#I'm used to the ships I like not being canon...so even if they aren't that won't stop me

[captain--glitch]

Hey! I just wanted to tell you again how absolutely wonderful I found those sketches you did, they really made my day. Soo, to answer your question, yes you making me fall deeper into the dracugoona rabbit hole is a good thing, I love those two with all my heart. I may lament them not being canon sometimes, but just ignore that lol.

Thank ya! I'm real glad ya like my silly sketches (since I haven't been able to draw bigger things, I'm glad the sketches are good too) And you're not alone, even if they're not canon, Witch Hitch did unreparable damage and now I can't NOT ship them

Here! Have another unrelated sketch cause I cannot keep my hands from drawing them once I allow myself to think of how much I love them <3

[celestialholz]

Live long and fuck in Hondas (or 'why that Vulcan salute is way more significant than you think it is')

Hey. Hey Holz. Did you know Deadpool and Wolverine fucked in the Odyessy? Did you know that they now live in a one-bed with Blind Al? Did you know that -

Yes, friend. I know all of it. And you're all super fucking valid for pointing it out.

... But maybe all of you aren't seasoned Trekkies like me. Maybe not all of you gorgeous people understand the true significance of this.

Or maybe you just want a definitive way to win the argument of "are these two fucking?"

But either way, I'm here to help, and to tell you why, amongst all the absurdly homoerotic text of this film, this moment? Might be the gayest of them all.

Now, we must start by saying that although you wouldn't know it from the bullshit Abrams films, these two:

Are the fathers of gay fanfiction. Spock and Kirk here are the reason you're living in the fantastic timeline where you can write/read men fucking without any other shred of plot and that this is a legitimate and normalised internet experience - everyone say thank you, iconic papas. These guys were so homoerotically coded that even in the 60s, the era of wondrously overdramatic performances of all kinds and fairly prevalent homophobia, The Girlies still took notice, still started mailing each other fics and making zines and being just hugely excited at the thought of these two getting space-married. They are fandom as we know it today's beginning, and seventy years later they're still an enduringly popular ship on AO3. (You should all go and watch Amok Time, by the way. Contains the Honda Odyessy scene of the 60s, except there's weird biology and wrestling and just go and put it on your screens, thank me later. They fucked on that planet.)

Anyway, these two were as close as early colour TV could ever allow two men to be, deepening their *coughs* friendship almost every single episode or film - Trek's creator Gene Roddenberry even gave them a unique word in Spock's Vulcan language, with the meaning of 'friend, brother, lover.' (And if that isn't ringing any Poolverine bells, I'm not actually sure what you want out of this post. Enjoy it anyway, love you.)

... And then we get to 1982's The Wrath of Khan, and to that moment that every iconic screen couple must face - the ol' classic, it's you or me and I won't let it be you.

Sure, the set-up's a little different here - the chamber Spock's in is filled with radiation, and the scene's quieter, softer. And Kirk isn't a mutant so he can't smash his way in, he can just sit there and inwardly die as his emotional support Vulcan does.

... But you get where I'm coming from here. Ryan Reynolds doesn't take a million other potential love scenes from across the cinematic ages - no, he takes this. What is for many the romantic acknowledgement of a whole generation. The humble and desperately sweet beginning of it everything we fans know and love nowadays. The most ambiguously romantic homosexual relationship in television, directly comparative to what is now arguably the most ambiguously romantic homosexual relationship in cinema. And lest we forget, Wade doesn't believe in a fourth wall - this is a conscious choice, both in canon and in the writer's room.

Oh it's so clever and so beautiful a girl could weep. Ryan just introduced the MCU to the gays, just as Kirk and Spock did all those years ago to the masses of the time.

And then there's what it means.

This is the Vulcan salute, created to mean either 'live long and prosper' or 'peace and long life' - it's used more or less interchangeably.

But part of that's irrelevant when you're as immortal as these two.

So we're left with the sentiments of prosperity and peace, given to a man who up to this point can't imagine ever prospering again, is the furthest thing away from being at peace. Wade gives Logan the opportunity to go on, to find the things he's been lacking for so long now - things he has already helped him find. Spock tells Kirk during The Wrath that 'the needs of the many outweigh the needs of the few,' and that's exactly what Wade's doing here - sacrificing himself for the greater good of his friends and his newly beloved, however much it will hurt them all.

And that's lovely, and poignant, and character-growing, and I think we all would have been content to leave it at that and have our noble sacrifice, however much we would have wept. Kirk goes on to find the remnants of Spock's soul in the next film in the series, to bring him essentially back from the dead because he felt it was more than his own soul's worth not to have done... which, again, ringing a bell anyone?

Because Logan, in not so many words, tells dear Wade to fuck right off, and we get this.

What we've got here is a direct translation of one of cinema's gayest moments, made somehow infinitely more gay. A true achievement here - I genuinely think I spontaneously acquired tetanus in the cinema for a good minute, my jaw dropped so hard on seeing this. The pillars are the same colour as Kirk and Spock's original uniforms, for fuck's sake. I'm dying out here.

What we've done here is create narrative equality. The whole film's kinda done that leading up to this anyway - they're both mentally fucked up men who can't die, who are constantly dying anyway, who are evenly-matched in battle and both enjoy Honda fucking, who have forged a real love even as they piss each other off at every turn.

But here, they place one another in narrative equality for the first time. It's not about a sacrifice, not now, even though they're assuming it is one - it's about what should be done. It's about righting wrongs, being heroes, being together because every option other than that is unacceptable, because neither understands quite how to lose anyone else. They've both made the same choice, and that's not to let the other die alone.

It's about holding hands and loving and never letting go, even if it kills them.

... It's just about the most romantic and gorgeous thing I've ever fucking seen.

There are no more instances of masks, once they're done in this station. They don't need them any longer; they will never need them again.

And that's only emphasised by the parting shot we get of this... almost directly after Vanessa and Wade share a final sweet look.

I don't know, man. It's almost like the true conclusion is hidden behind the acceptable masquerade. Imagine that in the MCU, folks.

They've taken one of the most intimate and sweet moments in screen history, and made even more glorious.

They did The Wrath of Khan better than The Wrath of Khan did it.

And that's... that's gay. That's just about the gayest thing they could ever have done, and I adore it to the smallest pieces.

So remember, the next time your friends disbelieve you... show 'em this. Show them that they redid the very beginnings of slash fandom, and did it better.

(And then you can add on that they now live in a one-bed with their grandma, daughter and dog, and will do for the rest of their lives. Kirk and Spock didn't even get THAT shit.)

[wilcze-kudly]

I do find it annoying how a lot of Zutara fans tweak the character's stories, personalities and even the timelines to suit their own needs.

Once again, there's nothing wrong with fanon and headcanons, however if looking through the lense of canon, you're objectively wrong.

I ended up stumbling on a post from a Zutara shipper. (At this point I'm regretfully considering not following the tags for Zuko or Katara because I get way too much Zutara content lol) I'm not replying directly to her because I don't want this to turn into an argument, and I know she doesn't take criticism very well.

Ok, So let's break this down.

The character who was first out of the group to trust Zuko?

I'm quite sure this is referring to the scene in Ba Sing Se's caves. And yes, that is a very important scene. I think it's a very important scene preceeding Zuko's 'relapse'. It shows how he's matured during his time in Ba Sing Se and therefore it serves to add to our dismay when he joins Azula. I adore the fact that Zuko's journey to redemption is not linear, it certainly adds a lot to the character and shows us how his trauma affected him.

It's also a horrific moment for Katara. To have her worldview on Zuko and firebenders as a whole challenged, and then for it to go blowing up in her face. It rips open old wounds of her childhood. It refreshes her resentment of Zuko and the Fire Nation as a whole. It parallels the death of her mother when Aang dies due to Azula's lighting and she is unable to do anything about it. It places her back in that spot of helplessness. Even though she's grown up, even though she's a master waterbender, she still comes a hair's breadth to losing one of the most important people in her life.

No wonder she hated Zuko so much after this.

It's an important moment for both characters, but I wouldn't say it is that in a romantic sense. It's a sweet, hopeful moment that then turns absolutely horrific and visceral for both parties.

I could argue that there are other characters who could be given the title of 'first to trust Zuko'. Funnily, Appa being one of them lol.

But other characters trusting Zuko dovetails nicely into the next point.

The character who emotionally connects to Zuko?

Well, technically, I'd argue that most members of the Gaang connect emotionally on one level or another with him?

But I'd argue that Aang is the person Zuko connected with the most. Aang is Zuko's parallel. Aang is the first person to reach out to Zuko. Aang is the person who showed mercy to Zuko, multiple times. Aang is the person who valued Zuko's life, the life of someone whose whole life goal is to capture him.

This was also an incredibly important moment to Zuko. This is the thing he brings up when trying to convince the Gaang to let him join.

Zuko: Why aren't you saying anything? You once said you thought we could be friends. You know I have good in me.

The character Zuko feels safest letting his guard down around?

It's Mai. Love her or hate her, her relationship with Zuko is incredibly important to him. Maiko isn't my favourite Zuko ship, in full honesty. But even platonically, Mai and Zuko are one another's reprieve from their respective shitty lives.

People often talk about Katara touching Zuko's scar while discussing healing his scar, however one could argue that she did so as a medical examination. Mai touching Zuko's scar is a casual thing, neither of them really make a big deal of it and that's the beauty of it.

I'm mainly talking out of my own personal experience, as someone with a huge amount of burn scars, but there is a world of difference between someone inspecting my scars like Katara did and simply accepting them as a part of me, like Mai does for Zuko.

