#Actionable Tips

[techsavvy-agcy]

How to create content people save and revisit

How to create content people save and revisit

Within the immense ocean of online material, where millions of articles, videos, and social media posts struggle for visibility, how can you guarantee that yours stands out? The key is not in demanding engagement, but in earning it. This means moving from a "needy" mentality, always pursuing likes and shares, to a "needed" mindset, offering real value that people actively seek.

This goes beyond crafting "good" content; it focuses on developing essential content. To comprehend how to do this, we can look to Abraham Maslow's hierarchy of needs, applying its key principles to the online environment. By addressing core human wants and fears, your content can become crucial.

Physiological Needs: Addressing the Immediate and Tangible

At the foundation of Maslow's hierarchy are physiological needs – the essential building blocks for human survival, like food, water, and shelter. When it comes to content, this translates to addressing pressing, tangible problems and delivering practical solutions.

Example: Think of your content as a lifeline, helping people navigate everyday hurdles and find instant gratification. Picture it as a form of "digital nourishment" – something that instantly quenches a thirst for knowledge or eases a pressing worry.

Let's say someone's searching for "how to fix a leaky tap." What they're after is a straightforward guide, a list of tools they'll need, and a short, simple video showing them how it's done - not a deep dive into the philosophy of plumbing!

Needy Content: What we don't need is a blog post called "The Art of Plumbing: A Journey of Discovery" that's big on abstract concepts but short on practical advice.

Needed Content: We need a "DIY Leaky Faucet Repair: A Step-by-Step Guide for Beginners." This guide should include a clear visual tutorial, a printable list of materials, and troubleshooting tips. This kind of content addresses an immediate problem, saving the user time, cash, and headaches.

Safety Needs: Building Trust and Providing Security

When physiological needs are addressed, safety becomes a major focus. This includes aspects such as physical security, financial safety, health, and a sense of order. In the digital environment, content that responds to safety needs enhances trust, reduces anxiety, and delivers trustworthy, verified information.

Your writing should act as a reliable manual, providing consolation and clarity in a world that is often overtaken by uncertainty and false information.  It positions you as an authority figure that people can trust to protect them from potential threats.

Example: Reflect on the vast quantity of health information accessible on the internet, much of which is contradictory or misleading. Individuals looking for guidance on a specific health issue require reliable, evidence-based information rather than anecdotal assertions.

Needy Content: A social media update claiming a "miracle cure" for a chronic condition, lacking any scientific validation or credible references.

Needed Content: A comprehensive article titled "Understanding [Health Condition]: Symptoms, Diagnosis, and Evidence-Based Treatment Options" – thoroughly researched, referencing medical journals, and developed in collaboration with healthcare experts. This type of content instils a sense of trust and dependability, enabling individuals to make well-informed choices regarding their health. Likewise, an article titled "How to Identify Phishing Scams: Safeguarding Your Digital Identity" directly tackles a safety issue by offering practical measures to evade online threats.

Social Needs: Fostering Connection and Belonging

People are fundamentally social beings, driven by the need for connection, belonging, and love. In the context of content, this means developing experiences that cultivate community, enable interaction, and allow individuals to feel acknowledged and part of something bigger than themselves.

Your content should act as a trigger for connection, fostering conversation, shared experiences, and a sense of collective identity. It goes beyond a simple one-way message and actively invites engagement and empathy.

Example: Reflect on the isolation that numerous people encounter in niche hobbies or tough life situations. They seek connections with others who have similar experiences.

Needy Content: A dedicated forum or Facebook group titled "First-Time 

Needed Content: Sharing Your Journey and Tips," where new parents can pose questions, express their worries, celebrate achievements, and provide support to each other. This type of content fosters a feeling of belonging and community, addressing a basic human desire for connection. Likewise, a content series that highlights interviews with community members, sharing their stories and experiences, can cultivate a profound sense of shared identity and mutual understanding.

You can transform your material into something people can't live without if you can understand and meet these fundamental human wants. Give up pleading for attention and concentrate on becoming truly indispensable. People will naturally want to interact with you when you provide actual value, solve their problems, establish connections, and foster trust. This will ensure that your material is not just seen but also truly appreciated.

[thepedanticbohemian]

Writing tool for your fight scenes.

[whatudowhennooneseesyou]

Pls tell me that's a mic pack or a phone in his pants or else I will go feral- WAS I RIGHT AGAIN???

I will take this down eventually b/c I can't be too feral on here but height be damned...

I don't give a shit about how short he is when he's a millionaire, a daddy dom, a sweetheart, a talented musician and he's got that HOTLINE SWING action for real???!!!

[luna-azzurra]

Subtle character actions

- He traced the rim of his coffee cup with his finger, lost in thought.

- She tucked a loose strand of hair behind her ear, her eyes avoiding direct contact.

- He absentmindedly twisted the ring on his finger, a silent habit he'd had for years.

- She sighed almost imperceptibly, a sign of her hidden frustration.

- He raised an eyebrow, a subtle signal of skepticism.

- She adjusted her glasses, a small gesture that indicated her nervousness.

- He tapped his fingers on the table, creating a quiet rhythm only he understood.

- She let out a soft, barely audible chuckle, a sign of her amusement.

- He folded the corner of a page in the book he was reading, a secret way of marking his favorite passages.

- She shifted her weight from one foot to the other, revealing her discomfort in the situation.

