#writing is a process and sometimes a painful one

[nereidprinc3ss]

know your fics !!!

ai fics are usually out of character, and while most of the quality depends on the prompt, usually you'll find less description or like narration of what is going on, and more one liner dialogue type stuff that feels soulless, OR, endlessly descriptive, unnecessary writing, that's got you thinking get to the point, jan.

you can pry em-dashes from my cold dead hands, but you will notice if it's used too much in a fic, because some of these em-dashes could be commas, and most times in regular fics the usage of em-dashes is either toned done by the author itself on purpose, or it's done by like Grammarly or something. AI fics, shit ton of em-dashes, and how you know it's ai is if you replace an em-dash with a comma, it's literally the same sentence.

longer ai fics could show plot inconsistencies. they're suddenly some place they weren't before. his hands are in her hair, her waist, her back— how many hands does she have? shit like that. oh, and also depending on which gen ai engine you use, cuss words will give it away. popular models cannot use cuss words, political stuff, or write smut, unless you like pay for premium which i doubt anyone is.

here's an ai generated spencer dialogue (i just said give me something spencer reid would say in a conversation with reader who he has a crush) :

"My emotional processing subroutines appear to be malfunctioning due to the elevated oxytocin levels you’ve instigated," He says, blinking slowly like a confused Roomba.

it physically pained me to generate and read that. fishes died. it called my man a roomba. jesus h fuck. anyways.

here's something i wrote, same context, spencer talking to reader who he has a crush on, just to like drive the point home:

"Yeah, Okay, so, like I was saying, the Maquech beetle is regarded as a symbol of eternal love. In ancient Maya tradition, a princess’s murdered lover was transformed into a beetle so she could wear him on a pin close to her heart night and day," he explains, walking with you towards the bullpen, mug of coffee in his hand, just how he liked it. He had been explaining the significance of symbolism in different lost or forgotten cultures and civilisations. You were in the Quantico kitchen with him, making coffee per usual, listening to his passionate interpretation of Guatemalan huipiles and butterflies, when you handed him a mug of coffee, made exactly how he takes it, when he promptly lost his train of thought. "Uh—I, wh—" he stammered, like he had forgotten every single word of every single language he knew. "I, sorry, I just— uh," "Take the coffee, Spence." "Right. Yes. Coffee." And that brings us to the present with the beetles. He continues. "So that's why, in the Mayan culture, wearing the symbol of the Beetle remains a constant reminder of a true and eternal love." You hum, thoughtful, lips quirking as you glance sideways at him. “Guess I’ll have to start wearing beetles then. You know. As a declaration of my undying love for you.” Spencer chokes out a breath of a laugh, something between a scoff and a stunned exhale, and fumbles with his mug like it’s suddenly the most interesting object on earth. “That, uh— I,” He clears his throat. “That would be… highly symbolic.” He doesn’t look at you, but you catch the faintest blush creeping up his neck, blooming like a secret. You hope he doesn’t notice yours.

is this any good? no. in fact, i think it's ass, actually. i wrote it in like 20 minutes. but it's not soulless ai sludge, and for just that reason alone, it's immediately better to me.

in order to write a good fic, you need not just know the, like, source material, you need to pour your feelings for that particular story into the fic. that's what makes it special.

authors, friends, art is only art if it comes from within. writing takes time. it's frustrating sometimes. most times, actually. we write not because we need to churn out shit and meet deadlines. we write because we love it. it is who we are. and it's okay if your writing style is different. it's okay if you take way too long to write. there's no too long with art. they don't say 'you can't rush art' for nothing.

if you're insecure about the quality of your work, know that it's something all authors feel. the only way to get over it is by actually writing more. by yourself. because if you just generate fics and go to sleep, who is it even for? your writing skill won't improve, the fics don't feel as personal, actual authors who put work into their fics go unnoticed, and no matter how you justify it, you won't feel good about yourself.

we live in a time where we need to remind authors that they need to actually write to call themselves one. it's okay if you think your work is not up to mark. post that lame ass fic. make that fugly edit. draw that misshapen nightmare. do it bad. do it ugly. do it extremely awful. but do it. do it yourself. it's the only way to start.

ai "artists", consider this a psa: you can become an actual artist if you take the time thinking of the right prompts to use, and put that into honing the craft. tumblr is a safe (ish) place. ask questions. learn from artists. be free, dear birds. fly high. fuck ai.

- ironically, someone studying to be an ai engineer (don't worry i am aware of the moral ramifications, i am going to end up a data scientist, i can feel it in my bones, wish me luck!)

Yes yes yes!!!! To all of it!!! This is great and so helpful ty!!!

Also do NOT downplay your talent that little snippet was amazing and I hope u r posting ur fics!! We need as much original content as we can possibly get!

Thank u for taking the time to write all this out, very extremely useful and I appreciate u so much<3

[noorvell]

This is an extended rant on how I write Joel and Tommy—a kind of character study, if you will. It’s an exploration of how their personalities diverge, and how that divergence shapes the tone and texture of the scenes they inhabit in my mind. A reminder to myself. And you're welcome to read if you'd like to delve in my thought process.

Joel is a man shaped by grief like sedimentary rock—layer upon layer of buried pain, compressed into silence. He’s not cold; he burns, but inwardly, and without language. Every gesture—his hand on a shoulder, his rifle held tight, the way he checks a perimeter or instinctively shields someone with his body—is a proxy for words he doesn’t know how to speak.

His love is tactile, indirect, and deeply repressed. He doesn’t understand softness unless it’s in the service of protection. His tenderness is veiled in stoicism: a blanket tucked in, a muttered “you okay?”, a glance that holds more than whole sentences.

He is, at his core, the Protector turned Orphan—a man who once believed in the safety of love and the order of the world, but after losing Sarah, can no longer bear the risk of openness. Love, to him, is dangerous not because it’s bad, but because it’s mortal. And Joel’s tragedy is that he still wants it—achingly so—but can’t allow himself to truly receive it.

He cages his heart not because he lacks love, but because he has too much of it, and nowhere safe to put it.

He believes that if he lets the world see where he’s soft, it’ll rip that softness away. That’s why his love for Ellie terrifies him—it reawakens the part of him that could hope, and therefore could lose again. His arc is classic tragic hero → anti-hero → reluctant redeemer.

He’s a man who chooses love over salvation, and is punished for it.

Where Joel turns inward, Tommy reaches outward. He too has seen the same horrors, borne the same losses, but responds not by closing off—but by trying, again and again, to believe in something. A purpose. A future. A community. A partner. A world that could still be better.

He’s the Hero archetype tempered by the Lover—idealistic, service-driven, deeply relational. His strength is his refusal to become bitter. Even when he’s exhausted, burdened, broken, he keeps loving out loud. He gives himself completely, sometimes too easily, believing that hope is worth the risk of heartbreak.

He’s the man who signs up again and again, not because he hasn’t been hurt—but because he has, and chooses not to let it change his heart.

Tommy's desire to help others often leaves him overextended, idealistic to a fault. But this is what gives him that rom-com sparkle —his openness, his earnestness, his hunger for connection. His love isn't quiet like Joel's—it’s unashamed. He’ll call it what it is, say it out loud, and ask for it in return.

In a broken world, he’s not naive—he’s defiant. Hope, for Tommy, is a rebellion.

—

In romantic love, Joel and Tommy embody two fundamentally different responses to trauma: one contracts inward, the other reaches outward. Their ways of loving are not only shaped by who they are, but also by what they’ve lost—and what they still dare, or refuse, to hope for.

Joel Miller is a man who has folded his grief into silence. He doesn’t love with ease or flourish; he loves through presence, through protection, through the things he does rather than the things he says. To love Joel is to learn to read between gestures—a steady hand on your back when danger is near, the quiet maintenance of your belongings, the way he positions himself between you and the door. His love is never loud, never performative. It’s a kind of devotion so tightly held it trembles. He struggles with words, especially when they’re vulnerable. He may never say “I love you,” but he’ll stay awake on watch while you sleep, and that’s what he means.

For Joel, touch is grounding—always firm, steady, weighted with intent. It’s not casual affection; it’s tethering. He shows his care in acts of service, in safeguarding, in staying. But receiving love is harder. Praise confuses him. Affection makes him wary. Emotional openness—especially from others—scares him not because he doesn’t want it, but because it invites loss. After Sarah, Joel doesn’t fear dying—he fears feeling. And loving someone again, really loving them, risks reactivating the same unspeakable pain. He cages his heart behind pragmatism and stoicism because he believes that to be vulnerable in this world is to invite obliteration. If he lets someone in, and the world takes them, it will take him with them.

By contrast, Tommy Miller moves through the world with a heart still open. He’s not unscarred—far from it—but where Joel’s response to loss is retreat, Tommy’s is insistence. He insists on trying again, on building something good from the wreckage. His love is generous and expressive, woven through with words and touch and hope. He will say “I love you.” He will joke and flirt and tease. He will reach for your hand just to feel that you’re there. Tommy’s love is a fire—something to warm yourself by, something alive and shared. He believes that in a broken world, love should be celebrated, not hidden. And so he does. Not naively, but defiantly.

Tommy pours himself into others—his partner, his community, his ideals. His greatest strength is his belief in people and his desire to help. His love is grounded in presence too, but also in dreams—he wants to build a future with someone, not just survive alongside them. And while he may carry quiet burdens, he wants to be met in his openness. A partner who shares joy, who believes in what they’re building together, nourishes him. His fear is not of love itself, but of not being enough—of giving everything and still failing the person he loves.

Joel is the fortress, scarred and silent, guarding his heart with brutal devotion. Tommy is the flame, warm and visible, offering his heart as a shelter. One loves quietly, with the weight of unspoken sacrifice. The other loves aloud, with the urgency of someone who knows tomorrow is never guaranteed. Both are shaped by loss, but where Joel tries to outrun it by loving in secret, Tommy confronts it by loving in spite of it.

Together, they reflect two archetypal modes of romantic love: Joel’s is the protector’s love—stoic, self-sacrificing, tender only in the shadows. Tommy’s is the lover-hero’s—open, warm, and unafraid to be seen. One guards his love like a secret. The other shares it like a gift.

—

Joel, in my hands, is always a restrained, heavy presence. He’s a man of gestures more than words, one whose love rarely surfaces in speech but instead anchors itself in action, in constancy, in the subtle weight of a grounding touch. There’s purpose in his contact—never accidental, never aimless. When he puts a hand on someone’s back or steps silently into a room, it isn’t to fill space. It’s to tether, to say I’m here, I’ve got you, without making himself vulnerable to the saying. His love is quiet, but immense—compressed beneath layers of stoicism and fear. It’s a form of devotion he keeps sealed, not because he lacks feeling, but because feeling, for him, is a dangerous and volatile thing.

What he understands is responsibility. What he offers is sacrifice. His instinct is always to protect, but never to ask for protection in return. And beneath that, there’s the deeper fear: that if he allows himself to love openly, the world will take it from him—just as it has before. I write Joel as someone who "cages" his love, not to imprison it, but to preserve it, terrified of what exposure might cost. He is the archetypal protector twisted into tragedy—the one who guards not just others, but the softest parts of himself, believing safety can only exist behind silence.

Tommy, by contrast, is a character I’ve allowed to move with emotional lightness—not because he is unburdened, but because he refuses to be paralyzed by burden. He’s not a foil to Joel so much as a sibling made from the same grief, who chose a different way to carry it. I see him as romantic not just in love, but in worldview. His is a heart that keeps trying, keeps giving, keeps searching for a cause worthy of his conviction—from the army, to the Fireflies, to Jackson. He lives in pursuit of meaning, and in love, he does the same.

Tommy’s emotional language is overt: words, laughter, affection given freely. He loves like someone who knows time is short—whose response to a crumbling world is to celebrate what beauty remains. He treasures openly. His gestures are not just expressive, but connective. He wants to be seen, and to see. And though he is often carrying more than he lets on, he doesn’t hoard that weight—he shares it. He invites his partner into it. His fears are different than Joel’s; where Joel fears the pain of loss, Tommy fears falling short, of not being enough despite giving everything he has. His vulnerability isn’t buried—it’s worn like a threadbare coat, worn but intact, visible, human.

—

Sometimes I worry that I don’t do justice to Tommy because my writing carries Joel’s presence so much heavier—his weight fills the space in a way that naturally invites poetry, reflection, and a certain brooding depth. Joel’s heaviness creates room for me to linger on the quiet, the unsaid, the lingering shadows of pain that shape every movement he makes. But the truth is, it’s not that Tommy is less significant or less complex—it’s that Tommy carries his burdens differently. Tommy is lighter than Joel, not because he’s unscarred or unburdened, but because he knows how to compartmentalize his pain. He doesn’t carry his penance with every step, dragging it behind him like a chain. Instead, he sets it down, takes a breath, and moves forward. This ability to hold grief at arm’s length allows his way of being in the world to feel less dense, less weighted by the past.

When I write Tommy in those domestic, everyday moments—the small interactions, the shared jokes, the tender touches—I imagine him as a flowing river. His movements are clear, fast, and clever, alive with energy and the constant pulse of hope beneath the surface. His lightness isn’t superficial; it’s a survival mechanism, a refusal to be swallowed by darkness. The river carves through obstacles, bends but doesn’t break, and carries life along its banks. Tommy’s love and presence ripple outward in ways that feel spontaneous, buoyant, and open-hearted.

Joel, by contrast, is more like a pond. Still, stagnant, slow to change, and heavy with the weight of what’s settled to the bottom. His waters are deep and shadowed, sometimes murky with grief and regret, but they also offer a kind of refuge—a place to pause, to sink into the depths of feeling that Tommy’s river might skim over. Joel’s presence invites stillness, contemplation, and the careful examination of pain that refuses to be washed away quickly. His love is slower to reveal itself, more guarded, but no less profound.

—

I’ve been reflecting quite a bit on the flashbacks from both the videogame and the series—particularly the one where Joel playfully shoves Ellie into the water on their way to her 16th birthday surprise at the museum (if I’m remembering the scene correctly). There’s a surprising cheekiness and lightness to Joel in that moment, a side of him that’s so rare and almost fragile in the narrative I write. It’s a part of him that I both hesitate to explore deeply and fear losing sight of entirely.

What I want to be clear about is that this whole analysis I’ve laid out here isn’t meant to be some definitive or groundbreaking take on Joel and Tommy. There are many incredible writers, critics, and fans who have offered far richer and more nuanced insights into these characters, and I wholeheartedly encourage anyone interested to seek those out. My goal here is less about delivering an authoritative dissection and more about laying out a personal, somewhat messy reflection. It’s a way for me to organize my thoughts, to have something I can return to, and ultimately to keep my portrayal of these characters consistent and true to their complexity.

That said, the core point I’m grappling with—the reason I’ve dragged you through nearly two thousand words before finally getting here—is that I want to highlight something I don’t often see emphasized enough. It’s this: Tommy, while often seen as lighter and more hopeful, carries his own deep burdens. His emotional openness doesn’t mean he’s free of heaviness or struggle; he simply carries it differently, and that difference is vital to his character. And Joel, who’s often written as this stoic, grim protector, has moments where he lets his guard down, where he’s happy, playful, and almost carefree. Those moments are just as important, even if they’re fleeting.

What I’m aiming for is a reminder—to myself first, but hopefully to others too—that these characters deserve to be approached in their full humanity. Not as static archetypes or one-dimensional figures bound by grief or hope alone, but as three-dimensional people with contradictions, contradictions that don’t weaken their identities but enrich them. I want us to pull out those less-touched facets of Joel and Tommy—the lightness alongside the heaviness, the moments of joy amid the sorrow. Because in doing so, we honor their complexity and make their stories feel more authentic and alive.

—

Anyway, as you can probably tell, I love them your honor. I hope I haven’t been too overbearing with all this, and if I’ve veered off into a tangent that maybe isn’t quite how things are—well, don’t take it too seriously. I’m just obsessed with character development, and tlou gives us such an insane amount of material to chew on. If nothing else, I hope this gave you something to ponder upon. Thanks for sticking around. See you next time.

[fili-oeuvre]

ending up with at least three writing projects at the moment because my brain won’t let me NOT write down whatever slightly interesting idea that spawns in my mind

[xiewho]

i love love love the way you draw gorgug!! you give him so much personality :)

ouhhh omg thank u so much 😭😭 he’s my favorite bad kid so i tend to overthink a lot when i draw him haha but im really glad u like the way i draw him :’)

[quality-on-a-patch-of-awesome]

"I didn't know it was you and Clay, you know?"

"What?"

"When Scott-- Eric pulled me into his office and I could just-- But you don't need me to tell you that, do you? You just know when you're getting that news. He said 'died saving the lives of his brothers' and he wanted to tell me who, but I wouldn't let him."

"So you didn't have to be mad at any one of us?"

"No. So I could hate you all the same, obviously."

-

Listen, you know me. I'm usually a 'nothing after 4.15 of SEAL Team really happens so Metal isn't actually dead' truther, but when your subconscious clearly wants pain and you wake up with this in your head, you just have to write it down

[boleynqueenes]

Where do you write?

Is there anything else about your writing process your readers don’t know?

at the library, at my computer desk. pretty much just those two...in my bed if i'm writing on my phone. also idk why but after a shower i always have a scene ready to write in my head lol, it is so annoying, literally (bcus i will forget its shape if i don't get it down right away, so i never have time to dry/change)...typing it out with towel-dried fingers on my phone, with my ass wet.... there is something about a shower that unlocks your brain?? idk what it is?? rain simulation?? i've actually read that some writers have like waterproof/writeable curtains and markers or whiteboard inside their showers for this very reason...i need to look into that for when i win the lottery........

well. i guess nobody knew that. welcome to my ass <3

[luna-azzurra]

Write Characters with Deep Emotional Wounds

(Without Making Them Walking Tragedies)

╰ Start with the scar, not the stabbing. Everyone talks about what happened to your character (The Big Trauma) but honestly? It’s the aftermath that matters. Show me the limp, not the bullet wound. Show me the way they flinch at kindness or double-check locks three times. The wound shapes them more than the event ever did.

╰ Don't make them "Sad All The Time" People with deep hurts aren’t just dramatic sob machines. They make bad jokes. They find weird hobbies. They have good days and then get wrecked by a song in a grocery store. Layers, my friend. Pain is complex and it sure as hell isn’t aesthetic.

╰ Let them almost heal and then backslide. Real healing isn’t linear. One good conversation doesn’t erase ten years of bottled-up grief. Your character might think they’re over it, and then one tiny thing, a smell, a phrase, a look, knocks them right back into the hole. Make them earn their healing. Make us ache for them.

╰ Give them armor and show the cracks. Maybe it’s sarcasm. Maybe it’s perfectionism. Maybe it’s taking care of everyone else so no one notices they're broken. Whatever mask they wear, show us the hairline fractures. Let us catch the moments where they almost drop the act.

╰ Don’t turn their trauma into their only personality trait. Yes, they’ve been through hell. But they also love spicy chips and bad reality TV. They have dumb crushes and secret dreams. A tragic backstory isn’t a substitute for a full human being. Let them be more than the worst thing that ever happened to them.

╰ Let their wound warp their decisions. People protect their wounds. Even badly. Especially badly. They might sabotage good relationships. Or push away help. Or cling too tightly. Make their past live in their choices, not just their flashbacks.

╰ Don’t make the world validate them for existing. Not everyone is going to understand your wounded character. Some people will misunderstand them. Blame them. Get frustrated. And honestly? That’s real. Let your character find their people, after facing the ones who don’t get it. It’s so much sweeter that way.