With Mai, Zuko isn't the scarred banished prince, Ozai's son or Azula's brother. He's just Zuko. And they speak freely with one another, arguing like real people do. Often, being comfortable having arguments is actually a sign of being comfortable with one another.

The character who helps Zuko heal from his trauma?

Once again, this is a bit of a flawed question. By the end of the show, Zuko isn't even fully healed, in my opinion. He has made leaps and bounds on the road to recovery, but when he will truly heal if ever is yet to be seen.

Zuko's journey to recovery includes plenty of people. This includes Iroh, Aang, Song and Jin. People who show him the error of his coping mechanism. Who challenge his worldview, who coax him out of the his shell of pain and anger.

The character known for showing most compassion to others?

Yes, Katara's compassion is a huge part of her character. Her need to help and protect those who cannot do that for themselves cannot be understated.

But Aang's compassion for others and all beings is just as great, if not greater than Katara's. Compassion and nonviolence are huge parts of his culture and his own philosophy.

Aang: Wait, we can't just leave him here. Sokka: Sure we can. Let's go. Aang :No, if we leave him he'll die. Aang airbends himself off Appa and retrieves Zuko, bringing him to Appa. Sokka: [Sarcastically.] Yeah, this makes a lot of sense. Let's bring the guy who's constantly trying to kill us.

Friendly reminder that Aang could've absolutely wrecked Ozai, but held back because his own moral compass was so powerful. Hell, he was friendly and nice to Azula, the woman who literally killed him.

This is why Aang and Katara work so well together. They're both incredibly compassionate people who will immediately jump in to help others in need. Like they did during the Painted Lady, destroying the factiry together.

The character who primarily bears the burden of having to step up into a parental role?

I think "parental role" is an incredibly vague term. There's a lot of things that go into a "parental role". Katara plays a stereotypically "maternal" role, while someone who plays a "paternal" one would probably be Sokka.

Katara deals with very "homemaking" tasks like sewing and cooking, etc. And Sokka often takes on the role of leader, hunter, gatherer and also protector, despite being a nonbender.

This coincides nicely with their core childhood traumas. The loss of Katara's mother impacted her greatly, leading her to have to step up into a motherly role. While Sokka was clearly heavily traumatised by his father departing and the crushing responsibility of having to care for his entire village.

Sexism also probably played a part in this dichotomy.

The character who represses their emotions to be strong for others?

I'd argue that this could apply to all the members of the Gaang in some capacity.

Aang's pain is something most of us will never experience and cannot hope to understand. The complete horrific destruction of his culture and home followed him through the entire show. He was entitled to his grief and rage, yet he supressed it. We see during Appa's kidnapping, how easy it would be for Aang to rage, to let himself be destructive. And yet, he wakes up every day and chooses to smile and goof off, because his friends need someone to remind them how to be children.

Sokka puts on a very impressive bravado, despite having a lot of insecurities. However, as the oldest member of the Gaang (pre Zuko) he puts on a facade of the confident and unbothered older brother. Even if he's the butt of almost every joke, he still keeps that demeanour up, letting it slip only a few times.

I'd actually argue that Toph is the person whom this label fits best. While we know Toph as witty, callous and strong, we have to remember that she kept up the facade of her parents' good, helpless little blind girl for no reason other than her mother and father's comfort. She actually hides a lot of her hurt, covering it up with a prickly exterior.

I want to do longer think pieces about Toph and Katara so apologies if this isn't complete.

I'm actually baffled by the idea of Katara repressing her emotions. She's actually quite straightforward and open about her feelings. She yells and feels a lot of emotions and lets them be heard. She gets angry and sad. She's actually kinda bitchy sometimes and that's honestly why I love her so much.

The whole inciting incident of the show was her getting so pissed off she somehow pulls a giant iceberg from the bottom of the sea.

She is anything but repressed.

She is angry.

She's angry at the fire nation, at Sokka, at her father, at men, and with good right to be so.

This is what makes her an amazing character and one who broke the mould of a lot of female characters at the time. Her anger and unrestrained emotions rang true with a lot of watchers at the time. I'm not sure why this is being taken away from her rather than celebrated.

I reiterate the point I made at the beginning of this post: there is nothing wrong with headcanons and fanon interpretations for one's enjoyment. I do find it a bit odd when it changes a character too much (because then, why not just create an oc?) but it's all in good fun. However, you shouldn't push that onto other people and how they perceive canon and you certainly shouldn't use it to take away from other characters. It's a very unfair way of entering discourse.

[leidensygdom]

The ways in which being asexual feels isolating

I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.

So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.

But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.

And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.

Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"

Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.

And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!

I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.

Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.

[kathrahender]

"They're abusive" "They're toxic" "They hurt each other" "You're normalizing abusive/toxic relationships" "You're normalizing abuse"

I'm really really tired of people calling "toxic/abusive" some ships I like. People -and I'm being serious with this question- do you even understand the definition of a "toxic couple"??? First, to be in a toxic/abusive relationship, the two characters have to be romantically involved. Dabihawks, Bakudeku, Harringrove, Cherik and other ships mentioned in the tags were in a romantic relationship when they hurt each other? No. Not at all. Therefore, they're not a toxic couple.

Secondly, even if they were in a romantic relationship (like Catradora/Reylo), see when they become a couple. Catra and Adora, for example, only became girlfriends after Catra's redemption and after she apologized. And after they kissed, we don't see Catra/Adora being toxic/abusive towards each other. Reylo also didn't become canon until the third movie, and we don't see Kylo Ren being toxic/abusive towards Rey. Actually, we see him saving her life willingly, and not to manipulate her. He saved her life because he loved her. So calling Catradora/Reylo toxic/abusive is also wrong.

Third, people who criticize us for shipping them, and who call the ship abusive, do you even know how the "enemies/rivals-to-lovers" trope works???? Because the purpose of an enemies-to-lovers ship is one character changing from "I want to kill you" to "I love you", and changing from hurt their enemy to protect their partner. A lot of the ships I mentioned in the tags were enemies when they hurt each other. And like I said in a previous post, you're not supposed to treat your enemy/rival nicely, you're not supposed to treat them like a friend or a lover. You're supposed to treat them like someone you hate. Like someone you want to see destroyed. And if you don't understand the thing called "character development", it's not our fault.

"Bakugo and Deku weren't enemies when Bakugo hurt Deku". Yeah, I know. They weren't enemies. But they weren't people who liked each other neither, right? No matter what you say, they weren't exactly in good terms. And no matter how many times you say it's abusive, the only way "Bakudeku" can be abusive is if they were in a relationship in school, when Bakugo was bullying him. Now that would be a toxic relationship. But Bakudeku being toxic after Bakugo's development (because yes, he had development, and if you deny it you didn't understand his character at all) and after Bakugo's apology is bullshit.

So people, before you call one of these ships "toxic" think about it. Because these ships aren't toxic. You know what's a toxic ship? Joker x Harley Quinn. That's an actual toxic couple. Not Catradora, nor Zutara, nor Zukka, nor Jetko, nor any ship mentioned in the tags. The only way they can be "toxic" is if the writers of the show decided to make them be together and decided to make them abusive, or if a writer of a fic made it a toxic ship.

And even if they were a toxic ship in the canon (what they definitely aren't), you have no right to call people "abuse apologists" or things like that. You don't know them, and liking a toxic/abusive relationship doesn't define what they support/they're against in real life.

[wishful-thinking64]

Hazbin Hotel & Helluva Boss Rewrite Ideas #01

I truly believe that both shows have a lot of untapped potential that we'll unfortunately never get to see thanks to Viv refusing to take criticism and the fact that her writers are all yes men. However, that doesn't mean I can't give out rewrite ideas like they're candy to those who wish to tap into either show's said potential. With that being said, here are some rewrite ideas that you could use for Hazbin Hotel and Helluva Boss! ______ #01.) Have Mrs. Mayberry become one of the residents of the Hazbin Hotel. I promise you, this one writes itself. #02.) Have Glitz & Glam be Fizz's rival co-workers to parallel his time in the circus when he worked with the Buckzo twins who acted more like a family to him. #03.) Write some new workers for the Hazbin Hotel since they're still severely understaffed. You could make these new employees a Hellborn, a Sinner, an Overlord, or Goetia royalty if you wanted too. The possibilities for this one are endless! #04.) Let Heaven contrast with Hell based on how they operate. For example, in my rewrite for the Hellaverse, Heaven doesn't use currency at all. It quite literally doesn't exist up there. Instead, they use the Bartering System as they view it to be the most fair exchange of goods and services. #05.) Have there be a character who doesn't belong in Hell but got sent there anyway for whatever reason. I'd recommend using Valoris (my take on renaming Vaggie) if you don't mind keeping her as a fallen angel or using her original Sinner backstory however I feel like Amélie (I renamed Emily solely because her name is so common. It's not bad but you can tell that there was barely any thought put into it either.) could work just as well since she'd be a fallen Seraph. #06.) Make Lucifer and Stolas evil as they were originally intended to be before Viv scrapped the idea in favor of something worse. Stolitz is a toxic ship no matter how much damage control and retconning Helluva Boss tries to do and when initially asked about how Lucifer would act later in the series on an old livestream, Viv originally wanted to have his character be on par with that of Willy Wonka so do with that information what you will. #07.) Allow for Charlie's, "Anyone can be redeemed," mentality to constantly be challenged by those around her. Don't be afraid to have her be in the wrong because we all know that not everyone can be redeemed. Some people (Valentino) truly aren't deserving of it and others won't be accepting to change. You can lead a horse to water all you want but the horse has to decide to drink it. #08.) Create a proper foil ship for Fallen Star (I hate using the ship name Chaggie) cause if even Stolitz can have one in the form of Fizzmodeus then Fallen Star should have one too. Most people opt to use Emilute but I'm a damn GuitarSpear shipper so I opted for a crossover ship that has Emily and another character from Helluva Boss instead. Listen, if a rare pair and joke ship like CherriSnake can become canon over a ship like Sir Pentious x Rosie that actually makes sense when you consider they're from similar time periods, then a crossover ship being in my AU rewrite is the least of my problems.