[literaryvein-reblogs]

words for when your characters are ________

Eating

absorption, chew, contract, crunch, deplete, diet, dig in, dispatch, draft, exhaust, feast, finish, glut, gobble, gormandize, graze, guzzle, ingest, nibble, nosh, peck, polish off, prey on, quaff, sip, stuff, take, tear down, wolf, xerophagy

Moving

bob, careen, circulate, contort, curl, dandle, descend, dislocate, displace, drift, entwine, fidget, flourish, haul, loop, oscillate, paddle, pivot, pulsate/pulse, revolve, rock, rotate, skirt, topple, transport, tumble, twine, uproot, waft, waver, wheel, wield

Moving quickly

barge in/barge into, bolt, bustle, coast, dart, decamp, flash, flinch, flutter, gallop, glide, hurry, hustle, jiggle, make off, plunge, prance, rebound, ricochet, run, scamper, scramble, shake, shudder, skedaddle, skip, slide, slither, speed, sprint, storm, swerve, tear, twirl, wag, whiz, wobble, zip, zoom

Moving slowly

amble, creep, dalliance, decline, dilly-dally, hobble, knock about/knock around, laggard, linger, lumber, meander, plod, prowl, ramble, reel, saunter, slink/slither, sneak, steal, stroll, tarry, tramp, waddle, wander

Vocalizing

accent, bark, bellow, cackle, chant, chortle, clamor, cry, drone, giggle, growl, guffaw, harmonize, howl, laugh/laughter, locution, mumble, mutter, parrot, roar, shout, shut up, snap, snicker/snigger, squawk, stutter, voice, whimper, whistle, yammer, yowl

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary. Writing Resources PDFs

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary ⚜ Part 1

[newtiative]

Brian Tracy - Don't stop | @newtiative

Brian Tracy is the founder and CEO of Brian Tracy International. He is a Canadian-American motivational public speaker and self-development author.

#motivation #entrepreneur #inspiration #learnfromfounders #innovation #win #future #money #investing #startup #growthmindset #quotes #briantracy #newtiative

Learn from Brian Tracy. Invest wisely. Achieve financial freedom.

Follow for expert analysis, inspiring stories, and actionable tips.

[themonkeylikecreature]

how to get shit done politically

Find a group for people in your area who agree with you on issue (check discord, reddit, local college groups, religious centers, your friend group, and annoyingly facebook is very good for this)

Keep track of laws being voted on or passed in your local state/city (this also works to sway your representative for national laws)

Find a law you would like to be passed or not be passed that is being voted on

Post in group found above that said law is being voted on, a link to the reps website and phone number, and optionally a script as to what to say

Hopefully convince a 1-20 people to contact them

Because so few people participate in local politics, that is probably enough people to get them to do the thing you want (number needed depends on population)

Enjoy the changes to transportation / police / homelessness/ education policy/ local laws/ air quality/ environmental issues/ so many other things

(Bonus step, follow your state/city in tumblr tags, and post to tumblr as well, and maybe we can turn this website into a place you can get actual actionable steps)

[luxaofhesperides]

Ghostlights where Phantom saves Duke or the Signal, and a week later (at a Wayne gala or some other place) Duke recognizes the light/aura coming from Danny

Putting off gala prep was perhaps not the best plan. Duke spent the past month insisting that everything is fine and he has it under control. Duke is also a lying liar who lies, and now he’s frantically trying to pick up his suit in time to get it dry cleaned and altered as necessary. 

Alfred would be disappointed in him, but in Duke’s defense, he had to go out of town on a mission to bust a growing drug cartel, and then spent half a week visiting a shelter for metas on the run (unofficial and hidden away) to help everyone find new homes and learn to control their powers. These things take time!

Unfortunately, gala prep also takes time, and since it’s a charity gala for funding the education of every Gothamite student, it’s not one he can slip out of. The entire family is being strong-armed into attending and not making a scene until the donation period in the first half is over. 

Duke knows he’s not the only one who’s scrambling to get ready for a gala that’s taking place in three days, but they’re not helping him, so it feels like he’s the only one messing up. 

“Sorry!” he calls behind him as he sprints through a group of people. 

He could have asked someone to drive him, but he knows they’re all busy and doesn’t want his own poor time management to cause problems for anyone else. Even though he’s sure Bruce is looking for an excuse to get out of a mandatory Wayne Enterprises board meeting that both Lucius and Tim dragged him to.

RIP Bruce. He will be missed.

The Diamond District is full of people walking the streets, sprinting between parked cars and waiting for their rides. They’re all dressed nicely, making him feel out of place. It’s a feeling that’s never left him since he joined the Waynes but it’s particularly bad when he’s left to navigate these spaces alone. Rich people and socialites are a different kind of human, one that Duke doesn’t care to understand; there’s greed in all of them, turning them heartless, and they can give as much as they want to charity but it won’t change the fact that all they do is a performance to make people like them, rather than a desire to do anything good. 

The sooner this is over, the better. He keeps going, hoping that he can still make it to his appointment with the tailor. Alfred recommended the store, then set up the appointment, so all Duke has to do is trust their judgment as they get him fitted. He’s still got twenty minutes until the scheduled time, but some unspoken rule makes it so he has to show up fifteen minutes early for better service or risk being turned away and told to reschedule. 

