative uses of Lucky Charm, like when she summons a piano to crash down on Monarch. Meanwhile, after Marinette's friends manage to get the Alliance ring off a Miraculized Ivan, we get to see how the rest of the world is dealing with the Miraculized. In Shanghai, the Renlings help Fei through her nightmares, Su-Han has recruited Jagged Stone, Luka, Penny and Fang to the Order of the Guardians instead of actually getting backup like he said he would in “Multiplication”, Present Bunnix finally decides to do something and uses Burrow to sent the Guardians to Paris, while the United Heroez fight off the Miraculized and learn the true nature of the Alliance rings. Just remember, it was too much for the writers to let Adrien get involved in the final battle, yet all these side characters get to do something in the finale for some reason.
Meanwhile, as if things couldn't get any worse, Nino decides the Resistance needs to get involved after reassuring Mr. Damocles that they never give up. Believe me, not much would change if you guys just threw in the towel, especially now that the United Heroez are here, and have Eagle, a member whose powers work as an instant cure for everyone's nightmares. Hey, while we're on the subject, does anyone know where the United Heroez were this entire season? I can excuse Fei as she's just one teenager in Shanghai, but the Americans have a small army of heroes, including the president, yet they just let two violent coups in France happen last week.
As Bug Noire and Monarch keep fighting, Bug Noire comes up with the brilliant idea to Cataclysm the Butterfly Miraculous, only being foiled by Monarch already having Resistance active. Okay, is a side effect of using the Cat Miraculous this season a taste for blood? Why the hell are the heroes so okay with trying to use Cataclysm on their enemies now? Bug Noire then decides to use her Cataclysm for something far more reasonable, breaking the ground beneath her and Monarch. Because I guess Bug Noire is really gunning for Biggest Idiot this episode.
Back with the Resistance, they meet up with the Guardians, United Heroez, and Ladydragon, who have actually been getting shit done. Wow, it's just like that scene from that one movie where all the characters we've come to know over the years rally together for the final battle! What was it called again? Oh yeah, Spy Kids 3-D: Game Over.
While the other heroes are overwhelmed by the Miraculized, we cut back to Bug Noire and Monarch yet again, now inside the area where Emilie's body is. The two keep fighting as Monarch tells Bug Noire why he's doing all this, all while Lila breaks into the mansion.
Monarch: I want my wife, Adrien's mother, to come back to us! Once our family is reunited, Kagami and Adrien will become the eternal icons of this world! And we will be here to witness their absolute triumph!
Bug Noire: “Your wife”? “Come back”? “Kagami and Adrien, eternal icons”? How many lives are you going to ruin in the name of your crazy dreams?!
Monarch: As many as it takes! In order to bring Emilie back, someone else will have to disappear! In order to heal the wound that Cat Noir inflicted on me, someone else will have to be wounded!
Bug Noire: Someone else? But who?
Monarch: Anyone! No one matters except us! How about you, Marinette? Wouldn't you give your life for your sweet Adrien's happiness?
Bug Noire: Do you really think that's what he'd want? To discover that his father has turned into a supervillain, willing to make innocent people pay the price of his madness?
Monarch: Adrien would do the same thing!
Bug Noire: Never! Unlike you, Adrien has made his peace with it. He's not living in the past! He has a whole life ahead of him!
Bug Noire: You'd know this if you ever took an interest in him. But in reality, Adrien means NOTHING to you anymore! You've locked him in your house! Locked him in your Alliance rings!
Bug Noire: Locked him into a life that allows you to hide behind him in order to justify YOUR madness!
Monarch: All I want is for him to be happy!
Remember all of this, because it's going to be important soon.
Bug Noire uses her Lucky Charm, and gets a tube of glue. She uses some of it on this random boomerang she found (I'm assuming it's the remains of Nathalie's crossbow), sticks it to her yo-yo, and then throws it at Emilie's coffin. Monarch reflexively grabs the sticky boomerang, and loses all of the rings on his right hand just as Bug Noire uses Cataclysm on the elevator to get to this area of the mansion, with the intent on CRUSHING EMILIE WITH IT. Our hero, ladies and gentlemen! Monarch saves his wife, but because he's distracted, he can't stop Bug Noire from throwing her staff at the Butterfly Miraculous, knocking it off and reverting Monarch back to Gabriel. Bug Noire ties up Gabriel's feet, and when Gabriel tries to sucker punch her with Venom, Bug Noire grabs the hand, threatening to Cataclysm the remaining Alliance rings and the two rings she should damn well know contain Adrien's Amok. Either she's bluffing, or we accidentally got the Paris Special universe's version of these events.
Bug Noire tries to reason with Gabriel, who then breaks down crying, showing how deep down, he just really cares about his family. And even though just six episodes ago, Marinette said that it was very easy for idealistic people to be taken advantage of by others, she buys into Gabriel's last-minute sob story, and wouldn't you know it, he stabs her in the back. Congratulations, Marinette. You just doomed the universe. Even when the Dino Charge Rangers accidentally got everyone on their planet killed, they were at least able to fix it themselves.
It's time to go back to the commentary, where we can learn the writers' true intent for this scene. They honestly believe that both Marinette and Gabriel care for Adrien in their own ways, and the whole reason that Marinette chose to trust Gabriel was to teach the lesson that it's important to talk out your feelings with others... a lesson that fails because 1) Marinette had already beaten Gabriel through violence, 2) Marinette trusting Gabriel backfired horribly, and 3) Gabriel won because he took advantage of Marinette's trust! You can't teach a lesson about trust when for all intents and purposes, Marinette once again lost BECAUSE SHE CHOSE TO TRUST SOMEONE!
Even though he had to unify with Tikki and Plagg to try making the wish in “Deflagration” (I really shouldn't have used the “Great Continuity!” clip earlier), we get yet another retcon this season: Tikki and Plagg have to reveal their true forms. Yeah, I know Tikki's true form was briefly seen in “Dearest Family”, but that doesn't change the fact that Monarch didn't do this when he had the Ladybug and Cat Miraculous in “Deflagration”.
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Tikki and Plagg's true forms just look okay. I like the otherworldly theme, but they don't really stand out much. They honestly look more like forms Ladybug and Cat Noir would have than anything else.
It's here that we get the culmination of five seasons' worth of lore. After a brief glimpse of it in “Ephemeral”, Tikki and Plagg, the Kwamis of Creation and Destruction will merge their energies to form their true true form, the Kwami of Reality itself, able to grand any wish asked. This majestic, otherworldly being's name? Gimmi. Just... Gimmi. The commentary claims they're named after an ABBA song, and I wish I was making this up.
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Like with Tikki and Plagg's true forms, Gimmi has an okay design. They're just a little too pink for something meant to be a fusion of the red Tikki and the black Plagg.
As Marinette begs Gabriel not to go through with this, Gabriel doesn't think twice about it, and instead, gives Marinette the rings containing Adrien's Amok, along with a request, fully aware that his time is almost up.
Gabriel: Marinette, make sure that Adrien never knows about the villain that I was, but instead, that he remembers the times I tried to be a good father.
Alright, we've finally gotten to the most controversial part of the episode: Gabriel's “redemption”, and I put that term extremely loosely.
Put aside the fact that almost a third of this season was spent telling the audience that a certain character who shall not be named is beyond saving despite working alongside him multiple times for the past two seasons, Gabriel's last-minute redemption falls flat because he doesn't even seem to feel remorse for what he's done. Not once does he actually say he's sorry for what he's done, just how Emilie's death affected him. That's understandable, but he doesn't even seem to acknowledge the weight of his actions or how many lives have been endangered. Remember earlier, when Monarch said he was perfectly okay with sacrificing someone else if it means his family can be happy? Yeah, that never comes back, especially now that him making the wish is portrayed as a good thing when every time it's been discussed ever since it was first explained in “Robostus” just how dangerous actually using it is.
In fact, let's discuss the fact that Gabriel is getting to make the wish in the first place. The whole idea of this basically contradicts Gabriel supposedly realizing he's gone too far. Rather than just having Gabriel give up his quest and let Emilie rest in peace, we're supposed to be happy that Gabriel double-crossed Marinette even when the music is making it seem like it's a bad thing... WHICH IT IS! Once again, for a show that loves to go on and on about how powerful love is, it really loves to show people getting screwed over whenever they decide to show compassion to their enemies. Imagine if in Return of the Jedi, when Luke chose to not give into the Dark Side by sparing Vader, Vader took the chance to kick him in the crotch while he was distracted. That's basically what happened here.