╰ Wounds can make them kinder—or crueler. Pain changes people. Some become protectors. Some become destroyers. Some do both, depending on the day. Let your character’s hurt make them complicated. Unpredictable. Human.

╰ Don’t heal them just to tie a neat bow on your story Sometimes the best ending is messy. Sometimes the healing is just starting. Sometimes it’s just hope, not a full recovery montage. That’s okay. Healing is a lifelong, terrifying, brave process—and readers feel it when you respect that.

[unladielike]

    Vivian nods away in agreement for to her, having a considerable amount of burgers without any soda didn't seem like something that's really heard of... and yeah, perhaps there were way better palate cleansers to be had than carbonated drinks, but as this was a food truck and not a restaurant, the selection of beverages they could realistically order would understandably be a bit limited.

    "Welp, I wouldn't go as far as to say I necessarily understand 'everything', per say, but yeah, once you manage to live through twenty one years on this planet, you start discovering some pretty basic stuff... like, for instance, how the human body gets thirsty if you consume salty snacks yet do not occasionally bring yourself to drink water throughout regular intervals," Vivian states. Granted, most would consider that to be 'common sense', but as per usual, she frames it more like an academic study than redundant knowledge nobody would truly bother disputing.

    Either way, it doesn't take long for her bespectacled gaze to soon settle on the drinks menu, which was situated to the right side corner of the food truck... and to her delight, Coke was listed as one of the drinks that were available to order, causing her to clasp both hands together.

    "Ooh, what do you know?! They do indeed have Coke! No Fanta to be seen, though... then again, at least we aren't forced to choose Pepsi, which is the mid alternative to Coke," Vivian pipes up. Of course, after the final customer leaves, she'll then finally pull out her wallet before turning to Mizumachi. "Alright, so to summarize super quickly... we want ten teriyaki cheese burgers with two cokes?" Vivian repeats in order to ensure they were on the same page.

[水]

“Bia is so smart! I love it!”

Who knew there was such a place so close by? He hadn’t found the place yet, and who knew how long it would’ve taken before he found it. The food truck  now had a new fan who was bound to visit pretty often any time homesickness struck him- which was surprisingly often if he was left alone with his thoughts.

The jock laughs at the comment that the food truck wasn’t going anywhere. It wouldn’t sprout legs and run away—but it had wheels, didn’t it? Couldn’t it drive off?

“Yeah! A Teriyaki cheese burger sounds great!”

Sometimes, he’d go into restaurants and find that the food was very different compared to his expectations, but if going by the smell alone, he was sure that he was going to like the burgers here. He normally wasn’t that picky when it came to food anyways, but still! It was a kind of betrayal for someone who craved familiar tastes to walk into a restaurant and walk out of it confused over what he’d actually eaten. He learned the hard way that many ‘fusion’ places weren’t… the best. Guess not every fusion was stellar and epic. Sorry Goku and Vegeta.

“You really understand everything, huh? You’re right! If you’re going to be eating a lot of burgers anyways, ya gotta drink something that pairs well with it. Coke is the best! Fanta is also good, though.”

If you were going to be eating your fill of burgers, was there really any real difference if you chose to drink soda over water? The difference was minor at that point, so there was no point in picking straws. Water was his preferred drink for regular hours, but if he was doing rigorous exercise, then he would reach for sports drinks to replenish his electrolytes. Soda was for whenever he was treating himself to some junk food. Might as well go big or go home (and eat healthier).

[cocklessboy]

The biggest male privilege I have so far encountered is going to the doctor.

I lived as a woman for 35 years. I have a lifetime of chronic health issues including chronic pain, chronic fatigue, respiratory issues, and neurodivergence (autistic + ADHD). There's so much wrong with my body and brain that I have never dared to make a single list of it to show a doctor because I was so sure I would be sent directly to a psychologist specializing in hypochondria (sorry, "anxiety") without getting a single test done.

And I was right. Anytime I ever tried to bring up even one of my health issues, every doctor's initial reaction was, at best, to look at me with doubt. A raised eyebrow. A seemingly casual, offhand question about whether I'd ever been diagnosed with an anxiety disorder. Even female doctors!

We're not talking about super rare symptoms here either. Joint pain. Chronic joint pain since I was about 19 years old. Back pain. Trouble breathing. Allergy-like reactions to things that aren't typically allergens. Headaches. Brain fog. Severe insomnia. Sensitivity to cold and heat.

There's a lot more going on than that, but those were the things I thought I might be able to at least get some acknowledgement of. Some tests, at least. But 90% of the time I was told to go home, rest, take a few days off work, take some benzos (which they'd throw at me without hesitation), just chill out a bit, you'll be fine. Anxiety can cause all kinds of odd symptoms.

Anyone female-presenting reading this is surely nodding along. Yup, that's just how doctors are.

Except...

I started transitioning about 2.5 years ago. At this point I have a beard, male pattern baldness, a deep voice, and a flat chest. All of my doctors know that I'm trans because I still haven't managed to get all the paperwork legally changed, but when they look at me, even if they knew me as female at first, they see a man.

I knew men didn't face the same hurdles when it came to health care, but I had no idea it was this different.

The last time I saw my GP (a man, fairly young, 30s or so), I mentioned chronic pain, and he was concerned to see that it wasn't represented in my file. Previous doctors hadn't even bothered to write it down. He pushed his next appointment back to spend nearly an hour with me going through my entire body while I described every type of chronic pain I had, how long I'd had it, what causes I was aware of. He asked me if I had any theories as to why I had so much pain and looked at me with concerned expectation, hoping I might have a starting point for him. He immediately drew up referrals for pain specialists (a profession I didn't even know existed till that moment) and physical therapy. He said depending on how it goes, he may need to help me get on some degree of disability assistance from the government, since I obviously shouldn't be trying to work full-time under these circumstances.

Never a glimmer of doubt in his eye. Never did he so much as mention the word "anxiety".

There's also my psychiatrist. He diagnosed me with ADHD last year (meeting me as a man from the start, though he knew I was trans). He never doubted my symptoms or medical history. He also took my pain and sleep issues seriously from the start and has been trying to help me find medications to help both those things while I go through the long process of seeing other specialists. I've had bad reactions to almost everything I've tried, because that's what always happens. Sometimes it seems like I'm allergic to the whole world.

And then, just a few days ago, the most shocking thing happened. I'd been wondering for a while if I might have a mast cell condition like MCAS, having read a lot of informative posts by @thebibliosphere which sounded a little too relatable. Another friend suggested it might explain some of my problems, so I decided to mention it to the psychiatrist, fully prepared to laugh it off. Yeah, a friend thinks I might have it, I'm not convinced though.

His response? That's an interesting theory. It would be difficult to test for especially in this country, but that's no reason not to try treatments and see if they are helpful. He adjusted his medication recommendations immediately based on this suggestion. He's researching an elimination diet to diagnose my food sensitivities.

I casually mentioned MCAS, something routinely dismissed by doctors with female patients, and he instantly took the possibility seriously.

That's it. I've reached peak male privilege. There is nothing else that could happen that could be more insane than that.

I literally keep having to hold myself back from apologizing or hedging or trying to frame my theories as someone else's idea lest I be dismissed as a hypochondriac. I told the doctor I'd like to make a big list of every health issue I have, diagnosed and undiagnosed, every theory I've been given or come up with myself, and every medication I've tried and my reactions to it - something I've never done because I knew for a fact no doctor would take me seriously if they saw such a list all at once. He said it was a good idea and could be very helpful.

Female-presenting people are of course not going to be surprised by any of this, but in my experience, male-presenting people often are. When you've never had a doctor scoff at you, laugh at you, literally say "I won't consider that possibility until you've been cleared by a psychologist" for the most mundane of health problems, it might be hard to imagine just how demoralizing it is. How scary it becomes going to the doctor. How you can internalize the idea that you're just imagining things, making a big deal out of nothing.

Now that I'm visibly a man, all of my doctors are suddenly very concerned about the fact that I've been simply living like this for nearly four decades with no help. And I know how many women will have to go their whole lives never getting that help simply because of sexism in the medical field.

If you know a doctor, show them this story. Even if they are female. Even if they consider themselves leftists and feminists and allies. Ask them to really, truly, deep down, consider whether they really treat their male and female patients the same. Suggest that the next time they hear a valid complaint from a male patient, imagine they were a woman and consider whether you'd take it seriously. The next time they hear a frivolous-sounding complaint from a female patient, imagine they were a man and consider whether it would sound more credible.

It's hard to unlearn these biases. But it simply has to be done. I've lived both sides of this issue. And every doctor insists they treat their male and female patients the same. But some of the doctors astonished that I didn't get better care in the past are the same doctors who dismissed me before.

I'm glad I'm getting the care I need, even if it is several decades late. And I'm angry that it took so long. And I'm furious that most female-presenting people will never have this chance.

[dilf-docs]

Hand To Heart (I'm Gonna Stay Faithful)

bfd!joel miller x younger!reader

summary: a pregnancy scare makes you realize just how deep you are in this.

warnings: 18+ (minors dni), age gap, smut, p. in v., pregnancy scare, fingering (WE GET IT U LIKE IT), bit of praise kink, humilliation kink, breeding kink (they're stupid and insane acc), dacryphilia, sex thru the looking glass (there's a mirror in reader's dorm), ANGST in capital, they're starting to catch the feels™ ur honor, hurt/comfort, plot thiccens, this people are clearly NOT in a good headspace btw idk we listen read and don't judge.

word count: 4,757 words

side note: everyone calling this joel nasty but thirsting after him too? was going to hold a trial over my citizens but yk... what the hell, sure! i too want nasty bfd!joel to ruin me: he can be my baby daddy who doesn't pay for child support of our 4 kids and we'd make way to bed for our 5th LET'S GO also spam time! but i also happen to write in wattpad, and got a pedro pascal social media fic going on :) it's on spanish tho, but if u speak the language and would like to tune in, u can read it here

part: prev | masterlist | next

It's a regular Tuesday when his phone rings at ten in the morning.

"Dad"

Joel gets up from his desk in a brash move, immediately picking up his daughter's worried tone. Tommy bursts inside, telling him to calm down, but all Joel can hear is the anxious beat in his chest.

"What's it, babygirl? You okay?" his throat tightens. "Talk to me"

There's silence before she answers, as if she's unsure to continue.

"It's not me" he feels his muscles relaxing, but then Sarah drops the bomb. "It's y/n"

Joel's heart beats with a different type of worry.

"What's wrong with her?" voice firm but emotionless.

It's almost summer again, and he's still seeing you. In a way, you had carved a space for yourself in his cold heart, so naturally, fear settles in. He'd never admit this things out loud, though.

"I don't know, dad" his daughter starts to rush the words out, panic evident on her voice. "She has locked herself in the bathroom and won't stop crying. I-I didn't know who else to call"

"Don't worry" but it sounds like he's trying to convince himself. "M' comin'. S'anyone else in there?"

There's a pause on the line before she answers.

"No"

He thinks of you. He'd seen you cry before, of course, but it'd been over silly childish stuff, like getting sent to bed early or not getting what you wanted for Christmas.

He thinks of you. Images of your pretty face, etched in pain, make his stomach drop. It isn't fair: your face was one destined to be happy for eternity, your smile so contagious Joel would sometimes find himself surrendering to your juvenile joy, his crow feet a little more notorious since you entered his life and carved your space on it by force; a light in the dark.

He just couldn't bear to see a mirror of his dullness on your face. It wasn't right.

"Stay put. I'll be there"

He tries not to think about your eyes drained of life. He tries not to think he's the cause. And then, he hangs.

As soon as Joel enters your dorm, your perfume is up his nostrils, providing him with a sense of relief he didn't know he needed. It was comforting and familiar, words that used to be hollow now carrying a knowing feeling that stung right on his chest.

"Dad" Sarah calls out, going for a hug. Joel embraces his daughter tightly while caressing her hair. "I'm so glad that you're here. I didn't know what to do"

"Breath in, babygirl. S'alright" he looks at your door, closed. Broken sobs can be heard, and his wounded heart feels like a heavy burden on his chest.

"My class starts in ten" Sarah speaks against the fabric of his flannel, "but I just couldn't leave her like this"

His daughter has a good heart. At least one of them did, anyway.

"Go to your class" he's commanding before he can fully process what he said.

Sarah breaks the hug, looking at him with a look he can't quite place.

"What? But, dad-" she tries to protest, concerned for your wellbeing.

"I'll take care of it. Always do, haven't I?" he sees her hesitation, and afraid of where her doubts would take her, Joel adds a small joke in there. "Y'know those classes ain't free, kid. Go ahead"

"Okay" she gives up. "Just... tell me if anything happens, yes?"

"F'course. Trust me"

"I trust you"

He still remembers when Sarah's kindergarten teacher handed him that drawing: Joel was wearing a cape, and she said his little girl had told everyone in class his dad was a superhero because there was nothing he couldn't do. That same admiration and faith is there in her eyes, even as the small naive kid slips from his fingers and turns into the woman that stands before him. He's not the devil, but the worst father in the world, and that is pretty much the same to him.

When Sarah is out of your dorm, he's trapped inside the small room with your heavy crying on the other side of the door. He looks at the small place, thinking about all the times he's sneaked inside during the night, hiding like a criminal as you wait for him behind the door full of scrapped stickers, ready to capture his lips with an eagerness that gnaws his chest.

Now it's just him and your sobs, his terrified reflection displayed in the mirror in front of your bed, mockingly staring back.

What are you doing? it questions, and Joel, always ready to answer, has suddenly lost the ability to speak.

Forcing himself out of such a pitiful state, he approaches the door, knocking softly.

"Sarah" your hoarse voice speaks up, and just then, he realizes how much he loves hearing your voice, no matter how it sounds. "Don't you have classes to go to? Leave me, please. I promise I'm good, I-"

Joel hears your distress, so he interrupts what looks like the start of a nervous rambling wreck. Huh, doesn't he know you so well?

"Sarah's gone" a beat, "It's me, Joel"

As if you wouldn't recognize that deep voice even if you were deaf.

There's silence before the door flings open, surprising Joel, who takes a step back, barely noticeable to the rest, but obvious to you, who has spent hours admiring him and all his small movements, he who you could draw by memory and built in your head as real as he who was standing before you, his eyes circling with a whirlwind of emotions you can't quite place, yet make your heart race.

Joel takes in the sight of you, deciding it's unfair how good you look, despite your disheveled hair, run mascara and red-rimmed eyes: you are still the prettiest sight he's ever seen, and now he doesn't know what scares him the most.

"You're wearing my shirt" he says out loud his latest discovery. It's all he manages to say: not an are you okay? nor an what's wrong?

No, Joel just happens to be very stupid(ly in love).

"Sarah didn't see me" you hug the fabric that makes your frame look smaller, or maybe it's your tired composture that makes it seem that way, avoiding Joel from enjoying the way his shirt looks on you. "If that's what you wanted to know. Been inside there for hours, already was when she came by"

The fact that you rather explain and assure him of his supposed possible worries instead of sharing your own, makes his stomach tie on a knot. Were you too kind or perhaps selfless? Maybe just stupid(ly in love).

Joel grunts, and you're not sure if it's his way of dissmissing your comment (maybe he thinks you're lying), chastising you in a shallow manner or the fact that you're poorly trying to avoid the elephant in the room. Maybe he thinks you're still a foolish careless child who can't comprehend the weight of whatever it is you're doing by being with your bestfriend's dad behind everyone's back.

"Tell me" he gets closer to you, fingers on your cheeks, but they don't dig the skin, instead, his roughness hiding a surprising tenderness to them. "What happened, y/n?"

The rawness in his voice takes you by surprise. Joel Miller, who seemed a man impossible to waver, now stood before you, wrapped in a gloom that left you at loss for words, something akin to hope planting it's seed on your heart.

"Tell me" he demands, yet his pupils move as unsteady as your heart. There's no power for command in his voice, only what you could allude to helplessness.

Was it because you were putting up walls like he did?

Was it because the consequences of being with you are starting to dawn upon him?

Whatever it is, you don't like it.

"What's wrong?" he's pushing for an answer softly, such a contrasting image to that of him in bed. "Please, talk to me"

Please.

The words slip past his trembling lips, defenses crumbling.

Joel Miller hasn't pleaded since Sarah's mother packed her bags and walked out of their shared home. He promised himself he would never be vulnerable again, never at the feet of a loved one, beggin to be seen.

To be heard. To not be hurt. To be loved.

But here you were, red eyes blown wide at a confession spoken through other words.

Please.

Your chest feels heavy, breath constricted.

"Joel..." you utter his name like a prayer. As something to believe in; something to hold.

He rushes to your side, strong arms caging around you as your labored cries fill the tiny room.

"S'alright" he whispers against your ear, burying his face on your shaking shoulder. "M' right'ere, doll"

Your hold turns more desperate, practically clinging as if your life depended on it.

"Take your time, y/n" your name so soft, you feel like crying more. "I ain't goin' anywhere"

"Promise me" you whimper, holding tightly.

"I won't go" he assures. There it is, the same unwavering strength you know. It's for you, he thinks.

"Joel" you call out again, tone terrified. "I think I'm pregnant"

It takes him at least a minute to speak. Even to breathe.

"...What?"

He feels your erratic pulse against his chest.

"Joel. Look at me"

He doesn't feel your heartbeat anymore. Just then he realizes he's backed down, embrace letting go of yours. Joel takes in your eyes, shimmering with new tears and fears.

"Joel?"

"I'm here" his voice sounds like it belongs to someone else, and the reminder like it's for himself.

"I know" your small voice speaks up, "but, just- please, look at me"

Joel holds your gaze, and it's like your air supply as been cut.

We don't want this.

"Are you sure?" Joel asks cautiously, as if you were a small animal he's afraid to scare.

"No" you breath in. "I bought the test, but I couldn't take it... I was, for the very first time in my life, scared. But there's always a first, isn't it? That's when Sarah found me"

There's always a first. You weren't afraid when he pounced you next to his sleeping daughter, neither when you didn't stop coming and he let you in everytime, and absolutely not when he obscenely ate you out while Sarah was on the phone. No, you were brave―brave enough to stand defiant when his conflicting gaze pierced through you, daring you to be the first to leave this mess and forget about him. But you were brave because you stayed, despite it all.

That had to mean something, right?

"You said you wouldn't leave me" it comes out in a shaky breath; a threat. Your voice seethes with a quiet rage. "You promised, Joel"

Like the word promise was a dagger twisting on his insides, not a sacred oath.

So he forces himself to be that hero Sarah still thinks he is. After all, he promised her he's going to solve this, didn't he?

"I did" he runs a hand through his hair. "Got the test with you?" You slowly nod. "Take it, then. I'll wait here"

You don't move from your spot, chest still moving uneven under your labored breaths.

"When you come out, I'll promise I'll still be here"

He can't promise you more. The world? It's what you deserve but not what he can give; Joel can only give so much.

"Okay" your tone is clipped, and that's all you say before entering the bathroom and closing the door behind you.

The room feels smaller than it is, the small plastic stick feeling heavier in your fingers than it actually is. You hear the clock's tick, Joel's frantic pace and your own irrational beat. It feels like a bomb: ready to explode and destroy everything within it's range.

Time drags like a cigarette, walls closing over your shaking pale frame. Your phone has a timer going on, yet for some reason, it feels an end to your beginning. You hug your body, wishing it was Joel's arms doing so.

