#I looked up both the artist and the writer

[drchucktingle]

sometimes buds ask’ what is it like to be a neurodivergent artist?’ and this is great summary: the charts can look like this, and at same time people will be endlessly posting on how you are ‘not real’ or ‘a bit’. you can hold bestsellers in slot 1 to 4 and still not be 'serious'

i am ultimately ok with this. i love my trot and would not have it any other way, but i think it is worth investigation. when irony poisoning has seeped into everything, how many times does a neurodivergent person have to say ‘actually this is NOT so bad its good. its just good’

when you are autistic, or queer, or both, how much proof do you need to be considered good art? or good business? what do the charts have to look like for me to be a ‘real’ author? or allowed my face mask at a library association conference? or one person not a group of writers?

im coming up on a decade of writing tinglers soon, and people are still talkin about my ‘serious’ works vs my ‘joke books’ and at every turn, as kindly as i can, i shout from the rooftops: THEY ARE ALL SERIOUS BOOKS. THIS IS NOT A BIT.

but its hard when buds have had ‘the correct way to be a writer. the correct way to be an artist. the COOL way to react to a book that is TOO weird’ pounded into their heads by internet culture. 'kill it with fire' they say. 'i need eye bleach' they say without thinking. a line.

heres the thing, the tide IS turning. theres buckaroos jumping in and saying, ‘I want to be a part of this’ and for that they are being rewarded. the publisher who took me seriously is lookin pretty dang good right now with these charts and these sales. i am honored and moved

over time there will be more buds who shed that irony mask. the tide of sincerity is powerful, and the tide of love is inevitable. it is difficult to stand strong in our uniqueness but it also pays off, and I hope to be a shining example. eventually THE TIMELINE BENDS TO YOU

so this is not a thread to complain. i have been trotting long enough that these things do not really bother me. being made fun of and disparaged as ‘not legit art’ while also being objectively successful at the things im made fun of about is kind of the ocean that i swim in.

no. my point of this is to say THANK YOU to those of you who have been trotting by my side over these years. THANK YOU for proving love to me. im so honored by your support, and you should know that YOU have seen beyond the irony poisoned veil that stops many others. YOU get it.

and to those with their own unique perspective on creation: look what you can do. yes there will likely be a lot of resistance to something different, but there is also a LOT of reward. YOU can trot a new path. YOU can prove love is real, not in MY way, but IN YOUR OWN WAY

anyway thank you for reading buckaroos. thank you for your support. LUCKY DAY comes out next summer and it is probably as FAR OUT and existential as the tingleverse has ever gone. you can preorder it here

[agent99galanzo]

Please Hear My Plea

Summary: In every lifetime, Natasha remembers you, but you must rediscover her before the curse begins anew.

---

In a quiet village under the golden glow of autumn, Natasha Romanoff sat on a weathered bench, watching as people moved through the bustling market. Despite the ordinary sights, her heart raced, an instinctual recognition pulling her attention to a familiar face in the crowd.

You. In this lifetime, you were an artist, painting the world with vibrant strokes. But you had no memory of her; to you, Natasha was just a stranger.

With each encounter, the ache grew deeper. She felt the weight of the centuries pressing down on her. In every life, they had found each other, only to be separated by the cruel hand of fate. Natasha had lived through it all, while you remained blissfully unaware of your shared history.

As the days passed, Natasha followed you, drawn to the spark in your eyes. You were passionate and carefree, and each smile felt like a flicker of light in her long, dark existence. She longed to reach out, to tell you everything, but the curse held her back—if she revealed herself too soon, it would only drive you away.

One evening, under a canopy of stars, she found the courage to approach you. “Your paintings are stunning,” she said, her voice steady yet warm.

You looked up, surprise evident in your eyes. “Thank you! I’m just trying to capture the world as I see it.”

Natasha smiled, a bittersweet pang in her chest. “You have a gift.”

Weeks turned into months, and a friendship blossomed between you. Natasha relished every moment, cherishing the time you spent together, even as she felt the impending darkness looming. The curse would strike again, and she had to find a way to break the cycle before it was too late.

One night, while sharing stories over a candlelit dinner, you asked, “Do you believe in fate?”

Natasha hesitated, her mind racing with memories of past lives. “I believe in connections that go beyond time.”

You looked thoughtful. “That sounds poetic. I think we’re all just trying to find our place in the universe.”

Her heart swelled at your words. You were so close to the truth, yet so far from knowing her. As the seasons changed, Natasha felt the familiar dread creeping in, a sense of urgency clawing at her.

When the inevitable happened—an accident, a sudden turn of fate—Natasha was there, but this time, she couldn’t save you. She watched as life faded from your eyes, a gut-wrenching pain ripping through her soul.

“No!” she screamed, desperation tearing at her. “Not again!”

---

In the aftermath, Natasha fell into despair. Time flowed endlessly, and she felt trapped in a loop of grief. But each time, she felt the flicker of hope. You would be reborn, and she would find you again.

---

In the next life, you were a writer, lost in the pages of your own imagination. Natasha recognized you immediately, but again, you didn’t remember her. Each lifetime began anew, and the curse remained unbroken. She would always seek you out, knowing that rediscovery was her only chance to save you.

As you walked the streets of the bustling city, Natasha felt the familiar pull. She approached you cautiously, “Your words have a way of capturing the heart.”

You looked up, intrigued. “Thank you! I try to weave truth into my stories.”

With every interaction, Natasha fought against the curse that bound you. She searched for ways to break it, delving into ancient texts and seeking wisdom from those who had walked the earth before her.

But time wore on, and each reunion ended the same way—too brief, too painful. No matter how hard she tried, she couldn’t change the outcome.

---

Finally, after centuries of heartbreak, Natasha found herself at a crossroads. With each new life, she felt more desperate to keep you safe, but the curse always reset their connection.

“Tell me how to break this,” she pleaded to an ancient seer. “I can’t keep losing her!”

“Only love can transcend the cycle,” the seer warned. “But both must remember.”

---

In the next lifetime, you were a dancer, vibrant and full of life. Natasha watched from the shadows, her heart heavy with longing. She knew she needed to awaken your memories, to remind you of the love that had endured through countless ages.

One evening, as you danced under the stars, Natasha stepped forward, determination igniting her spirit. “You’re mesmerizing,” she said, her voice low and filled with emotion.

You paused, your eyes locking onto hers. “Who are you?”

“Someone who has loved you through time,” Natasha replied, her heart pounding. “Please, trust me.”

As you looked into her eyes, something flickered—an echo of recognition. But just as quickly, the moment slipped away, and you turned, leaving her once more.

---

Each time, Natasha faced the heartbreak with renewed resolve. She wouldn’t stop searching for you, wouldn’t stop trying to break the cycle. Even as the curse twisted their fates, she held onto the hope that one day, you would remember.

Through every lifetime, she would find you again, and perhaps one day, you would understand the depth of her love. No matter how long it took, Natasha would fight against fate, determined to end the cycle of loss.

Because love, she believed, could conquer all—even the bonds of eternity.

---

[tyrantisterror]

What's the worst legacy sequel you've ever seen? What, in your opinion, separates a good legacy sequel from a bad legacy sequel and what's the worst thing you think a legacy sequel can do?

