#especially as i can find actual evidence for it which is rare

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[mochinomnoms]

Silly JadeYuu idea but!!

I've seen it so often in fanfics where Jade can dig up info on literally anyone in the school, so he decides to get his hands on any and all information on The Prefect as he can.

Except, there really isn't a lot to dig up on The Prefect, is there? Don't get him wrong, Jade loves a challenge but it seems like he forgot that Yuu didn't even exist in Twisted Wonderland before September, there is no digital footprint to doomscroll through, no hometown he can research and become an over night expert on. Crowly doesn't even have your birthdate recorded on file!!

All Jade has to go of off learning anything he can about Yuu is your besties Adeuce and Grim (awful, he'd die before he let's himself owe Ace Trappola a favour) or ask you all about yourself which...sounds almost too easy to work, right?

Or something 💦

Aaaaa it's such a predicament for him! At first, he didn't really need to gather too much information on you, but now that he's interested and needs to know you inside and out, the weirdly limited amount of information about you is concerning....

this can take place in the later chapters of ptm when you are starting to pine back for jade~

tags: @ghousus

Jade had meant an unfortunate roadblock. Which was rare for him, especially when it came to intel.

It only took him but a few days to compile the intel on his dorm's freshmen for Azul, he even managed to find students' secret social media accounts.

Yet you were simultaneously NRC's worst and best kept secret.

He's positive that Crowley had intended to keep your transdimensional status a secret to but himself and the staff, yet it became increasingly obvious as the last school year progressed that you were not from this world.

If the lack of basic magical knowledge for didn't tip someone off, the gap in basic history facts and the random things you spewed out did.

"WHY IS THE CAT'S EARS ON FIRE? AND BLUE?" "Is that, like, your actual ears and tail or?" "Wait, so you're not an elf? Isn't that the same thing as a fae?" "Oh yeah we have a story about a kid and a beanstalk too! No guns on school grounds though, too many school shootings." "HOLY FUCK WHY DO YOU HAVE SCALES?" "I'm not making it up, people back home go to space, we have flags on the moon! You mean to tell me you guys didn't have a space race or something? ...What do you mean what's the point!? IT'S THE MOON!"

No one could really fault you for your cluelessness, thought Jade found it quite cute.

Unfortunately, that made it difficult to find information on you, especially back when Azul task him with finding dirt on you to get Ramshackle.

"I'm sorry to say Azul, but there is no information on Ramshackle's prefect prior to their attendance here. Not even evidence of their birth." "Well look harder! It's not like they popped out of nowhere! I need that dorm Jade, so do your job and find me something I can work with!"

After Azul's...outburst shall he say, and their discovery that the Prefect did actually pop out of nowhere, Jade has held it over his head quite smugly.

He wasn't so smug anymore, though, not when he was so invested in getting your heart and keeping it all to himself. Hard to do when there was little to no information about you.

Here's what Jade did know:

You liked dancing, though you weren't particularly good at it. Same with singing.

Silver had taken to teaching you how to use a sword, and you were quite good at it.

You tend to split your meals with Grim, even when offered your own plate.

Sam's soda that Azul had acquired last year was your favorite drink. You also liked the milkshakes at the lounge, though you rarely got them.

You scare easily and are near incapable of scaring someone else.

You were reckless when it came to your friends, to the point that you've nearly died about 9 times since arriving to their world.

And, of course, there were the little things that Jade noticed. Like the way the color in your eyes brightened in the sun.

Or the way you picked at your nails when nervous.

And the way you purse your lips when you get confused.

Oh! He thought the way you chewed on your pen was awfully cute.

Ah, the way you looked at him sometimes with an embarrassed look was something he's come to memorize. He's memorized many of your various facial expressions...like the one you made when you caught him staring at you. Despite his best efforts.

It's like you knew he was thinking about you...

He also knew that you liked to hide your smile and laughter when either got too big, big enough to show your teeth and gums. Big enough to make you snort and cackle like a witch from one of those human children shows someone showed him once. He knew your laugh like the beat of his heart.

Jade knew a lot, and yet nothing at all about you. What was your family like? Friends back home? What did you study? What were you wanting to be? Did you have a pet? A partner?

Don't worry about the last question! He's just a bit curious about the company you keep is all.

In any case, your little group of friends throwing you your birthday party was the perfect excuse for him to delve into your personal life with a plausible excuse.

"I thought Grim would be doing the interview questions for them? It's all we're letting him do so we can throw the Prefect a decent party this time."

Most people remembered the 'party' that the group of five then freshmen tried throwing you. It was hastily put together, no white suit as traditionally provided for a first year's birthdays, and the cake was a pile of tuna cans that Grim placed several small candles on top of. Which promptly fell over, caught a window drape on fire, and nearly brought the whole of Ramshackle into a blaze.

It also wasn't your birthday at that time. (That at least is a piece of information he could get his hands on.)

Now Ortho was involved, and Jade wasn't positive if that decrease or increased the potential fire hazard.

"Last year he did, yes. However, since the new freshman have been taking residence in Ramshackle, they've taken over the yearbook duties."

Usually, Jade would be able to gather his intel with little to no help from others, especially considering most of the school logged their activities on their social medias by the minute. Plus, his father's “questionable” career provided him with ample access to private investigators and databases.

But when it came to you? He didn't have much of a choice other than to depend on others. How troublesome.

"Aspen offered to take over the interview along with his other party tasks, but the poor thing has been struggling to juggle all his duties at Ramshackle and in Octavinelle."

Lies. Aspen was doing perfectly well, but when Aspen complained rather loudly in the Mostro Lounge kitchen about having to do the interview, Jade was more than happy to offer to take all the tasks from him. No future payment or favor required.

Aspen, with pink cheeks and hearts in his eyes, was more than happy to hand all of his tasks over to Jade with little thought.

"Oh, I guess then…" Deuce looked back at Ace in the kitchen with Trey on a video call. Saying that he was attempting to make a cake would be generous.

"…You know what, it's fine. We got a lot going on here. But, uh, when you're asking the Prefect about their ideal party, the sort of presents they like, and the usual stuff, try to be discreet. It's supposed to be a surprise!"

Jade raised a brow in amusement. "Really? How did you manage to get them fitted for their birthday jacket? I imagine that would be hard to keep a surprise."

Ace turned around, cradling a bowl in one arm and waving a wooden spoon. Jade is positive he could hear Trey cry out at him to not wave the batter around.

"Epel told them that Vil wanted them to come by to that film festival we when to last year, and needed to measure them for it."

The ginger flinched at Trey's voice chastising him through the phone.

"Hey! You asked for my help now pay attention before you drop the entire bowl and have to start over!"

"Okay! Okay! Jeez, you're almost as bad as Riddle when it comes to baking…" Ace grumbled, scrunching his nose like a child being scolded by his parents.

Jade withheld an amused snort at the thought, turning back around to Deuce to give him a polite nod and smile.

"Well then, it seems that you both have your work cut out for you. I'll leave you to it then."

Turning to leave, Jade ignored Deuce 'whispering' to Ace.

"Are we sure he should be asking them all these questions? You know how they'll probably get…"

Their voices faded out as he left Heartslabyul's kitchen, out the lounge, and to the entrance. He had previously been joined by Floyd, but his brother took off to find his favorite person entertainment.

Based on the rising voice of Riddle somewhere off in the rose maze, Floyd was successful.

Now, it was his turn to find his own favorite person.

You weren't hard to find, just follow the loud direbeast's noises, and you were bound to be there. It also helped that Jade had memorized your weekly schedule.

They should be finishing up their flight class soon, so I'll check the fields first.

It wasn't a particular trek, but it was a bit a walk from the Hall of Mirrors. Though, with how vast the campus was, it was expected.

Maybe he can stop at Sam's to grab a nice cold water to offer you. After all, he needs to demonstrate just how caring and dependable he is for you, and he'll start digging his place in to your heart!

Though, it seems that you were ahead of schedule, currently making your way to Ramshackle. Limping, even.

Oh dear, did you get hurt my pearl! I hope you're alright.

Like always, you seemed to sense him before he could even process your presence.

Those pretty, mesmerizing eyes widened, blinking at him with a piercing stare.

"Jade, hey, what are you doing here?"

Jade had to keep himself from running towards you like he wanted, instead taking a leisurely pace as you jogged towards him.

"Hello Prefect," My darling pearl~ "What a coincidence, I was just on my way to see you."

You gave him a knowing smile, eyes squinting as you did.

"Birthday, right?"

"Oh? And here I thought it was a secret~"

You snorted, covering your mouth to cover your grin. Cute.

"I have my...ways!" You looked to the side, pursing your lips before looking back at him. "But I'm guessing you got wrapped up in helping somehow?"

Again, that look, like you already knew the answer to your own question.

"Yes, I offered to help get a list of important party preferences for your friends. I do believe Deuce in particular is worried about your gift preferences."

Personally, I think the sea glass ring I had commissioned is going to be your favorite. But I'd rather exchange the gift privately, more intimately...cherish your reaction.

The thought of you, looking at him completely dazzled and struck by his confession was a fond thought. To finally make you his and his alone would be a dream. He just needed to know your idea date, which is what this little mission of his could help with.

"You know Jade, you don't have to find an excuse to find things out about me." Jade blinked, feeling himself warm up under your gaze.

How do you always...

"Oh?" Jade chuckled, hiding his smile behind a fist. "Did I give off that impression? I'm simply providing my assistance to those in need."

You rolled your eyes, pausing as you made eye contact with him and looked at your feet in embarrassment.

"No you don't—I mean not intentionally—I can just tell..." Jade let his smile soften into something more fond as he watched you stumble over your words.

"It's alright, I am always curious." And you just happen to be a strong topic of interest. "There is very little known about you, are you aware that you didn't have a student file up until a few months ago?"

Squinting your eyes at him in suspicion, you poked an accusatory finger into his chest.

"And why do you know that? I thought Azul didn't need you to dig up dirt on anyone since last fall."

Placing a hand on his chest, Jade pouted. "That's rather harsh little pearl, I prefer the term 'conducting research', it sounds much nicer. Besides..."

Jade couldn't help but give you a smug smirk, curling his finger for you to come closer. Hesitating, you leaned in on your tiptoes as he leaned down. His gray strand brushed against your cheek as he heard you take in a sudden breath.

In a soft, low, almost heady voice, he whispered, "...you're just something I'm particularly interested in. I want to know you inside and out~"

Oh, how he delighted in seeing you fumble back and clasp your hands together in a fluster. Though, from the heat in his cheeks, he's probably no better off right now.

Covering your lower face in your hand, Jade could just barely make out your muttering.

"When did you get so direct..."

As quickly as he got that sweet reaction, you straightened up and smiled at him.

"Well, as long as your helping the others, I can give you my free time." You gestured for Jade to follow you to your dorm, swinging your arms as you walked.

Before you even made a few feet, you stopped and turned back to Jade with a shy expression.

"Um...but you don't need an excuse to go out or anything like that." Jade felt an electric shock fly up his spine as you gingerly reached for his right hand.

Your thumb rubbed over his hand in a tender gesture, like you were trying relax him as the tingling sensations and the rapid beating of his heart increased.

"I'd like to be with—or, I mean, be around you more." You looked like you were burning up with embarrassment, while he rejoiced internally.

YES YES YES! I want to be with you! I want you, let me have you! You will won't you?

"...Of course, I'd like that too." Jade brought the hand holding his up to his lips, barely brushing the skin with a kiss. "I'm more than happy to indulge my whims, why not take advantage of you offering?"

You both made eye contact, staring into each other as if waiting for the other to make a move.

Gods, I love you...

It didn't take long for you to jerk your hand back, looking up at him with a like he just confessed his love and offered his soul to you.

He didn't say that out loud...right?

"Um, let's head to Ramshackle to talk." You turned back around and started quickly walking, leaving Jade to catch up to you, though with his legs it wasn't hard. "I wanna get out of my uniform..."

I could help with that~

"I'll just change into something really baggy! Nice and comfy!" You let out a nervous laugh as you continued walking.

Makes for easier access~

He wasn't sure what was in your way, but somehow you managed to trip over air and smack into the ground.