Next, notice how Gabriel specifically asks Marinette to make sure Adrien never learns the truth about who he was, and “Remembers the times he tried to be a good father”. After everything he's done, Gabriel isn't even willing to let Adrien learn about what he's done, because he wants him to focus exclusively on the times he TRIED to be a good father. This isn't the matter of Gabriel missing Adrien's fencing tournament because he had an important business meeting. Gabriel was a literal supervillain who preyed on innocent people in order to obtain absolute power, and he wasn't even a good father to his only kid. He was neglectful, controlling, and in the last few months of his life, spent more time trying to ruin his relationship with his girlfriend for no reason other than because he thought his associate's kid was a better match for him. He was a terrible father, and Gabriel even seems to be aware of this, but rather than find a way to repent for everything he's done, Gabriel is basically going to take the coward's way out by forcing Marinette to sugarcoat his life instead of admitting he was, at the very least, a flawed parent, all so Adrien will feel bad when he finally drops dead.
And yeah, let's talk about how Gabriel assumes that Adrien shouldn't be allowed to know the truth... WHEN THAT'S NOT HIS DECISION TO MAKE. Adrien should be the one to judge whether he believes Gabriel was a good father or not. Of course Gabriel would assume he was a good father despite the numerous red flags, but Adrien is another story. By keeping the truth hidden from Adrien, you're depriving him of a potentially important moment in his life where he finally learns to break free from his father's influence. Instead, even though he's a fucking superhero, we're just supposed to accept the fact that Adrien is just a poor, fragile, sensitive baby boy who can't handle hearing any bad news or else I guess he'll explode. It says a lot when, of all movies, Star Trek V: The Final Frontier did a better job handling an idea like this, by saying that pain is a natural part of life.
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But let's talk about the biggest problem with this turn of events: The fact that it essentially vindicates everything Gabriel has done, with or without the mask, as well as essentially convey a pro-child abuse message. In case you weren't around before I posted this review, I asked my followers who have been victims of child abuse or poor parenting to share their experiences so I could get an idea of how similar they were to what Adrien has had to go through. And a lot of them were pretty similar.
During almost all of what I read from these people, their parents or guardians shared one thing in common: An inability to admit being wrong. All of them tended to either blame their kids for whatever happened to them, or find ways to justify their poor treatment. As far as they're concerned, it's the kid's fault that they're being treated so poorly. And while I'm sure a handful of people isn't enough to survey the entire population of abuse victims on this planet, the fact that some of these people, as in actual victims of child abuse, were able to see similarities with their own upbringings and the way the main villain treats his son and don't buy the show deciding to act like all of that was perfectly okay says a lot about how much this finale dropped the ball when it came to the lesson it wanted to teach.
Yes, from what I've read from my followers and other things online, some abusive parents do believe that what they're doing to their children is out of a warped view of love, but that isn't enough to validate their actions completely, and it obviously doesn't validate Gabriel's actions during the last five seasons. During the entire run of the show, Gabriel has denied his son a normal life, treats him like an object, and despite claiming that he really loves him deep down, he almost never shows it. It seemed like the show was either going to have Gabriel realize the error of his ways due to how fruitless they ended up being, but having him get the upper hand on Marinette at the very last second ultimately makes it so all of his effort, every evil plan, every civilian endangered, was all worth it. And that's why Gabriel's final moments supposedly acting like he's repented for his actions don't work, and why it turned what was initially just a boring finale into one that was beyond infuriating.
And I'm assuming that you're thinking to yourself, what exactly is the wish Gabriel was so desperate to make that he tricked Marinette at the last second?
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We never really learn what kind of wish Gabriel makes using Gimmi, even in the epilogue. I'm also going to talk about this in a later post, but of course Astruc, being Astruc had to give his usual sarcastic remarks to anyone who had the slightest question about what the hell just happened.
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I love how someone will ask something like “Do you mind clearing up a few questions I have about the season finale?”, and Astruc will hear what they said as if they just asked, “Is Mylene secretly the reincarnation of the Anti-Christ?”.
So Gabriel makes his wish, somehow reunites with Emilie's soul as he ascends to Heaven... until the angels realize they made a horrible mistake, and send Gabriel to his custom-made Tenth Circle of Hell. Reality itself is rewritten and all of the characters we've come to know over the past five seasons are effectively dead. If that isn't supposed to be a happy ending, I don't know what is.
According to the transcript, it's been a month after the wish is made, we see how Paris has changed since then. Not only has Miss Bustier given birth to her baby, she's also been elected as Mayor of Paris, already passing her first law, the “Eco Rule”.
Miss Bustier: It consists of very simple principles: don't take more from the Earth than what it can give us, distribute its riches equitably and don't pollute more than it can recycle.
Remember when Mylene said that you can't solve climate change with a single law? I guess the writers forgot to recycle that moral too, because despite the vague as hell guidelines, Paris has already adapted to function without plastic wrappers or cars. Just remember, it's only been one month since the wish was made. Even Star Trek needed at least 130 years and a nuclear war before its utopian society could be established. And that's not even getting into the new school she's helped create.
Miss Bustier: In this new school, there will be no classes or struggling to get good grades. Children of all ages will be able to intermix and freely access all kinds of activities.
The fuck you mean “no grades”?! How the hell will that even work?! We're supposed to see this as her being an impressive politician, but it comes across like some grade schooler's “If I were president” essay. And remember, ONE. MONTH.
How else has the Eco Rule been implemented? All of the Alliance rings have been melted down and reforged into a statue honoring... the great hero, Gabriel Agreste.
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Yep. This is the ultimate fate of the main villain after five seasons of terrorizing the city of Paris: He gets a fucking statue in his honor. Are we sure this is a victory for the good guys? And no, just surviving the villain's master plan doesn't count as a win.
Even better, according to Adrien, he somehow helped defeat Monarch... even though Gabriel is Monarch, so is Monarch a different person in this world? What about Monarch's previous identities, Hawkmoth and Shadowmoth? Did they still exist in this world? They had to, considering that Chloe and Andre are still nowhere to be seen since the revolution, implying that either she's different in this world, or she also betrayed Ladybug for the same reasons. Nathalie is also back in full health, so did she ever use the Peacock? Was the Peacock ever damaged? We see Felix has it in this new world, but Emilie is still dead, so did she die of different causes in this timeline? Speaking of time, what happened to Bunnix? Did she survive too? Is she aware of the changes to the world like she was in “Cat Blanc”?
To summarize, WHAT THE FUCK IS GOING ON!?
Adrien is hesitant to wear the ring because he's not sure if he can ever be even half the man his amazing father was. Marinette tells Adrien to be himself while handing the ring to him. So... was this an order? If so, was it intentional? Does Marinette even know what she's doing, or because she's a product of Gabriel's wish, she has to do this without a hitch? In fact, when he made the wish, why didn't Gabriel make Adrien, Felix, and Kagami humans instead of forcing them to rely on rings containing their souls that can easily break?
This scene is a great way to summarize Adrienette this season: The writers trying to write a heartwarming scene while hoping the audience doesn't think too hard about all the uncomfortable things it implies.
After reforging the Miraculous she got back from Monarch, Marinette decides to hand them off. Because fuck it, let's break the temp hero rule while we're at it! Chloe who? Ladybug, Cat Noir, Rena Rouge, Carapace, Viperion, Pegasus, Ryuko, Vesperia, Polymouse, Pigella, Purple Tigress, Miss Hound, Rooster Bold, Caprikid, Minotaurox, Bunnix, and even Argos (despite being the reason the heroes lost their Miraculous in the first place) assemble, ready for whatever challenge the world throws at them. Also, there's no reveal between Ladybug and Cat Noir this season because the writers still want to drag this plotline out, even when there's no excuse as to why they can't now that Monarch is gone.
We then learn who got the Butterfly Miraculous: Lila, who plans to get revenge on Marinette. Yep, the girl who has never even touched a Miraculous in five seasons is going to be Hawkmoth's successor. Not Tomoe (who I should mention never answered for being Gabriel's accomplice), not Audrey, not even Chloe. It's Lila. How the hell did she even get it anyway? Did Gabriel intentionally recreate the world to have Lila get the Butterfly Miraculous, or did Lila somehow retain her memories through close proximity to the wish and--
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Fuck it, season's over anyway. Thank God...
THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE
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While I can't say for certain what she did with Adrien is her fault thanks to Gabriel making the wish, I can say a good chunk of the things Marinette did leading up to Gabriel winning are on her. She recklessly used her Cataclysm multiple times in her fight with Monarch, tried to crush Emilie's comatose body with debris, once again chose to gloat about how she was going to take Gabriel's Miraculous instead of just doing it the first chance she got, seemingly forgot Adrien was a Sentimonster, and somehow managed to lose even when she had Gabriel at her mercy.
So, yeah... this finale was terrible, if it wasn't obvious from this review.
It was just a complete trainwreck from start to finish. A good chunk of the first part was spent either ignoring the events of the last episode, or coming up with excuses as to why Adrien shouldn't get involved. And that's not even getting into Nathalie's “redemption”, which only really happened once she had nothing to lose, seeing how she was even closer to dying than Gabriel was. In fact, now that I think about it, why was more emphasis given to Nathalie's declining health over Gabriel? You know, the guy who's enacting his final plan because he's supposedly hours from death, yet effortlessly manages to clone himself, fly around the world as an Akuma, and keep up with Bug Noire when he struggled to enact a plan that required him to leave the lair without traveling around the world during “Intuition”? Given how we now know that the writers wanted the final battle to involve Bug Noire, I'm starting to think they also prioritized her opponent being in top shape while ignoring the Cataclysm wound affecting him.