The worst that I've seen is probably Rise of Skywalker. It's close competition, though - both Jurassic World: Fallen Kingdom and Jurassic World: Dominion have moments that are significantly more stupid than anything in Rise of Sky Walker, but I also think both have a bit more creative effort put into them - Fallen Kingdom has that third act where it basically becomes a Resident Evil adaptation except with a murder-saurus in place of the Tyrant, and Dominion has the whole locust plotline which, while terrible, is at least an unexpected direction for a Jurassic Park sequel to go into that tries to figure out something ELSE you could do with the genetic engineering premise of the franchise beyond just making dinosaurs. Like, all three Jurassic World movies have big problems and they get progressively dumber with each installment, but they're also all ambitious to some degree that I still feel respect for, even if they never really actually reach those lofty aspirations.

Rise of Skywalker, on the other hand, has no ambitions at all. It has nothing it wants to say, no unique twists to pull, no real identity of its own. It's a potroast made of leftovers from better movies, a resuscitated corpse of something much more interesting, patched together like a Frankenstein's monster and abandoned to a cruel world just as callously.

It has no desire to do anything new, merely a checklist of Things You've Seen Before That the Focus Groups Say You'd Probably Like to See Again. Any character that can be slipped into an arc that was done in a previous Star Wars film is slipped into one no matter how little sense it makes for them, and any character who can't is either forced to tread water with nothing to do (hi Finn!) or just quietly shoved off to the side early on and forgotten about (hi Rose!).

Any story beats that weren't in the original films are simply grabbed from a box that reads "time tested cliches to keep your script moving with minimal effort." Make the plot a treasure hunt so we can just race from scene to scene with the flimsiest justification possible and try and trick the audience into thinking something is actually happening! What's that, audience interest is flagging? Quick, throw in a cameo of someone from an older movie! What's that, they're bored again? Pretend to kill one of the old characters, but make sure to reveal they actually lived in no more than two scenes down the line, or else we might piss off the fanboys! Hey, let's look at the Cinema Sins videos for the original movies and see if there's some gripes we can "fix" with this one for added fan cred! Can't disappoint our audience!

It's the story-telling equivalent of smothering something in salt to cover up the funky taste of the close-to-the-expiration-date ingredients.

As for what makes a good vs. a bad legacy sequel... ok, so, let's define legacy sequel first. A legacy sequel is a film or TV show that is a sequel to a popular film or TV series that ended a good many years ago, which brings back some of the old cast of characters (generally played by the same, and thus much older, actors that played them in the past) along with adding a new cast of characters played by younger actors. It tries to replicate the tone of the original series despite being made in a different era and probably by different writers and directors, and generally aims to give you that Ratatouille style moment of nostalgia.

I think most Legacy sequels are kind of doomed to be mediocre at best on the outset because the goal of them from the moment of conception is so mercenary - they're not created to Tell A Good Story, they're created to Keep Consumers Invested in a Lucrative Content Franchise. They have the artistic aspirations of a McDonald's Hamburger - "This tastes exactly like what you had as a kid, and doesn't that make you crave more of it?"

I don't think that art made for mercenary reasons is doomed to be bad, mind you - I mean, almost ALL movies and television were made to make money first and foremost. Even the classic High Art movies I love like Seven Samurai and The Third Man were made for mercenary reasons at the end of the line - it didn't stop the people who were working on them from having artistic goals, but it's a fact nonetheless.

But Legacy Sequels just have an uphill battle in the "artistic aspirations" department, because most people with artistic aspirations don't want to recreate the feeling someone else inspired with their art - they want to put their own stamp on it, their own spin, their own voice. And that will often mean something VERY different will be made, something that might piss of the fans - something that doesn't taste like the McDonald's hamburger you had as a kid, even though it came in the same wrapper.

The worst parts of Legacy Sequels are the only parts that Rise of Skywalker is made of - the parts where the story is clearly only trying to show you things you know, only trying to reheat the leftovers so they taste like your memories, only trying to trick the nostalgia center of your brain that you're four years old again eating at McDonald's. "Here's the thing you know! Here's the running gag you liked, repeated five more times by actors with far less enthusiasm! Here's the same basic premise as the first film, but the stakes have been inflated to make it feel like a progression! Cameos! Catch phrases! Eat your hamburger, you consumer pig!"

The rare good legacy sequels don't really TRY to be legacy sequels. They're just... sequels. Another story in the same world as the first, bringing back the characters who actually have interesting arcs left in them, creating new characters with their own shit going on who have good chemistry with the pre-established characters and setting, expanding on themes from the original and exploring parts of the setting that hadn't been explored yet, and all in all telling their own story that's related to the first one's but still manages to be its own distinct thing.

There are not many good legacy sequels, because a good legacy sequel is different than the McDonald's hamburger you ate when you were four, and might make less money than desired because of it.

[manga-and-stuff]

Next up: BIBLIOMANIA

Story by Obaru Art by Macchiro

Big thanks to @burnt-tomato-slush for recommending this to me

[tortoise-teapot]

this tiny mortified storyboard solas is my favorite one i've ever drawn

[keirametzbrassknuckles]

I do think it's funny though that writing isn't really thought of as something that has "sketches" or "warmups". You're either writing a completely fleshed out original story or you're failing at being a writer.

[a9saga]

do you guys know that your likes are appearing on people's dashboards now? not in large numbers or anything. i've been seeing smutty fanfictions on my dash and i mean i'm not judging you, but i do wanna give fair warning that it may just appear on there for other people.

[ottitty]

Its okay to let yourself fall out of love with art or a craft if its not bringing you enough joy to be worth sustaining. You're worth more than what you create, and that's not something you have to apologize for. Thats a lot of grief to handle sometimes too, so be gentle with yourself and remember to not let yourself get weighed down by other people's guilt.

You are not dead. Continue on.

[void-tiger]

Still trying to come to terms with the intensity of how much I miss you just. Doesn’t make sense. At all. Feels like a bone break in my chest that I’m gritting my teeth through and still trying to keep myself distracted.

…right. July.

Except it’s still going to be someplace that has me on-edge at best. And I still just don’t get it with you not coming here if you seem so happy to see or hear from me.

Guess I’ll see how things really are in July. But if you’re worried about unequal reciprocation…c’mon. This one is. Just. Why not?? Once a month, once every two months? On your own or with your family? Or…y’all invite us over on an evening or something? I digress…

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[creatingblackcharacters]

“Romance Will Not Solve Racism”- Interracial/Biracial/Blended Black and White Relationships and Families

I broke this lesson on white/Black interracial relationships and identity off from my multicultural lesson because this is one that demands its own talk. People think that the existence of interracial relationships, biracial children, and blended families means that we are “moving forward as a society”. While admittedly it’s no longer illegal- and the fight that went into it for the right was very important- it doesn’t mean that the world is “getting past racism”. Far from it, if I’m being very direct.

Tokenism

“It’s a given that they’re not racist, they’re in a relationship with a Black person.”

Some of the most antiblack racist people I’ve ever had the displeasure of witnessing are the ones that think they ‘could never be racist’ because they draw “Black” characters, reblog “Black” posts, or “enjoy” Black characters. What I need you all to understand, going into your creation, is the proximity to Blackness does not mean antiracism. In reality, they are usually just tokenizing Black characters and people.

Tokenism: “the practice of making only a perfunctory or symbolic effort to do a particular thing, especially by recruiting a small number of people from underrepresented groups in order to give the appearance of sexual or racial equality and equity within a specific societal system (workforce, school, university, movie, tv-show etc.)”

In other words, the token Black friend/partner/child/favorite character is the person that white people will point to, to suggest that they are not racist because there is someone Black that they can stand to be around. They value them as pawns, not as people.

This can and often does apply in these scenarios. A white partner that might be nice to their Black partner may switch up one day if said Black partner doesn’t act the way they want (‘you’re not like other Black people’), revealing a side they hadn’t before. Many white spouses have rejected their spouses’ Black biracial children or treated them less in comparison to their own white children. It has been noted that white foster families will adopt Black children for the money (because they’re ‘cheaper’) or performance value, since people don’t adopt Black children as much (one family even murdered all of them in a murder-suicide).

