#character a asks character b to explain something

[kyouka-supremacy]

What's p/p?

Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.

I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.

The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.

Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.

The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.

I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.

And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.

Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.

Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.

About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).

What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!

(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)

Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.

Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.

[yellowocaballero]

ZAZIE/WOLFWOOD?!

AHHAHAHAHAHAHAHA YEAH.

It would have been dishonest to be too explicit about it so I just had to write them flirting and desperately hope that it would come through. If it didn't for somebody I don't blame them. Wolfwood doesn't show how he feels with words. He mostly just observes. Sometimes very aggressively.

I can't believe I'm saying this, but Zazie/WW had to happen. I struggled a shitton with the epilogue (this is a theme with this story), and I debated with myself a lot over if it was truly necessary. Eventually I had to decide that it was. This was partly because of Zazie - I felt as if they were a big loose end that I needed to explain ("What was up with what they did in the hidden city? How come they wanted WW to join the Gung Ho Guns? Where did Wolfwood get that gun? Were they helping Vash or Knives or what?"), and I didn't want to let Vash's story end on nothing more than a desperate desire. And I needed to prove the point that this was Wolfwood's story.

The gigantic barrier in the epilogue that sent it skidding to a halt was the fact that, basically, if Wolfwood saw Vash being ""besties"" with another twelve year old he would kill him or die trying. And there is no way he would ever, ever buy the amnesia story. Ever. So he had to get the amnesia story from a source that a) knew and knew for certain, b) had a reason for telling Wolfwood this, and c) that he trusted (kinda). Only Zazie made sense. So I had to figure out why Zazie would do that. Lots of reasons, for thematic and symbolic and foil reasons, but Zazie helps WW a lot, and why does WW trust him anyway, and...WELP. Romance: helpful for explaining irrationality.

The implication for me personally is that an essential trait of WW that persists across dimensions is that he's into aliens. Which. Sure. Why not.

The epilogue felt bizarre to write and read for a lot of reasons. Through Wolfwood's eyes, it's truly a different story. I don't think Knives understood how deeply Vash fucked Wolfwood up. Knives doesn't really see the consequences of his actions and his true impact. Good and bad. In many ways Knives was Wolfwood's Rem. That feels like...the final thing to me. A big thread through the story was "What is the impact of your actions?", because Knives and Vash had done things that had catastrophic impact that determined the future of humanity and Choices Have Consequences, but Knives lives based on creating the best impact and Vash lives based on following the best intentions without truly understanding the horrible impact (which is a big thing in Trigun itself). Wolfwood was the best way to show those impacts. And Knives leaving the impact of Rem on Wolfwood changed his life. It created a good person. Out of everybody, you know, Wolfwood deserved the chance to be a good person. I'm glad that the story worked out so he could have that. And date a bug person. Why not.

[ihavetoomuchhomeworkforthis]

so today my mom decided to take us on a hike, and my brother and I were walking much farther ahead talking about whatever, and I learned something which I continue to be shocked at and now must tell you.

He was walking slightly farther ahead of me, and I thought I heard him say "Stolas." He did say Stolas. He was talking about the character from Helluva Boss. He has watched every episode of Helluva Boss at least once. He has also seen the entire pilot of Hazbin Hotel.

This child is NOT EVEN A MIDDLE SCHOOLER YET.

[hyaesia]

hey cat! whats the best way to get into the big finish dw stuff?

omg hey lavii!!! as u've probably seen big finish is Incredibly vast 😥 so honestly i'd say the best place to start is your favorite doctor/other character!! they have sooo many spinoffs chances are there's at least something featuring whoever you want, and it's a great way to see if the audio format works for u! most big finish stuff is standalone at any rate

in terms of the stuff most ppl talk about, i'd reccomend this guide !! eight's audios are a really good starting point for anyone i'd say, and then you can branch out from there if there's any characters or sideplots that intrigue u !!

[padfootastic]

Hello,

Please feel free to ignore this ask because it may contain sensitive topic to some people. What's your opinion about trans James ? In most fanon works , both art and fics, it is Sirius who usually is headcanoned as one. I have not seen many works with trans James or him being gender fluid , etc . Do you think it is because the way his character is described in the books , which in all honesty is not much or is it because Sirius had been described as really handsome? It doesn't do anything with handsomeness, I know , but the fandom works strangely like that 🙊

well, hello there, friend! so sorry for getting to this so late.

so, my opinion on this is really just my usual for identity hcs--i personally dont care much for them. that's not to say they're bad (i've seen some beautifully done stuff) just that it hits too close to reality for my escapist ass.

i see where you're coming from with the sirius comparison, tho! i think partly it's also because sirius is just...more popular? james is a pretty niche character, i'd say, even within mwpp compared to the others, so just by virtue of numbers, trans james doesnt get so much attention.

(there's a part of me that also thinks its also bc so much of the queerness in fanfiction comes from. wanting representation rather than caring about writing a queer character. and that means there's no deeper engagement than outward aesthetics. which means no real transgression is taking place. so u have repackaged cishetero norms circulating. but what do i know about that)

[reachartwork]

how to write fight scenes

many people have told me that Chum has good fight scenes. a small subset of those people have asked me on advice for how to write fight scenes. i am busy procrastinating, so i have distilled my general ethos on fight scenes into four important points. followed by a homework assignment.

Fight scenes take place on two axii - the physical and the intellectual. For the most interesting fight scenes, neither character should have a full inventory of the other's abilities, equipment, fighting style, etc. This gives you an opportunity to pull out surprises, but, more importantly, turns each fight into a jockeying of minds, as all characters involved have to puzzle out what's going on in real time. This is especially pertinent for settings with power systems. It feels more earned if the characters are trying to deduce the limitations and reach of the opponent's power rather than the opponent simply explaining it to them (like in Bleach. Don't do that). 1a. Have characters be incorrect in their assumptions sometimes, leading to them making mistakes that require them to correct their internal models of an opponent under extreme pressure. 1b. If you really have to have a character explain their powers to someone there should be a damn good reason for it. The best reason is "they are lying". The second best reason is "their power requires it for some reason".

Make sure your blows actually have weight. When characters are wailing at each other for paragraphs and paragraphs and nothing happens, it feels like watching rock 'em sock 'em robots. They beat each other up, and then the fight ends with a decisive blow. Not interesting! Each character has goals that will influence what their victory condition is, and each character has a physical body that takes damage over the course of a fight. If someone is punched in the gut and coughs up blood, that's an injury! It should have an impact on them not just for the fight but long term. Fights that go longer than "fist meets head, head meets floor" typically have a 'break-down' - each character getting sloppier and weaker as they bruise, batter, and break their opponent, until victory is achieved with the last person standing. this keeps things tense and interesting.

I like to actually plan out my fight scenes beat for beat and blow for blow, including a: the thought process of each character leading to that attempted action, b: what they are trying to do, and c: how it succeeds or fails. In fights with more than two people, I like to use graph paper (or an Excel spreadsheet with the rows turned into squares) to keep track of positions and facings over time.

