#I wrote some too...

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[crybaby-bkg]

I think Deku has a bit of a mean streak, actually. he’s no Bakugou—that’s for sure—but he’s not this innocent, sweet angel baby that the media has painted him out to be. but you only catch it when you least expect it, when you’re pushing his nerves, when the stakes to everything around him are high, when he’s tired of endless sleepless nights and just—snaps.

“Oh?” you go, grin unfurling like some grinch, chin resting on your hands as you leer at him from across his expansive desk. “You’re mean.” your words are teasing, a snarl that curls your mouth up. Deku stutters, eyes going wide, jaw snapping shut in surprise as he tries to think back on how rude he just sounded.

“No, I’m not—I mean, you wouldn’t stop and I just—there’s a lot on my plate right now—and you just—you keep on—I’m not—I’m not mean.” He’s sputtering, hands all over the place, the glasses perched on the bridge of his nose falling even lower with how he jabbers on and on. it’s endearing really, to see how he tries to upkeep his image of being so kind and understanding, even though his nostrils just flared at you. and his eyebrows turned down and he gritted at you, his hands were balled into fists, his words were so nasty, so ugly, so unbecoming for Deku.

you liked it. loved it even—vowed to get him like this every single fucking second that you could.

you pick and poke at him whenever you see him, teasing him and pulling at him. pushing him around even though the hero is so much stronger than you, so much bigger. and he lets you, tries to defend himself but—that’s not what you want. you want the ugliness, the snark, the mean.

he snaps, eventually, when you least expect it. grabs you up in black whip when you go to push him against the wall for the third time in only a minute, his eyes suddenly dark, the aura of the room suddenly charged.

“That’s what I was looking for.” you whisper to him, the grin spreading your face quickly dissipating in only seconds when you become the prey. when you become the one pushed up against the wall with teeth at your neck, a hand in your underwear, bullying your hole with too thick fingers.

“Why do you want me to act like this? Be so mean to you, huh?” he sounds so frustrated with himself, with you, growling and nipping and licking when you don’t answer quick enough. but your breath is caught in your lungs because finally—finally, did you get what you wanted. it just took a little bit of pushing, you suppose.

[synthe4u]

The stress was beginning to seep in. Your eyebags becoming more visible by the day. No one could tell you were more tired than the past week.

You were more quiet and less aggressive in your talking. You seem to have lost your spirit in a way, but of course, the man in the mask figured it out.

Ghost eyed you on the other side of the room. You were bobbing your head, nearly falling asleep before being shaken awake by the slight fall of your body.

You were being distracted by the lights and paid no mind to Ghost's wandering eyes.

It wasn't until around 2100 (9:00pm) when he knocked at your door. You weren't asleep yet. Your light was still on.

Opening the door you asked, "Is something wrong?"

You hadn't changed out of uniform and still seemed out of it.

"Why aren't you asleep?"

"Why are you awake?"

You snapped back at him. You weren't in the mood. You've been tolerable all day, no arguments or fights, but it's clear he came to ruin that.

He stared at you in silence. The mask made him more intimidating which caused you to fess up.

You ran your hands through you hair, frowning in disgust at the knots in your hair.

"Just some family problems is all."

"Losing sleep over your family?"

You sighed, "What do you need?"

"Need you to sleep so we could complete this mission."

"I'm not broken, I can still do the mission."

Silence permeated the hall, other than the occasional fizzle from that one light the base swears isn't broken or haunted.

"Can I come in?"

The door widened a foot further, allowing the masked man inside. You didn't understand why you would let him in. You don't let anyone in your room, at least, not for silly matters like this.

He followed you further into your room after shutting the door, and settled on the side of your bed. You didn't have time to question it before you fell.

Collapsing on the spot, Ghost caught you before the ground could do actual damage to your body.

I guess the sleep had caught up to you, just as Ghost had caught you.

Sleep truly is not for the weak. Stay healthy, guys.

.............................................................................................................

masterlist

[pherredraws]

from the homumiko mines

[dollopheadsandclotpoles]

Due to that post I made re: why it's hard for aros/aces to imagine a future for themselves because society tells you a romantic partner will always take priority, a lot of people (aros/aces and allos alike) are sharing stories about how they have been discarded by their close friends and it's breaking my heart. But allos and aspecs coming in and sharing how they have the same amount of love for their partners and their best friends/siblings is healing it.