For context, here's a screenshot for one of the HH mockup episodes before Viv and her team decided to scrap it. Like the majority of the HH mockup episodes. ______ Well, that's all I've got for now so happy writing and good luck!

[hollowed-theory-hall]

what's the one harry potter pairing u like that u mentioned in the tags of your hinny post?

Anonymous: Can I ask who that minor character you ship with Harry is? For some absurd reason my mind jumped to Stan Shunpike lol but it's probably not him.... Or is it?

Okay, so this is kind of a funny story. Like, my pipeline through hp pairings was a weird one. Like, I used to read a lot of Harry pairings, still do on occasion (some make more sense than others). None of them were ones I would point at and say: "that should've happened in the books"

One day, I was innocently writing a fic (canon divergence of GoF), and it was just for me, for funnsies, never posted it anywhere and not planning to. And I planned to pair Harry with someone there (honestly, I don't remember who because I didn't write the plan down) but when writing, Harry ended up with a different character. And it was so strange to me because that never happened.

Like, how do you write a ship accidentally?

But I did. I wrote Harry into a ship by accident. So I went back to the books to try and figure out why the hell would my subconscious decide that's the way to go.

I'll also preface it by all this being my subjective opinion and I do read other Harry ships in fics, this one just quickly became my favorite to write (and the only one I write). Also, I don't actually think this is a pairing that should've happened in the books, it's place is in fic and that's where I like it.

So, the character I accidentally shipped with Harry is... *drumroll*

Stan Shunpike!

Not really, it's:

Theodore Nott

Now, you might look at the name and go: "Who the fuck is that?"

And you'll be correct. Theo has 0 speaking lines in the entire book series. His name appears twice. He, himself, as a person, only appeared on page, like, 3 times in the background. The scene that gives the most information about him is other characters talking about him. He isn't even present.

That being said, I'm very good at extrapolating a lot of information from very little evidence. So allow me, to walk you through who is Theodore Nott and why I ship him with Harry.

Basic Information

So, let's start with the most basic overview before I pull out the quotes and go any deeper.

We know Theo is a Slytherin student in Harry's year. So he likely shares a dorm with Draco, Blaise, Crabbe, and Goyle.

Theo's father is both at the graveyard at the end of GoF and in the Department of Mysteries at the end of OotP, so we know he is a Death Eater. We also know Thoe's father was one of the first and closest Death Eaters to Voldemort, who waited for him during his interview with Dumbledore in 1967:

“Then if I were to go to the Hog’s Head tonight, I would not find a group of them — Nott, Rosier, Mulciber, Dolohov — awaiting your return? Devoted friends indeed...”

(HBP, page 444)

We also know the Nott family is "as pure-blooded as the Malfoys" according to JKR in an interview. We also know Theo's great-grandfather (maybe? the family relation isn't clear), Cantankerus Nott, is suspected to be the one who wrote the Pure-Blood Dictionary, the book that coined the term "Sacred 28" and made that list (which the Nott family are on).

The name Nott is potentially to be derived from the name Nótt, which is the personification of the night in Norse Mythology. So it has been theorized the Nott family have a Nordic origin. Possible, but it doesn't really matter for this post.

What does, is that he comes from a dark, Death Eater, blood-purist family similar to the Malfoys. Even so, Theo never took the Dark Mark and never joined Voldemort in the books.

Now, that we have the basic information out of the way, let's look at Theodore as a person.

All the details I could gather from the books

Alright, now we get to the fun part. That is, me going through all the relevant scenes that mention Theodore Nott and actually creating a character psychoanalysis out of basically nothing.

So, the quotes aren't organized in a particular order. I'm just going to explain Theo and then explain why all this makes me ship him with Harry.

“Well, I pity Slughorn’s taste. Maybe he’s going a bit senile. Shame, my father always said he was a good wizard in his day. My father used to be a bit of a favorite of his. Slughorn probably hasn’t heard I’m on the train, or —” “I wouldn’t bank on an invitation,” said Zabini. “He asked me about Nott’s father when I first arrived. They used to be old friends, apparently, but when he heard he’d been caught at the Ministry he didn’t look happy, and Nott didn’t get an invitation, did he? I don’t think Slughorn’s interested in Death Eaters.” Malfoy looked angry, but forced out a singularly humorless laugh.

(HBP, page 150)

This is a part of the conversation between Draco, Pansy, and Blaise, Harry overhears when he is hiding in their compartment at the beginning of HBP. I have a few things to note regarding this scene.

Firstly, throughout this conversation, Pansy, Blaise, and Draco all call each other by their first name. This shows closeness, they are all friendly and familiar enough to use their first names with each other. Theo, though, is referred to as "Nott" by all three in the compartment.

He doesn't actually sit in their compartment which is in itself a sign about how he isn't really friendly with Draco's group. Considering the group is most of his year from his house, Theo is likely very lonely, and it will be apparent from other scenes I bring up later.

Secondly, Theo's father is in Azkaban. We know Draco is bothered about his own father's predicament. He mentions it to Harry and bothers him over it, Theo doesn't though. Theo doesn't seem to be bothered by Harry or his father's incarceration.

The only conclusion I can draw from this is that the relationship between Theo and his father is not a good one.

(I know some fics like to have Lucius be abusive towards Draco, for some reason. But the books really don't back this up. Lucius loves Draco and Draco adores his father)

Theo, though, Theo seems to be the one with a very strained relationship with his father. Strained enough that he isn't bothered the man is in Azkaban. What I'm saying is that Theo's father likely abuses or mistreats him in some capacity.

If anything more was needed to complete Harry’s happiness, it was Malfoy, Crabbe, and Goyle’s reactions. He saw them with their heads together later that afternoon in the library, together with a weedy-looking boy Hermione whispered was called Theodore Nott. They looked around at Harry as he browsed the shelves for the book he needed on Partial Vanishment, and Goyle cracked his knuckles threateningly and Malfoy whispered something undoubtedly malevolent to Crabbe. Harry knew perfectly well why they were acting like this: He had named all of their fathers as Death Eaters

(OotP, page 583)

This is a scene at the end of OotP after Draco, Crabbe, Goyle and Theo's fathers were caught at the ministry and sent to Azkaban because they are Death Eaters. There are a few important notes about this scene.

The first, Hermione knows Theo, while Harry and Ron don't really. This means she likely knows him from the classes she takes and Harry and Ron don't — Arithmancy and/or Ancient Runes.

The second, he is sitting with other Death Eater children, but I don't think it's by choice. I mentioned in the previous quote how he isn't close to Draco and his crew. He sits with them here mostly because he doesn't have another choice. Theo doesn't seem to really have any friends, so he sits with the closest people he has to friends — kids he has known since he was young because their fathers were in the same circle.

The other note about this is that Crabbe, Goyle, and Draco are all mentioned as being threatening and malicious towards Harry because they don't like that their fathers are in Azkaban. Theo, though, Theo doesn't threaten Harry, he isn't part of their whisperings. As I mentioned above, he's likely happy his father is in Azkaban.

A pair of blank, white, shining eyes were growing larger through the gloom and a moment later the dragonish face, neck, and then skeletal body of a great, black, winged horse emerged from the darkness. It looked around at the class for a few seconds, swishing its long black tail, then bowed its head and began to tear flesh from the dead cow with its pointed fangs. A great wave of relief broke over Harry. Here at last was proof that he had not imagined these creatures, that they were real: Hagrid knew about them too. He looked eagerly at Ron, but Ron was still staring around into the trees and after a few seconds he whispered, “Why doesn’t Hagrid call again?” Most of the rest of the class were wearing expressions as confused and nervously expectant as Ron’s and were still gazing everywhere but at the horse standing feet from them. There were only two other people who seemed to be able to see them: a stringy Slytherin boy standing just behind Goyle was watching the horse eating with an expression of great distaste on his face, and Neville, whose eyes were following the swishing progress of the long black tail.

(OotP, page 445)

“The only people who can see thestrals,” she said, “are people who have seen death.”

(OotP, page 446)

The stringy Slytherin boy mentioned here is Theo. This scene proves that:

He takes Care of Magical Creatures

He saw someone die

Let's explore the second one for a moment. The fact Theo can see Thestrals means he watched someone die and was old enough to comprehend what he was seeing. We also know Theo's mother is dead. So it's likely the person he watched die was his mother.

I also want to draw attention to Theo's distaste towards Thestrals. He could likely see them carrying the carriages every year since 2nd year, it's not his first time seeing them. But it doesn't stop his displeasure with their sight from showing. Which says something about him. It means he likely recalls his mother and her death whenever he looks at the Thestrals. and these are memories Theo rather not experience.

We don't know how his mother died, but I'd hazard a guess it wasn't natural. After all, wizards have long life spans, they are more durable to illness and injury, and don't usually die from accidents unless very extreme or magical. And there was no epidemic of dragonpox (a disease that does tend to kill wizards) in the time since 1980 and the books. So, she was more likely killed at some point between 1985(ish) and 1991.

