#Fanfic Advice

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[silverskye13]

how did you get the confidence to write fanfiction? i always worry that i won't portray the characters properly so any ideas or wants to write fanfics that i have go away or i talk myself out of it :(

Well! First and foremost: Most people don't start writing,,,, anything with confidence. Let alone fanfic, where you know other people are going to be looking at it, with their own ideas of how the characters are supposed to act and feel influencing what they're coming to the story with. My first fanfic I was very insecure, which I feel like was evident, reading through the author's notes now. Apologies whenever something that required a lot of suspension of disbelief happened, a poll so readers could decide the ending so I wouldn't disappoint anybody, only to end in me writing and posting three different endings. Long justifications for why I chose certain things in the author's notes. The fic nowadays reads to me like a very rough apology.

"Hi I'm sorry I tried. Be kind I'm very scared."

But the thing about writing that fic was, it was the writerly equivalent of jumping into the deep end of the pool for the first time. After I bobbed back to the surface and realized a shark hadn't like, taken my legs off while I was down there, jumping in again got easier. And kept getting easier. And now I just write and post things.

There's kind of two schools of thought that I've seen people subscribe to, when it comes to taking the first leap. The one that's really popular around here on Tumblr is: Do it scared. It is simple and straightforward. You are scared. You will be scared. You probably never won't be scared. So do it scared. Write your thing, close your eyes and hit send [either to post it or to share it with one or two friends, or even just hitting the "save" button and not deleting it]. Get scared, do it, close your eyes, finish. When you open your eyes again and nothing terrible has happened, you can breathe a sigh of relief and do it scared again. It's a little nerve-wracking at first, but the idea is giving your mind the association of jumping and not falling. I did it and I didn't fail, therefore it is safe to do it again.

The other school of thought [the one I specifically subscribe to] is: Do it once. What you think or feel about it doesn't matter. What matters is you did it once. Maybe it will be hell, or it'll suck terribly. Maybe you're really excited! And it turns out great! Maybe its a wild ride of ups and downs, and by the end you need a few months to catch your breath and decide if it was worth it. Regardless: you did it once. Now you know, if you want to, you can do it again. Now you can decide if its worth doing again. For me, the euphoria of finishing a project always far outweighs the trouble getting there, so the step forward of "Do it once" is powerful for me. And that can be broken down too. "Write one chapter." "Draw one drawing." "Clean one room in the house." There is no pressure to continue if its really that terrible, but you at least get to decide if one was worth it [and a solid 9 times out of 10, one was worth it enough to do it more.]

Now, all that said, if what you're worried about is writing the characters right and nothing else -- don't worry too much. Most people care less about how true to life the characters are, and care a lot more about consistency in the story. An example from RnS: In canon, Helsknight is a cartoonish villain with one motivation, and that motivation is taking over hermitcraft Doofenschmirtz style. To date, no one has come into my inbox demanding I change him, because he's so OOC he's basically an OC at this point. What people have come into my inbox about though, is "Hey, you established X in this chapter, but he said Y in this chapter. Was there a reason for that?" which is them saying, "Why didn't you keep your character consistent?" If you tell your audience what the expectations are for the story and you stick with them, they will stop caring about OOC moments and characterizations, and will trust you're going somewhere with your writing. Suspension of disbelief, your powerful friend! They put the world on their shoulders and carry and everybody watches and claps.

If you're also worried about consistency, then start out with one shots! There's a lot less room for error, no large, sweeping character arcs to keep track of. And stringing a bunch of one-shots together can give you practice with character consistency and progression without committing to something massive and overarching. If you're truly worried about making the characters exactly like Canon [or the Canon in your head], I recommend making little lists of character traits, or important things you want to keep in mind. At that point you're scared of your own consistency, and you just need a framework to keep yourself consistent enough for yourself, if that makes sense?

Hopefully! This helps! Sorry I'm a little scattered today :'D

[sugarbear2001]

I want to start writing Gambit fanfics but first I need to nail down his speech pattern can anyone offer me some advice?

[ink-stains-and-constellations]

Tips for writing a romantic subplot in a fic as an aroace????

[juliusxxxxxx]

Hello! :)

I'm a fanfic writer on AO3 (now only focusing on hermitcraft, working on a desert duo fic) and want to get in touch with the community a bit. I'm very socially awkward and kind of scared of people. Here are some of the topics I’m too embarrassed to ask elsewhere:

How do I find a beta reader I'm desperate

How do I find a beta reader I'm desperate

How do I find a beta reader I'm desperate

Love,

Me

(P.S. Anyone I can follow on my totally not old very new account that I totally didn't abandoned in 2016?)