Meanwhile, the whole time, they ‘seemed so nice!’ Racism can come from ‘nice’ people. So moving forward this is something we need to keep in mind. If anything, you need to be even more aware of this when writing, as these characters supposedly have a close relationship.

“What are you mixed with?”- Colorism

It’s also not coincidence that many of the acceptable, “beautiful” Black biracial people are the Zendayas of the world. Light skin, looser textured hair. These are the Black biracial people that are brought to the forefront, but they are not representative of every Black biracial person!

Now, this is one of my biggest pet peeves, both in character design and in life, so say it with me:

BEING BIRACIAL DOES NOT AUTOMATICALLY MEAN LIGHT SKINNED, AND BEING LIGHT SKINNED DOES NOT AUTOMATICALLY MEAN BIRACIAL!

I want to bite everyone that thinks this lmao. People will see lighter-skinned Black people and ask “what are you mixed with?” It infuriates me, the idea that we are somehow more beautiful for that proximity to whiteness. The idea that being Black alone is not enough to be beautiful, there must be something else in you that makes it that way.

(I’ve also known some unattractive light skinned and mixed people so… It’s just not true.)

This belief easily permeates society, and that includes artists and writers who want a specific look for their characters. Every mixed child is NOT going to be light skinned!!! LET IT GO!!! “I want my character to have long, thinner textured hair, but I want her to have a natural ‘tan’ (their brown skin) so by being mixed, I can have that! How beautiful!” No. It’s very racist. If your goal is to obtain Eurocentric beauty standards for your character, but to ‘claim diversity and benefits’ in their Blackness, that is very much racist. Y’all gotta catch yourselves on that one!

"Passing"

I want to reiterate a point, that you’ve likely walked past many a Black biracial person and just assumed they were Black. Blackness is not just a skin color, but a measure of social standing as well. We have been socialized to think of Blackness as less than, so once someone has been perceived as Black, someone’s perspective will be affected by antiblackness, regardless of their complete background.

But, when it comes to being biracial with whiteness, there’s also the concept of “passing”, where you might have assumed they were white!

Now, this is a controversial, and U.S. American-centric, view that I’m about to express. People will disagree with me, and that’s fine. Colorism does offer privilege to light skin. But I am of the opinion that if you have to ‘pass’ as white, you are not White. White people don’t have to pass. They just are. No matter what other marginality they are, that whiteness is the one thing they can lean on. If you can have that whiteness and the privilege that comes with it revoked by sheer awareness of the Blackness in your genetics, you are not White, because white people can never have that happen to them. So you might be able to get away with whiteness, as long as no one knows!

It’s why things like the One Drop Rule, the Paper Bag and Pencil Test, and terms like quadroons, octoroons, creoles, mulattos and such exist.

Strong dependence on the Mammy stereotype in this movie aside, one of the main plot lines of Imitation of Life is a Black woman, Annie, and her mixed daughter Sarah Jane. Sarah Jane is beautiful, but most importantly she can pass as white (the actress is Jewish). But Sarah Jane struggles with the reality that her society treats her better when she’s ‘white’ but will immediately and violently turn their back on her when she’s revealed to be half-Black. She hides and rejects her Blackness to protect herself from the pain, but rejecting her Blackness means rejecting her beloved mother, and everything she’d done for her. Annie dies of illness and heartbreak, having accepted that this is the choice she’s made.

(also, Trouble of the World by Mahalia Jackson is one of my favorites)

Fetishization vs Reality of Black biracial children

Again: people like to place a lot on the existence of Black biracial babies. They think the existence of a Black biracial child means that race simply isn’t a factor. They’ll seek the ‘beauty’ of mixed children, plus the performance points of ‘non-racism’ because they exist. Imagine your own parent- whom you’re supposed to love and trust- treating you as violently as the world outside; treating you like those puppies people get at Christmas where it was fun as a concept but ready to toss by Easter because they’re no longer titillating. Black biracial children are not toys, and they are not symbols: they are human beings!

If you plan on writing a white parent to a Black child (biracial or not) that is a GOOD parent, then they need to be aware of their child’s specific needs! There are still things that will apply to your Black child character that are different from a white one that your white parent character needs to know. Otherwise, your Black and Black biracial viewers will notice that this kid would not realistically be safe, healthy, or happy.

This includes learning to do their hair, or where to take them to get it done; recognizing when some conversations just aren’t ones they can have on their own, when they are treating their Black child like their life experience and day to day needs are that of a white child’s. I recognize that every story isn’t going to center racism, but if your story does want to acknowledge it, this also includes learning how to catch when their child is being discriminated against by their own white family members (just because THEY as a parent are okay, doesn’t mean their families are), in school or in other social spaces. That child might be in danger, but if their white parent does not recognize that, they will not protect them!

Antiblack racism from white parents has been spoken about often amongst Black children. Children of color in general adopted by white parents can speak on it. The rapper Logic has rapped often about his white mother calling him slurs. You can tell when a Black biracial child’s hair is not being done properly because their white parent does not care to learn, and is trying to physically force whiteness upon them via assimilation. It can actually be incredibly damaging for a Black biracial child to have a white parent that does not know how to take care of a child that will face the world far differently than them.

This can include feeling excluded from certain parts of your identity, just because you aren’t “enough”. One example multiculturally is the pressure to assimilate. For example, some Latino families not teaching their children Spanish, or Kenyan families not teaching their culture, to assimilate in (white) American culture.

Very often, white people no longer in a relationship with their Black partner will isolate their Black biracial child from their Black family, thus cutting off access to half of their heritage. Thus, many Black biracial kids find themselves confused about that line. Ideally, their parents will be healthy enough to have those conversations and strengthen their self-identity, regardless of their relationship with one another.

So when you’re writing your character, they should not be telling them that ‘we don’t see race’, or any other things that imply that the Blackness within them is somehow shameful or doesn’t need to be acknowledged.

How to actually treat a Black partner

Any Black person (with any self-respect, let me clarify) will not want to be with someone that’s racist. This doesn’t mean that their white partner will be perfect immediately, but they should still come in with some decency.

I personally do not find it romantic teaching someone how to treat me like a human being. I’m passionate about these topics and education on them, but there’s still a distance between you and I, reader. You are a person I don’t know, that could either learn from what I teach (which is good!) or decide to… Well, stay racist, and be treated as such 🤣 But I would never give my heart to someone that I’m unsure of. It’s far safer to be with someone that has already done much of the work on their own, or at least has put the effort in and will continue to do so.

Black viewers do not want to spend time watching a white person realizing they’re a human. Partners are supposed to be a space of respite and security. How can you be safe and comfortable if someone’s always throwing microaggressions at you (unintentional or not), refusing to or incapable of understanding your perspective when it counts, only understands your experience on a surface level, or is determined to ‘make it not matter’… and then call it love?

Like if a white character is giggly because ‘omg they’re listening to “Black” music they’ve never heard before’ or ‘eating “Black” food’ because of their Black partner, that’s… god I’d close the book immediately. We’re not a different species. That’s not romantic, it’s just weird. You can have a new experience without treating it like your white character is going to the zoo and reading the exhibits.

Your white characters should be learning and applying constantly- consent to touch hair and body, learning what not to say or when it’s not their space to speak on a topic, learning about how the world treats their partner so that they can understand. This includes their own friends and family- why would a Black partner want to be with someone that doesn’t defend them from racist family members?

