do the ghosts in ghosts ever like. move on. you know go into the light. or do they just not want to? every day i get this much 🤌 closer to watching the show
no no genuinely this is a good question! so yeah, the ghosts can move on, which they colloquially refer to as "getting sucked off," but it happens seemingly at random and the ghosts are very nervous about it.
basically, when you die in the bbc ghosts universe, one of two things happens. either your spirit sort of goes all glowy and floats above your body and you get a few seconds of afterlife but then you sort of whoosh upwards and that's it. OR you die and then open your eyes again right where your body still is but you're a ghost now. and once that happens, you just sort of hang out. and then, at any point, there's a warm glowing light and you get a second of recognition and then whoosh upwards and gone.
but yeah, the ghosts have a lot of different attitudes towards moving on and big episodes touch on it that I can think of are happy death day, the thomas thorne affair, speak as ye choose, gone gone, and especially carpe diem. I don't want to spoil anything specific in case you watch the show, but moving on is actually a huge point of interest for them.
I also wrote about the sadness inherent to the in-universe rules of moving on here, which I thought was a good post but it got derailed by people making jokes about yknow. the fact that they call it "getting sucked off" which. fair play.
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Then, too, at sea—to use a homely but expressive phrase—you miss a man so much. A dozen men are shut up together in a little bark, upon the wide, wide sea, and for months and months see no forms and hear no voices but their own, and one is taken suddenly from among them, and they miss him at every turn. It is like losing a limb. There are no new faces or new scenes to fill up the gap. There is always an empty berth in the forecastle, and one man wanting when the small night watch is mustered. There is one less to take up the wheel, and one less to lay out with you upon the yard. You miss his form, and the sound of his voice, for habit had made them almost necessary to you, and each of your senses feels the loss.
—a sailor's diary entry, on losing a shipmate, ca. 1834 (from Two Years Before the Mast by Richard Henry Dana Jr.)
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Gotham has always been weird, so when the groundskeeper at the cemetery noticed the Wayne kid’s plot was disturbed, he just chalked it up to more of the same ol’. Alright, so ‘disturbed’ may be a tad too light of a word, but what’s an empty grave in the grand scheme of Gotham? God knows in a city like this one, they could use all the burial room they could get. He figured he’d just jot it down on the website and hope nobody noticed for a while.
Too bad he didn’t account for the 13 year old boy in Bristol who periodically checks the cemetery’s website when he’s feeling particularly lonely.
Plot Removed.
Tim Drake stared at the two words under the heading for Jason Todd’s plot number. Removed? What do they mean ‘removed’? They can’t just remove a plot? That’s a person down there! That’s Robin down there! You can’t Remove Robin!
Calm down. Deep breaths. Assess the situation.
Robin has been dead for 5 months and 14 days. There is no reason for a grave to be removed that early, especially one of a member of such an affluential family. Chances are likely it’s a simple clerical issue. He can call first thing in the morning and make them aware of the mistake. He can have it all fixed in 5 hours.
Just a phone call.
In 5 hours.
…
Tim hates talking on the phone almost as much as he hates waiting.
Well it won’t be the first time he’s snuck out to head to Gotham proper at 1am. It can’t even really be considered sneaking out if there’s no one home to catch you.
Buses stop running at 2, so he layers a couple sweaters under his coat and grabs his best running sneakers so he can comfortably make the trek back.
Just a quick trip to settle his nerves. Maybe get a few shots in if he spots Batman, but really he just wants to see with his own two eyes that things are okay and Jason can rest.
It’s 1:37 by the time he gets to the headstone reading ‘Here Lies Jason Todd’ and the gaping, muddy pit in front of it.
This- This doesn’t make any sense. This is not removal. This is destruction. Desecration. Somebody did this. Somebody-
Assess the situation.
A hole in the ground, approximately 1.5 feet in diameter.
Mud and grass flung outward but with little force.
Large chunks of earth turned over and shoved away.
No signs of tool marks or clean lines of entry into the dirt.
Dragging claw marks.
Staggering, shuffled pairs of foot prints in the mud.
A trail of dirt.
Something… Something large clawed its way out of the ground here. Something large and bipedal and- and humanoid.