Don't be afraid to give your characters limitations, because that means they can be discovered by the other character and preyed upon, which produces interesting ebbs and flows in the fight. A gunslinger is considerably less useful in a melee with their gun disarmed. A swordsman might not know how to box if their sword is destroyed. If they have powers, consider what they have to do to make them activate, if it exhausts them to use, how they can be turned off, if at all. Consider the practical applications. Example: In Chum, there are many individuals with pyrokinetic superpowers, and none of them have "think something on fire" superpowers. Small-time filler villain Aaron McKinley can ignite anything he's looking at, and suddenly the fight scenes begin constructing themselves, as Aaron's eyes and the direction of his gaze become an incredibly relevant factor.

if you have reached this far in this essay I am giving you homework. Go watch the hallway fight in Oldboy and then novelize it. Then, watch it again every week for the rest of your life, and you will become good at writing fight scenes.

as with all pieces of advice these are not hard and fast rules (except watching the oldboy hallway fight repeatedly) but general guidelines to be considered and then broken when it would produce an interesting outcome to do so.

okay have a good day. and go read chum.

[lynnuvo]

୨⎯ Long Gone Princess ⎯୧

Characters: Yan!Thief x (Y/N) reincarnated as Rapunzel A lot of you guys enjoyed the Cinderella version, so why not make a Rapunzel version? Very much considering making this a Yan!Fairytales Series.

Stowed Away

When you first awoke in your tower, you panicked for days. There was literally no way out, no matter how much you clawed at the bricks. It didn't take long to figure out where exactly you were. Who else would paint a mural of herself, seriously long-haired, gazing at floating lanterns?

Meeting Mother Gothel was the most anxiety-inducing thing you had to push through. You pitied the real Rapunzel for falling victim to her sugar-coated, poisonous words. As much as you internally cringed at them, it wouldn't serve you well to raise suspicion. After all, you have nowhere to go.

Whenever Mother Gothel was gone and you finished tidying up the tower, you emptied one of your chests full of female paraphernalia and stuffed some "safety equipment inside." Hopefully, Mother Gothel wouldn't notice a missing pair of scissors. Or a few darts.

Your now abnormally long hair was disturbing, to say the least. It was pretty, but now that you were living her life, you wandered how Rapunzel managed to put up with the hair strands scattered around the house, washing the heap of keratin proteins for hours in just ONE day, and sleep knowing there was at least some hair flowing to the floor. And let's be real: you were not going to spend most of your day braiding it just to remove your work whenever Mother Gothel came back.

Unfortunately, you couldn't afford to cut your hair--not just because it'd give Mother Gothel a heart attack but because it might help you. It did have magical healing powers. The only huge problem was that you were not skilled enough to maneuver your hair like Rapunzel. In addition, if you were to leave the tower, how would you return? Until you found the secret entrance amongst all the brick, you needed a backup plan.

One day, you gathered the courage to ask Mother Gothel for more fabric to sew a beautiful wedding dress, one that was colorful and very long. Of course, you left out the part where you wanted it to be long enough to reach the bottom of the tower (it'd be a lot of work, but what else were you going to do to escape?). She was skeptical about the idea behind the dress, but you reassured her that you just wanted something like those girls in the fairytale books you had in your room. After her lecture about the dangers of the world, she agreed to get you fabric.

My Savior

One morning, while you sowed your dress, you heard the sound of metal jabbing into something growing closer and closer. In a panic, you shut off your sewing machine and tied up as much as your hair as possible. There was no way you could capture Rapunzel's beloved thief the way she did. You vaguely prepared for what to do when he arrived, but you hadn't expected it to be that day!

At last, he fell into the tower and froze at the sight of you. He glanced behind him and turned back around, stepping away from the window with hands up. "Uh. I am so sorry for breaking into your home."

You pointed one of your scissors (used to cut fabric earlier) at him with a glare. "I'll forgive you if you hand me that bag you have."

"Listen, miss, I think we can sort this out without--"

"The bag or I'll throw you back down."

He gulped and reluctantly threw you the bag, begging you to please return it to him afterwards. The shock he had at your nonchalant expression while pulling out the most sparkly crown you've ever seen was laughable. In reality though, you were in awe. You quickly snapped out of it, though, and threw it behind you. You both cringed at the clanging it made as it hit the floor.

"I need you to listen to me," you started, gripping your scissors and your dress. "I need your help."

You didn't hesitate to cut to the chase. You explained that you were kidnapped by a woman claiming to be your mother and trapped in the tower by her. Although it may backfire on you later, you shared that you were reincarnated from another world. He was in disbelief until you told him his full name, his criminal history, the companions he had who would soon betray him, and the small cottage he visited along with many more criminals or outlaws. He challenged that you just did your research, but then you told him what crime he had just committed: stealing the missing princess's crown, which was--by the way--you.

After some back and forth, he agreed to help on the condition that you return the crown. You agreed to return it on the condition that he not only help you escape but also help you live in safety.

Together, you both clawed at the bricks on the wall until the secret backdoor was found. He helped you come up with a way to hide the new backdoor again whenever Mother Gothel returned.

You found a pattern in the earlier months leading up to then on Mother Gothel's pattern of visitation. She comes back every three or four days in early evening. If she didn't return by the time the sun disappeared, she wouldn't be back at all. That day was one of those days she wasn't going back. You suspected she wouldn't return for a while since she had just left the day before. Although hesitant at the idea of a new roommate, you demanded that Yan!Thief spend the night in the same room as you. He balked at what he thought was an implication, but he soon found himself sleeping on the floor (you dropped a blanket for him). How were you sure he wouldn't use the secret backdoor while you slept? You boobietrapped it before bed, making sure he stayed in the room so he wouldn't see under the threat of murder.

Steal His Heart

Your new routine was a scary turn but also surprisingly relieving. Yan!Thief would leave the tower in search of a new home for you (and him too) and would return in the afternoon only if a piece of purple fabric hung outside the window. Otherwise, it wasn't safe to come back.

Although your relationship started off rocky (who's to blame him with how violently you approached him?), you two soon warmed up to each other. He sometimes returned with small goods that you sometimes got a clear answer for how he retrieved. That chocolate he got for you both to try? He pickpocketed it. That ripe fruit that tasted like mildew spring? He dodged all of the questions.

Eventually, you gathered the courage to leave the tower with him. Your activities differed from there. Sometimes, you both ventured a little ways from the tower to discover the terrain and help find a new home. Sometimes, you both would spend the day walking around, learning more about each other and chatting away.

With no other companion, it came as no surprise to Yan!Thief that he developed romantic feelings for you. You didn't want to admit that you did too. At least, not until you both were in a safe place.

At last, Yan!Thief found an abandoned shelter. It was rusty, but it was closer to the kingdom than the tower but sheltered away like the tower. With a pounding heart, you gathered as much as you could from your tower into a backpack that Yan!Thief had brought over and left forever. In the shelter, you cut your hair, rendering it free from its power. Yan!Thief initially didn't want it to happen due to your great abilities, but one look at your determined face told him that you knew better.

The next couple weeks was spent in paranoia, you in fear of Mother Gothel and him in fear of guards. Luckily, you two went as far as making it into the kingdom without getting caught.

One day, you brought up the idea of revealing your identity to the king and queen while fidgeting with your crown. You reassured Yan!Thief that you'd vouch for his safety and freedom for as much as possible. It took a while for him to warm up to that, but you two finally made your way towards the castle.

Everything went surprisingly as planned. The kingdom rejoiced at the return of their princess, Yan!Thief was spared of a prison sentence and was even given a home and job as a prize for bringing you back, and the dead, rotten body of Mother Gothel was found not far from the shelter you and Yan!Thief had found.

Life was a fairytale.

