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#costume society of america
professorpski · 2 years
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Dress Journal, Volume 48, 2022
This issue of the journal, which is a publication of the Costume Society of America, has many interesting articles, but I was most excited about the One-Hour Dress. It was invented by Mary Brooks Picken to encourage the sale of fabric and sewing lessons in the 1920s. The idea was that any one could make this simple dress in an hour and demonstrations took place under a big clocek at departments stores across the country This article by Sarah Hegge, Shirley Wajda and Mary Worrall which looks at the predecessors to the dress, its origins, marketing, instruction booklets, and even offers a remarkable surviving example. Although you can make the dress in an hour if you are a good dressmaker, the blue one you see here took a remarkable amount of hand embroidery to complete.
Then, there is yet another feature on sewing: the research report by Sarah Sheehan on Pucci sewing patterns from the 1950s through 1970s. I offer you an image of a dress and coat pattern from 1965 with the kind of hat and gloves then still required for formal public clothing.
The cover has an image of Firefighter Mose from an article on the 19th Century American clothing of white nationalism or white folkwear by Sandra Tome. Then, there are articles on Masonic apron, on visibly queer-fashion and trans-fashion brands, on pointe shoes for ballet, as well as reviews of costume books and exhibitions.
To learn more about the Costume Society of America, which is a scholarly organization, go here: https://costumesocietyamerica.com/
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DC Redesigns by Tom Hoskisson
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sandy-castle · 5 months
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Frankly it’s unacceptable the amount of animal abuse seen in golden age comics
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ufonaut · 1 year
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Jessica was right. It’s as if I have a super power, like one of those masked men, Hourman, or our own Mr. Terrific. But it’s not invulnerability, or even the power of dumb luck. Or, god knows, any kind of talent at all. It’s the power to hit bottom and then, somehow, keep on falling.
Ned & Terry Sloane in JSA: All Stars (2003) #7
(Michael Chabon, Michael Lark)
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jonmcbrine-author · 3 months
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Fellow Super-Fans, what do you think of this costume for David Corenswet in James Gunn’s “Superman”?
I love that there’s a yellow S on the back of the cape. I prefer the traditional, unflavored, regular ol’ costume, but, for better or for worse, this film isn’t going to be anything other than what it is, meaning it is a new story. Sure, I’d like to see the classic uniform, but it’s not necessarily a specific adaption, so we shall see what the actual film is like. Mister Terrific, though, does indeed look terrific.
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makingqueerhistory · 1 year
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Queer Books Challenged in Florida Schools and Libraries
There are some affiliate links below in case you want to support MQH.
Gender Queer: A Memoir, Maia Kobabe: Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears.
The Color Purple, Alice Walker: Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning nearly thirty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery.
Julián Is a Mermaid, Jessica Love: While riding the subway home from the pool with his abuela one day, Julián notices three women spectacularly dressed up. Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a butter-yellow curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes -- and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.
Drama: A Graphic Novel, Raina Telgemeier: Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!
Cemetery Boys, Aiden Thomas: Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.
I Am Billie Jean King, Brad Meltzer: This friendly, fun biography series focuses on the traits that made our heroes great--the traits that kids can aspire to in order to live heroically themselves. Each book tells the story of one of America's icons in a lively, conversational way that works well for the youngest nonfiction readers and that always includes the hero's childhood influences. At the back are an excellent timeline and photos. This volume features Billie Jean King, the world champion tennis player who fought successfully for women's rights. From a young age, Billie Jean King loved sports--especially tennis! But as she got older, she realized that plenty of people, even respected male athletes, didn't take women athletes seriously. She set to prove them wrong and show girls everywhere that sports are for everyone, regardless of gender.
This One Summer, Mariko Tamaki: Every summer, Rose goes with her mom and dad to a lake house in Awago Beach. It's their getaway, their refuge. Rosie's friend Windy is always there, too, like the little sister she never had. But this summer is different. Rose's mom and dad won't stop fighting, and when Rose and Windy seek a distraction from the drama, they find themselves with a whole new set of problems. One of the local teens - just a couple of years older than Rose and Windy - is caught up in something bad... Something life threatening. It's a summer of secrets, and sorrow, and growing up, and it's a good thing Rose and Windy have each other.
Marriage of a Thousand Lies, Sj Sindu: Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan-American families, while each dates on the side. It's not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky's grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she's never met.
And Tango Makes Three, Peter Parnell: At the penguin house at the Central Park Zoo, two penguins named Roy and Silo were a little bit different from the others. But their desire for a family was the same. And with the help of a kindly zookeeper, Roy and Silo got the chance to welcome a baby penguin of their very own.
More Happy Than Not, Adam Silvera: In the months following his father's suicide, sixteen-year-old Aaron Soto can't seem to find happiness again, despite the support of his girlfriend, Genevieve, and his overworked mom. Grief and the smile-shaped scar on his wrist won't let him forget the pain. But when Aaron meets Thomas, a new kid in the neighborhood, something starts to shift inside him. Aaron can't deny his unexpected feelings for Thomas despite the tensions their friendship has created with Genevieve and his tight-knit crew. Since Aaron can't stay away from Thomas or turn off his newfound happiness, he considers taking drastic actions. The Leteo Institute's revolutionary memory-altering procedure will straighten him out, even if it means forgetting who he truly is.
Melissa, Alex Gino: When people look at Melissa, they think they see a boy named George. But she knows she's not a boy. She knows she's a girl.
Melissa thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. Melissa really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part... because she's a boy.
With the help of her best friend, Kelly, Melissa comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.
A Quick & Easy Guide to Queer & Trans Identities, Mady G, Jules Zuckerberg: In this quick and easy guide to queer and trans identities, cartoonists Mady G and Jules Zuckerberg guide you through the basics of the LGBT+ world! Covering essential topics like sexuality, gender identity, coming out, and navigating relationships, this guide explains the spectrum of human experience through informative comics, interviews, worksheets, and imaginative examples. A great starting point for anyone curious about queer and trans life, and helpful for those already on their own journeys!
This Book Is Gay, Juno Dawson: This candid, funny, and uncensored exploration of sexuality and what it's like to grow up LGBTQ also includes real stories from people across the gender and sexual spectrums, not to mention hilarious illustrations.
Little & Lion, Brandy Colbert: When Suzette comes home to Los Angeles from her boarding school in New England, she's isn't sure if she'll ever want to go back. L.A. is where her friends and family are (as well as her crush, Emil). And her stepbrother, Lionel, who has been diagnosed with bipolar disorder, needs her emotional support. But as she settles into her old life, Suzette finds herself falling for someone new...the same girl her brother is in love with. When Lionel's disorder spirals out of control, Suzette is forced to confront her past mistakes and find a way to help her brother before he hurts himself--or worse.
King and the Dragonflies, Kacen Callender: Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live down by the bayou in their small Louisiana town. Khalid still visits in dreams, and King must keep these secrets to himself as he watches grief transform his family.
It would be easier if King could talk with his best friend, Sandy Sanders. But just days before he died, Khalid told King to end their friendship, after overhearing a secret about Sandy-that he thinks he might be gay. "You don't want anyone to think you're gay too, do you?"
Sorted: Growing Up, Coming Out, and Finding My Place: A Transgender Memoir, Jackson Bird: An unflinching and endearing memoir from LGBTQ+ advocate Jackson Bird about how he finally sorted things out and came out as a transgender man.When Jackson Bird was twenty-five, he came out as transgender to his friends, family, and anyone in the world with an internet connection. Assigned female at birth and raised as a girl, he often wondered if he should have been born a boy. Jackson didn't share this thought with anyone because he didn't think he could share it with anyone.
The Black Flamingo, Dean Atta: Michael is a mixed-race gay teen growing up in London. All his life, he's navigated what it means to be Greek-Cypriot and Jamaican--but never quite feeling Greek or Black enough.
As he gets older, Michael's coming out is only the start of learning who he is and where he fits in. When he discovers the Drag Society, he finally finds where he belongs--and the Black Flamingo is born
Explore the full list here.
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pileofmush · 11 months
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don't crush the wings
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pairing ➸ luffy x fem!reader
details ➸ tags: modern au! humor & spice! gratuitous use of the f-bomb // cw: no smut, but a little suggestive; drinking. everyone's at least 20 & this doesn't take place in america; reader wears a dress & is called a girl at one point // wc: 2k
a/n ➸ happy halloween! 🎃 muahahaha
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“We are gonna get fucked up tonight,” Nami sings into your ear with a sharp giggle. She’s sitting on your lap, turned towards you with a long bottle in her dainty, manicured hand. Fishnets run up her thighs, up, up, up into her short black miniskirt, and the fabric rides up farther as she wiggles in your lap. 
“Or just fucked,” you mutter, side-eyeing your friend. You know for a fact that Nami has goals she plans to achieve by the end of the night, and they probably have something to do with a pretty girl whose name starts with ‘V’ and ends with ‘ivi’. 
It’s Halloweekend, a Friday night, and you’re pregaming in the shoddy little apartment you share with Nami and Usopp. Nami’s dressed to kill as an alluring vampire vixen, and Usopp’s fiddling with the zipper of his Party City superhero costume. Knowing your friends, you expect for a little mayhem to occur tonight. Especially considering the party you’ll be attending: hosted by none other than the ASL brothers. 
If there’s one things you can trust the ASL brothers to do, it’s to wreak havoc on society. If there’s a second thing you can trust the ASL brothers to do, it’s to throw a decent party. 
Nami swats your thigh at your remark and thrusts the bottle into your hands. “Drink more,” she orders. “You’re not nearly drunk enough.” You fumble for your Hello Kitty shot glass and pour liquor into your glass.
“Just drink from the bottle,” Nami chides, fingers curling around the hem of your dress. You take this in stride; sink into the spotty old couch Usopp salvaged from a flea market with a sigh. Nami’s a flirty drinker: you know this. Get a couple drinks in her and she’ll get touchy and bossy—or, bossier than she already is. The girl cocks her chin up at you in challenge. “Don’t be a pussy.” She’ll also get mouthy.
You reject her protests with a minute shake of your head. “No way.” Usopp trots over from across the room with a matching Hello Kitty glass, and you tip the bottleneck until vodka pours out, to Nami’s displeasure. “I’m not a fucking heathen.” 