[chocfrog-enjoyer]

Things I hate in Harry Potter Fanfictions

This are the tropes I found multiple times in lots of different fanfictions and I got fed up with how illogical, overused and badly written they are :/

Completely changing the story to the point where I’m starting to wonder if it’s even Harry Potter because the only thing that stayed the same are the names.

( If it’s ships ) When one or both sides are already in love with each other ( in this cringy “I always loved him/her ) especially on what normally would be considered enemies to lovers. If I’m reading a story especially with a non canon ship I’d want to know how they’ve came to be, how the love blossomed. Or at least a reasonable explanation of why the character loves the other from the start of the story.

( If it’s Dark Harry ) The: One morning Harry wakes up and decides ah fuck it I’m changing sides “I care not for your good side anymore, now I’m going to be evil” and Voldemort is like “Oh well- guess I won’t kill him then, never mind that it was my obsession for the last decade and more, It changed today”

Evil-Good Harry…? Honestly I hate this trope soooo much. The: Voldemort was good from the start and it was Dumbledore that was truly evil and he manipulated Harry and/or he was the one who killed Harry’s parents. “Yeah, no like Voldemort is a pretty good guy. He can even be considered as a role model of being good if we ignore all of his other/earlier victims and people he tortured. I mean- I don’t see any evil right?”

Ron, Ginny and Hermione bashing because why not ( this happens especially often with Slytherin Harry fanfics). I don’t mind if some characters get their negative traits explored but make it real people, I can’t read a story where those characters act so bad and OOC for no actual reason. And no Harry being in Slytherin isn’t a reason because those characters never bullied and harassed anyone purely because they were a Slytherin. Yes they did not like this house ( for a good reason might I say ) but they never even acted out on Malfoy who was openly bullying them, the only situations we get where Malfoy and his friends got attacked by Ron and/or Hermione were deserved, and were responses to his provocations.

( If it’s not in order to hide his identity ) Changing Harry’s name. I can understand using Hadrian or Harris as the elongated versions of Harry but when someone straight up changes his name and now I’m reading a story about Daniel or Bob or something for no apparent reason then the whole thing seems stupid and illogical for me.

When Draco and Snape liked Harry from the start. Draco was a narcissistic, spoiled little child and he wasn’t nice to Harry both when he knew who he was ( train ride ) and when he didn’t ( Madam Malkin - their first meeting ). He expected admiration and friendship from Harry like if he had earned it. Making him be like a best friend from the very start is non sense, those boys would need time to come together, and with Harry’s personality I bet they’d still have a silly rivalry if they were in the same house. Same with Snape, like there’s no way he would tolerate Harry let alone like him. He hated Harry from the moment he saw him in the great hall and even before the boy went to Hogwarts. For Snape and Harry to like each other there would need to be a very good reason and it wouldn’t come immediately, but with lots of time and more interactions between each other.

Too much muggle stuff in the magical world. I don’t mind it if a lot of the story plays out in the muggle world or some muggle stuff is crucial for the story point but when I read a fan fiction where Harry was in St.Mungos and he was being treated the muggle way I lost it and dropped the fic. Like are you really going to put full on muggle medical equipment in a gigantic wizard hospital and make your healers use almost only muggle diagnostic methods? Most Wizards barely have any proper knowledge on muggles, and even muggleborns don’t know that much since they are introduced into wizarding world at a young age and basically spend the rest of their life in it. They have a lot more knowledge about muggles than pureblood wizards but it’s still not THAT much.

Overpowered Harry. The „Lord Potter; Black; Peverel; Gryfindor; Slytherin; etc… etc.. :/ nothing wrong with powerful Harry. I like powerful Harry. But it’s ridiculous that a child, a 11-15 yo boy would just instantly have more magical power than Merlin himself, and he would immediately know what to do with it

Gringotts knows everything about you. The „heritage tests” and all. Making a good use of Gringotts is amazing in fanfiction and I love exploring ideas people have on it but this trope is not only overused but also dumb. I’m not talking about simple family linking that people use or like blood checking. I mean the young Harry goes to Gringotts and just with a drop of his blood it is instantly known that he is meant to be a lord of this and that and he owns such and such properties and he is hella rich because of all the vaults that were left to him. And also goblins being friendly. These creatures do not like wizards.