Tim refuses to jump to any conclusions he can see all the facts laid in front of him. He’s going to cautiously follow the trail and simply hope to any god listening that he isn’t the world’s first line of defense against the zombie apocalypse.
He’s been walking for 23 minutes and there’s good news and undecided news. Good news: he’s closing in on the target and the trail isn’t taking him out of the way so his trip home won’t be prolonged. Undecided news: The potential Zombie Robin is heading directly for Wayne Manor.
As zombie apocalypse news, this is very bad. From Tim’s collected observational evidence, his not-so-professional opinion is that Batman, faced with a horror movie level zombie of his dead son, would not respond well, and would likely not fight back.
In Batman and Robin news? Tim’s unsure. If Jason is simply back? What could that mean for them? Batman can have his Robin. He wouldn’t have to continue nearly killing others and himself every night in his grief. Jason could-
No. Stop. Do not jump to conclusions.
Hope only brings heartbreak.
What would Batman do? Get close and see if the target is a threat.
Target is male. Mid-teens. Dark hair. Pale skin. Leaning against surfaces as he walks. Appears injured and disoriented.
Minimal risk assessed. Approaching and attempting contact.
Target identity confirmed: Jason Todd.
“J-Jason?” It comes out as a croaked whisper. Jason shows no sign of acknowledgment.
Tim clears his throat, steps right in front of his path, and tries again.
“Jason. Jason, stop I want to help you.” Still nothing.
“Please, Jason. I can help, I promise I can help!”
Why isn’t this working?! Why can’t he just do something right for once?! He wants this to work, he wants to help Bruce, he wants to fix Batman, he wants to not be alone, he wants-
“Robin!”
Robin jerks to a stop.
Tim reached out his hand.
“Robin. Robin please, I’m sorry you’re going through this, it’s really scary, I’m really scared. But I just want to help you. Help you find Batman. Help you get home.”
Jason just stares at him. Of course he does. Of course it’s not going to work. Why did he even bother hoping he could help?
Hope only brings heartbreak.
His sight blurs as his eyes fill with tears and he starts to lower his outstretched hand.
His arm is slowed as a cold hand weakly grasps his own.
“Don’t… scared… Bat… help… Dad… help.”
A relieved sob tears out from Tim’s chest and he gathers himself together. He yanks his extra sweater off and gently pulls it over Jason’s cold shoulders. Jason lets Tim drag his arm over his shoulders to try and carry some of his weight.
“Okay, Robin. Yeah. Your dad will help us.”
Batman will solve everything once Tim gets Robin home.
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Jazz takes care of a de-aged Danny, and they lay low in Gotham. But just because Danny’s body is younger doesn’t mean his powers have lessened. In fact, they’ve only grown harder to control. Having the energy of a child makes containing his powers harder (just like when he first got them) until they realize that Danny’s powers are much easier to control when he can get rid of some of his excess energy. Jazz hears about a free gym open to all that is also meta-proof (more durable) from a wonderful woman at the library. (Lookin at you Babs)
The gym has a gigantic kids play area, along with classes for all ages and a training area complete with an American Gladiator style obstacle course for adults. Jazz will use the obstacle course sometimes when her boss has fully ticked her off. Stephanie and Cass volunteer there whenever they can. Jason always sends the alley kids there too because it’s close by and a safe place. Dick leads a class there whenever he can.
Dick actually holds the record for the obstacle course. Until Jazz gives it a go after a particularly trying day. She doesn’t realize there’s a record. She never would have used the course if she’d known. Training with Pandora and Fright Knight gave her plenty of advantages with how she can use her liminality and she definitely doesn’t need to stand out.
But again, she doesn’t know there’s a record. Or that someone saw her going repeatedly through the course (Stephanie) and decided to time her on her next go. (She doesn’t film without permission because she’s respectful of boundaries like that) She does post Jazz’s time in the Batfam group chat to take Dick down a couple notches though.
Or someone else (not Batfam, just a random citizen) takes a video of her doing the course and posts it on the internet and now they (Jazz and Danny) have to stay one step ahead of Vlad, the Batfam, their parents, and avoid the GIW. How hard can it be?
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