“Cheers to that,” Usopp says, then clinks his glass with yours—Hello Kitty to Hello Kitty. He throws his drink back and immediately starts coughing. 
You smile at your friend’s pathetic demonstration, raise your glass, and toss the drink to the back of your throat. It goes down a little smoother than your first had, but still lights a fire in your chest, tears prickling at the corners of your eyes. 
A loud knock has your head swiveling to the front door. “The calvary is here!” Someone from the other side shouts. 
You say Usopp’s name, and he rolls his eyes.
“Yeah, yeah,” he says and shuffles toward the door, probably resenting the day he signed a six-month lease with two bossy girls. He quickly unlocks the door, swinging it wide open. A boy springs through the entrance with a loud whoop, arms in the air. Behind him struts the moss-headed Zoro, who heads straight for the kitchen, determined to find the booze and drink you out of house and home, you’re sure. Hovering by the entrance lingers Sanji, who towers over Usopp.
“Are you seriously dressed as Batman?” You hear him ask.
Usopp’s pitch raises unnaturally as he defends himself. “The ladies love Batman!”
Sanji snorts. “What do you know about ladies?” He asks, stepping around the Walmart Superhero. Suddenly, he halts, gaze locking on you and Nami like a fucking aim-bot. 
“Nami-Swaaaaaaan!~” He croons.
Nami grabs the bottle from your hands and takes a giant swig. 
“And you must be an angel,” the blond appears at your side, sighing dreamily. A crown rests atop his head; his hair shines like spun gold. Blegh.
“A fairy, actually.” You reply, jab your thumb at the iridescent wings strapped to your back. 
He nods reverently. “Ah, but of course. You’re made of faith and trust, magic and whimsy, my ethereal little pixie.” 
You blink once, twice. Wonder if this loon pregamed the pregame, or if he’s just naturally this ridiculous. Nami takes another shot of vodka, and Sanji’s eyes track the curve of Nami’s neck as she gulps and sighs.
Damn it all to hell. You debate stealing the bottle and drinking from it like a heathen. Nami was right. You are most certainly not drunk enough for this. 
Nami and Usopp’s friends are… Well. They’re something, alright. You met the duo in college and fell in love with their snarky energy, but their non-college friends? You pan your head from Sanji and Zoro, who are halfway to beating each other’s faces in in the middle of your kitchen, to their springy friend Luffy, who’s quite literally bouncing off the walls. Yeah… You try to avoid them when you can.
But. Tonight’s Halloween. The one day you’re legally required to make bad decisions. 
So, more alcohol. You tug the bottle from Nami’s death-grip and take a healthy swig. “What happened to ‘not being a fucking heathen?’” She quotes, mirth bubbling in her voice. 
You open your mouth to say something unbelievable witty and dry, but are interrupted. “Who’s fucking heathens?” Someone behind you asks. Both you and Nami turn to face Luffy, who’s leaning over the back of your couch, upside down. 
“Nami,” you deadpan, at the same time she intones your name. 
Luffy laughs, boyish, but also… Not. His hair’s pulled towards the ground, black curls pulled back to reveal thin brows and half-lidded eyes, and the expression is a little… Sexy. Somehow. Impossibly. Kinda lazy-like, with a shit-eating grin, and it’s... 
You clear your throat, feeling a bit warm. 
“Shouldn’t you be with your brothers? Y’know. Hosting a party right now?” You ask. Luffy chortles. In your peripherals you can see Nami considering you, undoubtedly smelling blood in the water. 
“Nah. Ace n’Sabo threw me out ta stop me from eating all the snacks,” he says. His words aren’t quite slurred, but come out as a drawl, low and intoxicating. You have no idea how this man did a complete 180 in the span of 30 seconds. It’s giving you serious whiplash.
The front door opens once more, and Nami lets out a little squeak. Ah, that’s probably Vivi and co. Hmm. Dimmed lights, a sultry voice warbling over the speakers, intermingling with the occasional drunken shout… This is turning out to be a successful pregame. 
Nami jumps off your lap, stealing the bottle from your hands one last time. Her limbs tremble before she inhales deeply, steeling her nerves.
“Have fun,” you say, shooting her a look. 
“Oh, bite me,” the vampire snaps, then stalks off to go flirt with Vivi. You silently wish her luck (the amount of times you’ve had to listen to her hopelessly pine is staggering) and turn back to face Luffy again, a twinge of uncertainty in your gut.
He’s dressed like a football player, you realize. It’s a good look on him. His jersey is neon yellow and trimmed in green, but the color’s not as obtrusive as it might be in brighter lighting. And it shows off his lean figure, which is. Nice.
Appreciative as you are of his frame, you’re thinking up exit strategies by the minute. This is uncharted territory. You can count the number of times you’ve had a one-on-one conversation with the man on a single hand, and, don’t really feel like stumbling your way through small talk.
“You’re glowing,” Luffy notes. “S’pretty.”
Never mind. This is cool.
“Thanks,” you say, sheepish. “It’s the body shimmer. I’m a fairy.”
“A pretty one.”
Ah, fuck. 
You don’t really feel the alcohol all that much, but there’s a pleasant buzz floating through your body, and it’s making you a little more… susceptible. To simple compliments like that. It has your heart stuttering, but in a good way. You want him to say it again.
“What, that you’re pretty? ‘Cause you are.” He nods. “So pretty,” he concludes; dark eyes sweeping over your frame. 
Did you say that aloud? 
You blink. Rack your brain for something coy to say. “You’re, um. Yeah. You’re pretty, too.”
Fuck.
Luffy laughs at that, and you’re grateful, because you are totally off your game tonight. But he doesn’t seem to mind, just leans in closer, still upside down, and it gives you an open view of the column of his throat. Golden brown skin, taut and firm until he swallows. You tense and back up a little to see his whole face.
He’s close, incredibly close. You can smell the Corona on his breath as he exhales. And you don’t really kiss random people at hangouts after only like, two compliments, but your brain is starting to consider him the exception. 
You pull in your bottom lip reflexively, and his eyes dip to your mouth, tracking the motion. His pupils dilate. He looks, he looks hungry.
Fuck fuck fuck—
The door opens again and more people trickle into the apartment, pulling you out of whatever weird ass trance you were in, and you curse. Is this a pregame or a party of its own? The fuck. 
You lean back, hands seeking purchase on the couch cushion to support you, but maybe you’re a little more drunk than you think you are, because you completely overshoot it, body tipping toward the floor. Your head spins as you realize in real-time that you’re about to eat shit, squeezing your eyes shut before impact.
Somehow, quick hands race up your body and flip you so that instead of falling on your back, you’re braced on top of something, cushioning your fall. Your eyes open. Luffy grins from beneath you.
You’re straddling him, you realize. Make to get off him, but his hands tighten on your waist and then loosen. A suggestion. 
You stay. 
Everyone’s eyes are on you, searing into your skin, but they’re nothing compared to the hot hands sliding down, palming your thighs. You don’t know whether to be mortified or grateful that you chose such a short dress. Luffy hums appreciatively.
Grateful it is.
Time to do some damage control.
“Mind your own business,” you hiss, looking up at the room. Everyone returns to their previous occupations, albeit reluctantly, sneaking glances out of the corner of their eyes.
You turn your gaze back to the man underneath you. “How the hell did you do that?” You accuse. It should be humanly impossible for someone to perform such complicated maneuvers—while inebriated, mind you!
He just shrugs. “Didn’t wanna hurt your fairy wings, did ya?”
That is. Ridiculously sweet. 
“Fuck,” you say. It just slips out. 
Luffy’s eyes sharpen. “Yeah?”
“What?” Your breath hitches. God, you sound wrecked. 
Luffy waits a beat. Runs calloused hands up and down your thighs, and you just barely contain yourself from shuddering in his grasp. But it may be for naught, because you’re melting like putty in his hands. 
He yawns, then licks his lips. “Wanna make out?” He asks abruptly. 
It’s at this moment that you wonder exactly how you wound up here. What choices did you make in your life to end up like this? Splayed out on your apartment floor, surrounded by tipsy acquaintances, straddling the most bizarre man you’ve ever had the misfortune to come across? Fucking Halloween, man. This might just be the most humiliating thing you’ve ever experienced. 
...
You say yes.
In the end, you don’t end up making it to that party. 
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who's who in the zoo wilderness
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like many yellowjackets fans i am Obsessed with the flashbacks in the pilot episode - but while many theories are about who pit girl is or who the antler queen is i also wanted to have a look at who each of the creepy cloaked cultee's might be under their masks...
Info
in the flashbacks we have nine characters -
pit girl (called "The Runner" in the script)
antler queen (called "The Shaman")
the one wearing beaver fur ("The Overseer")
the one wearing a skunk fur ("The Hunter")
the one in the pink hood ("The Butcher")
one wearing an owl
one wearing racoons
one wearing what appears to be a wolf
one wearing pants/leggings in a way that looks rabbit-like.
The antler queen is the name the fans have given the mysterious veiled figure - but the creators have been firm in saying that is an interpretation and not a fact. What we know about this figure is she's referred to as "The Shaman" and she's obviously a significant figure in the group - but not necessarily the queen/leader. I don't think this character is automatically the leader of the cult.
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The definition of a shaman includes:
A member of certain traditional societies, especially of northern Asia and of North and South America, who acts as a medium between the visible world and an invisible spirit world and who practices magic or sorcery for purposes of healing, divination, and control over natural events.
The term shamanism comes from the Manchu-Tungus word šaman. The noun is formed from the verb ša- ‘to know’; thus, a shaman is literally “one who knows.” 
So of these nine, seven of them must be our seven known survivors:
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just a note: aside from sammi hanratty (misty) none of the other actors were playing characters in this scene - those roles were filled by body doubles. so i'm not going to be too specific in comparing looks to try and match these characters to our known characters. There's also the fact that these scenes were written and filmed for the pilot before the show was greenlit and since then the story has changed somewhat (for example - van most likely originally dying from the wolf attack but that being rewritten because they loved what liv hewson did with the character and wanting them to continue). So I'll mostly be focusing on the characters we know were absolutely intended to be there: Shauna, Tai, Natalie (confirmed to survive in the pilot) as well as Travis and Lottie (confirmed to survive later in s1).