Duke slows to a walk when he catches sight of the store, the trying to catch his breath and look more composed before he reaches the door. He takes a moment to straighten his clothes a bit, then opens the door and steps in.

The bell jingles pleasantly above his head. The store is empty of any other customers, and the employee at the front counter looks up with a plastered on smile. 

“I’ll be with you in a moment!” she says, then looks down at her phone and types something out before placing it under the counter. A tablet comes out instead and she swipes through a few screens, then sets it down and look at Duke again. “How can I help you, sir?”

“I have an appointment? For a suit fitting. Under the name Thomas.”

She taps on the screen for a minute, then nods and gives him another customer service smile. “Alright, I’ll go ahead and grab the tailor. They’ll be out with your suit soon. Please, feel free to take a seat or browse some of our suits. We just recently got a new collection in from Italy.”

“Sure, thanks. I’ll just… be here, I guess.”

The employee takes her tablet and disappears through a door, leaving him alone in the store. He doesn’t want to sit down, not while his heart is still trying to settle from his sprint through half of Diamond District, so Duke wanders around the neat stacks of dress shirts and vests, pants and belts and shoes lined up neatly against the walls. 

He takes a moment to shoot Alfred a text that he’s at the tailor for his fitting appointment. Steph’s sent him a long string of videos online, and he’s just about to go through them when the bell rings again. 

Duke glances up and watches a guy walk into the store. He looks around, makes eye contact with Duke, then quickly looks down, taking a seat by the door.

Probably another upper class citizen uncomfortable with the fact that someone in jeans and a hoodie is shopping for suits. Shaking his head lightly, Duke wanders deeper into the store to get some distance between them so they could ignore each other more easily. It’s only until the tailor comes out, and then he can go to a fitting room and be done with this whole thing, so Duke resigns himself to suffering through the tense silence. 

How long is he even supposed to wait? He can only look at clothes in one of three colors before he gets bored. 

He goes to another rack, trying to see if he can notice anything different about these shirts. 

And then he hears a shoe scuff against the floor behind him. He tenses up, but before he can turn around, a belt is wound around his throat, pulling him back and choking him. 

Duke drops his weight, tucking his chin and gets a hand against the inside of the belt to try to push it away. His back hits someone’s chest and he’s trapped, focused on trying not to be choked to death while also keeping his vigilante abilities and meta powers secret. 

More footsteps come from behind, and a soaked cloth is pressed against his nose and mouth.

Chloroform, he realizes, familiar with the smell from Bruce’s training. But training isn’t enough to keep him from being knocked out, and he quickly slips away from the waking world, falling to the ground. 

Just before he passes out completely, he hears the employee who greeted him say, “I’m not sure how much Wayne would be willing to pay for him, but let’s start high and negotiate lower. New kid can’t possibly be worth that much…”

Duke wakes up groggily, memories of what happened quickly snapping into place. He’s too out of it still to get up, but he’s awake enough to be offended. Sure he’s the new kid, and barely even a Wayne, but he’s still worth a lot!

Kidnappers these days. So rude.

He doesn’t hear anyone around him, and it feels like he’s lying on a cold concrete floor. Basement, maybe? Warehouse? Storage unit tucked away somewhere? There’s nothing much to see when Duke is able to open his eyes, squinting bareilly at his surroundings. His arms are tied behind him, wrists bound, but they left his legs alone. 

If he could just hit the panic button on his bracelet…

Duke wiggles around, fighting through the lingering effects of Chloroform, and manages to sit up. If he strains his hearing, he thinks he can hear voices outside of the empty room he’s been left in. There’s a window high up, too high for a normal person to reach without help, but if he can use the shadows to travel through it, then he may be able to escape on his own. 

First things first: he needs to free his hands before anyone comes in to check on him.

They used zip ties on him, which is inconvenient. He’s learned how to get out of them, but it’s difficult enough without being drugged and having to do it behind his back. 

He’s feeling the zip ties bite into his wrists just as there’s a crash from outside the room. His kidnappers yell, alarmed, and are quickly silenced. That’s rarely ever a good sign. Duke renews his efforts to escape, ignore the pain in pushing against his binds like this. 

The door opens. Duke hears the small click of a lock disengaging and freezes. Then he gets to his feet, still unsteady, and prepares to ram his head into anyone who comes near him like some sort of deranged battering ram, or a drunk raging bull. 

Duke is ready for the worst: a gang hoping to steal away a Wayne hostage, a Rogue, Gnomon popping in to cause trouble for the sole purpose of getting on Duke’s nerve. 

He’s not expecting another teenage boy, who is literally glowing, to poke his head in and zero in on Duke. He blinks, then smiles; it’s friendly and sincere, nothing like the employee who helped kidnap him. 

“Hey!” he says, coming into the room properly. He’s floating a good foot off the ground, eyes a bright neon green, with white hair that sways as if he’s underwater. “Are you okay? I saw them drag you out of the back of the store and followed them, but I got a bit lost. Sorry for taking so long to get here.”

“...It’s fine?” Duke offers, trying to wrap his head around what’s happening. “I wasn’t expecting a rescue so soon, anyways. Think you can help me out here?”

“Yeah, of course!” he flies closer, then drops down to the ground behind Duke. He hums lightly under his breath, and then Duke feels a cold touch on his wrist and the zip ties are suddenly gone. 