Still, there are people in the tags saying that aros/aces can "never offer their partners the kind of intimacy they need" and so they shouldn't be "surprised" when they feel closer to partners than their friends. You guys are missing the point.

The point is that we should NOT be ranking our relationships. People aren't there to be ranked on a scale of "This person is my number one and this person comes after that." The point is that you need multiple people in your life. One person cannot - and should not - be responsible for giving you everything you need. Different people will give you different things that you need in life and you should value all of them.

The idea that a romantic partner will give you every single thing you need in life is a toxic idea in itself and puts undue pressure on said partner and the relationship as a whole. A best friend won't give you everything either. You NEED multiple people in your life and they will all give you a part of what you need, but there is no one perfect person out there who perfectly gives you exactly what you want. We need multiple people and they should all be valued by you. Love is not limited.

[thesmollestsnek]

Death echoes

So a while ago, i found this dp x dc post that had a really interesting lore headcanon for Danny’s ghostly wail. Idk if I’ll be able to find it again, I’ll link it here if I do, but essentially it posited that every ghost has something called a “death echo”, which is an ability unique to them based heavily on their deaths. These echoes are the most powerful move in a ghost’s moveset, but they’re also extremely volatile and draining, typically damaging the ghost in some way when used, with Danny’s being his Wail because he died screaming. The original post then went on to some really cool halfa!Jason ideas based on these death echoes, but for this lil snippet with an extremely long intro I’d like to focus on Danny a bit more.

Edit: Apparently I may have extrapolated a lot of the actual lore behind these death echos myself? The inspiration post was a lot longer in my memories. Or I might've mushed multiple posts into one mental box and then forgot lol. So a lot of the actual detail from this point on is seemingly mostly original material? I think? Idk man, sometimes my brain spits out information without giving me any clues as to where it got that information. Anyway, this post got kinda long and since I'm... decently sure this is where I shifted from summarizing @ailithnight's post to writing all my own thoughts I figured here would be a good place to throw the cut lol.

So! with all of the context-for-the-context out of the way, let’s move on to the actual context for what I’m writing cause I can’t be bothered with writing an intro XD

Essentially, this is an au where Danny is an established member of the Justice League, or maybe one of the teen hero teams? I’m a slut for eternal teenager Danny, but maybe he’s enough of a powerhouse to be on the main team despite him both looking and acting like the dumbass fourteen year old he died as. Either way, he’s on a League/League-sanctioned mission and things go bad. Like, everyone-almost-dies bad. And so as a final desperation attack, Danny uses his Wail, a power he’s never told anyone on the league he even has. And it works, and they make it out, but after the fact everyone has. Questions. And because in this au death echoes are deeply personal, Danny dodges those questions, but the league coughbatmancough isn’t satisfied with that. So they push for answers. Answers Danny’s not willing to give, because. In my mind death echoes aren’t just based on how a person died, but also their experience of that death. What their last thoughts were. When Danny died the only thing that he could process beyond just an all-encompassing painpainpainpainpain was the sound of someone screaming. His screaming. And so his death echo is the sound of a fourteen year old child screaming in deathly pain and terror weaponized, which definitely gave the league Even More Questions than they would’ve had already. Which finally brings us to the actual snippet, which is a conversation between John Constantine, who was brought in for his experience with the supernatural once it became clear Danny wasn’t going to talk, and Danny himself. 

~~~~~~~

“So, kid. Batsy tells me you’ve been hiding some of your abilities, wanna tell me what's up with that? Call it an occultist's intuition, but somethin’ tells me you’re not just being stubborn for the hell of it.”

“It’s... complicated. And not anyone’s business, either!”

“Kid...”

“Why does it even matter?! It’s not something I want to or am even able to do on a regular basis! I saved the mission, can’t they just accept that and move on???”

Sighing, Constantine reached up to start massaging his brow. “Kid, you and I both know that ain’t gonna be enough. Now I know that some things are better left alone, but the rest of these idiots? They can’t accept that, Batsy especially. That man’s never left bloody well enough alone in his life”

He looked up just in time to see the otherworldly teen shrink into himself, looking every bit the child he was. “I know but... why? Why do they need to keep asking questions? And why do they only ask the ones that hurt to answer?”

A sharp glance. “The fuck kinda questions are they asking? Batman was speaking in more grunt than word, so I didn’t really catch all the details of what this power you’re supposedly hiding even is.”

Phantom shrinks even more into himself at that, and responds in a voice so small it’s more sigh than speech. “I... I can scream. And it breaks things and pushes people back. But it, it sounds. Bad. And it brings up bad memories and I don’t like to do it or listentoitoreventhinkaboutitandtheywon’tletmeforgetand-”

“Breathe kid. I know you don’t need to but just take a deep breath with me. Don’t you go getting lost in your own head on me now., Constantine reassured the kid automatically, the sheer hopelessness prompting action long before the words themselves could be understood. Then the rest of him caught up, and he had to pause. Looked up at the kid, saw just how distressed he was. A picture was starting to form in the back of his head, and Constantine didn’t like what he saw one bit. A last-resort power that the normally open Phantom was strangely reticent about. A scream so horrible sounding the rest of the league would not to stop asking questions about it. Terrible memories to match said scream. And one truly miserable child who couldn’t bear to even think about any of it. 

“Phantom... is that your Echo? Screaming?”

A miserable nod is his only response, the tears that had been welling up in the kid’s eyes finally starting to fall. Cursing softly to himself, Constantine stood to leave, bracing himself for the Bat’s inevitable questioning. “Well then you just take all the time you need love, and leave the rest to me. I’ll make sure the rest of those idiots know not to ask you about this ever again.”  And with that Constantine turned and strode towards the door, leaving the quietly sobbing child to collect himself in privacy.