Theories/Predictions/Headcanons
Only one figure is 100% confirmed - the Overseer being Misty, as she is the only character seen to remove her fur mask at the end of the pilot episode.
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The other that is basically confirmed is the identity of the Butcher being Shauna.
Not only was Shauna... literally the butcher in the past and the present ("Shauna, you're the best with the knife, so you'll handle the body. I mean cut it up." - Misty in 1x10) but when Shauna kills Adam she has flashbacks that include the Butcher bleeding the Runner's corpse.
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Then there's the Runner, and given that she dies gruesomely she is not one of the survivors, but is one of the yellowjackets who survived past the end of s2.
Aside from her face, she is the character we see the most of physically (so i will mention her physical appearance in relation with who her character might be) - she has long dark hair and lighter/olive coloured skin.
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based on this we know that pit girl is most likely either Gen or Mari (my vote is mari, and i wrote a meta on why). now that gen has been recast for s3 :( i'm thinking it's almost definitely mari.
that's 3/9 and where the clearest examples stop.
Owl
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I think the animals were chosen with intention, both by the costume designer and within the story by the characters. whereas the other masks seem more for the sake of warmth (like the raccoon pelts sort of sewed together into a hood) this one feels a lot more symbolic. like can you even skin an owl while keeping the feathers??
I think this is a reference to Tai's connection with the "Other Tai" - the one who comes out in sleepwalking, and somehow knows the lay of the land (where the symbols are, where the other yellowjackets are) in a way that Tai doesn't understand. The imagery of having a character appear to literally have two faces just screams Tai to me.
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From some very basic research it seems that owl can symbolically mean: wisdom, a guide in the dark, death, visions, etc.
While this could relate to Tai, it could also relate to Lottie.
While as the audience we know Lottie is schizophrenic and without her meds, the others have taken Lottie's visions as signs from the wilderness and treat her as the resident seer. While she's clearly trying to pull away from that role and the responsibility it entails by the end of s2 - the other yellowjackets already look to her as someone with the knowledge to guide them through the wilderness.
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There's also the clothing. While most clothes seem to be passed around communally (a sweater Misty & Mari wear in s2 is the legwarmers on the owl and the mask on the skunk) there are some items that are reserved for specific characters (like Shauna wearing Jackie's butterfly shirt).
In the '96 timeline Tai wears a lot of patterned blue and purple clothes, some of which almost definitely become part of the outfit for this owl character.
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There's also the vest - it could be an animal fur but it has some of similarities to Lottie's fluffy coat, especially one that's become dirtier while stranded without the cabin. This coat is only worn by Lottie. The raccoon character also wears a similar vest, so it could just be fur, but Lottie's coat resembles the owl character's vest more based on the colour, or the coat could have been split in two.
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Overall I think the owl character is most likely Tai.
in doomcoming and in the hunt in the future the upper half of tai's face is covered and it makes sense to me that trend would continue in all her hunt outfits. there's also the repeated imagery of eyes within her story - the man with no eyes, her grandmother's eyes, sammy's doll on the altar missing an eye, so her outfit having a taxidermy owl with no eyes tracks.
Wolf
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unfortunately not many clear images exist for this character. i'm not even sure if the pelt they're wearing is a wolf, it could also be a bear, but i'm going with wolf for now.
i think this is Travis. travis is the other hunter of the group and it makes sense that the characters furs might come from their own hunts/kills. symbolism wise travis does fit a wolf as well - loyalty, protection, strength. wolves are closely tied to the bonds of packs and family, making sense that travis would be the lone wolf as he's lost his father and brother out here.
tai and van are also associated with wolves - but i don't think either of them would want to wear one all the time, given that van was attacked by one and tai is haunted by them.
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the wolf character also has some small details that fit for travis' character. their face is covered from the eyes down, something travis often does throughout season 2. the wolf, owl and skunk characters are also the only ones (that we can see) wearing fingerless gloves. given that the last time travis saw javi happy was him being gifted gloves by natalie, and that much of their clothes would have been destroyed in the fire (but not javi's, which were most likely still outside) i can see travis wearing javi's gloves.
The Hunter / Skunk
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i think this is Natalie. before the season 2 finale i would've said this was 100%. now knowing that natalie is their new leader, there is the possibility that she is the antler queen character, which i will talk about later, but for me this character only makes sense as natalie.
nat's the hunter! even as a new leader, she's still the most capable and knowledgeable in hunting. travis is very much her second while she leads the hunting trips. it also makes sense that as the leader she would be the first one to check The Runner, to stand over the pit. both an 'honour' and a duty.
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natalie's also been the one standing over the bodies so far. she's the one waiting outside with jackie's body at the start of 2x03, she's the one who takes jackie's remains and has a short memorial for her. she's the one who stays outside the longest, standing over travis with javi's body. obviously not definitive but does work with the skunk character.
as for the clothes - the hunter wears the iconic co-ed soccer shirt, pink converse, and for a mask the cloth is currently a sweater within the show.
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the shirt begins the show as van's - but almost every character has worn it now (including tai, travis, akilah, etc.). the pink connverse have never been quite as clear, but it appears that might have originally been shauna's (a darker colour that most likely faded over the 19 months) and have been worn by at least lottie, gen & tai. the sweater that the mask is made of has been worn by misty, mari & mel. so none of that narrows anything down sdjflsakhfl;h
i think the skunk is quite a specific choice too. could be about seeing things in black & white, about keeping your distance, etc. there's not a lot about skunk symbolism but it mainly seems to involve confidence, courage and direction. these are interesting when paired with natalie, given that she fits some very well but struggles with others.
it's also implied in the original pilot script that this character is natalie.
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while we do see the hunter pulling up the runner's body with the rope, the scene with natalie does not make it into the episode. it does suggest that when filming the pilot this character was thought of to be natalie though. of course, as the show progressed this may have changed.
still in 1x10 when it's decided that shauna will cut up adam's body, natalie is the one who volunteers to help her, while misty is the one who directs all of them, mirroring this scene with the butcher (shauna), overseer (misty) and hunter (natalie).
some say that the hunter is van - has a similar build and the general blankness/darkness that van has by the end of s2, as well as being the shirt's og owner. but van wasn't supposed to be there in the initial conception of this character. while it may have changed now, for me this character is natalie.
Raccoon & Rabbit
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I'm honestly not sure who these two might be. One is most likely Van, given that we know she survives.
Early on there were theories that Jackie was the Rabbit, due to her association with rabbits, which makes sense, but now we know Jackie's dead. Then they were possibly Javi, but he's dead too. As for symbolism, I'm not sure who of the remaining Yellowjackets fits either of these characters.
I think the creators were purposefully ambiguous to leave themselves with options. If the audience doesn't know who is who, they have the opportunity to change the story slightly as the show progresses (like with Van surviving).
The Shaman / Antler Queen
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while initially thought to be lottie, as she is set up as the leader in the wilderness, the season 2 finale revealed that natalie was the new leader. both of these characters could be the shaman, but i feel as though it makes more sense for natalie to be the hunter. even though there are moment that in retrospect hint that natalie becomes the leader (misty's devotion, natalie stating that she lacked a purpose after they were rescued, tai and shauna's conversation about nat being the reason they're alive), there are no clear references to natalie being the antler queen character in the story so far (although that could have been hidden on purpose for the reveal).
in the adult timeline the others are terrified of the antler queen in a way that's different from their reactions to the symbol from the wilderness. when they receive the postcards or realise the symbol is under travis' body they are disturbed, they have a distrust of the symbol and everything it reminds them of.
but their reactions to the shaman are different. she appears in shauna's flashbacks when she kills adam, in natalie's visions/hallucinations after she overdoses, and in lottie's visions/hallucinations after hearing natalie's experience and in her office with the fake therapist. each of them are utterly terrified when she appears.
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i think who the shaman is depends on what her role truly is. as i've already said, the "antler queen" is a title made up by the fans.
Leader:
The Shaman does appear to be the leader of the group, sitting in the centre of the semi-circle, being elevated, everyone waiting for her go-ahead to begin the feast, and everyone waiting for her to leave first.
If The Shaman is the leader, then she is Natalie.
This is supported by the editing in the pilot episode - at the '96 party when Natalie gets high, she stands by the fire and sees Misty standing across from her. It then cuts to the Overseer bringing the Shaman the cooked feast.
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Chief Mourner:
If the Shaman is the chief mourner, it would depend on who the Runner is. If she's gen, the Shaman would most likely be mel in this instance. if she's mari, the most likely mourner would be akilah. the shaman doesn't appear to have akilah's dark skin, but body doubles were used and her face is veiled. if akilah has already died, the mourner might be lottie or gen.
It would be interesting with the idea that the antler queen changes from person to person. That they're all still terrified of "her" when what she represents is you losing the one you love most, you being the one with the most grief.
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This is supported by what's happened with the two acts of cannibalism so far in the series. Shauna is Jackie's chief mourner, she is the one to light her funeral pyre, she is the one to give the go ahead that they should eat Jackie's body ("She wants us to." - Shauna in 2x02). Travis is Javi's chief mourner, and he is also the one to give the go ahead to eat Javi's body, everyone rushing in for the 'meat' after Travis has put Javi's heart on the pan.
However the Shaman is never seen eating. Both Shauna and Travis have the first bite of their loved one, whereas the Shaman only nods for the feast to start. It's possible this is part of a ritual that evolved over time, but it's still puzzling.
Spiritual Advisor :
if the antler queen is some sort of spiritual advisor, then she's most likely lottie. this fits with what we've seen in the '96 timeline already, with lottie's wilderness connection and the reverence shown to her by other team mates. even though lottie abdicates her role of leader in the s2 finale and claims she 'can't hear' the wilderness anymore - it's clear this is because of the weight of the responsibility to keep them alive, as well as her grief and guilt over javi's death.
still, several of the others seem confused at lottie's decision, and only seem to be accepting natalie as the leader because lottie said so. if this is something that creates tension within the group, it makes sense that natalie might appoint lottie a role where they can still look to her.
natalie as the leader/hunter is the one brining in the kill, but lottie as a spiritual advisor/shaman is the one leading the ritual.
this is supported by how in the adult timeline when they are having another hunt, it's lottie that leads it, not natalie. though that may be because lottie was the one to initiate the hunt. lottie also still acts as a spiritual advisor, with the others coming to her for advice.