[transmutationisms]

how do i know what’s right?

i feel like i have zero critical thinking skills ;-;

a lot of the time when someone poses an idea or a theory they think they’re right, and so they use language that enforces that. but then someone refutes it, and uses language affirming what they believe and i see the point in their argument. and then it gets refuted again and again and again and im just confused.

hi great question. i would love it if there were a single easy litmus test to figure out who's 'right' and whose info i should trust! unfortunately things are rarely this easy, and it's actually completely normal to be overwhelmed by the amount of information being produced and shared, especially when it comes to topics you haven't researched/lived/etc. for most of us, this will be most topics!

i'd preface this by saying that i think your overall attitude here is actually a good one. you're framing it in a pretty self-deprecating way—but actually, imo this type of openness to discussion and disagreement is a really good place to start, esp when dealing with topics that are new to you. nobody enters a contentious debate with a fully fledged, defensible viewpoint. you might feel like you're just treading water here, making no progress toward being able to evaluate arguments for yourself, but i highly doubt that's true.

all of that said: while i again cannot give you a single litmus test for figuring out what's 'right', there are four pretty basic sets of questions that i automatically run through when encountering a new idea, source, topic, or argument: we can call these origin, purpose, value, and limitations.

origin: who's the author? do they have any institutional affiliations? who pays their salary? is this argument or paper funded in any way? is the argument dependent upon the author's social position or status (race, class, etc) and if so, are those factors being discussed clearly? does the author have ties to a particular nation-state or stakes in defending such a nation-state? what's the class character of the author and the argument? what's the social, economic, and intellectual context that gave rise to this argument or source?

purpose: why is this source or person disseminating this information or making this argument? are they trying to sell you anything? are their funders? are they trying to persuade you of a particular political viewpoint? keeping in mind the answers to the 'origin' questions, are there particular ideological positions you would expect to find in this source or argument, and are they present? what are the stakes for the author or source? what about for those who cite the source or further disseminate or publish it?

value: what does this source or argument accomplish well? what aspects of the argument are new to you and strike you as insightful? are there linkages being made that you haven't encountered elsewhere, and that you think are effectively and sufficiently defended? are there statistics or empirical data that might be useful to you in forming your own argument, even if you disagree with how this source or author is interpreting them? what does this argument or source tell you about the types of debates being had, and the rules of those debates?

limitations: where does this argument or source fail you or fall apart? are there obvious rhetorical fallacies you can identify? is the author forgetting or overlooking some piece of information that you know of from elsewhere? which viewpoints may be omitted? keeping in mind the answers to the 'purpose' questions, if this source is defending a particular ideology or political position, is that one you agree with? is it only defensible so long as the author omits or distorts certain pieces of information? are there points where the argument jumps from evidence to a conclusion that the evidence can't fully support? are there alternative explanations for the evidence?

over time you will often find that it becomes more and more automatic to ask yourself these questions. you will also find that the more you read/hear about a particular topic, the faster you can determine whether someone is presenting all of the evidence, presenting it fairly, and using it to fully defend the argument they ultimately want to make. and you will probably also find that at some point, you're able to synthesise your own argument by pulling the strong parts from multiple other people's viewpoints, combining them with your own thinking, and fitting them together in a way that adequately explains and materially analyses the issue at hand.

[baby-tini]

Yandere ADA!Dazai alphabet plase? You don't have too do them all, just D, A, Z and I

TW- Physical Abuse, Psychological Abuse, Stockholm Syndrome, Manipulation, Controlling Behavior, Victim Blaming, Threat With A Gun, Love-Bombing, Talk Of Murder, Isolation, Implied Murder, Implied Torture

Affection: How do they show their love and affection? How intense would it get? Dazai is very intense when it comes to affection, he's very clingy and you are very rarely away from him, but even when you aren't with him, he'll call and text you a lot, constantly checking up on you and he would even bug your phone with a tracking device or at the very least, he'll hack it too find you. But he does really well with playing it off as if he's being playful or that he's just concerned for you, afterall, he's a detective, he knows the uglies of the world.

Blood: How messy are they willing to get when it comes to their darling? He's willing too get messy, very messy and he's more then willing too kill for you. But what he's willing too do and what he can do is very different, especially while he's in the agency. He won't kill if he can't get away with it. But also, he doesn't need too kill, especially with his level of intelligence, if there's someone that he doesn't like that's flirting with you, he'll just frame them for a crime. Because who's the police gonna believe? A detective in the ADA, someone who's helped them with cases before, or a suspected criminal who all the evidence points back to?

Cruelty: How would they treat their darling once abducted? Would they mock them? ADA!Dazai wouldn't abduct you, simply because he can't. Mainly because of his job, especially if you also work for the agency and you go missing, the agency are going too look for you and Dazai knows this. So, he would mostly stick to isolation and not letting you go out too much, or, he'll make up excuses as too why you can't go somewhere or hang-out with someone, which will then cause you too lose all of your family and friends. I do think he would mock you, but only when you're pissing him off, he'll talk about how you have no friends, no family and he'll even threaten too leave you, when you go against him, because then you'll have absolutely nothing and he knows that.

Darling: Aside from abduction, would they do anything against their darling’s will? He would. Absolutely he would, because what you want doesn't really matter to him. Now, I don't think ADA!Dazai would go as far as too noncon you, but I do think he would give you forced affection. Whether you want too be touched in an affectionate way or not, doesn't matter to him, if he's in the mood too just lay and cuddle with you, you're going too lay and cuddle. So, basically, you have no say in pretty much anything, ever. If he wants something, he's going too have it, it doesn't matter if he has too force it.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling? Not much honestly, even if he is obsessed with you, he still keeps his secrets. He doesn't want you too ever feel comfortable enough too make you think that you can exploit him in anyway. Now, sure, he'll have his vulnerable moments, he is still human after all, but he's really good at playing it off as if it was a joke and he wasn't very serious.

Fight: How would they feel if their darling fought back? He'd be quite amused actually, he'd find your whole show quite the entertainment. But also in perfect Dazai fashion, he'd make you feel like you're doing too much, as if you're getting so worked up for no reason. If you ever did get so angry to the point where you attempt too get physical with him though, he wouldn't be so amused.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape? Yes and no. Yes simply because that's who he is, he likes too play mind games with literally everyone and he takes an immense amount of pleasure in fucking with peoples head. But also no because he does have a genuine interest in you, whatever that may be and he doesn't want you too think that he doesn't care for you at all. As for escaping, there's no real escaping simply because he's not holding you hostage but he does hate when he doesn't know where you are, so no, he doesn't.

Hell: What would be their darling’s worst experience with them? The worst experience you ever had with Dazai is when you tried too break up with him. It was when the two of you had a really bad argument, and again, he was trying too minimize the situation and that pissed you off even more and the words just came out. That's when you saw his eyes just go dark and become empty as he stepped towards you, the air noticeably becoming thicker as he stared you down. You found out just why Dazai was a torture specialist in the mafia that night.

Ideals: What kind of future do they have in mind for/with their darling? Dazai just wants too be happy and not constantly worry about you leaving or getting hurt, his ideal future would just be you being with him. He wants a happy life, he doesn't want too constantly dwell on the negatives of his life; if it's with you, he doesn't mind what kind of future.

Jealousy: Do they get jealous? Do they lash out or find a way to cope? Jealousy isn't really a big thing for Dazai, he's a very confident person. Now, playfully he'll act jealous and become all clingy if your attention is directed at someone else. But, if he were too become genuinely jealous, well then... things would get very ugly as he stares the person down, his eyes lacking all emotion as he pulls you away with him. If he's angry enough though, you might just see a news story about them, reporting his mysterious death.

Kisses: How do they act around or with their darling? He's very loving with you, very touchy and sweet overall. You guys look ideal out in public, it's just behind closed doors when things can get a little ugly. He does have a reputation out in public so he makes sure too keep himself in check when there are people around, but when you get home, he does a complete 180, especially if you were, in his words, misbehaving in public. But, besides that, he's a pretty good boyfriend.

Love letters: How would they go about courting or approaching their darling? Love-bombing. He's very affectionate, very quickly, never leaving you alone, at all. He's constantly showering you in compliments and giving you gifts, telling you about how you're the first woman he's ever felt this way about, which is true, but he said that the first week of being with you. How the love of his life and he quickly engulfs your life and he gets you too move in with him very soon after being with him, everything happens so fast that it's overwhelming for you, but again, he makes everything feel like it's natural and that's he's just so in love with you that you don't really question him.

Mask: Are their true colors drastically different from the way they act around everyone else? Yes, they are extremely different. Dazai is very two-faced and puts up a lot of facades. When you met him, he was so sweet and loving and intelligent.. but then his true colors came to the surface and things turned ugly. He started too become controlling and very psychologically abusive. But, that's just how he is in general, he's a manipulator and a very good one at that.

Naughty: How would they punish their darling? You're already in a constant punishment with how much he keeps you isolated, but, he doesn't punish you very often, surprisingly. Simply because anytime you're pissy with him, he won't take you very seriously and he'd much rather cuddle with you then dish out punishments, he's lazy. But when he does, they're very calculated and impactful, he's more focused on breaking you down mentally then actually putting his hands on you, but he'll still spank your ass or give your hair a nice harsh little tug when he needs too.

Oppression: How many rights would they take away from their darling? A lot, if not all of them. He becomes quite the controlling boyfriend, he's always asking you where you are and who you're with. He checks your phone constantly, you have no privacy whatsoever, he is in control of your whole life. He tells you what you can and can't where, he talks for you, he orders food for you, he'll bathe you. You will have sense of independence in this relationship, he doesn't even let toy think for yourself, anytime you have an idea he'll shut you down and tell you what he thinks you should do instead.

Patience: How patient are they with their darling? Dazai is a very patient person and it takes a lot for him too actually get to the point of being genuinely pissed off. He can tell when you're purposely trying too piss him off, he knows what you're doing. Sometimes he'll playfully feed into it and pretend too be upset, but again, he can tell what you're doing so he won't feed into all the time.

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on? First off, there is no leaving or escaping him, there's no where that you could go and him not find you. He is quite literally a detective, his whole job is finding people, you are no different, he will find you. If you do die though, it would break him quite a bit and he'd drink even more then he already does. It would actually frequent his suicide attempts and they wouldn't be like something like, jumping in the river, no, he'd desperately want too die and be with you.

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go? Again, he wouldn't abduct you, he can't. Now, if he over did it with his little mind games and you were genuinely mentally exhausted, he may feel guilt and comfort you. But, usually he doesn't feel guilt because he sees it as something that needs too be done. Letting you go though? No. He would not, he doesn't care about how much you beg and plead for him too let you just be by yourself, and let you go out. Because it's not gonna happen.

Stigma: What brought about this side of them (childhood, curiosity, etc)? Loss really. Dazai has lost a lot of people in his life and he's tired of it. So if he has too become a little controlling too keep you safe, so be it. He only wants too keep you safe and he doesn't care what he has too do in order for that too happen. You'll understand one day that he's doing all of this for you.

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves? It depends on the reason why you're doing all that, because you'll get a couple different reactions from Dazai. If you're crying because of a punishment, he'll just shrug you off, and tell you that's what you get for misbehaving. If you're screaming because you're frustrated with him because he never listens to you or lets you do things for yourself, he will minimize the problem and make you feel like you're acting over-dramatic. Isolating yourself though, that will not work, if you for example, lock yourself in a room, that's not gonna do anything for you, because he can pick locks and he's quite skilled at it.

Unique: Would they do anything different from the classic yandere? Sort of, since we're talking about ADA!Dazai, he won't kidnap you. Mainly because he can't, because of his job, especially if you also work for the agency and you go missing, the agency are going too look for you and Dazai knows this. So, he would mostly stick to isolation and not letting you go out too much or he'll make up excuses as too why you can't go somewhere or hang-out with someone.

Vice: What weakness can their darling exploit in order to escape? None really. I would say physically, but even then, Dazai can fight, he was in the mafia. No his martial arts aren't as good as that of someone like Chuuyas, but he can still take care of himself in a physical fight. Also, baby he has a gun, and he's shown time and time again that not only does he know how too use said gun but also that he's not afraid too use it. Mentally though, there's no winning there obviously. He is far too intelligent too be thrown off by some meaningless little comment.