Know it all Hermione. But like literally. Hermione being so overglorified and being literally smarter than Dumbledore and basically all Hogwarts staff often at age 11-16. She’s smart but let’s be real this is not possible. Like her being able to do anything in the world after “reading a book/going to the library for a bit”

Harry being the most handsome, ripped and freaking amazing Hogwarts student while literally being like 14 or 15.

Harem… Nothing bad with Harry having a flock of girls that are attracted to him ( this is canon ) but oversexualizing women in order to make Harry the girl-magnet that has 7 girlfriends and like all the „conventionaly attractive” witches around him - Hermione, Ginny, Fleur, Daphne etc.”

Harry hating Dumbledore from the beginning, blaming everything on the poor old man, being annoyed by the most stupid thing like: “Dumbledore smiled at him, and Harry went utterly furious” :// and generally Dumbledore bashing

Child Harry behaving like an adult and teenage/mature Harry behaving like a child. Why would a 11 yo go to Hogwarts and suddenly be a master manipulator, know exactly what to say to get out of difficult situation and can outsmart his peers and/or adults to show „how much better he is”. And the other situation: Harry being completely clueless, using childish language, being referred to by others as “little one, pup etc.”

All Slytherins are misunderstood angels. No they aren’t! As a Slyhetin myself I can recognize Draco’s ( and his friends ) bullshit when I see it! Yes stop the stereotype of “All Slytherins are bad” but do not excuse actually bad Slytherins.

Fics gloryfing toxic pureblood culture. Exploring different aspects of the culture, the better and worse ones is cool and creative but I’ve seen a lot of fics gloryfing what is just abusive and toxic and romanticizing it in the name of “pureblood customs/traditions”

Guns… just no… like what? It’s like how to tell you’re American without telling you’re American. I hate seeing guns in HP and the wizarding world, and the often following glorification of this weapon

Excessive American English. I don’t mind it much if it’s just some words but please all the slang and common words from American English are annoying. It’s not that hard to do a little bit of reaserch of the common differences in some words. The story is played ( mainly ) in the United Kingdom, the language used by characters should be British English ( like Harry & Hermione ) and Scottish English ( like McGonagall )

Excessive ( and especially if heavily described ) abuse from Dursleys that would have killed Harry at least 5 times before he would be 10. Like heavy beating, breaking bones, stabbing. I do not like reading such things and I found this in fanfics quite a lot….

Oversexualization of children 11-15. While exploring the sexual side of romance/life is okay in a teenager, it is a part of life, I hate seeing fics that oversexualize ships that at the time have characters aged 11-15 - literal children, especially oversexualizing young Hermione, in some Harmony fics ( where she was 14 ), or Ginny, with fics calling her a slut/whore because she had a crush on Harry, or when she’s a bit older because she dated a few boys.

Illogical use of Parseltongue. First of all Parseltongue is a language and Parselmouth is the speaker ( pls I beg don’t describe Harry as a Parseltongue ). But suddenly this language being like all powerful, and you can do wandless magic with it and basically perform any spell without ever using it before.

Luna being bullied by every Ravenclaw, ( like most of those ppl - especially the older ones or younger ones - do not actually care ) and her being like a super mega seer that knows all about the future and is actually super mega smart in her weirdness.

Feel free to add your points to this list!

[pastafossa]

Using Tarot To Help You Write

Right ok, so I’ve wanted to do this for a bit - there are vague references to tarot in my story TRT and I’ve answered a few questions about how I use the RWS-style tarot to write but now I have a little bit of time while I wait for my laundry to dry. So let’s get into it.

If you’re looking for another tool in your writer’s kit, you could strongly consider adding a box of tarot cards to the bag. Set aside, for a minute, what you’ve heard about it. Set aside any spiritual aspect, telling the future, the ‘OoOOOooOOh evil’, or even the ‘DRAW DEATH MEANS DEATH’ you see in movies. Instead, strip it down to its base.

Tarot is about telling a story.

(Below: Oak, Ash, & Thorn Tarot)

From a storytelling perspective, the first 18 cards of the RWS style tarot, known as the Major Arcana, essentially tell the Hero’s Journey as the Hero sets out on an adventure and searches for knowledge. There’s disaster, love, temptation, and wise people they meet along the way before eventually finding enlightenment at the end of their journey. The Major Arcana contains major archetypes and themes present through so many stories. When you add in the rest of the cards in the Minor Arcana - the other 56 cards, encompassing a variety of emotions, archetypes, figures, and various life events you might run into - you’ve got something perfect when you want to introduce new elements to your story. I keep a small deck on my desk and use it frequently when creating random OCs, plotlines, or problems for characters to solve.

