#writing hook

[thepedanticbohemian]

Good to read. It will help you in your baby steps of a new manuscript.

Agents and professional authors always tell you to open in the middle. Even if you're in the business of writing science fiction and/or fantasy. Do NOT start with waking from a dream, a phone call, the weather (I did this with OVER THE RIVER, THROUGH THE WOODS, but it's published and I can't change it. I'm embarrassed every time I think of that opening.), flashbacks, a prologue, or exposition.

I know they're all tempting. However, I learned in my first year as a professional reporter, you have to grab your readers' emotions and interest with your first sentence. It all depends on this whether they'll read the entire article (or your novel).

In THE OUDERKIRK HOUSE, here's my intro paragraph:

CHAPTER ONE:

June 23rd

Mason County, Washington

I go down hard, face first, the toe of my hiking boot catching on a gnarled outcropping of cedar root. I land with an oomph amid poplar and oak leaves, evergreen needles, candy wrappers, and cigarette butts. I heave for breath and inhale the odor of decomposition. I cough to keep from gagging. I know this smell too well. I’m right again. Sadness grips my gut and I grimace.

Always start building the stakes in your first line and paragraph. Now, my little Droogies, be free and write your soul!

[foxfireink]

Telepathy was the problem here. If telepathy didn’t exist, there wouldn’t be a telepathic snow leopard in the blue sitting room, refusing to leave.

Egan gets to the heart of the problem pretty quick, right?

These are the first two sentences from a book in our Outcast series that is currently set aside, but may be picked up again/repurposed (there are many such drafts hahaha).

-Inkwell

[myfairstarlight]

We joke but the fact NO ONE bats an eye when Penelope and Colin are unchaperoned in broad daylight, or the way they keep to themselves in the corner of balls and other events, speaks a lot of how little the ton considers Penelope as a desirable debutante. Fife and co mock Colin for his friendship with her. Portia catches them alone in a room and somehow doesn't jump on the YOU MUST MARRY train. Even Anthony, albeit s1 Anthony so he's a bit dumb, comments that Colin has danced multiple times with Penelope yet it does not signify.

Side note but I would kill to see his reaction when he hears Colin interrupted Penelope's and Debling's dance lol.

Everyone sees Colin running after Penelope multiple times this season, and everyone assumes it's out of pity, rather than care. Like she's not even the one chasing him, he's the one doing it in all four episodes!

Never in their wildest fantasies could they imagine Colin Bridgerton being interested in Penelope Featherington indeed. And oh boy, are they in for a rude awakening! Because that boy is already loud with his actions when he wasn't even aware of his feelings, but he's gonna be even louder with his words to make sure everyone understands how much Penelope Featherington is beloved by him.

[crispyliza]

I've got you all figured out fanartists

[literaryvein-reblogs]

Writing Notes: Hooking your Readers

Hook—The first line, lines, or paragraph meant to grab the reader’s attention

For most people, a night out at the movies includes sitting through the coming attractions. We watch these short bursts of scenes that scare us, intrigue us, make us laugh, and sometimes nearly bring us to tears. No matter the preview, though, if it looks good, we want to go see the movie. An effective “hook” in your story works the same way. You want to grab your reader right away and compel them to continue reading.

Some common strategies for creating a hook & examples:

Anecdote: My hands shook and beads of sweat rolled down my face. I double-checked the directions before assembling my tools and turning up the heat. Making lasagna shouldn’t have been this stressful, but in my grandmother’s kitchen, the stakes were a little higher. 

Direct quote: “Be open and use the world around you.” Toni Morrison gives this advice about the craft of writing, but I find that it applies to most areas of my life.

General statement or truth: Every child, no matter how sheltered or well-adjusted, will experience fear. Whether they are scared of the monster under the bed or the neighbor’s barking dog, children experience fear as a normal and healthy part of childhood.

History: On Wednesday, August 28, 1963, thousands traveled to Washington D.C. by road, rail, and air. There were demonstrators of all races, creeds, and genders. Unafraid of the intimidation and violence they faced, they demonstrated for the rights of all. Known as The Great March on Washington, this day marked an important turning point in the Civil Rights Movement in the United States.

Metaphor: Stretched out in a sunbeam, my cat may seem timid, but really, she’s a lion. She will stealthily stalk her prey, attack without mercy, and leave a trail of blood and guts in her wake. Afterward, as she grooms her luxurious mane, she shows no remorse.