“No, I don’t think so, sir. I’m Muggle-born, you see.” Harry saw Malfoy lean close to Nott and whisper something; both of them sniggered, but Slughorn showed no dismay; on the contrary, he beamed and looked from Hermione to Harry, who was sitting next to her.

(HBP, pages 185-186)

First, Theo is an O student in potions since he is in the potions NEWT class, and was probably meant to be there even if Snape was the teacher.

Second, again, Theo doesn't really have friends. He sits next to Draco as the only other Slytherin in the class. Also, they share the circumstances of being sons of Death Eaters currently in Azkaban. Although both of them seem to deal with it quite differently.

Third, Theo joins Draco in making fun of Hermione's blood status, but he does not initiate it. Considering the environment he was raised in and is in, it makes sense he would make fun of it. Whether he's a blood-purist or not, he would want to keep his image considering he doesn't have many allies. Hanging out with Draco is survival, not friendship. They aren't even on a first-name basis with each other.

“Amortentia doesn’t really create love, of course. It is impossible to manufacture or imitate love. No, this will simply cause a powerful infatuation or obsession. It is probably the most dangerous and powerful potion in this room — oh yes,” he said, nodding gravely at Malfoy and Nott, both of whom were smirking skeptically. “When you have seen as much of life as I have, you will not underestimate the power of obsessive love. . . .

(HBP, page 186)

The final quote I have about Theo is from the same potions class as above. Both he and Draco are portrayed here as underestimating amortentia and its potential damage. It makes sense for their upbringing in the Wizarding World, which has no real laws or regulations regarding love potions that are seen as harmless fun more often than not.

I'll add Theo likely didn't witness a healthy romantic relationship. Considering his father is a Death Eater who is likely abusive and may or may not have killed his mother. With this as his reference to a marriage, it's clear why he'd look down on love and love potions.

Why I think Theo and Harry have potential

Okay, so now that we know who Theodore Nott is, let's talk about why I ship him with Harry.

I think Harry, in general, would get along best with a clever partner with the ability to be ruthless (Slytherins or Ron fall into this category). Because Harry isn't some golden savior; he casts unforgivables, and is very willing to poison Umbridge or Crocio Snape if he could get away with it. He needs a partner that won't be horrified by these thoughts.

Also, Theo literally never speaks on page. Even when spoken to, his reactions are silent. I think this quiet and no need to talk, the ability to be comfortable in silence, is something that would be comfortable for Harry. Harry in the books finds himself annoyed with Ron and Hermione's constant banter on occasion, so I think it fits well.

Theo would also be comfortable around Harry without a need to play a certain part. Because Harry wouldn't care about that. He would honestly rather Theo forgo the pure-blood Slytherin act.

I feel like Harry and Theo, have a good potential to understand each other. Theo lost his mother and likely experiences abuse from his father. It makes them very likely to trauma bond over their crap life and shared experience. Two out of three only ones who could see the Thestrals in the entire class.

The other thing I feel they could connect over is being lonely. Harry spent all his childhood until Hogwarts basically being on his own. Theo stayed on his own. Draco at least has his parents, he has other students he's closer to, not that he shares everything with them, but he has some support network. Theo has none. And this is something Harry knows well.

Theo, I think, wouldn't expect anything specific from Harry. He doesn't even interact with him, not to mock him, and not to idolize him, he doesn't care at all. And we know how much Harry appreciates being thought of as Harry and not as the Boy-Who-Lived. Theo would allow Harry to be himself without some mold he wants him to fit in.

The fact Theo never becomes a Death Eater, even though he was in Draco's year and his father was a Death Eater before Lucius (and in better standing than Lucius with Voldemort) is so interesting. It's somewhat surprising Theo wasn't marked. It means he didn't want to be. It means that Theo Nott didn't want to torture and kill muggleborns or blood traitors, or anyone really. And he didn't want to swear his allegiance to Voldemort. This is just a fascinating fact to me and something I enjoy considering. What life experience made him come to that conclusion? Was it just his dislike of his father that pushed him away? Could he have been another Sirius Black (Gryffindor in a Slytherin family) under slightly different circumstances? I mean, Voldemort likely wouldn't force him to become a Death Eater, but would his father? I don't know what at all went down there, but I like that potential story.

We also know he wasn't part of Umbridge's Inquisitorial Squad, even though some minor Slytherins were mentioned to be part of it. He just seems to be an actually decent guy (I don't care what Cursed Child says about him, I know he's there but I avoided almost anything to do with Cursed Child so I barely know the plot).

Finally, this is a character Harry doesn't have as much drama to get over with. Yes, sometimes I want to read overcoming drama between characters before it becomes a romance, but sometimes I want something chiller than that. And Theo is a really chill, safe, Slytherin option for Harry.

[wenellyb]

Bucktommy & The power of positivity

I've seen some people say there was a ship war between Bucktommy and Buddie shippers and "both sides were to blame".

The way I see it, Buddie shippers started sh*tting on Bucktommy shippers the moment Tommy was confirmed as a love interest for Buck and Bucktommy shippers decided to reciprocate by being petty and making fun of some of them (especially the ones who were tagging their hate as "Bucktommy").

But Bucktommy shippers aren't the ones harrassing the cast and the crew and writing nasty comments on the 911 official instagram page.

It might be seen as a "ship war" but one of the groups is not like the other.

Whether you see this whole thing as a ship war or not, what I wanted to say to the Bucktommy fandom is not to fall in the "trap" set by Buddie shippers and be influenced by their penchant for negativity.

We're in a good place right now, and our ship is in a good place and it's one of the reasons why they're so angry, but we have no reason to be as angry as they are.

I'm not sure, of course, but I think that one of the reasons why Buddie never became canon over the past years is because of the behavior of some of the fans who were constantly harrassing the crew members and acting entitled. No showrunner likes that. These extreme stans even drove Oliver Stark off of social media.

On the other hand, we have Tommy who was only supposed to be in 4 episodes and here we have him in 6 episodes, and I think it's due to all the positivity surrounding Lou, Tommy and the Bucktommy ship.

So we should keep up posting about Bucktommy, writing fics, making edits, spreading positivity and try to ignore the negative posts as much as we can (I know it's not always easy) because it seems to work.

It's so easy to fall into the trap of Buddie shippers, because they try to provoke us with the biggest lies, just so they can get a reaction.

We have to remember that the negativity is all they have left.

I've checked some anti-Bucktommy posts and honestly the notes don't even go higher than 20 or 30 notes, so it's really not worth paying attention to it.

We're in a good place right now and we wouldn't want to messs it all up just because we started playing the game some Buddie shippers are playing.

TL:DR: Let's not try to focus to much on the haters: they're hateful because they’re losing. Let's focus on the positivity and keep enjoying Bucktommy!!!

[damnfandomproblems]

Fandom Problem #5417:

Non-Canon Shippers: I hate people hating us for shipping this non canon ship, constantly bashing us and laughing at us, telling us that our non canon ships suck and arent canon and that we should stop shipping it. Why can't they leave us alone???🥺🥺🥺

Also Non-Canon Shippers: lol the canon ships sucks ass🤪🤪 The creator betrayed us by making their shitty ships canon!!! How can you like the canon??? They barely have any chemistry, UNLIKE our ship!!!😘😘😘 Instead of making separate posts explaining our issues with how thw canon ships were writen, lets make a post where we bash the canon ships/villainize the characters as we uplift our non-canon ship!!😊😊😊Did I forget to mention how much I hate the canon ship and how much it doesn't make sense???😋😋😋

Canon shippers: Why can't people let us be happy about our ships? When will non-shippers stop attacking us for liking the canon ships? I hate it when people act like there's nothing good about our canon ships. We ship it for a reason☹️☹️☹️

Also canon shippers: omg you still ship that stupid ship even though it's NOT canon???😨😨😨😨 lol, ur so delusional for believing you ship even had a chance🤡🤡🤡 Seriously, how can you ship something that isn't canon??? I could never🤢🤢 why aren't shipping the canon ship??? Hello, it's CANON!!! For what other reason would you ship something??? Just accept the canon!! Keep being pathetic, while I enjoy my canon ships :))))

Both: Wow, I sure did make this fandom space feel welcoming for multishippers😁

Me @ my ships: I'm sorry, babe, but this won't work out. No, it's not you. Some of your friends are just shitty.

[crienselt]

So a few days ago I saw someone (elsewhere) questioning Zutara fans’ excitement about the scarf scene. It wasn't a mean comment, more general curiosity. And well, I didn't have time to get my thoughts out then. But they haven't gone away, so I'm getting them out here:

Here’s what everyone need to understand about Zutara shippers. We were baited baaaad during the initial run of the show–from the magazines to the shorts to the trailers and how they were cut. And Zuko and Katara’s relationship on the show certainly underwent a lot of development and featured objectively emotional–if not overtly romantic–moments between the two. We were well fed, and we had reason to hope. Right up to the end, we had reason to hope.

The shipping wars were the shipping wars, of course, with all the usual tensions; there are always going to be overzealous fans of each (and any) pairing willing to get toxic. Generally, I think Kataang fans were always jealous of Zutara’s popularity and Zutara fans, post finale, were jealous of Kataang’s, well, canon status. But really it operated much the same as any other large fandom’s shipping wars.

And then came Bryke and the panel where they showed and mocked Zutara fan art, some of which had been created by teens if not straight up children. Then came their, “Come on, kids! It was never going to work. Zutara is just dark and intriguing.”* And the pièce de résistance, their telling Zutara shippers (specifically girls/women) that they were doomed to have failed romantic relationships. Like, what? The thing with the art was arguably cruel, and the rest of it was oh, so condescending. Just all around not well done. 