MY Princess

Until it wasn't.

See, although you and Yan!Thief seemed to start opening a romantic chapter, that soon closed. With your newfound title came new responsibilities, friends, and much to his worries, a possible new love interest.

He tried his best to remain just a friend to you, but it was unbelievably hard. He couldn't believe that you were slowly forgetting him, your savior! Why must you abandon your knight in shining armor?!

He did feel guilty for not appreciating his new life more. Any other criminal would probably fight tooth and nail to be in his position, but he just wasn't happy if you weren't there with him.

Once his selfishness began to boil over, he devised a plan he wasn't sure if he was going to regret. He paid a visit to your room in the castle (you had given your dear best friend special permission) and chatted with you a bit. You apologized for being so distant as of late; royal duties had been keeping you at bay. He accepted your apology more readily than he had expected. It was hard not to with your bright smile and the cute way you pushed your hair behind your ears. He asked if you had time to visit the old tower for memories sake, and you happily agreed. The kingdom had yet to find the tower (you insisted to him that you wanted it kept secret in case you needed to run away again), so you simply told your guards you were heading out for a stroll.

Once at the tower, you two ventured inside and reveled at how dramatic your lives had changed. You even reminisced your life before being reincarnated. As the sun fell, you got up and suggested that you both should head back before it gets dark.

"Yan!Thief?" You peered at his gloomy expression. "Is everything okay?"

He nodded. got up, and hugged you. You let out a gasp before embracing him back. When he left go, you caught a tear slipped down his cheek. Your hands shot up to cup his face. "Yan!Thief?! What's wrong? I'm here. Did something happen?"

He sniffled and brushed a hand over your cheek. "I'm so sorry."

You were about to demand an explanation until you caught a glimmer shine from a blade in his other hand.

When you woke, you found your ankle chained to your bed--not your bed in the beautiful castle you were meant to be in but in the tower you had escaped from a year ago.

Yan!Thief came in the room and apologized with tears streaming down his face, exclaiming that you were just too irresistible to give to any other man or even the kingdom. He promised to take care of everything.

No matter how much you screamed, threw items in a fit of rage, or revealed that you only had romantic feelings for him all this time, he wouldn't budge. It was only until he bought a longer chain that he freed you from the bed. Your heart broke when you discovered he had discarded the wedding dress you had worked hard on and abandoned in the tower long ago, and even more so when you saw that he had built a new door in front of the original secret entrance.

You were back to square one, only this time with no way out and betrayed by the one person you truly trusted in this universe.

[xoxozoro]

you're... me?

synopsis: the monster trio meet their older selves... but with a little spice

characters: luffy, zoro, sanji

genre: fluff, a little bit of cracks

warnings: a bit suggestive in sanji's part (bc you know... he's kind of a pervert)

masterlist. part two (coming soon)

luffy :

"Huh?" the black haired pirate frowned in confusion when he opened his eyes, "Where am I?"

The Straw Hat pirates were looking down at their older captain who laid on the bed inside Chopper's office. The younger Luffy looked at his older self with a frown, inching his face closer to his older self, "You... you look familiar..."

Without a doubt, he was an older Luffy. But the real question was more... how the hell did he ended up here?

The older Luffy adverted his eyes away from his younger self, his eyes widening at the sight. It was his crew standing in front of him, but somehow they all looked younger...

"What happened- did we beat that guy?!" He straightened up suddenly, catching the pirates off guard, "Tell me, Zoro- Did I beat him?"

The older captain looked at the swordsman with big eyes, making the green haired look at his crewmates in confusion, "Well... since you're here right now... I'd say no- you didn't beat the guy"

"Wha..." Old Luffy frowned, but visibly softened when he made eye contact with a familiar pair of eyes. He straightened his arms wrapping them around your body, making you send a look to your favorite navigator, "(Y/n)!"

He threw himself on your body, almost knocking your over in the process. Older Luffy wrapped his legs around your waist clinging into you like a Koala, "(Y/n), you tell me... did I beat the guy?"

Your older captain hid his face in the crock of your neck, causing your present captain to glare at his older self, "I'm not sure, Luffy, but-"

"Luffy...?" The older captain pulled away from your neck looking at you with teary eyes, "Are you mad at me?"

The Straw Hat pirates looked at their older captain... was he really crying?

"W-What?! Of course not!" You softly replied trying to calm him down as he sat on the ground, "Why do you think that?"

"B-Because you never call me Luffy!" The older captain whined- and to think that your captain would've matured over the years...

"What do I call you normally then?" You asked, fumbling backwards when Luffy wrapped his arms around your waist once more.

"You don't remember...?" Luffy quietly spoke, "You always call me love... or darling."

You blinked repeatedly in surprise. Do you really call your captain 'love' in the future?

Sanji almost fell on the ground at the revelation, putting two and two together. Zoro smirked slightly when he finally understood, he sent a knowing look at his present time captain as he asked, "And how do you call her, Luffy?"

"Hah?" The older Luffy frowned at the swordsman, "What do you mean, Zoro? I call her "(Y/n)" obviously! That's her name after all!"

Robin slyly smirked at the two, "And... what did you say your relationship with (Y/n) was?"

"She's my girlfriend!" Older Luffy stated proudly, "But you know that... you're the one who told me to confess-"

With a quick punch, the older Luffy got thrown away from you landing on his face as he hit the ground. The present time Luffy slowly walk in front of you, tightly clenching his fists, "Who the hell do you think you are?!"

The older Luffy jumped up, titling his head to the side, "I'm Luffy! The King of the-"

"I am Luffy!" Young Luffy pointed at his older self, "Clearly you are just a weird me- So you can't just hug her like that! We don't even know you!"

"Don't know me?!" Old Luffy walked so that he was now face to face to his young self, "She's my girlfriend you idiot- so back the hell up-"

"Luffy..." Usopp spoke up, placing a hand on his young captain's shoulder, "Let me explain something to you."

After what seemed like an eternity, young Luffy finally understood the situation. Much to his older self dismay- "Let go of her!- Hey don't touch me!-

The older Luffy was being held back by Zoro and Franky as he disparately tried to get his younger self off you.

"No." Young Luffy cockily smiled at him, his body pressed unto you with his face pressed against your chest, "She's my (Y/n)- so go find yours!"

zoro :

"Hah? You two aren't dating yet? Shit my bad."

The older green haired swordsman fakely apologized to his younger self and the pretty girl beside him.

You snapped your head to look a the present Zoro, your face turning into one of disgust.

"Dating?!" The flirty cook was glaring at the older swordsman from afar, not believing that the two of them could possibly bee dating in the futur, "And you expect us to believe that Marimo?!"

It was no secret for anyone, you and Zoro hated each other's guts. So the idea of the two of them dating was kind of hard to believe.

"Eh?" The older Zoro glared at the younger cook, "I don't care if you believe me or not! You, come with me." The older swordsman then grabbed the collar of his younger self, ignoring his complains as he pulled to a more isolated place of the Sunny away from the loud crew.

"The hell you want, old man-?" The young Zoro asked as they came to a stop.

The older swordsman took a deep breath, gripping harder on his younger self collar, "I want you to listen carefully to what I'm about to say, kid."

"Kid-?!"

"If you mess up what I have with (Y/n) now, I swear on her life that I will find a way to hurt you and make you regret it, are we clear?"