Duke blinks, then brings his arms in front of him. He moves around a bit to make sure he’s not hallucination, and sure enough, he’s free and unbound because a random meta teenager vanished the zip ties into the ether, or something. 

“Thanks, man. Any idea where we are?”

“Not a clue. I got lost coming here, and I was following them. I don’t think you should trust any directions I give.”

“Fair enough,” Duke laughs. “I’m Duke, by the way.”

“Phantom.”

“Well, thanks for the save, Phantom. Can I treat you to something?”

“Like, coffee?”

“Sure. Or brunch, or ice cream. Whatever you want, really.”

Phantom considers it for a moment, then shakes his head. “Sorry, I would love to but going out in public looking like this,” he gestures to himself, “Is not a great idea. Thanks for the offer though. You got a ride?”

Duke pats his pockets, then sighs. “My phone’s gone. I still have my wallet, though.”

“I fly you to someplace you can call someone, if you’d like.”

“You sure? I could probably just walk out of here and call a taxi.”

“I don’t think walking around by yourself after being kidnapped is a great idea,” Phantom says, doubtfully. “Seriously, let me fly you.”

He should just hit the panic button and wait for someone to show up to get him. He shouldn’t go to some unknown location with a meta he literally just met. 

But, you know what? No one else can say they got kidnapped twice in one day, so Duke nods and says, “Sure, sweep me off my feet, Phantom. You gotta commit to this rescue.”

Phantom laughs. And then he does sweep Duke off his feet into a princess carry with a cheeky grin and flies them out the building, which turns out to be an abandoned apartment building slated for demolition. 

“Keep this up and you’ll be replacing Superman in no time,” Duke jokes.

“I think I could manage it,” Phantom replies thoughtfully. “I mean, I’m already prettier than him, don’t you think?”

“Oh, definitely. The glow really brings out your eyes.”

Phantom gets him a few blocks away when Duke recognizes where they are, and quickly directs him into Crime Alley. They land on top of one of Jason’s safe houses, and while he’s sure there’s enough security to take out a SWAT Team, that’s absolutely not going to stop him from breaking in to use one of Jason’s burner phones and eat his leftovers. 

He’s set down on his feet gently, and as soon as Phantom sees that he’s fine, able to walk and everything, he floats back up, just out of reach.

“Be careful, okay?” he says, getting ready to leave.

“I’ll do my best. Hey, are you gonna be in Gotham for a while, or…?”

Phantom gives him a tired smile. “Nah. I’m just passing through. As long as my luck doesn’t get even worse, then I should be out of here in a few days.”

“Shame,” Duke says, giving Phantom a very visible once over. He’s pretty tall, and Duke can see some muscle on him, and the tight black outfit really adds to his look. The glow that comes out of his chest makes him look ethereal and Duke is beyond glad that he got such a charming rescuer.

Phantom doesn’t blush like a normal person. He glows brighter instead, curling into himself a bit as he looks away, unable to stop the smile from growing on his face. 

“I guess,” he shrugs. “Are you really going to be alright from here?”

“Yeah, man, I have a friend who lives here. I’ll just bother him until he agrees to give me a ride.”

“Alright.” Phantom drifts away, glancing behind him before turning back to Duke. “I’ll get going then. Take care, Duke!”

Duke waves and watches as Phantom begins to fly away. Then Phantom… disappears? Or rather, his body does but Duke can see an orb of light making its way across Gotham, almost like a star fallen from the sky.

He stays on the roof until the light is long gone. When he’s finally ready to go in and steal from Jason, the sun has completely set. 

And he still doesn’t have his suit.

Duke sighs, and mentally prepares himself to other day of stressing out about the gala.

Three days of stress and last minute scrambling leave Duke in the Gotham Museum of Modern Art with Steph, Tim, Cass, and Damian. They’re hiding in the photography gallery to avoid other guests, taking a break from being polite and letting thinly veiled, passive aggressive insults slide over them.

.

.

.

“How much longer must we suffer this before we can go?” Damian grumbles, looking like he’s do anything to get his hands on a blade. Which, considering how many people tried to either pinch his cheeks are say some racist remark about him and his mother, is totally fair. Duke would just punch them, but sometimes a little drama helped get the message across. 

“At least two more hours,” Tim says, not bothering to look up from his phone. From what few glimpses of the screen Duke caught, he’s leading a Titans missions through text and clever hacking. Though it may be more accurate to call is a Young Justice mission since there’s no way any of this was authorized by a Justice League member. 

Also Anita, suited up as Empress, is there. If they aren’t on the news for property destruction and absolutely batshit wild shenanigans, Duke will have to check on Tim to make sure he’s not a pod person sent to infiltrate the family. 

“Think we can sneak out without anyone noticing?” Steph asks, looking at the emergency exit longingly.

Cass shakes her head and points to the door leading to the ballroom. When they look over, Dick makes very deliberate eye contact with them and give them a smile that looks stretched across his face.

Tim winces and pushes Duke. “Oh, something went down. Go take over for him and let Dick rest in here for a bit.”

“Man, why does it have to be me?” he grumbles even as he stands. Dick lets out a heavy breath and gives Duke a grateful smile, patting on the shoulder before shoving him out the door. 

As soon as he’s back into the main hallway, the music and chatter swell, no longer muffled by the thick walls of the photography wing. A few people come and go from the ballroom, no doubt looking for the restroom. 