But you saw it: fear, hesitation. It was on his eyes, auburn cracking like wood under fire. He was weak, and so were you. All of this... it starts to loose it's meaning. What started as a summer fling now falls upon you like a second skin you can't quite wash off, and it's suffocating as much as the enclosed space where a stupid line could change the rest of your life forever.

Joel outside isn't doing much better. He's aware his walking probably set you on edge, so now he's sat at the small bed that dips under his weight. He takes one deep breath, two―then looses count.

How could he be so careless? For a brief moment, why did he let himself believe it could be?

For God's sake: you were his daughter's friend. He had seen you and Sarah play on his house, laughing on his porch, gossiping on her bedroom. Growing up.

He wanted you, a desire so consuming it sometimes kept him up at night, thoughts confusing with something else. Probably fear, probably acceptance.

Joel is aware you changed his life. You, with your wild spirit and obnoxious laugh. You whom he couldn't tear his gaze away when standing in the same room, a magnetic force making the world around you drawn to you and that dangerous allure you had that made it impossible to resist you. To forget you. To live without you.

He feels dirty. A monster. A wolf with an insatiable hunger, sinking his canine teeth on your soft flesh. He'd drink your blood, to always keep a part of you with him; to be one. Like a lamb sent to the slaughter: but you wanted it. You had placed your head inside his jaw; trusting. As if knowing he could devour you, yet he'd never hurt you. Daring, almost.

Show me you can love me. Take a bite. Take me as yours. Mark me. Ruin me for anyone else. My blood, it belongs to you. This isn't a sacrifice―this is love.

When you exit the bathroom, hand holding the pregnancy test, it's all clear to him.

For a moment even, Joel forgets there's a world outside and sees a small baby: they have your smile, your eyes―and nothing of him, because you're the sun of his moon, the light of his darkness, and that baby is a mirror of you and your beauty. You and your warmth, devoid of his cold and far from where his filth can taint it. They have to look like you, because you are the most beautiful person in the world, and suddenly, the idea one more of you is possible, makes it feel like just you isn't enough.

"It's negative"

For the second time in the day, Joel is rendered speechless. His gaze is trained on the floor, lost in thought. Besides his lack of an answer, whatever he's thinking makes you nervous.

"Joel, are you okay?" you call out.

He swallows the lump on his throat, pose awkward before he moves next to your bed.

"M' fine, baby. C'mere" he sits over it again, motioning with his hand the empty spot next to him. Joel's embrace is warm, like it shields you from the cold harsh truth.

"Are you upset?" you ask over the comfortable silence, the underlying tension stretching like a rubber band.

"No" his answer comes quick, "but I won't lie to ya', doll. Thought for a sec and ol' man like me could give a pretty girl like yourself a baby as beautiful as their mamma"

A treacherous pink dusts your cheeks. Had you lost all your common sense? Seconds ago, your life hung by a fragile thread, and now all your body can think is to go for the same risk again. Fuck it.

"Did you? I thought you were too busy freaking out"

Joel lets out a nervous laugh. "M' a busy man, doll. Learned how to do two things at once"

A fire settles in your stomach when his touch lingers over your soft flat belly, longing.

"Hmm, I see" your fingers move from his hold to his collarbone, as they play with the buttons he hasn't wore.

"Y/n" he warns. You stop for a moment, not because you're unsure, but because when you look up, his eyes don't shine with that glint of danger and hunger that gives you the thrills. Instead, they look at you with a fondness he doesn't seem to even realize―the one that gives you the hope of it all.

"I want this" you speak up, voice confident.

"I don't think that's a good idea, doll. What'ya need is-"

"You" your face gets close to his, cutting his words and breath. Joel's adam's apple bobs, your throbbing pussy going through a Pavlovian response, such action an indicator he's surrendered to you, mouth watering at just the thought. "You said you could do two things at the same time, right? The comfort me in the only way you know"

There's hesitation on his eyes, and while you think it's because he's still hung up on the idea this isn't what you need, Joel's mind is stuck in the fact you think he can only warm your bed but not your heart. It's stupid, indeed. It can't affect him that much. Ashamed, he cuts the space hanging between your lips and traps them in a heated kiss.

"Hmh, Joel" your voice barely audible as Joel's fingers grip on your hair, his sleazy tongue sliding it's way into your mouth until you can feel it in your teeth. "Please..."

He chuckles at your neediness. "Please, what?"

"Please" you whimper, feeling your back heat with droplets of sweat under Joel's shirt, the sticky feeling akin to that starting to pool in between your thighs. "Please, make me feel good"

Joel smiles adoringly, moving your body until your legs are up his shoulders. Sure, his knees covered by his dirty worn-out jeans are ruining your fresh laundry, and his joints may crack here and there, but you don't pay mind to this little things: all you care is how he's kissing your bare thighs, his salt and pepper stubble tickling skin that feels more sensitive than ever; burning almost.

"Gon' touch 'tis pretty pussy 'til you forget y'r name, doll" he breathes out. "Will ya' let me?"

You nod eagerly as he helps you get out of your panties, throwing them somewhere around the room. You smack his arm playfully at his rough manners, but then he's pressing his lips with wet ticklish kisses on your legs and laughter bubbles at the tingles it's causing.

"S-stop, Joel!" you beg, legs shaking. Your giggles are contagious, and soon the foreign feeling lifts the corners of his scowl into a smile, a concept becoming more familiar with time.

"I ain't stopping" his fingers then graze your clit, tauntingly. You whine, as Joel doesn't let up on your clit, his calloused digits coated in your arousal. "'Tis what you asked for, baby. So 'm gonna make you feel good. So good until you can't speak nothin' that ain't my name"

The threat feels like a delicious promise, so you tell him you'll behave.

"I wanna try somethin', doll. Wait" you whine at the loss of his fingers inside of you, and then he's moving your body until he's against the wall and you're on the border of the bed. With your eyes, you follow his line of view. "So needy, ain't ya'? Cockhungry slut. Jus' scared the shit out of me and now you want me inside?" he tsks. "Sick fella"

"Joel..." you breath out, desire pooling into your orbs.

"Wanna see you, doll" you see your reflection in the mirror as Joel lowers his head to whisper on your ear, eliciting goosebumps on your skin. "Want you to see yourself, too. How you'll be beggin' for me"

His middle and ring finger dip between your folds as he continues the minstrations, fingers pumping in and out as they graze your moist cunt. They start to go in circles, and even if it's not exactly next to your bed, you can see the mirror begin to fog, whines condensed in the heavy air.

His shirt clings uncomfortably to your body, but you don't care. In a way, he feels even closer to you, as if he was an extension of yourself.

Joel's body radiates heat on it's own, making the room's temperature skyrocket.

You lean your head back onto the mattress, moaning.

"Need ya' to use that pretty mouth of y'rs, doll. Say it" his fingers linger on the dip of your hips, waiting for an answer with a smirk and daring manner. "Say what ya' want; that's if you can"

It takes you a while to speak up, the slippery sound of Joel's coated fingers the only sound to be heard on your dorm.

"I... I need" you whine through labored pants, "I need you, Joel"

I need you, Joel. It's in the heat of the moment, really, yet on that very instant, he makes a silent vow that hangs unspoken in the air.

"Good girl" he bites your earlobe, making a chill run down your spine.

His fingers fuck into you just how you like it: swirling to explore your inner tight walls.

"Fuck. Love how your pussy takes me, doll. 'S mine, isn't it? Say it, say who this pussy belongs to. Who's the only man allowed to have it"

You close your eyes, but the answer comes clear. "You, Joel. Just you"

You whine, feeling him go harder in a new-found confidence. Your nails dig on his biceps, but he doesn't flich, still busy burying his fingers inside your clit as his mouth continues spilling filthy shit you barely can comprehend, mind starting to go numb.

Normally, Joel would make you cum on his fingers, always making sure to lick it after, claiming it was bad manners to leave to waste. But today, the clock ticking in your wall, he knows he must hurry.

"Eager, eh?" you taunt back, seeing how quickly he's pulling down his underwear, guiding the tip of his cock to your entrance.

Your dripping cunt welcomes his cock, tip teasing your entrance.

"Don't" he seethes.

"Don't?" you laugh. "Don't what, laugh?"

His fingers grab your jaw tightly, forcing you to look behind you.

"Don't stop lookin', doll"

Joel slips the tip of his cock into you, his hands grabbing your waist to steady you. He looks at you through the mirror, seeing your dazed eyes, waiting as you bite your lip.

"That's it, good girl" he praises, purring against your ear. You see his face go down and lick the side of your neck before sinking his teeth in it. "Gonna reward you for'at"

Your mouth falls agape when he fully pushes his cock inside of you, burying himself to the limit in the first thrust. You moan, stretch wet pussy trying to adjust to his girth. He groans, his hips moving back and forth with yours, to meet his thrusts.

"R-right there" you whimper, feeling eyes starting to water. It had been a long day, and with his cock buried deep inside you, you can't think of anything else: just him―like this, for the rest of your life; you don't need more. "Fuck, don't stop"

His thumb rubs across your cheekbone, capturing a tear that had slipped past your foggy mind in a brittle moment of vulnerability, brown eyes flickering with something else. It could be.

We could be.

"Fuck, you cryin' over this cock, doll? What'a fuckin' slut" he laughs incredulously, but there's a hidden fondness to it. "S' that how good 'm makin' you feel?"

You can only moan, his dick harder now, his infatuation with your fucked-out state evident in the way his movements become more hectic.

"Can't even speak? What'a dirty minx inside 'tis sexy little body"

"Mhm" you blabber, tears running hot down your cheeks, landing on the mattress in fat droplets, noticeable through the reflection even. Joel stares back at your puffy eyes, devotion pouring at your glossy gaze, coated in a faint red tint, more pronounced from your earlier cries. Fuck. Never did he think your lambent eyes and sniffle sounds could turn him on this much. Something about him being the cause of it has his head spinning.

"New rule" he growls, "you keep those pretty red eyes lookin' at me when you cum"

You whimper at his words, the powerful aura they carry pushing your orgasm closer to the edge. You feel your tight folds clenching around his cock, hands holding to his back while your nails dig in it. You feel yourself approaching your release, multiple tears escaping down your cheekbone. In an obscene gesture, it isn't his thumb but his tongue what removes the wet stream from your body, feeling the salty drops on his tastebuds.

You were already so worked up, it was a matter of seconds before you could cum at any moment. Your walls clench around his length, and before you can process, Joel pulls your body up, caging your tits until they're pressed against his soft chest. You face the white paint of your wall, and Joel can see your back in the mirror as he's still buried inside of you. You gasp at the change in position, all of the sudden, a painfull delicious sensation flooding your senses.

"You're gonna cum, aren't ya', doll?" Joel's asking, hot breath nestled in your neck.

"Hmh" you barely manage to blurt as he fucks into you harder, your arms clutching onto him. You were being so loud now that you were sure you'd get at least one noise complain, hoping it stays there; if they found out not only had you been fucking, but with a fourty year old man who happpened to be the father of your bestfriend, you'd probably get expelled. "So close..."

"You know?" he whispers, voice fragile over the sound of your pants and worked up breaths. "I was scared, ealier. M' sorry you had to see that" your body trembles, making you close your eyes. "But I need ya' to know, for'a moment, I did think about having a kid with you"

Your forehead drips with sweat, mixing with the sodium of your tears.

"Maybe in 'nother life, huh?"

Your heart feels like it's about to burst when he sloppily kisses you, as to prevent any words come out of your mouth―humilliating or full of regret, avoiding the heart ache of a rejection. Joel, for a moment, lets his heart wander off to territories he shouldn't, thinking of things he should leave to be. Joel digs his hole deeper, but he doesn't care: he just wants to be the best grave in your cementery.

"Maybe" you answer, but it sounds like a possibility, the promise of a foolish mind betraying the guarded hidden hope.

"Fuck, Joel" you bury your face against his soft pecs, your orgasm crashing over you. Your whine comes our rather loud, trying to drown the sound against his body. He doesn't stop holding you on his arms, firm; you'd probably fallen if he didn't.

"Wait for me, doll. 'M close"

"Please" you plead, kissing his jaw. "Need you. Want to feel you, Joel"

Not daddy, but his name. I want you. I need you. Want to feel you; for you to fill me. He groans, rhythm sloppy as he crashes his lips into yours. he should stop, especially after today's events, but God, his traitorous head is filled with images of you, belly round with his child, one carved to be the spitting image of you.

Do it.

You moan inside his mouth when you feel him finish inside of you, thick, your fingers running through his dark greying hair damp with sweat.

"M' right here" he says his words from earlier, and you feel yourself hugging him to keep his body next to yours even as he pulls out.

"I know" you hum, arms around his neck. "Thank you for coming"

"What of both?"

You let out a laugh.

"Jesus, Joel" but your tone is devoid of malice, adquiring that layer to it, just like his own. There's a shift in the air, and if you felt it before, now you know there's no point of return. "You sure are something else"

credits: divider @kodaswrld / gif @loregifs / dts: @ann-gell; ángel de mi corazón, tkm mucho, gracias por llegar a mi vida ִֶָ. ..𓂃 ࣪ ִֶָ🪽་༘࿐

[liviawildrose]

𝐛𝐞𝐜𝐨𝐦𝐞 𝐲𝐨𝐮𝐫 𝐨𝐰𝐧 𝐦𝐨𝐭𝐡𝐞𝐫

it’s a hard pill to swallow, but sometimes, you’ve got to step into a role you never signed up for. maybe your mom wasn’t the nurturing, protective figure she was supposed to be. maybe your dad let you down in ways that left scars. maybe your friends only stuck around to take, never to give. the truth? you can’t wait for someone to come and save you. you have to become your own mother.

ask yourself:

if your child was in your shoes—stuck in a bad relationship, getting treated like crap— would you tell them, “stay”? or would you say, “you deserve better than this”?

if your child was chasing their dreams but struggling, would you mock them? no. you’d guide them, push them to be their best. you’d discipline them with love and cheer them on with pride. now, apply that same energy to yourself.

be that mom who says: “get your shit together because you deserve the best life possible.”

but also the mom who says: “it’s okay to rest, i’ve got your back, and i’m proud of you.”

start showing up for yourself the way you needed someone to show up for you. and yes, it’s sad. sad that we even have to do this. but it’s also empowering to realize you can.

personally, here’s my story.

my mom never cared to take my pictures as a kid nor cared if a haircut made me happy or not, it was literally everything up to her convenience. it hurts now because i would’ve loved to look back and see those memories. but i don’t have them. i can count the photos of my childhood—20 pictures in 17 years. insane, right? so, i made a promise to myself: from now on, i will document my life. i won’t delete my photos. i’ll make sure there’s a record of who i was, what i felt, what i achieved. and when i have kids? you bet i’ll take pictures of them. i’ll curate their childhood with care because i know what it feels like to not have that.

but being your own mother isn’t just about the pictures or the memories. it’s about analyzing everything you missed out on and providing it for yourself now. it’s about being selfless enough to let go of bad habits that hold you back. it’s about kicking toxic people out of your life the way a mom would protect her child from bad influences. it’s about prioritizing your healing, even if it’s messy and uncomfortable. you have to heal your inner child. that 5-year-old who was bullied, that 13-year-old who was treated like shit in her first relationship, that 7-year-old who dreamed big but was told she couldn’t they’re all still inside you, waiting for someone to nurture them. and unfortunately, no one else is going to do it for you. no one else is going to come and fix the damage.

i made a pact with myself: when i have kids, i will raise them so well that they won’t ever need to “heal their inner child” at 17 or 18. they’ll be whole. they’ll be loved. they’ll know their worth from the start. but for now, i’m doing that for myself. and you need to do it for yourself too. because at the end of the day, the only way to heal is to become the person you needed all along. become your own mother.

what is the inner child?

the “inner child” is the part of you that holds your early experiences, memories, and emotions. it’s the 5-year-old you who loved to laugh but was scolded for being “too much.” it’s the 10-year-old you who dreamed big but felt dismissed. it’s the teen you who felt heartbreak for the first time but didn’t know how to process it. your inner child carries the wounds, fears, and unmet needs from your past, but also your natural creativity, curiosity, and joy. healing your inner child means reconnecting with this version of yourself, giving it the love and understanding it never received, and releasing the pain it has carried for years.

how do you heal your inner child?

1. journaling: dialogue with your inner child

dedicate a journal specifically to your inner child. write letters to them, like:

“dear [your name at 5/7/13], i remember when you felt [insert memory]. i’m sorry you went through that, but i’m here now, and i’ve got you.”

let your inner child respond. write as if you’re that younger version of yourself—pour out your fears, dreams, and questions. this process can uncover emotions and patterns you didn’t realize were affecting you.

2. therapy: safe exploration with a professional

a therapist (especially one trained in inner child work) can help you identify wounds and patterns from childhood. they’ll guide you in understanding how your upbringing shaped your beliefs about yourself and the world. therapy also gives you tools to reframe those beliefs and meet your emotional needs.

watch “dear zindagi” lol

3. look at old photos and memories

revisit old photos, journals, or artwork from your childhood. don’t just look at them—analyze them. (i wish i could d this but im stuck with 20 photos so… 😭) what do you notice in your younger self’s eyes, body language, or expression?

• ask yourself:

• what was i feeling here?

• did i feel safe? loved? excited? scared?

• what did i need in this moment that i didn’t get?

• use this reflection to understand your inner child’s unmet needs.

4. create new positive memories

your inner child is still alive within you, and they crave fun, love, and freedom. do things your younger self would’ve loved but never got to do: buy yourself a toy you always wanted. go to an amusement park or build a pillow fort. dance around your room like no one’s watching. this isn’t childish it’s healing.

5. practice reparenting

treat yourself as if you were your own child. when you feel sad or scared, don’t ignore it.

ask yourself: what do i need right now? and give it to yourself.

be the loving, supportive, and protective parent your inner child deserved.

6. identify triggers and patterns

notice when you’re acting out of a place of childhood wounds.

for example: do you get overly anxious when someone’s mad at you? do you seek validation in toxic relationships? trace these behaviors back to your childhood.

were you taught that love is conditional? did you have to “earn” attention by being perfect? once you identify the root, you can start rewiring your responses.

7. inner child meditations and visualizations

find a quiet space and imagine your inner child sitting across from you. visualize yourself comforting them, hugging them, and telling them they’re safe. remind them: “you don’t have to be scared anymore. i’m here for you.”

8. nurture yourself daily

make self-care non-negotiable. eat foods you love, sleep well, move your body, and spend time doing things that make you happy. when you treat yourself with care, you show your inner child they’re worth it.

9. forgive

healing isn’t about excusing those who hurt you. it’s about releasing the hold they have over you so you can move forward. write a forgiveness letter—not for them, but for yourself. (they don’t deserve the love i’m sorry)

“i release the pain you caused me so it doesn’t control me anymore.”

10. promise to break the cycle

vow to yourself (and your future children if you want them) just cause your grandma bleed on your mom and then your mom passed it to you does not mean you will make your future kids life miserable too. the generational trauma must break with you. your future child does not deserve it and so your inner child protect you inner child and when you have a child of your own be the best mother possible, i personally would love to make my future kids childhood so memorable and happy that they will feel the need to comeback and relive their childhood that’s the kind of childhood i want to give them

“i will not let this pain define me. i will create a life of love, joy, and freedom.”

healing your inner child isn’t easy, but it’s life-changing.when you reconnect with that innocent, wounded part of yourself, you’ll find that the love and peace you’ve been searching for has always been within you.