And before you go, holy shit Pasta that’s a lot to take in, using tarot for your story doesn’t have to be complicated. You don’t need to have 20 years of tarot experiences, you don’t need to be an expert, you don’t need A Great Gift. You don’t have to know about tarot at all, really. You just need one thing:

The right storytelling deck.

More below the cut.

Look, there are a million styles out there, some that focus heavily on storytelling imagery and some that focus more on symbols; some that feature animals or nature, and some that focus on people. I generally lean towards animal-based decks since I’m more familiar with animal/nature imagery, body language, and symbolism, but in reality the best deck to use for writing is simply the one you’ll actually use. If you’re drawn to one, go for it. That being said, if you’re looking for something to use without needing to get into all the symbolism of each card, I generally recommend using a deck in which all cards, including the Minor Arcana, depict a scene you can examine - aka, one that plays up a story rather than a straight up symbol. Let me show you an example with three decks.

Left: Mystical Cats tarot; Middle: Oriens tarot; Right: Children of Litha tarot

These all depict the same card: the Seven of Swords, meant to depict deceit, theft, betrayal, lies, and trickery. The middle card relies a little more heavily on symbolic meaning (the black widow spider, which ‘betrays’ when mating and uses a sticky web - symbolizing a potential trap), whereas the other two cards show an active scene (Card 1: OH NO HE’S GONNA STEAL YER MOUSE WHILE YOU’RE NOT LOOKING; Card 3: YOU LOVESTRUCK DIPSHITS, TURN AROUND, THE SNAKE’S EATING YOUR EGGS). I’ve found cards like Card 1 and Card 3 are faster and more convenient for storytelling, because you’re basically presented with a scenario/characters/a situation right off the bat, whereas a symbolic card is more open-ended and might require some digging unless you’re already fairly familiar with the symbolism. If you’re going to get a deck that depicts people instead, I recommend looking for a deck that’s diverse. Humans come in all shapes, sizes, and colors, and having a deck that reflects that (something like the Modern Witch tarot) is valuable for storytelling. So if you’re picking a deck to help you write, look for:

Decks that use scenes/storytelling imagery for all cards

Decks with imagery/body language you can easily read at a glance

If you’re looking for a deck with people - decks with a diverse range of body types, ethnicities, sexualities, and genders

A deck with imagery you actually like, otherwise you won’t want to use it

‘Ok, so let’s say I’ve found a deck, or I already have one. What does using tarot for fic even look like?’

Let’s do two quick readings for two writing scenarios you might use this for! This will also show you can be as complex or as simple as you need to be. These are also the two scenarios I use tarot for most when writing - character construction, and plotline construction. First I’ll use the Children of Litha tarot, which uses a moderate amount of storytelling imagery. Then I’ll use the Mystical Cats tarot, which is probably the most story-heavy deck I have, imagery-wise. That way, you can see how construction gets a bit easier depending on how scene-heavy a deck is.

Scenario: I need an original character for this chapter or scene! Quick, draw three cards!

Quick reading: she’s very gentle but there are also two tigers inside her and one of them wants to kill you, especially if you fuck with her pet birds

More complex reading - Personality, Flaw, Backstory:

Card 1 - Personality: This character is someone who’s unafraid and bold in their kindness even when faced with danger, and they know when a gentle touch is needed. They believe strength is found not in being cruel or violent but in responding with love. This usually works out for them, to the point that even Scary People (TM) seek this character out, knowing they’ll find love and affection. Alternatively, this character is one half of the Brooding Rough One Loves The Gentle Soft One trope. Whatever works for you!

Card 2 - Flaw: Despite all that, the gentle character’s got a temper, and it exists in direct conflict to what they believe about strength, thus producing cognitive dissonance. This is someone who’ll dodge conflict to avoid showing their temper, but eventually that repression’s going to blow up into a real fight and it’ll be messy.

Card 3 - backstory: This temper and conflict avoidance is due to some tragic incident in their past that left them deeply wounded. It’s one reason they’re so gentle, but there’s a lot of lingering anger and trauma. These wounds are not healed, and if you look deep enough, you’re going to find blood.

Depending on how important this character is, you could add even more: a card for a strength, a card for a challenge they need to overcome to grow as a person, their family dynamic, etc. Again, you can make it as detailed or as simple as you need.

PASTA NOW I NEED A LITTLE PLOTLINE FOR CHARACTERS TO SOLVE. Quick, draw four!