The second half was mostly boring thanks to just how low the stakes felt. We know where Adrien is, and since Bug Noire was fighting Monarch, there was no danger of them taking her Miraculous, so for the most part, the Miraculized fighting the other heroes just felt like padding. Nobody even seemed to look for Ladybug or Cat Noir, not even the heroes. Of course, then we got to Gabriel's wish. I've gone over this before, but it bears repeating. Gabriel's “redemption” just doesn't work due to how little effort is spent actually making the audience feel bad for him other than saying “His wife is dead, and he's sad, so that justifies everything”. It doesn't help that we kind of had four episodes explaining why some people can't change, and it wasn't used when talking about Gabriel, but rather, Chloe and Lila. Because these writers really have their priorities straight.
The ending of the season itself practically falls apart with how many plotholes and unfortunate implications it has. And before you say that stuff like Adrien once again being left in the dark can be resolved next season, here's the thing: This was planned to be the series finale with how everything feels wrapped up. There's a sense of finality that shows all the main characters getting their happy ending, and we're just supposed to not question the new utopia Paris is now, much less the fact that even after eight years, Ladybug and Cat Noir still don't know who the other is. Even putting that aside, the show has always done a poor job of following up on plotpoints established in earlier seasons, as the lunchroom scene from “Illusion” shows.
Here's a summary of all the lessons the finale teaches: We shouldn't hold terrorists accountable for their actions if they just say they love their family, abuse victims should be constantly coddled and shouldn't be allowed to know the truth about their viewers, it's okay to keep crucial information from your significant other, genocide is okay as long as the person who commits it says it's for a good cause, love for others can easily be taken advantage of, so never trust anyone, genocide is the only way to create an eco-friendly world, environmental protection laws can be passed within a month and nobody (not even car manufacturers) will complain, teenage girls are worse than abusive parents who double as supervillains, and even if it was planned for almost a decade, don't let your main heroine be the one to save the day, but rather, the villain.
If anyone reading this is planning on becoming a writer and is worried that people won't like their work, just remember that there are people who get paid to work on this show.
But yeah, this is how the season ends, not with a bang, but with a nosedive. I was mostly pissed off with how Seasons 3 and 4 ended, but here? I'm just disappointed. This was the finale that we waited eight years for. The epic final battle against Monarch, and rather than the ultimate fight to the finish, the writers came with several excuses to not involve one of the two main characters in the final battle, the other main character fails to actually save the day, and the villain is rewarded for all of actions because he chose to turn himself into a messiah. I tuned into this season to at least see how the story would end out of curiosity, but it didn't even deliver an ending that made all the pointless filler, poor writing, and bad characterization worth it. I started this finale off bored, and I ended up furious for how lackluster this ending felt. It says a lot when this finale has been compared to Star vs. the Forces of Evil in terms of just screwing everything up.
THE BIGGEST IDIOT OF THE SEASON IS... MARINETTE
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Marinette may not have been able to beat Gabriel in terms of stopping his plan, but she did manage to outdo him in terms of stupidity. Because she got the award four times this season (Evolution, Revelation, Confrontation, Re-Creation), she takes home the title of Biggest Idiot.
And for those who are curious or didn't keep up with my reviews, Gabriel gets second place with three Biggest Idiot Awards (Intuition, Protection, Revolution), we have a five-way tie for third place with Luka (Determination, Migration), Mayor Andre (Adoration, Action), Chloe (Deflagration, Collusion), Felix (Emotion, Representation), and Nathalie (Passion, Conformation), who all got the award twice, and a ten-way tie for fourth place with Alya (Multiplication), Xuppu (Destruction), Mr. Damocles (Jubiliation), Nino (Illusion), Joan of Arc (Reunion), Ice Cream Man Andre (Elation), Kagami (Perfection), Kim (Derision), and Tomoe (Pretension) each getting the award once.
And with that, we're done with Season 5. It's been a long road, but all I can say is...
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At least, until the analysis and ranking posts.
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prickly-paprikash · 9 months
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There are two ways I see that SpyxFamily can go with the Authens.
Ever since we've been introduced to the world of SxF, last names have always been an indicator of who exactly it is we're dealing with.
The Forgers are literally a Forged Family. No-brainer.
Yor and Yuri Briar: both beautiful people but with sharp thorns to protect themselves and one another. Their coloring and their characters are related to Roses and Yor is literally Thorn Princess.
Fiona Frost: Ice Cold. Frosty Exterior. Snow Queen. Warm and melty and obsessed on the inside.
Franky Franklin: Frank, honest and blunt. He's always up-front with Twilight since the beginning. Franklin also comes from the word francos meaning 'free'. He's a free agent, allied with Twilight but not with WISE, since he is an Ostanian. He's also the first true free-thinker, holding no allegiance to any state but cares genuinely for the people around him.
The Desmonds: meaning South Munster, one of the provinces of Munster. While it doesn't necessarily have a defined meaning, it is said that the lucky number of this name is 11, and Damian is ranked 11th amongst 228 students for the exams. Neat.
So Authens, right? Sigmund and Barbara Authen. If Loid, Yor, Anya and Bond are a forged family, then Siggy and Barbs are an authentic one from the getgo. Ever since the introduction of these two, everyone has both been over-the-moon and skeptical. It's nice to add new members to the family in this show. It's nice to see a foil (and an insight into the future for them) to Yor and Loid, where the elderly couple are genuine in their love, while Twilight and Thorn Princess still struggle with what exactly their fake relationship entails. Sigmund and Barbara trust one another completely, while the Spy and the Assassin still have ways to go on that front.
Now, Anya is being tutored by Sigmund, a former University Professor, Lecturer and Neurologist. Similar to Loid in a way, who moonlights as a Psychiatrist. The Authens aren't just being shown as a "what could be" for Loid and Yor as a couple, but as parents and mentors as well as seen in this chapter.
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Both Loid and Sigmund get into Spy Wars for the sake of educating their students. The difference however lies in the way they go about it.
Loid reads and watches the entirety of Spy Wars to show that he is a good father with a pulse on what his daughter likes, as well as an avenue for him to teach Anya since she responds well to the show. But Loid only memorizes the show and tries to brute force (relatively speaking) Anya's education with it.
Like... making a fake episode of the show just to try and make Anya interested in her studies.
Sigmund on the other hand really sparks a love and understanding for the material itself.
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Loid tries to force Anya to see the value in education through cold logic and goal-oriented thinking. Anya should study to Prevent War from erupting between Ostania and Westalis. Sigmund guides Anya into seeing the worth of education by itself. The joys in learning for learning's sake. Loid tries a surface level approach, where Bondman's adventures are hamfisted edu-tainment. He thinks that since Anya likes Bondman, she'll be tricked into learning by using Spy Wars as a coat of paint to mask a really boring lecture.
Sigmud correctly identifies what Anya loves about the story itself, and then uses those elements to relate to classical language.
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Loid and Yor are committed to their duties, but it doesn't necessarily bring them joy. To keep children safe and happy, Twilight will lie and Thorn Princess will kill, but their personal satisfaction isn't something they bother about. Sigmund, on the other hand loved his job. He loves teaching. He loves the altruistic element to it—cultivating minds, helping them along to their full potential, but he also has a personal joy in teaching.
Another thing is that Loid loves his family, but doesn't know he does and can't spit it out. He can come off stoic and cold. Sigmund readily shows his appreciation for his wife and for his new student Anya.
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What troubles me now is what happens next.
Authen does mean authentic. I have no doubt that Sigmund authentically loves his wife. His love for his research is also authentic. His passion for teaching is authentic. His admiration for Anya is authentic.
But what's the context of this authenticity?
See, the first route is that Sigmund really is just a good guy. A simple, kind, brilliant man who probably had a hand in building Project Apple from the ground up with the goal of improving people's minds, starting with dogs. Maybe it was co-opted by corrupt officials, twisting it into a monstrous organization willing to harm children and animals to realize their goals for a powerful human weapon. A weapon that became Anya Forger. Sigmund and Barbara leave, aid in the war effort for civilians and victims, and make a life for themselves in Berlint. I do believe this might be the likelier option.
But what if the contrast between the Forgers and the Authens is taken to the extreme?
The second route takes advantage of the inherent and subtle darkness in SpyxFam. This manga is just a bundle of gooey joy, but that happiness successfully hides the brutal truth of the world. Every character in this show is touched by war.
Anya and Bond are intended as living weapons. We tend to forget about this since Anya is a goblin child and Bond is floofy goofball.
Twilight and Yor are orphans of war, turned into the most powerful soldiers on each side. We forget this since both are idiots when it comes to anything each other and their family.
Handler is a level-headed badass who radiates older sister vibes for everyone who works under her, and she genuinely cares for her agents. She's also a depressed wreck who barely functions outside of work and constantly relives the loss of her husband and daughter.