Or more private places for… other things. Things they definitely shouldn’t be doing in an art museum.

He really can’t wait for this night to be over.

Duke joins the rest of the guests, fake smile on his face, and quickly makes his way to the snack table. He might as well make the most of his time stuck out here. Maybe he could even cause another relationship scandal by implying that Bruce is sleeping with one of partners when in hearing distance of a couple. Maybe even both of them. 

Bruce would go with it. It’s hilarious and he also needs something to make these events bearable.

Sadly, he doesn’t see any good targets as he scans the ballroom. A few people are dancing, while others are talking in small circles, closed off from outsiders. There’s an entire table of old ladies with glasses of wine in front of them; Duke considers hanging around them, since they confess to a lot of crimes after a few glasses. It’s fascinating. 

Also, he does kind of miss hanging out with the one old lady who’s declared herself his high society grandmother and told him stories of how she used to go to bars to find racist people or Klan members during the Jim Crow era, seduce them, then poison them and get their addresses so a few gangs she was friends with would fuck them up.

Granny Kaliasto is the coolest person ever. 

Just as he’s about to finish his last mini rolled crepe, Duke catches sight of one of the few teenagers still in the ballroom. The others, mostly stuck up rich kids no one actually likes, have already left to take over some other part of the museum to gossip until their parents decide it’s time to go home. These two are clearly not part of that crew, what with the girl being very goth and in a poofy, ripped dress, and the boy having already taken his jacket off to keep over his forearm, the top button of his shirt popped open.

They might be cool. He’s hoping they’re cool because he desperately needs some company to keep from dying of boredom while the gala continues on.

Duke walks over to them, going around the side of the ballroom, until he’s close enough to hear them talking.

The boy has his back to Duke, but the girl sees him. She immediately scowls and slaps the boys shoulder, eyes locked on Duke.

“Got another comment about my dress?” she says, voice sharp and acidic.

“Another?” Duke repeats. “I was just bored and wanted to talk to people who were my age. Sorry?”

The boy smacks the girl’s arm, then turns to face Duke. “Sorry about her! Sam is just naturally rude and aggressive. Tonight’s been a bit rough, with this crowd.”

Duke goes to say something, but the words stick in his throat when he sees the boy’s eyes shift from deep blue to an electric green. When he focuses, he can see a faint glow in his chest, the same glow he saw in Phantom.

“Dude? You alright?”

Sam looks him over judgmentally. “I guess it’s nice that I’m not being ogled for once, but don’t do that shit to Danny either.”

“Wait, that’s not what I was doing!” Duke hurries to say, snapped out of his shock. “I just… you look a lot like someone I met recently.”

“Yeah?”

“Yeah. What was your name? I’m Duke, by the way.”

He holds out a hand, and the boy shakes it with a small smile. “Danny. I don’t think we’ve met. I mean, I’m only here because Sam wouldn’t come to this gala without me, so her parents flew me in.”

“You from out of town?”

“Sam and I are from Illinois. Her parents are traveling around the east coast right now, and they decided to spend a week in Gotham to talk business.”

“I’d ask how it is, but outsiders tend to really hate Gotham, so…”

Sam barks out a sharp laugh. “Oh please, we can handle Gotham. Our town might not be as big and well known as Gotham, but we got our own shit to deal with there.”

“I do get shot at a lot back home,” Danny adds thoughtfully. “And that’s without the ghosts.”

“Woah, what?”

“Up for a bit of a story?” Danny asks, impish grin on his face. By his side, Sam brings a hand up to cover a manic smile, shoulders already shaking with laughter. 

This is already better than the grandma gang. Duke leans against the wall, getting settled in, and says, “Always, man. Hit me with it.”

The next hour an a half passes quickly with Sam and Danny dramatically narrating some of the things that have happened in their town. Duke listens, absolutely enraptured, and doesn’t even notice the Waynes file into the ballroom again. 

Unfortunately, they bring with them the attention of most of the ballroom, including Bruce and Sam’s parents. 

She cuts the current story about Box Ghost short with a heavy sigh. “Hold up, I need to greet the Waynes properly while my parents are watching.” She steps in front of Duke and Danny, holding out a hand with a pained smile.

Tim takes it first, giving a solid shake, and introductions start. 

Free from the rules of high society, if only for the moment, Duke leans closer to Danny and whispers to him, “Phantom. Wanna get out of here?”

Danny flinches and turns to him looking panicked. “How did you know?”

“I kinda got magic eyes. I see a lot of things normal humans can’t. Don’t worry about it. I still owe you, so you wanna get out of here?”

He watches as Danny glances around the ballroom, then back to him, clearly weighing out his options. Then he nods and says, “Know where to get a good milkshake around here?”

“Sure do.”

“I guess you’re the one rescuing me this time.”

“Not a rescue,” Duke corrects, and casually picks Danny up over his shoulder into a fireman’s carry, “A kidnapping.”

Danny laughs and waves Sam and all the others goodbye as Duke marches out of the ballroom.

“Don’t bother me for the next two hours!” he calls to the Waynes, “I’m going on a date!”

There are shocked gasps and murmurs all through the crowd. But as he spins around to wave at his shocked and easily amused family, he also catches sight of Granny Kaliasto raising her half full wine glass towards him.

She really is the coolest.