Wit’s end: Would they ever hurt their darling? Yes, he would. I do think he would mainly be psychologically abusive instead of physically abusive. Now I say mainly because, I do think he would still hit you, but Dazais whole thing is mind games, plus people can't see psychological scars like they can with physical scars. Also psychological trauma lasts longer then physical trauma, because scars and bruises will heal. Being psychologically broken down will be much harder too bounce back from, and Dazai understands that.

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over? Too win you over, he's pulling out all of the stops, cranking up his charm by tenfold. He'll take you to all these cute places and get you little gifts too charm you. Worshipping you though? If Dazai is in deep enough, he'd see you as like a landline of sorts, and would make sure that you're safe. Probably not to the point where you're a reason for him living, but to the point where he actually starts too enjoy life, because he gets too be with you.

Yearn: How long do they pine after their darling before they snap? Pretty long actually, like I said, he's a very patient man and he can wait. It's a pretty slow thing, especially with all the love-bombing that he uses. He knows you won't just automatically cling to him and go out with him, so he's willing too work for it, but even he can get impatient, especially if you reject him. He will snap and he will become very confrontational, to the point you become scared of him and are only with him out of fear.

Zenith: Would they ever break their darling? Not really, and also not fully, it would be more like him getting rid of things that he doesn't like about your behavior because he would find no pleasure in you being a broken shell of your former self. He'd actually find it quite boring in all honesty. If it was something like you constantly challenging him, which would piss him off, he'd correct that behavior. But he wouldn't break you completely because there's a reason that he likes you and once that reason goes away he'd get bored.

[taradactyls]

Something I love about how Pride and Prejudice is told through an omnipresent narrator, aside from the witty remarks and insight into other characters it allows even though it's usually focused on Elizabeth, is how it plays on the audience's own prejudices and assumptions.

The narrator tells us very early on, chapter 4, that Darcy is "haughty, reserved, and fastidious, and his manners, though well-bred, were not inviting." We've already seen that when we meet him the previous chapter, and will see more of it in those following. But it's the readers, along with Elizabeth, who take that observation as not only a list of flaws (despite only the first actually being negative) but presumes even more damaging flaws must be attached to it. Darcy can be off-putting, especially so in the setting we meet him in: he dismissed Elizabeth within earshot of her, didn't engage with people attempting to converse with him, etc. It's easy to assume the worst of him in a world so driven by social niceties, and because we follow Elizabeth, who is so lively and playful amidst the rules which govern society. Elizabeth thinks he's bad tempered? It would make sense - he hasn't shown consideration for others much socially, why would he care when he's angry? He acted from resentment and jealousy and went against his father's will? That's not such a jump after the conclusion of a bad temper, his own acknowledgement of implacable resentment, and evidence of pride. The awareness of one offensive trait so naturally leads to prejudice against it, that we easily assume still worse qualities must exist. We are as mistaken as Elizabeth.

Even the idea that 'No, Darcy was never haughty or rude, he was just shy and misunderstood, the narrator is wrong' is just magnifying that prejudice. Yes, we do find out later that Darcy is not at ease among strangers, and was always intrinsically good; his morals and core values meant he was never as bad as Elizabeth believed. But that doesn't mean he was without flaws, and it's so fascinating that some analysis of his character seek to completely remove the negative traits which he eventually overcame after acknowledging them in himself. The logic seems to be that they feel if he had them in the start that he isn't actually such a good person. It's just another example of being so prejudiced against certain flaws that it's impossible for some people to reconcile that there doesn't have to be more serious failings attached, and someone can still be a good person despite being arrogant and not always nice. It's, ironically, being prejudiced in the exact same way that Elizabeth was at the start of the novel. It's amazing that Jane Austen was able to tap into that aspect of human nature so deftly, and invoke in both in her main character, and readers to this day.

Now, of course, the story is so well known it's rare for anyone to read it blind, so it's less likely anyone will be unaware of Darcy's good qualities despite first seeing his worst. Even if they do, Pride and Prejudice has become so genre defining that new readers who are the slightest bit genre savvy will be more aware than contemporary audiences were. But even if we know the story it's still so understandable why Elizabeth feels the way she does. We see what she sees and feel her conclusions make sense. Just as, even though the narrator tells us Darcy is starting to catch feelings for Elizabeth, we fully comprehend her not noticing and believing there's a mutual dislike. And though that is concrete evidence of Elizabeth not reading Darcy and his motives correctly, we are still so sympathetic of the basis of her prejudice that her continued belief in Darcy's lack of virtues makes sense from her point of view. We can see, as she later will, that she takes it too far, and should have noticed evidence to the contrary, but her prejudice against him based on his early behaviour and her pride at reading people correctly is so understandable.

Basically, in a story about the characters' pride and prejudices, I love, love, LOVE how the narrator's voice brings out those same traits in readers the exact same way we see it presenting in Elizabeth. We're all on that journey with her, and we can likewise learn the same lessons about ourselves as she does. Pride and Prejudice feels timeless, because even though society and thus the nuance changes, the book is about human nature, and that remains essentially the same.

[gonzo-rella]

Headcanons: Being Married To Old Man Ray Stantz

MASTERLIST | AO3 | KO-FI

Relationship(s): old man!Ray Stantz x gn!also old!reader (romantic)

Warnings: Possibly inaccurate science words, because I'm a simpleton. (Let me know if I need to add any)

(A/N: Here's my first Ghostbusters thing! I've got a few other Ghostbusters fics in the works, mostly Ray-based reader-inserts because I'm in love with him, but I've also got a Phoebe-centric character study in the works that's based on part of her storyline in Frozen Empire. By the way, I loved Frozen Empire! I've already seen it three times, and it's such a joy. I'll try to catch it a couple more times at least before it leaves cinemas. Anyway, I haven't included any explicit spoilers for Frozen Empire in this, so you're safe to read this if you haven't seen it yet. I'd love to write more old man Ray Stantz fics, especially something involving Phoebe. I'm really excited to write for Ghostbusters, so feel free to send in requests! I've only seen the movies, but I plan on watching the Real Ghostbusters at some point soon. Also, even though I took my mum to see Frozen Empire the other day, I still don't have anyone to talk to about this movie, so please feel free to talk to me about it!)

It’s evident that, even after all of these years, Ray is still madly in love with you.

The adoration with which he looks at you is clear as day.

Venkman has always loved to tease you both about how sickly sweet your relationship is.

He will make fake gagging when either of you are affectionate to one another when he’s around.

(He won’t admit it, but he actually finds your relationship to be kind of cute)

It’s not like either of you are overly lovey-dovey, especially now.

Ray’s naturally a very passionate and expressive guy, but he’s rarely mushy.

Still, you show one another how much you care.

I have this idea that your silent way of saying ‘I love you’ to each other is holding the other’s hand, stroking their knuckles with your thumb and smiling at them.

It just seems so cute to have this thing that you’ve been doing for your whole relationship.

Ray knows you like the back of his hand, and you know him just the same.

It’s almost scary how well you know one another.

I can imagine that there’s been a time that someone’s asked one of you a question, and the other has been able to answer it with ease.

I love the idea of Ray being with someone who’s not a scientific mind like himself.

So, if you’re not as knowledgeable about the supernatural as Ray, you’ll still have picked up on plenty of information against your will, and Ray will always be impressed with and proud of you when you manage to regurgitate or understand his ‘science-y word salad’ (as you have referred to it).

He will also find it very attractive when you talk supernatural or science to him, but he tries not to make it obvious.

His eyes still light up like he’s a kid on Christmas when he explains supernatural stuff to you or tells you about a new psychically charged item he’s bought, and you find it so endearing.

Also, I can imagine him practically forcing you to listen to Podcast’s podcast when he discovers it, and you both end up getting really into it.

As devoted as he still is to his work and his supernatural endeavours, spending time with you is his greatest priority.

He might miss being an active Ghostbuster, but the silver lining of it is that he gets more time with you than he ever used to.

Even if you both used to be Ghostbusters, it’s nice to spend time together that doesn’t involve being covered in ghost slime and shouting over nuclear accelerators.

If you’ve not got anything else to do, I think it’d be sweet if you kept him company in his store.

Phoebe and Trevor are your honorary grandkids and you and Ray are beyond proud of them, especially Phoebe, who you’re closest to of the two of them.

Phoebe will always remind the both of you of Egon, so whenever she does something particularly Egon-like, you will exchange a knowing glance, and when she’s gone you’ll end up reminiscing about your old friend.

If Phoebe or the other Spenglers ever want to hear about Egon, you’re both more than happy to talk to them about him.

Even in his golden years, Ray is still the same sweet, passionate, excitable man you married all those years ago.

Sure, the regular excitement that came with Ghostbusting is long behind you both, but you both cherish this quieter time together just as much.

[abyssal-author-and-artist]

oh shit i just realized i forgot to post the trans dipper essay

oh well, better late than never!

Introducing - Why Mason "Dipper" Pines is Trans and Why that Matters - an essay I spent more time on than I did my actual college project today

Mason "Dipper" Pines from Gravity Falls is trans. Trans masculine, to be specific. Do I believe this was intentional? No. Do I believe that there's a seriously convincing case to be made? Fuck yes.

So first off, he's just like me frfr, which is pretty compelling in and of itself. But that's not enough for a whole essay, so we move onto our second point - character designs. Dipper is designed like, well, like every modern-era trans man I've ever drawn who isn't goth. The shorts, the one shirt in the one color, the absolute insecurity. He even does the hunch of the back! Also, I think I heard somewhere that the vest is to make his shoulders look broader, which I'm not entirely sure is canon but I am accepting this whole-heartedly. It's such a trans move of him. He's too young (and it's summer so it's too hot) to wear a dysphoria hoodie so he picked a vest. (I say too young because dysphoria hoodies usually cover your chest and Dipper and Mabel probably haven't hit puberty.)

The second part comes directly from science. According to this article, and many others, sex in identical twins is complicated, but most identical twins will be born the same sex. There are cases where this isn't true (which might be the case for Mabel and Dipper) or they might be fraternal, which is also pretty likely. However, looking at them when they were younger (and listening to their very similar voices), it's likely they were identical and both girls. That's not to say I dislike trans Mabel - every trans woman I draw dresses like her, so I do love her being trans as well and them hitting the age of like. 10. and swapping genders is incredibly funny and adorable to me.

So, we can't reliably use the aforementioned evidence, then, can we? After all, identical twins can be different sexes, although rare, and we don't have any proof they are identical beyond their visual (and when they were younger, audible) similarities. Well, first off, I'd say that's pretty compelling evidence already. In a cartoon, especially one as detailed and beautiful-looking as Gravity Falls (the art is good and I will die on this hill), visual language makes up for a lot. And Alex Hirsh has gone on record saying that he very much wanted Jason Ritter and Kristen Schaal for Dipper and Mabel respectively, to the point where he would have canceled the show if Kristen hadn't signed on, so I wholeheartedly believe every character (with the exception of Grenda and any other characters who had last minute va's picked) had their voice actors picked very specifically. I can't find whether Jason Ritter voiced younger Dipper, though, so that's a dead end.

Now, that's all well and good, but it's a lot of visual language, isn't it? Why don't we move into something more based in the writing itself?

So the first and most prominent example of Dipper being transgender is the episode Dipper vs Manliness. You know it, you probably have emotions on it, it's the episode where Dipper is trying his hardest to be a man's man. The episode was supposed to be about toxic masculinity and how to be a real man is to stick to your morals. It's a good lesson and in my opinion, holds up even in 2024. Pretty good. Does a great job of what it wants to do. Now, Dipper vs. Manliness has been dissected to hell and back already as a transgender allegory, so I'll keep this brief: the episode centers around Dipper being mocked for not being manly. While Mabel and Stan still see him as a man, albeit an effeminate one, it gets to Dipper. He proceeds to do anything to prove himself a real man. If viewed as a trans allegory, Mabel is teasing her brother and not realizing how deeply it actually hurts him (whether accidentally because she fails to realize how insecure he is over it or because she hasn't been there before, depending on how you want to headcanon it). As for Stan, I like to pretend he's supportive but regularly forgets Dipper was ever a girl, so he makes a serious slip up because of that (and/or he's regurgitating stuff said to him. That hits harder if you also headcanon trans Stan, which I am warming up to). Dipper proceeds to try and prove himself a man, crying when he takes even one more blow to his self esteem/sense of identity as a man, and eventually gets comfort from his family when they realize just how BADLY they messed him up. He is affirmed as a man and the episode ends. Everything that can be said, has been said - including that you don't have to act toxically masculine - or even masculine at all - to be a real man. Remember this part, it will be important later.