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the other option for a spiritual advisor is Tai. Not necessarily tai though... but Other Tai.
Much about Other Tai still remains a mystery. Is she another personality, a response to the trauma and repression, some sort of possession from the wilderness? In the adult timeline Lottie says that Other Tai is a part of Taissa, but Other Tai's conversation with Van in the woods raises questions about this.
Van: How do you know where you're going? Other Tai: He shows me. Van: Who's "he?" Other Tai: The one with no eyes. Van: Is that who you always follow? Other Tai: Only when she lets me. Van: Okay there's a "she" too, am I "she?" Other Tai: [shakes head] Van: Then who is "she?" Other Tai: Taissa. Van: Then who are you? Other Tai: [gives Van a look before walking away]
Other Tai's ability to track the whereabouts of the other survivors (Javi, Natalie), her connection to the man with no eyes, and knowing where all of the symbols are imply something more supernatural then just "sleepwalking".
Other Tai is the one to participate in cannibalising Jackie, she's strongly implied to be the one who pushes Taissa to continue running for senate even after she told Simone she would drop out, and she is the one to behead their fucking dog and make an altar in their basement. The creators and actors have talked about Other Tai and explain that she has Tai's best interest in mind, but she is willing to do what Tai wouldn't do to get it. Other Tai has a connection to the wilderness and the supernatural, she desires power and can become violent. She could very well be The Shaman.
"I don't know how bad it's going to get this time, but you know how bad it can get." - Tai in 1x06
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Group Hallucination:
It's been theorised that the Shaman / Antler Queen doesn't really exist at all.
With the show toeing the line between visions, hallucinations and grief-induced psychosis with multiple characters (including Lottie, Tai, Shauna, Natalie, Travis) it's possible that as the group spirals more and more out of control and into ritualistic cannibalism - a way that they attempt to cope is through this Shaman. A 'physical' manifestation of the Wilderness itself. Something that gives them permission to feast on the flesh of their teammates, but does not eat herself, because she's not really there.
We only see The Shaman during the feast scene, and in other's visions/hallucinations. We know there are seven known survivors, but during the pilot's flash forward scene we see eight. Only if The Shaman doesn't exist, it's our seven survivors and a hallucination sitting around the fire.
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So in the end my main theories/predictions/headcanons stand as:
Mari as The Runner / Pit Girl
Misty as The Overseer / Beaver
Shauna as The Butcher / Pink Hood
Natalie as The Hunter / Skunk
Tai as the owl
Travis as the wolf
Lottie as The Shaman / Antler Queen
the one I am least sure of is The Shaman, she could still be Tai or a hallucination, and I look forward to finding out!
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newyorkthegoldenage · 10 months
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On December 1, 1927, "society girl" Ruth Sloan posed for a photo in the dress she planned to wear at the Oriental Costume Ball at the Park Lane on December 14.
Photo: Bettmann Archive/Getty Images/Fine Art America
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longitudinalwaveme · 1 year
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Flash Character Descriptions
Jason Peter "Jay" Garrick (Flash #1): Jay Garrick was a brilliant chemistry student at Midwestern University when he gained his super speed. During a laboratory experiment with hard water (later retconned to heavy water), he worked long into the night and then decided to take a smoke break. In the process of lighting up his cigarette, he knocked over the beakers of heavy water he had been experimenting on, and was overcome by the fumes. The next morning, his professor took him to the hospital, where he woke up several weeks later. Not only had he suffered no ill effects from the inhalation of the gas, he now also had super speed!
After using his speed to win a football game and impress his crush, Joan Williams, Jay went on to graduate from college and become a scientist and professor, while fellow-graduate Joan (also a science major) went to help her father, Major Arthur Williams, develop an "atomic bombardier".
After reading about the crime that was plaguing Keystone City, Jay decided to do something about it. He donned an outlandish outfit (complete with his father's old World War I helmet), and started using his super speed to fight crime. Not too long after, Joan, who had known about Jay's speed basically from the beginning, went to him to ask him for his help in rescuing her father from some evil scientists who had kidnapped him in the hopes of getting ahold of his atomic bombardier. Jay succeeded in rescuing him, and from that point on, Jay and Joan would work together to help the Flash protect Keystone City.
Jay Garrick was a very intelligent young man, and a competent scientist, but he was also very light-hearted and was a bit of a prankster (something which came through in his fights with various criminals). He used his speed very creatively, and he was also well-versed enough in science to know how to best apply his speed to a given situation. In this sense, he was something of a mix of the two Flashes who would succeed him. Jay was very close to his girlfriend Joan, and he kept no secrets from her. The two of them worked together in tandem as a crimefighting team, and, as noted above, Joan was in on Jay's identity as the Flash from the start. (Jay disguised his maskless face by vibrating his face so fast that his features couldn't be properly recognized.) Jay was good-natured and kind, as superheroes tend to be, and it wasn't long before he started teaming up with other superheroic types to achieve even more good than he could have on his own.
Jay was one of the founding members of the Justice Society of America, and he helped them defeat such menaces as Vandal Savage and the Injustice Society of the World. More importantly, however, he and the JSA also fought against the Axis forces throughout WWII, both in the field and on the home front. Jay was, and is, very devoted to the defense of freedom.
When he wasn't fighting Nazis with the JSA, Jay was gathering his own collection of costumed criminals. The most prominent of them all was the Thinker (Clifford DeVoe), a former district attorney who turned to a life of crime after he failed too many cases, and who used his incredible mental powers to mastermind crimes and fight the Flash, but Jay also fought the Fiddler (Isaac Bowin), a man whose Stradivarius violin could weaponize sound, the Ragdoll, a thief who was also an expert contortionist, the Thorn (Rose Canton), a supervillainess with a case of Hollywood Dissociative Identity Disorder and the ability to control plants, and the Shade (Richard Swift), whose single appearance in the Golden Age gave very few hints of the immortal, shadow-controlling gentleman adventurer he would become under the pen of James Robison.
Jay also became friends with a trio of Three Stooges rip-offs named Winky, Blinky, and Noddy. While they weren't terribly bright, they were devoted and loyal friend to Jay and Joan, and they did their best to help the Flash in his efforts to stop crime.
After the end of the war, the JSA went into semi-voluntary retirement after totally-not-HUAC-we-promise tried to force them to reveal their secret identities to the government, and Jay Garrick married his long-time girlfriend, Joan. Unfortunately for him, the Thinker, the Fiddler, and the Shade had one last plot in mind...one which trapped the entirety of Keystone City, including Jay and Joan, in frozen stasis for decades. (At least, that's the Post-Crisis explanation. Pre-Crisis, Jay Garrick lived on an alternate Earth from Barry Allen, and was spurred back into action on hearing that Shade, Fiddler, and Thinker had escaped from prison and gone on a crime spree.)
Jay came out of retirement on the day he met his successor, Barry Allen. Barry, who was a huge fan of Jay Garrick and collected the comics that had been written about Jay's adventures, either accidentally vibrated his way to Earth-Two or found Keystone City and freed Jay, and it, from the stasis in which they had been locked for so long. The two Flashes then teamed up to defeat the trio of villains who were causing trouble, and from that point on, Jay Garrick and Barry Allen were close friends and allies, with Jay serving as something of a mentor to the younger Flash. He helped to reform the Justice Society of America, and he threw himself back into superheroics (something his wife, Joan, supported completely).
Jay Garrick is now one of the elder statesmen of the DC Universe. He's humble, approachable, and very wise, but he still has a twinkle in his eyes and a spring in his step. Everyone in the superhero community likes and respects Jay, and even his villains have come to have a grudging admiration for their long-time foe. Jay is also the most polite man in the DC Universe, and he is well-known amongst the younger heroes for his insistence that everyone keep their language G-rated.
Jay is very protective of younger heroes, and has served as a mentor for dozens of them, including Barry, Wally, and Bart. Jay is close friends with the Green Lantern Alan Scott, and has been for decades upon decades. While Alan is rather more ambitious and driven than Jay, the two of them nevertheless work very well together.
Jay and Joan are still married, and they are as in love as they were on the day they were married. Their marriage is rock-solid, and they almost never keep secrets from one another. In fact, I think they have the healthiest relationship in all of comics, and other superheroes in-universe often cite them as the model they hope to follow for their own marriages. Both Jay and Joan currently teach science at local universities, and neither of them seems particularly interested in retiring. Which is impressive, since they both have to be like 110 years old by this point (a perennial problem for characters who have important backstory ties to WWII).
Jay is very, very competent in the use of his powers, and he is still very fast, but his advanced age has cut his speed to some degree, and it severely affects his stamina. He can't run for nearly as long as the younger Flashes can---but he can mostly make up for these delays through his extensive experience.
Joan Williamson-Garrick: Joan Williamson, like Jay Garrick, studied chemistry at Midwestern University. She was the daughter of Major Arthur Williams, whom she would work for as a scientist after her graduation. Although Joan was initially dismissive of Jay due to his lack of football skills, she quickly warmed up to him, and was in on the secret of his super speed, and his identity as the Flash, from the beginning. She was a very intelligent, competent, and resourceful ally in his fight against crime, and the two of them were devoted partners and friends for the entirety of his Golden Age career.
The two of them were married in Las Vegas, and, after Jay's retirement, lived a peaceful life together for many years (possibly being frozen in time for awhile at some point, depending on which origin you go by). Joan worked a science professor at a local university, much like Jay, and the two of them were mostly very happy together (in spite of the tragic death of their adopted son). When Barry Allen arrived on the scene, Jay came out of retirement with Joan's complete support. She and Jay would quickly befriend Barry and Iris, and they often helped to advise the younger couple.
Joan Garrick is a sweet, loving woman, and she is something of a grandmother the superhero community (and particularly the Flash family). She is an excellent cook and is especially good at making cookies, and she is great at giving advice to anyone who will ask her. She also has a good sense of humor, much like her husband, and seemingly endless patience (vital for anyone who frequently deals with young super-speedsters).
Joan is also very clever and brave in her own right. Much like her husband, she is a science professor, and in her younger years, she faced down numerous criminals alongside Jay. She is not by any means weak or a pushover, even if she has slowed down a bit because of her age. Joan is Jay's equal in every since of the word, and the two of them have a happy and healthy marriage.