He’s definitely telling her all about this at the next event they attend together. It’ll be nice to have a few stories of his own to share.

[qoldenskies]

i feel like the only long tail leo truther out there. CAN ANYBODY HEAR ME

[glowettee]

hiii angel! i was wondering if you could give me some tips on how to get out of the planning stage. i always plan everything super well (goals, assignments, new habits, etc.) but i can't seem to actually do what i set out to do. thank youuu <333

how to get out of the planning stage and take action

hiii angel!

so sorry this reply is a little late, currently have over 20 asks in my tumblr inbox and 39 submissions for glowettee hotline, + i've been busy with school!! <3 trying my best here 😭😭

i totally get where you're coming from. for the longest time, i've chatted with so many lovely souls who plan every detail down to the tiniest nuance but still find themselves stuck in that comfortable space called the planning stage. it's such a familiar feeling – the allure of a perfect plan is hard to resist, yet the leap from paper to action often feels like a giant jump into the unknown.

first off, it’s important to remember that planning is a beautiful part of who we are. i adore mapping out goals, assignments, and habits because it gives a sense of structure and purpose. however, when our plans become so intricate that they keep us from living and experimenting in the real world, they can inadvertently hold us back. so, here are some tips that might help you step out of the planning cocoon and into the vibrant dance of doing.

tip number one: break the step into a micro-action. instead of looking at a major goal as a single massive project, try to identify the tiniestttt action that will move you forward. for example, if your goal is to start a new habit like journaling, begin by simply writing one sentence a day. that small step feels almost trivial, but it lowers the barrier and starts a chain reaction. each micro-action is a little celebration of progress, and before you know it, you’re writing a full entry without even noticing how natural it has become. this is really helpful especially when you tend to procrastinate, (like mee) breaking down a task can be sooo helpful, and checking off little sub-tasks, getting closer to completing the base-task is so satisfying, just make sure to not have too many sub-tasks as it can get kind of overwhelming.

tip number two: embrace the idea of imperfection. our plans often feel like a promise to ourselves that everything must be flawlessly executed. but truthfully, life thrives on surprises and little missteps. give yourself the grace to experiment and to be imperfect. if you try something and it doesn’t go as planned, see it as a delightful learning curve rather than a failure. each imperfect attempt is closer to your goals, one that adds character and charm to your journey.

tip number three: set a playful deadline. if the thought of beginning feels overwhelming, create a fun, short timeframe for starting. set a timer for 15 or 20 minutes and that period is solely dedicated to moving from planning into doing. it’s like a little challenge to yourself, a mini-adventure that transforms the abstract into something tangible. when you’re engaged in this light, timed action, the pressure of perfection fades into the background. i tried this multiple times, for example, after i planned out a workout routine that totaled up to 35 minutes, i ended up procrastinating and not doing it, until i decided to set a timer for 10 minutes and i did a few exercises from the routine i planned, and accomplished about 6 of them! it make me feel so good and a day later i ended up doing the full routine, and now i do it everyday <33

tip number four: share your dream out loud. there’s something incredibly powerful about voicing your plans. it doesn't matter if you chat with a friend, jot your intentions in a personal note, or even share a snippet on your blog, you invite accountability into your space. hearing your plans out loud can make them feel more real, shifting them from thoughts into your life’s reality. i see a lot of tumblr blogs do it, for example the 100-day productivity challenge, it's super common on here. it not only adds commitment but might also bring unexpected encouragement or fresh perspectives from someone who gets you.

tip number five: create an action ritual. sometimes, a gentle ritual can signal your brain that it’s time to switch from planning mode to action mode. for me, it might be making a delciiousss smoothie (i love doing this), or playing a specific calming spotify playlist, or simply taking a few deep breaths before diving in. if you try to create a little ritual, you’re setting a clear boundary, a small, charming ceremony that honors both your planning side and your doing side.

tip number six: allow for what i call a “trial and error” mindset. instead of pressing yourself to hit the bullseye on the first try, treat every action as a cutseyy experiment. consider each attempt a hypothesis, and your goal is simply to learn something new from each experiment. this mindset not only reduces the fear of failure but also makes the journey more about self-discovery than about ticking off checklists. over time, each experiment, regardless of the outcome, becomes a stepping stone toward more confident actions.

tip number seven: mix planning with spontaneity. while it might sound contradictory, mixing your structured plans with unscheduled moments of spontaneity can really shake things up. allow yourself a bit of wiggle room in your schedule, moments where you simply go with the flow. these spontaneous choices can open up creative pathways that a strictly planned day might suppress. sometimes, the best discoveries come when you let go and simply enjoy the moment.

tip number eight: reflect on your “why.” before diving into any action, it can help to take a step back and remind yourself why you started planning in the first place. reconnect with the heart of your goal, the emotion behind it, this can be for personal growth, academic success, or simply the joy of creating something new. that connection, that inner spark, can serve as a strong motivator to nudge you out of over-analysis and into real action.

little note from mindy: planning is an art form and a comfort zone, but it’s not the destination. it’s a gentle stepping stone to a world of possibilities where every little step forward counts. your plans are a lovely blueprint, and nothing is more exciting than watching those blueprints come to life bit by bit. take a deep breath, trust in your instincts, and let your actions bloom and flow naturally.

i hope these tips bring a bit of encouragement and help you balance between the beauty of planning and the thrill of doing. sometimes, the journey itself is a mix of trials, errors, and surprising successes. but i assure you, it's all a part of the process.

thank you for sharing your thoughts and for trusting me with your question. your journey is uniquely yours, and your honesty in sharing these challenges is something to celebrate. keep planning, keep dreaming, and most importantly, find joy in taking those small yet bold steps forward.

love, mindy

[twentyfivemiceinatrenchcoat]

one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((

[remus-poopin]

It seems like you somehow manage to have one foot in the marauders fandom and one in the snape fandom and I’m so impressed. How do you do it?

