#even though you make up a part of the structure of one of the most intimate spaces in my life there's still nothing of me there

[georgescitadel]

George R.R. Martin on the process of creating A Game Of Thrones (1/3)

You hold in your hands the second volume of A Song of Ice and Fire… but not the second volume as originally intended. Although I wrote the opening of A Game of Thrones back in the summer of 1991, as related in my introduction to the Meisha Merlin edition of that volume, it was not until October of 1993 that I drew up a proposal for my agents to take to publishers. There is no mention of any book titled A Clash of Kings in that proposal. In 1993, I was under the impression that I was writing a trilogy.

Trilogies had been the dominant form in epic fantasy ever since J.R.R. Tolkien’s The Lord of the Rings had been broken apart by publishers and released in three volumes. And the story that I wanted to tell divided quite naturally into three parts; much more so, in fact, than The Lord of the Rings, which is actually one fairly seamless narrative, and not a trilogy at all. I planned to title the books A Game of Thrones, A Dance with Dragons, and The Winds of Winter. I knew right from the start that they would all be large books. Huge books, even. But there were to be only three of them, and…and none were to be called A Clash of Kings. Sometimes the author is the last to know.

As I write this, I am halfway through the writing of A Feast for Crows, the fourth volume of my ‘trilogy.’ There is no mention of that title in my 1993 proposal either. These days, when pressed, I confidently assert that A Song of Ice and Fire will ultimately run to six books… but behind my back I know my lady Parris is smiling knowingly and holding up seven fingers. She may be right. Though I may dream of six books, plan for six books, work toward six books, the only thing that truly matters is the story. And the story needs to be as long as the story needs to be.

In Hollywood, the suits will tell you how long that is. A television show has to fit within its allotted time slot, of course, and you cannot beg, borrow, or steal an extra minute, no matter how much the story needs it. Running times are somewhat more flexible for films, though not as much as one might think. For the most part, the studios still want movies to run about two hours, so they look for screenplays of 120 pages or less, and demand cuts in any scripts that come in longer. My own screenplays and teleplays were almost always too long and too expensive in first draft, so in my later drafts, along with addressing the inevitable notes from studio, network, and producers, I was constantly trimming. In the end, I would deliver a shooting script that was the right length and under budget, but it was never a happy process… and I often went away feeling that the earlier drafts were the better ones.

The size of A Song of Ice and Fire was in no small part a reaction to ten years of trimming. I wanted to do something epic in scale, something at once grand and sprawling and complex and subtle, with a cast of thousands, huge battles, mighty castles, gorgeous costume, lavish feast, great rivers, towering mountains, vast fields… all the things I could not do in television. In short. I wanted to make a world. And for that you need a bit of room.

In my original proposal, I estimated that each volume of the trilogy might run as long as 800 pages in manuscript. The novels that I had written during the 70's and 80's, before Hollywood, had generally come in at 400 or 500 pages or thereabouts, so an 800 pages book seemed very lengthy indeed. The three books of the trilogy would be structured around the long, slow seasons of Westeros. A Game of Thrones would be summer’s book, A Dance with Dragons would take us through autumn, and The Winds of Winter… well, the title says it all. Even in the Seven Kingdoms, where a season can last for years, 800 pages ought to give me enough room to reach the end of summer and conclude the part of my tale, I reasoned.

‘Twas a lovely plan of battle… but no plan of battle ever survives contact with the enemy, it has been said. Writers know the truth of that as well as any general, though our wars are fought on blank white sheets of paper and empty computer screens. For the map is not the territory, the blueprint is not the house, the recipe is not the dinner… and the outline is never ever the book.

- George R.R. Martin, A Clash of Kings Limited Edition Introduction (2002)

[thekingofwinterblog]

Was the Grand Line originally land?

So in lights on the most recent chapter, 1113, we learn that the world government's great and final plan is to flood the entire world, leaving only the red line above the sea level and drowning the rest of the world.

With this in mind, there is of course the obvious question, of wheter this was always the plan, even during the void century.

And if so, there is the question of wheter or not the original alliance succeeded, and the Grand Line as we know it is just a post apokalyptic remnant of a once, much grander landmass, not necessarily one made up completely of land, as we know that some of the kingdoms(the great kingdom itself) during the Void century WERE islands, but one where there was still a very clear land bridge across the world, beyond just the red line.

So, lets dive into this idea, and the evidence for and against.

Starting off with, the grand line is a bizarre place, and we have no actual explanation of why it exists. It cannot be the one piece equator equivelant of the equator, for as oda has confirmed, the map above is aligned so north, south, west and east are those direction on the globe, with the red line and grand line both at an angle across the world, not aligned in the four compass directions.

Then of course there are the frankly bizarre phenomena of the grand line, which though a lot has a somewhat logical explanation, there are still plenty of mysteries, such as the bizarre weather currents of the grand line, and the way the calm belt is very clearly supernatural in how it works.

Why is the start of the line so bloody strange, so much less predictable and filled with nonesense than the rest of paradise?

But lets begin dissecting the idea that the grand line is a post apokalyptic wastelands. How would the continent sinking into the sea explain the weather phenomena?

Well... Crocus claims that the reason for the grand line's being filled with abnormal magnetic fields as a result of each of the islands being very rich in minerals, which frankly speaking, doesnt really seem to be the case for the most part from what we've seen... but if you assume that them "being rich in minerals" actually refers to the idea that the core of each of the islands that survived the ancienct apokalypse were filled to the brim with strong, durable metals from the very core of the earth as the lands around was sunk beneath the waves, there might be some logic to it.

The "islands", or at least the mountains they rest on, would indeed be filled with rich minerals, and more importantly, they would be way closer to the surface and now much more "uncovered" by stone, and be just beneath the surface, and so wrecks havoc on anyone trying to use a compass.

but are there more to suggest the grand line used to be above sea level?

Yes, actually, there is.

In paradise, there are 4 megastructures that seems to defy any, and all logic for how they could possibly have been built.

The tree gates of justice.

And Impel Down.

we have no idea who built these ginormous structures, but the simple reality is that with what we know, They just dont make sense.

The Gates are so so stupidly big, that the only creatures that would match it is the big elephant of the minks, and the florian monster.

However, forget the size, the bigger problem is the foundations.

Impel Down is structured like a castle, with a very clear, tiered set of levels.

assuming it was indeed built in the middle of the ocean, from the bottom up, the only race who could possibly have done it would have been the fishmen, who from what we know would have absolutely no reason whatsoever to help the world government make it, given they were on the opposite side during the Void Century, and relations have not gotten much better since.

however... if we assume that both of these structures, the gates of justice, and Impel down, were made on land BEFORE they were submerged, the mystery of the how their construction suddenly makes way more sense.

they are stupidly big, but they were built above ground, making their construction much more logical.

if so, then at the bottom of the sea in this area, one could probably find walls, similar to the gates, connecting the 3 gates, with all 3 and the castle of impel down obviously having been part of some grand, defensive fortification, with their current use of controlling the whirlpool having little to do with their original intention.

And then of course there is how the one piece world is portrayed in Monsters.

We dont know exactly when Monsters is set, but it has to be sometime before the void century, because it was in a different age than the era of isolation that was put into place after the the mountain walls were put into place after the great war, and it cant have been during the void century itself, for it it had been, any mention of the man would have been ruthlessly wiped out by the world government, and he would most certainly not have been famous across the world.

So he lived sometime before the great conflict started.

the more interesting part about monsters though, is how the world looks. Rather than the familiar world of island based city states, We are shown a wast landscape with no sea in sight.

Now it's of course possible this story is set somewhere on the red line, or one a massive island, but there is something else to suggest that the world of old was fundamentally different than what came later.

Ryuma was recognized as the man who carried "the world's greatest warrior soul", and was famed far and wide, with the nickname suggesting a level of international fame on the same level as mihawk... except there is a bit of a problem here.

One piece's world building is built on the fact that every single island is very isolated from all the rest of the world. even if there is one world government, that a lot of states are a part of, but defacto, each island is an independent nation unto itself, except when the world government wants something from them.

News simply does not spread in this way in the one piece world. The only reason pirates such as Luffy, whitebeard and roger are famous, is because the powers that be have a wested interest in making them famous, and spread their wickedness and thus warning of their danger, but also as a justification to why they need to have the mariens around to protect people.

and yet the tales of Ryuma both in monsters and in one piece proper is a worldwide spread story, which given how old he is seems bizarre all things considered(how old his legend is, how widespread it is, how nobody except the people of Wano would have a political reason for keeping his legend alive, etc)... but if one assumes the entire world has heard of him because he literarily walked from one end of the world to the other, with only small boat trips to cross gaps in the continent of the grand line, then the idea that he would be remembered by all long, long after his death makes way more sense.

And then of course there is another, huge detail that is very easy to miss. One Piece's age of exploration just ended, relatively speaking.

The one piece world is OLD, with Alabasta's capital being 4000 years old, and the world government as an organization being 800 years old.

And yet... The world, or more speciffically the grand line was still being charted out and mapped as late as 400 years ago.

four centuries after having been created, the world government and the people of this world didnt know the rough layout of paradise, the part of the grand line where the only kingdom we know for a fact was part of the original alliance against the great kingdom was located.

That seems... insane to be perfectly honest... but it makes WAY more sense if one assumed that the Grand line used to be one, relatively well connected landmass that stretched across the world in relation to the red line.

But once that for the most part sank into the sea(most certainly as a result of the full might of the ancient weapons being unleashed on either side of the war), the world as the people of old knew it was broken, and had to be completely remapped, a process that took centuries.

This could also explain the world government's big symbol. a cross with 5 dots, one in the middle, and 4 around it.

Now the idea that this symbolizes the 4 directions of the world is not a new theory, but the dots are another question, with us having no idea what they mean.