The after effect was that Zutara went from being simply a fanon pairing to a wrong pairing. The ATLA fandom at large became a far more hostile place for Zutara fans, who were now more commonly deemed delusional and viewed as lesser fans. The vitriol only got worse when the show came to Netfilx and the next wave of antis rolled up with their co-opting of legitimate socio-political terms to paint Zutara not just as wrong but morally corrupt if not evil. It’s all very puritanical.**

So Zutara fans need to be reminded that we weren’t delusional, and we aren’t alone. It’s why it means so much to know that Dante Basco and Mae Whitman shipped their characters. And that so many other VAs came out as Zutara supporters too: Jack De Sena, Michaela Jill Murphy, Grey DeLisle, Janet Varney--even the cabbage man. For it to be revealed that it was discussed in the writers room; that the writers fought over it; that it WAS a canon possibility. (And that writers Joshua Hamilton and John O’Bryan are perfectly comfortable admitting their preference for Zutara.) To know that the Elizabeth Welch Ehasz described Zuko and Katara as an “Avatar-style Mr. and Mrs. Smith,” in the script for The Southern Raiders, and used the phrase “Zutara-feuling synchronicity and cooperation” to describe their action sequences. To see Giancarlo Volpe, a Kataanger, admit Zutara might been the better pairing in retrospect and choose a quiet scene between them (to see their “chemistry”) as what he’d most look forward to in the live action adaptation. It’s why we cling to the artwork done by Korean animation director. We aren’t delusional. We aren’t alone.

But try telling that to the general fandom, right? Most are ignorant of a lot of this, particularly Hamilton and O’Bryan’s revelations re: the writers room. A lot of Zutara fans don't even seem to know. But being baited by Netflix on their official accounts? Oh, people see that. And we are reminded in a big way that we aren't delusional and we aren't alone. And everyone else has to remember it too.

So, of course, we're having fun clowning over the scarf scene. And I think most Zutara fans know we are clowning. I don't think most expect to get canon Zutara in live action because of one little scene or the fact that their Netflix icons are facing each other. (I headcanon that that was totally the doing of Zutara shipper on staff, though, lol. Because there are a lot of us, and we are everywhere.)

And this is okay. Zutara has been doing just fine as a fanon ship. Meanwhile, NATLA might actually do Kataang justice. It always worked better as a future ship. (Really all the pairings do. But I especially don't ever need to see another 12 year old kissing let alone making out, in animation or live action, ever again.) There's a reason Padme and Anakin don't get together in Phantom Menace, after all. Also, there's always the chance they could give us Dante's or Mae's headcanon of them basically suppressing their feelings and choosing duty over love/right person-wrong time. And the odds of getting some more moments to clown over are high enough. 

Anyway, TLDR: Zutara has been made to feel like an out-of-nowhere crack ship and the live action crumbs remind us that it is not. And this is at least partially why we are enjoying it. (Because, also, it's just fun!)

*Side tangent: I’ve never gotten this dark and intriguing comment. Even during Season 1, the height of the capture fic era, Zutara was always a ship fundamentally about hope, predicated on Zuko's redemption. (Back in the day, there were also plenty of antis arguing that there was no way Zuko would ever be one of the gaang.) And they say “intriguing” like it’s a bad thing? Are we not supposed to be interested in the relationships of their characters???

**There have been some very good think pieces written lately on late stage capitalism and consumption as morality. Worth googling.

[yanderes-galore]

I was surprised by how much I liked your platonic!Rhaenys Targaryen short, since I don't typically request platonic yanderes ☺️ Could we get a concept for platonic!Rhaenys, please?

🕊️ anon

Sure! I said Rhaenys Velaryon on the title to distinguish Rhaenys (Aegon I's wife) and Rhaenys (Corly's wife).

I'm so worried I butchered her character... so I'd appreciate feedback to write her better! For now, just put down little thoughts I had. I love her... just wish I knew how to write her.

Yandere! Platonic! Rhaenys Targaryen/Velaryon Concept

Pairing: Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Overprotective behavior, Violence, Blood, Murder, Isolation, Death, Paranoia, Major canon character death mentioned, Fear of loss/death, Dubious companionship.

Rhaenys seems like she'd be fiercely protective of those she cares about.

More specifically... those she views as her children or something similar.

Related to her directly or not, Rhaenys is devoted.

She seems like she'd be a very attentive mother, aunt, grandmother, etc....

She is shown to care for her family.

She loves her husband, she loves her children, she loves her dragon.

Rhaenys would keep her obsession on Driftmark with her.

You could be related to her... or even a young servant she felt protective towards.

Rhaenys seems like one of the more moderately intimidating yanderes.

She isn't quite as kind and peaceful as Viserys, but she isn't hungry for violence like Daemon.

She's in the middle, often planning tactically to take on situations.

While she would be caring... she can be stern.

Rhaenys would love a Dragonrider obsession.

If you're not... even then I can still see Meleys being just as protective of you as her rider.

Rhaenys would keep her obsession in Driftmark, although... if the Dance started... she'd tolerate keeping you at Dragonstone with Rhaenyra.

Rhaenys feels she plays a big part in your life.

She'd be very caring whenever you're around.

I also imagine Rhaenys would want a say in your betrothal partners.

After all, she's quite the protective one.

Rhaenys can be just as fierce as her dragon, Meleys.

She's often calm, yet always planning how to keep you safe and happy.

She views herself as a guardian to you, after all.

You have your freedoms, yet Rhaenys expects you to stay where she is.

Be that Driftmark or Dragonstone, she wants you in sight.

If you aren't, not even Corlys can sway her from searching for you.

While you have your freedoms, Rhaenys knows how to give you your punishments too.

She'd never hurt you, but I can see her discipline you by isolating you in your chambers.

Y'know, like being grounded?

It's humiliating how she treats you like you know no better...

But it gets the message across in her eyes.

If you ran from her or left to join The Greens, Rhaenys will not hesitate to use Meleys to find you.

She will drag you back home kicking and screaming through dragoon fire if she has to.

You will not aid The Greens or run from her in any way.

Rhaenys likes to treat you as one of her children regardless of your relations.

She dislikes Daemon speaking with you, seeing him as a poor influence due to how impulsive he is.

She worries when Corlys suggests taking you on ships to learn the seas, wanting to keep you with her at Driftmark.

Even during the war, Rhaenys keeps a close eye on you.

She's careful with you, especially when she loses Laena and Laenor.

In fact, Rhaenys would just get worse when she loses her son and daughter.

Before then she was always protective yet loving towards you.

Yet when she loses her children?

The older woman clings to you... scared to lose you.

Even more so when she thinks Rhaenyra killed Laenor.

Similar to Rhaenyra, I can see Rhaenys having some trust issues after the deaths of her children.

She doesn't betroth you because she's scared to lose you.

If you are female, she'd be scared to lose you in childbirth.

If you are male, she'd probably be scared to lose you in the war.

Either way, Rhaenys is a bit paranoid of losing you too.

Whenever you're with Rhaenyra, Rhaenys is close by.

However, despite the Laenor incident, she eventually knows she has to trust Rhaenyra with you for your safety.

Oh, if anyone did hurt you?

Gods forbid if you were killed?

Rhaenys promises Fire and Blood with Meleys for revenge.

Does it go against orders? For once, she doesn't care.

You mean too much to her.

If Rhaenys is platonic over you, I bet even Corlys is to a degree.

The two are quite a healthy power couple... Rhaenys would probably get him to help with your care in Driftmark.

Rhaenys would keep you out of the war for as long as she can.

She's seen children die, Rhaenyra's especially.

No one can convince her to send you out to fight.

Be that commanding a fleet or riding a dragon... Rhaenys will stay against it.

If you're a servant she doesn't have to worry about that.

Rhaenys may originally be wary of you meeting Meleys, but Meleys is aware of how much you matter to the queen who never was.

The large red dragon often greets you with a trill, gently caring for you with Rhaenys in sight.

This shared care Rhaenys has with her dragon is what allows Meleys to risk anything to protect you both.

Rhaenys doesn't flinch at the deaths of those who cross her.

Any who cross her or you are fed to Meleys.

She takes your well-being very seriously.

Rhaenys always gives you advice and life lessons, she's lived a long time after all.

She warns you to be cautious and to come to her for issues.

Rhaenys always wants to know where you go.

You aren't even sent anywhere to be a diplomat.

It may be selfish... but Rhaenys can't lose anymore of what she loves.

She'll do anything to keep you under her care, including lock you in Driftmark or Dragonstone until you learn it's for the best.

[arceespinkgun]

I think I've reached my last nerve with how TF fans treat Jazz on here and on AO3, and I feel the need to rant about it. Obligatory "not all Jazz fans" and "not all JazzProwl fans" disclaimer here... if this doesn't sound like it's describing the content you make or enjoy, then it's not. Honestly, I don't think this angry rant is going to convince anybody of anything, but I'm posting it because I want to make it clear that people see this and are aware it's racist.

Never let it be said that racism isn't thriving in the TF fandom on Tumblr and AO3, because so much Jazz fan content is the most blatantly racist shit. And it's nowhere near as bad on other sites that people here usually claim are more racist—I've never seen what I'm about to describe on r/transformers, for example. TF fans on here often claim to love Jazz so much and say he's one of the best, most unhateable TF characters along with Soundwave, but do they ACTUALLY love Jazz?