Also, since you get to see both sides of things I’m wondering what you like the most about each fandom?

Ok this is an interesting question! Honestly I think I’m able to do this, and do this enjoyably, because I really try to make an effort to not moralize. This hasn’t always been how I interacted with fiction in the past, so it’s been a tricky process of learning how to do this with consistency. But it is something that I think is very important for me to do, not only because I have a better time in fandom when I'm not moralizing, but also because it inspires a sort of self reflection and allows me to practice empathy in a way that’s feels more analytical than emotional/inherent. And in the case of navigating two fandoms that have a built in tension between them, this becomes especially helpful.

The tension between the snape and marauders fandom almost always comes down to moralizing. The back and forth arguments between fans are usually rooted in the idea that the other character is not only morally flawed, but more morally flawed than theirs. If you look at any anti Snape or anti James post there’s an underlying agenda that’s trying to prove one is worse than the other. This is pretty irritating to me because I find it to be very boring, silly, and just missing the point of the characters and themes. But this is also irritating because I find that it's ineffective in producing any real meaningful analysis on these characters. Because the goal is not to understand that character, but to condemn them.

(This doesn’t mean that I think you shouldn’t examine the behavior of the characters, just that assigning a moral judgment to that behavior outside the world of that character leads to heavily biased analysis (meaning making it personal and about your standard of morality leads to a messy understanding of the character and story))

Going back to the tension between these fandoms, I think when you’re busy trying to prove how shitty a fictional character is you have a hard time separating them from their fans. Because it’s not really about the character anymore it’s about you and your personal feelings and beliefs.

I very frequently run into posts talking about “snape defenders” and “marauders defenders”, like this is some kind of battle where a side needs to be picked, and then picking a side is a reflection of your morality and politics (I’ve seen marauders fans imply that “snape defenders” are fascists or fascist sympathizers and I’ve seen snape fans call marauders fans “class traitors”, all in the last couple days mind you).

I’m going to be honest and say that whenever this pops up it’s gets pretty frustrating, frustrating because it feels like people are just using these characters as avatars for larger discussions they actually want to be having, but because these characters have specific stories, motivations, and complexities it makes this extremely messy (want to vent about the cult of conservatism that's growing all around us? Bring out the Snape Ken doll and talk about how he deserved his bullying (if he even was bullied)! Hate feeling the weight of capitalism on your chest while the class divide grows larger and larger? Call James “bourgeois scum”!)

(Or as @sideprince wisely said, it’s a way to be political without actually engaging in politics)

So yes I find this tiring, but I also really get it. I have done some form of this myself plenty of times. I am not immune to moralizing or having these same type of strong emotional reactions to a fictional character. In fact, I had this very recently when I watched “Girls” for the first time last month. Until maybe this week I felt a strong hatred for the character “Adam”. This hatred came from seeing him do something in a scene that I considered to be morally repugnant. The scene itself was incredibly graphic and triggering to the point where I had to stop watching the show for a couple days. The disgust response firing in my brain made it so I was incapable of viewing his character as anything but a POS, and all the complexities of him were lost because I refused to engage with them. So all his actions after that were viewed with a moral judgement from me. I mean even when he was being funny, sweet, or just interesting I felt incredibly annoyed because I desperately didn’t want to like him. However I was cognizant of the fact that I was having this sort of moral reaction to fiction because this is a show that is defined by its complex, complicated, and realistic characters, who have all done some very questionable things, and yet he was the only character getting this treatment in my head. So feeling frustrated with my own hypocrisy I decided that I needed to start approaching this differently.

So I made a choice to look at his action, the one that I found disgusting, and start breaking it down: Why did he do that? What was it saying about his relation to shame, power, control, violence, sex, gender, etc.? How else has he reacted to those issues in the show? I kept asking those types of questions, on and on, until suddenly I wasn’t just thinking about the disgusting act itself, but the character. The act stopped being about my own feelings and trauma and became about him.

That’s what I do with the marauders and snape, that’s what I strive to do with any fictional character, because to me that’s the most enjoyable way to engage with fiction. And I find that the fun I have in fandom is greatly limited when I’m pissed at a character, because it makes it difficult to interact with others who are their fans. If I see that someone is playing with that character, a little voice would go, “but what about my anger?” followed by a sharp sting. That type of anger, that moral anger, is personal, but this character is public, it lives beyond me and my feelings. My anger is mine, it never belonged to the public.

And I have at some point felt that same type of moral disgust/anger for both the marauders and snape. But I zeroed in on what specific action was making me feel that way, tried to understand why I had that reaction in the first place, and then went back to the action itself and tried to contextualize it within the character and story so it was removed from myself.