Here's my theory.

all five represents the same thing, the alliance's big plans for a capital of the world, Mary Geoise, located on one of the spots wheree the world's two big landmasses met. the meaning as it originally was envisioned, was that no matter which direction you went, you would always end up back here at the center of the world.

[howtofightwrite]

Hi fight writer! Longtime follower, I always enjoy seeing your work and the situations people put their characters in. X3 Could I ask you to look over an element of character backstory for me, to see how realistic it is?

Character is an itinerant-knight sort of fellow, fantasy setting, elven. He's missing a chunk of his ear on one side, having lost it in a fight -- but not in the usual way of getting it sliced. It's the reason he swears by using a helmet and will not let any of his students go ahead into battle without head protection. The premise I had was that somebody gave him a blow to the side of the head and the helmet he was wearing crumpled from the force, pinning the ear between skull and metal. When the helmet was peeled off, a chunk of the ear came with it, or was basically so pinched off and dead that it had to be amputated anyway. (It also gave him a whopper of a concussion, of course. ^^;) But if he hadn't been wearing the helmet? It wouldn't have just been the ear, it would have been the whole top of his head. Wear your helmets, kids.

Do you think the helmet would have had to be damaged in some way beforehand for this to happen? Or be of shoddy make? Or would the opponent have to be supernaturally strong? Thank you!

So, this question has been sitting in the inbox for a bit, and part of that is that I've had difficulty parsing the question. There's a few reasons for this, but a major element is how much of the above comment isn't part of the question.

I get that most of this is a setup for a simple, “what do you think of my idea?' and those are questions we generally avoid, simply because, “thumbs up, it works.” Or, if there are serious problems, it feels like punching down.

So, in answer, “it's fine.” You don't even really need to justify it with other factors. Someone swinging a hammer at your head can result in your head protection failing. I think we can safely scratch off the supernatural strength option, simply because that's more likely to turn the character's head into an improvised golf ball, rather than taking out an ear. This is a weirdly specific injury, but it's also the kind of injury that could, potentially, happen on the battlefield.

Ironically, the weakest part to this concept is just that a combat veteran wouldn't automatically value head protection unless they'd suffered a disfiguring injury which would have been dramatically worse if they weren't wearing a helmet.

Helmets get into a weird place for a lot of writers. A lot of visual media hates putting characters in helmets (even when they really should be wearing one), because it hides the character's face. There is a legitimate concern here (specifically in visual media), because if multiple characters are wearing uniform helmets, they will become visually interchangeable, so skipping the helmet is about keeping the characters more recognizable. This creates a situation where, in a lot of cases, a helmet is treated like an alternate haircut option, completely glazing over the part where it's extremely important safety equipment.

To a certain extent, the treatment of helmets as cosmetics also extends to the entirety of a character's armor. You see this anytime you have partially armored characters going into battle. In some cases, there may be legitimate reasons for omitting specific armor pieces, and not having the resources to be fully armored is always a real possibility, but skipping the head or torso armor are extremely questionable decisions.

The, “pinched off,” comment always struck me as a bit strange. It sounds like the ear was held away from the skull, with part of the helm inserted between the ear and skull, rather than held up against the head. This would be a bad idea, and a structural weakness, though depending on the exact physiology of your elves, it might not be possible for them to pin their ears against their skull. In which case their armor would need to be specifically designed around their physiology. That might mean a much broader helmet structure. For example similar to something like large flared guard on Japanese helmets, or even the ACH. Depending on the overall tech level, it's possible that the best solution would to simply have ear holes in the helmet, though this could result in a situation where ears could be cut off on rare occasions.

I suppose there'd also be some consideration for rigidity and how uncomfortable it would be to bind down their ears under a helmet. So there might be some kind of structural cutout to accommodate their ears, but again, you really wouldn't want your ears being encased in metal away from the head. Even in the worst case, with horizontal ear tips, you'd probably see helmet designs that fit over the ear, possibly even leaving the underside exposed for better hearing, rather than full metal encasement.

Ironically, having just brought up the ACH, the one place where fully encased ears wouldn't surprise me is with electronic headsets. Though, again, that's more likely to be plastic and softer materials, and would likely fit over the ear and seal against the scalp, rather than just encasing the ear itself.

Also, he'd be partially deaf in that ear. This is not, “deaf by human standards,” but impaired hearing by elven standards. Unless their ears really are just magical, and the tips are performative, it's extremely likely that their ear structure would result in improved hearing, and that's something he would lack if most of the external ear had been destroyed.

-Starke

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[rotisseries]

everyone debates about elmike like oh they're the best of friends no they would never hang out on their own they don't even know each other, when the true answer, much like everything else about them, is that there is so so much and also nothing at all

[mythvoiced]

-. PSA | TENTATIVE FACECLAIM CHANGE Patrick Finch

Chris Wood | Cillian Murphy

[deoidesign]

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

[celestial-kestrel]

It's that time of year again where Mari Lwyd starts to be talked about and shared around and an INCREDIBLY misleading post gets shared a lot. As someone who grew up with Mari Lwyd I wanted to clear some things up.

Also hello, if you are unaware who Mari Lwyd is. This is about the Welsh tradition of the horse skull who visits houses during the Christmas to New Years period in Wales asking for alcohol.

First off and probably the most important one:

Mari Lwyd is not a cryptid!

I can not emphasise this enough. She. Is. Not. A. Cryptid. There is no story or mystery about a ghost or zombie horse roaming the Welsh valleys. She's not even supposed to be a ghost or a zombie. It's just a horse skull on a stick with a guy under a sheet. She's a hobbyhorse and a folk character used to tell Welsh stories and keep songs alive. When people spread the misinformation that she's a cryptid, it's the equivalent of saying Kermit the Frog is a cryptid.

She is actually only one character in a wider cast of characters who go door to door or, in more modern times, pub to pub. The cast of characters can change town to town and village to village but there are some common ones I see time and time again. The Leader, the Merryman, The Jester and The Lady are just some I see regularly. Punch and Judy used to be more popular a few years ago but I haven't seen them in a while as their tradition has mostly fallen out of popularity. In most cases, almost the whole cast will be played by men. Even the characters are considered and referred to as female. Though this again depends and varies by which group is partaking in the Mari Lwyd tradition.

This point also goes onto my second point,

Mari Lwyd does not rap.

I think this comes from a very common misunderstanding of what rap is vs spoken word. Rap is a very specific style of music originating from the African American communities of the USA and has it's own structure and motifs unique to it. It's a lot more complex than people give it credit for as a style of music and just flippantly assign anything similar to it as being rap. If someone is talking fast or reciting poetry, it is not rap. Or anything that is an exchange of words between two people is not a rap battle. Mari Lwyd does not do rap, actually something that gets left out of these posts is the fact Mari Lwyd does not even speak. It's actually the Leader, who does all the speaking and song based banter between the house/pub owner for entry. Mari Lwyd just clicks her mouth, bites people and bobs her head around.

I think Mari Lwyd is a really beautiful and unique part of Welsh culture. She's not actually as wildly celebrated as a lot of the posts make her out to be. Actually, I think most Welsh people themselves learn about Mari Lwyd through the internet as well. Her popularity is increasing thanks to the drive of local groups wanting to keep the traditions alive and a renewed desire to document Welsh traditions before they're gone. Which is why it's such a shame that she's turned into something she's not to earn horror points on the internet. I think this is why it bothers me so much to see the misunderstandings of the culture and the folk tradition. Mari Lwyd's origin is very hot debated as well as how long it's been going on for. But I think it's thanks to a lot of traditions like this that the Welsh language and our stories weren't lost forever. Welsh culture is recovering as is the language. But it's still in a very fragile place. I think it's why it's important to document and correct information when it's spread.

Anyway, if you want to see the tradition in action, here's a lovely video from the Cwmafan RFC going to one of the pubs for charity. It includes the song exchange with the pub owner for entry and the whole pub singing and joining in once Mari Lwyd and the rest are inside.

As well with another video from St Fagan's showcasing the more traditional and door to door form with the larger cast.

[kalims]

he's a ten but he...

premise. sometimes certain bad habits of theirs make their overall rating just a tad bit lower—besides the fact that they keep doing it.

characters. dorm leaders

content. gender neutral reader

malleus (doesn't have a sense of space)

"look beastie, that flower is a native of ours,"

"I agree mal, but I didn't think you taking up the entirety of my seat will make me see it better,"

he blinks, then shrugs.

like i said, has NO sense of space.

if an average person would make an excuse to constantly be in physical contact with who they admire, then malleus is the complete opposite. well, not entirely but he doesn't even bother to construct an explanation as to why he's literally sat over your seat when you coincidentally get put in a table together.

if you start questioning him about it the most you'll get in a very outright 'because he wanted to.' it's not even one of those sarcastic replies he's 100% serious!

cause he believes there's no use in lying about things to be honest.. to further emphasize that, if he ever acts like he does hold fondness for you that surpasses the platonic meter but doesn't mention it he probably hasn't realized yet.

if he did he'd already walk over and bluntly tell you about it.

(I wish I could be that unbothered.)

lilia thinks it's the cutest thing though. you swear you see flashes of light for a split second from the ceiling but when you look up there's only a suspicious swinging chandelier.

^ totally has his own album full of pictures.

if malleus ever discovers it he won't even be disturbed, probably would ask for a copy 💯

since human lives, and their bodies are so fragile he'd taken it upon himself to protect you from harm. even if it means trailing behind you everywhere way too close for comfort, or standing a bees wing away.

while he is respectful most of the time, he's encouraged if you don't comment. if anything, he seems pleased you dont seem to be bothered! (and it'll get harder to tell him to stop when he's so happy the more you let it happen..)