Quick reading: holy SHIT your characters gotta move fast, cause there’s a pissed off dude out there who wants revenge NOW and is ready to fuck up a *shuffles cards and draws* religious temple of peaceful cat loving monks, one of whom is the one that fucked up Angry Dude in the first place WHEN HE WAS A BABY WITH HIS MAMA, PLOT TWIST OH NO, IT’S PROBABLY THAT ASSHOLE STEVE IN THE BACK OF THE THIRD CARD, LOOK AT HIM LOOKING OFF INTO THE DISTANCE.

More complex reading - Theme, Problem, Setting, Solution:

Card 1 - Theme: As you can tell from our cat with zoomies, your protagonists are on a clock. The theme here is urgency, it’s speed. Things will start off with a bang and they won’t have much time to slow down. This’d be good for a one shot or a chapter.

Card 2 - Problem: look at that cat, they’re so ANGRY, they are PISSED, someone did them dirty and they’ve been stewing over it for a while. They can’t stop feeling that betrayal no matter how much they try to lick it off shake it off forget about it. They want REVENGE for what was done to them and they’re gonna cut someone up.

Card 3 - Setting: Ah, a peaceful, sunny place where everyone’s just chilling. Everyone’s happy. Maybe a religious place, say, a church or a convent or hell, a nudist retreat. Either way, no one knows what’s coming. Except (and this is why scene cards are so fun)... for STEVE there in the back. Look at him. Everyone’s relaxing in the sun but he’s staring out into the distance. He knows. And just like that, Steve’s the In Hiding person who betrayed our Problem - Steve the Asshole isn’t a part of the Sun card’s meaning, but a storytelling scene card lets you stretch like this and have fun.

Card 4 - solution: Clearly the only person who can stop Bad Person... is their MAMA (or potentially his siblings). Maybe a character goes to find the Problem’s mother and brings her to the church to talk the Problem into giving up. Maybe the protagonists desperately tell the Problem that your family wouldn’t have wanted this, even if that family was hurt - the Empress is generally very nurturing and loving, so that’s a fair bet. Either way, the solution to the Problem is their family.  

Once you get the hang of this, you’ll start to find other ways you can use it. I’ve used it for creating quick or more complex or more randomized characters, for creating plotlines and character arcs, for a few of Jane’s cases in TRT. You can use it for backstories, for settings, for problems and solutions, for deeper themes to explore with your characters. Hell, if you want some practice, you could literally go through the Major Arcana and write one-shots dealing with each card’s theme. Ultimately the possibilities are endless, whether you want to construct a detailed plotline or if you just have a new character you want to randomize or flesh out a bit.

In short: go get yourself a deck and have some fun!

[shinjisdone]

In need of insight for Ticking Springs...

@greeknerd007 , @mitsureigen , @kame11a , @thirdblogsacharm , @sarah22447 , @blueberryhitosh1 , @written1nthest4rs , @huicitawrites , @wonderlace19 , @cronicallyonline

I am a bit at loss of how to approach the next chapters since there is one big thing and I don't know how to go on with it...

Imagine being Geppetto's niece and him wanting you to continue his 'project'. The one thing he aimed for and he makes it very clear to you how utterly important it is.

You feel sick, the world spinning as you doubt your uncle's sanity and trust more and more the longer you look at it. He demands it.

What on earth would make you agree to build a puppet that looks like your deceased cousin?

What would you think could he a good reason to he coerced to it no matter how frightened you feel? 🤔

Please comment or DM me!

[amethystfairy1]

Hihi! I just wanted to say I absolutely adore both of your fics sooooo much! The way you write all the characters is amazing :D. I was just wondering do you have any advice or tips for people looking to get into fic writing? And quick q about travelling thieves! We know that mumbo has met pearl but if Grian and Pearl were to meet would they even recognise one another? Anyway your work is incredible and I cant wait to see what you do for the rest of febuwhump!

Hello, hello! ✨

I'm so glad you enjoy my fics and characters!

Tips to get into fic writing? Hmm...I mean, I know it's probably said a lot, but my biggest advice is don't be afraid to start. The first fic you ever write won't be perfect, it'll be far from that, and you've just gotta be ok with that. The best thing you can do is start, write something and post it, see what people think, see what you liked and didn't like about it...then do it again!

As far as like...actual advice, I'd say participate in a writing challenge! Like Febuwhump which is going on right now! 😆 It'll force you to take a prompt, make something of it, post it quickly and then move on. You'll end up with a big chunk of fics and feedback on at least some of them I'm sure, and you can go from there! Also you'd be surprised what sort of storylines might accidentally form during a writing challenge...Traveling Thieves came out of my Whumptober prompts from last year, after all!