Your white character may not always get it right, and that’s fine*. But one thing I’ve discussed in a prior ask is that the bar for knowing if your relationship with a white person is a safe one (at least, at that moment) is if you can correct them. If you can tell your white person that they have done something wrong, something racist, or that there’s something they should know to continue this relationship, and they react well? Okay. That’s an opportunity for writing character AND relationship growth!

*There’s levels to this; obviously there’s some things you can’t (or shouldn’t) come back from

Depicting this may be hard for someone that… that hasn’t had that conversation. I have been able to write that sort of scene. But if you’ve never had that conversation, you won’t know how it goes. I have to be honest with you… This is where it would be good to have Black friends that feel comfortable enough to have these conversations with you. I mean, you shouldn’t go make friends just because you want to use them for creation. That would be disrespectful. But if this is something that you want to write, I would highly suggest that you grow familiar with microaggressions and acts of antiblack racism, so that you can understand WHY they are a problem. Can’t really apologize and “not do something again” if you don’t know what that something is.

Fetishization of Black Partners

The Jezebel and the BBC stereotypes come into play often via the idea that a Black partner is something wildly exotic and can be used for sexual experimentation. ‘Wanting to know about big Black dick’ or ‘if all Black girls squirt’ is objectifying. You can write us in your sex scenes- many of us do enjoy sex and can even be kinky! But watch that you’re being respectful, from your descriptions to your dialogue. We’re not raging sex beasts and sex toys for your fantasies. We deserve care and our needs met as well.

There’s also this thing where white girls will date a Black man to ‘spite daddy', and when they’re done rebelling, that Black man is left in the dust, maybe even accused as an aggressor to excuse her ‘leaving’ her own (he manipulated her, tempted her away from the right path). We may side eye you if you have a white character ‘fake dating’ a Black person or ‘friends with benefits’- not because these tropes are racist, but often can be written that way if you’re not paying attention.

One controversial example is that of Rege Jean-Page’s character in Bridgerton. There’s a scene where his love interest essentially forces him to come inside her during sex. Now, there are people do enjoy consensual-noncon. The issue is that 1) some Black viewers who watched felt disturbed at the imagery of a Black man being forced to breed, especially given that historical context, and that it wasn’t treated as seriously, and 2) this scene if he had been the one forcing her would never have been received as well, especially with a Black male lead- it would not have been received as ‘spicy CNC’.

Interracial relationships- specifically with a white woman and a Black man- may also be looked upon with worry by Black family members. There is a history of Black men (and their surrounding Black community) being lynched for ‘defiling white women’. It’s not unusual for us to worry that we will not be safe in a white partner’s homes or lives, and will be asked to leave our information, who we’re with, and what part of town we’re in or going to. Get Out was a fantastic example of this; of how the only reason Chris escaped was because a friend of his knew where he was and came to get him. Otherwise, he would have been body snatched. So your ‘fake dating’ interracial AU might seem silly and fun to you, but a Black reader might look at it and go ‘wow, I would never put myself in this situation or deal with this sort of treatment without extra planning’.

As a side: the gigantic Black/Brown man in chains and a tiny white man holding those chains as symbolism for BDSM or 'possession'… Yeah that’s usually just racist beast and slavery imagery recycled. Please. I beg. I’ve almost never seen the opposite in fan art, and we all know why. There’s got to be something else we can use.

Black Parent, White Child

This is one that I almost never see talked about! Partially because our society deems any child of a Black person also Black, but there are blended families where there will be an existing child- and that child might be white! But we don’t see white kids adopted by Black families as much as we do the reverse, and there’s a reason for that!

There’s a difference in the dynamic! White parents with Black children are often seen as ‘saving’ them. I was once friends with a nice, older white (also racist, as it turned out) neighbor of mine, and people would often look at me like I was some poor, piteous negro child when we went to the store. But if my 50+ year old father were to walk around with a preteen white girl, people would react far more defensively.

Think about this: toddlers have tantrums, right? The world is ending in a heartbeat, that’s just where they are mentally. You’re ready to leave the store, they aren’t: boom. Tantrum.

A white toddler falling out into a tantrum and getting hauled off by a Black parent could very well get that parent arrested or killed if someone, misunderstanding due to their pre-existing biases, calls the cops for ‘kidnapping’. And that white toddler might not know that, but that’s the amount of power that they hold over that Black stepparent as a BABY.

There was a Black Twitter thread that discussed what Black people would do if a crying white child came up to them and looked lost, and part of the discussion was that people were genuinely afraid to be seen with this child, because someone might assume that THEY made the kid cry, and it would get them hurt. Has nothing to do with not liking white kids, but the fact that we live in a world with a literal hair trigger on us- the last thing we need is to be seen as a threat to a white child.

Viewers will be affected by this bias as well. White parental characters to Black child characters will be given more grace and understanding versus the opposite.

A good example (of parental figures/mentors) is from Across the Spiderverse, with Peter and Miles vs Jessica and Gwen. Both mentors were a part of the Spider Society, both were in the wrong about how they treated Miles (damn near the whole Society did, which is another message on how we treat Black and Brown kids there!), and with how they treated their respective mentees. But Peter is treated with far more grace, despite his actions symbolizing that disappointment that Black kids often experience from white adult mentors that we’re supposed to trust, than Jessica Drew, who treated Gwen like the business mentor she was. Jessica was not motherly (remember that Mammy stereotype?) to Gwen because it wasn’t her job to be. But people were furious at her not ‘treating Gwen better’, for ‘putting her own child in danger’ and ‘not considering how Miguel would react’. But they were not as angry at, or offered more potential forgiveness, to Peter, who failed at the very same things with Miles.

Writing a Black Parent

Okay, so yes, there is ‘Black parenting’. To be honest, you’re not going to be able (and shouldn’t attempt) to write that, because it is a very specific experience that you’ll only know if you were brought up in it. Bringing up Jessica Drew again, another perspective to consider is that people thought she was a ‘bad mentor’, but as far as how my Black childhood went, she was quite gentle and firm.

Black parents are still humans, and parenting is still parenting. Be normal about it. All you need to do is keep in mind that we’re offering all of these characters and their relationship dynamics the understanding and writing they deserve.

If you’re writing a healthy relationship, there needs to be a sense of trust and respect between everyone involved, and that can reveal itself even in small interactions. If you’re writing a complex or negative parental relationship, that’s fine, but you’ll have to avoid certain overarching stereotypes of Black parenting styles (The ‘ghetto welfare queen with six kids’, the ‘absent thuggish father’, the ‘overaggressive woman that beats her kids’, the ‘Strong Black Mother who don’t need no man’). Make sure they’re a complex or bad parent because they suck, not because they’re what you think of when you think of Black parents.

Conclusion

There’s no free passes from antiblack racism just because you’re close to Black people; there’s no ‘invite to the cookout’ just because you don’t say slurs. This applies to your writing as well. It is not a given that your white character is in the clear just because they have a Black partner, children, or friends. If anything, they’ll need to be putting in extra work to maintain that intimacy. These are different forms of love, but all love takes effort, and it certainly won’t hold if they’re not being considerate of their loved one’s identity. By incorporating this level of thought into your writing- however subtly- it will show your Black viewers that you as the writer are aware, that you actually thought about us in these more intimate settings. Because as you and your white characters need to know, it’s the thought that counts, but the action that delivers!

[yamujiburo]

You said you like sharing Team Rocket facts, sooo, what are some of your favourite facts that you don't get to share often or think not many people know? :D

Yam's Top 10 Team Rocket Fun Facts!

Jessie and James are both 25 years old

Jessie and James are NOT siblings (you'd be surprised how many people think they are). They have almost polar opposite backstories from each other.