"child of man, have you slept?"

*starts leaning his body forward, to squint at your eyes.* practically right in front of your face.

"WTF."

not even a warning or anything! but atleast he's concerned?

idia (won't even show up for anything and insists a 'virtual' date is better.')

user: where tf r u??

ghoul666: WDYM? at the dorm?

user: IVE BEEN WAITING HERE FOR 20 MINUTES

unintentionally stood you up 💀

you literally have to tell him that you're waiting for him to arrive at the specified area you discussed where your date would take place but would end up vastly irritated when he questions if you guys even did.

ghoul666: we do??

user: I'm taking my minecraft bed away from urs.

ghoul666: NO PLS

ghoul666: HELLO????

next time you log in minecraft it's probably because he begged you to play, you WILL end up seeing some kind of structure that probably took days to make. that's not even the entire thing cause the inside is entirely decorated to your taste.

in short: he constructed some kind of venue for a wedding.. even changed his skin to wear a tuxedo 😭

though he has sparked your pettiness, hence the ignoring him period. even you have got to admit that it's freaking adorable...

big sign, emphasis on please: Im sorry pls put ur minecraft bed back I can't sleep w/o u and I have to wait entire days for it to turn into morning :(

with what he's built you're sure it's 65% true.

if you do end up forgiving him, few weeks later attempting to schedule another date will only end up in naught.

ghoul666: can we not go there

user: 😐

user: you are testing my patience love

ghoul666: 😓 (he is screeching about the term of endearment part btw KABSJAJSAJA ortho would enter his room very concerned.)

ghoul666: how abt

ghoul666: mimic together? call

user: sighs

user: I'm only agreeing cause I want to spend time with you

queue more screeching from his end that you're completely oblivious to.

the only screeching you're gonna hear though is when you guys do get into call as you play, and it's mainly out of terror when his soul gets sent to the void ascending when the entity pops out of a corner and starts chasing him.

"I GOT THIS. ILL CARRY U THIS IS FINE" *screams again* but really wants to impress you so he pushes through.

unsurprisingly does carry you.

asks to match avatars right after (idia love languange)

vil (frets over you way too much.)

"vil, did you see the chocolate in the freezer?"

"oh, that? I noticed that you've already gone through the ideal number of bars this week so I took it upon myself to make sure you don't go sick on me,"

"I love you but please give it back—"

"I love you too, and no."

disclaimer: he does this for your own good 😜 (average mom excuse.)

looks out for you more than he does for his own dorm residents. everyone is wondering where he ran off to after class, especially since he's the one that scheduled the pomefiore meeting every fridays!

and to think he was the one getting irritated over the more newer first years for being late..

*shows up literally half an hour in*

why you ask? you simply shouldn't have texted him about abandoning your daily walk together through the gardens in favor of catching sleep since you called in sick (you're suspicious if crewel really did go in to check for proof, and not concern.)

vil's really feeling the absolute regret of not checking his phone during classes.. well, he only saw the message which was coincidentally sent like somehow ONE minute after the lecture started and he's only seeing it 59 minutes later.

oh you poor thing!! though the lunch break is short, he has about 5 minutes for a trip to the mirror chamber..

you'd think the 'seen' icon below your message was a weird omen for something you're not sure but it must be doom cause vil is right at the front porch of your crappy dorm. at his own expense?! looking more disheveled than you've seen him before.

if a few stray hairs was disheveled at all. more importantly, he still looked drop dead gorgeous!

you probably looked quite terrible with the blanket draped around your shoulders looking like you just crawled out of your grave, because he looked absolutely mortified at your state.

"oh great sevens.." he looked like he was faint, huffing and fanning himself with his hand. "look at you, why didn't you tell me sooner, darling?"

you blink, swallowing to make your throat less dry but your voice still comes out raspy. "I did, like an hour ago—" without your invitation whatsoever, he steps in. promptly shutting the door behind him (which surprisingly still stands sturdy.)

vil takes a hold of your shoulders before reaching his hands upwards to tilt your face around. "you should have sent earlier," he says. you keep in the comment that you were sleeping during it, and you told him about it during second period so.. "your face is so pale."

you sigh.

"yeah, I just saw. I know, I look hideous right now."

vil frowns at you, stopping to angle your face at him. "don't ever say that. I always find you beautiful even if you are.." he glances at you from face to toe, then back up. "sickly."

"... I feel offended."

"hmph, shush now. let me draw you a bath then I know something that will boost your system."

after much coaxing in his end, you reluctantly take a warm bath in the hopefully hygienic bathroom. true to his word, vil did... concoct something. though it looked pretty the random steam that flew from it was really suspicious.

the residents don't dare to question, except rook of course. who already knew what transpired! :)

epel: 😃 (atleast vil wasn't around.)

"roi du poison~ tell me, tell me! is the trickster well? have you cured them with your love?"

"rook, you have 5 seconds to get out of my face."

rook giggles away.

kalim (thinks money will buy anything, including your forgiveness.)

"here!" there's a suspiciously bright smile on his face as he hands you.. some keys?

you deadpan, jingling it in your hands. it weighs heavy than the average, probably because of the fact that it's literally made of gold. "... kalim what is this?" you emit a sigh, from suspicion and concern.

"a gift!"

"wait why does it say lot 111--"

as you can already, that was an actual, literal house. which you imagine would probably be a lots more grand, and new compared to your old baby ramshackle.

but you do love it despite it's love for falling apart at the most inconvenient of times..

fighting with kalim was rare but it was hard to even argue with him because the notion of disagreements are so bizarre to him that he unintentionally doesn't treat you seriously with your concerns, accidentally downplaying them aaaand now you're upset.

after the ranting to jamil about how you must be busy with a lot, since you haven't even talked to him in the past 2 days. all it took was a side glance to his friend in denial and jamil immediately knew.

"what do you mean they're mad!? D:"

"just.. go apologize, I don't want to get caught up in this."

if his definition of an apology is buying you an entire house...

( ^ it is btw.)

kalim really doesn't mean any harm. he just really wants to sate whatever anger you held for him <- maybe he's overthinking it but it's kalim so he's 99% sure it's his fault! even though it hasn't even been confirmed from your end he'd probably accept it whole heartedly.

he wanted you to talk to him again so badly that he wouldn’t mind showering you with houses... since your living situation doesn't live up to your kindness (sorry ramshackle love u xx)

you know what. he wouldn't even notice he's the reason you're upset at first even though he's been asking around on who put you in that mood. despite himself being the perpetrator but he didn't really know that did he?

the only reason he does is because he assumed you were just because you avoided him like some sort of.. cockroach! (he dislikes those.) and he couldn't take it anymore.

was probably 1 sec away from barging into your dorm which wouldn't take a lot of effort since one ram to the door would probably break it.

bless jamil for jailing all the carpets so kalim doesn't find them.

even if said carpets fling him off when he's riding them.

"kalim, why would you buy a literal house... and you also got a rare address paid--"

"for them! ;D"

"... you do know they'd be more offended by the fact that you'd try to replace that.., ahem. dorm, right?"

"oh... should I buy them a vehicle then?"

you only promise to forgive him once he takes back the keys, and the house entirely...

(grim begged you to keep it, 'house for him apparently.')

azul (keeps trying to offer you discounts thinking it's a good excuse to have you over.)

"I assure you. you'll find no deal better than this."

"I'm not even that hungry for sea food, actually I'm craving some--"

"you're in luck then! ahem, it's 26% off due to a special event for today."

pro tip: keep insisting to eat at other places cause he's gonna keep increasing the discount by 2% until you eventually relent. once, you made him go to the point of 75% off, it's almost hilarious if not for the fact it only worked once.

now he won't go last 50!

ahem. if you look closely you can almost spot tiny cracks accumulating with each denial you respond with, and each increase of his discount. he's grown to be wary about the bullshit 'lucky' promos you just happen to stumble on.

last time you did he practically lost a week's worth of the presumed income he's predicted cause you actually went around and told your first year friends about it... who.. in turn told some, other friends of theirs about it and you could guess.

love must hurt.. and unfortunately it's his wallet wailing.

but azul is not so easily swayed by this! for you have swayed him first! *wink wonk*

but azul has another trick up his sleeve... keeping on roping jade and floyd into it; whom are far too enthusiastic cause finally— something fun to do! someone to bother! not only have you got the most stubborn octopus having frequent suspicious 'deals' but here are his equally suspicious lackeys.

who keeps.. talking about fried octopus..

yeah, you're not sure if preaching about azul’s species is the job they were assigned.

they're fairly easy to point in the right direction anyways. the tweels have always associated you with the word 'fun' so just a little, friendly suggestion from and they were off to their merry way. mortifying every single person you come across with their sudden attachment.

one of their tricks? following you around. and just somehow, every single place you enter is just mysteriously full even though you peered inside and there was like 7 tables empty. what are they hosting? ghosts? spirits?

...

they do look like they've seen some though..

jade rn: "a shame indeed, you must be hungry. why don't we escort you back to monstro lounge?" :)

long story short you can't even reply cause the sleek eel is already guiding you around by the use of his hands on your shoulders. just to make sure you don't stray away from the destination, he says.

"didn't you say that yesterday's promo was like, a one day thing?" you quirk a brow, and you almost fool yourself into thinking he flinched.

azul clears his throat. "well—today is.. the month before you've graced octavinelle with your assistance—"

he praises himself for his quick thinking.

COME ON! it doesn't matter if you're sick of eating stir fried shrimp, or the butter one, or every single dish they serve that includes shrimp! (also do not mention that you ate somewhere else before you just decide to visit his dorm because that establishment just mysteriously got filed a non-legal business report.)

then you've got floyd chasing you around with a fork. which is more terrifying because he's holding it in a notion that would seem like he'd just stab down at you when he catches up with your little goose chase.

it's just.. you're not sure if your stomach could take another bite of the poor food he stabbed into, and is now chasing you around with.

you screech. "JADE PLEASE."

the man shrugs. "it's a free taste."