So, other trans moments for Dipper come a little sparser. Dipper vs. Manliness is the example for a good reason. But still, there's other moments. The short Voice Over from one of the short story compliation episodes is another one that's commonly referenced as a metaphor for voice dysphoria. Yes, Dipper's voice is cracking in ways common for a cis pre-teen boy his age, but the pitch and tone of his voice can also be seen as his more feminine voice peeking through. Taking the potion can be seen as taking testosterone or other hormones. Granted, this falls apart when you consider that Dipper is later discouraged from taking the potion, because that could be read as Dipper being discouraged from transitioning, but on the other side of the spectrum, it could be read as Dipper being affirmed as a real man despite his voice. From that perspective, his family prevents him from taking (possibly dangerous) homebrewed hrt. Also, the euphoria he gets when it does change his voice is just. Absolutely adorable.

Now, my favorite resource for Dipper acting trans is in the episode Headhunters. He's asking Manly Dan questions and Manly Dan calls Dipper a girl. And MAN the discomfort on Dipper's face. He immediately attempts to correct Manly Dan, but is shut down and the episode moves on. I think that for such a short moment, it does a good job of making Dipper seem trans, though. He is called a girl and feels extreme discomfort around it. He does not like being called a girl. He is not a girl. But he's not shocked or surprised or even really offended - he's resigned. He's used to being called a girl. Sure, he hates it, but he doesn't cry or scream or anything. Sounds to me like a trans man who's absurdly used to being misgendered but still hates it. That pain never goes away, but sometimes all you can do is flinch in discomfort, try to correct and move on, like the episode does.

For a (mostly humorous) video of more of Dipper acting trans, check out this video.

So I think we've made a pretty compelling point for Dipper Pines being trans masc here. Looks pretty good, yup, this is a great essay, let's wrap it up. Oh? What's that? The name of this essay?

Why Mason "Dipper" Pines is transgender and why that matters.

Well, let's dive into section two of this essay - why does Dipper being trans matter?

Someone could easily say it doesn't matter. Just fun fandom headcanons, that's it, wrap it up now. Nothing more to say. Dipper is trans and that's just a fun reading of his character.

But I don't think that's the case. I think that Dipper being trans means so much - to trans fans of the show, to fans who have never seen or spoken to trans people before, and to queer fans of Gravity Falls and similar shows. (I personally am a Steven Universe fan who really valued the representation there, so Gravity Falls and all it's queer coding means a lot to me.)

First and foremost, I'm not going to keep you in the dark as to why you're remembering my earlier point. As a recap, it was this: Dipper vs. Manliness, and by proxy, Gravity Falls as a whole, says that you don't have to be traditionally masculine to be a real man. For a show that spends a lot of time mocking a kid commonly headcanoned to be a trans man, that says a lot, and a lot of stuff I think more people need to hear.

You do not need to act like your gender to be your gender.

You do not need to present like your gender to be your gender.

You do not need to fit some rigid box that society enforces to be who you are.

If you are a man, you are a man, trans or cis, regardless of how you act. (And the same goes for women and nonbinary people! You don't have to fit a mold.)

You don't owe anyone anything.

You don't owe people masculinity. (Or femininity or androgyny for that matter.)

I think that's part of the reason Dipper vs. Manliness ages so well. Dipper reads as trans, especially to queer fans, and his story in that episode tells us that we don't have to be someone we're not for people to take us seriously as who we are. At the end of the day, the really masculine thing is staying true to you - a sentiment echoed and reversed in The Last Mabelcorn, where the most feminine thing you can do is to stay true to yourself. I can't find it right now, but I could swear that there's a That GF Fan video explaining my point a little better. The point is, there's nothing that makes you more of whatever your gender is than staying true to yourself.

Additionally, if Dipper really is trans and someone sees themself in him, that can help them explore their gender or explain it to other people. Young kids who have never interacted with trans people before can see Dipper and grow up to connect the dots - or grow up to have him crack their eggs.

I know I'm new to the fandom and I was already out before watching the show, but he really helped me explore my gender. I like dressing like him - he's very relatable, even though I'm old enough to be in college now. I see him as a very anxious, slightly paranoid trans kid, and I see a lot of myself in him. He has a lot of issues, and a lot of issues that aren't trans specific but definitely hit harder when you are trans. He makes me feel seen on a level that I never thought a cartoon character could do.

Honestly, here would be a good place to put a rant about representation in kids media - queer kids under the age of 12 exist and struggle. I liked a girl (before realizing I was trans) in fifth grade, so about 9 years old. There are kids who experiment with their gender when they're younger than that. We're here and we exist, and every single time a character in children's media is made and is prevalent, another kid is able to really see themself.

That's really the point of this section. Dipper is trans. That matters. People - mostly queer kids but people of all ages - see themselves in him. He's here and we see him as queer because it's validating. It feels so good to hear Stan affirm him at the end of Dipper vs. Manliness, because it proves that at the end of the day, you don't need to present as super masc or femme or androgynous to be who you are.

Gravity Falls, through coding Dipper as trans, sent a message:

You are seen. You are loved. You are valid.

Thank you for reading this all. Trans Dipper means a lot to me, and I love writing him and seeing him in general. I want more of him because Dipper being trans means the world to me.

I love you all. Have a wonderful day. Remember to stay true to yourself.

[moraxine]

Inevitable [Gojo Satoru]

pairing: gojo satoru x reader

words: 1.3k

summary: you and satoru fall for the oldest trick in the book.

It’s a typical morning at Jujutsu High, the sun casting its warm hues across the campus as students roam the premises, training or studying. Nobara, Megumi, and Yuji are together, heads pressed close as they discuss their latest idea—Operation: Set Up Gojo and y/n.

"You guys know they totally like each other, right?" Nobara says, arms crossed. "I mean, come on, it's obvious. They keep sneaking glances at each other, the tension is unreal."

Megumi raises an eyebrow. "If it's so obvious, why haven’t they done anything about it?"

"Because they're both hopeless," Yuji chimes in with a grin. "Especially y/n-sensei. She's so shy when it comes to Gojo-sensei."

Nobara leans forward, a mischievous gleam in her eyes. "Exactly. And that’s where we come in. We need to give them a little... push. Maybe force them to confront their feelings, you know?”

Megumi sighs, accepting the fact that he has to take part in his friends’ stupidly mischievous schemes once again. “What are you thinking?

"Simple," she replies, cracking her knuckles. "We lock them up somewhere and just let the magic happen."

Later on the same day, you’ve just finished grading papers, ready to leave your office, when you receive a text from Yuji.

Hey, y/n sensei! Could you meet me in the old storage room near the gym? I really need your help with something super important!

You furrow your eyebrows in confusion. Other than the fact that this text is free of spelling mistakes, the request itself is quite strange. However, since your relationship with your students has been nothing but great, you put trust in them—as much as an adult can, anyway—and Yuji is no exception.

Thus, you grab your coat and make your way to the storage room. Truth be told, it’s rarely used and a bit dusty, which raises a lot of questions in your head as to why Yuji would need you there, but then you remember that it’s also tucked away enough for privacy. As you approach, you notice the door slightly ajar.

"Yuji?" you call out as you step inside.

No longer than ten seconds after you’re in, the door slams shut behind you, making you jump in terror. You whirl around, heart racing. Your hand reaches for the handle but the desperate attempt is futile.

What the actual fu-

“Oh, it’s just you.”

A helpless scream leaves your throat as you turn all the other way around and find yourself staring at the one and only Satoru Gojo, the man who’s been occupying way too much space in your thoughts lately.

Gojo seems composed when he offers you his signature smirk, leaning casually against the wall, his blindfold pulled up so his mesmerising blue eyes are visible. "I was expecting a student ambush or something."

"Yeah, well... same here, kinda,” you mutter, as you try to control your breathing. After a few moments, reality hits and your cheeks heat up as you realise you’re completely alone with him in a—not so very comfortable—space. "Did they trick you into coming here too?"

He nods. "I got a text from Megumi saying something about needing immediate help. Guess we're both suckers."

You cross your arms and sigh, slightly relieved that at least you aren’t a victim of some really serious prank. You glance at the door one last time. "Well, it's locked now, so I guess we're stuck."

There is an awkward silence for a few moments. The tension between you two has always been evident, but neither of you ever made a move to address it. You often find yourself stammering around Gojo, unable to handle the teasing words or the way his eyes linger on you a little too long sometimes.

Gojo, on the other hand, despite his confident front, is surprisingly shy when it comes to you. Sure, he makes his usual sarcastic comments and tries to act like all is fine, but deep down, he’s always been afraid of saying the wrong thing and accidentally hurting you.

"So,” you start, scratching the back of your neck awkwardly, “you think this is some kind of setup?"

He chuckles, walking closer to you. "Oh, absolutely. Our adorable students are trying to play matchmaker. I should’ve known when I saw Yuji smiling like a fool earlier."

You roll your eyes, trying to ignore how close he’s standing now. "Well, it's not going to work. We’re professionals."

"Sure, because professionals definitely get trapped in storage rooms," Gojo quips, flashing you a grin. "Besides, I think they just wanted to speed up the inevitable."

You blink, feeling your pulse quicken. "Inevitable?"

Acting dumb won’t slow down that inevitable, either.

"You know," he replies with a nonchalant shrug. "Us."

You narrow your eyes, though your heart is now undoubtedly hammering in your chest. "You have a lot of nerve assuming there's an 'us,' Satoru."

He raises an eyebrow, stepping even closer, his tone dripping with playful sarcasm. "Please, y/n, I've seen the way you look at me. You're totally into me."

Your mouth drops open, a mix of embarrassment and irritation bubbling up. Sure, he’s absolutely right, you’re head over heels for your handsome and charismatic coworker, but hell, he makes it sound one-sided when that’s so far from the truth.

“Excuse me? You’re the one who’s always staring at me during meetings. It’s creepy."

"Oh, so you notice me staring," he teases, his grin widening. "Admit it, you like it."

"I do not!" you huff in honest annoyance, cheeks burning. "And even if I did, why would I ever admit it to you? Your ego is already big enough to take up the whole room."

Gojo dramatically places a hand over his heart. "Ouch. You wound me, darling. Here I was, thinking we had a good thing going."

You cross your arms and shoot him a glare. "Yeah, well, you're delusional."

Denial will get you nowhere, you’re well aware, but the fact that Gojo is so cocky about it flips a switch inside you which makes consider whether your should jump him or jump him.

He chuckles as he leans in slightly, his face only inches from yours now. "Am I? Or are you just too shy to admit you like me?"

You swallow hard, refusing to back down. "Like you? Please, you're insufferable."

"Insufferable, huh?" he murmurs, his voice dropping an octave. "Then why haven't you moved away yet?"

Fair point.

Your breath hitches in your throat. Yes, you could have backed up, put some distance between you two, but instead, you’re just rooted in place, caught in the intensity of his gaze. Gojo’s smirk softens.

"You're cute when you're mad, you know that?"

You scoff, though it comes out weaker than intended. "And you're annoying, as always."

He tilts his head, his eyes glinting with amusement. "Maybe, but you like me anyway."

You open your mouth to retort, but before you can form any sort of response, his lips are on yours, cutting you off with a sudden kiss. For a moment, you freeze in shock, but then, instinct takes over, and you kiss him back. His lips are sweet, soft, and despite the teasing and the banter, the kiss is gentle, almost tender. Gojo's hand embraces your waist and slowly pulls you in, while the other rests on your face, and you can’t help but melt under his touch.