James grew up rich but ran away from home at a young age because of all the pressure as well as his arranged marriage with Jessebelle (who looks exactly like Jessie funnily enough)

Jessie's mother, referred to as Miyamoto, was also a Team Rocket operative who worked directly under Giovanni's mother Madame Boss. However Miyamoto went MIA while on a mission looking for Mew and never came back, leaving Jessie to grow up in foster care

Jessie and James in English are named after the outlaw Jesse James which most people seem to know about. Buuut in Japanese, they're called Musashi and Kojiro, named after the famous swordsmen Miyamoto Musashi and Sasaki Kojiro. Musashi kills Kojiro so do with that what you will. Sub fun fact: Musashi and Kojiro's duel is referenced in Sun and Moon with Jessie battling Ash and using the sun to temporarily blind him and Pikachu before striking.

The Team Rocket trio are based off of the Time Skeletons from Time Bokan, who are probably the earliest version of the very specific trope "san-aku" (literally translated to three evil). The trope usually depicts one female leader and two bumbling men, one short and one tall. They also regularly build mechs/robots and beef with kids. In Sun in Moon, they DIRECTLY reference the Time Skeletons!

When the Johto series came to an end a decision had to be made on whether Misty or Team Rocket would leave the series. Head writer Takeshi Shudo fought really hard to keep Team Rocket (I think it's safe to say that they were his favorite characters). Seeing how Team Rocket stayed in the series till the very end, I think it's obvious to see what the end result of that decision was

The reason Jessie, in later seasons of Pokémon doesn't smack around James and Meowth as much/at all is because her voice actress, Megumi Hayashibara personally requested that the writers make her less violent. She felt it went against the "good natured villain" concept Takeshi Shudo originally had for them. On Hayashibara, Jessie's "failed nurse" backstory is based on Hayashibara's experience in trying to become a nurse.

James' love for sports and racing is often depicted in the show and is a reference to his VA, Shinichiro Miki's, love for cars and racing.

The reason Team Rocket crossdresses is literally just because the artists thought James looked better in a dress than Jessie did and ran with it

[amuyyi]

unfiltered y/n .

synopsis; two drabbles of y/n being the oldest of newjeans, yet arguably the most chaotic and childish. 21 year old y/n who's very gen z coded and borderline chronically online from a young age.

trope; platonic! newjeans x f!reader, just danielle + hyein bc im lazy

wc; 1.9k

cw; n/a

a/n; guys i think i fr forgot how to write erm so sorry this is dookie but i needed to write something lighthearted to keep my sanity even tho writers block is real rn thumbs up emoji ... also y/n is just me again LMFAO

Humming, your eyes glaze over the Phoning chat. You and Danielle sat comfortably within your practice room, the younger girl joining shortly after seeing you had started a livestream. There was no particular reason for this stream, you simply felt like entertaining your fans for the day. Throughout the livestream, you and Danielle simply talked, being some of the most social and extroverted members of Newjeans, it wasn’t hard for you two to popcorn different topics from one another.

“Did you ever read Warriors?”

“What, that book series about the emo cats?”

“They’re not emo– well…. Actually…”

Both you and Danielle burst into a fit of giggles as you tried to explain the lore of the Warrior Cats series, which then went into you making a powerpoint on why your company should allow you to have a cat in the dorms, which then went into a conversation about how you guys wanted to decorate your ideal home…

When you and Danielle were put into a room together, it almost seemed like you two fueled each other's energy in a never ending cycle. Still, as your laughter dies down, the pair of you decide to just chill, even for a moment. Your attention gets drawn back to the comments whilst Danielle aimlessly scrolled on her phone for a bit.

“y/n, who are your favorite kpop artists??” You read out loud.

Your eyes light up at this question. Before becoming a trainee, you were a die hard fan of many groups back when you were younger. Honestly.. You were a bit of a chronically online kid, despite your social tendencies. Back in the day, you ran a kpop stan twitter, and are well versed in the new vocabulary of online meme culture… as embarrassing as it was to admit the more you thought about it. 

After reading the comment, the mischievous and playful glint in your eye was impossible to ignore, and Dani seemed to pick up on the shift in energy. Shooting you a suspicious glance, you decide to speak up.

“Ah there are so many groups I love… But.. I’d have to say Red Velvet and LOONA...!”

It was an innocent enough answer at a glance, but to some, the underlying message behind it was glaringly obvious.

Almost immediately after speaking, in the most obvious and not discreet fashion, you freeze, arching a brow making a curious looking expression at the camera as you pucker your lips. It was undeniable that you were referencing an all too familiar meme within the LGBTQ community.

Honestly, you were never one to shy away from your sexuality. You were lucky enough to know who you were from a young age. (All of your odd childhood crushes practically spoke for themselves. Rain from the movie Spirit, for example. The horse.) 

It wasn’t long before the girls caught onto you, and they have been nothing but supportive since. Oftentimes they would tease you over your clinginess with your other members, or how you’d very publicly fawn over other female idols, while nearly all of the light drained from your eyes when approached by a man. 

In hindsight, it was a surprise that they didn’t catch on sooner. The way you acted so stiff around male idols when forced to do Tiktoks with them, or how you never entertained their advances. However, it seemed like Some fans did seem to notice faster than your own members, and deemed you “Irene's daughter” as a result— a title in which you wear with pride, might you add! 

That wasn't to say you didn't have your own hardships and struggles with your sexuality at the same time, though. Of course, being a part of one of the biggest kpop groups of your generation, you couldn’t express your sexuality publically. Not yet. It was too risky. A large chunk of your fan base consisted of straight men anyways… Potential backlash would be detrimental. You didn’t want to drag the others down with you. Not when you guys have so much ahead together.

So you keep your head low, put on your best smile, and focus on your members.

….Until moments like these, of course.

Eyes practically boggling out of her head, Danielle bursts into laughter, shoving your shoulder with one hand while she covers her face with her sweater sleeve.

“Unnie…!” she scream-whispers, baffled by your words. Of course she knew what you were hinting at, she didn’t live under a rock her whole life.

Seeing Danielles reaction only seems to egg you on though. What? You weren’t saying anything explicitly queer. Only the people that mattered would know. Worst case scenario, you’d be in some odd rumor or speculation that had no real evidence to back you up. Maybe you’d be seen as an ally. Humming once again, you pretend to think.

“Though if you want to know about male artists….” You take a significantly longer time to answer this as Danielle is left a giggling mess next to you. She seemed almost a little distressed through the laughter, but she trusted you.

“I would probably say I like EXO and Shinee the most.”

Once again, you make that damn face, and Danielle throws her head back in hysterical laughter. She grabs your shoulder and shakes you around, whispering quiet scoldings into your ear as you snicker, feigning an innocent look as the chat practically blows up.

[cha3wonz] – HELLO???? [kaheii] – y/n blow a kiss if u like women [luv__newjeans] – okay ally

Unsurprisingly, clips of your shared live with Danielle went viral. Many stan accounts on twitter began to speculate that you were queer, whilst others fully embraced it. Your favorite posts were the edits of you with the rainbow flag followed up by a question mark. It was all too good.

Honestly, you didn’t even think it was a big deal. You didn’t pay much attention to other male groups– you never did, really, but when you looked at the new incoming generation of boy group members… They practically had the whole pride parade following them. 

There were a few minor articles about you here and there, but you were mostly off the hook.

Danielle lay sprawled across your back whilst you lay on her bed, scrolling through Twitter aimlessly as she laughs at the comments on your recent instagram post.