~~~~~

I had a whole-ass lore dump conversation between Constantine and Batman planned here, explaining how death echoes are deeply personal, and asking about one is a taboo on par with, potentially even worse than, asking a ghost about their death outright. Because they are formed from an amalgamation of how a ghost died, their last thoughts, and their final emotions, in some ways asking a ghost about their Echo is like asking them to describe their death in painstaking detail. But uhhh... inspiration bug left. So yea. Side note, I’d like to apologize if my depiction of Constantine’s accent was Bad, I’m but a lowly USAmerican whose only exposure to British accents is through tv ^-^’

[nothingbizzare]

Teru and Ritsu !!!!! And Ddimple I guess

[dejwrld]

the topic of colorism within the black community will never be understood until people understand that it's deeper than being bullied in high school and dating preferences.

[slytherinslut0]

Mattheo Riddle with reader doing a striptease?

ok this one is fun 🤭 18+?

perhaps it’s late at night, perhaps you’ve been drinking with the boys and pansy, everyone equally as sloshed as the other. the lot of you start playing truth or dare, and inevitably you get hit with a dare to do a striptease.

now, you were given the option to keep your top or bottoms on, should you feel more comfortable that way, but with the liquor coursing through your system and your newfound motivation, you couldn’t really give two fucks.

you and mattheo had been in this tension filled back and forth for quite some time, everyone knows the two of you have been messing around, though the stubborn arse doesn’t seem to wanna’ put aside his goddamn pride and admit that he wants you, exclusively.

you knew this was your perfect chance.

accepting the dare you stand up, somehow managing to swallow your laughter as you lock eyes with mattheo, his brooding browns glued to you with a clear challenge as he’s thinking to himself there’s no goddamn way she’s going to actually do this. strip in front of all your friends? no way.

oh, mattheo. you foolish fuck.

you know damn well that mattheo is the possessive type, but strangely enough he isn’t protesting this. he’s just simply watching you. you know this is just as much a dare from him as it is from the group. a dare to test him. a dare to play with fire. to fuck around and find out.

unfortunately for you, you’ve never been one to back down from a dare.

you pull your bottom lip between your teeth, holding his stare and start by reaching behind your head to slowly let your hair out of your ponytail, allowing its length to sway as it falls and cascades around your face. you notice mattheo’s eye twitch, almost imperceptibly, before he begins adjusting his seated stance slightly, manspreading his legs just a little bit wider.

you choke back a giggle. though you know he noticed.

for a brief second you let your eyes traverse the room, glimpsing enzo and theo and blaise, all hawk eyes and parted lips, not wanting to miss a goddamn thing. you don’t feel too much about this as you know they’ve all seen you dozens of times in a bikini while swimming or tanning--underwear and bra really wasn’t much different. was it?

regathering your focus you shake off the thoughts of potential implications as your hands move to the base of your jumper, fingertips tracing the edge before slowly peeling it up your torso, the draft of the cool room igniting goosebumps on your skin. you pull it up further, spinning around to show them your backside as you tug it up and over your head, tossing it to the floor at your feet.