The two swordsman stared are each other, before the younger one broke their eye contact, "How did you... you know?"

The older one laughed loudly when his younger self looked away from him with the red on the tip of his ears, "How did I get with her you mean?"

"You know what- if you're here to laugh I can just-"

"Woah there kid- It was just a joked!" The older Zoro sighed happily, turning his gaze to look at the quiet sea, "I bought her a necklace."

"A necklace." The younger Zoro deadpan at his words, what type of cliché thing was that?!

"I asked Robin to tell me what my birthstone was... and well I bought her a necklace with a green topaz and she never took it ever since..."

The younger Zoro nodded at himself as if doing he was taking notes mentally. The older swordsman sighted once more, "Just don't be scared to show her how you feel- She's kinda oblivious so you're gonna have to tell her that you love her, though"

"Heh?! Who said that I loved her, old man?!"

"You're my mini me, idiot! Obviously I know how you feel!"

sanji :

"Is she- Is she as beautiful as we imagined?"

"Oh~ She's 10 times better then we imagined"

You stood beside Nami with a disgust expression on your face, "I think I'm gonna throw up."

"Pleaseeeee," The pretty ginger laughed, "As if you're not happy that you're dating the love of your life in the future."

"Nami. I told you that when I was drunk!" You hit her shoulder, "You can't use that against me!"

The young Sanji dropped on his knees in front of you, taking your hands in his, his usual charming smile plastering his face. "(Y/n)~ my sweet, beautiful angel please date me-" He got interrupted by his older self.

"You're doing it wrong." He pulled young Sanji off his knees, "Let me show you how to do it."

The older Sanji walked over you, taking your hand in his, while his other arm sneaked around your waist pulling you closer to him. Sanji's blue eyes flickered between your eyes and your mouth, "You have the most beautiful eyes I've ever seen, my love..." He then leaned closer to your lips so that yours and his were brushing against each other.

"You're just... so mesmerizing-"

"Alright!! I get it! Get off her!" The younger Sanji ripped you away from his older self, pulling you against his clothed chest. "You can go back to see your future (Y/n)- this one's mine."

"I was just teaching you the basics, Sanji! No need to get all protective- I get to touch my (Y/n) all the time and anywhere!" Older Sanji lit up the cigarette in his mouth, "But if you want a real tip, take her on a stargazing date, tell her how beautiful she is- because you really are, my angel- and how badly you love her- AND then touch her however you'd like!"

"Watch your mouth!" Nami yelled at the older Sanji. Her eyes then drifted to her two friends who refused to even laid an eye on each other, "huh?"

"Don't worry, love," The older cook reassured the pretty ginger, "I assure you that (Y/n) is more than happy to be with me..."

"Really...." The navigator trusted Sanji with her life- she just didn't trust him with a woman- especially not when the woman is her best friend.

"Yeah," The older man chuckled as he watch his younger self starting to talk to you with blood oozing out of his nose, "She even asked you to be her maid of honour last week- I mean... In three years or so, she'll ask you to be her maid of honour... So have some faith in me, yeah?"

"Her maid of honour...?" Nami looked over at you, your face redder than normal as the younger Sanji whispered sweet nothings in your ears.

"Angel?" the younger cook spoke in your ears as he placed a hand ion your cheek, "Would you like to go stargazing with me tonight?"

You laughed quietly at his words, "Is that a subtle way of asking the permission of touching m-"

"Of course not!" Sanji straightened himself, "You're so much more than a pretty body... Everything about you is just amazing-"

"Ah what a shame..." "Why's that, my love?"

"I would've given you the permission to touch me~"

"(Y/n)! You can't say stuff like that! He'll bleed out!" Chopper yelled as her tried to stop the bleeding from the cook's nose.

"I'll see you tonight, my sweet angel~" Sanji screamed with heart eyes, ignoring the fact that he was bleeding out.

"No you won't!"

note: i love that trio so much ♡

[meanbossart]

Odd question, but when you're shading your pictures, where do you put the "true" color of whatever it is you're drawing? The parts that are in light are brighter than the original color and a bit of a different color, too, based on the source. The shadows are darker than the original color and more based on the undertones of the object/hair/skin or whatever, so also not the original color. I've noticed you have a kind of gradient between the colors to make them harsh but still blend together, too. Where does the shade you're basing these off of come in?

Sorry if this doesn't make sense 🙏 I'm trying to study art styles I like to figure out how to improve my own drawings, and your page is a huge inspiration for me.

Hmmm If I understand correctly, you're asking me why you can't color pick the base tones as shown below from anywhere in the picture, right?

That's because A) I know these colors, roughly, by heart. So, Instead of picking them from the original drawing, I did what I always do and selected them manually. But also - and what I think is actually relevant for your question: B) A lot of processing takes place OVER these base colors! Let me get the spherical piece of Bhaal's sacred flesh to explain.

Here we have just the base color by Itself. Next, I add a light wash of the undertone to places like the face, ears, hands - basically anywhere the body has a tendency to become flushed. The intensity of this depends on the person and skintone, and in DU drow's case I tend to make it pretty prominent.

Next, I add the "overtone". I don't even know if that's the right term for it, but it's something that happens with very dark skintones because they tend to reflect more light. With my character, this color is almost always blue for stylistic reasons.

The base tone is still there, even though you probably couldn't easily color pick it anymore. It's doing it's quiet, thankless job: being a base!

As if that wasn't enough, out comes all the fancy stuff:

And I can get even sillier than this with more layers of shadows, multiple light sources, highlights, and so on. These colors here are just examples too - they can be pretty much anything in a similar level of brightness/contrast. All elements of the art that I want to render get this treatment or similar depending on their texture, not just the skin, so you can probably guess how they would get "lost" despite being used as a base.

Hopefully this clears things up!

[letteredlettered]

Went to a panel about slash fanfic at a con. Moderator said, "Welcome to the panel about erotica." The words "slash" and "erotica" were used interchangeably throughout. Panel was great.

There was a Q&A at the end so I raised my hand and said these terms seemed conflated. Moderator explained she'd run this panel for 10 years and it started out being about slash but drifted into erotica and she never changed the name. (She also said she was glad I brought it up and would keep it in mind for the future of the panel.) The guy on the panel who writes original m/f erotica said that slash and what he writes are basically the same thing. I said I had no complaints about the name of the panel or the panelists, I was just curious about what slash meant to them, and whether slash by necessity had to include sex scenes to be considered slash.

Two panelists answered that slash was romance between men but usually had sex. Eventually one of them did make clear that slash didn't have to have sex but that it was what they wanted to read. Another panelist said that to them slash really just meant dude romance but people wouldn't read their fic unless there was sex so they felt they had to put sex scenes in.

Person came up to me after the panel. Said they felt I didn't get my question answered. Then they explained that since the 70s, 'slash' has been used to mean m slash m romance, meaning explicit and sexual. Then they said it sounded like what I wanted to ask about was shipping. They explained to me that shipping is just wanting the characters to be together but slash meant sex. They explained that since the invention of AO3, people had begun to use the ampersand to mean the fic had two characters who were friends and that the slash was used to denote ships, but even though that punctuation just meant romance, the word "slash" in the last twenty years had become synonymous with explicit fic. I explained I had been in fandom longer than twenty years and this was not necessarily my experience. They said, "Bye!"