When you finally pull away, both of you are slightly breathless, and his usual cocky grin is replaced with a softer smile.

"See?" he whispers. "Told you it was inevitable."

“You're still insufferable."

"As if it doesn’t turn you on," he teases, leaning in for another kiss.

Outside the storage room, Nobara, Yuji, and Megumi exchange their triumphant high-fives.

"Mission accomplished," Nobara whispers.

Yuji nods. “Nicely done, Kugusaki."

Megumi shrugs his shoulders, glad that the whole thing is finally over.

You fell for the oldest trick in the book.

[iridescenttttttt]

This includes s5 spoilers!!

I think we as a fandom should talk more about how sun wukong has absolutely no self preservation, and how he has been self-sacrificial since season 1. Hi, my name is iridescent, and in this essay-

ok but in all seriousness, I have evidence from every season of him doing this, and I will be analyzing it and informing about it Meticulously.

I also have a couple of tangents about him protecting MK in here. I just like the detail of him always doing that, especially considering how he does it.

it wasn’t just season 5 where he was willing to sacrifice himself, season 5 was just the only season where it was outright blatantly stated that he was going to sacrifice himself.

(^Image taken from S1 EP9, Macaque)

this image in and of itself is fairly minor. Because we know he’s going to be okay. he is immortal, and compared to MK, an explosion most definitely will not do much, if anything, to him. and I’m sure he’s fully aware of this (which is probably part of the reason he shields MK with his body so much, there are SO many example of him doing this)

Still, even the fact his immediate instinct was to throw himself in harms way to protect MK is pretty sacrificial in and of itself. I’m 100% certain that even if it could hurt him, he would still protect MK like this.

(^ image taken from S2 EP10, this is the end)

Wukong here is visibly weakened and injured. It was stated early in season 3 that he was weak, and even at the end of season 2, we could tell. ESPECIALLY when he grabbed MK and escaped from LBD on his nimbus cloud. By the time they found their friends, it was deteriorating, and they quiet literally crash landed onto the ship.

But despite his obviously weakened state, he was still throwing himself in front of MK, protecting him from harm, and shielding him with his body. His first thought was to throw himself in harms way, and this time, there is a very real possibility that he probably can get injured! He’s weak, his powers are failing, there is no way he would have the energy to fight LBD. Not in the state he is in at this very moment, and MK isn’t, either. He knows this- I know he does, because instead of picking a fight, he grabs MK and runs. He even admits that he isn’t in any shape to face her. However, even though he knows he would hardly be able to put up a fight as it stands right now, he is still willing to throw himself in front of MK. (Which also directly supports what I said above! It does not matter if he can get hurt if not, he will still put himself in harms way to keep MK safe)

Similarly to above, he was fully willing to find and reforge the samadhi fire on his own, despite his weakened state- to keep the others out of harms way, because they are mortal and he is not. Still, even despite him being immortal, he’s trying to reforge the samadhi fire- one of the rare things that has the ability to actually hurt him. Wukong knows this, and he is still willing to do this alone. Even though he is obviously injured, and weakened, and there is a very real possibility the samadhi fire could kill him, he is willing to do this on his own. Because they are mortals- if the fire can kill him, then it can definitely kill them, too.

(^ Image taken from S3, EP1, on the run)

season 3 is, in my opinion, where his self-sacrificial tendencies and complete lack of self preservation becomes a lot more obvious. So, fair warning, season 3 is probably going to be a long one.

Wukong is fully willing to risk himself to get the map. And it isn’t like he doesn’t know the risks of forcing his way through the Barrie. Ne Zha even warns him, and says that if he forces his way through the barrier, they could both be destroyed. And honestly? If Wukong wasn’t, like, 7x immortal, there is a very real possibility that he would’ve been destroyed, then and there. And while, yeah, Ne Zha didn’t die, either, he also wasnt the one actively breaking through the barrier. I’m sure if Ne Zha was the one breaking through, he probably would’ve died. Even then, Wukong was severely weakened after this (as seen and talked about above!), he knew the risks and he still took them. He knew he could die, but if it meant saving the world and keeping MK and his friends safe? He would do it. And, again, even after being fully aware of his weakened state, he immediately ran to the protection of MK as soon as he realized he was in danger.

(^images taken from S3 EP10, The Samadhi Fire)

I’ve already talked about how often he is shown to use his body to protect MK from danger, but here, specifically, I want to mention be we are specifically shown a scene of him moving his arm to protect MK from danger. Especially considering the danger is the samadhi fire- something that can actually harm him. This is different from most other times he’s doing this, because this time, he can actually get hurt.

This is one of, in my opinion, one the most obvious examples of him being a self sacrificing idiot with very little self preservation (/aff)

his entire plan, from the very beginning, was to try and take the samadhi fire out of Mei (because he never wanted her to be harmed- he’s spent the entirety of season 2 and 3 trying to protect MK and his friends, he never one intentionally hurt them) and put it in himself. Think about that. The samadhi fire is something that can harm him- kill him, and he knows that. He knows that extremely well. His entire plan could lead to his death, and he’s aware of that. And the same thing goes for when he was getting the map in the first place- both times, he was fully aware that there is a possibility he could die from this. He doesn’t care, though. If it protects the people he cares about, he’s going to do it- even if he dies in the process.

once again, we are specifically shown a scene of him trying to protect MK. His immediate thought has always been to take the brunt of the fire, and keep MK from danger- I fully think, had there not been a shock factor to MK literally running straight in, he would have ran in after.

Again, in this scene he has no self preservation, and he is very self sacrificial. His entire plan from the very beginning hitched on having a weapon, something powerful enough to stop the lady bone demon, except that plan has failed, and now, there is no weapon. So his new solution? Stop LBD himself.

If he was truly confident he could beat her again, then why did he go looking for the samadhi fire, instead of going to immediately fight her and stop her? He’s desperate, he knows how bad the situation is, and he still isn’t sure if he can even beat her. He’s still willing to try, if it means protecting MK and his friends, and saving the world. He’s going into the fight. Alone. No backup, no plan, no samadhi fire. (And we know this goes wrong, too) He is fully aware of this! He knows he’s going into a fight he’s might not come out of. Everyone else knows this, too- Ne Zha even points out the chances of him surviving are slim.

(^ image taken from S4, EP1, familiar tales)

once again, his immediate reaction (even when being faced with his trauma) is to protect and save MK. He knows what the scroll is, and he knows what’s going to happen if he gets stuck inside of it- despite that, he still sacrifices himself to ensure MK doesn’t get stuck inside of the scroll. He lets himself get sucked into it. He is willing to face all of the mistakes he’s made and the trauma he’s endured to protect MK from having to go through the same.

WARNING YOU ALL AGAIN!!! S5 SPOILERS BEGIN NOW!!

Let’s all be honest here, they’re both lacking in the self preservation department. They are not lacking in the self sacrifice department, though, I’ll tell you that much! This entire fight, they are very blatant about how they are, quite literally, fighting over who gets to sacrifice themself. There isn’t much to say here that wouldn’t be stating the obvious- neither of them want eachother to sacrifice themselves, they both want to be the sacrifice.

TLDR: Sun Wukong has been self sacrificial and has had a disregard for his own preservation since we were introduced to him. This has only become more apparent as he grew closer to MK, and as his character has developed.

is all of this already very obvious? Mmmaybe???? I’m not too sure. Did I make a couple of reaches a couple of times? Mmmmmmmaaaaaybe. Is this an excuse to infodump and talk about sun wukong? Yeah. Am I sorry? No.

[mayabruhbruh]

What do you think of the possibility of Will and Chance happening? I feel like it would be really poor writing tbh but I feel like they will give Will a different love interest because they’ll try to make all of the audience „happy“ But that would just truly not align with the writing so far I feel like.

Love your analyses btw<3

THANK YOUU! That's so kind :) And great ask! This is definitely a topic that the ST fandom needs to discuss.

The default question when people have little to no hope in Byler is, well, who the hell is Will going to end up with? Because it’s become increasingly evident that they’re trying to set him up for a romance. The “im not gonna fall in love”, the “it’s not my fault you don’t like girls”, even the gif shown above. It all can be interpreted to mean that Will is going to find his person soon.

So... to be completely honest, I had no idea who Chance was until this ask popped up and I had to look him up💀. It’s been a while since I’ve been on here, so I’m a little rusty on the deep lore lmao. So, in the off chance that others might also be confused, here’s a (rare) gif of him I found.

I think that’s him with the Hawkins cap on the right. Correct me if I’m wrong.

I’m not sure where the rumors that this guy was going to become a bigger part of the show came from, but that seems highly unlikely to me. I feel like they would have either hinted at it in the fourth season (like how they’re giving Patrick here quite a sizeable role so that he’ll be memorable to us later when he gets vecnafied) or they would have announced him as a more prominent character already like how they did for s5 with Holly, that one new kid character, and also how they did Amybeth for s4. Idk, maybe it’s unreasonable to think they would have to do that, but it feels quite too out-of-the-blue. Especially for a character that would take on the role of becoming our central character’s love interest, which is a BIG DEAL. Especially if it’s queer lol.

Secondly, I firmly believe that it would be a disservice to Will’s own desires to meet someone new.

Will said this explicitly in the van scene, and as of now, we’re still under the impression that Mike is his person. Forget about Mike’s issues and feelings for a second, and think about what Will is saying here. He feels like a mistake for being different, but Mike makes him feel like he’s not a mistake at all, that he’s better for being different. Mike gives him courage to fight on. Fuck. Tbh, it makes me wonder how long he’d felt this way. As a byler, you might be inclined to think his feelings have been on for forever, but narratively, he could have easily just realized his own feelings very recently, most likely sometime between season 3 and 4. It doesn’t mean the feelings weren’t there before, but realistically neither Will nor the general audience were aware of it before now.

Moving on.

Has anyone heard of the rule of Chekhov’s gun? It’s an incredibly clever and widely-used tool in screenwriting and storytelling in general that helps to clue the watchers in for what’s to come next.

Think of Lucas’ wrist rocket in season 1. When they introduced it as a flimsy-looking, no-good weapon that he’d put too much pride in at first, it gives us a good laugh and we move on. But really, it very meticulously set us up to subconsciously anticipate to see it again later. That’s what Chekhov’s gun is all about. Set-ups, foreshadowing, hidden treasures.

Another great example would be the painting reveal of s4. Obviously, after finding out that Will was painting something, bylers immediately figured it was for Mike and BEGGED and HOPED and PLEADED that we’d be able to finally see it, but to the general audience it was just another something that they’d have to pick apart and realize was actually of importance as the season progressed. (It’s also a good way of showing that the writers are fully capable of engrossing the entire fan base and general audience in his and Mike’s story. Just knowing Will had painted something and that it was for Mike created this sense of PLEASE TELL ME WHAT IT IS AND WJATS GOING ON and whatnot that watchers are simply so susceptible to it’s insane.)

Okay, back to the van scene. Will’s confession.

Now, I’m not saying that the writers intentionally used this foreshadowing tool for us to find and understand immediately. There are plenty, plenty of instances where writers use Chekhov’s gun principle and it flies over peoples heads purposefully. What I’m trying to say is that, thematically and narratively, they would never have introduced Wills feelings for Mike if not for it to have importance to the story, or for nothing to happen with it at all. It’s a set up. And a maddeningly good one, at that. Because queer stories already do tend to fly over people’s heads, and also because there’s the added drama between Mike and Eleven that makes it seem quite impossible for any of these feelings to be addressed in the midst of such emotional chaos. But whatever. I think I’m rambling.

Basically, whether they end up together or not, whether Mike reciprocates these feelings, Will is forever established to be in love with Mike. The confession was simply too grand and emotional and earnest for him to just switch up abruptly next season when he meets someone new that he might have a better chance with. Even if there were to be a whole new arc for him where he learns to let go of Mike or something crappy like that, it would be terrible writing on their end and poor use of a well-set-up Chekhov’s gun reference. It would be like introducing the gun in the display case in scene one, then two scenes later just tucking it away into a storage closet for the remainder of the story. Like… what?

And plus, it’s HIGHLY unlikely that Will would end up with that sort of storyline next season when he’s literally WITH Mike for presumably a majority of the time (based on the set pics so far).