The Blackbells? Posh rich folk, right? But their money comes from warmongering. Martha, the kindly mother-figure/butler/security for Becky? A veteran of war. The seamstress who is fond of Yor? Most likely an anti-authoritarian activist, since Loid clocked her immediately as being arrested for political activity. Maybe a former Red Circus member. Bazooka Bill? Funny kid who hit puberty way too early and has a hilarious deep voice. He's also being groomed to be a venerated soldier at the age of six by his father, who has most likely committed war crimes.
SpyxFamily is genuine in its joyful moments. But it barely hides the darkness that constantly lingers. War is a shadow that haunts these bright pages, and it always recontextualizes the zany adventures our family goes on.
What if the Authens are like that?
Everything about them is authentic. But they're also twisted. An authentic love for neuro science can lead to an obsessive march towards human weaponry. An authentic desire for world peace can mean that the end justifies the means, even if that means a telepath that could, theoretically dominate an entire nation. An authentic love for his wife could lead him to hiding everything from her.
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What if Sigmund Authen is authentic in every aspect of himself, and is still a man with a dark agenda? That would perfectly contrast Loid, a man who has faked every single element of himself down to his own name and identity, but has never once strayed from his goal of ensuring a bright future for the strangers around him?
What I'm saying is that it'd be really cool if Twilight, a living lie made human who will commit to any deception for the sake of children's safety and happiness would be heavily contrasted by Sigmund Authen, a man who lives so authentically to his creed that he is willing to put children in harm's way for the sake of World Peace?
With the upcoming chapters clearly focusing on Anya and her past, wouldn't it be cool to celebrate Spy x Family hitting 100 chapters by revealing more and more of its dark, haunting, war-torn world after more than a hundred chapters of Spy Family antics?
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Uh... Anyway, here's Comedy by Gen Hoshino.
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hils79 · 2 months
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Hils Watches The Spirealm - Ep 1
Well, it's time to watch a new drama and this has been on my list since basically the day it dropped and was then removed an hour later. Looking forward to seeing just how gay it is.
Considering how much people have been talking about it I don't actually know that much about it really. I know Lost Tomb Reboot Xiaoge, my boy Huang Junjie, is one of the leads and that it's an adaptation of a danmei novel (I think?). But in terms of the actual plot no idea.
And how do you even pronounce the title? The Spire Realm?
I have many questions and I haven't even started watching yet.
Okay, I'm going in.
For the sake of clarity I am watching this on Viki so I will be using their episode numbering system not the original one.
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Wait, is this a gaming drama? Like The King's Avatar?
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Ah, so it's VR rather than a classic video game
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Well, that sort of explains how you pronounce it but not really. Is it more like The Spy Realm?
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A game where you experience severe hallucinations and possibly die? Who would play such a game? I'll take one guess...
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Okay, the only drama I've seen him in is The Lost Tomb Reboot so it's going to take a while for me to get used to him speaking and having regular facial expressions
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BWAHAHA! Zero lies detected
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I'm pretty sure this is not Huang Junjie's actua voice, and the dubbing doesn't quite match the movements of his mouth. But I'm not complaining, I'm just glad we're able to watch it at all
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Uhh...has he got super hearing? Or is he getting all messed up because he played the hallucination death game?
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KITTY!
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I know they've explained it as 'hallucinations' but this feels very urban fantasy, which is a genre I particularly enjoy
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Ohhh! Okay. When the dude said people sometimes die playing the game I kind of thought he meant it gave them seizures or something. But no, he just walked into the path of an oncoming car because he was looking at something that only he can see. I guess that's the sort of deaths the dude was talking about
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Oh so he actually does have super hearing! Well, I hope someone in the DMBJ fam is writing the Liu Sang version of this
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Oh hello
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Uh oh
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Well, the answer to how gay is it is them looking like they're about to kiss 2 minutes after they met. Good work everyone.
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Okay, I haven't learned anyone's name yet but I do hope this is setting the tone for the rest of the drama. Dude in white pretending to be badly injured from a small scratch on his arm and Huang Junjie immediately being 'OMG LET ME CARRY YOU 🥺' even though it's obvious the other dude is faking
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Well this just turned into The Ring very quickly
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Ehehe. There's only one bed.
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GAH! JESUS FUCK THE GHOST IS IN THEIR BEDROOM! Is now the time to mention I'm not good with horror?
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I don't know how I'm supposed to survive another *checks* 37 episodes when they're acting like this already
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The Hands of Time, Morro the Elemental of Wind, The Cursed Realm, Who Sent Him There and how Chen is at the center of everything | Ninjago
So first off, I've had this theory for the longest time that Morro wasn't supposed to be in the Cursed Realm and besides that, that he was being taken advantage of by the Preeminent.
When Morro first appears at the very end of Season 4, we hear a voice say Morro's name in a whispered raspy voice.
Now, I've heard many people say that, that is literally just Morro announcing his own name but personally I always thought that the voice sounded similar to a different ghost, i.e. Bansha.
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Bansha is a ghost who has the ability to control others from a distance and even communicate between Realms, as seen when she forced Misako to fight Wu and when she communicated with Fenwick, the Master Writer, to allow her, Morro and his ghostly entourage into the Cloud Kingdom. As well as, later when Wu and Misako are acting as distractions so the Ninja can sneak into Stix. Bansha is able to use herself to allow Morro to communicate through her to his old teacher.
This, along with Morro's change of heart at the end of Season 5 (even though ghosts aren't supposed to be able to change) is what initially made me suspicious; then something else came up.
Manipula-Chen (Chen Starts a Time War) by rinkunokoisuru on Ao3 brought up something that I knew in the back of my head but never really thought about.
rinkunokoisuru brings up that one little fact that Season 4 repeated so often that I'm surprised I forgot. Chen's manipulation of the Elemental Masters during the Serpentine War.
Now you might be asking - why is that important, what does that have to do with Morro? Well think about it, who else did Chen manipulate other than a young Garmadon.
Garmadon went to train with Chen and sometime after, Wu takes in Morro, eventually training him to become the Green Ninja.
We already know that Chen was intercepting Wu's mail, considering he was able to steal his love letter to Misako, so whose to say that he also wasn't spying on Wu and Morro's training sessions.
This brings me to another piece of information that was brought up recently by @ataraxixx - that information being that on Morro's back is the Japanese kanji for 'evil'.
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Now I know that everyone has made their jokes about Morro being an edgy emo Hot Topic kid for wearing the kanji for 'evil' - but as I thought about it, I began to wonder, "why would a kid who wants to be the hero, die with the kanji for 'evil?"
(And incase your wondering, Morro originally had a dragon on his back just like Wu, when he was younger.)
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Going back to rinkunokoisuru's story - in the story, it's suggested that Clouse's dark magic might have played a part in Krux and Acronix's betrayal and possibly play a part in the betrayal of the other Elementals.
With Morro I could believe that and I'll explain why in just a moment but with Krux and Acronix, something just wasn't clicking fully even though I liked the theory. Until I was rewatching episode 3 of Season 7 (A Time of Traitors) for my, 'Morro comes back to life' rewrite.
As I was watching the scene where Kai is discussing the Vermillion war helmet with Dr. Saunders, something came to mind. The helmet is definitely a Vermillion helmet but when Kai said it looked familiar he realized that Krux and Acronix were wearing the exact same helmet in the painting of their fight with Garmadon and Wu. At that moment I realized that they were also wear those same helmets when Wu is congratulating the remaining loyal Elementals on their victory during the Serpentine War.
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Why would they be wearing Vermillion helmets?
Thinking back on Season 7.
When Kai first shows Wu the helmet in episode 3, Wu tries to say the line, 'time waits for no one' the same line is said completely by Krux during his fight with Kai at the Museum in the very same episode.
To be fair, it's a pretty common line but I think it was ment to indicate that Wu recognized the helmet as one that the Time Twins wore.
Now you might be asking, why wouldn't he recognize it as a Vermillion helmet?
To that I say, one of the best ways for something to be forgotten is for it never to be spoken of. Which is exactly what we find out in episode 7 (Secrets Discovered) when the Ninja - minus Kai and Nya - speak with King Scales in the sewers.
The Vermillion Warriors were the first generation progeny of the Great Devourer with the same instincts to consume everything, they were something that was so feared by the Serpentine that they were not spoken of, with Scale even going out of his way to find out where they are so his people could avoid them.
Now this is pure speculation, but I wonder, what if a non Serpentine/Vermillion wearing a Vermillion helmet could have an adverse or even corruptive effect on someone, considering Vermillion armor is ment for a nest of Vermillion snakes to nest inside of to form a single Warrior.