Though they seemed confused as to whether what they personally defined as slash had been mainstream since the 70s or since the last twenty years (the person was 24), they were well-meaning. The panel was great. I'd recommend it to anyone, though I'm not stating the name of the con here because I don't want anyone involved to feel this is really a critique of the panel itself. The moderator in particular was superb.

I think that this conversation just brought up a whole lot of feelings for me. I think it bothers me that people still think that all fanfic is smutty, that all slash requires porn, and that all fic must have porn in order to be read. I am familiar with this conflation and feel perfectly fine going to a panel that I think is about slash fic and finding out it's about erotic lit, some of which is fanfic. After all, I like both, and I recognize that fandom mushes these things together and teasing them out into separate strands isn't something everyone--or possibly even most fans--have any interest in. I recognize that I am pedantic to a degree that most people find uninteresting.

I have a little bit more of a problem with the idea that slash is "basically the same" as het, but this was said by only one of the panelists. If your panel is actually about straight up erotica and not slash, then the problem is just the name of the panel.

What I found the most frustrating, however, is that whenever I have this conversation, I feel like the default assumption most of my interlocutors begin AND end with is this: smut is why we're here. And I just don't understand that. Away Childish Things has 44,800 kudos, and it has no smut in it. My next most kudosed fic has almost 15,000 kudos and tons of smut. My next most kudosed fic has almost 14,000 kudos and it doesn't even have a kiss.

I'm not talking about kudos to show off how many I have, or because I think kudos make a point about quality of a fic. They have nothing to do with quality. But they do have to do with popularity, and the truth is, sex doesn't sell. It's something else. It's not good writing. It's not a great plot. It's not in-character characterization. IT'S SOMETHING ELSE. What is it?

I've had people say to me, "Well, you're lettered; it works differently for you." DOES IT??? Maybe they meant that because enough people know me as fic author, people will read my fic anyway, but let me tell you, it's always been this way for me, long before my fic was really popular. The ones with smut did not get more praise and attention. The ones that PEOPLE LIKED got more praise and attention. Do people like fic that has smut in it more than fic without smut? Some of the time! Does there have to be smut for people to like it? NO.

Have I had people tell me they didn't want to read something I wrote because it didn't have smut? YES. But the point I'm trying to make is, there are people who want to read fic that doesn't have smut in it. THEY are your audience for the fic you want to write that doesn't have smut in it. Fic does not have to have smut to be fic; it doesn't have to have smut to be read.

I think part of the reason I get so upset about it is that slash as we know it today didn't just emerge because some people weren't getting to read smut and they wanted to. It emerged because women and queer people and other marginalized communities were not getting to see what they wanted to in mainstream media. They weren't getting sex scenes, but they also weren't getting queer content, they weren't getting stories about sensitive men that defied patriarchal stereotypes of male toxicity; they weren't getting stories about disabled folks and people of color and folks who are into kink and folks who have different lifestyles. To reduce fanfic to porn is to remove the rich history of why it exists and who it exists for.

I asked earlier what makes a fic popular, and to me, it's exactly this. It's when you read a thing and you feel, "this is really satisfying to my id in a way that I am not getting from mainstream media." And sometimes what is satisfying to your id is very horny anal sex. Other times what is satisfying to your id is Bucky Barnes getting a blanket and facing his trauma. Sometimes it's Harry Potter being trans. Sometimes it's Naruto and Sasuke getting to just hold hands as the sun sets. I have no idea who those two people are but boy howdy do I know they just fucking need to hold hands.

But the other reason I get so upset about it is I'm so fucking tired of reading a great fic that devolves into mediocre mechanical porn that is there due to the collective brainwashing that states that this is the ONLY reason ALL of us are here.

Discuss.

[schattenhonig]

The A in LGBTQIA+ doesn't stand for aspec because they're not repressed!

(please read the disclaimer at the end of this post)

Ummm, excuse me? Would you mind telling me what your definition of repression is, then?

Because I feel repressed when a doctor asks me about my sex life, and if I say I have none, it gets marked down as a symptom without being asked if I suffer from it.

I feel repressed when my gyn tells me I can't get a hysterectomy yet despite losing so much blood on every period that I need to take iron supplements all the time, because I could change my mind about not wanting children (which is a whole other post, I know, but it's most likely linked to sex).

I feel repressed if I can't use dating apps or platforms because my sexuality doesn't even exist there, and the one time I tried, I got called names because I didn't want to meet for because it was clear where this date would go, despite my explicit "what I'm looking for".

I feel repressed when I think about how recently a paragraph was finally abolished in my country that considered sex a vital part of a marriage, basically entitling the spouses to having sex with their partner (both gender neutral, because entitling people to having sex with somebody else by law is wrong. It's basically a rape permission).

I feel repressed when I can't watch any film or show without it being about love and/or sex, no matter if it fits the narrative and furthers the plot.

I feel repressed when I plot my own stories and automatically put a romantic couple in there as main characters, even though I have no idea why this would be important for the plot. Not even my own stories, my own thoughts are mine.

I felt repressed when I was asked accusingly in a relationship if I wasn't missing something before I even knew asexuality as a spectrum was a thing, and having to lie about this being a side effect of my medication instead of genuinely not feeling attracted to someone in this way.

I feel repressed when I can't tell people I'm not sexually attracted to them because they will take this personally no matter how well I explain myself.

I feel repressed when everywhere I look there's advertising relying on naked skin, suggestive posing and objectification. Why are expensive cars still presented by women considered beautiful and tempting? It's not like that's necessary to convince people of spending so much money on a thing that gets you from A to B. Couches with women in smart dresses and high heels. That's not what a normal person looks like on a couch. But the worst is a truck in the town where I live: it's from a small fruit and vegetable stand, so whenever I see it, it comes from the warehouse, delivering groceries. On it is a woman clad in very little, presenting fruit. I'm sorry, but why? Does a misogynistic picture convince you of the necessity to avoid scurvy?

I feel repressed when I tell people and get the answer "you just haven't found the right person yet", because there are two possible assumptions from that point: I'm either not trying hard enough (so it's basically my own fault) or something about me is not right, appalling even (which circles back to I'm not trying hard enough or frames me as a victim of my genetics, upbringing or circumstances to be pitied).

Do not tell me how I feel. Do not try to tell me everything is fine and I shouldn't complain or ask for acknowledgement if everywhere I look, I'm reminded of how odd, how weird and how not normal I am. How much it inconveniences you to even acknowledge my existence, let alone respect any of my traits, views and choices.

And while I can only write from my own asexual point of view, I wrote this with all kinds of flavours of aspec in mind, so I'm explicitly including aromantics, aroace people and every shade of the spectrum in this. Not all my examples may apply to you, but I hope you can find something to relate to.

ETA: please feel free to add your own experiences of repression!

[pomefioredove]

movie night

summary: vil devotes his time to showing you all the movies you haven't seen yet type of post: short fic characters: vil schoenheit additional info: romantic, FLUFF, reader is yuu, reader is gender neutral, kinda short author's note: I so often think about how yuu is completely unfamiliar with pop culture in twisted wonderland. vil would lose his mind if he found out you hadn't seen a single movie yet. in my heart I know he's a little nerdy about it

It's to be expected.

Of course. Of course you haven't had the time or the means.

It's perfectly reasonable that you'd put your studies and social obligations before leisure time. He understands.

But hearing you so openly admit that you haven't seen a single movie since arriving in this world, let alone one of his, doesn't sit well with Vil Schoenheit.