“It seems that your fangirls can't get enough of you, lovergirl,” she teases lightheartedly as you wiggle beneath her weight, giggling.

Maybe one day you’ll share the news to your fans, and maybe one day they won’t even be surprised. But you’re glad to have what you have now. Just you, your girls, and your ever growing folder of queer y/n memes off of Twitter.

⋆ ˚｡⋆୨୧˚

Hyein was in the middle of a solo livestream within her bedroom, lying comfortably in her bed as she showcased various articles of clothing she had bought with Hanni the day prior.

The livestream was going well, peaceful as Hyein makes her way through several t shirts, sweaters, pants, and skirts of all colors and styles.

Right when Hyein was about to reveal her favorite article of clothing from the haul, loud, almost desperate banging rings throughout the room. An almost pathetic sounding yelp of surprise erupts from the girl before she curiously glances at the livestream. 

Leaning forward, she whispers to the camera, “I think… I think there's a creep trying to break in…” 

Suddenly, the door bursts open, with a very flustered and irritated y/n tumbling in shortly after. iPad in hand, you collapse into the bed next to Hyein

“Guys, guy, GUYS. The theme was scene!!! What the hell is this?! Look at THIS versus MY outfit!” You exclaim almost a little too loudly as you shove the ipad in front of the camera. Failing to focus on your screen properly, the viewers simply saw a bright white square as you groaned.

Baffled and still a bit in shock, Hyein speaks up, “Unnie, it's really not that serio–”

“This is bullsh–” You cut yourself off as Hyein snorts loudly at your near slip up. Clearing your throat, you grip your ipad a little tighter than needed, trying to calm down.

“This is unfair. And you know what's worse? Its probably some nine year old with their friends voting for them behind the screen!” You whine out dramatically. With how upset you were getting, it wouldn't be surprising if this genuinely was the one determining factor that would either make or break your night.

Hyein couldn't bite back the amused laugh at your seriousness. 

You took your games pretty seriously. Even if it was roblox. There was something familiar and comforting about it all, really. Lighthearted games like this  played a major part in your childhood— which was, of course, abruptly cut short once you became a trainee at age 14. Now that you were an adult with a job as an idol, you could buy your own robux, buy your own gamepasses and items… and most importantly, stomp on little kids in-game. You were here first, after all.

“Unnie, aren't you like, 21 years old? Don't you think you’re a little too old to—“

“And don't you like— what, 12?!” You shoot back without even missing a beat.

A brief, yet suffocating silence passes as the both of you stare at each other, wide eyed. Never in your years of knowing the younger girl have you ever been so.. sassy to her. You were the oldest, after all. It was your job to take care of her.

Almost instantly, you drop your ipad and tackle the younger girl in a hug, crying out, “BABY HYEIN!!! IM SORRY…!!!”

Hyein on the other hand, was not as reciprocal to your attempts at apologizing. Upon being tackled, half of the air in her lungs practically got knocked out of her, and she finds herself tumbling backwards into the blankets below. Instead of accepting your obviously very real and very distressed apology, she began struggling to wriggle out of your grasp as she yelled out, “NO! LET ME GO UNNIE!! LET ME GOOO!!!”

Though the youngest towered over you by over half a foot, your grip on her was borderline deadly. Squeezing your arms tightly around her neck in an attempt at being soothing and sweet (you werent) you scream at yourself, rocking her back and forth. 

“I'm so STUPID im SORRY IM SORRY IM SORRY I JUST WANTED YOU TO PLAY WITH ME.”

Incoherent screams and movement was seen from the livestream for about 5 minutes before Hyein tapped your arm, giving in.

“Fine, fine..! I forgive you unnie, just let me go…!”

The moments following Hyein’s acceptance of her fate seemed to actually go by pretty smoothly compared to the chaos that had just ensued a few minutes prior.

Laying in bed together, the two of you played dress to impress while on the live, occasionally interacting with the viewers, but mostly focusing on winning the game. A comfortable silence passes, the only sound being nails against iPad screens.

The pair of you would proudly showcase your creations to the camera, and shared mutual frustration when neither of you would even place despite the immense efforts you put into your outfits.

“I swear to god Hyein, I’m gonna buy both of us VIP and we’re gonna leave these girls in the dust…”

As you prepare to go up for your final round of the night, Hyein suddenly perks up.

“Oh look, unnie! This outfit is actually pretty good…”

“Huh? Oh!! You're right! This is super pretty…”

“…”

“…”

“Two stars?”

“Two stars.”

[the-travelling-witch]

𝐋𝐄𝐀𝐕𝐈𝐍𝐆 𝐀 𝐋𝐈𝐏𝐒𝐓𝐈𝐂𝐊 𝐒𝐓𝐀𝐈𝐍 𝐎𝐍 𝐓𝐇𝐄𝐌

nonnie asked: lately i noticed many writers writing about reader kissing character's face while wearing lipstick and therefore covering them in it and i found it so cute and then started to imagine your om!ocs and the modern au guys (…) being covered in lipstick kisses too […]

pairings: my genshin modern au guys (xiao :: scara :: aether :: kazuha :: heizou :: venti :: childe :: diluc :: kaeya), my obey me ocs (dantalion :: valefar :: stolas), my twst oc (cheron) x gn! reader

warnings: these lipsticks are not smudge-proof

a/n: as said i might write a full thing for one character when i have the chance but considering i have 13 characters here and i can only think of so many scenarios, i’m writing a few paragraphs each for now ^^;

original ask

modern au || dantalion || valefar || stolas || cheron

𝐆𝐞𝐧𝐬𝐡𝐢𝐧 𝐌𝐨𝐝𝐞𝐫𝐧 𝐀𝐔

𝐗𝐈𝐀𝐎 Piercer/ Tattoo Artist

It had been a busy week in which you hadn’t seen much of each other, so when you finally made it to Friday evening, you were overjoyed to see your boyfriend again. Needless to say, when the door swung shut, the first thing you did was flutter some well-earned kisses across his face, not even bothering to take your make-up off.  So when Xiao spotted his reflection in the mirror, the flush on his cheeks wasn’t the only rose colour decorating his beautiful complexion. While you watched his blush darken, he couldn’t meet your eyes in the mirror and you giggled to yourself as you watched them snap to you when you pulled the neckline of his shirt out of the way and planted a final kiss on the base of his neck.

𝐒𝐂𝐀𝐑𝐀 Piercer/ Tattoo Artist

It was your day off, so for once you weren’t out of the house before Scara, instead getting ready at the same time as him. You made him his usual morning coffee to go after he slept over, since he straight up refused to drink anyone else’s, and kissed him goodbye. Not long after he arrived at the piercing studio, notifications started blowing up your phone and you skimmed the furious string of texts, laughing to yourself. Apparently, Xiao hadn’t said anything about the smudge on the corner of his lips, leaving Heizou and Venti to have a field day when they came in, teasing him relentlessly even after he wiped it off.  As for the accusation that you did it on purpose, who was to say…

𝐀𝐄𝐓𝐇𝐄𝐑 Piercer/ Tattoo Artist

“Do you still need the make up remover?” Aether asked from outside your bathroom door. You’d both just gotten back from an outing with the others from the piercing shop, staying longer than you initially intended. But that was what always happened. Venti could be very convincing and the group was too much fun to leave early. “I’m done, but I didn’t notice you wearing any makeup earlier,” you admitted, opening the door to let your boyfriend in.  “Well I wasn’t,” Aether sheepishly laughed, rubbing the base of his neck. And then you saw it. Faint traces of colour decorating his temple, cheek, the corner of his mouth and even the parts of his neck and chest not covered by his shirt. A shade that very closely resembled the lipstick you applied before going out. “You might be a bit of an affectionate drunk.” “Oh my— I’m so sorry, Aether,” you apologised, quickly searching around for some cotton pads and wiping the lipstick off his chest, trying not to linger on the thought too much. “Don’t worry, I thought it was cute,” he assured you, his warm smile seemingly lighting up the room. As you leaned in to clean his face, he took the opportunity to steal a quick kiss from you as well. “You should wear it more often, it looked very pretty on you.”