"AZUL."

"... only on a condition of course."

frankly. it took all the balls he had to actually sputter out the most simplest sentence ever, cause during the time he rehearsed that in front of his mirror it just plagued him with embarrassment but he's getting desperate.

'I'd like to take you out to dinner, somewhere else of course.'

actually, maybe obliterating any possible craving for the food of his lounge just might've been part of his plans to ask you out..?

leona (prevents you from actually being productive via dragging you down to 'nap' every. single. time.)

"I will literally fail if you don't let go of me right now."

"hmph. so what? it's not like failing a grade killed anyone."

"leona just because you've lived through a lot of fails doesn't mean I have to, we're not all rich enough to not finish school."

to which he'd retaliate that all you'd need is to marry him and you'd be set for life.

there is no winning an argument with leona when it comes to his naps. if he states that you're to be next to him as he sleeps, its final. no buts, no retaliations, cause apparently they're all invalid according to him even if you drag him to court.

rhetorically of course, that if its a comical court scene his only statements are; 'well you're wrong', 'who cares', and 'i dont care'. one way or another he's still gonna win you over and now you're fit snugly in his arms, lamenting.

and if crowley chastises you for not doing the errands (via leona's common interference.) the only thing you need to honestly do is to complain to leona about it and suddenly crowley has the kindness to forgive you for your 'laziness' then says something about enjoying your time together?

leona's work no doubt.

you suppose he does has its perks. even if most of it isn't exactly ideal.

if you're being smart then you should give him an ultimatum or something, or bribe him. but... that really has no guarantee to work either cause you're ending up defeated, or just defeated and flustered since he's somehow unconsciously flirty.

at the end of the day you can't really hate him cause the following day you find out he sent an already sleep deprived ruggie to do your work. 'so you can shut your fussing up and let me enjoy you.' he says, and you quote.

it goes something like;

"if i finish my work i'll stick by you all day."

a stready flow of confidence keeps your voice firm as you glower down at the blank-faced leona sat on the grass. he merely tilts his head, raising a brow at you and seemingly pondering from the way his eyes fly to the sky.

you'd think that maybe your plan actually worked but he merely grunts and flops backwards, holding the back of his head with his palms as he laid. and! he ignores you.

...this little greedy man... "why should i care whether or not you finish your work?" he huffs, like the evil, arrogant spawn he is but you can't really defend yourself cause said evil spawn bewitched you so much that you actually still like him.

"because you care about me?"

"...fine," he scowls, releasing a breath you'd mistake for irritation. "then, do you really think i need you to finish your work when i can just keep you right here?"

you sulk. "i'll do anything you want?"

he deadpans as if you said something stupid. "i don't need you to anything else but sit still and be pretty."

...

...

see what i mean about him eventually winning you over? yeah.

next morning there's a rebellion in savanaclaw about overworked residents and ruggie is the head of them.

"he said that he doesn't need you today." <- ruggie, steering you away.

"really?" <- you, confused

riddle (overthinks TOO HARD.)

“I'm just a little busy.”

“I understand,” riddle says.

“I'm just a little busy.” he understands.

“a little busy.” its just… a small thought…

“I'm just busy.” his mind is a hazard at this point. 

for someone as supposedly maintained as riddle—you'd think his mind is as composed as it is organized. like the pens you'd perfectly align in correlation to order of colors, or the neat pile of clothing folded neatly, tucked in some corner in your closet that is farther in since it's used less.

that's just how he is, or at least seems to be. a bundle of organized thoughts, every thought connected to another. a mind too clean to be going on haywire (when he isn't in a particular mood, that is.)

you're just busy. he thinks. you said it yourself, with that agonizingly nice smile that must be sprinkled with some kind of spell from the way it just eradicated all the protests in his throat upon sight. he isn't one to question it, he wants to help but not if you don't ask.

he can only stare with resigned acceptance at your insomnia induced eyes.

but when the curtain of darkness befalls night raven college, even in the comfort of heartslabyul is he still thinking about that thought–and he can’t help but wonder; why exactly are you busy? its not that he’s suddenly hyper aware of your lack of presence since you’ve been attached to the hip the previous week and now you’re just.

…busy…

riddle likes to think of himself as a level-headed, private person. like the boy he raised himself to be and therefore proud of. but its way past 10AM. which is usually the time he sleeps, and let me tell you that he’s never once broke the cycle for years. yet here he is, a frown of frustration present on his face as he wills his mind to sleep.

somehow closing his eyes felt forced, he immediately snapped them open once his mind decides to conjure an image of you even in the darkness his lids offers.

“THIS IS ABSURD.”

and the yell promptly woke up the entire dorm from the ferocity of his scream. (and of course gave them the flashback of their year.)

that night was one of the worst he’s ever had because he woke up with red rimmed eyes and a pounding headache that ensured his bad mood the rest of the day.

everyone noted to steer clear.

and he unknowingly steered clear of yours since you were ‘busy.’

“why are you sulking?” a voice queried, spoken as though they were eating something as they asked. a reprimand rises in his throat, but it all just dies down once his sharp eyes settle on you, slipping into the seat in front of him then raising a brow and the traces of irritation practically evaporates from his eyes.

he feels the need to cough–so he does. “i’m– i’m not.” he clears his throat, avoiding your eyes but still sneaking in glances, something he notes is that you’re still looking everytime he does. (and boring an unimpressed face because he knows you don’t believe him at all.)

guilt rises in his mind, because he feels a slither of annoyance and its the presence of pettiness that bothers him. riddle knows you’re not at fault, just his mind at convincing that you just somehow decided in the span of a day that you might not like him anymore–so he can’t help the bite. 

“why are you here?” a glance not intended to look mean.

“i thought you were busy.” he adds.

your brows raise, he spots your teeth holding your lips back from showing your grin and he feels warm. “what?” he hisses defensively, despite you not even having replied to him yet.

he leans backwards, straightening up in his seat when your chin leans forward, resting on your intertwined fingers. you flash him a smile. 

“mr. rosehearts, are you perhaps… sulking because i’m busy?”

“no!”

silence.

“no.” he repeats, weaker.

“well,” you continue, beaming. “i heard from ace that you were awake the entire night, and that you kept him awake too. are you alright?” 

he sputters. “it wasn’t because of you!”

you snort. “i didn’t even say anything about me.”

so you incline to following riddle around, poking fun at him and still trailing after the seemingly enraged red head because despite his angry protests, demanding you to go away because you’re annoying he keeps glancing back to see if you’ll follow,

so cute…….

[headspace-hotel]

nature things that a lot of people don't know about and weren't even taught about adequately, but they're actually really fundamental and important to know about

how rivers work. Where do they get started? how do they decide which way to flow?? what makes one river muddy and the other one clear?

[They flow downhill. Always. If a river is flowing a Way, that way is Downhill. They start with rain flowing or soaking downhill until it forms into a little trickle through a channel like a gully or drainage ditch, and the farther it flows the more other trickles flow into it from the land around it, until you have a stream, and the streams all flow downhill until they run into each other, and eventually you have a river which finally reaches the ocean. Rivers never flow FROM the ocean because the ocean is the most downhill you can possibly go. I don't think rivers usually split in two—a fork in a waterway is usually two rivers joining together.]

[On the subject of pollution, rain is usually supposed to soak slowly through the layer of leaves, roots, and dead plant material that covers most biomes. But if you tear up the plants and leave bare mud, or replace a forest with a muddy cow pasture, there's no filter, and mud and contaminants wash into the river. Just plain mud can be pollution.]

how soil works. What makes different soils different? Why are some soils good for growing a garden and others terrible? Does it need more fertilizer?

[The sand, silt, clay diagram is very simplified and only deals with one aspect of soil. Roots, soil animals, fungi, and dead plant material are all part of soil and affect its structure, making it spongy and full of holes and passages for nutrients, water, and new roots. Tilling can break hard soil, but tilling doesn't make soil light, fluffy, and permeable—disturbing the soil as little as possible, protecting it with a layer of plant material, and allowing the natural life forms of the soil develop their networks and tunnels and slowly break down the plant material layer does. This is also very simplified. Soil is COMPLICATED.]

what fungi are, and whether they are dangerous.

[fungi cannot harm you unless you eat them or unless they're growing inside your house and you're inhaling their spores in a concentrated space. There's like, one species in Japan that causes skin irritation. You can touch any other species without any harm whatsoever. *Most* of them don't harm your garden either—in fact, most plants connect their root systems to the fungal mycelium in the soil and receive nutrients from the fungus in exchange for the products of photosynthesis.]

Whether lichen harm trees

[no. They're just hanging out. But a LOT of lichen on a tree might be a sign that the tree is dying. It's not the lichen's fault though.]

What moss is??

[it's a plant, but a very simple plant that doesn't have any vessels for transporting water, so it has to live somewhere damp and soak it up like a sponge. There are hundreds of species of moss, and different species live on the side of a boulder vs. the top, or a living tree trunk vs. a fallen dead tree trunk!]

where bugs go in the winter? I straight up had a book as a kid that told me that they just die, without explaining how the species doesn't go extinct if the winter kills them all.

[Tl;dr they're usually hibernating in fallen leaves and dead wood and plant material. Some do this as eggs or larvae/caterpillars; in this case the adults do die, but their children sleep peacefully through the winter to awake in the spring. And still others hibernate as adults. This is why you don't clean up your flower beds until late spring.]

How Many plants there are

[WAY more than you think]

How ecosystems work apart from "everything is out to get everything else and take resources from other organisms."