11. foster your inner child’s dreams

when you were a child, your dreams weren’t influenced by fear, rejection, or societal pressures. you dreamed with your heart wide open, purely and authentically. reconnecting with those dreams can heal the part of you that felt unheard or invalidated back then.

a. reflect on your childhood aspirations

• sit down and ask yourself:

• what did i want to be when i was 5? 10? 13?

• what made me happiest back then?

• what did i lose interest in because someone told me i wasn’t good enough?

• write down every dream, no matter how “unrealistic” it seems.

hint: those childhood dreams often point to your soul’s calling.

b. start chasing those dreams now

• even if your dreams have evolved, find ways to honor the essence of them.

• wanted to be a singer at 13? start singing lessons or recording yourself.

• wanted to help people? explore careers like psychology, teaching, or coaching.

• don’t hold back.

it’s not about being perfect, it’s about reconnecting with the passion your younger self had.

c. create small wins for your inner child

• maybe 8-year-old you always wanted to paint but never got the supplies. buy yourself a beginner’s set and paint, even if it’s messy.

• maybe 6-year-old you wanted to be a dancer. take a fun dance class and twirl like no one’s watching.

• small wins send the message to your inner child that they are finally being prioritized.

e. validate your inner child’s feelings and failures

• remind yourself:

“it’s okay that 10-year-old me struggled with making friends. i was just a child trying my best.”

• instead of shaming yourself for past actions, honor them.

every mistake was a step toward becoming the incredible person you are now.

f. use your dreams to shape your future

• your childhood passions aren’t just hobbies—they’re roadmaps to your authentic self.

• align your current goals with your inner child’s desires.

• if 7-year-old you dreamed of making people smile, maybe your career or side hustle should reflect that.

• if 12-year-old you loved storytelling, find ways to write, act, or share your voice.

fostering your inner child’s dreams doesn’t just heal the past—it builds a future that feels authentic to you. every time you take a step toward those dreams, you’re telling your inner child: “you were always worthy. your dreams always mattered. and now, i’m making them come true for you.”

[cazshmere]

12th House Sign in the Natal Chart and How you can Heal and Find Closure from Past Wounds 🩵

materialist🔖

DISCLAIMER : healing is a journey, not a destination, and everyone moves at their own pace. these tips are here to give you a nudge, not to create pressure or perfection. if you’re reading this and some things resonate, that’s wonderful :) take what feels right and leave the rest. and remember, there’s no one right way to heal or find closure. it’s okay to stumble, feel lost, or take a break. trust that every small step forward, even the tiniest ones, are part of the process. be kind to yourself along the way; you’re doing the best you can 🩵

🧩 aries in the 12th house

1. you’re bold in action, but sometimes hesitant in introspection. reflect on fears you might avoid and tackle them directly, like you would any challenge.

2. pent-up frustrations weigh on your subconscious. try activities like boxing, painting, or writing letters you’ll never send.

3. give yourself time alone without needing constant action. Silence and stillness help you get in touch with buried emotions.

4. reflect on times you acted quickly and accept that growth often means making mistakes.

5. indulge in something silly, like playing a game or watching cartoons. It helps you reconnect with yourself. watching your comfort movie with your favourite snacks will surely help

HEALING TIP : try journaling with a twist : write letters to yourself from different ages, like your 5-year-old self or your future self, to see your emotions from new perspectives. this could be super cathartic for you and help you move through the hard feelings holding you back also try meditation that is targeted towards inner peace

🧩 taurus in the 12th house

1. learn to release your hold on past pain. Healing for you often means loosening your grip on comfort zones, even in memories.

2. reflect on areas where you’ve felt unappreciated, finding self-worth from within rather than external validation.

3. you resist change, so make small, gradual adjustments to your daily life that invite healing over time.

4. practice acceptance of things you cannot control or predict; even small, symbolic acts like letting go of a token can help.

5. revisit an old hobby that once brought you joy, like gardening, knitting, or cooking. it’ll remind you of your inner peace.

HEALING TIP : try a sensory grounding exercise: touch something soft, listen to calming music, and smell something grounding like lavender to soothe your mind and body. also something that can temporarily help is watching a super scary movie or just eating spicy food, it can help you distract yourself from your thoughts, at least momentarily

🧩 gemini in the 12th house

1. your mind runs fast, but your 12th house challenges you to slow down and acknowledge buried insecurities.

2. release old narratives, whether it’s past gossip, harsh words, or regrets, let go of thoughts that weigh you down. Practice rephrasing past stories with kindness.

3. try creative outlets that let you express emotions without words, like art or dance, to connect with deeper feelings.

4. when you socialize, make time for connections that feel supportive and honest, without intellectual posturing.

5. quieting your inner monologue helps you access the quiet truths below the surface. Breathing exercises can help here.

HEALING TIP : try recording voice memos on your phone when you feel overwhelmed. Sometimes saying things out loud can help you make sense of them faster than writing.

🧩 cancer in the 12th house

1. you tend to tuck away your deepest fears. Make time to reflect on past emotions without judgment or the need to ‘fix’ them.

2. address any unconscious attachment to people or situations that no longer serve you, knowing it’s okay to need change.

3. offer compassion to yourself, revisit times when you felt misunderstood or unsupported, and give your younger self the love they needed.

4. learn to let go without feeling abandoned. Spend time nurturing your sense of self apart from your relationships.

5. forgive old wounds, allow yourself to release grudges or hurts, understanding that they don’t define your future connections.

HEALING TIP : write a letter to someone from your past you’ve never fully moved on from, then release it (you don’t have to send it).

🧩 leo in the 12th house

1. step back from needing validation, explore who you are outside of praise or recognition. spend time with yourself, just being rather than performing.

2. acknowledge areas where you might have felt rejected or unappreciated. practice self-love that doesn’t rely on others’ feedback.

3. try activities where you’re a beginner. learning something new can help you find power in vulnerability.

4. let go of ego-driven fears, focus on what makes you feel genuinely fulfilled, not just admired. reframe your goals around personal joy rather than approval.

5. reclaim your authenticity by exploring what brings you joy outside of an audience, like a private creative hobby that brings you peace.

HEALING TIP : try visualising your inner child, close your eyes and picture yourself as a child full of hope and joy, and send love to that younger version of you.

🧩 virgo in the 12th house

1. acknowledge that some things don’t need fixing. practice letting go without feeling the need to control every detail.

2. practice self-compassion, allow room for mistakes and honor your efforts without focusing solely on flaws. embrace your progress, not perfection.

3. stop overanalyzing (ik it’s hard but your overthinking is what causes majority of your problems, the more you overthink the more power you’re giving to those unwanted thoughts) give your mind permission to take a break. activities like meditative gardening or painting can help soothe the inner critic.

4. connect with your intuition, trust your instincts rather than rationalizing everything. allow yourself to simply “know” without overthinking it.

5. embrace the chaos haha, let things be messy or spontaneous without judgment. Flexibility helps you grow beyond rigid expectations.

HEALING TIP : try writing a list of what you’re grateful for, it's a simple but powerful tool to shift your focus from worries to abundance.

🧩 libra in the 12th house

1. find comfort in solitude, learn to enjoy your own company, separate from others’ opinions or companionship. practice inner peace.

2. let go of past people-pleasing, allow yourself to address buried feelings of resentment that may stem from overextending for others.

3. balance your inner harmony, focus on inner alignment rather than external harmony. Journaling or meditating on your needs helps you center.

4. heal relationship wounds, reflect on past connections that left an impact. release blame, knowing each taught you something valuable.

5. set boundaries with yourself, give yourself permission to say “no” without guilt. embrace your inner balance, free from others’ demands.

HEALING TIP : you can try a heart-centered meditation to connect with self-love and release neediness for outside validation or try a balance-focused yoga routine, it can be both grounding and soothing, helping you connect with your inner equilibrium.

🧩 scorpio in the 12th house

1. embrace your emotional vulnerability, lean into your feelings without fearing loss or control. Sharing emotions helps relieve hidden weight.

2. release grudges (ik this is something hard for you but letting go is better than holding on to the things that cause you problems - forgive but don’t forget perhaps), practice forgiveness as a way of releasing old hurts that drain you.

3. face your darkest worries with courage, knowing they don’t define you. Write them down and let them go.

4. reclaim personal power, you’re literally THAT bitch don’t forget that queen, focus on how you can empower yourself from within, instead of seeking control externally.

5. trust others with your feelings when it feels right; vulnerability can be deeply healing.

HEALING TIP : you can try shadow journaling by exploring both light and dark thoughts to understand yourself more deeply or if you want something fun instead try listening to a mystery podcast or an immersive story app where you can dive into thrilling narratives. this helps you tap into your emotional depth while being entertained, offering healing through mystery and intrigue.

🧩 sagittarius in the 12th house

1. look inward for meaning, sometimes answers lie within, not in new experiences. find fulfillment in self-reflection rather than escapism.

2. explore spiritual grounding, sagittarius craves meaning, so find practices that connect you to a sense of purpose, like guided meditation.

3. release judgment and let go of self-criticism about past “mistakes.” accept that growth is a journey, not a fixed outcome.

4. embrace introspection by giving your adventurous mind permission to slow down and find contentment in stillness.

5. cultivate patience please (so so important) you may be prone to quick fixes; practice patience with yourself and your journey to healing.

HEALING TIP : start a personal travel vlog (even if it's just to document your local adventures) or use digital journaling apps to record your thoughts, dreams, and philosophical insights. It’ll allow you to process your emotions while in a fun way <3

🧩 capricorn in the 12th house

1. release pressure to always be “on”, let go of needing to achieve every moment. It’s okay to just “be” sometimes, without a goal in sight.

2. forgive your past mistakes, address any old guilt you’re holding onto. you’re allowed to grow beyond your old decisions and learn without punishment.

3. embrace vulnerability (very important) being open about your feelings doesn’t weaken you; it strengthens your ability to understand and trust yourself.

4. trust life’s timing, not everything has to be perfectly planned. lean into moments of uncertainty and find peace in simply experiencing.

5. reflect on your worth beyond productivity, spend time exploring who you are outside of what you “do” or “produce.”

HEALING TIP : try weekly self-check-ins to connect with your needs and desires, away from the hustle of daily demands.

🧩 aquarius in the 12th house

1. embrace your quirks and shadows, you have a unique mind, so allow yourself to be different even in your struggles. reflect on hidden fears and accept them.

2. let go of needing to understand everything, release the need to overanalyze or intellectualize every emotion; trust that some things are just felt, not solved.

3. balance independence with connection, don’t isolate yourself too much. healing also comes through genuine human connections.

4. explore spontaneous introspection, give yourself the freedom to meditate or journal in unconventional ways, like painting or singing.

5. lean into self-compassion, you may be hard on yourself for being “too different” or processing wounds and hurts “differently” but learn to embrace that unique perspective as your strength.

HEALING TIP : try creative expression exercises that bring your thoughts to life, like freeform art, dance, editing, posting stuff online (blogs, reels etch) or sound journaling helps too.

🧩 pisces in the 12th house

1. set healthy boundaries with emotions, your empathy can pull you into others’ feelings. spend time differentiating between your own emotions and theirs.

2. give yourself closure without finality, understand that sometimes closure isn’t perfect or neat, and let go of needing every question answered.

3. create a soothing retreat, build a healing environment, like a cozy corner or blanket fort lmao, where you can escape and connect with your inner peace.

4. release victim mentality, move beyond past hardships by reclaiming your personal power and seeing yourself as a survivor, not a sufferer.

5. TRUST. YOUR. INTUITION. you’re naturally in touch with the unseen. lean into that gift by tuning into your feelings without judgment.

HEALING TIP : create a healing playlist filled with calming music, or even soothing ASMR sounds, to help you unwind and feel safe in your own space.

© cazshmere 2024 [All Rights Reserved]

banner & pic credits to the rightful owners <3

[marvelwitchergilmore]

Meant To Be (3)

Summary: Bucky Barnes x fe!Reader -> Bucky helps you adjust to the modern world.

Disclaimer: This is part three to Meant To Be (2). Fluff, flashbacks/descriptions of life in the 40s with Bucky and the others, platonic!Sam, mention of character deaths, reader is on a little bit of an emotional roller-coaster when trying to adjust but Bucky helps, dancing in the kitchen to music, all the feels. Not Proof Read.

“Thought I might find you here.”

You turned your head to see Sam approaching you as you sat, alone, in the Smithsonian.

“Hey.”

Sam smiled. “Hey. Mind if I sit?”

“Go ahead.”

As Sam sat beside you, he looked up to the projector screen. Clips of your old life had been playing for the last two hours or more. It has taken all of an hour on the phone with Tony for the Smithsonian to consider sending the film reels over, and all of five minutes talking to Pepper for them to agree. 

You’d seen a lot of the popular clips MJ had told you about; Steve and Bucky laughing, Peggy’s picture in Steve’s compass, the marching soldiers. You’d even seen some clips of you and Bucky. Moments you didn’t realise that had been recorded. 

It made your heart ache. 

“Wanna talk about it?”

You shook your head. “There’s nothing to talk about.”

“There’s everything to talk about. Food. Music. The fact Bucky still prefers 40s music over Marvin Gaye.”

You chuckled and Sam smiled, relieved to see at least a hint of a smile on your face. 

You’d been in the future for almost three months. And, while he’d seen you smile around the boys and a few others. He still saw that longing look in your eyes. He still saw the hitch in your breathing every time you looked up and someone walked inside. 

The others saw it, too. Especially Bucky. But parts of them were too afraid to ask. They’d lived in the future a lot longer than you. For Steve, he’d been asleep for most of it. And for Bucky, he’d been tortured. Made into someone else for seventy years. 

You? In the blink of an eye, you’d gone from living in 1944 to suddenly appearing in the home of, who would have probably been, your godson.

“Come on. Talk to me. I promise, I’m a really good secret keeper.”

You smiled and shook your head, letting some old clips run through. “I…” The tears came to your eyes. “I don’t know what I’m meant to do here. I-I know I don’t go back. And I know I’m probably here for the rest of my life but…I don’t know what I’m meant to do.”

Sam just sat and listened to you. 

“One day I’m writing things down; military secrets, my own secrets, notes to share with the boys. One day I’m yelling at Howard to get up, threatening to throw a cold bucket of water over his head.” You laughed, but all it did was try to mask the pain. “The next…the next I’m being told one of my best friends didn’t get to live his life out with the love of his life, another went through seventy years of torture and the rest are dead.”

You took a breath and looked at the clip playing on the screen. Peggy and you directing where things would be taking place on the map table. Bucky was standing behind you before he carried a larger map over and Steve circled different spots where he knew camps had been set up. 

For you, that clip took place six months ago. 

“And now I’m watching clips of my life that to me…only just happened. And…I don’t know what to do with that information.”

“You’re grieving.” Sam told you. “You’re having to say goodbye to a lot of people very quickly. Which is insane. But it’s gonna be a process. Even if you think you’re ready to mentally accept it, sometimes your body isn’t. You need to give it time.”

You scoffed a little. “That seems to be all I have. Time. Time to think. Time to remember. Time to catch up on Time. Sam, if none of this happened, I’d probably be dead by now, if not, on my way out.”

“But you’re not. Instead, you’re here. You’re alive, and so is Steve and Bucky. Believe me, I get it. You’ve come from a war and, just because you’ve come home doesn’t mean that it’s stopped. But all you need to do right now is rest.”

You talked to Sam for an hour or more before eventually the conversation died away and you were both left to sit and watch the different film reels. But as the dates got slightly sporadic, the clips became more…intimate. 

One started playing out from when you’d all been stationed in London. You’d all ended up at a dance hall somewhere outside the city. It was only a small space but people seemed to create enough room for couples to dance. 

Peggy was in the corner, introducing Steve to some of her old friends. You were standing by one of the posts, watching everyone on the floor sway to the music and Bucky, like usual, had a crowd of girls around him. 

You turned your attention away from the clip of Bucky in hopes to kill the pang of jealousy inside your chest. 

“They really loved each other, didn’t they?”

You knew who Sam was talking about. And you nodded with a ghost of a smile. “They really did.”

But that was when Sam’s attention was torn from the happy couple towards Bucky who, although had been smiling and laughing with three girls who’d crowded around him, his attention was caught somewhere else. 

Rather, on someone else. 

You. 

Looking over his shoulder at you, Sam watched your reaction before looking back to Bucky as he apologised to the girls and disappeared. He was heading straight for you. Taking your drink from you, he shocked you as he placed it on the table beside you before he took your hand in his and brought you to the floor. 

Sam could faintly hear the music playing from the band. “We’ll meet again. Don’t know where. Don’t know when. But I know we’ll meet again, some sunny day…”

Never in his life had Sam seen Bucky dance. Not with anyone. But that wasn’t what shocked him. What shocked him was the look on Bucky’s face. A smile. A genuine smile. The kind a man only ever saved for the love of his life.

Unlike some of the other couples on the floor, Bucky held you close to him. His arm practically wrapped around you completely in comparison to some of the other dancers. This was not a man who was prepared to let you go. 

With your hand in his, his fingers caressed the back of your hand and his feet led you both around in a small circle. 

“When was this?” Sam asked quietly in order to not scare you. You were engrossed with the clip. Clearly, you were reliving the scene as you watched it play out. 

You swallowed thickly. “1942…I think. We…we were stationed in London. He always saved me a dance. I’ve always had two left feet so I didn’t dance much but…”

“Doesn’t seem like you’ve got two left feet, there.”

You smiled, fondly. “He’s a good dance partner.”

Sam chuckled under his breath before watching the rest of the clip with you. 

Sam had never asked Bucky complete questions about you before you appeared. Bucky wasn’t exactly a talkative guy, so he’d just wait for him to open up. But after you returned and he saw the way Bucky tried to never leave your side, he asked him the one question he’d been dying to ask since Bucky had first said your name. 

“How long have you been in love with her?”

All Bucky could say was, “Too long.”. 

And watching this clip, Sam realised what Bucky had meant. You’d been tattooed on his heart since he first met you. Even when he was the Winter Soldier, he still got flashbacks of you. Even when he left Wakanda, part of him still wanted you to be alive somewhere. 

Whenever he went on a date, your name on his heart only burned deeper into his muscles. He’d been consumed by you since he probably first met you. And he didn’t want it any other way. 

The clip ran out before a new one started up. 

Home videos. 

These were even more precious, because there weren't very many.

The first one to play was from the day you’d all been on the beach. Howard’s home led out to it. 

“Dugan! Put that camera down and come and join us!” You heard Peggy yell. 

You smiled, thankful to hear their voices again. 

From the beach day, however, one clip stood out to you the most. 

You were lying on one of the sunbeds under the shade, reading. And from behind you, Bucky had snuck up on you before plucking the book from your hands. Turning around, he read a few sentences out loud as he walked away. 

“James! Hey, give that back!” You laughed as you stood up and followed after him. 

“Who brings a book to the beach, doll? You’ll only be taking half of this place back with you.”

“Then I’ll collect it in a jar as a keepsake. Would you-just-” You gave a huff as Bucky held your book well out of reach. 

“Join us. Just one game. Please?” He begged, his eyes softening. 

“Yeah! Come on, sweet cheeks! You’re missing out!”

You turned around to look at Howard who hit the volleyball back to Peggy. Then you turned back to Bucky, his eyes somehow even softer. 

You groaned. “Fine. But then you’ll give me my book back?”

Bucky stood to attention before placing a cross over his heart with his finger. “Cross my heart, doll…”

You eyed him up, humming. “I’ll hold you to that.”