As it turns out, the mythological being who doesn't spend their free time absorbed in media is real, and they're standing right in front of him with an apologetic smile.

Oh, you poor, poor thing.

Even after the conversation dies and you part ways on good terms, Vil can't shake this odd, itchy feeling.

He wonders what it must be like- not understanding anyone's references, being left out of conversations, still so dependent on a culture that doesn't even exist here.

Is there something wrong with the people you spend your time with? Surely at least one of them would take the time to show you the classics. Just one.

No wonder everyone regards you as naive and innocent. No one's taken the time to explain anything about this world to you. And he's sure that extends far beyond cinema...

"What is this?"

It's the first thing you ask when he opens the door to you. Ever curious, ever clueless.

"Is that a rhetorical question?" he says, looking thoroughly unamused with your naivete.

A projector. A white screen. And a tray full of luxury skincare essentials that he'll be sure to test on you while you're distracted.

"Seriously," you say. "What's going on? Your message was really vague."

He sighs. "Oh, goodness, just come inside,"

Vil sits you down on the edge of his bed and hands you a plush headband to push your hair out of your eyes. He's more than pleased at your lack of protests thus far, and continues to take advantage of your willingness while smearing a sweet-smelling face mask over your cheeks.

"It needs to set before we start,"

"Start what?"

Vil smirks, standing and drifting across the room to a large wardrobe- no, a cabinet. He opens it- no, a shelf. Packed full of DVDs, arranged by date and in pristine condition.

"Wow, Vil. I never took you for a nerd,"

His gaze sharpens. "Hardly. And try not to talk so much right now, you'll crack the mask,"

He hums merrily, delicate fingers dancing over the smooth plastic cases before stopping at a soft white one. "This'll do,"

You watch as Vil returns to your side, carefully inspects your face, and then walks back around to tinker with the projector. You, of course, wait patiently, hands folded neatly in your lap as the screen ahead of you comes to life.

He turns off the lights and sits beside you as a white light illuminates your face, turning the hue of the mask a strange color.

"This is a classic," he whispers. "It's the first film I remember loving."

"It's that good?"

He chuckles. "No, it's quite outdated, and terribly unfunny. I'm just fond of it,"

If there's anything Vil Schoenheit is, it's honest. The entire black and white picture (which you surmise is quite old by Twisted Wonderland standards) is heaped with unfunny and confusing references, terribly paced, and acted like a primary school play.

And yet, there's a sense of warmth that permeates the external terribleness of it, that of which takes form in each of Vil's awkward laughs.

You revel in each of his little comments, his tidbits about the actors, his trivia about the production. He certainly seems to know what he's talking about, and his grace and confidence almost distract you from how nerdy he's really being.

Though, he's really not paying close attention to the screen. Vil seems far more interested in watching you, your reactions, almost as if searching for some kind of approval in the expressions you make. Do you laugh at this joke? Do you ask about this plot twist? Do you enjoy this song?

It's a completely alien experience, having him looking to you for validation, although you make sure to comment on how much you enjoyed yourself. Just to see him smile again.

"Same time next week, then," he says. "One movie won't be enough to catch you up on decades of pop culture, after all."

And thus, a tradition is born.

It's strange for him to think about how you've made yourself a home in his schedule. Wedged between expensive photo shoots and meetings with luxury brands, there's you. One single name in the same spot every week.

He couldn't admit it, but you've quickly become the highlight of his calendar.

"And this is just after they transitioned to movies with sound. It was a grand extinction event, not every studio nor star survived," he says, nodding to the screen ahead.

You hum in agreement. Your eyes are heavier than usual, and you're leaning against your elbow, absent-mindedly agreeing with everything he says.

A part of Vil wants to tease you for finding his taste in film boring, but he's not even sure if you have the mental capacity to listen to big words right now.

"Sleepy?"

"Grim kept waking me up last night..." you sigh. "I'm paying attention, I promise."

He watches you lie through your teeth, and then he watches as your words grow heavy and your body slumps over, awkwardly positioned against his.

Vil sighs- whatever is he going to do with you and that terrible sleep schedule of yours?- and readjusts so that your head is neatly set in the crook of his neck and your body is comfortably fit against his.

He finishes the movie, and lets the screen play the menu sequence over and over again. It's not really worth waking you up over, after all.

You're so cute when you're sleeping.

He hates himself for thinking that. You're perfectly inelegant- awkwardly breathing, practically drooling. And yet, he could stay here for the rest of the night and not wholly regret it in the morning. He just wishes you'd picked a better time to fall asleep on him.

Someday, he'd gladly return to bed to cuddle with you after he'd done his evening routine.

But... just this once, he'll let it go.

[cheapshrimpysheep]

You Will Stop the Wedding! - Jamil Viper

SUMMARY: YOU were the one being kidnapped by Princess Eliza to marry her. How would he react and how would he save you? With the aggravation of he already having a crush on you.

CHARACTERS: Jamil Viper x Reader

TAGS: Fluff; GN Reader; Declaration

WORD COUNT: 1.260 words

Riddle Rosehearts / Leona Kingscholar / Azul Ashengrotto / Jamil Viper / Vil Schoenheit / Idia Shroud / Malleus Draconia

Rescuing You - Deuce Spade; Jack Howl; Floyd Leech; Kalim Al-Asim

COMMENTS: What have I done? Why did I commit to writing this? And why did I write so much? Why was I so inspired? There were seven of them! Why do I do this to myself? So yeah, this took me a long time. But I hope it was worth it, for me and for you.

CONTEXT: Someone was kidnapped to marry some ghost princess and might end up turning into a ghost too. And they just found out that someone was you.

Jamil was not present at the Housewarden's meeting, since he isn't one. But it didn't take long for Kalim to tell him, especially because he was panicking. He starts saying loose sentences about ghosts, kidnapping, marriage and especially your name. Jamil gets very serious and asks Kalim to stop for a few seconds, calm down a little and explain things clearly. And if that doesn't work, he has a plan B: ask one of the other Housewardens. Riddle would be an excellent choice.

After fully understanding what is happening, he himself panics for a moment. But then he clears his throat and calms himself down. He asks, no, he orders Kalim to stay safe in Scarabia while he joins the others in the rescue groups. When Kalim tries to convince Jamil to let him help them, Jamil gets straight to the point and says it's dangerous, both for him and for you. Does he really want to risk ruining everything? It's your life that's at stake here! Jamil was being harsher than usual, but Kalim knew why, and promised that he would stay in Scarabia hoping that everything would go well. He would behave well for Jamil and for you.

However Jamil is too cautious to simply believe him. So most likely, without Kalim noticing, Jamil will put him to sleep or something with some spell or with his Snake Wisper. You know, just in case.

Jamil asked to be in the last group. A little like Azul, he is the type to first analyse all angles of the situation before forming a more appropriate plan.

When it's the last group's turn, whenever someone needs to stay behind to tie up the ghosts, Jamil tells one of the others to do it. He always managed to show himself as a good strategist and someone who conveys the confidence of a leader, so the others just followed this order without questioning much. His behavior showed that he seemed to have a plan in place. He ends up being the only one to arrive at the ceremony hall.

He could follow the plan, but he knew himself well in this regard. He is good at hiding his true feelings, but he is not good at showing feelings that are antagonistic to his true ones. The princess would definitely notice this as she noticed some of the others' strategies. For these reasons he had a plan B, but still wanted to try the original plan.