[Competition and cooperation are both important in ecosystems! Weeds are competitive and they can choke out other plants, but they also protect the soil from erosion and harsh sunlight, keeping it moist and helping organic matter to build up. A lot of plants, when they're young, need to be sheltered by other plants that protect them from dryness, heat, and herbivores. This isn't even getting into how some plants will send nutrients to seedlings or to understory plants in a forest! Before industrial agriculture made monocultures dominant, people used and were familiar with cooperative relationships between plants a LOT more.]

The range of creatures that are pollinators, and how important the variety is.

[Bees, wasps, butterflies, moths, flies, ants, beetles, hummingbirds, and bats are all pollinators, and flowers are usually shaped and colored and scented to attract particular pollinators. Bees can't do everything, and honey bees are only one kind of bee. Red flowers and long tube shaped flowers are often for hummingbirds, pale-colored flowers that open at night need moths, and flowers that give off strong foul odors often attract flies. It gets WAY more complicated than that—sometimes a flower is only pollinated by a single species of bee or wasp or beetle.]

How many bees there are besides honey bees

[LOTS. And you've probably never seen most of them, if you don't regularly spend time around native plants! There are 140 species of longhorn bee alone, and most people haven't even heard of longhorn bees! There are well over a hundred bumble bees too! Bees come in bright, metallic green, blue, and pure gold. In the USA where I live, some of the most endangered bees are the adorable, fluffy bumble bees—the American Bumble Bee is threatened, and we have some species, like the rusty-patched bumble bee, that are critically endangered.]

[Please, please, please do not use pesticides on plants unless it is a necessity, and please do a LOT of research on the specific pesticide you are using and its effects on non-target insects. If there is any alternative, Do Not Do It. ESPECIALLY not pesticides that come in dust or powder form, ESPECIALLY in the USA, because regulations are so loose here that regular people can buy pesticides in dust form that are horribly toxic to bees.]

[How horribly toxic? A pesticide like Sevin dust will cling to the fuzz on every single bee that visits your plant—like pollen—and those bees will probably die. And in social bees, before they die, they will take the poison back to their hive (like pollen) and potentially kill the entire hive.]

[alithographica]

As promised, welcome to

Fun biology in TOTK’s designs

I'll keep this post updated as I go through the game. I'm going to skip the more general identifiable things like apples (they're based on apples!) because there are tons of more unusual species to talk about.

Overall, the really interesting thing I've noticed is that many of the more unique Earth-based lifeforms in TOTK are super ancient, like predating dinosaurs ancient, which is a really cool tie-in to the overall time-hopping plotline of TOTK. Specifically, they're found in the new areas (caves, depths) while the surface remains a bit more normal.

(There will be no plot spoilers in this post, and also I've barely gotten into the plot because I'm spending all my time wandering, so shhh no spoilers in the tags for like a month please.)

Most recent additions: More lilies, irises, wild ginger, spiny bones, pigeon extravaganza, plus added some more real photo comparisons to old stuff.

PLANTS

Bryophytes my beloved. Bryophytes are among the earliest land plants, waaaay predating flowers and even seeds. In our world, they’re small by necessity—they lack vascular systems to help move water around like other plants, so they have to stay small and moist (hence their frequency in caves in TOTK—though they do need some light in real life.)

In TOTK they’re quite large and I think that’s very sexy and art directors should give us big bryophytes more often

Anyway, there are three types of bryophytes: mosses, liverworts, and hornworts. First image pair is a moss, second is a liverwort. Those red-brown and palm-tree-like structures, respectively, are their reproductive structures.

Real liverwort photo © Graham Calow, NatureSpotUK

Not yet spotted: Hornworts! Did they forget the third bryophyte sister :(

I think these next guys are probably lycopods (specifically club moss, which is not a true bryophyte moss, thanks science.) Very old, but vascular, so they're a bit more evolutionarily recent than bryophytes.

Real photo © Gloria Hanley Schoenholtz, virginiawildflowers

All the enormous curly-topped trees in the depths: Ferns! They curl like that until they unfurl. Another very old plant, though younger than bryophytes and lycopods.

Real photo via The Cosmonaut, Wikipedia

Brightblooms and some of the other giant plants in the depths: Possibly based on a cycad? Again, a very ancient plant lineage. At this point, evolutionarily, they've developed seeds—that giant cone in the center is called a strobilus, and that's the seed structure.

These next few plants are angiosperms, meaning they produce flowers. Angiosperms are a more recent evolutionary lineage—still many millions of years old, but it took a while to develop flowers as a reproductive tactic.

Sundelions (left) are a fun recolor of a lily. There are also some scenery lilies (right) in various places—there are yellow ones that spring up when you turn on a lightroot (which gives them literal and thematic connection to the surface) and several other varieties, including tiger lilies, throughout Hyrule. Fun note, the sundelions appear to only have 5 stamen, while other lilies in the game (correctly) have 6. Seems to be an intentional decision to make it a more distinct fantasy species.

These next ones are Peruvian lilies/Alstroemeria, just used as a scenery plant but a very fun inclusion. Fun fact, not true lilies, so they're not deadly to cats like true lilies are.

Real photo © Dick Culbert, Wikipedia

Plum trees: These are also called out as plum trees in game! There's a journal in Kakariko that refers to the plum orchards.

Okay I'm a little proud of figuring this one out. Bomb flowers blend a few botanical references. Superficially, the fruit resembles a type of seed pod called a capsule—specifically it's very similar to a poppy capsule. The little red thing in the center is a nice addition to resemble both a flower stigma (reproductive part that leads to the ovary) and a bomb fuse. Now, poppy capsules disperse their seeds via wind, but there are other plants who do explode their seeds outwards as a dispersal tactic! This is called explosive dehiscence.

There is one tree in particular called the sandbox tree, AKA monkey-no-climb or dynamite tree (yes, really.) Their capsules look more like little pumpkins, but are known for violently exploding when ripe—they can launch seeds at 150 miles per hour (250 km/h) and spread them roughly 200 feet (60 m) away. The photo comparison is a poppy capsule but you should def go look up dynamite tree videos.

Real photo © PommeGrenade, pixabay

Fire fruits (and the other elemental fruits) grow on the same generic plant that looks kind of like it has grape leaves. Fire fruits resemble a specific botanical thing too though—the black netting is a papery calyx (part of the flower) seen in a nightshade genus, Physalis (golden berries, tomatillos, etc.)

Real photo © Helene Rogers, Alamy

I think this stuff is an Asarum, AKA wild ginger. I was actually puzzling over it until I walked past some today and went HEY

Not sure of the exact species but they're very green and heart-shaped and love being dense and low to the ground.

Real photo via David Stang, Wikipedia

Irises: Love irises, one of my favorite flowers and words, very happy to see them in game.

MISCELLANEA

Cup lichen! Lichen is not a plant, but a symbiotic structure of an algae + a fungi. Cup lichen is just a type of lichen formation that has a kind of vertical cup-like structure.

Real photo via Bernard Spragg

Geology crossover! Go look carefully at some of the whiter walls in the depths—they look like they have fossils of coral and other undersea hard-structured animals in them.

ANIMALS

Sticky lizards: Based on Diplocaulus, a very early (now extinct) amphibian! Their skulls are wacky. We're not sure whether the long sides stood out separately or were smoothly connected to the body by skin flaps, but the separate arrow-like shape is the most popular rendition.

Deep firefly: Might be a stretch because it could just be a multi-winged fantasy critter, but I think the "wings" and antennae are very reminiscent of Anomalocaris, an ancient aquatic arthropod.

Update: Other folks in the notes/tags have pointed out that they're probably based on a cryptid that's especially popular in Japan: skyfish AKA rods! They show up in photos and people think they're an alien lifeform. In reality, they're an optical blur created when a lower quality video captures intermittent flaps of an insect's wings, leaving sort of a many-winged smear in the photo. Thanks to all who left info!

Little frox: Another stretch because it totally could just be a Hinox-like frog, but every time I see the little ones I can't help but think of like...Ichthyostega, Mastodonsaurus, Eryops, and other early amphibians. They were pretty hefty—little frox size or bigger—and had with little waddling legs. This is less "I think it's definitely this" and more "it makes me happy when I picture frox as primitive amphibians."

I haven't detailed many of the scenery animals around Hyrule because most are identifiable with the camera function—it'll tell you that a certain animal is a heron or porgy, for example, and those groups are real, even though the exact species is made up. But I think the pigeons are fun because they're all crested pigeons. Pink-necked green pigeons may have also been the inspiration for the color palettes on the wood and rainbow pigeons.

Both pigeon photos via JJ Harrison, Wikipedia

Spiny bones: Not a specific critter, but those spiny bones that you can find lying around Eldin Canyon are vertebrae—possibly from the same thing that left those big rib cages around? The top spike is the spinous process where muscles attach, the littler spikes on the side are the transverse and articular processes. The dark O in the center is the spinal cord.

Also I made a friend who finally recognizes my purpose in Hyrule.

That's all I've got for now! Will add more as I keep playing.

[tim-shii]

hi! just found your acc and i just want to say i absolutely adore your work first off. you bring my wife (aventurine) to life beautifully.

saw the as a boyfriend and oh my GOD the part about him getting anxious over reader speaking with ratio? so good. i need jealous pouty aventurine. and honestly might be a bit ooc for ratio but i think he’d encourage it just to get under aventurine’s skin tbh.

up to you though, i’d love for you to write a lil drabble or something of the sorts expanding on this, whatever you have the imagination to write.

that’s all~!

a/n: tysm ?! ure so kind im glad very happy !! that u adore my work 🫶 we have to make sure wife is loved always 🫡 here's jealous aven from this ; @svnarin proofreader !! (she told me to put it here)

cw: bf!aventurine, slight angst

“such lavish proposal. are you certain i am the person who should be hearing that?”