𝐊𝐀𝐙𝐔𝐇𝐀 Piercer/ Tattoo Artist

Kazuha had come over for lunch, as he often did, taking a break from his coworkers between the plants, sketching if the time allowed for it. When you both had to return to work, you pressed a sweet kiss against his cheek and then rushed to help a customer. And while neither one of you noticed the colour dusting his cheek, the others sure did and wasted no time pointing it out, though all their teasing comments seemed to bounce right off of him.  He wiped the stain away before any customers came in, laughing off how he hadn’t noticed at all. “Of course you wouldn’t notice,” Heizou agreed, a knowing air about him. “After all, you’re way too busy making heart eyes at your florist to even think about looking anywhere else for a second.”

𝐇𝐄𝐈𝐙𝐎𝐔 Piercer/ Tattoo Artist

“Hey honey, could you help me with something real quick?” You called your boyfriend over as you finished applying a new shade of lipstick you bought. As Heizou strolled up to where you were standing, you turned towards him with a smile. “What do you think? Do you like it?” “The colour looks beautiful on you,” he easily replied, sending you a flirtatious wink. “Though I’m not sure if it’s really the colour or just you being gorgeous that’s causing it. Now what did you need help with?” Wrapping one arm around his neck, you pulled him in for a kiss, making sure to firmly plant your lips against his. If your boyfriend was surprised at all, he masked it well, easily melting into the kiss. As you pulled away a little breathlessly, you grinned. “Just wanted to see if it’s really smudge-proof, though I guess it failed in that regard.” You traced a finger around the faint trace of colour on his lips as Heizou took the tube from you and applied the lipstick with pinpoint precision. Turning to you, his olive eyes were gleaming with mischief as he chuckled. “I think we should run a few more tests, just to be sure.”

𝐕𝐄𝐍𝐓𝐈 Piercer/ Tattoo Artist

“This one’s for the song you wrote for me and this one’s for bringing me my favourite coffee without me asking,” you mused, studying your boyfriend’s face covered in pink-hued gloss marks. Somehow a kiss to the temple had ended with you caging Venti against the couch, fluttering a dozen kisses all over the skin you could reach. “Ehe, what can I say, I’m just the best boyfriend ever,” he giggled, tracing his fingers down the contours of your face in return. Then, something in his expression changed and you prepared yourself to shut down whatever idea he was about to propose next. “Maybe I should think about getting one of them tattooed? On my shoulder or so?” “Don’t you dare.”

𝐂𝐇𝐈𝐋𝐃𝐄 Idol

Ever since you had caught a lot of heat from Childe’s manager for accidentally letting your boyfriend leave with a mark decorating his collarbones, you were very cautious of leaving any visible stains on him, even if it was just makeup.  Still, you found ways to work around this little inconvenience. There was one time you signed off a little post-it note you left on the fridge for him, wishing him good luck for a performance, with a lipstick stain. After seeing his reaction of childish glee, it became a staple in your relationship. Then again, whenever Childe came home from work with his makeup still on, he never failed to press a big, fat, lip gloss stained kiss on your cheek, chuckling like the menace he is when you make a show of wiping it off.

𝐃𝐈𝐋𝐔𝐂 Club Owner/ Bartender

Diluc had seen his fair share of shameless make outs during his time at the Angel’s Share and normally he just turned his head the other way, not sure why people would enjoy slobbering all over each other. Well, that was until he met you anyway.  Though he’d like to think he was more composed than the intoxicated people at his club, whenever you pressed your lips against his, he thought he might get drunk off of you. He swallowed hard when you pulled away, mind still trying to process what was happening as his eyes tracked the movement of your own kiss-swollen lips, not hasty to wipe away the traces of you against his skin.

𝐊𝐀𝐄𝐘𝐀 Model

Kaeya actually revelled in it whenever you leave any type of mark on him, as long as it didn’t lead to a scolding from his manager. Whether it was something more durable like a hickey or something easily wiped off like a lipstick stain, Kaeya always looked very smug about it afterwards. After all, the marks were a testimony to the events that transpired previously, and what could he say, Kaeya enjoyed those very much. Even more so considering he knew his way around a makeup bag, confidently picking out shades that looked gorgeous on you and even more gorgeous when they were smudged around the corner of your lips and over his skin. In his opinion, every photo of the aftermath was more stunning than any of his cover shoots.

𝐎𝐛𝐞𝐲 𝐌𝐞! 𝐎𝐂𝐬

𝐃𝐀𝐍𝐓𝐀𝐋𝐈𝐎𝐍 Majolish Owner/ Devil Style Chief Editor

You walked in on Dantalion getting ready, his attention that was previously on his reflection in the vanity mirror flickering to you when you entered. His plush lips, curled into a loving smile, are painted in a flattering shade of red and your gaze was trained on them as you came to stand in front of him. “Are you trying a new shade? It suits you well.” “I am. I’m glad you like it,” he hummed, tilting his head in contemplation. “I wonder…” Cupping your cheek in his palm, the demon leaned towards you and you instinctively closed your eyes as his soft lips pressed against yours with purpose. As always his kisses made a part of your brain short circuit and you blinked at him dazedly for a moment after you parted. There was a satisfied gleam in his bright eyes as he wiped at your bottom lip with his thumb, studying the red stain he left. “As expected, it’s an even lovelier colour on you, my flower.”

𝐕𝐀𝐋𝐄𝐅𝐀𝐑 Casino Owner

“Little lamb, come here for a second.” Valefar was no stranger to finding your lipstick smudges at the rim of his drinks or wiping smudges of colour and gloss from his cheek before leaving for the casino after you gave him a kiss goodbye. He didn’t mind, found it cute even, but as he regarded the pink stain on the collar of his white dress shirt in the lounge’s mirror, he knew it won’t come off with a quick swipe of his thumb. It wasn’t a big deal, he kept spare shirts in his office, but Val wouldn’t pass on the opportunity to fluster you. “Care to explain yourself?” You were halfway through stuttering out a sheepish apology when Valefar backed you against his desk, keeping you pinned to him with a hand on your back. Intense amber eyes keep contact with yours as he leaned down to suck a noticeable hickey on the same spot his collar would be, knowing your clothes barely wouldn’t be able to hide it. “Debts should be repaid, wouldn’t you agree?”

𝐒𝐓𝐎𝐋𝐀𝐒 Popular Streamer

It was a pleasant day in the Devildom, as pleasant as it could be in a realm without the sun anyway, pulling the two of you out into town. While strolling from apparel stores to gaming shops, you passed a café you frequented and decided to stop by for some refreshments. As you pointed around various shop displays, you had the sinking feeling that your drink emptied faster than usual. And when you spotted the colourful stain that had transferred from your straw to your boyfriend’s lips, you caught the culprit red- handed (or rather red-lipped). When confronted he merely chuckled playfully before swooping in to steal a kiss on top of your drink, staining them with more of your lipstick and thereby destroying the evidence. (His straw also became more colourful as he offered you his drink as compensation.)

