#Take As Long You Want

[poorly-drawn-mdzs]

The math just adds up!

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[strongermonster]

why is this written like it's trying to hypnotize me into making a batch of caramelized onions, and more importantly, why is it working

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[ink-the-artist]

Rabbits

Some bonus art, I initially started making this in a totally different art style but changed my mind about halfway through lmao, here are the parts I finished

[why-is-it-always-autumn]

It's good and cool to give your characters a single simple, straightforward, non-urgent, super-achievable goal that shouldn't really cost anything or hurt anyone, make that the driving factor for most of their decisions, and then have the Plot do everything in its power to stop them.

[obsob]

the accolade ( the...the cat-olade...)

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[poorly-drawn-mdzs]

The musical episode.

[First] Prev <–-> Next

[ruporas]

the blank ticket in your hand is just waiting to be filled in.

happy birthday vash! (ID in alt text)

[spoopdeedoop]

i like these guys a lot (alt ver. with a filter under the cut)

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1, Omake (Extra): Master of Time - (here)

Act 1: What was left behind. - read here

[wasyago]

the brainrot won

[jewreallythinkthat]

Something I really don't understand is this obsession the anti-Israel crowd (in the West) have with death and martyrdom. All they care about is dying, and often killing for their cause; I see nothing about building a better future that isn't based on the murder of 9 million Israelis.

It's easy to die for a cause. The challenge is living to make a better tomorrow.

[deadsetobsessions]

There’s a child wandering the streets of Crime Alley. Unfortunately, this is nothing new for the area, riddled with crime and homelessness as it is. However, Red Hood and Nightwing are vigilantes and helping lost looking children is firmly in their job description. Plus, Crime Alley is Red Hood’s. He protects what’s his. With a single shared look, the brothers swung down to the child clad in just a white dress and some thin flats completely unsuitable for Gotham’s worsening weather. Hell it’s be unsuitable for the general poor weather.

“Hey, kiddo.”

The girl’s head swung to lock gazes with the duo, eyes blinking blue- and green? Red Hood allowed his brother- he worked so hard to beat down the pit madness in order for Nightwing to even remain near- to take the lead.

“Oh. There you are.” She said, turning to face them fully. The kid’s face filled with relief.

Nightwing blinked.

“You were looking for us?” His soft voice saved for children firmed into something more serious, more concerned.

“Mmhm. I was looking for Red Hood, but you’re a good bonus.”

“And why were you looking for me, kid?” Red Hood interjects. He knows Dickolas is clocking the same things he is: the kid’s white whispy hair, pale face, and… Lazarus green eyes? It’s more solid now, that she’s looking at Jason.

Dick straightened, eyes going heavy as he looks at this wisp of a girl. He’s fiercely protective of Jason and they’re both equally wary of the League of Assassins. Still, the two of them couldn’t help but let their guard down a bit because this was still a child they’re talking to.

“Because… um. Did you know you’ve died?”

Hood stiffened, hand going towards his guns. Granted, they’re rubber bullets, but the kid clocks that immediately. She threw her hands up in the universal gesture of “I’m unarmed and mean no harm.”

“I- well, to put it frankly, you kind of… stink?”

“What.”

“Ugh, I’m totally messing this up!”

“Why don’t you start again?” Dick said, shifting into a subtler fighting stance. He kept his voice light, but Jason saw the way his hands inched towards the scrims sticks. Distantly, Jason thought it was hilarious that this tiny kid could evoke that kind of response. Looking into Lazarus green eyes though, he couldn’t find the humor anywhere. The worst thing, though, is that the pit quieted. The rage the bubbled incessantly underneath his skin calmed. Jason did not like feeling bereft of the rage, not when he didn’t know why it was gone. He had just gained control of it, minimally, and to have that control be unnecessary left the vigilantes off kilter.

“Right, okay, sorry. Um, did you, uh, die and wake up surrounded by glowing green stuff?”

Before Jason could reply ‘yes, and why the hell do you know that?’, the kid continued with, “Because me too!”

She did jazz hands as Jason’s and Dick’s brains short circuited. Jason thought he even heard a little “yay!”

“What.” Jason sputtered out. His stomach and heart clenched as he thought about how young the kid looked. Fuck.

“Yeah. So, anyways-”

“Don’t speed past that like you didn’t say what you just said!” Dick interrupted, hand tugging at his hair in distress. His body language slipped from battle ready to extremely distressed. “You died?”

“You were- you were dipped in the Lazarus pits?!” Jason felt the need to address that specific point.

“I mean, it’s not that important? The important thing is- wait, what’s a Lazarus pit?”

Jason froze again. She didn’t know what they were?

“It’s… the glowing green stuff.” Dick answered her.

“Oh. Is that what you were dipped in?” She tilted her head at Jason. He nodded, wariness climbing. “Oh. Well, I mean, that’s not we call it. But the stuff you were dipped in, it’s rank. Contaminated.”

Jason thinks back to the burning, drowning green. The agony he felt as it slipped into his mouth and nose and his very being.

“It was bubbling.” He said. The girl grimaced. Jason had no idea why he was being so honest with this kid.

“Gross. Anyways, I can, like, help you with that?”

“With what?” Dick asked, eyes darting from the girl to Jason.

The girl groaned. “Okay, so I guess you guys are kind of new. Uh, the contaminated green stuff,” she points at Jason’s chest. “That’s making you angry, right? Leaving you in the backseat of your head as your body breaks whatever got you angry to begin with and you have no control over it?”

“…The pit madness.” Jason mumbled, feeling numb. “Yeah.”

“…Right. I can help you clear that out,” she pauses, fidgeting. “If… If you help me talk to Batman? It’s kind of… urgent.”

“Batman?”

“Why?”

“Uh. There’s kind of… a whole mad scientist thing going on and like… experimentation and dissections… you know?” The kid waved her arms around, distressed.

Dick and Jason unfortunately did know.

“Cave?” Jason grumbled.

“Cave.”

“Okay, we’ll bring you to the cave. Then you tell us everything.”

“Really?”

She looked up at them hopefully, and Jason could see the moment Dickolas melted. Not that Jason could say anything, since he was already taking off his jacket and bundling the kid in it.

“Um.”

“Who the hell let you walk around Gotham like that?” He scowled down at her, not that she could see it with the red helmet in the way. Dick looked at him carefully, eyes roving over the oddly relaxed state his little wing was in.

The kid shrugged. Jason sighs.

“What’s your name?” Dick asked. Scooping her up, the blue and black clad raised his free arm to grapple away. Jason follows him, heading towards the motorcycles they’ve got parked nearby.

“Dani. With an I.”

“Nice to meet you, Dani. I’m Nightwing. This is my… this is Red Hood.”

“Okay. Cool.”