Scene or illustration: Shadows stretch across the pavement as jack-o-lanterns flicker in windows. Little trick-or-treaters scamper from porch to porch, filling their bags with various forms of sugar. It is the day dentists dread most: Halloween.

Sensory description: The stale smell of cigarettes engulfed me as I stepped into the dim, silent apartment. The heat had been turned off, so I could see my breath fog in front of me as I carefully stepped over the old pizza boxes, overturned cups, and random pieces of paper strewn across the floor.

Startling statistic or statement: Teenage drivers crash their cars at nearly ten times the rate of older drivers.

[noodles-and-tea]

personally i think the funniest way of explaining anything off about the reported timeframes in your au is to have both stan & ford being absolutely terrible with time

stan being like damn the 50s sucks & little ford going its the 60s???? & ford going ‘nearly 30 years ago’ and fidds being like ford you’re like 30 that doesn’t make sense

I love that so much

[asoftepiloguemylove]

LOOK AT ME, LOOK AT ME, LOOK AT ME / BECAUSE I EXIST, I EXIST, I EXIST

Franz Kafka Letters to Felice // リリイ・シュシュのすべて All About Lily Chou-Chou (2001) dir. 岩井 俊二 Shunji Iwai / Phoebe Bridgers Funeral // Emily Palermo // Ocean Vuong Someday I'll Love Ocean Vuong // 堕落天使 Fallen Angels (1995) dir. Wong Kar-wai // Margaret Atwood // Bell Hooks All About Love // @mango-season // Mitski Nobody

[murdrdocs]

degradation vibes; orgasm denial; fingering; p n v; MDNI 18+ w/ HARRY HOOK

harry hook's "enemy sea sick can't see straight" is making me think about how mean he gets when he fucks you good.

his faux sincerity is often mistaken as generosity. the way he worships you can be mistaken for sweetness. so you get it mixed up. you forget that cruelty runs in his blood. harry hook is mean, and he reminds you when he's with you.

sometimes he'll deprive you. sometimes he'll only give you fleeting touches designed to rile you up enough to distract you. to make you as obsessed with him as he is with you. he knows that when he puts his hand up your skirt and between your legs for just a few minutes, only to pull his touch away and lick his fingers clean before you cum, you'll rely on the memory to get you through the day. until he can give you what you want.

and what you want is for him to fuck you. it's then where he's really mean. when he mocks you with that voice. the one that sounds like he's cooing at you, words slurred together and pushed through pronounced lips. it works really well with his accent, it sounds as natural as his attitude. he's skillful with what he's been given. he knows how to work his hips against yours, what to do with the second head between his legs. the one he usually thinks with.

you'll try to keep your composure. you try to behave as the person you've been groomed into your entire life. but the effort is too great and too consuming whenever you're lost in the haze. so you forget it all. you forget yourself when you're drooling as harry fucks you, but harry cleans it up. when your eyes go unfocused, harry clicks his tongue and snaps at you until your attention is back on him. he's mean, but you like it that way.

[candyje11yfish]

It's the Now or Never Seven! Past, Present or Future? 🌈

[itsss4t4n]

hi!! could i get headcanons of harry hook x daughter of alice from alice in wonderland? :)

a/n: Okay so i made two versions of this. I started writing more of like an actual story wich is pretty long and then realized that you probably asked for more short relationship headcannons. So this one is the shorter headcannons. I hope you enjoy :))

Trigger warnings: very short mention of bad family dynamics, not proofread, she/her pronouns if used

So here is the longer story version

Harry hook x Daughter of alice in wonderland - headcanons

-Harry would constantly ask you about wonderland and try to compare it to neverland. Its not really similar but he trys anyways.

-knowing about and visiting wonderland quite often made you kind of an 'odd' person but harry loves it. Honestly that man oves anything that is different and weird. He would fit right in with his dramatic and theatrical nature.

-You would mock his accent constantly but you both know that you love it. Especially mixed with his raspy morning voice. Heaven on earth.

-Uma and gil also probably love you. How could they not when harry adores you like does.

-speaking of: he adores you so much. Words of affirmation and physical touch are his love languages. He is always complimenting you and huging you, holding your hands or just standing/ sitting as close to you as he can. 

-He knows how you love it when he tilts up ypur chin with the tip of his hook, and he fully uses it to his advantage.

-steaing his hook to annoy him or as 'blackmail'

-he would be so nervous to meet your family but they pretty much love him immediately.