So that’s my debunking of the Chance rumors :) and I didn’t even get to mention how incompatible they’d be just naturally as characters. Chance, a Jason-following jock that hates Dungeons and Dragons, fantasy and nerdy things, and willingly assisted in beating up the Hellfire Club when they were trying to find Eddie. What about that at all screams Will’s type? And if you’re thinking “unconventional couple enemies to lovers”, just don’t. This isn’t a rom-com, especially for a queer plot line lol. I think it’s safe to say there’s no “chance”😉 that they will ever happen. And either way, it’d be a bummer if they did. Cus it would just be Will defeatedly settling for someone that isn’t Mike.

UGH! It makes me sad that the one thing that is firmly being teased by the writers (Will’s love playing a major role in the plot to come) is constantly being questioned and framed as different questions. “Will Mike reciprocate?” “Does this mean Mike and Eleven break up?” “Who will end up with who?” SHHH Frankly, to me this is already a win. It’s become obvious that Will having feelings for him will come up again soon, and the rest of the evidence that accounts for Mike’s end already speaks for itself, so I prefer to just sit back and watch it all unfold.

Again, thanks so much for the ask!! This was so fun to dissect and feel free to keep sending questions into my inbox. It might take me a second to post my response but I’m determined to get through all of them. Love you guys!! <3

[lady-griffin]

I'm curious, what are some of your favorite Timebomb headcanons?

I’m so sorry for this beyond late response; I really don’t know what to say other than I’m sorry.

I know my answer isn’t going to be “worth the wait,” but I still hope you (and others) find it interesting. Please bear with me and my somewhat incoherent thoughts as my love for these two has destroyed my brain.

Also, my answer is beyond long, but that shouldn't be a surprise to anyone.

My Favorite Timebomb Headcanons

They’re both bi.

-

They’re always touching one another. Not so much in an inappropriate way (though they can get too handsy in public); this is more holding hands, cuddling, using each other as a cushion, etc.

When they’re bored or preoccupied, they'll start “fidgeting” - Ekko plays with Jinx’s hair, while Jinx plays with Ekko's hands.

-

Jinx doodles on Ekko pretty much all the time, while Ekko straight up writes on Jinx - specifically notes and reminders to himself.

Basically, Ekko will already be in bed and suddenly he'll get idea for a project but doesn’t want to get up or he suddenly wakes up in the middle of the night and has to immediately write down his thoughts before he forgets them and well, Jinx is right there.

Jinx honestly only minds this when Ekko won’t let her wash off because he needs to figure out what he meant when he wrote down “hextech cheese sandwich solution to dogs” at 3am and obviously it being her on her left shoulder is essential to figuring it all out.

-

Jinx bites. Not so much in a sexy, bedroom kind of way (though yes, obviously that too); she just sees Ekko and has to go chomp.

-

Ekko is slightly insecure about his height, which makes zero sense to Jinx. Seriously, what is he even talking about? Ekko is the perfect height – he’s within reach of her kisses (and bites).

-

Jinx really, really, really loves Ekko’s arms and hands.

His whole everything does it for her; but boy, oh boy, does she have a thing for his arms and hands, especially his hands. The amount of self-control Jinx has when it comes to Ekko’s hands is truly something to behold.

-

Jinx runs cold while Ekko runs hot.

Jinx always wants to cuddle with Ekko in the winter because he’s her personal space heater and Ekko always wants to cuddle with Jinx in the summer because she’s a living ice cube. The two of them like to complain, but they're not fooling anyone; they love every second of the other clinging on to them.

OR

Jinx runs hot while Ekko runs cold.

Jinx gets uncomfortably warm, so she really enjoys being cold. Unfortunately, that’s quite rare for her nowadays due to her body producing its own shimmer; her body temperature is now basically someone with a deadly fever.

Ekko on the other hand easily gets cold and he absolutely hates it; so, he's not exactly mad at Jinx becoming a living furnace.

I’m honestly torn between these two versions and the vibes vs. 'evidence' backing them up. But does it really matter? At the end of the day one of them runs cold while the other runs hot and they balance each other out perfectly.

-

The Firelight’s truly love Ekko; they're beyond thankful to him and everything he's done for them. So, despite the fact that many of them hate Jinx and want nothing more than for her to be gone (dead), they are willing to accept her because Ekko loves her.

Some of them will never forgive nor make peace with Jinx, but they’re willing to coexist with her; while others are willing to get to know her and even befriend her.

It’s not easy for any of them but for Ekko, they'll do it and as time goes on it becomes less of a struggle to accept Jinx.

I’m a huge fan of Jinx being accepted by the Firelights not because they actually accept her (at least at first) nor because they’re such wonderful, good people, but because they love Ekko. He’s their savior and guiding light and they want him to be happy and Jinx makes him happy - so, of course they'll do it.

-

Jinx absolutely has a praise kink; she adores being praised and complimented in bed and Ekko has no problem indulging her.

I don’t have a single doubt about this. This is just fact.

-

Despite being so gone for each other, they both have a lot of insecurities, particularly when it comes to the others’ feelings and commitment to the relationship.

Ekko is scared he’s just a convenience for Jinx and she’ll easily abandon him again; while Jinx is scared Ekko’s going to realize he doesn’t actually want to be with her, because why would he.

To make things a bit more heartbreaking, Jinx sometimes wonders if Ekko is only with her because she’s the closest thing to “Powder” he can be with.

They have a lot of issues and it took them many years to work through them; but those issues and insecurities still make an appearance from time for time.

-

Ekko isn’t always great at taking care of himself; he’s always putting others first and he’s easily consumed by his projects and responsibilities.

But taking care of Jinx forces him to take care of himself.

He can’t argue she should go to bed at a reasonable hour, when he’s up at the same godforsaken hour she is nor can he complain about her eating unhealthily, when he’s eating the exact same thing or something worse.

-

Ekko is always running late; while Jinx (to many people’s surprise) is either on time or very early. When the two of them arrive late together, it’s because Jinx didn’t want to go to the thing and she succeeded in distracting Ekko (usually with sex).

-

Being together was one of the easiest things for them as their two pieces who fit perfectly together; at the exact same time though it was also the most difficult thing for them, due to their history.

Ekko has struggled with his feelings of guilt because it was so easy for him to be with Jinx and love her; he feels like he’s betraying his fallen friends and people. Jinx is responsible for many of their deaths and even when she wasn’t directly responsible, she still benefited as Silco’s daughter.  

Jinx has struggled with feeling like she’s betraying Silco and rejecting their bond as she doesn't talk about him for the sake of her relationship with Ekko. She can’t talk about Silco with Ekko at all, because anything negative about him (no matter how small) only confirms to Ekko she was abused and brainwashed; while anything positive or even neutral is like "attacking" Ekko and everything he's gone through.

Silco was the reason Jinx was happy and able to be thrive over the years and he's the reason why Ekko suffered and struggled to survive during those same years.

While they never truly come to terms about Silco, they still try and make an effort to respect the other’s feelings for him.

-

Gift giving is a huge part of how Jinx shows her love. She doesn't need a special occasion or reason to give Ekko gifts and she likes leaving them where he can come across them randomly. Her presents can be anything - from a cool rock she found to a specific piece of machinery Ekko wanted.

Oh and of course, a beyond valuable item she stole from some elitist Piltovan or vicious Chem-Baron who is more than willing to start a war over their stolen property.

Ekko knows she means well (at least he thinks she does); but he would appreciate it if she didn’t bring him and the Firelights more trouble with her gifts.

Which Jinx doesn’t fully understand.

It’s not that she doesn’t understand the value of things; but a cool looking rock and some wealthy Piltovan’s prized heirloom have the exact same value to her – she thought Ekko would like it, so why wouldn't she get it for him?

-

These two can be so beyond competitive it’s not even funny and nothing brings out their unhinged competitiveness than when they’re up against each other.

But they’re having fun and that’s all that matters in the end... ignore all the property damage and fires.

-

Sometimes when things get heated between them, Jinx gets a red blotchiness on her neck and chest; which she's more than embarrassed by. Ekko on the other hand tries to see if he can make her even redder and he’s more than smug when he can.

-

Ekko wasn’t always a great boyfriend to his previous partners, not because he was an uncaring asshole or anything but because he never opened up to them. He never shared his problems nor did he let them take care of him; he was always the caretaker. It also didn’t help that he put his responsibilities as leader and other people before his relationships.

However, this isn’t a problem with Jinx. Ekko is quite selfish when it comes to their relationship. He’s not willing to put others’ first. Not this time. Not if it costs him Jinx.

Jinx also knows him far better than his previous partners did, she sees past the front he puts up for others and is more than willing to call him out on his bullshit. Plus, Jinx is in no way shy when it comes to her wants.

Ekko has also learned that if he doesn't rely on her, she has no reason to rely on him. If he doesn't trust her, then she doesn't trust him.

Finally, Jinx tries to get Ekko to be more selfish, while this is for her own benefit (obviously), she genuinely wants Ekko to put himself first; she’s even willing to put herself second (at times), if that’s what it takes.

-

Over the years they balance each other out – Jinx makes Ekko more selfish and gives him the freedom to put himself first without feeling guilty, while Ekko makes Jinx less selfish and he's a good starting point for her to become more considerate to others.

Of course, Ekko will never be a selfish bastard who turns his back on his people and Jinx will never be a living saint who sacrifices herself for the greater good.

-

Ekko usually takes the lead in the bedroom. He loves riling Jinx up and embarrassing her in bed; he’s particularly obsessed with getting her to beg him to keep going,

However, it doesn’t take much for Jinx to ‘turn the tables' on him; her ‘begging him' is a sure-fire way to get Ekko to unravel quickly, which Jinx is more than willing to exploit for her own fun and pleasure.

-

Ekko accidently taught their kid(s) how to curse.

-

They’re packrats.

These two are very attached to their things and and look they might need that random useless thing one day, you don’t know, they obviously can’t throw it out.

-

Jinx is very honest with their kid(s).

She doesn’t lie nor try to hide who she is nor who she was and what she’s done. Silco was always forthright with her; Jinx knew exactly who Silco was and loved him all the same and she wants the same for herself (Silco wouldn’t have accepted anything less for her).

She doesn’t want her child(ren) to love a fake version of herself; she wants them to know and love the real Jinx – monster and all.

-

I honestly don’t think a threesome would be possible for these two; they’re way too jealous and obsessed with each other to let a third party involved. Especially Jinx.

Let’s be real, she would absolutely kill someone for touching her Ekko or if Ekko touched them she would 100% have the logic of “they can’t steal my Ekko if they’re dead.”

Now Ekko will never be as bad as Jinx (very few people can reach our girl’s levels) but I easily see him being like “No. Go Away. My Jinx.”

-

I’m torn between Ekko being concerned by how much he finds Jinx’s unhinged jealousy, possessiveness, and intense (creepy) expressions of love to be charming and beyond endearing; or if he honestly doesn’t understand why people are weirded out and concern for his safety when Jinx says she wants to rip out his heart and feast upon it.

I hope you all enjoyed this insanely long list and maybe even accept a few of these headcanons as your own.

Thank you for reading this and thank you for the ask @nerdasaurus1200 and again, I'm so sorry for the years long wait.