My last bit of advice would be to not start with a long fic. By that what I mean is don't try to write some huge overarching narrative...start with something smaller.

Your favorite ship needs to get together, who asks who out? How did that go? What was their first date like? What about their first kiss? How long did it take for them to say 'I love you'? That's like four or five short fics right there. 😛

The reason I write my AU's the way I do is because of stuff like this. It's scary writing a long fic (trust me I've done it a ton of times) because once you bypass a certain point in the story, you can never go back. The fun thing about my AU's being a series of short stories is that I can always bounce up and down the timeline! If you've been keeping up with TTSBC you can see it! I wrote Flower Husbands all the way up to Scott knowing about Jimmy's wings and consistently spending the night at his apartment. They've fought, they've said 'I love you', Scott has been to the under-city and met Jimmy's parents...but I suddenly felt like writing more details about their early game relationship! Before Scott know Jimmy's big secret, before they'd said 'I love you' or anything like that...so guess what? I did just that! I wrote 'Karma Witch' and 'Lovestruck Baby' after I'd written fics like 'Gutterline Sunshine' because that's the greatest part of this set up! I can bounce around! I never get bored or stuck on one plot point because if I don't feel like working on it, then I don't have too! So if you're into worldbuilding and wanna create an AU to have your characters all exist in, I'd super super super recommend using the 'shorter stories in an interconnected series' format.

BONUS TRAVELING THIEVES QUESTION 🏃‍♀️

Pearl and Grian last saw each other when they were sold away form their colony at fifteen years old. It's been seven years since then, but considering they're twins and they were both already mostly grown before they were sold away? Yes. They would definitely recognize each other if they saw each other again. The problem would be if they'd allow themselves to admit they recognized each other...cut ties and forgotten names and all. 😭

I hope my rambling advice helped at least a little bit!

Thanks for coming by! 💖

[brainrot-yumm]

hey The People Who Followed Me For My Bowuigi Stuff A Year And A Half Ago I have a question for my bowsette fanfic (Ette and Er, the concept is that Bowser is disguising himself as Bowsette to befriend Luigi for an evil scheme that stops being evil and schemish as time goes on)

I've been trying to figure out a reason for the two to argue pretty early on (mainly cause I need to introduce a complication of the Super Crown into the fanfic that is induced when Bowser is too angry). But I have no idea what to make them argue over.

It can't really be about Mario cause they've already secretly had that discussion, though I guess it could be about the annoyance of trying to talk to someone who pretty much fully met you during a night you can't remember (so basically the argument could be over the fact that Bowser can't remember the argument about Mario)

I was thinking it could be over Peach? Pretty flimsy reasoning why, but it'd make for such a fun payoff (when people aren't suspicious of Bowsette anymore and think of her as a completely separate person, they're gonna assume she was jealous of Peach). I just really can't think of why it would happen, since it's too early for Bowser to be fully utterly over her and Luigi isn't a badmouther.

And I really can't think of another reason. Maybe they're just mad at each other? They're both still very new to the friendship.

I just got no clue, and I'd love some suggestions if anyone is willing. I'll give spoilers for context if need be, and I'll make sure to thank you when I'm done! I just wanna get as much done as I can while back under the Bowsette hyperfixation, because I'm very much back under the Bowsette hyperfixation

that is all end post

[smolvenger]

Fellow Fanfic writers and besties, I need some help and advice!

Hiii there besties! With the latest chapter of The Boat in the Water: A Beauty and the Beast Story, spoilers for chapter four, but we left off at the party where Will got stabbed. It will resolve out and Will won't die but it will have conflict and forgiveness in Loki and Stella's relationship. But I wasn't sure which would work better.

I had an idea since it's near the part where, like in the Beauty and The Beast Story in all incarnations, the Beauty/Belle figure decides to return home.

But I thought if this takes place after the resolution of that conflict, then we need to rebuild the romantic tension between her and Loki. Things would still be tense and she would need a reason to return. So I had an idea that he would rescue her from would-be attackers so we make the romance feel more believable and organic and she isn't like "wow! This guy who stabbed my husband is dreamy!" out of nowhere.

But, it wouldn't add anything to the overall plot, and it feels like it could be padding.

Initally, here are the two plot plans I came up with

Idea A: Loki Stabs Will, Stella makes Loki heal Will, and Loki apologizes and Stella forgives him, Stella is declared healed and asks to return back to Aldwinter and Loki lets her because he loves her and wants her to be happy.