“absolutely. you’re the perfect person i should be consulting about it.”

aventurine is not a jealous person. he’s confident in himself, you had praised him several times of how much of an amazing person he is. jealousy means there’s a lack of trust between the two of you and aventurine doesn’t like that idea at all. he thinks that trust is a significant factor when it comes to relationships. he doesn’t keep secrets and even if he does, he’ll eventually open up to you after some time.

aventurine is a quartz-based gem stone. a stone that brings good fortune and helps you create your own luck. it’s also green. the same green in the monster’s eyes that’s currently chomping down on aventurine. he can’t help it! can he really blame himself when uneasiness swirls in his stomach after seeing you with dr. ratio?

out of everyone he gets jealous of, it just had to be him. veritas ratio. his good friend, veritas. the most logical man aventurine has ever known.

while aventurine is confident in himself, no doubt there’s a part of him that feels inferior to the doctor. the man has radiant violet hair that compliments the tone and structure of his face. he also has a slightly muscular build compared to aventurine’s more slender one. there’s a lot to compare and aventurine isn’t sure if he can even list it all out.

his brows furrowed, eyes dulling as his thoughts consumed him at once. what proposal? what’s that about? and perfect person? he doesn’t understand. are you leaving him? can he really not make you stay? was it something he did? something he said? but he can’t ask you those. because what if instead of an answer, he’ll be greeted with a farewell—

a flick on his forehead snapped him out of the daze. aventurine blinks back, now finding you in front of him.

“i was right. he was sulking.” he hears veritas quip.

“not sulking. more of, in a daze.” your fingers thread through his soft locks, aventurine hums at the affection, absentmindedly leaning his cheek on your palm.

“you give him too much credit. he’s probably wallowing in the sorrows of his mind for no apparent reason.” ratio snickers ever so quietly.

“or he could just be tired and sleep deprived.”

“or he’s jealous. he glares at me any longer, my skin will start withering and rotting.” for a doctor who has more than eight doctoral degrees, he can be quite the drama queen.

“goodbye, doctor. thank you for your opinion, i shall greatly treasure your wise words.” veritas only shook his head before slipping out the door. once he’s left, all your attention shifts to your boyfriend.

aventurine lets you sit atop his lap, gloved hands instantly finding home on your hips. for a moment, you both stare at each other in complete silence.

“spit it out. what’s wrong?” you spoke first.

aventurine sighs. “i didn’t like seeing you with him.” for all his life, lying came easy. with his good looks and charming personality, making people believe whatever he says is child’s play. but aventurine can never lie to you. he doesn’t have the heart to face you once you’ve realized he’s fooled with your thoughts.

you raised a brow in amusement. “so you were jealous?”

“no. i don’t get jealous.” he grumbles. “i just,” aventurine gazes at you with a fond look, an expression so serene and completely enamored. “i’m better looking than him, right?”

blood rushed to his cheeks when he felt your lips on his. his hold moved from your hips to your neck to deepen the kiss, left thumb caressing over your pulse. he chases your lips like an intoxicated man once you pulled away. only to be stopped by you leaning your forehead on his.

“the best looking man in my life and in the whole universe. my most beloved, too.”

“you flatter me.” he grins stupidly before pulling you in for another kiss.

likes and reblogs are appreciated! masterlist

[sweetiecutie]

Part one: uniform kink~ 🩷Kinktober masterlist🩷

Pairing: König x fem! Reader

Warnings: NSFW, mdni, my cranky German, strong language, I’d slurp him right up fr

It wasn’t often that you came to visit your husband on the base - König didn’t really want to show you around his colleges, much rather keeping his private life a secret. The way here was long and tedious - three hours by car just to get to the base - just as much to get back home, but it was always worth it. The moment you entered the privacy of Colonel’s office you were swept right off your feet and sat on top of his working desk - one big hand shoved the hem of your pretty dress up, sliding pink lace of your underwear to the side, calloused fingers toying with cute little button of your swollen clit.

Being away from home, away from you and your sweet cunt, always made König frustrated and needy. He barely undid a zipper of his khaki cargo pants, tucking his throbbing cock out through the slit in his boxers. Using your spit as lube and smearing it all over his length König slid right into your welcoming warmth, his blue eyes rolling at the blissful feeling of your silky walls wrapping around throbbing length.

König was still fully dressed, even his belt was still in place, resting snugly around his torso - numerous pockets attached to it were full of different junk, pair of tactical gloves hanging from the hook at his side, flopping in tandem with each of his thrusts. His hood was long discarded so it didn’t get in the way, plain black cotton of balaclava was wrapped snugly around K��nig’s head, concealed most of his face. But your eyes were transfixed onto his - heavy lidded with pleasure, staring lazily down at you - the only feature of his face visible.

You could see bulky strong muscles rippling repeatedly under the black long sleeve compression shirt König wore - his massive arms and pecs flexing and relaxing with each thrust, the shitty lightning in his office only added structure to his massive built, accentuating it with dark shadows. Harsh pace of his thrusts was making your eyes water, thick thumb on your clit not once stopping abusing it, forcing thick pleasure onto your pliant frame.

- Kleine Schlampe, du magst diesen Schwanz wirklich, ja?* - König growled, his voice hoarse and deep, a mocking edge to his tone. You just managed to mewl out something incoherent in reply, your cunt clenching his dick tighter at the sound of German, making man hiss under his breath. He threw his head back, revealing a delicious-looking snippet of pale skin sitting right under the hem of balaclava. - Fuuuck, missed this pussy so much baby, my hand will never fucking compete.

Your shaky hand flew up to your lips, trying hard to make as little noice as you possibly could - dense cotton of König’s pants subdued the sound of his hips colliding with your bare ass.

- Fucking a Colonel right in his office… But you really don’t care, huh? - he said, by the way his eyes crinkled slightly you could tell that he was smirking. - All you can think about is having this dick buried deep inside you. But don’t worry Liebe*, I’ll make it up for you, for leaving this desperate cunt all alone. Spread your legs wider for me and try not to make much more noise.

And even though leaving your husband for god knows how long was hard, doing so on shaky giving out legs was even harder so💔

Translation:

*little slut, you really like this dick, yes?

*love

[queenof-curses]

The Birth of a Queen

Sukuna x Fem!Reader

Summary: Ryomen Sukuna is lonely and needs a Queen. Can't find one? Just make one!

Tags: Minors DNI! Explicit, Soft Dom Sukuna, She/her pronouns, fluff and smut, mostly smut though...

wc: 2.8k

Masterlist | More Jujutsu Kaisen

Read part II here!

A/N: this was actually the first fic I've ever written- reposted from Ao3. Enjoy!

--

Floating. That’s what it felt like. Floating in a pool, with your mind drifting in and out of blissful sleep. Relaxation washed over your body; you didn’t want to wake up, didn’t know if you could.

Who am I? You thought. 

Where am I? 

Suddenly, your eyes open and take in your surroundings. Darkness engulfs you. It’s colder, and you break out in goosebumps. With your eyes finally adjusting you make out the room you’re in. Sitting up, you quickly realize you’re not floating in a pool. Well, it is a pool, but not necessarily water. The dark, red liquid is not cold nor warm, but is in fact quite a comfortable temperature. You skim the substance with your hand, grazing its surface. It has no smell, but the consistency and color is similar to that of blood. Chills run through your body. 

Realizing that you’re sitting on top of this pool, it’s deep enough to stick your hand through, but yet you aren’t falling through its surface. Some sort of curse technique? 

Strange, you think to yourself. Where am I? 

“So it did work,” booms a deep, strong voice. Echoing through the room. 

Startled, you stand and make out the rest of the room that surrounds you. About 20 feet ahead sits a giant structure. A throne sits high up above you, gilded in dark obsidian and black as night. A figure sits upon the imperial style chair, a man maybe? Well, he sure seems human at first glance. You continue to observe his features. Pink hair, you notice, followed by chiseled features, a strong nose and chin with a lean body peaking out from a cream colored robe. Not only that, but you see black markings similar to tattoos adorn his body. On his face, hands, and you see even more on the small exposed part of his chest. With your eyes trailing over his features, you were too distracted to realize he was doing the same exact process with you. Taking you in fully, he hums appreciatively. 

“Come closer, let me take a good look at you.” He says, beckoning you in with two fingers. 

You stand on shaky legs. Looking down you realize you are wearing a dress similar in color to his robe, except your dress has no sleeves and wraps you tight. Gasping you look down at yourself. Markings have appeared all over your body. Markings that reflect the man almost identically. Looking up at him with wide eyes and confusion, he calls you closer.

“Please, come closer. I would never hurt something as precious as you.” 

Making your way slowly towards him you take a moment to reflect what you are currently feeling. Although you think you should feel threatened, scared, or even timid around this man, you’re not. A level of trust and something akin to warmness washes over your body. As you approach the throne he extends his arm, holding a tattooed hand out towards you. He’s so much larger than you up close, and you admire his features as you place your tiny hand in his. Locking eyes, your breath hitches in anticipation. 

Who is this man? What does he want with you? And most importantly, why are we so similar? 

“You are made for me.” He answers, as if reading your mind. “My other half. My curse partner. My Queen.” Taking your hand, he places a soft kiss on top. You gasp as goosebumps make their way up the arm he holds. 

“What do you mean?” you ask, finally speaking. With a voice as sweet as honey, he almost groans out loud. With a pained expression, he releases your hand. 