𝐓𝐰𝐢𝐬𝐭𝐞𝐝 𝐖𝐨𝐧𝐝𝐞𝐫𝐥𝐚𝐧𝐝 𝐎𝐂

𝐂𝐇𝐄𝐑𝐎𝐍 Prince of Hell

When Vil gifted you a set of lipsticks and glosses from a campaign he was part of and had no need for, you accepted them gratefully. You just finished sorting through all the shades and trying out a pretty shade of red, when there was a knock on your door and Cheron sauntered into your room.  “There you are,” he grinned, charming without even having to try, before pulling you close and stealing the air from your lungs with a kiss. For someone who claimed to not be interested in ferrying more souls to hell, he sure seemed intent on trying to kill you. “What’s this you got there? Vil’s new collab?” “Right you are,” you paused, peering around him to the lipstick tube in your hand and chuckling as you read the shade name. Pressing another kiss right onto the middle of his cheek as payback for his usual schemes, you took in the red matching the colour on the corner of his lips. “Don’t you think it’s a beautiful colour, Cherry? It does match your hair and eyes. Maybe I should start calling you that.” There was a dangerous glint in his crimson eyes, clearly aware of the red staining his face, as he swiped his thumb under your bottom lip where the lipstick left a smudge as well.  “You have a lot of nerve marking the Prince of Hell.” His grin showed off the points of his fangs more clearly now, clearly amused at your little stunt, taking a step forward and walking you backwards towards the edge of your bed. “That’s fine. If you can handle the consequences, that is.”

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[kayhi808]

First Crush - 2

I was stuck in such a writers slump but you all inspired me with all your sweet comments for this story. 😘 Thank you so much!!

You were called into work on your day off. You just started working at the Avenger's Tower and trying to make a good impression. This was an amazing job & you didn't want to lose it. They paid you very well, so there was no problem paying for childcare. As any single mother knows, that is a major concern. But when they call you into work on a scheduled day off, it isn't the easiest thing to whip up, an immediate babysitter. And this is how Abby ended up at the Tower with you. Abby is usually a very sweet, well-behaved child but she just ran off in the lunch room to flirt with the Winter Soldier.

With her hand firmly held in yours, you walk her back to your table. "Don't you ever EVER run away from Mama like that." You lift her onto her chair beside you & set up her chicken nugget lunch in front of her. "We could have gotten into very big trouble."

Abby's shoulders slump and she looks up at you remorsefully, "I'm sorry, Mama."

Brushing her hair off her forehead and dropping a kiss on her brow, "Ok, baby. Thank you." You give her a smile and add some strawberries to her plate. She does a little happy wiggle in her chair and starts to eat her lunch.

"Mama?"

"Yes?"

"Did you see the gold sparkles on the man's arm? It was so pretty."

You laugh & so does she. "I did. Sargent Barnes has a very nice arm." And nice blue eyes. And nice muscles. And a nice face. And a nice dimple in his chin.

Abby looks down and examines the other stickers on her shirt. Worried, "Did I give him the best sticker?"

"Yes. I think you made a good choice. He didn't have any other stickers on his arm." Abby giggles and does another little happy wiggle in her chair. "Enough about Sargent Barnes' arm." Tapping her plate, "Eat your lunch."

*****

The two of you walk back to your office after lunch. You brought out her crayons and gave her some paper to draw on. Not surprising, her muse this afternoon was Bucky Barnes. All her drawings consist of a stick figure guy with an arm twice the size of his whole body with yellow woven through the black.

Agents drop by throughout the day to pick up or sign for new mission assignments and Abby has been so well behaved. She doesn't interrupt & quietly watches her videos or draws. She even took a quick nap after lunch so for a treat you go back to the cafeteria to get her some soft serve.

Returning to your office, Abby let's out a squeak. Standing there is Sargent Barnes looking over all of Abby's drawings taped to your desk.

"Sargent." You lower Abby to her blanket and give her, her cup of ice cream. "Didn't mean to keep you waiting."

Shaking his head, "It's fine." You unlock your desk to retrieve his mission packet. Bucky looks over at Abby, "Hello Abigail Rose. What do you have there?"

"Ice feem. Yous want?" She offers him her spoon.

Rubbing his stomach, "No thanks. I'm full from lunch. You enjoy it."

You clear your throat to get his attention, sliding his packet across your desk waiting for him to sign for it.

Abby let's out a gasp and walks over to Bucky. She touches his arm, devoid of her sticker. "You didn't like my sticker? Oh no, Mama, I did gives the wrong one."

"Oh Abby..."

Crouching down to get on Abby's level, "Hold on. Hold on." He pulls out his ID badge for the Tower and flips it over. There is Abby's sticker. She reaches out to touch it. "I couldn't have it falling off my arm and losing it." She covers her mouth with both hands and giggles.

"Baby, your ice cream is melting. You should finish it." Abby hops back to her blanket, clearly thrilled. You whisper to Bucky, "Thank you. That was kind of you." He gives you a shy smile and signs for his docs.

"I'll see you later Abby." She waves with her spoon. "I really like your drawings. You're going to be a talented artist."

Her eyes become round like saucers as she scurries up to take a paper off your desk and runs after Bucky. "Wait Mr. S'gent!" Crashing into his leg with her drawing. "You can has this one."

Bucky laughs and smiles. Never have you seen him smile. It transforms him completely and melts your heart at the kindness he showed your daughter. "What?? Are you sure?" She nods.

"You can puts it on your desk too. Like Mama."

"I sure can. Thank you, Abby."

She giggles and goes back to her ice cream. You mouth the words "thank you", and he gives you a wink before leaving.

Next chapter

@waywardhunter95 @buckysdoll85 @marvel-wifey-86 @roofwitty779 @angelsoftbear

[goyayato]

a list of cool website i found and use

radiooooo.com- pretty much you can listen to any music any place in the world and also... you can choose any TIME. Sometimes a person just likes to listen to russian music during the 1970s yk? (i recommend btw)

onelook.com (thesaurus)- can't seem to find the word you're thinking of? What the hell is that blanket that you only use for the couch/living area??? Oh wait- a throw. Go check out onelook, it has definitely saved me time for my writing.

datayze.com- CALLING ALL WRITERS, or i mean if youre gonna have a baby too ig this would work. datayze literally will help you find a name for your oc! And if you already have a name it gives you alot of good info you may want to know about your oc'c name. Or you could always make a name by mixing two together, like you can... on datatyze.

bandcamp.com- I cannot for the life me explain this website but TRY IT OUT, YALL. You can find alot of underground artists or new songs :D

mix.com- kind of like tumblr? but kind of like reddit? but also kind of like twitter? what im trying to say is that it's called mix for a reason. It takes cool things from multiple different websites and compiles it into one website, really cool when you're into a really specific fandom sometimes.

lab.nationalmedals.org- tbh idk, it's pretty and cool. it's pretty cool. i used to play this a lot.

worldchatclock.com- i use this for some of my friends that i volunteered with online to find a perfect time for us to meet. It finds a time where which you and up to a few people in different time zones can find a perfect meeting time.

earth.nullschool.net- so ive been getting back into flying my kite and this has been a life saver for my time.

radiogarden.com- i made a whole post about this website, uhh just look it up or try and find the post- im sorry im getting tired pLease

(I have like 2 other websites but i am not going to log into my old school email to try and find the bookmarked websites)

HONORABLE MENTION (actually i did this on purpose. best for last yk?)

azejournal.com- HELLO AROS AND ACES OR BOTH!! THIS IS THE WEBSITE FOR YOU. This is full of cool poems, stories, personal experiences, etc, about being aro or ace or both. I am literally in LOVE (no romo) with this website, it makes me feel more understood sometimes. Also I just love seeing us as a minority having a safe space to make and post creatively.