Or

Idea B: Loki Stabs Will. Loki Stabs Will, Stella makes Loki heal Will, and Loki apologizes and Stella forgives him. Stella is in the carriage when she is attacked by bandits and Loki rescues her. She sees Loki in a more positive light and not just in the way of forgiveness. Stella is declared healed and asks to return back to Aldwinter and Loki lets her because he loves her and wants her to be happy.

Okay...so...which should it be? Is there enough of romance between them or do we need to add more to have the relationship feel more organic after a conflicted place?

Taglist: @anukulee@asgards-princess-of-mischief@jennyggggrrr@five-miles-over@fictive-sl0th@ladycamillewrites@villainousshakespeare@holdmytesseract@eleniblue@twhxhck@lokisgoodgirl@lovelysizzlingbluebird@raqnarokr@holymultiplefandomsbatman@michelleleewise@wolfsmom1@cheekyscamp@mochie85@fandxmslxt69@skittslackoffilter@mischief2sarawr@jijilaufeyson @steasstuff

[quoxal]

Soaps scottish accent

I'm trying to figure out how much I want to change the dialoge for Soap to make him sound scottish but like??

These are the only real changes I could find of the dialog in CoD MW2. The rest is just the wonderful voice acting work from Neil Ellice. But how do you best translate that into dialog without making it too hard to read for people who don't know the accent. *flipping tables*

Kinda settled for these now and sometimes checking with "English to scottish/scots" translators to add more flavour. If any other creator or scottish speaking people have some advice please gimme ~~

(Chapter two will be up soon ^^)

[artemx746]

This one’s for the younger fic writers out there.

If there is something you want to write, DO IT!

Who cares if it’s good or not, even if I’m the future you think it’s the worst piece of writing you ever brought into this world, that means you’re going to get better. You have to make the bad art before you make the good. If you wanna post it, that’s great! And if not you’re totally allowed to do so!

Don’t let age stop you from having fun just remember that fandom is supposed to be fun, if you’re not having fun you’re not obligated to stay. And also remember you should be writing for you not anybody else.

[autismtana]

so you wanna write a heartbreak high fic, but you're american (part 3)

I decided to create a separate post for the HSC, ATAR, uni and post-secondary study because our system is so completely different to American systems (and because my previous post was too long).

In Australia, tertiary study falls into two categories: higher education, and vocational education and training. This post will touch on university, as well as other forms of tertiary study and trades.

The uni part of this will be the longest because it tends to be the thing most people get wrong.

Preliminary/HSC

In NSW, year 11 (Preliminary) only goes for three terms. In term 4 of the calendar year in which you started year 11, you start the HSC course, which goes from term 4 of that year to term 3 of the following year. Midway through term 3, you do your trial exams (if you are doing music/drama/languages/anything with a performance/oral component/major work, you will have your practical exam/major work submission in the latter part of term 3). You then will have a graduation ceremony at the end of term 3, and your HSC exams will happen in October-November (term 4), while the kids in the grade below you are starting their HSC coursework. Nothing you do in year 11 counts towards the HSC (until term 4); in fact, nothing you do in any year up until you do your first HSC assessments counts towards your HSC. We don't have grade point averages here. Actually, your rankings in your individual subjects are probably more important than your actual marks (this video explains it). More academic kids might get a bit more competitive about rankings but also tend to want to work together to ensure that they all do well.

ATAR

After you do your HSC exams in year 12, depending on the combination of subjects you did and how well you did in your courses, you get an ATAR, which determines what courses you can get into at uni. This article explains somewhat how different subjects are scaled (because there are some that are perceived to be more difficult than others; this is objectively true in some cases, for example, advanced maths is called advanced for a reason so a higher mark in advanced should be seen as more meaningful than a higher mark in standard, but in other cases, it gets a bit more confusing). What it boils down to is certain subjects tend to attract more 'high achievers' than others, so get scaled higher. That being said, the prevailing advice is that everyone should choose the subjects they like and are good at, not what they think will get them into uni.

Higher education

Firstly, we call university "uni" here. We don't say "college" or "school" to talk specifically about university (if an Australian person is talking about going to school, they're either still in compulsory schooling, i.e. K-12, or they're a teacher). We do sooooort of have college here, but I'll touch on that later.

