DpxDc AU: Justice League requires all of its youngest members to list at least one adult emergency contact in case something happens out in the field- And Lancer did tell Danny to put his number down if he needed help!
Lancer wanted to call CPS, wanted to call them for years, but something was wrong with his beloved town and the government agents that came were always… ill mannered. To say the least. So with the young Mr.Fenton appearing wounded in his class on multiple occasions, sleeping through lectures even more often, Lancer felt himself gradually accept that no other adult was going to step up to protect this child.
He figures out his Identity as Phantom and it makes his rage boil hotter than Dante’s sixth layer of hell. Danny refuses to abandon his parents (who continue to hunt him unknowingly), and he refuses to let any of his ghostly responsibilities fall wayside (this CW fellow is a real piece of work!).
But for all the things he expected when he told Danny that he could be trusted and could help- Ms. Manson and Mr.Foley coming to him for help, patching wounds, offering snacks and covering for Danny when attacks occurred in class- he hadn’t expected the Justice League to be knocking on his door.
Lancer blinked at the appearance of Batman in his classroom after the final bell, but then his stomach dropped.
TELLTALE HEART THATS THE BATMAN!!
“Phantom listed you as his emergency contact. Have you had any recent communication with him?” The deep, gravel voice startled Lancer.
Lancer checks his phone, Danny had skipped class today; and while Lancer was working with Danny to get him after school lessons and tutoring for all of the hours he missed, it was uncommon for him not to respond at Lancer’s text asking for a confirmation of his safety.
“Not in 24 hours, but I can message him again.” Lancer is shaking as he types on his phone to team phantom-Who wouldn’t be nervous at both the implications of Danny’s safety and the Batman??
Superman flies into the room from the open doorway, “No luck, without a heartbeat I can’t find him. Where ever they have him it’s lead lined or he’s keeping himself invisible.”
SCARLET LETTER ITS SUPERMAN!?!
Danny doesn’t reply to Lancer, and neither do Danny’s friends.
“He has two team members with whom he is inseparable, if none of them are responding then all three have been accosted. I’m coming with you until we find them.” Lancer declares and while he’s sure that Batman is unimpressed, Superman gives him a sad smile and nods.
Thus Lancer joins the Justice League for a day, Helps to save Team Phantom and Informs the takedown of an illegal government agency.
Batman also slides him some adoption papers and a card for a lawyer if Lancer decides to formally adopt Danny. Lancer also wins a Wayne Excellence Award for Teaching that year but he’s pretty sure the money is unrelated to Danny’s alter ego- after all, Lancer is a fantastic teacher.
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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ps!ghost is very interested, to put it mildly. can't seem to stop re-watching your debut video that was released a week ago. it's always the same premise. black leather couch casting. nice little bird in a modest dress or shirt and jeans who gets undressed because the "director" has to take in measurements and the like, only to end up getting railed from the back with their pretty face pressed into the cushion.
it's a thing male viewers like. they love to watch a professional break in the new girl. he, though, not so much. he doesn't go for the new girls. doesn't like to be the one to test the limit like others do. (big cock anal on their debut? ghost finds it a bit much.) he hears one tiny gasped ouch and he's not finishing the shoot.
no, what gets him going is the enjoyment one can get during sex. it's why he ended up in this business in the first place. he likes sex. a lot.
likes to have men, women, young and old alike writhing beneath him gasping his (stage) name due to the pleasure and not because a script said to. and the benefits of working in the porn industry means that he gets paid doing what he likes, and can stay safe while doing so.
this is where you come in. the only reason he'd sat down to watch your video at all is because you'd been given a contract by the same company he is under. he's bound to come across you at a later date, might as well learn what he'll be eventually working with.
and he's hooked. whatever initial nervousness you might've had at the very beginning (because this is your very first professional shoot, of course) bleeds from your shoulders once price, the lucky bloke, gets his hands on you. you're a bloody natural.
and you enjoy it. there's no faking the way your nails bite into price's scalp when he licks at your pussy through your thin knickers. you gently wrap your hand around his fingers that's rolling your hardened nipple, giving it a gentle squeeze. he's doing it too rough. you buck your hips into his face, riding it even though you're the one on your back.
ps!ghost has to swallow the mouthful of saliva when he notices strings of creamy white sticking to price's body hair, a frothy ring around the root. the best part of all of this, is that you're giving as good as you take. you're no passive participant. you could, under price's big bulk, just get folded in half and do nothing other than feel the sweet burn of his cock stretch you, turn you inside out.
but you don't. you know exactly what you like and how you like it. you look for your orgasm, make sure it happens under your manicured fingers or price's thick ones. you don't let him be too rough on you nor too gentle.
simon loves it. you're new to this. you could've just accepted what he gave you without so much as a peep of complaint and gone home to soak in an epsom salt bath. but you didn't. you didn't let him pinch your sensitive clit, didn't let him mindlessly claim a fistful of hair.
but you did open your pretty mouth so he could spit in it (fucking lovely, it was) and let him keep your soft hips in the air as john's pace turned frantic and the best of all (in his very biased opinion) you crossed your ankles around his waist to keep him there as he fucked you full of his come.
(had simon been there, he would've begged for a taste if he had to.)
he feels a bit desperate, after. can't get you out of his head. the thought of your slick pussy hot around his cock is what gets him to finish at times. the other times, it's your video. he swears he's found his equal (sorry, soap) one that'll forget that he's supposed to be putting on a show for the viewers.
sorry price, he's about to unfuck him out of your pussy until all it'll ever remember is simon.
(what he doesn't understand is that he's about to forget more than the viewers. why is price watching yall again? it's almost intimate the way you let him fuck you on a creaky mattress. he's drunk on the smell of you, your hair, your cunt. lost all thought when his fat cock slid with relative ease into your wet heat and all he'd done was let you make yourself come on his fingers and tongue as many times as you'd pleased. you'd latched onto his neck, maybe out of habit or whatever, it doesn't matter. he'll be telling the makeup artists to leave the bites you left. he earned every single one. and where he usually pulls out because it's easier to clean up for everyone? you'll not be wasting a single drop. it appears he has a lot bit of a breeding kink.)
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