(Side Note: this is where all you Snake!Jay fans can come in as to why your boy wasn't affected when he put on the helmet in episode 3. And on that note, shameless plug for my theory post as to there being a Serpentine curse on the Jiang/Smith family - on Ray or Maya's side - as the reason why Jay and Skylor both were turned into snakes thus implying that the same thing has happened to Maya or Ray and as such using this convoluted theory as to why Kai wasn't affected when he wore the Vermillion helmet, implying that like the Snake!Jay theory, that Kai and Nya might have some Serpentine passed down to them from one of their parents' own transformation.)
Getting back to the matter.
Where would Krux and Acronix get a Vermillion helmet in the first place - the answer, from a man who find war entertaining and has a vast collection of hard to find/hard to get artifacts with a particular fascination with Serpentine warriors.
A.k.a. Master Chen.
Even if you go with the theory that the Vermillion helmets are not corruptive, there is still the matter of Clouse's dark magic.
On that note, let's get back to Morro and his connection to Chen and Clouse.
Imagine if you will.
You are mad Cult Leader, anticipating the eve of war between the Serpentine and all of Ninjago. While your pupil, the Elder son of the FSM, may or may not stay on the side of evil, you have been watching his younger brother train his first student to become the Green Ninja, something, which if he is successful, could be a possible problem.
Now again, speculation.
Wu was able to gather every Elemental to fight in the Serpentine War, even if some of them eventually turned traitor. I wonder if during Morro's training, if as part of Morro's training, if he was introduced to the Elementals as a sort of know your allies interaction. Basically, baby Ninja Morro getting to meet the Elementals who were all probably older then him (teen to elder) considering how old Morro looked when he ran away.
Continuing the speculation.
Let's say that Chen's spies told him that Morro was outside of Wu's protection. Let's say that Chen had already begun seducing a certain Elemental to his side (traditional methods or magical methods, you decide). Now let's say Chen had this Elemental go to Morro with a present - a medallion of protection. Let's say that Morro accepts this medallion because it's from his allie and let's say that the medallion has two images - one on top that would soon crumble away and one beneath (the kanji for evil) that actually held a curse that would send the wearer to the Cursed Realm.
And who do we know that can send people to the Cursed Realm - the answer, Clouse.
In Season 4 episode 8 - Clouse attempts to send Garmadon to the Cursed Realm, only for said Sensei to kick the sorcerer into the Cursed Realm, the portal closing behind him.
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Later, to defeat Chen's Anacondri Army, Lloyd uses a spell from Clouse's magic books to open a portal to the Cursed Realm, thus allowing the Anacondri Generals to curse Chen and his army, sending them all to the Cursed Realm.
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Considering all this, what if Chen had already been luring Skylor's mother to his side and convinced her to give a young wandering Morro a false seal of protection that would send him to the Cursed Realm upon his death (what if Chen had laid hints to lead Morro to a swift death in the Caves of Despair, not long after or even had Skylor's mother unknowingly give those hints when she gave him the medallion)
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(Two Side Notes:
First: I personally I think Skylor's mother would have been tricked by Chen into giving Morro the medallion but if you want her to have been evil and do it willingly then that's your call.
Second: I don't think it's too farfetched an idea that the symbol transformed into a large medallion that was tied around Morro when he became a ghost. Almost like it shifted to chain itself to him.)
Now consider, the speculative Green Ninja is dead and the Serpentine War begins. The Elemental Alliance has gathered and some question are asked of Wu.
Where is Morro?
How long has he been gone?
Why didn't you go after him?
War continues, Garmadon goes to help his brother and after some time Chen see the war begin to wane so he sows discord among the Elementals and soon the alliance has fallen apart with only a few Elementals remaining loyal.
Gravity survived an attack by Clouse's pet Serpent and Earth while having briefly turned traitor has returned to the Elemental Alliance - but that's fine because the Time Twins are still wearing the Vermillion helmets.
The five tribes are being locked away (the Venomari by Water/Maya and the Anacondri by Fire/Ray) and the Serpentine War has ended. The Anacondri Generals have been sent to the Cursed Realm, Chen and Clouse are now confined to Chen's island (possibly having already hidden Skylor's mother there). But all that is still just fine. For someone so incredibly fascinated by the Serpentine, one has to wonder how much he knows.
Chen has spies and willing pawns everywhere, how else could he open a successful restaurant chain on the mainland.
Did he know about the prophecy of the Golden Master. Did he know that when the Serpentine are released from their tombs, that they would unleash the Great Devourer. Did he know that the Devourer would head straight to the stone army where her Venom would bring the warriors to life.
Or possibly, I wonder.
If when Krux came out of the Time portal not long after entering it - his younger twin brother, nowhere in sight and personally desiring revenge - did he go searching for a way to get vengeance, possibly from the one who first gave him and his brother the helmets.
Was Chen the one to set Krux on the path towards using the Vermillion Warriors.
In Season 7 episode 3, Krux tells Kai that his parents were traitors who worked for the Hands of Time, however, in Season 4 episode 7 Chen tells Kai that there are dark secrets about his parents.
Of course, Chen could have been lying, however ...
Did Chen know that Krux had kidnapped Ray and Maya?
Did Krux ever have the Jiang/Smith parents do work for Chen in payment for the Vermillion Warrior eggs?
~~~~~
Like many of my post ideas, this one got kinda long and rambling.
Something else I wanted to include was that I recall that someone was lamenting that Morro didn't have fangs like the other ghosts and I wondered why, but then I thought of this.
Cole, Garmadon, Chen and Clouse - four people who were cursed/sent to the Cursed Realm (only two of which were evil) and all four of them, in ghost form, are lacking fangs; just like Morro.
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(Side Note: Admitably, Garmadon might just be a special case of - Son of the FSM. Personally, I'm in the boat of, give the Dragoni fangs but that's neither here nor there at the moment)
One more thing before you ask if the other ghost have a kanji for evil on them, I checked. Most ghost with a visible (or partially visible) symbol on their back all have the same Cursed Realm emblem - Morro is the only one with kanji.
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onesidedradiostatic · 6 months
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"can the drones even be controlled by him? or are they specifically only vox-controlled with his powers?"
I 100% think Val has a handful of drones he can control, and that they were a gift from Vox. I also think when Vox moves his drones around it's effortless, they move exactly how and where he wants them. When Val moves the few he has it's super jerky and Vox had to put a bunch of extra stabilizers and proximity sensors and shit in Vals just so he didn't immediately fly them into the floor.
(referring to this ask)
LMAOOO I kinda like that actually, also while I'm at it let me answer this ask too since it's related
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I was actually under the assumption before that vox turned it on himself but that's only because I couldn't tell how val turned it on cause he didn't press anything or have any sort of controller to do so but I probably I need to stop working under that assumption that one is needed, watching the scene again it does actually look more like val turned it on
seems like the drone they used is the one advertised at the start of episode 2 so presumably everyone can use them
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my brain is just trying to wrap itself around val not needing a controller to use it LMAO, like for vox? understandable cause it's HIS tech and literally what his powers revolve around. why should val be able to control it without a controller? either way though, it's a minor thing. but val using the drones to spy does make a lot more sense for how he found out about alastor being there before vox.
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melinoelliones · 2 years
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You had frequently seen Chishiya around the city, however he was always alone and acting suspicious, not to mention you had formed somewhat of a crush on the guy. You were also quite curious about him but could never seem to get close enough, until fate brought you two to the same game. Maybe you could finally get some answers.
2.1K Words
MINORS DNI/AGELESS BLOGS DNI/ANTI DC DNI/18+
Warnings: Slight choking, mouth covering, guns and shooting, unprotected sex, cursing, teasing, sex with small plot, hickies, one night stand?, filling up, dubcon???
Hi again, third piece of writing <3. Hopefully i’m gettin better at this LMAO. I kinda tried to put this in the storyline so it isn’t too off brand i guess, this is episode 2 season 1 spoilers for those who haven’t watched. Also it kinda flops in the end.... sorry from now ya’ll
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“Where the hell did he go? I swear just had him” you mumbled, kissing your teeth, you had been following Chishiya around the complex for a while now but it was almost as if he had poofed into thin air. Every corner you turned led to another empty walkway, where was everyone anyway?
Shuntaro Chishiya was his name but who was he? You had seen him around the city before but he was always alone and looked like he was up to something, not to mention he looked scarily similar to someone you had known back in highschool, but that's besides the point, he was unusual and you needed to know more, what secrets was he hiding?
You had brought it upon yourself to find out as much as you could about him from a distance, but since this was the first game with him you couldn’t let the opportunity to spy on him up close slip through your fingertips.
Strolling up yet another empty flight of stairs you froze, your eyes locked on the man with the horse mask who was now facing you head on, you felt as if time itself had stopped. Your blood ran cold as your eyes flickered to the large gun in his hand, “p~please don’t shoot, please”, you pleaded, maybe this could work?
You watched on as he started to march towards you, “should’ve assumed this shit wouldn’t work on you”, you sighed frustratedly rolling your eyes, it was worth a shot though. You slid the disk you had hidden in your sleeve to your palm, eyes glued to the masked man who was starting to pick up speed.