“Your majesty, you must stop this wedding. You are taking with you someone who doesn't want to be with you. If you don't marry someone who loves you back, both of your lives... afterlives? will be miserable. And that's why I'm here. Please accept me as your husband and I promise to do everything in my power to make your afterlife wonderful.” Everything was going well, until he proposed to her husband.

The princess said out loud the same thing that you also noticed. In these sentences his emotion almost disappeared, showing that he was lying. And she accused him of trying to deceive her.

Jamil sighed. He was now forced to follow plan B, which he never really likes to follow. Be honest.“You are correct, your majesty. I was lying. But-” Before he could continue speaking the princess ordered the guards to catch him. And he had a plan for that too.

He managed to dodge all the ghost guards and was heading towards the altar where you and the princess were. But one thing wasn't part of his plan: One of the guards turning into a giant ghost. Obviously he still tried to fight and did his best, but he still lost against the guard. As soon as the guard caught him, the princess wasted no time in slapping him, she didn't want to hear his excuses.

However, Jamil remained able to move. Everyone gasps, including the princess. When the guards ask what's going on, the princess says it can only mean one thing. The thing is that her slap is capable of petrifying anyone, except those who have already found their true love. The reaction from all NRC students is like "What the F-?!" And Jamil’s reaction was to lower his head to try to make his hair hide his face.

Then he lifted it again, with an upset and slightly obscured expression on his face. He really hated exposing himself like that, but at that moment, it was his last shot to save you. “Do you want the truth? I'm here for someone, yes, but not for you. I'm here for the person you kidnapped to force to be your partner.” She starts to say that she didn't kidnap or force anyone. “Your delusion disgusts me.” The guard shakes him, threatening him not to insult the princess.

But now the princess is interested. He was there for you? So why did he ask to marry her? “Because we had a plan.” Jamil admits, as if he's had enough and just wants to resolve everything once and for all. “Making you accept one of us as a husband to put a ring on your finger that would send you to the afterlife.” The princess is offended and feels attacked by that. And while she and the guard start to say how outrageous that is, Jamil looks at the princess again, but this time with a condescending look.

“If you're going to take someone with you, take me then. Let (Y/N) go. Let me go in their place. From a young age I learned that part of my job would be to be willing to give my life for someone. Let me give my life for someone I lo... care about, then.” He couldn't fake something like this that well.

And, out of nowhere, the princess started to feel sorry for herself and jealous of you. Having someone willing to give their life for you like that. This was the greatest proof of love anyone could give. How she wished she had someone like that for herself too. And this was the opportunity that the guard who was in love with her found to declare himself and say that he would give his life for her, after all, technically, he had already done so.  And that whole ending of the princess realizing that she loved him too happens, they get married and happily ever after.

As soon as the guard releases Jamil, he runs to you. “Are you well? Are you hurt?” You were petrified, but shortly afterwards you could move again. Jamil never left your side until the ghosts left.

After everything and while the first-years were getting ready to tidy up and clean the cafeteria, you asked Jamil to wait a bit. You leave the room so you can talk alone. He couldn't look at you, and he was trying to hide his face with his hands or his hair. He had practically already declared himself to you during all that madness. So you decide it's your turn to tell him that you feel the same way about him. He looks at you in surprise and you can see how flattered he was.

Knowing now that your feelings were mutual, he becomes kind of smug. “Does that mean you would give your life for me too? That you would serve me if necessary? *chuckle* Don't worry, I'm just messing with you. Unless you don't mind.” You say you would, at least, kiss him right there and then. He holds you by the waist. “Be my guest.”

If you would like to read more from me, you can find it in my pinned post: INDEX

[vrystalius]

How would Giyu and Sanemi react if they were in love with the same girl?

❕Giyu and Sanemi falling in love with the same girl

Note: Thank you for requesting <3 Although I do really enjoy writing for Sanemi, writing for different characters is refreshing! Anyways, enjoy! I had a lot of fun writing this.

Pairing: Giyu x hashira!fem!reader x Sanemi

💙 Giyu Tomioka 💙

Giyu would be admiring you quietly from afar, trying not to make it too obvious that he’s completely fallen for you. He’ll resort to just hold conversations here and there, and then overthink every little thing you said and how your facial expressions changed ever so lightly.

Although, he will become incredibly nervous whenever you’re near him. On the outside, Giyu seems nonchalant and maybe even slightly annoyed about you sitting close to him during the meetings, but on the inside, Giyu’s heart is racing and his head will be spinning, his thoughts going one thousand miles per hour. His hand will be gripping his thighs or forearms tightly in an attempt to calm himself.

Sometimes, Giyu will try to hang out with you, asking if he could eat together with you or train alongside you. He will be quiet for the whole duration of the hang-out and will only answer your questions as short as possible. You two will be having a lot of dry conversations at first.

Giyu also thinks that he is not even worth to be loved by you. You’re such an incredibly strong hashira and appreciated by so many people, surely you have already someone else in mind you’d like to date. Anyone but him.

He soon realises that Sanemi has been paying more attention to you lately. He asked to train with you more often and then inviting you to grab something to eat afterwards. Giyu saw how Sanemi’s eyes would soften up ever so slightly and how his pupils dilated. He looked more content around you, wich is rare for the wind hashira.

Giyu felt a wave of sadness wash over him. Sanemi would probably have more of a chance with you than him. He’s stronger, more handsome, and probably be a better lover overall. Giyu tries to tell himself that it’s over and that he has no chance and should move on, but for some reason he wants to keep going. Giyu wants you and he’ll try his best to win you over. Even if he has to compete with Sanemi.

“Do you want to go eat Salmon Daikon with me? It’s okay if you’re already busy, I’ll go on my own if you are.”

💚 Sanemi Shinazugawa 💚

Sanemi, after realising that he fell for you, would be very angry at himself for letting his emotions go loose like this. He hated himself for it and got extremely rude to you whenever you tried striking up a conversation with him. He was trying to push you away from himself in order to shield himself from potential heartbreak and to protect you from himself. Sanemi knows he’s not a good person and he does not deserve you. He’ll be a bad influence for you anyway.

But after a while, Sanemi began to accept his feelings and calm himself. He apologised to you for being unreasonably rude and started giving you small gifts as some sort of apology. Instead of presenting them to you, Sanemi shoved the small gift box into your hands and would leave as quickly as he came.

Slowly but surely, Sanemi began to hang out with you more. He’d invite you to spar with him and afterwards maybe go out for a bite. But he’s only asking because you’re such a strong hashira and he’d like to train with you! No other reason.

Sanemi is trying to become a better man for you. He’s becoming kinder and more talkative, trying to open up more and more. He even showed you the rhino beetles he’s raising. Sanemi never showed or mentioned them at all. It was kind of cute how childishly excited he got when showing them off.

Sanemi only realised that Giyu is interested in you as well after one time where you rejected to hang out with Sanemi, explaining that you already had plans with Giyu. He grumbled and stomped off, fuming in anger. You wanted to hang out with that prick? Giyu thinks he’s better than everyone, why do you talk to that weirdo?

Sanemi gets very jealous of Giyu very quickly, giving him nasty side-eyes from across the training grounds whenever he sees you eating lunch with him or just simply talking to him. Oh how he just wants to beat this guy up.