Bartholomew (formerly Barrence) Henry "Barry" Allen (Flash #2): Barry Allen was born to Dr. Henry and Nora Allen in the small Midwestern town of Fallville (he also had a secret twin named Malcolm who was taken from his parents at birth and who would grow up to found the lineage that would eventually produce Eobard Thawne, the Reverse-Flash, because comics). He grew up reading comic books about his hero, the Flash (Jay Garrick), and playacting as the Flash with his next-door neighbor and childhood sweetheart, Daphne Dean (who would grow up to become a famous movie star). After he graduated from Fallville High School, Barry went on to attend Sun City University, where he would earn a degree in forensic science.
Barry was hired as a police scientist by the Central City Police Department, and thus moved to Central City, where he met reporter Iris West (she worked for Picture News). Their first date was on the fourth of July, and Barry would eventually propose to her when both of them were riding a Ferris Wheel at a local fair.
Barry got his super speed when lighting crashed through the laboratory window at police headquarters, struck him and a nearby shelf of chemicals, and gave him a bath in some random chemical compounds. Showing some truly horrible lab safety skills, Barry brushed off both the lightning strike and the chemical bath and decided to just go home. After his attempt at hailing a taxi failed, he tried to chase after it---and discovered that he, like his idol, Jay Garrick, now possessed super speed.
After creating a costume, which he would store in a special compartment in his ring, Barry became the second Flash and started fighting crime, and it wasn't long before he started collecting a whole group of costumed criminals, from Captain Cold and Weather Wizard to Gorilla Grodd and Abra Kadabra. He also gained a sidekick in Iris' nephew Wally West when the same accident that had given him super speed repeated itself to give super speed to Wally.
Unfortunately, Barry had a bad habit of keeping secrets from people he cared about. He waited several months to tell Wally his true identity, and he didn't tell Iris that he was the Flash until a year after they married (consciously, anyway....Iris learned the truth on their wedding night when Barry talked in his sleep). He had no malicious intent in doing so, but it is something of a habit of his to keep his problems close to his chest and not talk about them to his loved ones, and sometimes this habit comes back to bite him.
Barry Allen is a very talented and effective police scientist. He's slow, careful, methodical, and patient, both as a scientist and as the Flash. His extensive knowledge of science allows him to use his speed in a variety of useful ways, and he is, of course, very fast. However, due to his scientific mindset, he struggles to use the Speed Force as freely as Jay and Wally, and he cannot access all of the abilities that they possess (such as the ability to create costumes out of the speed force or to lend and steal speed).
In his personal life, Barry is a loyal and devoted friend, but he has a small and rather eccentric social circle. Besides his vivacious wife Iris, to whom he is devoted, this social circle includes his parents, Daphne Dean, and Wally West, but it also includes the Elongated Man (Ralph Dibney) and his wife Sue Dibney, Iris' absent-minded adoptive father, Professor Ira West (a brilliant physicist), his twelve-year-old neighbor and fellow comic enthusiast Barney Sands, college student Stacy Conwell, Dexter Myles, the retired Shakespearean actor who runs the Flash Museum, Detective Frank Curtis, scientist Mack Nathan and his son Troy, Eric and Fran Russel, Iris' biological parents, who live in the 30th century (because comic books), and, perhaps most bizarrely of all, Dr. Albert Desmond, one of his supervillains who reformed and became his close friend, and Albert's wife Rita.
Barry is of course also a founding member of the Justice League of America, and he is friendly with most of his colleagues, but Hal Jordan (the Silver Age Green Lantern) is the only one of them who really seems to be his friend outside of work, and he does not get along at all with the Green Arrow (Oliver Queen).
Barry is a total dork. He has a crew cut and wears bow ties. He loves comic books (his collection is truly astounding to behold) and attends comic conventions regularly, and he is incredibly knowledgeable about the JSA. Furthermore, science, in addition to being his job, also seems to be one of his hobbies, and he really loves being able to teach science to kids ("Flash Fact!"). Barry is generally very good with children, and he was an excellent mentor and loving father figure to Wally West, who really needed a father figure growing up.
Barry is apparently a restless sleeper, as he both sleepwalks and talks in his sleep. (Weirdly, this is a trait he shares with his enemy The Top. Roscoe also talks in his sleep.) He is also afraid of roller coasters and likes to go to masquerade parties dressed as himself (that is, the Flash). He is a hard worker, but he is always, always, always late, something that occasionally draws ire from his superiors---particularly the punctuality-obsessed Darryl Frye---and sometimes draws ire from Iris as well.
Due to a long, convoluted series of events that I don't really feel like explaining right now, Barry and Iris have children in the 30th century---a pair of twins named Dawn and Don Allen. Dawn and Don are the superheroes called the Tornado Twins, and both of them end up being killed due to the machinations of the evil President Thawne (who is not the Reverse-Flash, or Barry's evil twin, but rather a descendant of them both). However, before they died, both of the twins married and produced children of their own. Dawn married a man named Jeven Ognats and had a daughter named Jenni, who would ultimately become the superhero XS and a member of the Legion of Superheroes. Don, meanwhile, married Meloni Thawne, the daughter of President Thawne (who was not evil, unlike most of the rest of her family), and had a son named Bart Allen, who would eventually be sent back to the present and become the superhero Impulse. I hate the Flash family tree so much (even though I like most of the characters involved)....
Barry Allen died saving the Multiverse during Crisis on Infinite Earths, and was dead for over 20 years of real-world time, but he was brought back to life in 2008 during the Final Crisis Event, now with stupid retcons to his history that I like to pretend never happened. (His now famous origin wherein the Reverse Flash killed his mother and framed his father for the crime wasn't introduced until 2009. For comparison, Barry Allen debuted in 1956!) I'm not upset he's alive again, since I like Barry a lot, but him being back does kind of confuse a lot of the stuff regarding the future stuff with his kids and grandkids (since initially, Iris lived out several decades in the future after Barry died, raised her kids, saw her grandchildren be born, and then went back to the present with Bart to save him from his accelerated aging). And that was confusing enough as it was!
Iris West-Allen: Iris West was born in the 30th century to Eric and Fran Russel. Unfortunately, the Earth of the 30th century was on the brink of a nuclear war, so Eric and Fran, desperate to save their baby, sent her back in time to the 20th century, whereupon she was adopted by Professor Ira West and his wife, Nadine West.
Iris has three siblings: an older brother named Rudy (Wally's father), an older sister named Charlotte (who mothered Iris' niece Inez), and a younger brother named Daniel (who fathered Wallace West). Unfortunately, both of Iris' brothers would prove to be less than upstanding men, and so Iris had to provide a lot of support and love to her nephews, who weren't getting it from other sources.
Iris earned a degree in journalism from Columbia University, and, after touring the world with the money her father had earned from his many patents, she settled down in Central City and became a reporter for Picture News. Iris is a determined, clever journalist and is one of the most respected reported in Central City.
Her journalism job also introduced her to Barry Allen (they met at a crime scene), with whom she hit it off. The two quickly began dating and soon fell in love with one another (even if Iris was often frustrated by Barry's constant tardiness). When the Flash arrived on the scene, Iris dutifully reported on his activities, not knowing that her slow and lazy fiancé was also the Fastest Man Alive. W
When Rudy sent a ten-year-old Wally to live with Iris for the summer, Iris introduced him to Barry, who in turn "introduced" Wally to the Flash. Wally would become Kid Flash on that same vacation, but, sworn to secrecy by Barry, he didn't tell Iris.
Iris learned that Barry was the Flash on their wedding night (since Barry talked in his sleep), and she took the news surprisingly well, all things considered. Once she was in the know, she became a very capable confidant, and aided Barry in his career as the Flash.
Iris is fiery, passionate, and full of energy. She is driven and determined to achieve her goals, and she's almost totally fearless, but she can also be very loving, supportive, and caring to the people she's close with. Iris is very good with children, and she is a wonderful and supportive aunt to Wally, Wallace, and Inez (who's only had one appearance but is included for completion's sake). Iris is also much more of an extrovert than Barry is, and she spends a considerable amount of time dragging him out of his own head.
In addition to being an excellent journalist, Iris is also a talented cook and personally sponsors a number of charities throughout Central City (which benefit greatly from her Flash-y husband's fundraising abilities).
In spite of not having any superpowers, Iris is nevertheless surprisingly competent and daring in a fight, and has helped her husband take down criminals more than once in the past.
Unfortunately for Iris, she also has an obsessive stalker in the form of Eobard Thawne (Professor Zoom the Reverse-Flash), who attempted to force her into marriage with him multiple times, and ultimately killed her by vibrating his hand into her brain after she rejected his latest proposal of marriage. Her life was ultimately saved thanks to her 30th-century adoptive parents, who managed to transfer her soul into a cloned body right before she died, but it would be years before she and Barry were reunited...only for Barry to die again not long afterwards.
Iris spent a few decades in the future, raising her children, Don and Dawn Allen, but ultimately returned to the present with her grandson Bart Allen to save him from the hyper-accelerated aging his super-speed had induced. In the present, she reunited with Wally, met his wife Linda, and eventually reunited with a resurrected Barry.
Aaaaand then Flashpoint happened and erased their marriage, and they basically had to go through their entire relationship again in the New 52 and Rebirth era. Boo! Boo I say! (Note that Daniel and Wallace West did not exist before Flashpoint. However, it's not too hard to fit them into the pre-Flashpoint timeline if you squint, and that's basically what I do in my headcanon.)
Wallace Rudolph "Wally" West (Flash #3): Wally West was born to Rudolph and Mary West in the very small town of Blue Valley, Nebraska. Unfortunately, neither of his parents were loving or supportive of him, and his father was outright physically abusive to young Wally (although he was unfortunately just clever enough to not leave any obvious bruises). Wally was therefore a rather lonely child, with his Aunt Iris and his Grandpa Ira serving as his main sources of love and support. He also befriended a young girl named Frances Kane, who also lived in Blue Valley and whose mother was about as much fun to be around as Wally's father.