You could remember that day. You ended up playing three rounds before the entire thing became a football game nobody kept score of. Peggy beat most of the boys, Steve stared at her in adoration. 

But for the first time, you noticed Bucky looking at you. 

You remembered turning around that day, thinking he’d been looking at Steve and Peggy. But…

From the clip, it was clear as day he was looking at you. 

And it took your breath away. 

You only spotted it more and more as the clips played through. 

You and Bucky lay together, heads touching as you held your book above you both, reading out loud. Some of the Commandos had fallen asleep on the sofas, listening to your voice read. But Bucky hadn’t. His eyes were fully on you. 

The clips from when a photographer had been hired to take a group shot of the entire team. The video was taken from behind the photographer. 

You pointed out who everyone was to Sam and what they were doing. Then you both noticed Bucky looking at you before you turned your head to look at him. 

Then something started to dawn on you. 

Most of the time whenever you’d look at Bucky…

“He was already looking at you,” Sam said, out loud. 

“Yeah…”

Sam had sat on the bench in front of you, stretching himself out as he propped himself up on his elbow. He looked up at you where you’d barely moved from your seat since he arrived. 

And from the look on your face, Sam wondered if his bet with Steve wouldn’t run as long as he thought. 

It was a few days later, when you were sitting in the living room, flipping through some fictional novels MJ had dropped off for you, that you saw Bucky again. 

“Hey.”

You looked up. “Hey.”

As he stood by the door, looking a little awkward, he held a brown box in his arms. “I just…I thought you might…”

He walked inside before placing the box down carefully on the coffee table in front of you. 

“What is it? I swear to god, Bucky, if this is some kind of makeshift animal habitat I’m gonna-”

Bucky shook his head, trying to hide his smile. There was only one reason why you thought that’s what it was and that was because you’d both been rooting through Howard’s basement one sunny afternoon before meeting the others at the beach. 

That was where you’d found out Howard was thinking about starting an animal sanctuary for all kinds of animals. 

“No. No, it’s nothing like that.” Bucky said, slight amusement in his voice. “It’s…after you disappeared, Colonel Phillips…” Bucky had never had to say the words out loud before. 

When he’d come home with a box of your things, Steve didn’t need to be told what it meant. The military saw you as dead and needed to replace you as quickly as they could. 

“He had me clean out your desk and I couldn’t think about throwing any of it away.”

“Oh.”

Bucky carefully sat beside you as you reached over and pulled the lid from the box. It smelled like the 40s. 

“I didn’t even know it still existed until I moved in here. They must have kept everything from Steve’s apartment after he went into the ice. I didn’t ask him where it went or how he got it back. I was just glad to know your things still existed.”

Reaching inside, you pulled out a few old notepads, aged with colour. To you, they’d been brand new, straight out of their packaging a few months ago. 

Then you found the pictures. With a sad smile, you wiped the dust away from the frame. A picture of yourself, Peggy, Steve, Howard and Bucky. It had been a rare night out in Brooklyn. 

Another picture of Steve and the Howling Commandos with Peggy beside him. One of yourself, Howard and Mr Jarvis. It was grainy, but you could still see the reflection of Jarvis’ wife in the gleaming windows behind you. She’d been adamant to not be in the picture since she wanted a copy of all three of you, too. 

Scrap pieces of paper were bundled together. Notes to give Peggy her pen back, find Steve a pack of fresh pencils since he’d picked up a habit of breaking them. He still wasn’t used to his strength. A note to attend the meeting with Peggy and the Colonel on Thursday, a note to run your recruit papers down to City Hall since you’d agreed to take three trainees under your wing, and one final note…

Museum with James, this Saturday.

The ink had worn with time, but the sentiment had only grown. 

He’d asked you to the new museum exhibit. He’d asked you that day. That morning. 

“There’s also this.”

You turned and looked at Bucky before looking down at his hands. Your notebook. The one you kept locked in your desk drawer. It took your breath away as you took it in your hands. 

All the conversations you’d had with him, all the dates you’d been on together. But after the day of your disappearance, the handwriting changed. 

It was no longer yours, but Bucky’s. You’d seen enough of his half finished paperwork that he’d try to sneak into your pile to know his handwriting almost immediately. 

It wasn’t listed by dates, but with a line drawn under each section, you knew they were day by day. 

“I kept it with me.” Bucky told you. “Everything I wanted to talk to you about.”

You fought your hardest to keep your tears at bay. “These dashes? What do they mean?”

“They’re when I’ve talked to you.”

You were confused. 

“The Colonel…he made sure you had a grave. Said it would help people move on if they wanted to. They’d have a place to still talk to you. It’s still there.”

You turned and looked back at the list. You’d seen your grave, once. You’d stand behind the cobble wall, looking at it under one of the blossom trees. You couldn’t bear to walk any closer. 

“I knew I wanted to talk to you. Sometimes it was to the stars, but mostly it was to…to your grave.”

You quickly wiped away a tear. Something panged tight in your chest. 

An image of Bucky kneeling at your grave, dusting the fallen blossom petals from the top of the marble stone. An image of Bucky kneeling at your grave, talking to you about; Meeting Sam, Working with Sam, his New Therapist, the WS Programme, Steve and Peggy, Steve and Natasha, his nightmare about the 40s…

The images killed you. 

“Doll?”

Bucky laid a hand on your knee, his fingers reaching up to push some hair from your eyes. Without taking another second to think, you turned and hugged Bucky. Tight. 

“I’m so sorry.” You could hear your voice shaking. 

“Sorry? What for?”

You leaned back after a few seconds and wiped your eyes and shook your head. “Everything? I…I can’t believe I missed so much.”

Bucky shook his head. “You don’t have to apologise for that.”

“Feels like I do.”

“No,” Bucky told you. “Never. First, you have nothing to apologise for. And second,” Bucky brushed the hair clear from your face so he could see you properly. “Second,” he repeated, his voice a little softer than before. “You never have to apologise to me. You didn’t then. You don’t now.”

You managed to smile, and once Bucky recognised it to be genuine, he smiled, too. 

“You eaten yet?”

You shook your head. “Book’s too riveting.” 

You both looked at the red bound book on the coffee table. Agatha Christie. A publication from the seventies. 

Bucky smiled. “Why am I not surprised? I’ll make us something.”

Bucky stood, surprising you a little when he placed a light kiss to the top of your head as he did so before walking towards the kitchen. “Do I wanna know how you found it?”

You smiled, following him with your book in hand. “MJ brought them over. Peter must have told her I was bored and she said her aunt had most of these books just laying in her attic taking up space. Told me I could have them.”

“How far are you?” Bucky was moving around the kitchen as you sat down at the kitchen island, watching him. 

“Couple of chapters. Why?”

Bucky paused for a second and smiled. “Read it to me.”

“Are you sure?” You asked, already opening the book up. 

He nodded. “I’m sure. I’ve missed hearing you read.”

You couldn’t ignore the butterflies that erupted in your stomach at hearing him say that. So, unable to hide your smile, you read outloud. And every time you tried to sneak a glance at him, you found him already looking at you.

It was a few more weeks before you actually asked him about it. About the way he’s always looked at you. And it had been after you’d watched Annie. 

He’d been looking at you throughout the movie, and a few times you’d caught him, a light blush dusting his cheeks. But when you were both in the kitchen, cooking a meal together with the radio playing lightly in the background, you finally mentioned it. 

“You’re gonna cut your fingers if you don’t pay attention.”

“I am paying attention,” Bucky said as he continued to chop. 

“You’re staring again.”

Bucky smiled. “Can’t help it.”

You just looked at him and rolled your eyes lightly before turning around and dumping the chopped carrots into the pot. 

“Fine. But don’t come running to me when you start bleeding.”

Bucky just held up his hand. “Can’t bleed.”

You looked up. He had you there. 

“Do you wanna peel the sprouts?” You asked for the bowl on the kitchen island. 

Dumping what he’d already chopped into the pot with yours, he came to stand beside you before picking each sprout out, peeling away a few of their layers. 

But as time slowly passed by, Bucky’s presence becoming a true comfort to you, he stopped what he was doing before he silently took your hand in his. 

“Bucky.”

“Dance with me. We don’t get to do this anymore.”

You sighed, but still agreed. And it wasn’t long before your brain took you back to that dance hall in London. The scent of Bucky’s aftershave consuming your senses in such a way you’d know you’d be able to still faintly smell him when he’d long left the room. His touch burned into your skin through your clothes, and the rhythm of your heart joined his. 

“Can I ask you a question?”

“Always, doll.”

You smiled and leaned back a little in order to see his face. “It’s about your staring. You’re always looking at me. Why?”

“Straight to the point. I like it.”

You suppressed your laugh and hit it in the chest. “I’m being serious. Why? I didn't think I noticed it until I watched our home videos.”

“You’ve watched the home videos?”

You nodded. “Yeah. There were only a few clips that I could get fed through the film reel. But…you’re always looking at me.”

His smile softened. “That’s because you’re beautiful.”

You laughed. “Bucky, I’m being serious.”

He looked a little hurt. “So am I.”

You knew it had hit you, what he truly meant. You just hadn’t been expecting it to hit you so hard. 

“Buck…”

“I’m always looking because I think you’re the most beautiful woman I’ve ever seen, doll.” Bucky told you, truthfully. 

The song crackled and changed over the radio but neither of you stopped dancing together. Your hand was still firmly in his, your body was still flushed against him. 

“I know you haven’t seen the last seventy years…but I have. No woman compares to you, Y/n. Not a single one…”

Bucky’s voice trailed away as he laid himself bare for you. Your heart was thumping in your ears, your lips parted and took in what air you could, which wasn’t much. And just as the walls around both of you started to fade away and the music became nothing more than soundwaves, you felt yourself lean closer to him. 

“Doll…”

“James…”

It seemed to take forever for his lips to meet with yours, but once they did, there wasn’t a chance in all of the universe that you’d let yourself forget the feeling of his kiss. 

His hand that wrapped around your lower back and held you in by your hips, tightened. With his other hand guiding your arm around his shoulders, he was quick to hold you closer to him; if that was even possible. 

As your hands came to hold his face, his lips moving to kiss you even more, he lifted you from the floor a little. 

By the time you both broke away for air, your eyes remained closed as his head rested against yours. 

“Please tell me this isn’t just a one time thing,” Bucky asked you. 

You shook your head, a little out of breath. “No. This…this isn’t just a one time thing.”

“Good.” He told you before finally opening his eyes to look at you. “I’ve waited more than seventy years to kiss you.”

Your hands linked around his neck as he stood there with you in his arms. “Was it worth the wait?”

A slight chuckle left Bucky. “Oh, most definitely, doll.”

He didn’t wait another second before capturing your lips in another kiss. He would have waited a thousand lifetimes for you, but he didn’t have to. You were alive, you were breathing, and you were kissing him back. 

It wouldn’t be long before he’d tell you how deep his feelings ran for you. But you’d surprise him that day by beating him to it. Even if the last seventy years had been nothing but a blink of the eye for you, it had been almost a hundred for Bucky. 

You loved him too much to make him wait any longer. 

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 34: The Whole Truth

Summary: In life, we will be confronted with difficult choices. Sometimes you won't know you've made the wrong choice until it's too late

Pairing: Poly 141 x reader

Word Count: 12,900 words

Warnings: Dead dove: do not eat, Angst, graphic violence and torture, mentions of predatory behavior towards a minor, Phillip Graves is a major creep, lots blood and injuries, kidnapping and its aftermath, hostage situations, anxiety and panic attacks, language, very explicitly described torture, ‘mega gets hit a lot, choking, biting, ‘mega gets stabbed with an ice pick, author can’t write COD missions, vomiting, lots of heavy emotions, detailed descriptions of pain, guns, background character dies on screen, descriptions of guilt and grief, lots of POV changes, some descriptive language of gore and blood at the end, rehashing of ‘mega’s injuries from the last chapter, a lot of angst and very heavy content, Alpha/Beta/Omega dynamics, Alternate Universe

A/N: This chapter deals with some pretty heavy content. Please, please, please read and heed the warnings. I have included content warnings for the more graphic parts before they happen, so if you don't want to read those, you can skip ahead to the next part. I suggest taking breaks if you need to, read it in installments if necessary. And I cannot stress it enough, please heed the warnings.

11/30/24 **This chapter has been edited and rewritten from its original version**

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“Hi darlin’.” His grin widens like he’s happy to see you. “Been a long time.” 

You squeeze your eyes shut for a moment, your brain still sluggish. You feel sick as you try to process, try to figure out why and how. You try to move your arms again, but your wrists are stuck, hands burning as you pull. You desperately want them free, desperately need them free. 

“Easy,” Phil says, putting his hands on yours, pushing them flat against the arms of the chair. They’re warm and calloused, the same hand that had been on your face a few moments ago. “You’re gonna hurt yourself. More than you already have been.” He lifts your left leg, making you groan quietly as a deep ache throbs down to your foot and up to your hip. 

Running. A gunshot. Pain.

“He had strict orders not to harm you.” Phil says, adjusting the bandage wrapped around your calf. “Don’t worry. We got you all fixed up.” He sets your leg back down gingerly, his touch lingering for a moment before he looks back up at you. 

“Why?” You croak out, trying to make sense of what happened. 

Corporal McKinney broke into the barracks and chased you into the woods. He shot you and drugged you and now you’re here, restrained in a chair staring at a man you haven’t seen for years. A man who was once your dad’s best friend. 

“A lot has happened since we saw each other last.” He says, pushing himself to stand. “I left the Marines after a few years, formed my own group of military contractors. Invited your dad to join, but you know how he is. All honor and duty and serving the country. Of course, you haven’t seen him in quite a while, have you?” 

You stare up at him, starting to get scared. You never liked Phil. There was always something about him that put you off. He always stared too long, always sat too close to you. He always greeted you with a hug that lasted too long, squeezing you too tightly against him. He was sweet on you in a way he wasn’t with anyone else. He could be intense, brash and almost downright rude sometimes. He was a firm believer in traditional packs too, even if he never spoke about his own pack, his own omega. He had to have one, if he was as dedicated as he said. 

He was far too much like your father. 

Phil was always kinder to you, though. Softer. Not quite as callous and bellicose as your father in public. He was polite, always happy to lend a hand, always glad to roughhouse with your brothers to get their energy out. You saw the way your mother looked at him though. Perhaps her apprehension bled into you, those dormant omega instincts picking up on something she was projecting. 

He made you uncomfortable, and she knew it. 

What could an omega do, though, in a world where they don’t have opinions, they can’t argue, they can’t disagree. Your mother never said anything because in the world your family existed in, the world Phil existed in, she couldn’t. 

“He was so angry when he called.” Phil continues, staring down at you. “Ranting and raving about how his oldest daughter betrayed him by presenting as an omega. He couldn’t stand having such a useless child in his perfect pack.” You flinch at his words, even though you heard your father spew those very words after your presentation firsthand. 

“He called you?” You ask, the pieces starting to come together as your brain finally snaps fully into awareness. You knew he called someone, but you hadn’t thought it would ever be Phil. 

“Of course.” Phil chuckles. “We were good friends, pals, buddies. He knew I could help him.” A shiver runs down your spine. You know what he’s going to say next. “So I did. I have some contacts in some high places, people who owe me favors. So I made some calls, pulled some strings, got you into FIOT immediately, with some strings attached of course.” He leans down so you’re almost face to face. “I wanted you. They put a note in your file. You wouldn’t be placed in the registry when you were old enough, you would go to me and my pack.” 

Bile churns in your stomach as you process his words. It all makes sense now. The stares, the hugs, the closeness with your father, your rapid enrollment in an institute that can take weeks to process applications. It was all so you could be his. Something he’s wanted from early on. 

“You would have been mine,” He pushes himself up straight again, starting to pace back and forth in front of you. “If the fucking CIA hadn’t gotten involved!” You flinch as his voice raises, the frustration starting to darken his scent. “They froze your file, made the claim null and void. All for what, their little initiative that never really existed in the first place?” He huffs out a laugh, a smirk tilting his lips. “Small world, though. Who knew we’d be seeing each other again after so long.” 

He steps closer, looking down at you. You hold his gaze, suddenly feeling afraid. Even though you know him, even though you spent a good part of your childhood around him, you’re afraid of him right now. Your mind starts to revert back, the urge to lower your eyes, break eye contact like you’re supposed to flashing through your mind. 

Don’t stare alphas in the eyes. They’ll take that as a challenge. It’s not your job to challenge them. Your job is to be subservient. 

You would have been subservient to him if the CIA hadn’t gotten involved. You would have been under his control, bowing to him and his will. You’d have pups by now, at least one. He’d always talked about having a big pack with lots of pups someday, always glancing at you when he said it. 

You’re going to vomit all over him. 

It’s not just the truth that scares you, though. You’re being held captive here. That thought has registered in your mind now, the reality settling in as you get over the shock of the last few minutes. Corporal McKinney kidnapped you from base, and now you’re restrained in a chair surrounded by unknown alphas. Phil isn’t going to help you, take pity on you. He’s not here to be nice, to have a little chat and catch up on life.

That possibly ended as soon as he was denied what he wanted. 

His hand cups your chin, holding your face up as he looks down at you. His thumb is rough as it strokes your jaw, a tickling feeling starting in the back of your mind again. There’s an almost bittersweet look in his eyes as he holds your gaze. You refuse to lower it, refuse to give him that satisfaction. “You’ve grown up a lot.” He says, his hand sliding down your neck to the collar of your shirt. “You always were cute, though. I knew early on you were going to be an omega. You were far too...calm and compliant compared to your brothers. Always so polite and eager to please. You can tell if you pay attention, you know. Those dormant instincts start to show themselves long before presentation.” 

His hand pulls your collar to the side, revealing your mark. His eyes harden as he stares at it, his lips turning down into a frown. A shiver runs down your spine as the darkness in his scent intensifies. He’s not holding you hostage just to tell you about what could have been, what direction your life might have taken. He’s here for a reason, and you know your pack is involved. Something has happened, something behind the scenes, something John was looking into. 

“What’s going on?” You ask as he releases your collar, taking a step back. 

“Well, you’re being held hostage.” He says, like it isn’t already obvious. “You’re...shall we say...leverage to ensure your pack follows orders.” 

You blink at him. You haven’t heard from or spoken to your pack in weeks. You should be relieved that they’re apparently still alive, but what if you had been right and they don’t want you anymore? Why would they take you if your pack has abandoned you? Or did they take you to ensure they wouldn’t...

“Laswell stuck her nose somewhere it shouldn’t have been.” Phil says, crossing his arms. “It’s only so long before your pack finds out. Let’s just say...they’re not going to be happy about it. So, to ensure they don’t do something impulsive and reckless as they are known to do, you’re going to play hostage.” 

You gulp as you stare up at him, suddenly feeling very afraid. Your scent spikes in the air, clouding it with the bitter scent of anxiety. It was the plan all along. You knew it even if you hadn’t been told outright. Deep down you’ve always known it wasn’t about strengthening packs. It wasn’t about studying how an omega would increase or decrease the efficiency of military packs. With the events of the last few months, the idea had started to form in your mind. You know you weren’t alone in those thoughts. John and Simon were digging into the cameras for a reason. They were put up for a reason. 

It was always about control.

That was the point of the initiative. That was why they put cameras up, that was why General Shepherd was so invested in the state of your pack and if you had been mated. He needed to ensure you were close enough to them so if something happened that wasn’t supposed to, you could be used against them. 

You’re nothing more than leverage. 

Your scent spikes in the air, clouding the room as reality sinks into you. Something happened that caused this. Something called your pack away to isolate you, to leave you vulnerable. They wanted you alone as a contingency. 