That’s how I’ve been helping myself with the moralizing issue. I’ll still have these reactions in the future, I might even have one on here, but I'll keep working on it. Because either way I love all of these characters and I want to continue to be able to exist in both fandoms without having to choose a side, or even lean a certain way. When you're not trying to win the war on which character was the Shittiest™ the pressure turns off and you can just enjoy these multifaceted characters with their many flaws and many strengths.

And as for what I like most about each fandom: I adore the snapedom because I've always felt that the best meta in the entire hp fandom came from there. Honestly the whole reason I love snape so much wasn't because I ever felt particularly identified with him, but because I read a billion incredible metas and analyses about him and truly came to appreciate his complexities.

For the marauders side I think I really enjoy the camaraderie, there are a lot of really sweet and cool people I’ve talked to on here and that's always been a blast!

[literaryvein-reblogs]

Writing Notes: Action Story

Great action writing draws in your audience, getting their adrenaline pumping as they turn the page.

Elements of a Good Action Story

There are many elements that come together to form a good action story and allow you to tell your own story in your own perfect way:

Sentence length. Writing action scenes involves knowing how to pace the narrative so that readers are fed the action at a steady and satisfying speed. If your action sequences are built with long-winded sentences full of verbs and descriptions, it will likely confuse and overwhelm your audience. Shorter sentences get to the point more simply, delivering the visual quickly and efficiently, cutting down on bulky filler words.

Active voice. Keeping the narrative voice active keeps up the momentum of your story. Readers see how the main characters are actively working and reacting in their environment in what feels like real time, packing more punch into the syntax and keeping the narrative lively.

Character goals. Action should occur for a reason—characters’ actions should be based on their motivations, their points of view, and their previous choices. A protagonist’s actions should always propel them towards their main goal in a way that is related to the plot events at hand. A character’s goals affect their character development, forcing them to change and evolve depending on the way events unfold in your story.

Consequences. Action can be fun to see unfold, but without the element of danger or a potentially disastrous outcome, it lacks that exciting element that keeps audiences on the edges of their seats. Action writing should make the audience feel like something could happen to the hero at any moment, without being overwhelmed with events and losing their place in the narrative.

Tips for Writing Effective Action Scenes

Show cause and effect. From the first time your character receives their call to action, follow up activity with the consequences of their decision. Sometimes the character is causing the action to occur, and other times they’re reeling from action that just occurred. Moments can also be built up so that the cause of certain effects or the effects themselves aren’t realized in their entirety until much later.

Create visuals. Use action in a concise, impactful manner in order to deliver strong images for the audience. The clearer your scenes are, the more easily the audience can understand and absorb them. You don’t want readers or viewers to be hung up on seemingly impossible details or sequences that don’t flow. Visuals that get right to the point and can be quickly understood are best for conveying action.

Drive the story forward. In a great story, the moments in between where the action is happening should still feel alive and like the story is always progressing. Even if your hero isn’t facing off against the villain just yet, the scenes without action should still be driven by the character’s goals—readers or viewers may become disinterested by a sudden slump in energy and stagnancy to the writing. Use montage, flashbacks, or other story writing techniques to keep up the pace while delivering necessary narrative information.

Keep action moments short. Action-adventure stories have many moments of high-intensity activity, and it’s best that they happen in short spurts so that the reader does not get exhausted with high-octane events. The battle against the rogue android in your science fiction action story shouldn’t be one scene that’s 50 pages long—the readers need a breather once in a while in order to reset the intensity and have it built back up for them all over again.

Use effective language. When you write a fight scene or a chase scene, the action is moving quickly, so your language should too. Short sentences packed with powerful images that move at a logical pace are useful in conveying strong action sequences that are easy to visualize. A character should bolt to their destination, not just run. Specific diction can make all the difference in how the action of your story is perceived and how your story is experienced overall.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[uncanny-tranny]

Quick trans tip for those experiencing breast growth:

If you're interested in wearing a bra, please make sure to size correctly. Absolutely, bras can sometimes feel uncomfortable after wearing them for an extended amount of time, but if it actively hurts, please make sure it's the right size. You shouldn't feel like you can't breathe, or your circulation is restricted, or like the band/wires are digging into your skin. Bra sizing can make such a difference, and there're so many wild misconceptions about how bras work that it can be very confusing at times (even for cis people!). Breasts will develop for years, so please regularly check your size if you plan on wearing bras. There are some pretty accurate online calculators and forums, and when you start understanding how measurements translate into sizes, it makes a lot more sense.

If anybody has anything to add, please do! I'm not directly experienced in this, but I want all trans people to be educated and empowered in what makes them comfortable💛

[tutorialdrawix]

Character Design Reviews with notes of improvement

Daniel Fernández Casas aka @hebrocharacterdesign (GHP) -Give his permission-

Portfolio || Instagram

[riddlesnap]

Edward was actually sent to Blackgate the first time he was arrested after the events of Arkham Origins. His crimes, serious as they were, weren't deemed extreme enough to send him to a more secure place since his crimes were largely cyber in nature. Extortion and blackmail were his most significant wrongdoings as well as abusing his position of being head of the GCPD's Cyber Crime Division, his actions causing significant civil unrest as people learned of Mayor Hamilton Hill's ties to the Maroni Family, which Edward was responsible for leaking. Enraged at what he considered being punished for simply spreading the truth, Edward instigated one of Blackgate's biggest riots to date, escaping during the chaos before remodelling himself as the Riddler.