When the Flash (Barry Allen) came onto the scene, Wally became the Flash's biggest fan. He was the president (and only member) of the Blue Valley Flash Fan Club, and, as such, he was ecstatic when, during his tenth summer, his parents sent him to live with his Aunt Iris for awhile in Central City. He loved his Aunt Iris, and he loved the idea of getting to meet the Flash almost as much.
Iris promptly introduced her nephew to her boyfriend Barry Allen. Wally was not impressed by the dorky police scientist at first...but then Barry Allen told him he knew the Flash, and that he could introduce Wally to him, which he promptly did.
Wally inundated the Flash with questions, but before the Flash could answer any of them, lightning crashed through the window, striking both Wally and a shelf full of chemicals that Barry Allen kept in his apartment and spilling some of the chemicals onto Wally. (It was the Silver Age. Don't ask.) Wally immediately gained the same super-speed as the Flash, and the Flash promptly offered to make Wally his sidekick, Kid Flash. Wally eagerly agreed.
Wally worked alongside the Flash on big cases, but he also worked on his own as Kid Flash in Blue Valley quite often, keeping in touch with his mentor via mail. Barry, now confident that he had chosen the right sidekick, revealed his secret identity to Wally, and from that moment on, Barry became the father figure Wally had always wanted but never really had. Wally loved and idolized Barry, and the two of them became very close--especially after Barry married Iris and became Wally's uncle (and his parents went through a messy divorce).
As Kid Flash, Wally would eventually join up with Aqualad, Robin (Dick Grayson), Wonder Girl (Donna Troy), and Speedy (Roy Harper) to form the Teen Titans, a group of young heroes whose roster would expand considerably over time and eventually come to include Frances Kane, who started demonstrating innate magnetic-controlling abilities in her teens. As part of the Teen Titans, Wally would gain many close friends and a considerable amount of superhero experience. He and Dick Grayson became especially close to one another, and Dick would ultimately be the best man at Wally's wedding.
When Wally turned 18, he enrolled in college, and planned to eventually retire from the superhero life altogether (due in part to the fact that his powers had started to go into flux and were threatening his health). However, events soon conspired to prevent him from graduating college or starting a "normal" life. When his Uncle Barry died saving the universe (and Wally's speed problems were conveniently cured), Wally felt that he had to step up to become the Flash in order to honor his uncle's legacy.
Unfortunately, Barry's death had left some huge shoes to fill, and with Iris off in the far future, Wally had no one to support him as he tried to live up to Barry's legacy. Suffering from depression and impostor syndrome, Wally psychosomatically limited his own speed to the speed of sound to ensure that he would never surpass Barry, dropped out of college, and, after breaking up with Frances Kane (who he had been dating), started a series of disastrous romantic relationships. Wally felt that he was unworthy to be the Flash, and in his desperation to prove himself, he came across as cocky and brash, even arrogant---and his low self-image was not helped by the fact that almost everyone around him kept reminding him of how he was disgracing his uncle's legacy. Nor was it helped by the fact that, when he won the lottery (just go with it), his mother moved in to mooch off of him, recklessly burn through all of his money, and criticize all of his choices. (Also, it turned out that his father was secretly part of an intergalactic cult, and that he had only had Wally because the cult had told him he was going to have a super-powerful son. Don't you just love comics?)
Things got even worse when an alien invasion (a different one from the one started by the cult Wally's dad was a part of) stole all of Wally's remaining finances and he briefly became homeless...but luckily, he ran into the Pied Piper, who helped him out and began what would become a very deep and long-lasting friendship. Wally's relationships with old and experienced jack-of-all-trades Mason Tollbridge, the human black hole named Chunk (whom Wally had saved from a life of crime), scientists Tina and Jerry McGee, Joan Garrick, the Elongated Man, and even Captain Cold, Heat Wave, and the Golden Glider eventually helped pull him out of the hole he had fallen into after his uncle's death, and he gradually became a more competent hero and a happier, more well-adjusted man.
Of course, no one was more important in facilitating Wally's growth from a cocky skirt-chaser with impostor syndrome to a truly confident, loyal husband was Linda Park. When Wally met her, she was a TV reporter in Keystone City, and the two of them butted heads at first, but, over time, they came to enjoy one another's company, started dating, fell in love, saved each other from countless disasters, and then got married. Linda helped Wally to grow up and overcome his insecurities, and Wally helped Linda to relax and have fun. The two of them work together very well and are utterly devoted to one another.
The two of them also have three children: twins Irey and Jai (who are somewhere between 8 and 10 years old due to some initial advanced speedster aging), and the newly-arrived infant Wade West. Wally is a devoted father and delights in being an embarrassingly goofy dad. He's also very close to his younger cousin Wallace West.
Wally is passionate, brave, loyal, and devoted to his friends and loved ones. He is generally friendly and good-natured, and is just as devoted to helping people as the other Flashes are. He's the best user of the Speed Force and is the Fastest Man Alive. He has an intuitive understanding of his speed and uses it to greater effect than basically any other speedster. However, he cannot vibrate through walls like Barry and Jay can (because the excess energy that he produces when he does so causes them to explode!)
Wally has a snarky, dry sense of humor and is very witty (being particularly prone to making sarcastic comments about supervillains). He's very impatient and can be prone to reckless actions, particularly when he gets angry. Wally also has a notable temper, though it seems to have gotten better as he's gotten older.
Although the comics have never outright said it, Wally seems to have ADHD, and is in fact a surprisingly accurate portrayal of the condition (in much the same way as his cousin Bart). That being said, I'm not sure Wally himself realizes he has ADHD, as he seems to blame most of the behavioral manifestations of ADHD on his super speed (and it's also a fair bet that his parents never had him tested for it as a child.)
In spite of his super speed, Wally is not a sports fan, and he especially hates watching baseball on TV. Conversely, he loves to eat. While he doesn't really need to eat to maintain his super speed in the way that he once did, he still has a super-speedy metabolism, and he uses it to eat lots and lots of hot dogs (apparently, they're weenie-licious), hamburgers, and sugared cereals.
Wally has had a number of jobs, including working as a car mechanic for the CCPD, but he is currently employed by Terrifitech as an engineer/mechanic, working for fellow superhero Mr. Terrific.
Linda Park-West: Linda Park is the daughter of John and Lisa Park. She is of Korean descent, and both she and Wally are very fond of Korean barbeque. Linda began her career as a TV reporter before switching to the press, and she has also published a few novels. She has also expressed an interest in pediatric medicine and has taken a few college courses for it.
At the start of her career, Linda was a serious, no-nonsense reporter. She was very good at her job, but she had few friends outside of her work, and she could be a bit uptight. When she first met Wally, they had a mutually adversarial relationship, but over time, they softened towards one another and developed a friendship that then became a romance. She helped Wally mature and grow up a bit, and he helped her loosen up and have fun. The two of them are great for one another, and, in spite of some rough patches, have a very healthy relationship.
Linda is a very intelligent woman and has no shortage of bravery; she's helped Wally face down many criminal threats and is a formidable opponent in her own right. Her skills as an investigative journalist also frequently aid Wally in his battle against crime.
Linda is a loving and devoted mother to her three children, and she will do anything to keep them safe. Woe betide anyone who is foolish enough to mess with her children. While she is the more serious and responsible parent, she is obviously very fond of her children and enjoys spending time with them and her goof of a husband. She's also handles most of the family's finances (since Wally lacks the patience for that sort of thing). She's also very close to her parents, who visit the family regularly. Much like Wally, she is friends with the Pied Piper.
Linda is also a huge sports fan. She loves baseball and is just as big a fan of Keystone City's hockey team, the Combines, as Captain Cold.
Iris "Irey" and Jai West: Wally's twins, both of whom have super speed. Jai can use his super speed to temporarily give himself super strength, while Irey is particularly adept at phasing through walls. Both of them are sweet kids who love their parents and each other, but still they bicker and fight with one another. They are siblings, after all. Jai is more introverted than his sister and seems to prefer playing video games and writing in his journal to socializing. Irey is more outgoing and mischievous, and she has become close friends with Maxine Baker, the daughter of Animal Man (Buddy Baker), who goes to her school. Both children are eager to help their father fight bad guys, but for the most part, Wally and Linda try to keep their kids away from too much combat. The twins are also very fond of their Uncle Piper, their Grandpa Jay, their Grandma Joan, and their Uncle Barry.
Pied Piper (Hartley Rathaway): Hartley Rathaway was born to multi-millionaire publishing magnates Osgood and Rachel Rathaway. He was born deaf, and it took his neglectful parents nearly two years before they realized something was wrong. Once they finally caught on to their son's deafness, and determined to "fix" their heir, they spent millions of dollars to get Dr. William Magnus to implant Hartley with super-advanced hearing aids. The operation was a success, and Hartley was left with not only the ability to hear, but super-human hearing. Upon being able to hear, Hartley quickly became enamored with music, which became something of a solace for the lonely child.
Hartley's parents, though extremely wealthy and able to give him the best of everything money could buy, were also cold, controlling, and neglectful, and Hartley never felt accepted by them or their high-society friends. He seemed to have no friends, and every aspect of his life was controlled by his parents...except his hobby of tinkering with musical instruments.
When Hartley turned 18, his parents selected a prestigious university for him, enrolled him in courses, and, when Hartley, uninterested in the courses they had chosen for him, didn't perform to their expectations, bribed the college to give him high grades. Hartley, for his part, had invented a flute that could hypnotize anyone who listened to it, and began using it to try to take some control of his life.
After several months (maybe even a few years) of conflict with his parents, everything came to a head when Hartley told his parents that he was gay. This kicked off an enormous argument that ended up with Hartley being all but disowned by his family. No longer welcome at home, and having dropped out of college, Hartley decided to use his magical flute to become the Pied Piper. By becoming a costumed criminal and openly stealing from the rich, he would have his revenge on the parents he had never been good enough for...and he would finally have control over his own life.
Hartley's parents were, predictably enough, infuriated by his activity as the Pied Piper, and promptly bribed everyone from the Chief of the CCPD to the FBI to keep Hartley's identity a secret. He was even given a new name, Henry Darrow, to make sure nobody connected the polka-dot-wearing thief with the Rathaways.