pansy whistles, giggling and urging you on as you sway your hips slightly to the faint hum of music playing in the background, undeniably lost in the fun of it all as the other boys cheer you on, too, clapping and howling in an absurd way to pump you up. at this point, you’re in damn near hysteria from laughing so hard.

collecting yourself, you tease the band of your leggings while bending at the hips, peering over your shoulder to catch a glimpse of mattheo’s expressions as you begin to slowly peel them down your thighs, your ass in clear view.

mattheo looks like a fucking trainwreck, his hair tousled like his hand had plowed through it, his knuckles pale from gripping his cup so hard you were almost certain it was about to shatter within his palm. his jaw was clenched, so tight it almost looked painful, his eyes the hypnotizing depth of a black hole. you couldn’t tell if he was enjoying this, or utterly fucking hating it.

and as though he could read your mind, it was but a mere few seconds later before he gave you the answer.

you got your leggings about half way down your thighs when he stood up abruptly, interrupting the show and standing behind you to block your ass from the view of the other guys. when they all started grumbling and asking him wtf he was doing, he’d simply tell them to shut up and pick their jaws off the floor before they catch flies.

he’d yank your leggings back up, his lips pressed to your ear as he’d growl. “you win, you little fucking brat.”

you’d shrug, pretending you have no damn idea what he’s on about, and he’d reply with a calm, “yeah whatever you say princess, now let’s go back to my dorm so you can do this again for me in private.”

[catcze]

Reblogs are greatly appreciated !!

“Stop moving your fucking head,” you growl. Wriothesley sits on a bench, black compression shirt drenched in sweat after his spar in the fighting ring. There’s a cut on his head, just underneath his hairline, that you dab at with some antiseptic and a cotton pad. 

You still think that he should have called Sigewinne, just in case, but he was adamant that she didn’t need to bother over ‘something as small as this.’ Granted, he wasn’t hurt too bad— it was just the aftermath of a small accident between him and his opponent in the ring, after all. No broken bones or the like, just some bruises and scuffs. You were just worried over him.

“I’m fine, you know,” he tries to tell you again, trying to duck away from the cotton pad to look you in the eye. You scowl again, grabbing him with a hand on his collarbones, dangerously close to the base of his neck. Wriothesley immediately stills, and you resume. 

“I know.” You keep dabbing until the last of the blood is gone, and there’s just the cut left. It’s not even that deep. You doubt it’ll even scar. “Just… just let me worry for you for a little bit, would you?”

He swallows. You can almost feel the movement of it against your hand. You know of his history— of how he’s barely had anyone give a shit about him his entire life. You wonder if he’s ever had anyone patch him up or worry about him like this.

You think of a much younger, much more baby-faced Wriothesley having to bandage his own bloodied knuckles in some dark corner of the fortress of Meropide, and your heart aches. 

“Okay,” your Wriothesley finally says, voice quiet. He stares at you in a way that you cannot decipher. In a way that is softer than you’ve ever seen him look at anything before. 

Your hand transfers to his shoulder, and one of his own comes to hold it in place. You press a kiss to his nose, then either of his cheeks, then end it sweetly on his lips. 

The kiss doesn’t drag on very long— it’s quick and chaste, little more than a peck on the lips. But Wriothesley still smiles at you when you part.

“You sure you’re fine?” You ask, hand cupping his cheek. He leans into your touch the way a cat would lean into the sunlight. 

“I’m fine,” he murmurs. Turns his head. Presses a kiss to your palm, locking eyes with you the entire time.

“Okay.” You’re breathless, never breaking eye contact with him. “Okay, that’s good.”

You feel his smile against your skin, then. Tender and sweet. His arm wraps around your waist, drawing you near. His voice is almost a whisper when he speaks again. “Thank you, sweetheart.”

“For patching you up?”

“For caring, baby.”

[ #Taglist registration here !! ]

[lolomidi]

The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade

I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.

There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.

NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.

ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.

___

Part 1: Recap Analysis

This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.

“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.

“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.

“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.

More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.

Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.

I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…

“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.

But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.

Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.

It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.

*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).

“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.

After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.

“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.

And so he goes into the battle swinging and confident. Then, of course, Adam.

I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.

So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.

His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.

Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?

___

Part 2: Closing Thoughts and Future Speculation

With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.

Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.

But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.

Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.

Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.

I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).

I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.

Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.