As he carelessly attempted to aim his weapon you struck your palms together, the disk emitting a strongly condensed cloud of smoke which started to fill the stairwell. In the midst of his confusion you slid past him, throwing the disks remains behind you as a distraction, hoping he would think you had tried to run back the way you came.
Had you really forgotten what you were doing here? Your life was literally on the line yet you allowed yourself to let your objective slip your mind due to a random man you were attracted to spying on? Maybe this wasn’t your brightest idea.
Darting down endless walkways, all that filled your ears were gunshots and blood curdling screams from below, your plan to get him off your back had worked but at the cost of whose life, countless thoughts flooded your head whilst you fled, paying no attention to where you were headed.
Breathlessly you came to a halt, you had hit the top floor, end of the hall, the only way out was to cross the open stairs but even then you’d be out in the open. As if a wake up call, the gunshots continued, the shells ricocheting off the walls echoing through the stairwell, with no other option you veered towards the last door on your side.
“This is gonna get me in so much trouble for fuck sake”, mumbling to yourself you tried to grab the thin piece of metal from your sock placing it into the keyhole, you had no clue if this would work but at this point there were no alternative options. Your hands trembling as the sound of the man's footsteps grew louder pacing up the stairs, “cmon dammit work”.
You vigorously shook the metal rod, all critical thinking had gone out the window as the realisation that you may actually die right here started to hit you. As that thought popped up you felt the handle click, you were in, without another thought you swung the door open stumbling inside, letting the door close by itself to avoid any further noise.
You cautiously glanced around the room, it was almost as if it were a movie set, blank walls, chipped wood floors and no furniture. “I guess they weren’t expecting people to just walk on in he~”, you were cut off by a hand covering your mouth, your heart now pounding through your chest, was it the shooter?
Why didn’t you watch the door close? How did they get to the room so fast? Why couldn’t you hear their footsteps? A million questions swamped your mind.
You winced as your head started to rise slightly exposing your neck, the calloused hand against your mouth was pulling you back. Your body tightening in fear as your bodies met . A hand weaved its way over your stomach as a pair of lips ghosted just below your ear, their breath sending tingles down your spine, “uh uh uh, now what are we doing here my love?”.
You knew that voice from anywhere, it was Chishiyas. You allowed your body to melt into his as your heart rate began to soften. You could relax a bit now knowing who it was, what could he even want with you anyway, either way you knew you had a means of escape if needs be, Chishiya was not the strongest person by the looks of it.
A faint moan slipped through your lips against his hand whilst he trailed his fingers down your lower stomach with the other, you unknowingly pressing your lower half against his. “What are you doing my love?..... Oh? You like this huh?”, he murmured against your neck, laying a kiss or two upon it. “So… is this why you were always watching me from a distance? Or are you hiding something there?”, your breath hitching as he questioned you, how did he know, you always did your best to keep to yourself and stay hidden.
“Didn’t think I noticed you hmm?”, you could feel the cockiness in his voice against your neck as his kisses became a bit rougher, those were definitely going to leave marks but you didn’t care. “I wasn’t watching you?”, you had to lie, if he was to do anything with that information who knows what the higher ups would do?
His fingers paused at your core, you could almost feel their presence hovering above, “lie” he murmured against your collar bone, pulling your head up with his hand. The grip on your neck tightening as you flinched slightly, the new bruises were tender. As he slowly began to rub you through your already soaked underwear he chuckled, “I won’t bite, you can tell me the truth”.
“Now who’s the liar, the sore spots on my neck didn’t come from nowher~” you hissed as he increased the pressure on his fingers, the friction from them and the fabric of your underwear against your clit edging you closer and closer whilst you lightly rocked back and forth.
Chishiya definitely knew how to use his hands, you were ready to give in just from him playing with you through your underwear. “Cmon pretty girl, no need to be so secretive. If it makes you feel any better I was also watching you too. How could a random girl pop up out of nowhere and manage to survive all those challenges alone, who are you?” he joked, chuckling whilst coming to a halt.
You groaned as the early built up tension in your stomach started to slowly fizzle out, “did you do all this just to tease me?”. “Oh? If you want me so bad, how about I give you the real deal?”, his voice echoed in your ear as he placed a single kiss on your nape before pressing you up against the door.
You gently slid your front down the door, sticking your ass in the air showing your dripping underwear. As you shook your ass slightly you heard him chuckle to himself, he pressed himself up against your hot core, you could feel him almost poking through his tracksuit bottoms. “Well? Do you, or should we go finish that game outside”.
Chishiya ran his hand up your leg as you longed out your response, “please, I want this” you purred. “Hmm, very well then”, without another word you felt him lift up your skirts hem, pulling your underwear to the side with his fingers.
“We may have to make this quick” he muttered, aligning himself at your core, “What did you say~ oh my god” you choked out breathlessly, Chishiya had gave you no warning before crashing himself fully into you, your walls adjusting around him, you did not expect him to be so big.
“Try to stay quiet for me okay”, he teased as you pressed back into him for support, you let out a faint “y~yes” before allowing him to place his hands on your hips.
Chishiya slowly started to rock back and forth allowing every inch of himself to be taken in, his tip crashing against your sweet spot with no mercy. “Fuck, thzt feels so good”, you cried out in between his thrusts, as you looked down you could visibly see the impression of his cock sinking in and out of you.
“Quiet, they’ll hear you my love” Chishiya laughed out leaning forward, your moans getting louder which each hit to your sweet spot. You knew the sounds of your bodies colliding along with the moans would definitely ring through the apartment complex but in the moment you didn’t care.
As he leant forward you could hear his faint moans in your ear, cursing under his breath as he swung his hand around to your lower stomach. “I’m getting close, I don’t know how much longer I can hold ou~” you whimpered as Chishiya ran small circles on your clit, your own whimpers cutting you off. He wanted to watch you writhe under him, of course you weren’t adverse to this idea though.
As your moans grew louder and more incoherent, the sound of gunshots began to emerge from the other side of the door bringing the reality of the situation back into your mind. You were still in a death game, both your lives were still on the line once those doors open.
“You know, its almost like you want them to hear you. Does them potentially finding out what we're doing turn you on hmm?” Chishiya questioned cheakily through his own moans, increasing the pressure on his fingers whilst you attempted to swallow down your moans. The ever growing knot in your stomach was at its limit.
Chishiya could feel you tightening around him, “go on, cum for me pretty girl” he cooed. As if on cue you let the knot unravel, however he continued to keep a steady pace inside of you longing out your orgasm. You could feel your knees trembling as your body was getting tired but his light grunts in your ear were enough to help you muster enough energy to hold on.
“W~what are you doing down there? Cheeky one aren’t you” Chishiya hissed as you threw yourself back onto him, your wetness helping you slide with little effort, the sound turning him on slightly. You wanted to make the most of whatever time you had left with him as who knows when an occasion such as this would arise again.
“C’mon then Chishiya” you mewled softly, you could feel him twitching so you knew he was close. His thrusts became inconsistent as he cursed in your ear, pulling you into him.
“Oh fuck” you gasped, stuttering slightly as you felt him release inside you, his breathe staggered whilst slowing down his strokes. Your legs trembled as he began to pull out, both of your warm releases mixing inside you. “Well would you look at that”, you could almost hear the smirk emerge on his face as he stepped back leaving you completely, pushing your underwear back to stop you from dripping.
“How about you keep that wet underwear on for me, don’t want you to forget what we did do we” he teased, you didn't oppose as of course you wanted to remember this moment. Chishiya gave you a hand as he lent you against a free wall in the room.
Placing his hand on your chin he took in your heated face, “I still have an objective here and I also refuse to lose this game so my work here is done”, Chishiya stated plainly, showing zero emotion as he went to exit the room. Was that it?
You let out a faint sigh, steadying yourself against the wall as you also did have to finish the game at some point. “Hey!” he burted out in the doorway, “try to stay alive will you? Trust me, we have more to discuss, maybe you’ll be useful to me”, his eyes softed whilst closing the door behind him.
He wants to meet again? Perfect, attached or not you also had a mission. Chishiya showing emotion was not what you expected but it would definitely get you a pass when the higher ups ask how you got in this room in the first place. Your plan was going in the right direction. Playing the innocent card always worked on your average players but you expected more from him, maybe you could become his weak spot.
You grinned to yourself as you made your way to the door, “till next time Chishiya”.
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immabitqueer · 8 months
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Watching House MD for the first time in 2024 full SEASON 1 Review-
- I had learned from his Wiki page before I even started the show that he had a couple of divorces, but Wilson is really bad at marriage, isn't he? His wife is having company and she makes dinner. House calls once and he totally abandons those plans to meet him at a bar. Wilson lies to his wife and says he's working on christmas and then he goes to Houses apartment instead. House continuously implies that wilson is having affairs around the hospital. He's very funny, he's clever, and he can be sweet, but I would NOT want that man as a partner. That being said, whenever House and Cameron were going on a date and he goes to Cameron to tell her not to hurt House was crazy. Everyone is just so worried about Cameron getting hurt and he does NOT care about her. He's like "huh?? why would I care about you i'm here about house??"