The Pied Piper was one of the youngest of the costumed criminals to battle the Flash (Barry Allen), and perhaps it was because he needed a substitute family that he joined up with the Rogues (after briefly dating a wannabe supervillain named Earl Povich/Fury, who would, years later, come after a reformed Hartley). With his upper-class accent and education, he stood out from the rest of the group, and many of them weren't quite sure where to have him---especially once he told them he was gay. However, he did become close friends with another of the younger Rogues, the Trickster (James Jesse), and he always got along well with Heat Wave (Mick Rory), who was gentle and easy-going.
During his career as a criminal, Hartley kept very little of the money he stole. He gave some of the money to his parents, to pay them back for the money they had spent trying to mold him into something he could never be (and to remind them that he still existed and remembered them), and donated much of the rest to various charities (he fancied himself as a bit of a Robin Hood figure, and viewed it as a way to help make reparations for the wealth horded by his family)...but he could still be a very dangerous opponent for the Flash, especially when angered or cornered.
Shortly before Barry Allen's death, Hartley had a nervous breakdown. This, combined with his old foe's sacrifice to save the universe, prompted Hartley to realize that he was wasting his life as a criminal. He reformed and became an advocate for a variety of social causes, including providing aid to the homeless. He became friends with the new Flash, Wally West, and he even reconciled with his parents. Since then, he has helped the Flash save the Twin Cities many times, and also helps to keep the Flash informed as to what's going on the criminal underworld. He's also stayed friends with James Jesse, the Trickster, who himself decided to join the side of the angels (mostly) and who never fails to keep Hartley's life interesting.
Hartley Rathaway is the sort of person people reflexively underestimate. Slight of build and rather quiet of voice (you would be too if whispers sounded like shouting sometimes), he doesn't seem threatening---but if you threaten him or the people he cares about, he can be every bit as dangerous as the Flash (or the Rogues). His weaponized musical instruments allow him to not only hypnotize people but to weaponize sound in a variety of ways, and he is very skilled in using them in combat. He's also a very skilled inventor and is constantly updating his arsenal of pipes, and he knows a lot about sound. (He also sometimes serves as Wally's tech support.)
In addition to being very intelligent, Hartley is a loyal friend and a devoted champion of the poor and underprivileged. He is extremely passionate about his causes and works tirelessly to help others, sometimes to the point where he exhausts himself or forgets to eat. He wants to create a better world for everyone, and he is very compassionate, especially to children, such as his little sister, Geraldine Rathaway. He is also a beloved "uncle" to Jai and Irey West.
Hartley feels a fair deal of guilt about his criminal past, and for that reason works hard to make amends by aiding Wally in his role as the Flash. He spends a good deal of time and effort in helping other ex-convicts reintegrate into society, and also passionately helps Linda expose corruption in high places.
Hartley loves all kinds of music, more or less indiscriminately and equally. He sometimes plays in the Central City orchestra, and he is rarely found without his headphones on and his flute in hand. In addition to his love of music, Hartley is also a baseball fan, and enjoys watching games with fellow fan Linda.
Hartley loves rats and has several pet rats, including one named Moon.
Hartley has had a number of partners over the years. Aside from the aforementioned Earl Povich, he has dated Mike, a chef (probably) and James, who worked as an architect (not to be confused with James Jesse, the Trickster, whose real name is actually Giovanni Giuseppi). His most recent partner is, as you noted, David Singh, who works as a police officer. I don't really know a lot about David other than his occupation, since his relationship with Hartley was introduced in the New 52, and Hartley has had shockingly little panel time since then. Nor do I know how they met (I don't think the comics have ever really explained this, and inquiring minds would like to know, given one of them is a police officer and the other one used to be a supervillain). That being said, Singh does seem to serve as a moral compass for Hartley when he's tempted to revert back to his criminal ways.
Paul Gambi: Paul Gambi is a tailor of Italian descent, and he makes costumes for the Rogues as a sideline to his main business (since the Rogues pay very well for their costumes). He seems to be somewhere between 40 and 60 years old in most of his appearances, and I assume he's older than all of the Rogues.
Gambi has at least two brothers. One of them, whose name we don't know, is in prison, and he left behind a son, Tony, who Paul took in and raised. The other brother, Peter Gambi, is also a tailor, but he makes costumes for superheroes (notably, he made Black Lightning's costume).
Gambi is an expert tailor, and he designed all of the Rogues' outfits so that they would withstand the forces of the Rogues' weapons (e.g., Heat Wave's costume can resist ridiculous amounts of heat, Weather Wizard's costume can withstand high winds and rain, etc.) Although he has gone to prison for brief periods, for the most part he manages to stay under the radar and continue making costumes (it helps that he has a legitimate business as well).
Gambi is very fond of the Rogues, and they are equally fond of him, viewing him as a friend and an ally. Messing with Gambi is a great way to get all the Rogues to come after you. Gambi also seems to be a good uncle to his nephew Tony (whom the Rogues are also extremely fond of), and both uncle and nephew are as good as part of the group.
Fun Fact: Paul Gambi was named after a real-life Flash fan named Paul Gambaccini.
It's late now and I'm tired, so I will finish up the rest of the characters tomorrow.
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elbiotipo · 6 months
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Someone in the notes on your post about food in fantasy mentioned connection between at least early modern production of sugar and colonialism and slavery, and while I 100% agree that it's something that should be known, I think that if you want to have lighthearted fantasy setting there are definitely ways to work around this.
Like sugar is also produced from sugar beet. I don't know could it be done without modern equipment (production started at the very end of 18th century so while industrial equipment was primitive it was), but like you may do something with it, like some wizards developing production technology.
In the same vein, crop exchange in the Old World was mostly peaceful, or at least it wasn't due to slavery. Like rice was already grown in Egypt in 1000 BCE and made its way to Spain by 7th century CE. Bananas were grown in Turkey by 15th century CE. And tons of agricultural goods come from West Asia both ways. What I am trying to say is that if your world has equivalent of Americas your Europeans* could have just acquired potatoes and corn without colonization (because they were more ethical than irl or because they didn't have resources for conquest or because American nations were strong enough to stop them). Like potatoes and such are just crops, sailors could have picked them as a supplies and then someone decided to grow them at home.
This is like a suggestion specifically if you want to have a world for costume drama without dealing with heavy themes. I would suggest describing it specifically to point that out, and I can't say that it's very politically aware but definitely not worse than "they just have it" or "yes there are overseas colonies but pay it no mind".
*Because that's usually the case in examples that are discussed, from what I heard East Asian fantasy set in East Asia also suffers from this for the same reason, but I didn't read enough of it to say
Let me say you make real good points and I broadly agree with you. I do think the history of colonialism and where our foods came from is important (I do research that so no doubt). And I also agree that sometimes, those themes are too difficult to board properly, especially in a lighthearted story.
However, in fiction, it's not so much that I want people to do more "clean" ways of getting those crops. Many people told me "well, what if they get it through trade, or what if they got it through magical portals and such" my point is not that you find a "colonialist free" way to have potatoes in your setting, my point is that every crop in real life has a history behind them, and when you place them in your setting, I think you should consider that. Not only because you will learn about real life and its history, but also because of the storytelling potential.
I mean, I do have "worldbuilding fundamentalist" in my bio, and I think even if you don't sketch the entire world, you should at least know where your heroes are. Much of modern fantasy loves to adopt the "medieval" aesthetic, while in fact presenting a world with widespread trade, urbanization, a growing artisan class, etc. (I've done a longer rant about it here). Those things aren't just aesthetic choices, they are different societies that have different dynamics and they do affect the kind of plots and characters you might make on them.
I don't think fantasy should shy away from exploring themes such as imperialism and colonialism, trade and politics, intercultural contact and social change. One reason why I'm so insistent with the theme of crops and trade is that it's because it's emblematic of those issues. Sure, you don't want to explain the potatoes or chocolate in your setting, whatever. Don't you WANT to, though? Don't you want to explore beyond the pseudo-medieval aesthetic, and explore what an American or African -inspired setting might look like? Of course, you could and should also make your own new settings, but exploring actual history, geography, biology (at the broadest term, natural history) will make you a better worldbuilder and a better writer, AND also let you learn more about the world.
Sorry if this rant is a bit unfocused, just woke up from a nap after some wine, but this is why I'm so insistent with the stories that can arise just by considering the crops in your setting. Imagine what else can you write.
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fatehbaz · 1 year
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While sugarcane has defined Caribbean islands since the onset of European settler colonization, a little-known African species, guinea grass, has invaded sugar plantations from within. Cultivated to intensify sugar production, guinea grass ironically became a weed of the plantations while providing material and spiritual resources to enslaved and marooned Africans and their descendants. [...]
While sugarcane was imported from Austronesia, guinea grass hails from the western coast of Africa. Sugar was the principal crop of many Caribbean plantations; guinea grass was imported as fodder for the oxen that labored in the fields and for the cattle that fed the planters. [...]. A 1707 account by Hans Sloane, whose collections would form the core of the British Museum, describes the grass (then known as “Scotch grass”) as widespread in Barbados and Jamaica [...].
The imported grass was celebrated by eighteenth- and nineteenth-century planters for its high grazing quality. Bryan Edwards sang its praises in Jamaica, writing that it may be considered as next to the sugar-cane, in point of importance; as most of the grazing and breeding farms or pens throughout the island were originally created, and are still supported, chiefly by means of this invaluable herbage. For Edwards, guinea grass had an almost equal status to sugar cane because it could feed “the plenty of horned cattle both for the butcher and planter.” [...] By 1786, the African grass had become naturalized in Guadeloupe, and, by 1813, it had reached Mississippi, writes Parsons. It spread widely throughout Central and South America [...].
Indeed, one observer in New Granada (modern-day Colombia) was so enthusiastic as to argue that whoever had introduced the plant deserved a statue “as high as New York’s Statue of Liberty” [...].
In Cuba, the grass appears in an 1816 report of José Antonio de la Ossa, the first director of the Botanical Garden of Havana, who wrote: “It is an abundant and convenient pasture grass, because it multiplies its stalks in the same way as Sugar cane[.]” 
Like Sloane and Edwards, Ossa compares guinea grass to sugarcane. The two foreign grasses seemed to them similar in morphology and function, because they both [...] promoted the economic development of the islands’ cash crop societies. [...] While sugar was introduced to Cuba long before guinea grass, it was guinea grass that allowed for the intensification of Cuban sugar cultivation with large herds of oxen.