[strawglicks]

flint fascinates me bc he comes off as rlly polite and kind

but also. not really. at all

they apologize often and it seems like they try to be nice to others, but then u look deeper and take into account different details

one of the biggest things abt flint that gets overlooked is that he likes drama .

i dont think liking drama itself is bad, why else do we have reality tv shows yk. but i think they actively indulge in it and one of the biggest things that points to this for me is how they treat the satellite investors

he seems to talk bad about them behind their backs, then can't handle the comeuppance of cosmo yelling at him.

this is further implied with cosmo saying they're "goin' around spreadin' lies", meaning flint does actively talk shit on what might be a regular basis. and flint saying "oh, no, I shouldn't have said that" implies FURTHER that they KNOW they're gonna get yelled at for it but continue to do it anyway with the hope cosmo wont find out. like hes not sorry for doing it, only sorry for getting caught.

cosmo gets HEAVILY neglected both in the community as a whole and whenever flint is brought up even though they have a really interesting and honestly hilarious dynamic (but thats for another post..)

whenever cosmo DOES get brought up in the context of he and flints relationship, people defend flint and blame cosmo for being "mean" to him. but tbh, i think cosmo has a fair point in this particular text. Flint can talk all he wants, but at the end of the day can't handle the consequences of it and lacks the confidence to put his foot down. He's a follower, not a leader (unlike cosmo, who flint looks up to canonically. WHICH NO ONE TALKS ABOUT!!!!!!!!!!!)

flint also seems to have an interesting habit of apologizing even though he actively and intentionally attacks the toons right after

which i think is interesting. i think it's just a habit of his to say sorry when he knows he's doing/has done something wrong (especially bc he doesnt like facing the consequences), even if hes not actually sorry. Considering this is the same person who claims they like setting toons on fire, i dont think any of these apologies are sincere:

speaking of not being able to handle the consequences, when flint does get defeated by toons, there's a line that sticks out.

Specifically the "i'll be back" feels vengeful. Like he takes the defeat personally, and doesn't want to give up because it makes him feel weak and he wants to come out on top.

something else i find interesting and almost jarring in flint's dialogue is some of their Power Trip dialogue:

this dude is incredibly power hungry. he craves confidence and the ability to be a leader, given how he looks up to cosmo and is drawn to graham, who also appears confident.

speaking of graham, i think it's important to note that earlier, when flint was talking shit abt the satellite investors, he was saying that specifically to graham, who encourages flint not to "let people walk all over him".

graham encourages flint to feel more confident, which is not inherently a bad thing. confidence is great! and its something flint deserves. but i think there's an issue with how they choose to express this "confidence" on the rare occasions they do.

shown throughout this post, flint's way of trying to be confident is being power hungry, talking shit, and fighting toons . i think it's pretty clear that flint has been walked all over in the past and present, and it's caused them to become shy and a bit of a doormat. which he clearly doesn't like (more evidence of this is the fact that he explicitly dislikes belittling.)

and on the rare occasions when they're "allowed" to be confident, they proceed to belittle OTHERS, like toons. in a lot of their dialogue, they come off as condescending towards the toons, even if it's pretty awkward.

i think Flint deserves to feel confident, but the way they go about it is unhealthy. They've clearly been treated like a doormat and is fed up with it, and it seems like they lash out as a result. I think he has a good and genuine heart, but he almost comes off as bitter due to being walked all over constantly. its rlly interesting to dive into flint's flaws and the way they act due to their desperation for confidence, something they really lack.

[blueteller]

Hi, dear cool person! Do you happen to know if all magic circles in lcf are drawn on the ground or if some types can be done in the air? Do they need a physical surface for them to work? I got a little confused by that and couldn't find an explanation yet (⁠╥⁠﹏⁠╥⁠)

Hello, "dear cool person"! 😊 I admit, no one ever brought up that kind of question to me, and I think it's worth investigating!

First of all, to make things clear: TCF/LCF uses what we call "Soft Magic System". In other word, the rules concerning magic are vague, without much elaboration from the narrative – which I have to add, does NOT equal poor world-building.

People often toss around Fullmetal Alchemist as an example of good world-building (which everybody who knows me is probably aware, is one of my favorite series of all time), without understanding that FMA uses "Hard Magic System" as it plays a vital role in the story. How alchemy works is very important to the plot and its themes. While my inner nerd absolutely loves it, I must remind myself that it's not a required element for a story to be well crafted. There are many series which go into great detail about their magic systems, but that doesn't actually guarantee it will be successful in making the story enjoyable.

"Soft" or "Hard" magical world-building, what actually matters is how it's used.

So, in TCF we are dealing with "Soft Magic System", because how magic works is never actually important to the story itself; what the characters are doing matters far more than what exact tools and powers they're using. The "what" of their capabilities is always more emphasized over the "how".

Obviously, we know some of what magic can do, as we get many example throughout the series. We also know that there are multiple other powers in that world aside from mana-based magic. For example, regular magic can be used to create fire, cast illusions, teleport, levitate objects, and even for telepathic communication. Dead mana magic can be also used in similar ways, like casting illusions or creating light. There are also powers of Nature, Beast People abilities, Earth Abilities, Divine Powers, and quite a few of others.

But the question is about arrays specifically. Let's try to find a couple of examples to work with.

We know that circles CAN be drawn, at the very least. The earliest instance of an array being used was way back during the Plaza Terror Incident, when blood-crazy mage Redika tore up a teleportation scroll to escape the plaza. So we see that certain spells can be pre-made and are one-use only, which makes sense. Not everyone seems capable of teleportation, especially long-distance. Remember, Dragons are super rare and the fact that Cale has basically unlimited access to instant teleportation through Raon is basically cheating lol. I assume it's both difficult and expensive to create even a single scroll like that. It requires lots of effort and preparation, not to mention it's set for a given location – the word "coordinates" is often dropped throughout the story.

We also know that circles can be created through magic in an instance, as that's basically what Raon and Eruhaben do every time they teleport. But once again, they're Dragons, so I assume you have to be Arch Mage level to do that type of stuff without literally drawing the array. Definitely not something Redika was capable of. I also suspect Rosalyn could do that, but that's because she's a rare talent of her own – not to mention how Eruhaben taught her on top of it.

I struggle to find any example of array-based magic that ISN'T about teleportation, however. Perhaps all arrays ARE meant exclusively for transportation in TCF? Feel free to correct me if you find any evidence to the contrary. Another example that comes to my mind is when they were teleporting the Castle of Light, later re-named Black Castle, into the Forest of Darkness. We know it required a huge amount of power, which was why Eruhaben asked Cale for magic stones. We didn't actually SEE them cast the array, however, so we don't know if they literally needed to draw one around the castle, or if they used their Dragon powers again to simply make it with magic.

There are several conclusions I draw from all of this.

First, most if not all examples of array-based magic in TCF are teleportation-related. So either all arrays are about teleportation, or teleportation is a very complex brand of magic (which would make sense) and arrays are exactly for that type complex magic, so they could be also used for other things.

Second, it seems that drawing arrays is a "human method", but it is unnecessary for Dragons, as they can use magical shortcuts. So naturally, I don't think they need a solid surface to work with when they're casting spells.

Third, arrays can be either instantly used and created – if you're powerful enough that is – or they can be pre-made and "loaded", then used for emergencies via deliberate disruption. I also assume you don't need to be a mage to use a teleportation scroll, if it already contains all the magic needed.

And that's basically all I have to say about magic circles in TCF! I hope this was helpful 💖

[hollowed-theory-hall]

as an adult do you think there are any little habits or things that voldemort retains from his youth?

In a way, yeah, I'm sure he does.

The way we grow up affects us, and I think you'll find a lot of people retain certain habits from a very young age. I mean, people are, for the most part, creatures of habit. We like to have a schedule we follow every day.

Voldemort is a perfectionist, always was. And I don't think anyone would argue he doesn't have obsessive tendencies. So it's incredibly likely he had certain 'ceremonies' he did every day before going to bed or something like that. Like, the order of things and the way he does things being perfectly replicated every day. The thing is when it comes to little habits like that we don't really see him have any. Like, we don't know much about his eating habits, or what he does before bed or to relax or anything like that. We just don't really have that information.

But with his personality, he probably does have pretty rigid patterns in his day. Besides being used to it from the orphanage and Hogwarts, both of which had pretty rigid schedules. Old habits die hard, and all that.

What habits I can actually point at and say he probably does that... well, there aren't many because we just don't know. But this is what I have to offer:

We know he likes collecting things. Both as a child and later with his Horcruxes. I'd say working in Borgins and Burkes was definitely a decision connected to his appreciation of collecting rare magical artifacts to study. And it makes sense he'd like to have things, considering he grew up with basically nothing to his name. Especially nice things.

He most likely reads a lot, as a young child, a Hogwarts student, and an adult, since it goes hand in hand with studying magic. And it was probably one of the only things he could do at the orphanage to pass the time since he wasn't really playing with the other children there.

We also know younger Tom had a diary, so he might have used it for journalling before he turned it into a Horcrux. Considering he has a strong sentimental connection to his other chosen Horcruxes, I'd go on a limb and say he wrote in it before making it one. He is dorky enough for that (the diary would be under various privacy spells, obviously). We don't know if he still journals, but I'm sure he at least writes down all his magical research and experiments somewhere. He won't be a proper academic otherwise.

I think someone like Tom would honestly find comfort in something like journaling, it's structured, completely controllable, and predictable. It's something a young Tom Riddle could do that is just his and only he chooses when and what he wrote. Also, as no one else sees it, there is no failing it. Also, he has the dramatic flare for writing overly formal journal entries at the age of 11 (he's still dramatic, so that didn't change). So, I think this is a likely habit for the younger Tom that the older one continued, if for different purposes.

Not really a habit, but he's very suspicious of others and their intentions. He shows as much in his meeting with Dumbledore, that is definitely a behavior he retains. As an adult, he is just as suspicious and keeps everyone at arm's length.

Like, if we look just at behavior, he shares a lot with his younger self from the orphanage, deep down he is that same orphan raging at the world and wanting control and power he never had. I wrote a whole series about his personality and mentioned it there. But, that's more behavior than habits, so I don't think it counts.

Sorry, I can't offer you more habits. Unfortunately, there is a lack of book evidence on what Voldemort does in his free time when he isn't trying to kill Harry Potter...

[bubbleddisasters]

So I saw a cool ship edit with Cater and Che’nya, and that has given me the confidence to talk about my favorite crackship/Rare pair!

(This is pretty long, sorry!)

Che’nya and Idia!

It originally started out as a joke like “Over Powered Cat Boy x Cat Loving Gamer Boy”, but then I realized how actually good they could be for eachother.

Although they never technically talk in canon, they do meet in Glorious Masquerade for like 6 seconds, but I shipped them prior lol.

Basically, Che’nya would be extremely good for Idia in many ways, I hope its not a bother, but I’ll just list my personal ideas!

(Keep in mind that in Alice in Wonderland, Its stated in “Through the Looking Glass” the Cheshire Cat is the second most powerful being, next to the personification of Time, So I envision Che’nya is pretty op, and theres some evidence to prove that but i’m not going to get in to that right now)

Starting off from Idias side:

One: Lets say Idia refuses to eat or care for himself, Che’nya could teleport away his consoles until he does, or teleport the food to him.

Like : “You won’t shower? Gee I wonder where your routers went.” “Won’t sleep? I opened a portal on your gaming chair that teleports you to your bed” “Won’t drink water? Damn, that figurine near the edge of the table looking real pushable right now.”

We also know that Idia has a huge soft spot for cats. Che’nya is most definitely the most cat like person in the cast. I wouldn’t be surprised if he had a cat form. So thats definitely some sway there.

Also, if he does or even if he doesn’t have a cat form, he has a big and floofy tail, and if he does have a cat form, I imagine it to be Mainecoon like (since Che’nya is pretty tall and lanky) so free floof to pet/brush when Idias stressed (also A Whisker Away AU?)

Another thing is Che’nyas invisibility: He can be a comfort for Idia without being seen, so Idias less judged for his anxiousness. Like if Idias in a stressful meeting or something in STYX, He can be there to comfort or calm him without anyones notice. Also, If Idias in a stressful social situation, Che’nya can teleport him or them both away, or make them or just him invisible.

Plus, judging from the most definitely self made artwork on Che’nyas pants, I think its safe to say he’s probably an artist of some sort, and I think he’d be more than willing to indulge/read/play/watch Idias recommendations, and maybe draw something for him. (The requirements are either cuddles or Solving Che’nyas riddles three)

Finally, judging by the fact Che’nya casually waltzes through NRCs magic barrier, which took SEVERAL HIGH TECH STYX STRIKES TO CRACK, often enough for Riddle to be able to say “The Intruder” and everyone just knows its Che’nya.

Also, RSA is THE ENTIRE ISLAND AWAY AND ON A GIANT FUCKING MOUNTAIN, so this means Che’nya is very casually teleporting across the equivalent of atleast a small country without producing jack shit in terms of blot, while (from what we can see on his design) not wearing a mage stone.