Something did happen. 

Now you’re here, being held captive by a man you used to know, a man who could have been your alpha had things not played out the way they did. The thought has your stomach churning. How far will they go? How far will Phil take things? Could he be merciful because of your history? Or will his ruined plan make him more ruthless? 

You’ll be punished for something you can’t control. 

Phil makes a soft sound as he looks at you, shaking with fear in the chair. “Don’t be scared. As long as your pack does as they’re told, I won’t have to hurt you.” He turns the light back to face you, nearly blinding you. “Now, smile for the camera.” 

They’re safe. 

It had been close. A rough position to be in, but they managed it. He never doubted them and their abilities, but four against nearly fifty with no backup were not good odds. He’s been in tighter places before, and while he had his doubts, he is grateful Johnny and Simon were sent in when they were. Even if it was a bit suspicious.

“All accounted for.” John says as he sinks down onto one of the jump seats next to Kyle. 

They’re all battered and bruised from their final fight. He’s ready to get home, ready to get back to you. From the sound of it, things were not going well, according to Johnny and Simon. He has a lot to make up for, a lot of apologies to make. 

“Fucking Russian PMCs.” He says, speaking to Kate over the comms. “It’s not a coincidence Kate.” 

Kate lets out a sigh that crackles through the comm. “No, it’s not. My team and I came across some information while we were digging into the cameras.” 

“What information?” He asks slowly and carefully. He doesn’t like being kept in the dark, especially when it comes to his pack. Especially when it comes to you. 

“Not just information on the initiative, but information on General Shepherd.” 

“What information?” He asks again, slower this time as Johnny and Simon move in closer. 

“Shepherd was the one that sold those weapons to AQ and the Russians.” 

John looks at the other three members of his team. He knew something was wrong, something was off about the way Shepherd had acted while informing them about this mission. “He wanted those missiles found and destroyed so he could cover his own ass.” He says, his stomach starting to twist. He doesn’t like the way this is going. 

“But we found out the truth before you could find all the missiles.” Kate continues. “He sent you on a wild goose chase to give himself a chance to escape.” 

John’s hand tightens into a fist. “Where is he now?” 

“He’s gone dark. Totally off radar.” 

John pushes himself up to stand, the adrenaline pumping again. “I’m going to find that bastard-” 

“John.” Kate says, cutting him off. “There’s something else.” 

The twisting in his stomach intensifies. There’s a bad feeling tickling in the back of his mind. He doesn’t want to entertain the dark thoughts that are brewing. “What?” 

“They took your omega.” 

His stomach clenches, his breath catching in his lungs. The other three shift on their feet, all of them stepping closer. The scent in the plane thickens, anger and confusion mixing into a toxic cocktail. He hopes he heard that wrong, that there was some kind of interference in the connection and his brain made up the words he missed. “Repeat that.” 

“They took your omega.” Kate says again.

He lets out a long breath, his muscles tensing. He’s had a bad feeling tickling in the back of his mind for the last few days. Something was wrong, something was off. He should have known it was all a ruse. Why would AQ and the Russians store a missile in any of the places they had been sent to in the last week? It hadn’t made sense, and he had wanted to voice his doubts, but the consequences of a missile being launched because they decided not to look in one place was greater than his own perceived doubts. 

They had been right though. 

Of course it had all been a plan. Of course there had been something fishy about it. He’s hardly ever wrong. He’s been praised on his instincts on the field and off. He should have known. Pulling Simon and Johnny when they did should have been enough evidence, even if they had been needed in the end. 

“You’re positive?” He knows she is. There’s no mistaking something like that, there’s no doubting it. 

“There’s a video.” Kate says, John’s stomach dropping. “I’m sending it to you now.” 

John pulls out his phone, his fingers white as he holds it up. He’s angry, beyond angry. If they’ve laid a hand on you...if you’ve been hurt because of his own failings, his own inability to see the truth...

He clicks on the video when it comes in, a familiar face popping up on screen. “Hi boys. Been a while.” 

“Fucking Graves.” Johnny growls, his hands closing into fists in anger. 

“I have a little something of yours I think you might be interested in.” He turns the camera around, your face popping up on screen. You’re restrained in a chair, wrists red from the zip ties, but there’s a glare on your face, looking as mean and threatening as you can. There’s a bruise on your cheek and what looks like a healing cut on your lip. Someone hit you. 

“Smile for the camera.” Graves says, a bit too cheerfully. 

You don’t smile, your glare sharpening as the camera gets closer to your face. There’s still fight left in you. Whatever has happened hasn’t been too bad. Yet. 

“Let’s make this simple.” Graves says. “You stay away from Shepherd, and I won’t have to hurt this pretty little face. She is pretty, isn’t she?” 

You shift in the chair, your leg lifting before you kick outward. 

“Ow, you little bitch.” The camera jostles for a moment before it’s straightened back up, a hand shooting out to wrap around your throat. There’s no sign of any struggle, the glare still prominent on your face. “Feisty thing. Gotta keep up with those wild boys somehow.” 

The hand tilts your face just slightly, showing the mark on your neck. It is you, not that John doubted that from the beginning. It may have been almost two months, but he wouldn’t forget your face that easily. 

“Like I said,” Graves continues. “Follow your orders and she’ll be released unharmed.” 

The screen goes dark and John resists the urge to throw his phone. He shoves it back into his pocket, turning towards the wall of the plane. He throws his fist against the metal as hard as he can. It hurts, but he can barely feel it over the rage burning hot in him. 

“Fucking Shepherd!” He shouts, rearing back to throw his hand against the wall again.

Graves has his omega. Graves has his omega and now you’re being used as leverage. They’re all being played like puppets. 

A hand catches his fist before he can punch the wall again, easing him back. “Easy.” Kyle says, trying to soothe him as best he can. “We have proof of life, we know that she’s alright for now.” 

“For now.” He growls, looking around at the members of his team. “But for how long?” 

“They knew we’d go after Shepherd as soon as we learned the truth.” Simon says. “This has been in the plans for a long time.”

“They’re trying to get us to make a choice. Focus on getting our omega back while letting Shepherd escape, or go after Shepherd and let our omega be tortured.” Kyle says. 

“Those fuckin’ wankstains.” Johnny says, shifting on his feet. He’s angry, the bitter scent filling the enclosed area of the plane. They’re all angry, angry at those responsible, and angry at themselves for falling for it. “They were usin’ us the whole time.” 

John lets out a long breath. He needs a clear head going forward. He needs to be able to beat them at their own game and cause the least amount of damage to you as possible. As much as going after Shepherd first is tempting, cut the head off the snake and end things before they get too far, he knows that won’t stop Graves. He’ll continue even after Shepherd is dead. 

There might even be a second contingency. They kill Shepherd, you die too. 

“John, we can’t leave her.” Kyle says, still holding his hand. His fingers are wrapped tight around his wrist, trying to ground him as best as he can in this tumultuous moment. 

“The longer we wait, the worse things will get.” Simon says. “We go after Shepherd, we may never see her again.” 

There won’t be anything to come back to. 

He stares at his pack, all standing there, staring at him, waiting for him to make his decision. He’s their Captain, he’s their alpha. It is his decision in the end. He’s the one that they will follow, even if he makes the wrong decision. Even if he tears them apart in the end. 

“Where is she?” John growls, into his comms. 

“We’re working on decrypting the video now.” Kate replies.

“I need a location, Kate.” John says impatiently, heading towards the cockpit. For all he knows those flying the plane are in on it too. 

 “We’re doing the best we can with what we’ve got. You’ll be the first to know as soon as we find something.” Kate tried to placate him. 

“I better be.” He growls. 

Kate lets out a sigh as the comms close off. It’s not a captain she’s speaking to anymore, it’s an angry alpha. His pack, his omega is being threatened and now they all have to face the ramifications of it. She’s just as much a cog in this machine. She fell for this, she brought you into this, and now you might get hurt because of it. How she didn’t see the reality has shame burning through her. They were all blind, all led astray, all fooled by the red herring. 

There was never an initiative. It was never about strengthening packs. It was always about control. They wanted a way to control packs. Shepherd knew if the secret ever came out, there would be no stopping the consequences. Legal or illegal, retribution would come for him if the truth was revealed. 

This was his way of stopping it. 

That's why the 141 were the guinea pigs. 

They are the most dangerous threat to Shepherd, and he handed them a way to control them under the guise of strengthening packs, experimenting on how their dynamics and efficiency would shift with an omega added in. Even worse, they all fell for it. 

Time is of the essence now. Graves won’t stop, even as word reaches Shepherd that they’re easing off of him. Her only hope is that Graves won’t kill you. That will give them nothing to live for, and it will make them more ruthless than they already are. They’ll go after Graves, and then they’ll turn their eyes to Shepherd. 

No matter what you’ll always be a way to control them. 

If she can find Graves, she can send out a team to get eyes on his location. That way, they’ll have a direction she can point them in, and they won’t be going in blindly. This is a delicate situation, and she can’t trust Graves to uphold his end of the deal in this. They’re not going after Shepherd, but will that stop Graves from hurting you just because he can? 

There’s more to this than they’re letting on. She knows it, deep down. There’s something else, something even deeper below the surface. 

She’s got a lot of work to do. 

They’re going to need help. 

Christine can’t sit still anymore. She can't take it. It’s been almost eighteen hours since your disappearance and there’s been nothing. No word, no news. She knows you’re alive. Kate had confirmed that, but that hasn’t eased the burning questions eating away at her mind. What is your current state? Who took you and why? Where is your pack and are they even aware of what’s happening? 

She’s been sitting and twirling her thumbs. She can’t bring herself to do any paperwork, any research. What is there to do besides sit and worry? She doesn’t have a patient to take care of because she lost the one she was supposed to watch. 

She huffs out a breath, pulling her phone out of her pocket and dialing Kate. If Kate won’t call, she’ll call herself. Kate’s probably busy though, so Christine can’t blame her too much for not calling. She’s probably so far from the front of Kate’s mind right now. 

The phone rings twice before Kate answers, sounding tired and disheveled, just as much as Christine feels. 

“Laswell.”

“Kate, I need to be there.” She doesn't hold back, doesn’t try to make small talk. There’s no time for it. She knows how Kate is doing, and it’s not great. 

“Christine, I don’t know if I can take that risk.” She says. 

“I need to be there. I can't take sitting around here anymore. When...” When not if. They will find you. She knows it. “When you find her, she’s going to need someone she knows there, someone that knows how to take care of her.” Christine lets out a breath, the relief of getting her thoughts out taking some of the weight off her shoulders. 

Kate sighs, but she has to know Christine is right. She’s not sure what state you’re in, and depending on how bad it is, and where your pack is, you’re going to need her. Even if you think she was behind this. “I’ll have a plane ready to go in thirty minutes.” 

“Thank you, Kate.” She says, letting out a sigh of relief. 

“Don’t miss the flight.” 

Christine hangs up, gathering a couple things from her office before closing and locking her door. She nearly runs to her barracks, packing a bag quickly. She’s not sure what to bring, or how long this will take. She’s not even sure exactly where she’s going. 

She hurries to the airfield, phone in hand. She’s not sure where the plane is or which one she’s taking. She’s just relieved Kate is doing this for her. 

Her phone buzzes as she reaches the tarmac, making her pause. She lets out an annoyed sigh before answering the call. 

“Of course you have to call at the worst possible moment.” She says. 

“I’ve always had the worst timing.” Alex’s voice comes through the speaker, and she can almost hear the smile on his face. 

“I can’t talk long. I’m about to board a plane.” She says. 

“I know. We’ll pick you up on the tarmac.” 

She blinks in surprise. It’s been years since she’s seen her brother, months since she’s spoken with him. Ever since he retired from Delta Force, his regular calls have been happening less and less, and they’ve reached near radio silence over the last couple years. Now he’s involved in this too? 

“Kate called in a favor.” He continues, and that’s all she needs to know. “We’ll see you in a few hours.” 

“Yeah.” She says, tears brimming in her eyes as she smiles. Despite everything, she’s glad she gets to see her brother again. Glad she has some support in this. Your pack will be mad. They’ll blame her. She’s not afraid of them, but she knows Alex will stand behind her no matter what. “See you then.” 

**Content Warning: light torture, ‘mega gets punched, further injury to previous injuries, panic attack**

Your hands are starting to go numb. The constant attempts to free yourself from the zip ties isn’t helping, but you’re beginning to get twitchy. Your omega is scratching at the back of your mind, begging to be free, but you know you won’t survive it. The room is full of armed mercenaries, and you’re sure if you tried to take out Phil first, you’d be pumped full of bullets before you could even do any damage. 

He’s leaning against the wall far too casually, staring at the phone he’d used to record the first video of you. His explanation had been simple. Your pack stops going after General Shepherd, you don’t get hurt. The longer they chase Shepherd, the more Phil gets to torture you until they decide your life is worth more than Shepherd’s. 

Will they choose you over Shepherd? What if they’ve already decided to abandon you? What if your fears were right and they’ve given up, and that’s why they were gone so long? They won’t care what happens to you if they have written you off as a burden, as a loss. They’ll let Phil torture you to death and they won’t even blink an eye. You’ll just be another casualty. 

It makes your stomach hurt, the idea of your pack letting you die. Even the idea of someone who had once been a friend of your family being so cold towards you has nausea bubbling in your belly. He doesn’t care. His only worry is money, not the past. He doesn’t care. He’ll do the bidding of whoever offers the highest price. 

He lets out a sigh, pocketing his phone as he pushes himself off of the wall. “Looks like your boys don’t follow orders well.” He bends down, putting his hands on his knees so he’s face to face with you. “They’ve decided to leave you here with me. Looks like Shepherd was wrong. They don’t really care about you as much as everyone thought they did. Makes me sad, them abandoning you so easily.” 

You try to ignore his words, try to convince yourself he’s doing it on purpose, trying to mentally break you. Yet you can’t deny those words play exactly into your doubts, your fears. Have they really left you here, choosing Shepherd over you? Would they decide to do that? How easy had that decision been made?  

Tears blur your vision as you stare up at Phil, your eyes burning as you try to put on the bravest face you can. You won’t let him have the satisfaction of knowing he’s getting to you, playing into your fears. 

“Unfortunately, that means I have to hurt you.” He stands up straight, staring down at you for a moment before pulling his fist back, hitting you across the face. 

You see stars for a moment, your head snapping to the side. The left side of your face is numb, the taste of metal flooding over your tongue. You’re bleeding, blood pooling in your mouth. A hand grips your chin, pulling you back so you’re sitting up straight in the chair. You stare up at Phil, the fear fading away to anger as you glare up at him. Your face is throbbing, and you know it’s going to swell and bruise later, more than it already has thanks to Corporal McKinney. 

Traitorous bastard. 

They all are. 

“I do feel bad for hurting that pretty face.” He says, stroking your jaw with his thumb. 

The movement is impulsive, the anger becoming too much. You spit the blood in your mouth in his face, the droplets splattering across his skin. He turns his head away for a moment, bringing his other hand up to wipe at the blood. 

“That wasn’t very nice.” He says, looking down at you. 

“Fuck you, you fucking creep!” You yell, kicking at him with your bad leg. 

He releases your face, catching your leg easily. He pushes his thumb against the bullet wound, all the fight leaving you as pain tears through your body. You let out a scream, trying to pull your leg away but he won’t let you. He holds his thumb there as you scream, the tears streaming down your face. 

“Okay, okay please! Please stop!” You beg, the pain radiating up into your hip and side. You can’t take it anymore, your brain starting to go fuzzy as you hyperventilate. 

He releases your leg, his hand wrapping around your throat to lift your face. The tears are streaming down your cheeks, mixing with the blood from the cut on your cheek. There’s no sympathy, not even regret in his eyes as he stares down at you. 

“I don’t want to hurt you, but if you can’t behave, I’ll have to do just that.” He releases you as you continue to hyperventilate, your eyes starting to glaze. You’re distressing. Will Phil help you? Will he do what he has to do to keep you alive? If you die, there won’t be anything stopping your pack. The entire plan will be over. They’ll go after Shepherd, then they’ll hunt down Phil. 

Cold ice water hits you in the face, shocking you back into clarity. Phil is holding the cup of water he’d been letting you drink from periodically. You blink at him as water drips into your eyes, your breaths hitching but far slower than they had been. You’re awake and aware now. 

You didn’t even know it was possible to do that. 

“Don’t distress on me now.” He says, putting the cup down. “We have so much ahead of us.” He moves around to the back of your chair, bending down until his breath hits your ear. “Besides, you make me help you out of distress, I might not be able to stop myself.” 

Your eyes pinch closed as his lips brush the shell of your ear before he stands back up, tears mixing with the icy water still sliding down your face. 

“Please tell me you have good news.” Kyle says as they stand around the table. John is still fuming, anger rolling off of him like it has been since they found out the news. He’s hanging onto the quickly fraying strings of control he still has on his alpha. 

“We’ve narrowed down locations to the US.” Kate says, standing bravely before them. It’s not the first time she’s been before an angry alpha. It’s not the first time she’s been before an angry John. 

“Damn it, Kate, we need a location.” John says, slamming his hands down on the table. 

“We’re working on it as fast as we can.” Kate says, unflinching. “We’ve got limited people and resources now. We can’t trust just anyone anymore.” 

John lets out a long breath as Kyle puts a hand on his chest. He’s tired. They can all see it in his face. He’s tired and angry and rapidly losing control. 

Simon pushes Kyle to the side, blocking John’s view of anything but him. The big alpha puts his hands on John’s shoulders, looking him right in the eye. “You won’t do her any good by raging like this.” He says, his voice flat and calm. “You know these things don’t happen immediately. They’re underground for a reason and we just have to be patient.” 

“She doesn’t have that kind of time.” John says loudly, but there’s a strain to his voice. 

“It’s better to wait and have a direct location than to run around on a wild goose chase. That’s what they want. They want us angry and thinking on instinct.” He squeezes John’s rapidly drooping shoulders. “We all want her back, but we just have to trust Graves will keep his end of the deal.” 

“She’s stronger than she looks.” Johnny says. “She’ll give ‘em hell.” 

John runs a hand over his face as he begins to deflate. They’re right. It’s better to wait and know for sure than to waste time running around and exhausting themselves. 

“Please tell me you have any news.” John says, moving back towards the table. 

“I do.” Kate says. “I’ve called in some backup. They’ll be here shortly.” 

Christine nearly runs down the ramp once the plane has stopped on the runway. She’s jet lagged and worn out after eight hours of worrying, but she’s eager not only to finally get some news on you and your status, but to see her brother for the first time in a long time. 

It’s not hard to find him. 

“Chrissy!” He grins, hugging her tightly. 

She has half a mind to complain about the nickname she’d endured her entire childhood, but she can’t find it in her as she hugs her brother tightly. She’s missed him, more than she realized. Their jobs have kept them busy, her with her medical studies and practice, and Alex with...whatever it is he does. 

“It’s been far too long.” She says, pulling away from him. She’d love to stand there and hug him for an hour, but she can’t. They have more important things to do. Time is of the essence, if her worst fears are true. 

“A lot has happened, a lot has changed.” He says. 

She looks him over, spotting the more noticeable changes in comparison to the last time they were face to face. “You could say that.” 

“We can talk about it later.” He turns to the other person with him, a woman. “Christine, this is Farah.” He introduces her. “Farah, this is my baby sister Christine.” 

“Nice to meet you.” Farah says, shaking her hand. 