Tumblr and AO3 users when they see this great, heavily Black-coded hero: We love Jazz! Ooh, what if he was a slave? What if he was hyper-violent? What if he was a disruptive chaos gremlin? What if he was hypersexual? What if he was lazy and never did his work? What if he was a drug addict? What if he was a prostitute? What if he had an evil alter? What if he used to be/was secretly a Decepticon? What if he was a notorious criminal? What if he was literally some kind of bestial monster?

I've actually seen people on Tumblr asking if Jazz being a Decepticon or having an evil alter was ever canon. Well, let this be a PSA: none of this shit is fucking real! I've seen almost all the media Jazz is in, and none of this reflects how he's been portrayed, ever! Apparently people posting links and screenshots and GIFs showing what Jazz has actually been like in canon hasn't caused people to self-reflect, because this shit is still somehow super popular and even filtering doesn't screen even close to all of it! And I've seen in real-time people who are newer to the fandom getting tricked by all this racist fanon and then being drawn into it, thinking it reflects something when it doesn't! That's one of the things that bothers me most!

And then there's the other half of this, which is the immense popularity of JazzProwl. Putting aside how ridiculous it is that a ship between characters who haven't had a positive interaction in fifteen years is somehow the most popular ship in this fandom, half of all the Jazz content I see on sites like Tumblr also stars Prowl, as if Jazz isn't an arguably more prominent character with tons of unexplored stuff of his own going on. But that's the least of it. How the hell do I constantly see people uncritically post shit with this ship like Prowl trying to arrest or pull over a chaotic criminal Jazz? Or shooting at him? Or white savior, copaganda, anti-sex work garbage like Prowl as a cop rescuing prostitute/stripper Jazz from exploitative working conditions (I'm not making this shit up)? (Also, @ people who make content in which Prowl is Jazz's slave—I see you too, and you're not woke. You are still linking Black people to slavery as your first thought and then assuming it's subversive to flip the dynamic you'd expect to see. You're getting off on slavery and still including a Black-coded hero in your shit.)

Even the majority of the much milder content I see is still ridiculously OOC and plays into racist tropes in its own ways. Like how 90% of JazzProwl content shows a lazy, distractible Jazz endlessly trying to get Prowl to relax by disrupting his work or playing pranks or some shit. What media does that come from? Oh yeah, it comes from nowhere, because it's just old fanon that's been endlessly regurgitated by people who aren't realizing how making this up plays into offensive stereotypes about Black men and boys. Hey, if you people love this boring dynamic so much, maybe look at the canon relationships that are similar to it instead of forcing characters who don't fit it whatsoever into these roles without thinking about the implications!

And guess what? I've repeatedly seen literal proof that basically everyone who thinks they like this ship hasn't ever seen the characters interact in canon, too—every so often somebody on here will ask why JazzProwl is popular and ask for fans to share the canon media that made them ship it... and inevitably nobody can share anything, which is hilarious every time. Sometimes people will admit it's all fanon. In fact, the other day I saw a link to a fic from the very early 2000s that claims to be the super-influential, first JazzProwl fic ever making the rounds on Tumblr, and guess what? I looked at it and it was already super fucking racist, with Jazz being described as chaotic and not a hard worker and it had Prowl angrily shooting at him!!!

Jazz is one of my favorite characters and I'm so sick of this shit! Normally I love transformative works and new interpretations of characters, but in this case the fanon is so horrid and has always been horrid, so either try to examine Jazz in canon and portray him based on it, or be a fan of a different character! And fucking REMEMBER that this is a Black-coded hero, damn it! I saw a fic the other day that made me literally choke on my drink because it had Blaster (also a Black-coded hero) describing Jazz as a "spook!" THAT DOES NOT JUST MEAN SPY, THAT'S A RACIST, ANTI-BLACK SLUR!!! And this isn't even getting into how people in fic have Jazz talk! Jazz in all the media I've seen speaks very clearly and rarely has any kind of accent, but I constantly see white people attempting to write his dialogue phonetically in a way that feels straight out of Uncle Tom's Cabin. What the fuck is this?!

Also, petty, but the fans who make and consume this kind of content in my opinion don't then get to relentlessly criticize something like Earthspark, which has a cast and crew of people of color, by claiming it undermined its themes and is racist!

[tevanbegins]

This is a long rant to shoot down mad BoB theories insisting that Tommy is a villain / secret spy in cahoots with Gerrard / plot device / temporary LI. The show's writers are mature adults who surely wouldn't go so out of the way to villainize a queer character? To the extent that he'd fool all the main characters into thinking he was a good guy and great for Buck for an entire season, and then start revealing his true colors in the next season? To make a beautiful storyline about queer joy blow up into flames with such a major negative plot twist? All so that Eddie can suddenly realise he is gay and he and Buck can get together? I seriously don't think a 60 year old showrunner would allow such childish nonsense to happen on his show.

I'm not saying queer characters can't play dark / negative roles — Eva's character is an example from this very show itself. But the writers always told us that she is a bad influence on Hen's life right from the start, never got us attached to her by depicting her as a great person in the beginning and then revealing later that she is bad. If Tommy was meant to be horrible for Buck, the narrative would clearly tell us that from the start the way they did with Eva and Hen. The writers cannot be so insensitive as to give the LGBTQ+ community such significant mlm representation with Buck and Tommy, first making us fall in love with their romance and then humiliating us (as well as Buck) by completely destroying Tommy's character — all to serve the end purpose of making a fanon ship go canon? That might happen in B*ddie fanfics written by teenagers, but it can't happen on a show being written for a sensible, mature audience by grown-ass career TV writers!!!

B*ddie would have happened a long time ago if the writers wanted to make it canon. They are not going to do it now, definitely not by making Tommy the scapegoat in that awful mess, just so the toxic portion of the fandom can be appeased over the rest of the audiences who appreciate the show for its thoughtful and sensitive storytelling.

Why is maligning Tommy even necessary to make B*ddie canon? Like Eddie and Buck have seen each other dating one woman after another through the seasons but only Tommy being the bad guy will suddenly lead to a feelings realisation arc? Why didn't it happen before, or why couldn't it happen without reintroducing Tommy if B*ddie canon was always the end plan? Probably because the writers aren't interested in going there at all, and Tommy is genuinely being written as a long-term LI for Buck?

Backing this argument is the fact that most of the conversations had by the other characters after Buck's coming out have not been explicitly about him now identifying as bisexual, but more about him being involved with Tommy. If Tommy was being written as a plot device or a short-term LI, I don't think the other characters (including Eddie, mind you) would be hyping him up during these conversations. The writers would have probably framed the conversations on the lines of, "Oh wow Buck you realised you're bisexual? Congratulations!" instead of "OMG you and Tommy? Tell us more / We love him for you and approve of you two together!" They wouldn't take the efforts they've been taking to make Tommy a pivotal subject of these conversations if he was just a plot device as the BoBs believe. And if he was supposed to be a villain, the other characters would have told Buck to find someone better if they thought Tommy's vibes were off. Not all of them can be foolish to not see through Tommy if he was truly as bad as BoBs say he is (especially not Bobby.) Yes, Buck's bisexuality is valid regardless of who he dates or even if he doesn't, but the fact the characters talk so positively about both him + Tommy during these convos clearly implies this is an important love story blended into the coming out arc.

If B*ddie canon was in the works, JLH and Kenny Choi wouldn't have said on their IG lives that it's not going to happen, Ryan Guzman wouldn't be referring to Eddie as heterosexual, etc. So, we cannot let the BoB comments get into our heads because they are not the ones writing the show. I think we can expect a lot better from Tim & Co. than them giving in to the delusional fantasies BoBs want to see being manifested. Wanted to say this piece because I am fed up of seeing the BoB conspiracy theories all over and don't want to give them the power to steal our joy. That's all for now!

___

[cynthiav06]

Question. do you think Percy should have stayed Single? Or ended up with somebody other than Annabeth? I Really think he should have stayed Single. Because I personally don't Like Percabeth, I don't Ship Percabeth and I don't Like Annabeth at all because of the way the Shippers act, or The way the characters themselves in Canon Act, like how Percy just does whatever Annabeth says, or how Percy is scared of Annabeth, Or how fans make it seem like Percy would become an Emo Edge Lord if something happened to Annabeth, Or How much she Belittles and Degrades him (I hate the nickname Seaweed brain), Especially since she acts like Percy cant do anything without her That moment when She and Reyna were talking about how ("Percy Couldn't find his way out of a Paper Bag without you")Made me SO mad it made me Dislike Annabeth even more and Dislike the Percabeth Ship as a Whole, I even hated when she Pretty much Restricted percy of using his powers You Know? "The sea doesn't like to be Restrained" well here it is.. being restrained...Exactly what it hates, and I hate how the Fandom makes Percabeth a Godly Ship saying they are the "It Couple" which they aren't and how They treat anyone who doesn't like Percabeth or Ships Percy with someone else other then Annabeth, but the one thing I HATE the most is how they make EVERYTHING percy Does Romantic for Annabeth like she's the only person who matters to him (Percy Only Remembering Annabeth (a Girl he's Known for only a couple years) Instead of The woman Who RAISED him by a goddess who isn't even the goddess of Love Made me SO MAD and Even when Annabeth made Percy remember when he was in the River Styx when it should have been his Mom made me mad) which is why I mostly believe that Percy Should have just stayed Single (I'm all for an Aromantic Percy) or At least Give him a Love interest who he can be Comfortable around and doesn't have to Constantly walk on Eggshells around her (I wished he Dated Rachel) or Hell Even make him Gay i've saw characters who have Better chemistry with Percy then Annabeth IMO but this all just my opinion.

You honestly don't know how long I could rant on this exact subject.