“Let me explain your existence, my Queen.” Snapping his fingers, the ground begins to shake. He snakes his arm around your waist, holding you to him and keeping your balance. Looking around you notice things begin to shift. The dias the single throne sits upon extends in width. New flooring is built upon the end of old flooring. The dark red liquid begins to travel towards you both from down below. Eyes wide, you stare in awe as the fluid begins to form something in the space next to the original throne. You watch as the red liquid hardens into the same black obsidian that makes the throne the man sits on holding you. It only takes seconds, but the finished product is another chair right next to the man’s. Although identical in detail and look, it is slightly smaller to fit you comfortably. “Sit down and I will tell you all.” He says, motioning towards the chair. You take a seat, and he grabs both of your hands, facing each other. Looking into your eyes, he explains.

His name is Ryomen Sukuna. He tells you of his life, the man he once was. How he craved power, devotion, and how he was killed by other sorcerers. Once turned into a curse spirit, his power truly grew into something that could not be killed again. We were inside his domain and here, he can create, kill, and destroy anything he pleases. Which led his story to your existence. Lonely, he searched for a way to make a perfect partner. Someone that would understand his existence and power. That would want the same things he did. What other way to do that than by making you from a piece of himself? You were destined to be his, as he was destined for you. 

“Although your body is whole and complete, your power is not,” he explains. 

“What do you mean?” you ask.

“I was able to create your physical body quite easily. But for your power, there is another step. You can’t leave this domain until you have this power.” He releases one of your hands, taking the other and guiding you from your throne to his. Sitting you down in his lap, he goes on. “We must completely join for you to receive my power. Once that is done, you will be my true equal. My partner for eternity.” 

Wrapping his arm around your waist, you lock eyes with him and nod. “Yes, I want this.” And you did. You wanted the power, the glory; to be this curse’s life partner. For that is why you were made, isn’t it? You exist for each other. That’s why you felt no fear around him, even after listening to stories of his power and being. You completed one another. “Tell me what I must do,” you tell Sukuna, locking your arms around his strong neck. He smiles then. A smile so sharp and sinister, yet so magical the elated feelings reach his red eyes. 

“Come,” he says, leading you by the hand off the throne and behind the dias. Down a dark hall only lit by red flames, he leads you towards a large bed chamber. Once inside, he removes his robe completely. Since he faces the large black bed in the middle of the chamber, you admire his chiseled back and firm backside. Turning around, your eyes widen as you take in his form. Large, strong muscles with broad features face you. Shifting your eyes downward, his semi-erect twitches as you notice its size. “I will say, this is not my true form, but the form of my human host,” he interrupts your erotic thoughts. 

“It’s not?” You question. 

“No, but for the purpose of joining, I will remain in this form so as to not damage your body. That is, until you absorb some of my power,” he says grinning mischievously. “Come!” he booms, echoing through the room and guides you to the bed. 

You stand in front of the large structure, with the backs of your knees touching the soft black silk. Not wasting anymore time Sukuna takes your head in both of his hands and does what you’ve wanted to do since he kissed your hand back in the throne room: locked his lips with yours. You gasp into his mouth, welcoming his large tongue inside, battling it with your own. Twisting together, you shut your eyes and melt into him. A fire ignites inside your body, heat reaching your most sensitive place. With his patience running thin, Sukuna strips the dress from your body, revealing yourself to him. Taking a step back, he admires your body. “Y/N… I need to taste you.” he states. With eyes running wild, he pushes you down onto the bed and spreads your legs. 

Completely opening yourself to him, you whisper “Please… I need it.” And you did. You were wet for him. If you had panties on, they would be soaked through. He admired your wet cunt, glistening in the soft light provided by the lanterns in the room. 

“Watch me taste me you,” Sukuna says, locking eyes with your own. On his knees between your legs, he takes his hands and places them on your thighs. Spreading your knees far apart, he lays on his stomach and opens you to him. Finally dipping his head down, he licks a long stripe from bottom to top, earning a sigh from you. “As sweet as honey,” he whispers to himself as he leans back in. He eats you with reckless abandon. Like a starved man, he laps your juices as your sighs and gasps quickly turn into moans. Slipping a finger, then two inside of you he fingers your cunt slowly. Stretching you out and preparing you for something much bigger, his pace increasing as you feel yourself begin to build up an intense desire. Not taking anymore time, he latches his mouth onto your sensitive clit and circles it with his tongue. While he continues finger fucking you, your pleasure builds. Sukuna reaches up and pinches one of your peaked nipples, sending you over the edge. “Come for me, princess, finish on my face.” You scream his name, coming all over his mouth, making a mess and he loves it. He continues giving you kitten licks until you’ve somewhat come down from your high. 

Finally opening your eyes and sitting up, you watch him get to his knees and wipe his mouth with his arm. You then come face to face with his massive cock. You reach out to take it in your tiny hand by comparison, stroking it from the base to tip. Thick veins align the sides of his erection, followed by a blush pink top that leaked precum from its tip. It made your mouth water. Wanting to put it in your mouth, you finally give the tip a couple licks earning a soft groan from him. Needing more, you lean in to put it in your mouth. “If you do that, I’ll cum. And Daddy can’t wait,” he growls out.

With that, he flips you over on all fours. With your head down, your face feels the cool satin on your cheeks. Ass perched in the air, Sukuna admires his Queen. The one made for him. The one that will be his partner in power and life. The thought makes his erection pulse with need. He takes his cock and runs it up and down your slit, collecting your juices and coating himself with it. Taking your hips in his hands, he begins to enter you from behind. Stretching your hole over his large cock, he slowly pushes forward. You moan, relishing the stretch Sukuna gives you. He tries to contain himself, however once he was halfway in, he slams his hips into your soft backside and enters you down to the hilt. Screaming in both pain and pleasure you shifted forward. He must be over 10 inches long. The girth has you stretched wide open for him and you savor the feeling. 

“I can’t go slow for you, but I know you wouldn’t want that either way.” Sukuna says, pulling out and slamming back inside you. 

“No, I wouldn’t,” You respond. “Please, just fuck me.” 

You can sense the sinister smile he gives you. At that, his pace quickens. Fucking you from behind he doesn’t stop, wanting to hear you scream from him. The sound of skin slapping skin echoes in the room alongside your moans and his grunts. Squeezing your ass cheek with one hand, he takes the other and reaches down to circle your clit. You moan loudly.

“Come for me again. I want to hear you scream.” He says, pulling you up towards his chest. Your back meets his front as you listen to the bed squeak under both of you. Moving his hand from your hip he stops to palm your breast before making his way to your hair, gripping it and yanking your head to the side. “I said come for me princess,” he growls into your ear, hot breath sending wonderful shivers down your body. It sends you over the edge.

You scream, orgasm ripped from your body as he continues to fuck into you, his fingers on your clit have you shaking from release. Not wasting any time, Sukuna flips you onto your back and puts your knees up by your head, practically folding you in half.  Admiring you in the mating press, he slides his thick cock back inside you, fucking you through the end of your orgasm and stretching your release for as long as possible. Holding your knees back he slams back into your hole, using your body to chase his own release. 

“You take me so well, Y/N” he grunts. “Such a good girl, are you ready for my seed?” 

“Yes, give it to me, give it to me!” you scream in answer. 

“Then take it, take your power my Queen.” Locking eyes with yours, his hips slam into yours one last time as he finishes inside you. Filling you up you feel his hot release coat your walls as you milk him for every last drop. Eyes rolling to the back of your head you feel it. The pleasure from your orgasm, the love this curse gives you, and the power being absorbed into your body. Overwhelmed, you black out. 

You wake up covered in the black satin sheets. Looking over you notice Sukuna sitting by your side. As if waiting for you to wake up, he looks down at you with eyes filled with more emotion than you could process. He places his hand in yours and that’s when you feel it. The power. It surges to life from inside you like nothing you’ve ever felt before. You smiled up at him, a more sinister one to match his own. Leaping up you wrap your legs around his waist and kiss him. Running his hands through your hair he takes a handful and pulls your head back to admire you. Already feeling his erection grow, he grins down at you. “Forever begins today, my Queen.” 

Thank you for reading! Every Like & Reblog means the most. To send a request, please use the ask button through this page. &lt;3

[afewproblems]

Eddie downs the last of his beer and tosses the empty red cup into the kitchen sink, right between a couple who were clearly gearing up to claim one of the spare rooms upstairs. 

Eddie snickers and winks as the girl tells him to fuck off while her boyfriend flips him the bird, god he loves highschool parties, and this one is no exception.

It's Halloween and business is booming for Eddie Munson.

He imagines Dian Fossey felt similarly, wandering through the Congo studying the great apes' behavior patterns and social structure from within rather than observing from afar. 

So far Eddie's observations have paid off in spades and he's managed to sell out most of his stash by targeting the basketball team and their girlfriends. No one wants to get high all by themselves after all, it's almost too easy the way these sheep all flock together. 

Eddie leaves the kitchen behind him, but not before snagging a can of something cold from a nearby cooler of half melted ice. With a decent buzz going, what's one more? He's done working for the night after all. 

Eddie climbs the stairs, dodging drunk teens left and right as they make their way past him, shirts ruffled and hair messy. Eddie snorts, ignoring the wistful pull in his chest as a tall boy on the swim team pulls his girlfriend closer to press a chaste kiss to the top of her head before smoothing her curls away from her forehead. 

Unfortunately no one Eddie would be interested in would accept him brushing their hair like that without punching him in the face.

He shakes his head and continues forward, he's an observer, nothing more. 

Eddie passes a closed door on the second floor and pauses as a raised voice splits through the wood.

"It's bullshit, you're bullshit," the voice slurs out and Eddie feels a wide grin pull at the corner of his mouth. 

He takes a step closer, nearly pressing his ear to the flat of the door.

"Like we're in love?" Another voice says softly, a guy, "you don't love me?" 

A small part of Eddie knows he shouldn't be listening to this, he can hear the waiver in this guy's voice like his heart is slowly cracking in his chest. Shit, he almost feels bad for this guy. 