“You as well.” Christine looks between them for a moment. She knows that look in Alex’s eyes as he looks at Farah. 

“We should get moving.” Farah says, ignoring him. 

“Laswell has moved off the grid.” Alex says, opening the driver’s side of the SUV. 

Smart, if things are as bad as she thinks they are. 

Christine gets into the back, letting out a long breath. She’s closer now to finding out what’s happened to you. The guilt is still eating her alive. If she just hadn’t left, if she hadn’t believed the phone call, put it above your safety. 

Things might have been worse if she had stayed. 

“Kate filled us in about everything.” Alex says as he drives away from the airfield. “At least in regards to the pack and your involvement.” 

“There’s some things she’s not telling us.” Farah says. “Though if things are as bad as they sound, I don’t blame her.” 

“I don’t know much of anything.” Christine says, staring out the window as they drive out of the city. “I feel like it’s my fault. If I hadn’t left her alone...” 

“It’s hardly your fault.” Alex says, glancing at her in the rearview mirror. “If this was all planned, there wouldn’t have been anything that would stop it from happening.” 

“They might have done worse if you had stayed there.” Farah says, speaking Christine’s own fears aloud. 

“I wish I could see her. Make sure she’s alright.” Christine says. “If something happens to her...” 

“From what I hear she’s a hardy omega.” Alex says, trying to comfort her. “She’s withstood a lot. She can survive the 141, she’s probably giving them hell as we speak.” 

**Content Warnings: light torture, choking to the point of almost passing out, blood, very detailed descriptions of pain, non-fatal stabbing**

It’s getting hard to breathe. Phil’s grip around your throat is getting tighter and tighter, less and less oxygen getting to your bloodstream and your brain. Your mouth has an almost permanent metallic taste as blood drips down your chin. Blood stains Phil’s arm from where you bit him, teeth marks red and angry looking from where they broke the skin. 

“You fucking bitch.” He growls, jaw clenched. “Your alpha should have taught you some manners.” 

His hand squeezes tighter, cutting the air off entirely. You begin to panic, tugging against the restrains with your raw, cut up wrists. Black dots begin to dance in your vision, your legs straining against the zip ties keeping them attached to the chair. Your hands and feet are going numb, your entire body tingling. This is it. You’re going to be choked to death. 

He holds his hand there for a moment, letting you struggle before he lets go and you suck in a gasp of air. You slump over in the chair, blood splattering on the floor as you cough, your throat raw and sore. Tears burn in your eyes as you heave, trying to get the oxygen flowing through your body again. 

Phil bends down to your level as you sit there, head hanging as blood drips from your mouth. Your tongue is raw from how many times you’ve bitten it. It’s impossible to tell how much time has really passed. There’s no windows in the room. The only light source is the cracks around the door behind you. Even then with the bright light in your face constantly, it’s hard to tell anything anymore. 

“Feisty still, but everyone has their limits.” His hand cups your chin as he stands, lifting your face to follow him. His hand holds the back of your head up as he wipes at the blood under your nose and on your chin almost gently. 

Tears stream down your cheeks as you stare up at him, unable to even care anymore that his hand is so close to your neck. All he has to do is move it down just slightly and squeeze and you’ll be unaware of anything around you, at the mercy of his bidding. 

That would almost be a relief. 

He dumps another icy cup of water over your head, keeping you from slipping too much into a panic. The cold water stings the cut on your chest and the one on your arm as it slides down your shoulders. You’ve lost the ability to feel the throbbing in your calf, numb to most of the pain in your body. 

Why haven’t they come for you? Where is your pack? 

Have they written you off for good? Was finding Shepherd more important than you? 

Phil’s phone goes off, your stomach dropping. He stares at the screen for a second before turning back to you. 

You shake your head, the tears cascading down your cheeks. “No,” You start to shake. “No, please-” 

“You know I have to, darlin’.” He moves behind you, tugging on your hair to keep your head up as one of his men stands in front of you with a phone in hand. 

He counts down on his fingers before pressing record. 

“Having fun yet?” Phil says as he reaches around your head, holding your chin in his hand. He tilts your head back making you look up at him. “We sure are. Aren’t we, darlin’? Tell them. Tell them how much fun we’re having.” 

You’re still crying, unable to stop as you stare at the camera. They really have given up on you. They’ve deemed you unworthy of saving. They’ve let you sit here and be beat up and tortured all because they put the job first. 

They really have given up on you. 

Are they even watching? 

“Please,” You croak out, half begging your pack to care, half begging Phil to have mercy. 

“Since you can’t seem to bring yourselves to care about your own omega,” He shifts slightly, someone handing him something behind you. You catch a glint of metal, your heart rate picking up. You’re panicking, breaths coming in shaky gasps. You know he can do worse. He’s threatened worse, but what is he going to do? “It seems you need a little more...motivation.” 

You try to wiggle out of his grasp in panic, wrists bleeding again from tugging at the zip ties. They’re coated in your blood, your leg throbbing but you don’t care. You need to get away, get free. “No, no-”

You let out a scream. 

It’s sharp and piercing, but nowhere near the sharp pain in your neck. It fires through your very nerve endings, making you aware of the very cells in your body. It shoots up into your brain, igniting every neuron in your brain. Your very blood feels like it’s boiling, your skin on fire from the pain. Every inhale feels like you’re breathing in sand, and every exhale is like glass shards dragging through your lungs and up your throat. The tears streaming down your face may as well be slicing through layers of skin, every wound pulsing and throbbing with a new kind of angry vengeance. 

You’re sobbing, nearly choking on air as the pain continues to pulse in your body. It’s too much, every sensation inside and outside of your body meshing together in an agonizing harmony. 

“Shhh.” Phil tries to shush you as he bends down, his cheek resting against the side of your head. “I know, I know. You’ll be alright.” He presses a kiss to the side of your head before letting you go limp in the chair. 

Your scream still hangs in the air even after the video ends. 

It’s otherwise silent in the room, all eight of them feeling the weight of their decisions on their shoulders. The scents in the air are full of pain and regret and guilt and anger. 

“Was that fatal?” Kate asks, breaking the tense silence. 

“No.” Christine chokes out, her voice shaky. Her hands are trembling where they’re tucked against her sides. Her arms are crossed over her chest, trying to bring herself some kind of comfort after what she had just watched. “He went for the scent gland. It’s not a fatal injury, unless you go too deep, but he knew what he was doing.” She swallows the lump in her throat. “It’s just incredibly painful.” 

Her words hang in the air for a moment, all of them still trying to process what they had just seen. 

John slams his hands on the table, all of them jumping. “I fucking told you.” He says, his voice laced with the deep growl of his alpha. “I fucking told you Kate, she should have been flown out here as soon as you made the call.” 

“I know.” Kate says, undeterred by his anger. She’s seen it many times, though she’s rarely been on the receiving end of it. “I know, I made a bad call. None of us knew they would take it this far.” 

“But we knew something was going on behind the scenes.” John says, still radiating anger. “All precautions should have been taken.” 

“There was no guarantee her being here would have stopped them. She might not have been any safer here.” Kate says, trying to ease his anger, even though she knows it’s completely warranted. “This goes far deeper than we thought it did. Even before this plan was set into motion.” She waits a moment, letting the air settle. “A year ago, a convoy was smuggling missiles and other weapons into the Middle East in an off-the-books operation. The convoy was attacked and the missiles and arms were stolen by a Russian PMC group. The operation was conducted under the command of Shepherd, and the soldiers in the convoy were all Shadow Company.” 

“That’s how Graves is tied into this.” Kyle says. 

“It goes deeper than that.” Kate says, pulling up a file and displaying it on screen. “The missiles and weapons being smuggled weren’t being sent to aid allies in the Middle East. Shepherd sold them to AQ and the Russians. The PMC group that attacked Shadow Company was hired by Shepherd to make it look like an ambush.” 

“Fucking weasel.” Simon growls. 

“I don’t know how much Graves knows, or how much he helped hide the entire operation, but his ties to this go even deeper than that.” Kate says, and they all shift closer. “Graves has history with your omega.” She says, pulling up an old photo. “We combed through one of her brothers’ Facebook pages. Found an old photo of her dad with Graves. They served on the same base when her family lived in Texas before Graves left to join MARSOC. She would have still been a child at the time.” 

They stare at the photo, Graves clearly identifiable as he stands next to another man, beers in their hands. There’s two other boys in the photo, young and grinning at the camera. Standing in front of Graves is a little girl, a happy grin on her face. They’re all in various combinations of red, white, and blue. 

4th of July, they assume. 

“That’s how she got into the institute so fast.” John says, staring at the photo. He’s never seen a photo of your father before. You must take after your mother. “Graves pulled the strings.” 

Kate nods. “He did, but under the condition he would be the one to claim her when she grew old enough. The CIA wiped out that claim when they froze her file.” 

The 141 all shift on their feet, sharing looks. John feels a sick twisting in his stomach at the implications. Your position in the photo suddenly makes sense. Anger burns in him, deep and bubbling like magma. He’ll kill the bastard. 

“This is revenge then.” Johnny says. 

“In a way, I think.” Kate says. “We took away what he wanted. Graves wasn’t going to pass up this opportunity. He’s not afraid to get his hands dirty.” 

“This all is what the initiative was created for.” Christine says, leaning against the table. “A contingency in case this all was uncovered.” 

“A way to control us.” Kyle says. 

Kate nods. “Yes. It was all a plan to give the 141 a weakness, a way to be controlled should the situation arise. In this case it just so happened to be the uncovering of his traitorous arms deals.” 

“We were all pawns in this.” Christine says. 

“We let them walk right in and take control like that.” John says, turning to Christine. “You let them walk in and take our omega.” 

She turns to face him, undeterred by his agitation and anger. “I did what I thought was right at the time. I got a call from one of the front desk workers in the med center saying that someone was waiting in my office for me.” She explains. “They wouldn’t say who it was, and the whole thing felt off. I knew whoever would be visiting me was not going to be friendly, so I felt it was safer to leave her in the barracks than take her with me and risk something happening in a place she doesn’t know well. In the barracks at least she’d know places to hide and barricade herself.” 

She takes a deep breath, still facing down John fearlessly. He’s coiled tight like a spring, ready to jump at any moment should he deem it necessary. It’s those protective instincts, the knowledge that his omega is somewhere else, taken unwillingly and being tortured feeding into that need to fight. 

“My office door was open when I got there.” She continues. “I always leave it locked. I went in prepared to fight, but I was attacked from behind. Hit over the head and drugged with something fast acting, something that would keep me incapacitated long enough for him to strike.” She stares up into his eyes, projecting her scent just a bit to try and get him to calm down. “We all made mistakes here, things we thought were the right choice at the time.” 

She’s not wrong. They all know it. They had just seen proof of it.  

“The assailant?” John asks, turning back to Kate. 

“Corporal McKinney.” Kate says. “He was in Shepherd’s pocket from the start. Someone who could watch first-hand. Someone who could sneak into the barracks unnoticed without many questions. He was likely the one that put the cameras up.” 

“Fucking wanker.” Simon growls. “He approached her once in the mess. Early on. Tried to introduce himself to her. Backed off as soon as I intervened. Never tried again, at least that we know of.” 

“She never mentioned him.” Christine says. “Or anyone else on base that might have tried to approach her.” 

“Where is he now?” Kyle asks. They’re all angry, frustrated. How had they not seen this happening? 

“Local police tracked his car to an abandoned airfield not far outside of Hereford.” Kate says. “He was dead inside. Police ruled it suicide.” 

“I’m sure it was.” John says. 

They all know it wasn’t. 

“Shadow Company likely picked her up from there with orders to stage a suicide.” Kate says. 

“One less loose string to worry about.” Simon says. “Covers their tracks in England.” 

They all go quiet. How this had all happened right under their noses? They’re all guilty of falling for it, for being too trusting in a world they know they can’t be too careful in. Allies can turn on a dime and become enemies. Betrayals can be easily bought. Things can turn downhill within a blink of an eye. They’re supposed to be prepared for the worst, ready for every possibility. 

They had written this off as a conspiracy, and now their omega is paying for it. 

“We need a plan.” Farah says, breaking the silence. 

“We can’t let Shepherd get away with this.” John says. 

“We cannae just leave her.” Johnny argues against his head alpha. It’s a brave thing, considering his alpha’s current mental state.  

“I don’t know how much more she can take.” Simon backs his beta up, the desperation and pain on your face still visible in all of their minds. 

“Let us go after Shepherd.” Alex says, offering up a solution. “He’s obviously watching for you to come after him.” 

“We can move undetected.” Farah agrees. “He’s less likely to expect us. You need to focus on your omega. Shepherd will show himself again eventually.” 

“Do we have a lead on their location?” Kyle asks, turning back to Kate. 

She nods. “We do now. I sent a team out to try and track location through the videos and where they were being sent from.” She pulls a map up on screen. “We have a location.” 

“Texas.” Alex says. 

“He took her home.” Christine says. 

“We have a plan then. We go after Graves, Farah and Alex start tracking Shepherd. Kate is eyes in the sky for us.” John says. 

“She’s going to need medical attention as soon as possible.” Christine says. She looks at Kate. “Where is the nearest military base from their location?” 

Kate types on her computer. “Naval Air Station Joint Reserve Base in Fort Worth.” 

“Get me there and I’ll be waiting. She’s going to need someone she knows.” She says, looking at John. “She’s not going to just let anyone close to her after this. She may not even let you close.” 

John stares down at her for a long moment. She stares back unflinchingly. She doesn’t get intimidated easily, not after years of dealing with institutes and alphas alike. 

He lets out a breath, staring down at her for a long moment before he nods. “I trust you.” 

“Short reunion this time.” 

“I’m just glad I got to see your face again.” Christine says, looking up at Alex. 

“Things are...complicated.” He says. “Maybe after all of this is over we can go and get some coffee. Talk about our lives...as much as we can.” 

The corner of her mouth twitches up in a smile. “I’ll hold you to that.” 

Alex pulls her into a hug, holding her tightly. “You’re doing good work, Chrissy.” 

She shakes her head at the nickname, but she holds him just as tightly. “I’m trying to.” 

Alex pulls away, squeezing her arms. “I’d say you are. You care a lot. To the point some might call it a character defect.” 

She scoffs, slapping his chest playfully. “Not like you’re much better.” She glances at the car where Farah is waiting patiently. “I’m happy for you.” 

“Oh, we’re....” Alex blushes to his ears. “We’re not...” 

She gives him a look. “Mhm sure.” She looks up at him one more time. “Be safe.” 

“As best I can.” He says. “Take care of yourself. Don’t be too hard on yourself either.” 

“I try not to be.” She squeezes his hand before stepping away. 

She watches the SUV drive off, stomach churning with nerves for both of them. Shepherd is dangerous, but Alex has fearlessly faced down danger since he was a kid. He’s always been brave and determined, loyal and unafraid to do what he thinks is right no matter what. She trusts him to take care of himself, she trusts Farah to help him, even if she only met the woman today. 

She trusts them both to take care of each other. She trusts them both to help put an end to this. 

Your body aches, muscles screaming. You can’t take much more. Your cheek throbs painfully, swollen to the point you almost can’t see out of your left eye. The pain burning from your neck makes the other pain in your body nearly irrelevant, nearly nonexistent. It’s like electricity, burning through your very cells. Every movement seems to make it flare, makes the electric shock jolt through you. The burning pain that follows makes you whimper, a pathetic choking sound squeaking out from your bruised throat. 

The pain makes you nauseous, vomit staining the front of your shirt and pants. It’s mostly bile and the little food you’ve gotten since your kidnapping. 

Nutrient bars, meant to keep you fed and nourished for a short period of time. 

You may never be able to eat them again. 

“Fuck.” Graves curses, staring at his phone. “They’ve backed off.” He steps up to you, looking down on your pathetic form. “Looks like your boys do care about you after all.” 

Do they? Are they really coming for you, or have they simply given up chasing Shepherd because they lost all their leads. Will they come for you, or will they leave you here to rot? What will Graves do then? Try to take you as his own omega? Kill you out of anger? 

Your stomach churns and you can feel the bile rising. 

You vomit again, the warm liquid splashing into your lap. You can’t lean far enough anymore, not without the risk of not being able to pull yourself back up, not with the pain burning your every movement. You can’t even lift your head anymore, your body weak and battered and bruised. There’s blood everywhere, on you and on the floor. You can still taste it in your mouth, mixing with the sourness of bile. 

Graves gives you a disgusted look before turning to the others in the room. “Duran, Lewis, keep watch. The rest of you come with me.” 

He leaves the room for the first time in what you assume is days. For once the cocktail of scents begins to disperse, all but two of the alphas finally disappearing. Where they’re going or what they’re going to do, you don’t know. You can’t bring yourself to care either way. You just want to go home. You want to see your mother again, your brothers and sisters, even your father would be a welcome sight after this. You want your alpha, you want him to hold you, to take you in his arms, keep you safe.

He abandoned you. He left you to suffer like this. 

Your breathing picks up as you sit there, chin to chest as you stare at your bloody shirt. The smells in the room are awful, the scents no longer there to block out the sour bile and metallic stench blood. Tears are streaming down your cheeks, pink tinted splatters dripping onto your pants. What are you going to do now? What are they going to do to you now? Will they keep you alive long enough for your pack to arrive then kill you in front of them? Will they torture them too, make them watch as the life slowly leaves your eyes in revenge for chasing after Shepherd? 

A sob rips through your sore throat up out of your lips. 

You just want to go home. 

You just want to be free. 

You can be. 

Distress. The final defense. The last ditch effort omegas have to save themselves. Distress will lead to your omega taking over, and if nothing else, a quiet death you won’t even realize is happening. Your body will give out and you’ll be safely tucked into the back of your brain, comforted by your instincts. You won’t have to worry anymore. You won’t have to care. 

If nothing else, the pain will be over. 

I’m sorry. 

You begin to breathe heavier, ignoring the pain in your body as you push yourself to hyperventilate. The alphas behind you might do something, might try to stop it. They could, but would they even know how? Would it even work if you got too far? They’re not your alpha. They can’t comfort you, bring you back from the edge without forcing you. Will they even bother? 

You tilt your head to the side, putting pressure on your injured scent gland. You sob at the pain, the burning flowing straight into your very cells, making them scream. You push through it, your wrists twisting against the zip ties, digging them further into your already damaged wrists. The pain pushes you to a point of panic, your heart rate through the roof. You can feel it, the tightening of your muscles, your joints locking into place. 

You’ve never done it purposefully before, but in this state, it’s not hard. 

They left you. They’ve abandoned you. They’ve given up. It’s all your fault they left. They’re not coming for you. You’re not worth it. 

The thoughts send you down the spiral, the edges of your vision starting to go dark. You’re floating away, hands and feet going numb as your wheezing, shallow breaths block the oxygen from getting to your brain. You’re sinking, your body floating as you begin to retreat into the back of your mind. The cage is open, your omega soothing you as you drift off, curling up in the back recesses of your mind. 

You’re safe now. She whispers. 

There’s no going back. 

You’re going to get out. 

Even if you have to do it yourself. 

The last breath you remember taking is shaky, making you cough before your vision begins to fade to grey, then to black. You’re getting out of here no matter what. You’re going to go to sleep. If you fail, you’ll never know it. Your death will be quick and gentle and you’ll never know it happened until you’ve moved on to whatever is next. 

You won’t remember any of this. That’s your only consolation. 

Your vision fades to black as all memory and awareness leaves you. The last thing you remember is the snap of the zip ties around your wrists as they break. 