- Cameron's crush on House hit me like a ton of bricks. Even before it was revealed that she had a crush. I thought that they were so good as friends. It seems that now at the end of the season. It's kind of been packed up? And i'm glad for that I hope they can go back to being just besties. You kind of begin to see some of the more flawed parts of Cameron in the latter half of this season, which I appreciate. Such as her need to fix things or people. It makes her feel a bit more human and not just a very angelic being.
- Chase also has a lot of flaws shown in the latter half of the season, and a lot more than Cameron. Don't get me wrong, I still love him, but he was one sidedly enemies with a ten year old girl because she was overweight? Also I picked up on a consistent habit that Chase seems to have where in general he's a pretty nice guy, but when things start to go wrong for him, he will say the most out of pocket things to patients. It's a writing quirk that showed up early in the season with the nuns and has been a constant part of his character since. Also, I made a post about this when I watched the episode. But canonically has seen a dominatrix???? More and more ragged pieces of fabric are stitching themselves together to show me a quilt of Chase.
- I hope in the future we get more focus on Foreman as a character. I would like to know everything about this man. And I know that it was a joke at the beginning, but this man really does try to tie every case back to neurology. Him stepping in to tell House not to hurt Cameron by being nice and giving her hope was nice.
- Time for Mister Gregory House himself. Noticing a pattern of him very much being good with children and having no room for idiot parents who are hurting their kids or are weary of medicine. Love to see it. He has a very distinct relationship with everyone on screen. Every person he interacts with, he interacts with the differently. He's pretty hard on Chase, especially after the Vogler incident. He is continuously hard on Foreman as well with an unhealthy dose of micro-aggression mixed in. Generally, he's hard on Chase in a fatherly way and hard on Foreman in a motherly way, if that makes any sense. He is much softer with Cameron. He and Wilson are co-dependent and at the same time can be very cruel to each other, while also supporting each other. It's very interesting to see these dynamics play out.
- Stacy is complicated. Her trying to convince House to do a treatment her husband doesn't want him to do, mirroring how Housebecame disabled was painful. I can see why she would want the treatment for them in both scenarios and I can also see why it can be selfish or wrong. She found someone that doesn't make her feel alone and is willing to forgive her, so in the end I guess she found her way to a happier life. I still think House has the right to be angry, of course and she isn't owed House's forgiveness but she's at least understandable.
Random extra thoughts and things I've noticed:
- THE KID FROM SPY KIDS WAS IN AN EPISODE??
- So was the girl from mean girls, les mis, mama mia, and Jennifer's body, can you tell I don't know peoples names?
- House has the saddest little eyes but they also pierce my soul and make me feel horrible for him, almost like I did something
- House has an array of toys all over his desk, and he plays with his cane or rubber bands all the time
- I could not STAND Vogler. I'm glad they wrapped up his arch this season because I was getting tired of him
Some context:
I'm watching the show mostly because my Twitter and Tumblr were very adamant that I do, but also because I have a running thing where I very rarely finish a show that I start. I've started several shows and finished very few of them. I started watching House on New Year's Eve The day before the first day of 2024 and plan to finish it before the first day of 2025. This is actually a big deal for me because usually I can't finish a show over 3 seasons and the farthest I've gotten is five seasons. I will be posting as I go and also doing a halfway point and a full season review of all 8 seasons.
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respectthepetty · 10 months
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Pit Babe Colors Ep. 4
Because I have asks in my inbox about the color coding in Pit Babe even though I don't want to watch it, I'm challenging myself with this show and seeing how good my color skills really are. I'm doing my normal thing of watching it double-speed on mute, but now, I'm going to take off the captions.
I ship it. The reds are bad, but I don't trust a single blue except Alan. Kim is a honest red. I appreciate that in a show FULL OF LIARS!
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Yes, Barbara! Be upset with this fake blue boy. Are you telling him how you saw him with Jeffery?!
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I know Babe and Charlie are end game, but without subtitles, my hate for Charles grows each episode. The visuals are telling me he is a liar who does not respect boundaries. Charles should be with Waymond the way they both are LIARS!
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And this is why I trust Alan, and only Alan. Drinking that color-coded product placement like his life depended on it.
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Waymond, I trusted you. Then you turned red last episode, and now I'm noticing how you don't. wear. blue.
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Y'all just talking freely in front of THE SPY NAMED JEFFREY!
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Every episode, I feel worse for Barbara. Someone get him out of here (not Waymond or Charles, but a secret third option).
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GOD DAMN IT! Not him! Why is everyone so handsy in this show?!
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Something is happening! I'm so tempted to turn on the subtitles. Something is going on. What is Waymond telling Barbara?! Because something is clicking for Barbara. This is good acting because Barbara's posture changed. WHAT IS BEING SAID?!
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Before he was a Slut for Christ, Barbara had a steering wheel necklace.
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Waymond, what did you do because you are in love with our Barbie? Did you make a deal with the devil aka Big Red?
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IT HAPPENED AGAIN?!
Babe's posture changed. What is Way telling him?! What is happening?! This is strange. I don't like it.
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Wait, did we know Jeff and Charlie were roommates? Was Babe just jealous of them being roommates? Did I think they were lying when Babe is just being jealous?
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What is happening?! See, nah. Even if Babe knew they were roommates, I still don't trust Charlie because this incident is too convenient. Babe gets attacked and Charlie just happens to be around. And he isn't even fighting back. This is the fight with Kim all over again. Something is off.
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I do not like it here. These two pop up every time there is trouble, and Jeffery keeps staring at everyone all sus like, and BABE RUN AWAY RIGHT NOW! Big Red is there. GET OUT!
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There are no colors to guide me here, but I trust Kim, so . . . did Winner send people to hurt Babe and Kim is upset about it? Nah. I don't trust Charles soooooo much, that I'm still betting that he set that up.
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I know you and Kim will be a thing, Kenta, and I've thought you were good since the first episode, but I need you to pick a color that ain't black. I trust your future boyfriend, so I'm extending you some grace as you stand next to the devil.
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Barbara, why is this man in your house? Did you invite him over or did he not respect another boundary? You probably told him to come over because *love* or whatever. Disgusting. I'm as annoyed as you, Barbara.
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He had an entire sling on just hours ago making sandwiches, and now he is slicing and dicing. Don't tell me they have special healing powers. I don't want to know. Babe looks unwell, and Charlie is being creepy, and I'm in my feelings about it.
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Jeffrey isn't bothered by touch anymore? Are they already sleeping together then. Babe needs to quit arguing with Jeffrey because the trailer had a car on fire, and I KNOW Jeffrey will be behind it.
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Normally, I'd be thrilled for colorful characters, but I 👏🏾 Don't 👏🏾 Trust 👏🏾 Them 👏🏾
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Y'all, does Babe know they are roommates, and is just jealous?! I still don't trust Charles or Jeffrey, but now I'm thinking I'm judging them too harshly if Babe is being irrationally jealous instead of being lied to.
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So either Jeffrey is coming up with the plan to sabotage the car or he is seeing the future (where he sabotages the car).
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I don't care if Babe knew Charles and Jeffrey are roommates and is just being jealous. Charles has no respect for boundaries and is a color faker; therefore, I hate him.
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WHY ARE YOU WEARING BLUE AND RED, PETER?! You're wearing more blue though. Why was Kenta watching you? Why did he call Big Red? Why will you end up with Way? CAN I TRUST YOU, KATNISS?!
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Babe is at his darkest watching his stalker lurk around his house.
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Barbara shook Kimberly's hand, and that's all I need to support my Kim-is-a-good-red theory. But then Charles is watching this game with Sus Bros & Co, so I'm mad all over again.
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JEFFREY, I SWEAR TO GOD IF YOU DID THIS, I HOPE ALAN CHOKES YOU TO DEATH! And if it was Winner, who was SMILING, I hope Kim chokes you to death.
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Alan, don't trust either of their asses. Do you hear me?! Go save our Barbie from the clutches of Charles before it's too late.
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Afterthoughts: I really think watching this show without subs was the dumbest idea I've had because now I think I got some of the plot wrong and Babe is just super jealous instead of being lied too, and I'm wrongfully trusting Kim, but I'm committed to the bit. It's too late to turn them on now, and I refuse to go back and watch these episodes with subs since I'm so mad at Charles, Jeffrey, and Waymond who is doing some strange stuff to Barbara.
I only trust Babe, Alan, Kim, and Pete (because he is pretty).
Everyone else is a liar, liar, pants on fire.
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lonelylonelyghost · 2 months
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Re-watch of The Spirealm. Episode 34
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Tall, handsome, smart and traumatized. Our resident little princess.
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"The mole doesn't seem to be very intelligent. Why would Xiangyao make such a choice? If she had chosen me, the Door challenge would be much more interesting. I could kill all of you any time."
hot
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This character and his reveal was genuinely surprising for me
But I didn't feel good about it...