He’s also been detaching his own body parts, flying, going invisible, etc since age 5, and from Rollos story we know that amount of magic use would indefinitely kill 80% of people, especially a kid, so knowing that, I’m pretty sure its somewhat safe to say if Che’nya got into S.T.Y.X atleast once so he knows where it is, he’d be able to teleport back in and out (the security team fucking hates him and the blot research team wants to experiment on him.)

With that, Idia wouldn’t feel as if he’s trapping Che’nya down there if they were to tie the knot, and gives the possibility of being able to teleport out to shore for in town dates.

On Che’nyas side, Idia is someone who’s very fun once he sort of lets himself go, and god forbid if those two team up on April Fools.

He’s also someone that is already pretty lonely by nature and I find it extremely plausible Che’nya feels slightly replaced by Cater, and although he definitely still cherishes Riddle and Trey, its nice to have someone that you don’t fear might find a replacement.

Also, at RSA, we know he’s good friends with Neige, but because of Neiges fame, that must be hella stressful when you’re trying to hang out and get jumped by fans or paparazzi.

Not to mention Neige is likely very very busy due to the same factor. I’d also wager most people at RSA are not as much fun to him, considering it’s mentioned they always seem to be perfect and pristine at events.

That cycle of semi- perfect paradise like school days would probably bore him, along with the very bland or stereotypical reactions I can imagine his pranks getting.

So we have on one side the stress of being friends with someone in the limelight at all times, and the stress being chased around when you go to visit your childhood friends + being lowkey replaced.

So someone you can pretty much always count on to be available and a dorm that won’t chase you out (probably too anti-social and/or Socially anxious to do so) and is somewhat willing to indulge in your chaos from time to time, or just play games with.

I could also see Che’nya and Ortho getting along very well too, with Ortho being the most aggressive wingman for Idia. Also, if Che’nya gets Ortho in on pranking Idia, it’s going to turn into a prank WAR.

Also, fun idea, Lilia, Cater and Trey being Che’nyas Wingmen.

I like to imagine Che’nya and Lilia are extremely good friends (They call themselves the Pink Bats and Purple Cats Jumpscarers) and since from what we know, Che’nya only has his grandfather, Lilia emotionally adopted him after Che’nya unintentionally fell asleep in his Cat form in the woods and Lilia told Silver to bring him back because “he was concerned about the high magic levels he sensed” and basically did the equivalent of

—-

Silver: “Father, It might not be a stray-“

Lilia, fully aware its a fae beastman : “Finders Keepers :) “

——

Basically this snowballs into Che’nya getting invited into the dungeon runs with Idia, and yea.

Trey’s wingmanning is 40% trying to make sure Riddle doesn’t catch Che’nya, 20% trying to make sure he doesn’t blow up the kitchen trying to make something for Idia, and 40% being the sane consultant of date ideas, making sure Cater doesn’t go overboard with ship posts, and the preventive measurer to the date ideas recommended by Lilia.

——

“Please do not have a sword duel for a date.”

“Nya? I’d be fun!”

“I don’t see why not. I did that with my lovers back in the day. Melanor in her training uniform was quite a sight to behold, Ravaene also looked fine, I suppose. Poor him was always too easy for us to take out however-“

“Lilia, thats uh, not the point. I don’t trust either of them with weapons.”

“Hm? Silver got his first sword when he was 10 or so. Baul and I refereed Sebek and Silvers first real duel when they were…12, methinks? For all Bauls bragging about his grandson, it was my son who won in the end-“

*Camera pans to a very concerned Riddle in the doorway.*

“What kind of a discussion is going on here?!”

—-

Yea, thats pretty much it!

(If you recognize some of the beginning spiel from a comment section on tiktok yes I wrote that and I got mildly lazy and thought past me explained it pretty well so I copy and pasted a few pieces)

[jeannereames]

I see you talk a lot about historiography! What would you consider the most important development of Alexander’s historiography?

What the Hell is Historiography? (And why you should care)

This question and the next one in the queue are both going to be fun for me. 😊

First, some quick definitions for those who are new to me and/or new to reading history:

Historiography = “the history of the histories” (E.g., examination of the sources themselves rather than the subject of them…a topic that typically incites yawns among undergrads but really fires up the rest of us, ha.)

primary sources = the evidence itself—can be texts, art, records, or material evidence. For ancient history, this specifically means the evidence from the time being studied.

secondary sources = writings by historians using the primary evidence, whether meant for a “regular” audience (non-specialists) or academic discussions with citations, footnotes, and bibliography (sometimes referred to as “full scholarly apparatus”).

For ancient history, we also sometimes get a weird middle category…they’re not modern sources but also not from the time under discussion, might even be from centuries after the fact. Consider the medieval Byzantine “encyclopedia” called the Suda (sometimes Suidas), which contains information from now lost ancient sources, finalized c. 900s CE. To give a comparison, imagine some historian a thousand years from now studying Geoffry Chaucer from the 1300s, using an entry about him in some kid’s 1975 World Book Encyclopedia that contains information that had been lost by his day.

This middle category is especially important for Alexander, since even our primary sources all date hundreds of years after his death. Yes, those writers had access to contemporary accounts, but they didn’t just “cut-and-paste.” They editorialized and selected from an array of accounts. Worse, they rarely tell us who they used. FIVE surviving primary Alexander histories remain, but he’s mentioned in a wide (and I do mean wide) array of other surviving texts. Alas this represents maybe a quarter of what was actually written about him in antiquity.

OKAY, so …

The most important historiographic changes in Alexander studies!

I’m going to pick three, or really two-and-a-half, as the last is an extension of the second.

FIRST …decentering Arrian as the “good” source as opposed to the so-called “vulgate” of Diodoros-Curtius-Justin as “bad” sources.

Many earlier Alexander historians (with a few important exceptions [Fritz Schachermeyr]) considered Arrian to be trustworthy, Plutarch moderately trustworthy if short, and the rest varying degrees of junk. W. W. Tarn was especially guilty of this. The prevalence of his view over Schachermeyr’s more negative one owed to his popularity/ease of reading, and the fact he wrote on Alexander for volume 6 of the first edition (1927) of the Cambridge Ancient History, later republished in two volumes with additions (largely in vol. 2) in 1948 and 1956. Thus, and despite being a lawyer (barrister) not a professional historian, his view dominated Alexander studies in the first half of the 20th century (Burn, Rose, etc.)…and even after. Both Mary Renault and Robin Lane Fox (neither of whom were/are professional historians either), as well as N. G. L. Hammond (with qualifications), show Tarn’s more romantic impact well into the middle of the second half of the 20th century. But you could find it in high school and college textbooks into the 1980s.

The first really big shift (especially in English) came with a pair of articles in 1958 by Ernst Badian: “The Eunuch Bagoas,” Classical Quarterly 8, and “Alexander the Great and the Unity of Mankind,” Historia 7. Both demolished Tarn’s historiography. I’ve talked about especially the first before, but it really WAS that monumental, and ushered in a more source-critical approach to Alexander studies. This also happened to coincide with a shift to a more negative portrait of the conqueror in work from the aforementioned Schachermeyr (reissuing his earlier biography in 1973 as Alexander der Grosse: Das Problem seiner Persönlichtenkeit und seines Wirkens) to Peter Green’s original Alexander of Macedon from Thames and Hudson in 1974, reissued in 1991 from Univ. of California-Berkeley. J. R. Hamilton’s 1973 Alexander the Great wasn’t as hostile, but A. B. Bosworth’s 1988 Conquest and Empire: The Reign of Alexander the Great turned back towards a more negative, or at least ambivalent portrait, and his Alexander in the East: The Tragedy of Triumph (1996) was highly critical. I note the latter two as Bosworth wrote the section on Alexander for the much-revised Cambridge Ancient History vol. 6, 1994, which really demonstrates how the narrative on Alexander had changed.

All this led to an unfortunate kick-back among Alexander fans who wanted their hero Alexander. They clung/still cling to Arrian (and Plutarch) as “good,” and the rest as varying degrees of bad. Some prefer Tarn’s view of the mighty conqueror/World unifier/Brotherhood-of-Mankind proponent, including that He Absolutely Could Not Have Been Queer. Conversely, others are all over the romance of him and Hephaistion, or Bagoas (often owing to Renault or Renault-via-Oliver Stone), but still like the squeaky-nice-chivalrous Alexander of Plutarch and Arrian.

They are very much still around. Quite a few of the former group freaked out over the recent Netflix thing, trotting out Plutarch (and Arrian) to Prove He Wasn’t Queer, and dismissing anything in, say, Curtius or Diodoros as “junk” history. But I also run into it on the other side, with those who get really caught up in all the romance and can’t stand the idea of a vicious Alexander.

It's not necessary to agree with Badian’s (or Green’s or Schachermeyr’s) highly negative Alexander to recognize the importance of looking at all the sources more carefully. Justin is unusually problematic, but each of the other four had a method, and a rationale. And weaknesses. Yes, even Arrian. Arrian clearly trusted Ptolemy to a degree Curtius didn’t. For both of them, it centered on the fact he was a king. I’m going to go with Curtius on this one, frankly.

Alexander is one of the most malleable famous figures in history. He’s portrayed more ways than you can shake a stick at—positive, negative, in-between—and used for political and moral messaging from even before his death in Babylon right up to modern Tik-Tok vids.

He might have been annoyed that Julius Caesar is better known than he is, in the West, but hands-down, he’s better known worldwide thanks to the Alexander Romance in its many permutations. And he, more than Caesar, gets replicated in other semi-mythical heroes. (Arthur, anybody?)

Alfred Heuss referred to him as a wineskin (or bottle)—schlauch, in German—into which subsequent generations poured their own ideas. (“Alexander  der  Große  und  die politische Ideologie  des Altertums,” Antike und Abendland 4, 1954.) If that might be overstating it a bit, he’s not wrong.

Who Alexander was thus depends heavily on who was (and is) writing about him.

And that’s why nuanced historiography with regard to the Alexander sources is so important. It’s also why there will never be a pop presentation that doesn’t infuriate at least a portion of his fanbase. That fanbase can’t agree on who he was because the sources that tell them about him couldn’t agree either.

SECOND …scholarship has moved away from an attempt to find the “real” Alexander towards understanding the stories inside our surviving histories and their themes. A biography of Alexander is next to impossible (although it doesn’t stop most of us from trying, ha). It’s more like a “search” for Alexander, and any decent history of his career will begin with the sources. And their problems.

This also extends to events. I find myself falling in the middle between some of my colleagues who genuinely believe we can get back to “what happened,” and those who sorta throw up their hands and settle on “what story the sources are telling us, and why.” Classic Libra. 😉

As frustrating as it may sound, I’m afraid “it depends” is the order of the day, or of the instance, at least. Some things are easier to get back to than others, and we must be ready to acknowledge that even things reported in several sources may not have happened at all. Or at least, were quite radically different from how it was later reported. (Thinking of proskynesis here.) Sometimes our sources are simply irreconcilable…and we should let them be. (Thinking of the Battle of Granikos here.)

THIRD/SECOND-AND-A-HALF …a growing awareness of just how much Roman-era attitudes overlay and muddy our sources, even those writing in Greek. It would be SO nice to have just one Hellenistic-era history. I’d even take Kleitarchos! But I’d love Marsyas, or Ptolemy. Why? Both were Macedonians. Even our surviving philhellenic authors such as Plutarch impose Greek readings and morals on Macedonian society.

So, let’s add Roman views on top of Greek views on top of Macedonian realities in a period of extremely fast mutation (Philip and Alexander both). What a muddle! In fact, one of the real advantages of a source such as Curtius is that his sources seem to have known a thing or three about both Achaemenid Persia and also Macedonian custom. He sometimes says something like, “Macedonian custom was….” We don’t know if he’s right, but it’s not something we find much in other histories—even Arrian who used Ptolemy. (Curtius may also have used Ptolemy, btw.)

In any case, as a result of more care given to the themes of the historians, a growing sensitivity to Roman milieu for all of them has altered our perceptions of our sources.

These are, to me, the major and most significant shifts in Alexander historiography from the late 1800s to the early 2100s.