It's partly Annabeth's fault, and it's partly Rick's fault.

Anyone and everyone who has read the Pjo and HoO series should have noticed how illogical Percy's personality change was.

Percy Jackson, the hero of Olympus and the strongest demigod to ever live, sassy as can be, laid back but scary beyond measure if you cross him and an absolute menace to his enemies and loyal to death.

That's who he is, and Rick remembered that initially, and even till Son of Neptune then he just forgot how Percy someone he himself wrote to be this way is.

It's like Percy has no identity of his own, and he is only significant if he is with Annabeth. Like hello, he's the main character people, is the Fandom seriously going to degrade the main character, especially when the said mc is Percy Jackson???

Percy, despite his own issues, is and will always be foremost in helping people. He would be the first person to help keep the seven together. He would be the first to try and make a bond. He wouldn't have some stupid and illogical and totally ooc beef with Jason. Instead, he would help Jason be more sure of himself to stand up to Jupiter and for himself.

He would help Leo personally to bring back Calypso and they would both shit talk Olympians and how fickle their oaths are.

He would literally do anything to save Nico. Like hello, are you telling me that the boy who at 14 took it upon himself to bear the Great Prophecy, which he thought who end up killing him just to save Nico from that fate????? He would go absolutely madly feral to save Nico from the Giants.

If Piper and Reyna had their screws all properly fit they would see that Annabeth and literally everyone else would be all left to die if it wasn't for Percy. Percy gets himself out of everything by his own efforts and his own strategies. (Annabeth's rarely work). It's time the Fandom acknowledges that the best strategist in the verse is Percy, no questions asked and finally give him due credit for all HIS efforts.

Percy would never ever leave Sally unless it was for a quest, especially not when she was pregnant and absolutely not to go to college, something he hates especially when it concerns New Rome.

Here's a thing about Percabeth shippers they care about Annabeth's plans and her dreams, not Percy's. It is literally so out of character for Percy to want to live in New Rome a place that invests in a child army, a place that despises his father and wouldn't even build him a decent temple, a place so extremely cut off from the sea.

If Percy wanted to live in peace and grow old, he would do it in a place of his choosing close to his mother, Paul and Estelle, and close to the sea. But here's the thing about Percy.

I don't think people get this, but Percy can't just up and leave, nor would he want to. His damned fatal flaw is LOYALTY. He would never ever leave demigods or anyone helpless by leaving Camp Half Blood. Sure he would take less quests on but he would ALWAYS stick around and Rick did him so dirty by making all his thoughts revolve around Annabeth and insinuating he would let others suffer just fine to be with Annabeth.

Percy gave up immortality because he took Sally's teaching to heart as she did so too when she denied Poseidon's offer. He did it for himself for demigods it didn't have shit to do with Annabeth, but of course, he would look at her because she represents his life as a demigod.

Rick making Percy see Annabeth near the Styx and making him remember Annabeth instead of Sally is just him bullshitting. We all know Percy is a mama's boy, and he would do right by Sally always, so him giving a girl who he has known for barely long enough has no basis to it.

And Percabeth stans literally can't take a mention of a single alternate Percy pairing that alone is the biggest red flag. Because they know their ship is toxic and that Annabeth is the root of it.

For the PEOPLE IN THE BACK aka toxic stans:

Annabeth's fatal flaw is HUBRIS, and she is by nature controlling and condescending, and her character had the chance to GROW and CHANGE, and it would have been the most epic character growth sequel but she did not and she is CONTROLLING, DISMISSIVE , DEMEANING.

The newest Read Riordan entry literally has Annabeth saying that she needs to catch up to Percy cause he scores a better grade than her in school (even there Percy is smarter folks there you have it) and she literally says if she doesn't catch up Percy might start calling her SEAWEED BRAIN. So it is a demeaning nickname she gives Percy and continues calling him that even after knowing how Gabe similarly verbally abused Percy.

This is the fandom's IT couple? Wow. Percy literally is going against his own nature of being free and unrestrained like the sea because of Annabeth's controlling nature.

The worst of her behavior is when she blames Percy for his disappearance when she dismissed him when he was talking about his trauma induced by Gabe, her beyond toxic treatment of Rachel, especially when she unreasonably asked Percy to supress the use of the very power that got them out alive (she is scared naturally but she cannot force her own fear on Percy when he did nothing wrong).

So yeah, Percy Jackson with anyone but Annabeth. I am all for aromantic Percy, but personally, I find Perachel to be more appealing.

Trust me, I could rant about this for hours, especially how Rick butchered Percy's personality and made it full of Annabeth, especially how he threw Percy's insecurities and trauma and PTSD out of the gutter post tartarus.

[madlori]

I'm asking this to you because you're the only person I know who's been around fandoms for so long — do you find this shipping-situation weird? I've been in many fandoms but I've never really seen this insistence on there being only one acceptable ship for a character and encouraging the idea that anything other than the norm is almost sacrilegious. Almost every big fandom over the years have had multiple conflicting pairings, take for example, Marvel. Even works of media that have a canon romantic pairing have had fans who ship others with the leads (that was what shipping was tbh) and no one has ever shown up to their doorsteps with pitchforks in hand, at least not that I'm aware of. So I guess I'd really like your opinion on why you think this is happening now? Have things always been this way, just not in plain sight? Is this just the new fandom culture that is developing now with the influx of younger people? Or is this fandom an aberration where a group of people are so used to being the majority that they simply aren't taking well to things not going their way?

I've been thinking about this today, and I'm still not sure what I think.

I've been in fandoms with a hugely dominant ship before. I've been in fandoms that had ship wars. I've been in fandoms with a lot of peacefully co-existing ships. I'm not sure this fandom is really all that different. To answer your first question, no, I don't find it all that weird. In fact I sort of expected it.

Let me tell you a story about the Brokeback Mountain fandom, which managed to have a ship war despite having really only one ship, the canon ship. So BBM fic fell into several broad categories, the biggest of which were fix-the-ending/canon divergence fics and the straight-up AU fics (I wrote one of each, lol). Post-canon fics weren't as common, because you had to deal with one half of the canon pairing being...well, dead.

There was a post-canon fic that gained a lot of fans...and when I say "fic" that's really an understatement. It was a SAGA, and I don't use that term lightly. It was a series of like...6 or 7 epic 100K+ word fics and it was over a million words total. The author would put out more than one 5K chapters per DAY. I'm still in awe of this woman's output. But it was the content that created the issue.

(Brief recap for those who have not seen BBM - two ranch hands in the 1960s, Ennis (Heath Ledger) and Jack (Jake Gyllenhaal) spend a season herding sheep together, have sex, form a bond, then separate to go about their expected hetero lives but get together for fishing trips every year or so to have sex and spend time together. Jack wants more, Ennis is terrified. Both marry and have families. Eventually Jack dies in what is implied to be a gay-bashing but who knows, and Ennis makes his peace with the love he'd felt for him)

The saga picked up a couple of years after the film's events. Ennis decides to tentatively explore what being queer means, goes to Laramie, finds a gay bar, and very cautiously enters. Through a Series of Events he gets mixed up in an assault there and befriends a local sheriff's deputy, who is also gay. They begin a relationship.

Now, this series was COMPLEX. A huge cast of characters, a long and thorough evolution of this relationship, a lot of angst over Jack's memory, and it really worked for a LOT of readers. The new love interest she created was a really great character.

For others...it did not work and they hated it.

The animosity between fans who loved this saga and those that did not grew pretty heated. This was like '05 so there was no twitter or tumblr, this was all on LJ and dedicated fandom forums (some of which banned discussion of this fic for this reason), but there was doxxing and namecalling and real vitriol.

I guess my point in all this is that when there's strong feelings, some fans will find a way to be horrible to each other.

I was in the Sherlock fandom, another fandom 98% dominated by one ship. There were other ships, but somehow they seemed to co-exist mostly peacefully barring some snide remarks and rude comments (I could be wrong about this, if you asked someone who shipped a non-Johnlock ship they might have a different answer). No, the insanity in the Sherlock fandom was not ship-war-related.

I was also in the Criminal Minds fandom, which has a whole bunch of disparate ships and no ship wars that I can recall.

Then there are other fandoms, like Avatar, with TERRIBLE ship wars that are still going on.

I don't think the situation in 9-1-1 is as unique or different from other fandom wanks as has sometimes been asserted. I think terrible fandom wars are sort of inevitable, whether they're ship related or not. But for what it's worth, here are some of my thoughts on what's going on here.

A loooooong time (5.5 seasons) with one very dominant non-canonical queer ship. No other ship really ever approached the level of saturation or devotion of Buddie.

A pervasive belief that this ship might possibly become canon. That's a feature a lot of other ships do not have.

A lack of intense devotion to any of the other love interests. BuckTaylor was never a challenger to Buddie. Neither was Eddie and Shannon, or anybody else. It's hard to fight when there's no worthy challenger.

But now? BuckTommy is not only canon, but it has a lot of fans. It's a threat. And it's not only a threat in a feelings kind of way (as in, people like a thing that is not the thing I like and it makes me upset) but there's a perception that it's an ACTUAL threat, as in if people like this ship and promote it, it could cause it to become a permanent relationship (the degree to which fan response actually affects how the show unfolds is...debatable).

I do not personally think this is the case, but some fans strongly believe that Buddie could still happen if it weren't for BuckTommy. So if you're still wanting Buddie and believe it will or could happen, the existence of an alternate love interest represents a direct obstacle to that happening. That's a heck of an incentive to hate that competing ship. I get it.