In Australia, kids apply for the course, not the university. Whether or not you get into the course you want is, for the most part, dependent on your ATAR. The exception is if you're applying for something like a creative arts course that might require an audition, or submission of a portfolio. Most unis offer early admission, particularly for kids who live in rural areas, and UNSW has a program for indigenous students for Business, Education, Law, Medicine, Social Work, or Science & Engineering. The most common universities you'll hear about in Sydney are USyd, UNSW, UTS, Western Sydney Uni and Macquarie, then there are ANU and UC in Canberra, LaTrobe in Albury/Wodonga, CSU in Dubbo/Bathurst/Wagga Wagga, UNE in Armidale and Newcastle Uni. There's also Notre Dame, which is a private, religious institution, and a bunch of other smaller schools.

USyd is the oldest university in NSW; it's referred to as a sandstone uni and tends to be the most sought after one that most people want to go to.

Most courses here are Commonwealth Supported, and domestic students are allowed to claim what's called HECS, meaning that you defer payment of your uni fees until you start earning a certain amount of money, and then it comes out of your taxes. In some cases, scholarships are offered, but those are generally more academic scholarships, or, say, for students studying to be teachers, they might get offered a scholarship to teach a certain school subject and as part of their scholarship get a guaranteed position at a hard-to-staff schooling area. As I said in part 2, we don't have anything like the NCAA here (it's not like the Sydney Uni basketball team has a mega rivalry with the UNSW basketball team like UNC vs Duke for example). Australian kids also don't have to pay exorbitant fees to apply for the courses they want. When I was applying to uni as a year 12 student, I paid something like $30 to UAC and applied for every arts/law course available in the Sydney area. I think there's a limit on how many courses you can apply for (maybe 16 or so) but it has been a while since I've applied for an undergrad uni course, so I could be wrong. That being said, a kid might be eligible for a scholarship if they excel at sport, but I believe they'd have to be already enrolled in the university and achieving academically at a certain level first.

Coming back to the "college" thing - a lot of kids tend to go to uni where they live and commute to and from there. That being said, sometimes kids come from towns where there are no universities, or kids from Sydney might end up going to uni interstate or to somewhere like Charles Sturt, which has campuses in Dubbo and Bathurst. "College" in Australia refers to the residential housing available to students living on campus (usually kids studying away from home, but some locals also choose to opt for this as well).

As for uni life, I'd suggest researching the different social clubs and societies different universities have.

Vocational education and training

Not everyone chooses to go to uni after they leave school. A lot of schools actually offer school-based apprenticeships and traineeships (SBATs) in a number of different industries, which counts towards the HSC and is professional work experience. Early childhood and automotive tend to be really popular. TAFE (Australia's largest vocational education and training provider) provides a lot of courses and opportunities for people (some of the courses are actually really cool; a friend of mine did a music course through TAFE and recorded a bunch of singles).

Work experience

This isn't really related to post-secondary schooling, but is still a pretty important aspect of the NSW school experience. Usually in year 10, kids spend a week doing work experience (there's actually a plot in the original Heartbreak High series about it that Jane and Leanne from Snarkbreak High talked about). Kids generally have to organise it themselves and it's usually related to a career they'd like to have after school. My younger brother did his at our local vet, and after that, he realised he no longer wanted to be a vet.

Other resources

Wikipedia (don't let anyone tell you not to use it - it's one of the best peer-reviewed journals ever and all the info on Australian schooling there is completely legit)

NESA

Bored of Studies forum

Snarkbreak High podcast (this is run by 2 Australian teachers; I think they're from Melbourne and they're currently only doing the original series but they have some great commentary, and they've even had Scott Major, aka Peter Rivers, aka Darren's dad as a guest)

Sydney Morning Herald (they always have a ton of articles about NSW schooling)

UNSW Indigenous Pre-Program

[vhstown]

here's one for the writers 🗣️ do you set a mood / specific time for writing because right now im only writing at midnight on school nights ... haha Help

[blackholesun321]

Hey guys just a quick reminder about fanfiction to new and old fandom enjoyers.

DO NOT UNDER ANY CIRCUMSTANCES MAKE MONEY OFF OF YOUR FANFICTION. IT IS ILLEGAL THEY WILL SUE YOU!!!

Smart and more knowledgeable people have said it better then me and will continue to say it better then me but holy fuck I can not get across how serious it is that you do not make money off of your fanfic. Do not do money commissions. Do not bind the fic and sell it. DO NOT MAKE MONEY OFF OF YOUR FANFICTION!

I was there for the dark ages and hundreds of people have fought for are right to enjoy fandom it is not just you who will be at risk if you do this but all of fandom as a whole.