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Yet something strange happened in the history of this ostensibly symbiotic relationship. 
Although guinea grass was meant to support the sugar economy by feeding its beasts of burden, ironically, it became a virulent weed to the sugarcane plants. By 1977, guinea grass was rated the number one weed to sugarcane in Cuba. In 2012, the journal of the National Botanical Garden of Cuba (Revista del Jardín Botánico Nacional) listed it as [...] an invasive species of greatest concern. In this way, the two imported grasses became stalky antagonists in the daily competition for light, water, and soil nutrients.
Their cultural meanings, however, had long since diverged. If sugarcane supported the economic interests of European planters, guinea grass was appropriated by enslaved and marooned Africans across the Caribbean for practical and religious purposes. 
Diasporic Africans in the Virgin Islands used the dried grass to make masquerade costumes for Carnival and other festivals. In Cuba, priests used it to make omiero, [...] of the Afro-Cuban Reglá de Ochá religion. 
Moreover, some of the enslaved canecutters used an ancestral West African technique to thatch their mud huts with guinea grass. [...] In fact, the famed maroon Esteban Montejo described using this method of thatching during his escape from a Cuban sugar plantation in the late nineteenth century: [...] I had never left the plantation before. I walked uphill, downhill, in every direction. [...] My feet were blistered and my hands were swollen and festering. I camped under a tree. I made myself a shelter of guinea grass in a few hours and I stayed there four or five days. [...]
Guinea grass has continued to take on new meanings for Caribbean writers in the twentieth and twenty-first centuries. In Alejandro Aguilar’s 1997 short story “Landscape of Clay,” [...] [t]he untamed grass, like the cadets’ expressions of sexuality, subverts the rigid structure of the institution.  Likewise, the storyteller in the 2002 play In the Time of the Revolution by the Guadeloupean writer Maryse Condé bemoans the fact that “people’s dreams are not made to grow freely like guinea grass on the banks and highways. Some people try to pull them up, to mow them down, to dry them out, to burn them and see them go up in smoke.” [...] In undermining the economic ambitions of the plantation system, guinea grass has come to represent acts of subversion [...].
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All text above by: Hannah Rachel Cole. “Plant of the Month: Guinea Grass.” JSTOR Daily. 1 December 2022. [Bold emphasis and some paragraph breaks/contractions added by me.]
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ufonaut · 1 year
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Alan Scott in Trinity (2008) #28-29
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jewellery-box · 2 years
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Pink Silk Ball Gown with Large Puff Sleeves, c.1890s
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This exquisite pink silk ball gown was donated by Elizabeth Philipse Iselin, wife of Ogden Curtis Noel (1935-2019). The two lived on Silvermine Road in New Canaan with their family. The dress belonged to Elizabeth’s great grandmother, Carolyn Lydia Goodridge (Mrs. John H. Iselin Jr.) who was married in 1899. Carolyn wore the gown at the Bradley Martin Costume Ball at the Waldorf Astoria on February 11, 1897- a social event rating two full pages in the New York Herald. It was labeled by Kentucky newspaper Lexington Leader at the time as “the most splendid fancy dress ball ever given in America”. The interior label of the dress reads “Mme A. Donova, 280 Madison Avenue.”
This dress is a striking example of ball gowns in the 1890s. Women’s daywear was characterized by stiff, high collars and tight sleeves extending to the wrist. Bodices also featured large puffed sleeves at the shoulder, and skirts lacked the large bustle of previous decades. Eveningwear, however, was often much more revealing. Ball gowns such as the pink silk dress had low, wide necklines- a stark contrast to the conservative attire worn just hours before. Sleeves were shortened to show off bare arms, and skirts extended outwards in a trumpet shape, often with a short train.
New Canaan Museum and Historical Society
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captainmera · 10 months
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I've been reading your Tales of Caleb Wittebane story and honestly your grasp of 1600s America makes the worldbuilding very interesting. I admire your dedication to making it as accurate as you can!
omg THANK YOU!!! :DDDDDD <333333
I've done so much research--!! I know so much about Connecticut Hartford and the witch trials, and Pequots, you don't even know half of it.
As a non-american, I never thought I'd know this much about a state's history lol. For one, Connecticut has a whole museum dedicated to the history and culture of the Pequot tribal nation! Super fascinating check it out!
I think I've consumed every documentary available on youtube twice, as well as scraped sites like Wetherfield's historical society & Hartford museum's sources and recommendations, just to get the detail snippets up.
Both Wethersfield and Hartford are very obvious inspirations for Gravesfield! Considering they have so many similar things appearing in them. I mean, just look at Hartford's founder statue lol:
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I did look into the work behind the costume designs for movies like VVITCH, Salem and Sleepy Hollow, just to consume the visual knowledge of what experts had to say about it. Y'know? :D Saves me the work to listen/read what experts have to say about it!
Looking into the witch trials too (which took place before Salem) is also very interesting! Though, Gravesfield is inspired by it, so I'm allowing myself some creative freedom. Especially in regard to what "witchcraft" happens. Considering, Evelyn is a real witch and her magic has an actual system behind it.
Matthew Hopkins was a real witch finder, which I believe Jacob is referencing. But in true Disney fashion, I changed his name to Anthony instead, so it isn't a ~real~ historical figure. :P
I like history, but my area of fascination is social culture. So a lot of what I dig into is everyday life, behaviour and objects, fashion and how things are used.
It's been particularly fun to look into Woodsmen and what their actual duties/lives were like! :D And right now I'm looking more into crime and punishment. Which is also a lot of fun!
I don't save all my sources because I just write down in my notebook of what is relevant for me and the story. So I won't say I'm a 100% accurate, but I'm like... a solid 70%??? Which is good enough for me! Heheh!
idk about you fam but history immerses me creatively. Because the more I find - like little objects and what they ate, wore, things like that - it makes me grounded and I can see it so much clearer what is happening and what SHOULD happen.
Like, when Evelyn meets Mr Hopkins and Caleb keeps elbowing her to be quiet. It's not in-text, because I want the reader to be mystified with Evelyn more in that scene; But she is not supposed to talk with Mr Hopkins so frankly. And, she responds to his "how do you do" incorrectly, she answers it! You're supposed to reply the same in return "How do you do." "How do you do." Which is what Caleb did!
So she's a weirdo! :D For me, that really helps me write Evelyn clashing and standing out more. And amplifies Caleb's nervousness of her strangeness by others. He is very self-aware of social status and position. Which she is not. So he is her perfect guide! :D
:DDDDD
Sorry I'm going off on a babble here but THANK YOU FOR NOTICING. I'm very proud of it! :D
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bibibbon · 8 months
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What MHA's lacks: world building part 2
I have already talked about this topic before but I mainly focused on the world building of Japan as a society itself .
Now I wanted to talk more about the MHA world building outside of Japan. When it comes to world building outside of Japan all we have are the MHA movies (which are somehow canon but the timeline for them makes no sense to me) and the whole interaction with star and stripes/USA.
Obviously we were gonna get a look into heroics and heroes outside of Japan after the war arc (it was inevitable especially with Japans need for foreign help) but I can't help to say that the little amount of world building outside of Japan that we got was lacking to say the least.
America or star and stripes. It was obvious that we would be getting heroes from around the world but I really hated how the idea of America and American heroes was something that was heavily sterytopical (maybe Iam thinking too deep into it 🤷‍♀️) but I don't like how star and stripes legit had her costume based on the American flag (I know it's supposed to be like all might). To me star and stripes felt like such a rushed plot point who is just the female version of all might that lacks all the character depth and wasted potential that all might has. The idea of America actually having a military is very interesting but it's never expanded on why or how they have a military. How is a military army any different than quirked heroes? We just saw them operate various airships and that's it for them 🤷‍♀️. I personally think we should of gotten an idea or at least a view as to why there is a military for example, America has a military and heroes whereas Japan uses heroes as soldiers and entertainers. Star and stripes should of been introduced way earlier in the series because she is the number one in USA and everything about her is heavily inspired by all might so we could of seen bits of her after all mights retirement and whatever relationship she had with all might because everything about that plot point of foreign American military and heroes was so vague and needed expanding.
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I-island. I love the concept of i-island even if it's introduced just in a movie (I think it should of been a canon manga plot point), if you think about it having an island that focuses on the creation and progression of technology and it being like a very high tech island is a very interesting idea. What type of Industries are in i-island? The population is well off due to the island being very neutral in political ideals and is considered a place of education and technology. You could of had it to be an area that has a very low crime rate because everyone is open to the same opportunities and the small population makes it so that people are very connected to eachother. I-island could also be a place where heroes are sent to train and usually go to find a support company to work with.
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Other heroes. When it comes to the whole world of MHA there are a lot of heroes from many different places but I don't necessarily like their character design like is it only me who finds it weird that pro hero native (who is a Japanese citizen) has a hero costume that is of native Americans? Or when showing us a hero from Egypt their costume was a literal pharo?. I feel like horikoshi could of been more creative when it came to showing other heros form other parts of the world and their costumes. I am not totally against having heroes that share and represent parts of cultures but if it's done in a way where it's just them wearing a very sterytopical costume then what's the point ?!?!? Sure you can make a character who does wear a very sterytopical costume and profits off other peoples culture to show how hero society is messed up and actually critique something like that but we don't see that and I think that's wasted potential.
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Political relations and political differences. Every country is bound to have a variety of different political relations and differences so this could be difficult to explore if you try and include every single place in the MHA world. However, the building up if the war arc and the aftermath we should of seen Japan's political relations with other countries. Did other countries offer aid in anyway? Did they send out something akin to peacekeepers to the field? Or something of the sort. Is there even a party or organisation that connects other countries together in a tien if crisis in MHA and did they refuse to help Japan because they feared AFO or something. I feel like this could of been an interesting plot point to explore but it's never mentioned best thing we get is one panel of a political saying something
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Transfer students. I think it was a fantastic plot point to have pony as a transfer students in the heroics course but I just wish we got more of her. For example where did she live? How was her life before she came to Japan? How does she feel about everything? How was it for her and her family when it came to the war in Japan? Or how did they deal with the parent conference when she is a transfer student? Surprisingly, pony has more potential as a character and more plot points to explore than a lot of 1 A character but we don't get much of what goes on with her.
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