Or maybe I’m thinking too much into it idk lmaooooo

[puppyeared]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[gerandor]

Death doesn’t scare him anymore. He doesn’t need to prove Death anything. Having lived for nearly 800 years has shown him far scarier things than his own mortality; like forgetting the language his mother taught him; forgetting his mother. Like being utterly alone inside a head full of confusing thoughts; like being confused all the time. Like shedding blood, hating blood, tasting blood and having to live on blood for all eternity; like hating eternity. And Death ever so slowly, imperceptibly, became the dearest and the most elusive of all his friends.

(Excerpt from Dear Death,)

[crabsnpersimmons]

I’m curious about the onesie now

also @pizzaplex-stargazer cuz you noticed too!

here's what Moon was rocking before Clip started making clothes:

after their PizzaPlex went under, the DCA bois had to figure out a lot of things, one being: clothes. unfortunately, Moon's really big, so he struggled to find things that fit him and were comfortable. the onesie is the first thing he found that fit him and made him feel really cozy. so he still wears it at home (he prefers comfy clothes at home anyways) when he needs a pick-me-up.

of course, he can't work at the salon in a bunny onesie, so here's what Clip made him (under Sundrop's direction):

Moon does prefer comfy clothes, but he has to admit, sometimes he likes the attention these clothes get him. he's iffy about them though, he feels that they show too much of him and he prefers the specific kind of comfort that comes from being an amorphous bundle of coziness.

[beanghostprincess]

zoro kisses luffy always three times.

when they wake up, always intertwined in whatever place they fell asleep that night, zoro kisses luffy's forehead, cheek, and then lips. in that order, holding his face with both hands every time. it makes luffy wake up with a smile.

when he's training and luffy decides it's amusing to watch his boyfriend, zoro stops always three times to kiss luffy. three breaks with each set of exercises. forehead. head, if luffy isn't wearing the hat (if he is, then the cheek). and lips when he's done exercising.

when they're eating, zoro kisses luffy's free hand. then he kisses him on the shoulder. and lastly, on his head. his lips are busy eating, after all, but luffy smiles nevertheless and leans on his touch even if he's focused on the food.

when they win a fight, zoro kisses him three times exactly on the lips. softly. a bit harder. and then more passionately the third time. luffy always returns the kisses with more intensity, between laughs and giggles.

when luffy is the one sleeping after the fight, resting. he's exhausted, but he can somehow feel in his dreams how zoro moves his hair to the side to kiss his forehead. his hand. his wrist.

when they're making love, zoro always kisses the inside of luffy's right leg three times, making his way to his thighs. then does the same with the left one, and proceeds to kiss his scar. his neck. his shoulders. always three times.

luffy notices after some time together, but says nothing. instead, he tries to do the same. he kisses zoro's ear three times (one kiss per earring). he kisses his right hand, the left one, and then his lips (one kiss per sword). he kisses zoro's scar on his eye, the one on his chest, and the one on his shoulder (one kiss per every moment luffy wasn't there to fight with him).

"why are you doing this?" zoro asks one day out of the blue, after luffy finishes with his set of kisses.

the captain tilts his head to the side, frowning. "doing what?"

and the swordsman, for once, doesn't know what to say, so he stays quiet for a few seconds. "the- the thing. with the kisses. three kisses. why? that's a me thing. i do it because-"

"it calms you down!" luffy figures, and due to zoro's eyes, he assumes his hypothesis is right. the captain grins, squeezing his hand three times. "since you like doing it so much, i thought it would make you feel better if i did it too. does it work?"

zoro stares at him with a fond smile, one that he only is able to show when they're on their own. he squeezes luffy's hand back three times. "yes, captain."

...

it happens quick.

they don't see it coming. luffy should have been able to protect them.

and it's stupid, he thinks. it shouldn't hurt this way. he should be focusing on going back to his crew instead of this, but he feels uneasy. uncomfortable in his own skin.

he had only kissed zoro twice that day back at sabaody.

he has to go back to him, so he can kiss him four times. one to make up for the day they were separated, and three more, only because. only because he will be able to do it after two years. it will take two years to see each other again. two. he's starting to hate that number.

but then he thinks about zoro. zo-ro. two syllables. two o's. his second in command. his first mate. one, two, three.

he didn't exactly get why zoro likes counting so much. numbers are something luffy isn't fond of following much. but he thinks he gets it now.

one year. two years.

on the third one, he'll be able to see him. and luffy will kiss zoro one time, to make up for sabaody. and it will be the first kiss of endless sets of kisses coming in three.

and, weirdly enough, it calms him down too.