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"Why didn't Xiangyao just choose me? This could've just make things easier, right? I can kill all of you effortlessly."
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Aww, our murder husbands think alike! 🥰
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👨‍❤️‍💋‍👨
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Where did they even find such a place? It's sick as hell
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🦵
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Couldn't find a proper nail emoji, so I'll just go with
⚰️💅
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🕮
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Just couple things: being pretty and menacing together while uncovering a spy
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I pity this girl, but goddamn.
If you are capable of dooming everyone around you to their death, at least don't whine about it afterwards. It's so grating
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The Realization
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Nope! Everything is fine, don't worry about it🙂
****
His soft little:
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Augh!
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The infinite staircase equivalent for this Door
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"Don't you find Zhu Meng a bit strange?"
Nanzhu, at this point you have to know that all your attempts at fooling Qiushi are ultimately fruitless, right?
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SPIREALM👏MERCH👏
WHERE
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"Yu Lingling, can't you listen to me just once?"
Of course he can't, you absolute fool
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"It's not that you don't want to come out, the door simply can't be opened."
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"Sometimes I wish you weren't so smart. Because smart people are always in pain. Lingling, goodbye. I hope you won't be in too much pain."
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When Qiushi starts opening all the random boxes in order to find some useful tool, something, anything, or at least get a Box Demon, so that he could go together with Nanzhu...
And Nanzhu's utter panic, because Qiushi cannot get hurt, not ever, but especially not because of him....
My heart is in shambles
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"I'm sorry. I can't save you. I'm too weak. I'm sorry..."
"Lingling, there's still a mole inside the Door. Take care of yourself."
"I don't care. I just want you to live!"
"Don't worry about me. Have you ever thought that maybe none of this is real? So my death isn't real either. Will you feel better if you think this way?"
"I just want you to live. I just... I just want you to live..."
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Crushed to death, what a horrible way to go... Especially knowing that Qiushi was also crushed in the earthquake, so he knows how that must've felt...
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The deafening silence.
He's gone.
(or is he?)
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:(
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Gotta say your au mixed with the art style and such and amazing work in what we seen so far with the horror and some laughs it's just become a treat every time I saw new details (whenever you supplies them up, thanks for that)
I know you already disclosure that it's gonna be bad BAD TIMES for the puppets gang but does it have it's soft ad fluff times??
The shot were Frank ask Wally if they're dying will looking up for the ceiling hasn't leave my brain, such a raw emotional clear on them, I wonder when they were just the two of them for a while they cuddle or hold hands for comfort??
I just.i just want them to have small victories of comfort
of course it has fluff and comfort! a lot of it! having a nice blend of both makes the fluff feel sweeter & the hurt hit all the harder <3 i will now supply some (written (for now)) examples and tidbits. putting it under the cut cause it got kinda Long
Frank & Wally do become very affectionate with each other! ofc as soon as Frank woke Wally was like "ok im holding your hand everywhere we go, this is Non Negotiable". because its dark! he doesn't want Frank to stray too far or get lost! and it's easier to yank Frank outta harm's way if they're already holding hands. comfort factors into it later, when Frank starts initiating & Wally does it purely to make sure Frank is still there. but yeah they get Very comfortable with each other, to the point where when Eddie wakes up he asks Frank - misinterpreting the situation entirely - "if you'd rather have Wally than me, i understand." ofc Frank laughs his ass off bc uhhh no that is Not what their relationship is, Ed
~ similarly, (almost) everyone acclimates to Wally's need to be as close as possible at all feasible times. he's Very physically affectionate and has little to no regard for personal space or boundaries anymore. like, he'll listen when someone asks him to back off or somethn, but until then he does not give a fuck. and this rubs off on the others as they get used to it
and then there's OH WAIT IDK IF I'VE MENTIONED THIS YET but! Wally - during his main exploration phase - found the Welcome Home episode recordings! and he eventually figured out how to work a tv he found, so he added "watch an episode of me and my friends" into his Routine. when the others wake up, he includes them in this. is it horrifying for them at first? yeah. but they get used to it and find similar if not the same comfort and enjoyment in it that Wally does. like in This Scribble, Frank & Wally & Poppy & Howdy are all watching an episode, and are quoting the lines they've memorized. they all cuddle up on a couch together and watch their favorite show <3
& Wally also teaches them (as they wake up) how to repair and care for themselves / each other, sleeping or otherwise. picture a little sewing circle of Frank, Wally, and Poppy, with Poppy giving tips and guidance on how to improve. these sessions provide them with genuine smiles and sometimes even some laughs.
before Wally & Home's divorce, they'd pass much of the time with games! go-fish, charades, i spy, etc. one of their favorites was when Wally would toss a ball at Home's door, and Home would hit it back. additionally, whenever Wally discovered something new, he'd rush back to Home with it - either the information or the actual thing, if he could carry it. ex: when he'd find books or files, he'd bring them to Home and (quietly) read them aloud while resting against them
and just in general know that the Post Office is a place of safety. Wally has made sure it's secure. i like to imagine like... little craft sessions and impromptu dancing lessons and story sharing going on in there among the awake neighbors. they try to have fun despite it all
that's all i can recall for Act One's fluff tidbits rn, but trust me there is More. and also abundant angsty comfort. the downright painful stuff has to earn its existence yk yk this au is Not grimdark
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yumeka36 · 6 months
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After hearing all the hype, I finally decided to watch Frieren. I was 99% sure I would like it based on what people were praising about it. And now that I've watched all (currently) 28 episodes...yeah, it's really good.
I knew it was gonna be a slow-paced series that's mostly driven by the characters and world-building as opposed to an ongoing, impending plot...and I'm totally okay with that. While I do enjoy series with a lot of flashy action and emotional angst, I also like when series don't pander to this typical way of being entertaining. Cool fights and suspenseful plots will always be popular, especially for anime/manga, so I greatly respect a series that dares to be different and still delivers. While the characters in Frieren do have an ongoing goal, it's not the main focus of the series: the focus is on their interactions with the world and each other. This is especially unusual for a series that takes place in a D&D fantasy world with monsters, demons, and magic. Such a world is full of potential for fast-paced fights and angst-ridden action, but Frieren does it differently. The handful of battle scenes in the series so far are handled very "matter of fact" - they're not given any more fanfare than other things that happen. Anyone who's watched a decent amount of shonen anime is probably used to all the intense violence and raw emotions that pour out during fight scenes, so seeing how relatively calmly the characters in Frieren handle similar situations may not be for everyone. It even took me a while to get used to how the more suspenseful action scenes in Frieren are handled compared to most other anime.
One of my favorite things in anime, or any medium really, is having characters with appealing but also unique relationships - relationships that can't really be defined by "typical romance," "typical friendship," etc, but something special and unique that I want to see develop as the series goes on. This is a big reason why I like Spy x Family so much, and why I like Frieren as well. The relationship between Frieren and Fern is something like this: On the surface they have a "master/student" relationship, but there are so many more layers to it, like Fern often being exasperated by Frieren's obsession with new spells or the fact that her interpretation of time is so different from that of humans', that sometimes Fern acts like the more "mature" one of the group. But at the same time, despite her elegant air, she has a childish side to her in how she pouts and sulks whenever she's upset with Frieren and Stark, plus her no-nonsense personality that often clashes with Frieren's easy going approach to things. But despite this, we still observe the intimacy between them and how comfortable they've gotten with each other over the years. Then there's Fern's relationship with Stark, that I find incredibly adorable mostly because, again, of how nuanced it is. They're not constantly emoting or yelling at each other, yet you can tell there's something going on between them based on more subtle things, like Fern giving Stark a hard time compared to how she relates to everyone else, and Stark being sensitive to her mood changes.
Another interesting thing about the series is how long the timeline is. Over 100 years have passed for the characters, Frieren in particular of course, since episode 1 to episode 28, yet nothing seems rushed. The series focuses on the bits of their lives that matter through flashbacks here and there, and that makes the series' world more engrossing when you have an idea of all the events that transpired over such a long time. Characters who aren't even alive/present during most of the story, particularly Himmel and his group, can have so much influence in the narrative. All the scenes where Frieren is reminded of things Himmel says and does make so much sense, not just because he was such an important person to her, but because someone who's lived for as long as she has is bound to have these deja vu moments where she had experienced a similar situation before.
The latter part of the series involving the mage exam made me a bit apprehensive, since I don't like when series introduce a bunch of characters at once in a competition with the protagonists. When there's so many new characters that need to play a role in the current plot, they probably won't be well written. But honestly, by the end of the series, I thought they were all interesting characters. This is mostly due to, again, the series giving ample time showing how each of them thinks and strategizes, how they work together with others, what their motivations are, etc, rather than just showing off their powers. Even a character like Serie who's shown to be an antagonist was still interesting as I could at least understand her motives and beliefs.
There's more I can say about Frieren but I'll stop there. Overall, an excellent series and one of the best I've seen in recent years. Looking forward to more anime, and I may even check out the manga!
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