That...might be a somewhat unique situation. There's a fight now because there's a challenger who might actually stand a chance.

This goes along with what we saw in the immediate aftermath of 7x04. I read someone else say (apologies, I don't know who it was, feel free to @ me if it was you and I'll credit you) that the early post-7x04 enthusiasm and acceptance of Tommy reflected the belief that he was temporary. A lot of folks thought it was just a way for Buck to get with Eddie, like, very soon after that. But the more time went by, the clearer it became that this was not the plan or the intention. So the mood soured for those who were still pulling for Buddie.

Other fandoms I've been in with a hugely dominant ship...Sherlock and X-Files are the two that spring immediately to mind...there was never a challenger with any legs. X-Files fandom wank was between the ship and the...lack of ship, shall we say. But a concrete, tangible "opponent" makes a fight so much more visceral, doesn't it?

I do think there's been a fandom shift towards needing ships to be canon that I don't really get, but it's there. There's been a lot written about fandom culture in the last ten years, the breakdown of boundaries between fans and creators, the access to those creators, a sense of ownership/entitlement, purity culture, obsession with shipping "correctly" (which leads into wanting things to be canon for the validation)...these are all newish features. So pile that on top of 9-1-1 having a longtime single ship that's legitimately threatened for the first time in its existence by a competing canon ship and it's kind of a powderkeg.

No wonder it's caught on fire.

[moonstrider9904]

That Old Song

Pairing: Crosshair x Female Reader

Summary: After pining after him for months, you get the chance to see Crosshair one more time before he ships out with his squad to Kaller.

Tags: SFW. Kissy-kiss, pre-relationship, general softness, implied tragic romance

Word count: 1693 words

Read on AO3 | My one-shot masterlist

This one was inspired by That Old Song from the Slime Rancher soundtrack because it gives me tragic romance vibes and even though I always wanna give Crosshair a happy ending, I really felt inspired to explore the more tragic side of canon because we all know what happens to him by this point (and season 3's not even over lol Lord help us)

The sky turned purple as the sun on Anaxes began to set. The warm toned twilight would always bring a sense of foreboding with it, but you were used to it. The hangar on Anaxes was not a front line, but it was still a warzone, and war didn't discriminate. It took away, it destroyed, it forced goodbyes, but like the stars that were rising in the ever-darkening sky, there were always gleams of hope that traced finer, beautiful shapes if you knew how to look for them.

He was such a glimmer, at least to you.

You hadn't stepped a foot inside the base since the Havoc Marauder landed. Though repairs and refueling were insistently handled by the team's own engineer, you had the honor of being the only mechanic around whom Tech would even allow to set a finger on the hull of the modified Omicron-class attack shuttle. While he was off running diagnostics and the rest of the squad loaded up on rations, you were finishing up putting away the supplies you'd needed for a standard oil change. You caught the scent of the oil coming from your gloves, which you carefully removed to reveal your hands, the skin on them soft and surprisingly well taken care of despite your profession. At that moment, you could hear the subtle pacing behind you, and a gentle smile formed on your lips. You'd had so many encounters with them that, while short, had already allowed you to recognize how each of the defective clones walked - you'd gotten the chance to know such a detail from many clone battalions, but you didn't enjoy knowing any of them as much as you did for Clone Force 99.

The steps approaching you were light as a feather resulting in lifelong training for stealth, and long resulting in a tall silhouette. Carefully paced one after the other, you knew he was already smirking at the sight of you. It was simply who he was.

You turned around and your eyes landed on the silver hair and the deep brown eyes that would reflect sunlight so beautifully whenever a golden ray hit them just right - that was the only thing that made you yearn for sunshine in the middle of that twilight. Regardless, you couldn't help but grin at the man approaching you. Being in his presence was everything that occupied your thoughts when he was gone.

"Thought you'd be here," he said while chewing on a toothpick.

The giggle that left you was just a bit too obvious for your taste, but you muscled through it. "Aren't you smart."

"I hope you haven't been here all week," he teased. "I don't tell you when I'll be here in my letters for you to tie yourself to the hangar."

"It might surprise you to know I'm always exactly where I need to be," you smirked, your hands traveling to your hips. "I just happen to be needed here right now."

Crosshair, who was always so stern and so serious, let out a chuckle in front of you. The way others talked about him, even his brothers, you were already sure by then that you were one of the only people he ever did that around, and the low sound of his laughter and the way his chest fluttered when he did made you feel your knees giving out on you. Finally, Crosshair took a couple of calculated steps toward you, decreasing some of the distance between the two of you. He looked down at you, silent for a moment, so peaceful you could hear the wind blowing at your sides. Despite the cool breeze, all you could feel on your skin was heat.

"Have you heard the rumors?" You asked him.

Crosshair nodded, the seriousness returning to his face. "Yeah. War's ending soon."

Sarcasm flooded his previous remark, and you gave him a bittersweet smile. "You don't seem all that happy about it."

"It's not that," Crosshair replied. "I'm not in a position to assert or expect anything."

"Right," your mind went back to your initial pondering on the cruelties of war, but you decided to focus on the man in front of you. "Will you be headed to Coruscant?"

Crosshair shook his head. "We're needed on Kaller."

"Oh," you said. "I see. Kaller... snowy, full of clankers."

"My specialty," Crosshair purred.

You giggled. "So... maybe it's safer to say that I'll see you again soon?"

As you were talking to him, you inched closer to Crosshair. Your hands were down at your sides, but you couldn't help but notice how close his hands were to yours, and how easy it would be to reach out and touch his gloved fingers with your bare ones. What you hadn't realized up until that moment, even with all the letters and the hours you'd spent thinking about Crosshair, was how desperately you needed to hold him, and to be held by him.

But Crosshair sighed, hesitant. "Darling..."

"We haven't been sending each other letters for months now just because," you whispered. "Have we?"

A faint smile appeared on his thin lips. "No."

Your own smile, though soft, grew at him, and your eyes seemed to sparkle.

"Crosshair..." You sighed, the dreaminess finding its way into your voice.

He couldn't help but laugh again. "Well, damn. You really are smitten."

Flustered, you looked away, but Crosshair reached out to gently hold your chin and have you look up at him again. He took in the way you were looking at him, with sparkling eyes and an adorable smile, your cheeks warm and your silhouette glowing with hope, like a girl first entranced by puppy love. Your hand went up to perch itself over his wrist, but as you did, your romantic heart stilled itself when the thought of him leaving soon bled into your mind, forcing the smile to slowly disappear from you.

"What is it?" He asked.

You chuckled bashfully. "I just..."

You feared the effect of your words, you feared that it would put a pressure on him that he didn't need, one that no soldier deserved to be burdened with. But inside you, a flame burned, one that prompted you to simply speak now, to not hold back, to not reduce yourself and your feelings to letters and comms. Crosshair, the man of your dreams, finally stood before you, his hand on your skin. You would never forgive yourself if you wasted this opportunity now that you had it.

Because how in the world could you have known what happened next?

"I just don't want you to leave," you whispered. "I never do."

Crosshair gave a soft exhale as he rolled the toothpick to the opposite corner of his lips and spat it out to the side only to look at you again, his gaze turning gentle on you. His other hand traveled up to your face, and now he cupped your cheeks with a steady, soft grip.

"Would it help if I told you I don't want to leave you here either?" He asked.

You smiled softly. "It's nice to know that."

Your eyes met, and you were overtaken by the desire to collapse in his arms and become one with him. You valued each second you'd been gifted to look at his face; your gaze traced the tattoo over his right eye, memorizing the little textures where the ink seemed to falter - you'd never noticed it wasn't a solid line, it looked like it'd been drawn over the artisanal canvas of his skin. You basked in his warmth as your hands reached out to his waist, and you pulled yourself closer to him, and while you did, part of you wanted to curse and lash out at the fact that you hadn't done this sooner.

But you were there now, and that was enough to calm you. And if the war was ending, you wanted to cling to the hope that you'd be in the arms of your beloved again soon.

"Crosshair?" You asked.

With his gaze, he prompted you to continue.

"I..." you said. "I want to kiss you."

Crosshair didn't wait longer, and he slowly lowered himself to gently press his lips to yours. You felt as if every star in the sky above you would explode at that moment, and your arms slid up around Crosshair's shoulders while his slid around your waist. A kiss that started out softly didn't hesitate to become what you could only describe as romance itself, fully engulfing you both in one wavelength as your lips danced together, timeless in your own right. Softly, you moaned at his taste, and you vowed never to forget the sensation of his lips on yours, warm and intoxicating, like it would give you everything you'd ever need for the rest of your days.

You never wanted it to end, but the time came for Crosshair to set you down again. You hadn't even noticed when you'd started to stand on your toes, but when the soles of your feet were back on the ground, you looked up at him with hope, with love, and with the unspoken desire to scream "don't go" building up and eating you up inside.

With all those feelings in your gaze, looking at you nearly broke Crosshair's heart.

Your hands gently traveled to Crosshair's cheeks and you felt his stubble growing in beneath your fingertips. You gave a light chuckle and added that detail to the many you'd remember from that night, and finally, you smiled brightly at Crosshair.

"Let me know where you end up after Kaller," you said.

Crosshair smiled softly. "You know I will."

You knew it would be time for him to leave soon, so you resolved to be with him in the time you had left. You threw your arms around Crosshair and held him tighter than you'd ever held anyone. You didn't mind the armor under your soft body, all that mattered was you were holding him.

And fervently, during those last few moments, you prayed neither Kaller nor whatever came after it would take him away from you.

Thank you for reading! Reblogs and comments are greatly appreciated!