So, Sanemi tries to be faster than him. He’ll ask you out days in advance if you want to train with him and went even as far as sending Kagaya a letter, asking to be send on missions alongside you more often, arguing that your and his breathing technique are compatible and you two work so well together.

He was attempting to badmouth Giyu in order to have more of a chance with you, but quickly realised that just made you upset with him, so he’ll try to restrain himself.

“Hey, wanna go grab some snacks tomorrow? I’m craving udon for some reason.”

“Why do you keep asking her to hang out, huh? You wanna hog all her free time?!”

“You have been asking her to her to join you for almost every day now. I would like to hang out with her some time.”

“Bullshit. You know exactly what you’re doing.”

“What are you talking about?”

“You know exactly what I’m talking about, dipshit.”

“Giyu? Sanemi? What are you two arguing about?”

“Nothin’.”

“….”

💠

This was so fun! Thanks for reading! My requests are open for both the hashira and the demons, so don’t be shy to request something <3

Anyways, make sure to EAT, SLEEP and DRINK enough!

Take care of yourselves <3

Here’s my masterlist for the hashira

Here’s my masterlist for the demons

[yeetus-feetus]

Duke is a much smaller Duke one day, he's lost all his memories beyond the young age he is now and he's scared and confused.

He doesn't know where is. But then there's Tim, his Robin! And suddenly everything is ok.

The bats have no idea what's going on, but Duke refuses to go to anyone but Tim. He's also a little ball of energy bouncing off all the walls, and Tim is SO tired. "Robin- Tim, come play tag with me!"

One night Tim ends up passing out at his desk, a sleeping Duke cuddling into him on his lap.

Except when Duke wakes up Tim is small too.

And he doesn't remember who Duke is!!

So Duke reintroduces himself and Tim let's himself be dragged downstairs to the actually Batcave!

Bruce is looking at them in absolute astonishment, they're so small!!

Damian laughs at Tim's smallness and Tim gives a cold glare. Maybe age can't change some things.

"where are Nightwing and the new Robin?" Tim asks.

"I'm Robin."

"no, I meant Jason!" Tim huffs and crosses his arms. Ah, he's so young he still believes Jay is Robin.

Duke is still clinging to him, but Tim can't bring himself to mind all too much.

Bruce doesn't know how to handle these boys, between a hyperactive Duke and an absolute menace Tim.

Dick tries to help, but even he can't keep up with the mischief and shenanigans they get up to together.

"dick pick us up!"

"yeah! Pick us up pick us up! And swing us around until we get dizzy!"

"again!"

"again!"

It's time to bring out the big guns, and by that they mean calling Jason over to the manor.

Tim settles immediately, but Duke remains overly weary around the large man with guns strapped to his thighs. He's kinda scary.

But Tim likes Jason well enough. At some point he ends up cuddled up with Jason who's stretched out on the couch, and Duke is just a little bit jealous.

"hey stop hogging him! Tim is mine," Duke pouts.

Jason raises an eyebrow at the boy, and Tim tilts his head. "You know there's enough room for both of us up here, right? Jason is a lot bigger than he used to be."

Duke considers this. "Mm okay, but only because you're up there". And he climbs up into Jason's lap to cuddle into Tim's side.

It's calm for a moment, until Duke starts to fidget, not able to stay still for too long. Jason let's put an annoyed noise and looks at them over the top of his book. "Would you quit it I'm tryna read here".

"what are you reading?" Duke asks.

"Macbeth."

Tim scrunched his nose up. "Why are you reading that?"

"I like it. Reminds me of school", and Tim catches something in his tone that Duke absolutely doesn't.

"it sounds silly. Will you red it to us?"

Jason looks at the both of them for a very long moment before signing. "Sure, but you've gotta stay still, your knees are already in my ribs."

The three of them all end up falling asleep like that, tucked into the lounge and curled up together.

Except when they wake up in the morning, Jason is scrawny little boy, even smaller than Tim and Duke.

Tim explains what he can to the tiny Jason as Duke sneaks some snacks from the kitchen cupboard for them.

Cass catches them stuffing their faces with junk food and squeals. "Three baby brother's now!" And scoops them all up as the quick and try to squirm away.

"gotta tell B"

"wait who are you exactly?" Jason asks.

"big sister", Cass smiles and pets his curls.

"no way! Really? That's so cool, I've never had a big sister before", he exclaims.

Cass carries all three of them down to the Batcave because she's so strong and awesome! And Jason can't believe he ends up with such a cool sister.

"Batman!!!" Jason shouts in pure excitement, and Bruce turns around and almost cries.

Because look how small!! Oh baby Jay lad!! So precious and smol!

"I think the de-aging syndrome may be contagious", Tim speaks up. "You should have us all properly quarantined until you can find a cure."

quarantine is fun, for Jason and Tim at least (tiny Tim is plotting revenge on whoever caused this, Jason is reading and occasionally shouting at the characters). Duke can't stand having to stay still in the same one room for so long.

idk where this is going, but consider this awesome 3am idea of mine

[lumpywhump]

Tw: mention of past abuse

something at will always hit me like a bat is when the super happy sunshine character has a horrible whumpy past! Whumpee began smiling when they saw their friend. "Hey dude! What's on the agenda for today?"

"We only have one guy to interrogate," A explained as they glanced at their clipboard. "Everyone is already inside."

A led whumpee through the rows of cells. They tried not to look at the people inside. They tended to ignore anything that could dampen their smile. Whumpee's eyes were drawn to the cell their friends surrounded.

"Who's..." whumpee froze as they saw the figure in the cell. It was all too familiar.

Leader didn't notice whumpee stiffen. "Our guy today is Whumper LastName. Accused of multiple accounts of kidnapping, torture, abuse... all kinds of stuff like that. Boss wants us to get locations. They think there could still be more captives." They turned to whumpee, unsettled by their silence. "Whumpee, what's up?"

whumpee realized they had been staring at whumper. "Nothing!" They smiled at leader.

"wait,"

Whumpee jumped at the sound of whumpee's voice.

"Whumpee? As in Whumpee LastName?" They chuckled.

"whumpee? Do you know this guy?" B asked.

"no?" Whumpee laughed, clearly over compensating. "I've never seen this dude before,"

"Are you sure? That would actually be really helpful for this case," Leader offered.

"nope! I've never met someone named whumper,"

"Come on now whumpee," whumper rose from the bed they were sitting on. "You can't forget this face. I certainly can remember your screams well,"

"Whumpee? What are they talking about?"

"nothing! Just them trying to mess with us. Don't listen to them." Whumpee looked around for something to distract everyone with.

"whumpee, you're shaking," B reached out to touch whumpee's should but they flinched and jumped away.

Oh god. Everything they've worked for. They've perfectly crafted this personality, and now whumper is going to destroy their life a second time.

"I used to know whumpee really well. I always wondered what happened to them after they escaped." Whumper smiled, as if thinking of a fond memory. (which wasn't too far from the truth) "I remember how well whumpee took whumper 2's beatings. I particularly liked their screams when I whipped them."

"Shut up!" Whumpee yelled. They hadn't noticed the tears falling down their face.

"Oh! How's whumpee 2?"

"You disgusting bastard! You killed them and you know it. How!? How is someone so sick and twisted as you?!" Whumpee stopped and looked at their friends and regretted it. They stood with shocked and worried faces. Fuck, whumpee really fucked everything up again.