“Graves has moved with some of his men to the western building. It’s likely the hostage is being held in the eastern building. Gaz and I will go after Graves. Ghost and Soap will try to secure the hostage.” 

“Keller is on her way to NAS JRB as we speak. They’re on standby for medevac.” 

“Stealth is our priority. They know we’re here, we risk losing the hostage. Quick and quiet, take them by surprise. The faster we do this, the sooner it will all be over.” 

**Content Warning: blood and slight gore, someone gets shot offscreen, some gorey and explicit imagery towards the end**

He’s not unfamiliar with high stakes missions. It’s his specialty. He’s cool and calm under stress and pressure, which is why he gets chosen for them. He can detach easily, get the job done and then go home and forget. 

So why are his hands shaking? 

This isn’t a high stakes mission, not like one he’s used to doing. The stakes are higher, higher than he’s ever had before. It’s not just eliminating some faceless target, it’s not just rescuing some faceless hostage. 

It’s rescuing you. 

How much did he get for this assignment? How much did he settle for once he learned you were involved? 

He hates that you were involved in all of this. He hates that they all fell for it, blind to the truth, blind to Shepherd’s traitorous actions. They refused to entertain those conspiratorial thoughts, and now you’re paying for it.

He hates it.

He should have never left you alone like that. He should have argued against Price and his decision to leave when they knew something wasn't right. They should have known something was going on behind the scenes, that there was a higher purpose to all of this.

His conspiracies had been correct from the start.

He hates that it had to come to fruition.

How could Graves torture an innocent omega? You're not just an innocent omega to him, though. You're a broken promise, a lost opportunity, one he'd waited for, for a long time. Of course he wouldn't have stopped as soon as they started going after him. He wouldn’t give up just because Shepherd told him to stop. He’s ruthless and uncaring of who he hurts and why. He gets his orders and he completes them, no matter what, so long as whoever is giving those orders can pay a high enough price.

Far too much despite that fact, most likely. Maybe he should become a merc. Less rules and more money.

It’s not a bad idea. 

He lasers his focus on the building as they creep through the trees, moving silently. Two against however many are inside. It was impossible to tell with how many were moving between the two buildings constantly. 

He brought the whole squad. He planned on putting up a fight regardless. 

At least they have the element of surprise on their hands. 

“We move silently through the building.” He says as they approach the door. There’s two guards standing outside. “They know we’re inside, things could go downhill quickly.” 

“On you, LT.” Johnny says, taking point beside him. 

“Drop one, I’ll take the other.” He says, aiming at one of the two Shadows guarding the door. 

It’s quick and quiet, their bodies slumping onto the damp dirt. Simon scans the area before moving forward to the door. It’s unlocked, Johnny pushing it open slowly to check for a trip wire. 

None. 

Sloppy, or perhaps on purpose. They can’t be too careful. Shepherd will have let Graves know they’re not on his trail anymore. He’ll be expecting them. 

They split up, combing the bottom floor of the building. He takes out two more Shadows, checking every room for a sign of their target, but they find none. 

“Second floor.” He says, waiting at the base of the stairwell for Johnny to join him. 

“You think she’s in here?” Johnny asks as they creep up the stairs, careful not to make too much noise. 

“Well, we’ll find out.” 

It’s far too unguarded to where they’re holding you. Graves will have assumed they’d split up. He must have moved most of his men to the western building to put up as much of a barricade as possible. He can picture Graves standing there, the smirk on his face as he holds a gun to your head. Will he take that risk, shoot you in front of them and give them nothing to live for? Or will he use a knife, letting you die a slow, painful death in front of them? 

Or, maybe he moved them to the western building to make them think that’s where you are. Focus their attacks there so they leave you behind. He gets cornered, he send the word to kill you before any of them can get to you. 

More red herrings. 

He pauses before he reaches the top of the steps, taking out the shadow standing down the hallway. They split up again, looking through rooms at the top of the stairs, making their way down the hallway. 

One of the doors is open, and he silently motions for Johnny. He counts down silently in his head before rounding the corner, rifle up as he scans the room. His stomach churns as he looks inside, taking a couple cautious steps forward. He’s seen a lot of things in his time, done a lot of things, but this is different. 

“Screaming Jesus.” Johnny says, lowering his rifle as he steps in behind Simon. 

There’s blood everywhere. 

It’s coating the floors, leaving a sticky residue as it dries. It’s the room you were in. He recognizes it from the video, and the bright light in the corner is a dead giveaway. The chair in the middle of the room has been broken, the wood of the arms snapped off and splintered. There’s four bloody zip ties on the floor, along with several instruments on the floor including the ice pick. 

He wants to shove that into Graves’ eye for what he did to you. 

There’s two bodies on the floor, one of them dead in a pool of his own blood, the other choking as blood seeps onto the floor under him. He steps up to the shadow, putting his boot on his chest and pushing. The Shadow lets out a groan, coughing up blood. 

“Where the fuck is she?” He growls, staring down at the quickly paling face. 

“Fucking bitch went crazy.” He chokes out. “Went running.” 

Simon steps back, pulling out his handgun and firing two bullets into the Shadow’s head. 

“Price, we found the room.” He says into his comm. “The hostage isn’t here. A half-dead Shadow said she bolted.” 

“LT.” Johnny says, motioning to the door, the only other exit from the room. There’s a bloody handprint on the door, one too small to be one of the Shadows’. 

“I think she managed to get out.” He says, staring at the handprint. His stomach drops, his hand tightening around his rifle. He glances down at the bodies, throats cut and faces bloody. “I think her omega took over.” 

“You and Soap go after her. She’ll do the one thing she knows to do, the one instinctual thing she can do if she has nothing to fight.” Price says. “We’ve got Graves cornered.” 

Simon pushes the door open, cool air flowing into the stuffy room. There’s bloody shoe prints heading down the stairs. He can see the rapid turn on the concrete below before they head off towards the trees. 

“I’ve got a trail.” He says. 

“Go.” Price says. “Simon...you know what you have to do.” 

He does.

He motions for Johnny to follow before hurrying down the stairs. The longer they delay, the further you’ll get. He doesn’t doubt some Shadows followed you if you made that much of a ruckus. The more time they waste, the more dangerous things get, and not just because they might lose you or the shadows might catch up. 

He races towards the treeline, rifle in hand, but there’s no one else standing guard. Price and Gaz will have taken care of those in the other building, and those that were outside probably went after you. 

He slows once they break the treeline, trying to catch any hint of your scent that might be left. His only hope is that you’ve left a trail. He’s a tracker, he knows what he’s doing. His senses are stronger, more in tune. He can find you. He can track you down. He has to. 

The guilt is eating him alive. If something happens to you, he’ll never forgive himself. He’s right here, so close and yet so far. You’re running on borrowed time and there’s only so much of it left. Eventually you have to slow, eventually your body will start giving up. Will it be too late then? If a Shadow finds you when you can’t fight back...

“Dead Shadow ahead.” Johnny says, motioning to the slumped over body ahead of them. “We’re on the trail.” 

“Let’s hope she left more markers on the way.” He says, kicking the Shadow, but the stab wound in his neck is all Simon needs to know. “Keep going straight.” He says, continuing on the path they’ve been following. He needs just a whiff, a hint of your scent. Something. 

They come across another dead Shadow, this one off to the side of the path they had been following. He turns, making an adjustment before moving forward. Johnny keeps close, both of them watching for more Shadows, or for any glimpse of you. All they can hope is they’re on the right path. 

He nearly sets off in a run as he hears a sound ahead. It’s a yowl, almost like a mountain lion. It sends a tingle down his back, his alpha blaring warning alarms. A threatened omega is a dangerous thing. Fierce and protective of themselves, capable of great feats and lethal if you get too close. 

It’s you, no doubt. 

Price had been right. 

He has no choice. 

He pushes forward, his steps quick as he makes his way through the bushes. He spots you near a boulder, trying to fight off a Shadow. He’s got the upper hand, using his size against you. You’re getting tired, your movements slowing. Simon aims with his rifle, a shot to the head dropping the Shadow. You drop into a crouch, surveying the trees. You’re covered in blood, a knife in your hand as your wild eyes search for them. 

“Distract her.” He says to Johnny. “Make yourself as unthreatening as possible. I’ll go around and get her from behind.” 

He doesn’t even wait for an acknowledgement before he’s moving, slipping around to the side of the boulder. Johnny steps into the clearing slowly, holding his hands up, talking to you quietly.

“Easy, kitten. Ye know who I am.” Johnny is careful not to get too close, his steps slow as he moves to the side, getting you to turn. “We’re just here to help ye. Get ye home and safe.” 

You’re holding the knife up, brandishing it at Johnny. Simon isn’t sure if you’ve ever thrown a knife before, but he doesn’t put it past you to try in this state. 

He hopes Johnny’s reflexes are fast enough. 

He slips out from behind the boulder as you pause, wasting no time as he races up behind you and grabbing you before you can bolt or go for Johnny’s neck. You let out another yowl, struggling against him as he wraps an arm around your chest. Your teeth sink into his arm and he lets out a curse, but he doesn’t let go. If he lets go, they won’t get another chance. It’ll be too late. 

He doesn't want to do it. His mind flashes back to his father and mother, one of the few times his mother fought back. It hadn’t lasted long before her body went limp, practically a ragdoll in his father’s hold. Simon had grabbed Tommy and ran, barricading them in his room. They didn’t want to see what was going to happen next. 

He doesn’t want that kind of control over you, he doesn’t want to put you through that trauma. The disorientation, the fear, the confusion. That must have been what it felt like after being sedated during your heat. You had been sick for days, crying in Johnny’s room. He had heard every sob, every attempt to soothe you. 

He put you through that. He made you face that despite the fear on your face as Johnny escorted you to the med center. 

And now he has to do it again. 

He has to this time. He has no choice. His only other option is to let you die. Price will never forgive him. Johnny won’t even look at him again. He’d betray them worse than you did, worse than Shepherd, worse than Graves. 

You never really betrayed them in the first place, though. 

You were afraid, untrusting of them, unsure because of your past. He had been foolish to blame you, foolish to think it was somehow your fault. You acted out of fear, out of terror. How you must have felt in those moments when that beta showed up, when you faced down Shepherd alone, when you returned to find your space invaded and those cameras all over your room. They weren’t there to protect you, they weren’t there to support you. They left you alone and you hid it from them because you didn’t know any better, because you were so afraid. 

He’s a goddamn fucking prick he’s been. 

Tears blur his vision as he tucks his free arm behind you, shifting your position just enough so he can get his hand around the back of your neck. You kick out with your legs, releasing his arm, your head tilting back in a last ditch, instinctual effort to protect yourself. 

His eyes squeeze closed as you let out a yelp, his fingers digging into the back of your neck. It’s hard enough it will leave a bruise, but he has to be sure. It’s the only thing that might save you. It’s his only option, his only chance to keep you alive. 

“There you go.” He says quietly into your ear. “Need you to relax for me.” 

Your body goes limp in his hold, head resting back against his hand as he holds you there. Your muscles twitch as the tension leaves you, eyelids fluttering before they close. His arm stings where your teeth had sunk into his skin, hard enough to draw blood, but he doesn’t care. 

“Keep resting.” He says, easing his hand from the back of your neck as he shifts you in his arms. “Gonna get you somewhere safe.” 

You’re like a ragdoll in his arms as he lifts you up, cradling you against his chest. You’re warm, hair sticking to your forehead. 

“Call it in.” He tells Johnny, his eyes still glued to your face. “We need that medevac now.” 

“Price, we got her.” Johnny says into his comm. “We need medevac stat.” 

You look so peaceful despite the blood soaking your body. Partially yours, partially the Shadows you killed in your escape. You look like a gruesome painting, a gorey depiction of an omega pushed too far. Something they’d put on display in a museum, a photo that would win prizes in celebration of such a natural state caught on camera. It would be circulated for decades, something talked about centuries from now. 

A raw view of humanity’s inner beasts. 

He can’t stand it, seeing you like this. They did this to you. They are the reason you’re like this. They made the bad call in the end, they put you through this. You won’t forgive them, not after everything. You went weeks without them, without a word and then this happened. Innocence tainted in the blood of the guilty. The bloodstained omega held in the arms of the blood-tainted alpha. He should be the one covered in their blood. He should be the one carrying the weight of torture and desperation on his shoulders. 

The guardian dog covered in blood in the name of protecting his innocent sheep. 

How he’s failed you. How they all failed you. 

He pushes past the pain, past the grief, past the guilt and the horror of what they did to you, what they put you through. 

They’ve got you back. You’re safe. 

It’s over. 

NEXT ->

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[callmemickey]

Simon Riley fucks intensely and passionately. He doesn’t grab your hair, or spit on your face, or cause you physical pain - my man’s has openly admitted to dealing with violent thoughts/dreams against women and wanting to be better. He might get rough if he’s stressed or angry, but he won’t be, like, throat fucking you for example. Sorry. I just can’t see it. He can be fast, but I don’t think he’s gonna be hardcore or degrading. I think if he gets the mask on, he miiiight be a little more… forthcoming.

Simon Riley finds sex to be the highest level of trust, love, and vulnerability. Don’t expect him to be a quick or easy lay. If he wants you intimately, this is the biggest honor you would ever receive from him. Maybe before he was tortured he would’ve been quicker to engage, but the Simon we know now? Yeah, you gotta work.

Simon Riley… ohhhhh he’s always asking you: “is that alright, love?” “that feel good?” “ahhhh, yeah, you’re a good girl, aren’tcha?” If you’re not feeling it, he’s not feeling it. he wants to make sure you’re into it 100%. the moment you grunt, wince, or groan in pain, he’s stopping to check up on his lovie. he just radiates Soft Dom energy to me (and I want him so bad). Simon loves to see you get all flustered, too. When you beg for him (and you’re a good girl) he will give you anything and everything you want.

Simon Riley being a Soft Dom… mmm, delicious. I love to imagine him praising and worshipping: “ahh fuck, i’ve missed my girl’s pussy” “so proud of you, taking my cock so well” “you want to be a good girl for me, don’tcha?” “you’re so beautiful when you struggle to fit me” if you’re engaged with him romantically, you’re his everything - man’s invested his entire soul and well-being into you. With that being said, throw him some praise, too! He’ll melt and become putty in your hands; he’ll do anything for you. Tell him how you were made for his cock, that nobody else makes you feel like he does, how you’re sooo good - but only for him. He’s definitely possessive of you - not in a red flag kind of way, but when you talk about how you’re his and only his… whew.

Simon Riley wants to see your face when you two are having sex. Anything missionary, missionary adjacent, cowgirl, it doesn’t matter, just let this man look at you! He doesn’t crave it, he needs it. Eye contact is so intimate, and if you’re shy and can’t maintain it? Ohhh, he’s gonna have fun. “eyes here, love” “don’t cover your face/close your eyes - i want to watch you cum” “you were just begging for my cock, don’t get all shy now” “be a good girl and look at me” he’s either coming inside or on your tummy/chest. preferably? inside.

Simon Riley prefers having a good session as opposed to a quickie. He likes doing things in the privacy of your shared home (because then you can be loud and cry his name as you cum on his cock for the 4th time 🤭). Sometimes, he’ll be desperate though, and this is when he gets a lil impatient. Like this one time, he went with you to your family’s Christmas party while being on leave for only a week, and he needed you. That man took you in the bathroom and railed you so hard you couldn’t leave for 15 minutes until you could stand without shaking (also not me writing this rn).

Simon Riley, upon specific request, will wear the mask in bed. Honestly, don’t expect this for a while, however. The mask serves as his identity - his separation from you. This will take a lot of courage on his behalf as you’re wanting to bring in something containing his countless sins and crimes into such an intimate situation. Like I said!!! It takes a while to get him this comfortable. Try to rush the process and you’re missing out on some pretty intense and animalistic fucking. It’s a rare time you can expect a more vicious kind of dirty talk from him: “fuckin’ hell, you like being a dirty little slut, huh?” “that pretty little face of yours deserves to be fucked” “your pussy was made for me” “shut up and keep taking it like a good girl should” “ahh, begging for my cock like the needy little slut you are”

Simon Riley loves aftercare, and he makes sure you feel loved during that time. Sweet Angel, we don’t deserve him. Massages, baths, checking on you emotionally and mentally, he’ll make you dinner, put on your favorite movie, and relax with you while he showers you with unconditional love and adoration. He’s obsessed with you. Get over it.

[luna-azzurra]

How to Write a Sick Character

╰ First of all — being sick is boring as hell

Nobody tells you that. You think it’s gonna be poetic and tragic and emotionally moving, maybe a few tears on the windowpane and a soft piano soundtrack? Wrong. It’s pacing in a waiting room for two hours to be told to come back next week. It’s reruns of trash TV because your brain fog is so bad you can't even process a podcast. It's Googling "why do my bones hate me" at 3 a.m. and finding nothing helpful, only vibes. So if you're writing a sick character and every scene is Deep and Heavy and Symbolic, I love you but no. Let them be bored. Let them be over it. Let them fall asleep halfway through someone’s big speech.

╰ Second — sickness is basically a toxic relationship with your own body

And wow, the drama is unmatched. One day your character wakes up and thinks, “Maybe today will be normal.” Their body: “Plot twist, bitch.” Now they’re sweating through a hoodie, canceling plans, and pretending they're “just tired” because explaining the truth is somehow more exhausting than the illness itself. Let your character hate their body sometimes. Let them feel betrayed by it. Let them mourn the version of themselves that used to just do things without needing a three-day nap after. But also—let them fight for their body, too. Advocate. Adapt. Try again. Because it’s not all despair. Sometimes it’s really freaking brave just to get out of bed and put on pants.

╰ Third — it’s not cute

Hollywood loves to write illness like it’s an aesthetic. Clean blankets, sad smiles, a gentle cough. Yeah… no. Sometimes it’s vomit in your hair. It’s medical tape pulling off skin. It’s being too tired to shower but still scrolling through memes like your life depends on it. Give us the gross stuff. The embarrassing stuff. The human stuff.

╰ Fourth — let them be funny

Sick people are hilarious. Mostly because we have to be. You’ve got two choices when your body is a disaster zone: laugh, or fully unravel. So we joke about our failing organs. We flirt with the nurse while on IV fluids. We name our medical devices. We send memes from the ER. Let your character joke. Let them be sharp, sarcastic, absurd. Not because they're “taking it well,” but because that’s their armor. Humor is one of the most honest forms of pain. Use it.

╰ Fifth — sick ≠ broken

Please hear this: your character is not less than. They are not just here to suffer and die and inspire others with their angelic perseverance. They’re a person. Maybe a chaos goblin. Maybe a genius. Maybe a mess. Maybe a lover, a fighter, a giant emotional raccoon with a heating pad. Let them live and have goals. Let them chase things. Let them screw up. Let them be loved and desired and complicated. Their illness is part of them, not all of them.

╰ Lastly — don’t wrap it up too clean

Recovery isn’t linear. Some illnesses don’t “end.” And that’s okay. You don’t need a miracle cure in the third act. Sometimes strength is just learning to exist in a different way. Sometimes it’s re-learning how to hope. Sometimes it’s finding a new rhythm instead of forcing the old one to work. Let your character find peace, not perfection. So yeah—if you’re writing a sick character, you’re doing something important. You’re making space for people whose stories rarely get told with truth and teeth and tenderness. Just promise me you won’t turn them into a symbol. Let them be a person. A funny, scared, strong, exhausted, hopeful person. Like the rest of us.

@katrein05 I Hope This Helps a little... :)