-he finally has a family that cares about him and that he can feel safe in (other than his friends obv.) because lord knows his own family was awful. Except maybe harriet. Speaking of she is the only part of his family you actually got to meet. She loves you but would still give you the older sibling talk 'if you hurt him i will kill you', etc. etc.. But Harriet is incedibly happy that harry has found someone that loves him as much as you do.

-Honestly you would just be such a cute couple. 

-but also one that can cause trouble. A lot. You are not against some rulebreaking if its fun. you never were. And with harry its always fun.

-Now... on a sidenote: THAT MAN IS AN AWESOME KISSER! LIKE FR. 

-anyways.. you guys are perfect together. Accepting each other with all your flaws. 

-true love <3

[3hks]

7 Ways to Hook Your Readers

How do you start a story? Why, you start it with a hook! A hook is something that intrigues the reader and has them enthralled. Sometimes, the first sentence is the hardest one to form, so here, I'll give you some examples on how to hook your audience into your story!

>>> A question: This is a pretty well-known tactic: starting off with a question for your reader has them thinking how they'd answer; hence, pulling them further into your work. If you want, your character can answer the question too! However, the question must be relevant to your story.

>>> A idiom/quote/saying: Sayings are commonly used, though one can find them controversial at times. Regardless, the majority of people understand what the meaning behind them are; and because of that factor, along with its popular usage, proverbs quickly attract readers' attention while giving some insight to your character.

>>> One-word starter: This one is pretty simple, and if you really don't have any ideas, maybe give this one a shot! The hook is simply one word (or even a short phrase) that portrays a strong part of your character. Its out-of-context and vagueness trigger interest in your reader.

>>> Starting action: Like the one-word starter, this hook seems contextless, but it's a quick way to captivate your reader and have the suspense emerge! Example: "Blood covered the ground like a thin blanket, staining the once-clean quartz with a shade of scarlet. A pair of depthless eyes seemed to burn a hole into the last person in the room; a messy, pitiful, scrambling figure."

>>> Dialogue: By now, it should be obvious that your hook should be enthralling and evoke interest in your reader. Opening with compelling dialogue can help introduce the plot and characters of your story!

>>> Interesting Introduction: Is there something special about your character? Introductions can be difficult to sneak in, but not when it's a hook! Make a short description consisting of several defining traits of your character, and be sure to add the special thing about your character as a twist to snag your reader's attention! Additionally, you can be creative with this! An introduction doesn't have to come from your main character, it can come from another character describing the protagonist!

>>> Setting: Does the setting have a strong influence on the story? Even if it doesn't, beginning with a descriptive setting can slowly captivate your audience!

Alright! These are seven ways to hook your reader: a question, a saying, one-word, action, dialogue, an introduction, and a setting! Of course, there are many more ways, so explore around!

Happy writing~

3hks :)

[bluebelledmoon]

kagome chan... you are everything to me

(((op has not finished watching inuyasha so no spoilers thanks! :)))

[malsorie]

i was waiting for a ship in BG3 to sweep me off my feet until i read @optiwashere’s Minthara x Lae’zel propaganda (their fics) and fell VICTIM. so i drew a little scene from this fic 🤕🤕

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[esmeislewd]

Ancient vampires forgetting that humans actually gain weight when you feed them on a diet of almost nothing but cake because they enjoy sweeter blood and getting awfully surprised when their favourite cattle waddles into their quarters after sunset unable to fit into their clothes anymore.

[crazypsychonerdstuff]

If you've ever watched Disney's Descendants, could I get some fluff headcanons for Harry please?

I've only seen descendants 2, and that was years ago, so these are very short, a bit vague, and probably even more ooc than usual! Sorry! Hope they will suffice anyway!

🎃

He might act tough and dangerous, but He's a sweetie really. At least with you.

Be warned, he Will flirt with you 24/7. Even more so in public. Everyone needs to know you're his, after all!

Protective boi. Anyone dares look at you in the wrong way, expect him to be threatening them likely before you've even noticed they'd done anything wrong.

Also a jelly boi. He gets sulky if he thinks you're paying more attention to someone else. And if it goes on for too long, expect him to physically move either whoever you are talking to or yourself with some offhand comment about how you were busy with something and didn't need distracting. Even though you weren't.

He also gets very clingy if he thinks you've been ignoring him; Pulling you onto his lap, Holding you tight, kissing your lips, face, neck. Anywhere he can, really.

Adventures = dates. The two of you will often go exploring, trying to find new places on the Isle. Your favourite spot by far is a small beach with a cave away from the rest of the chaos of the Isle.