But the people that go to these stupid parties, the Hawkins elite, the gorillas in the mist, deserve their bullshit --to use this girls turn-of-phrase.

The only reason they didn't mess with Eddie was because he was these highschool shit-heads main source of weed. 

Its karma, plain and simple, Eddie reasons as he presses even closer now.

"It's. Bullshit". The girl hisses emphatically and for a second Eddie hears nothing.

It happens so quickly after that. 

The door swings inward, causing Eddie to stumble into a tall firm chest as the bathroom guy collides with him.

"What the fuck?" The guy says as he pushes Eddie away from himself and --no way.

"Harrington?"

Steve blinks once, his wide hazel eyes red rimmed and shiny in the dim light of the hallway, the tip of his nose is pink as he reaches up to pinch it roughly before swiping across his eyes as well.

Even though Eddie's fairly certain that he and Steve are the same height, he seems smaller like this, deflated, standing in the hallway while a party rages down below them both. 

A cheer rings out, startling Steve into action.

He steps widely around Eddie, enough that his shoulder connects with the wall in his haste to take the stairs down, two at a time, as though Hell is hot on his heels. 

And Eddie should leave it, go back to the party, see if there are any snacks left before calling it a night, but something pushes him to follow the path Steve took.

It's like he's possessed, the haunted look in those hazel eyes forcing him forward until he's outside on the lawn.

A few other teens are outside, including a couple making out on the porch, Eddie steps over them and jogs to the end of the driveway.

He spots Steve down the street sitting on a large rock at the end of another neighbor's lawn with his face in his hands.

He looks up as Eddie gets closer and curses softly.

"Seriously? It wasn't enough that you were listening, you're following me now?" His voice cracks on the last word as he wipes his eyes again, he can't quite hide the way the moonlight catches the tear tracks running down his cheek and neck though.  

"Oh come on Harrington," Eddie says, walking up to Steve. He sits on one of the other rocks and takes a crumpled pack of smokes out of his vest pocket, "it's no fun if you're sad".

"What is?" Steve mumbles after a beat, wiping his eyes again as he stares at the ground. 

"Making fun of you," Eddie shrugs as he takes a cigarette and puts it between his lips, he smiles at the startled bark of laughter from Steve.

"You're a prick," he huffs softly, the barest of smiles slowly blooming across his face.

Eddie can count the constellation of freckles and moles across his face, giving the blanket of stars above them a run for their money. His hand twitches at the thought of touching the ones on Steve's throat.

Eddie coughs once, mentally tallying the number of drinks he must have had for those kinds of  thoughts and shifts on the rock to adjust his pants. 

He holds out the pack to Steve who looks at the nearly empty sleeve before his eyes shift to the house behind Eddie. 

"Nance hated cigarettes," Steve murmurs as the corner of his mouth twitches into a terrible frown. It's gone in an instant as Steve blinks once and reaches out for the pack.

"I got something stronger if you want?" Eddie offers, he shrugs when Steve looks up at him with suspicious eyes. 

"Come on Harrington, I'm not gonna keep kicking you when you're down, you need a pick-me-up and then I can get back into it," Eddie stands up and without thinking, holds out a hand towards Steve, "what do you say?"

Steve stares up at him, his eyes flick once to the outstretched hand before he snorts dryly and slowly takes his hand. 

It's warm in Eddie's own. The fingers squeeze gently as Steve uses it to hoist himself up until he's once again eye level with Eddie. 

From this close Eddie can see the way his eyelashes have clumped together with leftover tears and the flecks of gold in his hazel eyes

Oh…this, this was a bad idea. Eddie swallows roughly as Steve finally nods.

"Lead the way Munson," Steve says with the barest of smirks as he wipes his face one last time, "and if you tell anyone about this, I'll slash your tires".

Eddie cackles at that, "there he is!"

He claps Steve on the back as he leads them towards where he parked his van down the road, "our chariot awaits!"

Eddie ignores the small voice that whispers in his ear, the one that sounds remarkably like his uncle, as it asks him just what the hell he thinks he's doing with Harrington of all people? 

It'll be fine, he tells himself.

Besides, what's the worst that could happen?

Part Two

[meanbossart]

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

[fawnpires]

AMORAL SILHOUETTES. — SIMON "GHOST" RILEY.

༉‧₊˚ ┊ PART 2.

꒰ ୨୧ ꒱ synopsis: infatuations with older men were morally wrong, but never applying to him.

꒰ ୨୧ ꒱ contents: afab!reader, manhandling, breeding kink, pet-names, praise kink, oral sex (female receiving), size difference, creampies, reader is in her 20's, ghost is a single dad, touch-starved, domesticity, squirting.

You've seen him around the neighborhood before — towering in height, bulging biceps, and a skull balaclava sheltering the structure of whatever laid under, the structure of his concealed face. It was a known fact that you bear an attraction to him, but you just couldn't own up to it, feeling a little too shamed to be conscious about a little school-girl crush on a man much older than you. A man who was a hard-working, ex-military, single father who paid no attention to girls in the same line that you found yourself in — but was it hard not to steal a view glances whenever he was seen around the neighborhood whether it was for a few minutes or seconds despite his lack of ability to communicate with others, though it was obvious he chose not to be around others for a good waste of his time excluding his children.

So when he came strolling up the slope of your driveway and a gloved fist beating at your front door, you had thought you were in another one of your trances — molded daydreams of him; minor fantasies of Simon Riley in that same balaclava giving you all of his affection, kissing you, treating you as if you were his pretty wife — a life that you could never make a single complaint about.

Ghost — his more preferred name used on other's tongues — stands eerily underneath the giving-out light of your porch, with nothing but a set of dusky eyes and a whole lot of muscle beneath the puny fabric of a black v-neck. You, stand on the opposite side of the door and impassively stare, nonetheless avoiding the eye contact when he gapes at you for longer than intended.

"I'm assuming you're the daughter." he said, reserved, dull.

"Sure am, did you need something?"

He clears his throat. "Well, this might be a strange thing to ask — and a bit sudden," He brought his hands to tuck in his pockets. "But would you mind looking after my kids for a while? I'll pay you for every hour, just a couple days of the week."

His offer was the last thing on the brink of your mind when he happened to show up, asking you for a favor — being in his house, where he lived, with his presence ghosting around. It sounded creepy. A bit stalker-ish to think of it like that — but you played it off as an innocent favor he asks of his neighbor, just a few hours of your day taken off to go kid-watching for the man who you admired the most.

"A couple days of the week?" You repeat his words back to him.

"I'm certain."

"I mean, sure, I'll take the offer, but when do you want me to start?"

"Tomorrow. Tomorrow evening is fine, around six."

You bit your lip. "Got it. Have a good-night, Mr. Riley."

"Knew I could rely on you, thanks, doll."

A single wave was managed. No verbal good-bye, just a wave from the hand that was freed from the confines of his pocket — and a pet-name taken straight to the pinpoint of your heart. You watch as he turns his back and finds himself across the street to where he coincidentally had lived — watching as he outstretched his arms and embraced a young girl with no emotion that had intentionally been shown to the public. Doll. It was unknown if his label for you was something he did purposely or had just slipped from his masked lips.

Either way, it made you feel like cherished like never before, his doll.

The day in which Ghost's favor was asked of you passed by quickly into the day the favor was actually supposed to be performed, straight at six, right in the center of where the sky was going through modifications of warmth to a bitter cold. Much like him with more anxiousness residing in your chest, you were across the street and bound to his porch, a dress shrouding your figure up to the bottoms of your thighs. Dressing and dolling yourself up made you look like you were going more on a night-out rather than a baby-sitting shift. Unintentional was the word for it. Unintentional to be all formal when in the same proximity. You half-recover from your birthing nervousness and thump on the door gently.

"Mr. Riley, it's me." you blatantly said, the door still closed.

With your words blurted out the door seemed to open on command — aggressively, as if it were going to be discharged from the hinges. Rather than a giant of a man in the doorframe there stood a girl half the size of it, lightly-shaded blonde hair up in pigtails with a cherubic face, staring right up at you as she titled her head. Honestly, you weren't good with children, but kindness was fundamental as of that. You give her a forced smile pressed up into the corners of your mouth as if held at gunpoint, whispering a small greeting and a wave. How maternal of you.

From further into the house came footsteps, blaring footsteps, and the little girl was no longer stood two feet on the surface of the ground but lifted into her father's arms with a brief giggle. You weren't going to stand here and be blamed a liar if that didn't advance an adoration for him in the moment.

"Thank you so much for coming and apologies, it's my fault for letting you in late," he said. "Make yourself at home."

"Don't worry about it." you reassure.

Ghost's house was clean and neutral, but gave off a decent interior of a past lieutenant's home well. There were a few toys littered around, a locked exhibition cabinet of ex-military trinkets, piled-up envelopes, and one other silhouette of a little girl bearing similarities to the one in his arms. Nothing in his house gave off a girlish ambience, besides two daughters, but it was masculine; like an adequate, suburban variety of a old-fashioned farmhouse with rifles and deer heads on display replaced with military collections.

There was a microscopic chance of danger with a bunch of firearms and artillery gear laying around but as someone as wise as himself, of course he kept a lock on it. Chain, even, if he wanted to get that far into territory.

"Bedtime's at eight, food is already ordered, and you have the entire house to yourself past the eight-o-clock mark." Ghost said. He provided you with a spare key, his bared fingers brushing against yours as he placed it in the middle of your hand. "So you have plenty of time to, you know, relax."

"When will you be home?"

"Around ten, but wait up on me — I'll give your pay up before you leave."

"So I stay until ten?"

"Sure do."

"You can trust me, for sure."

"I know I do." he said.

His eyes trail over you for a minute longer before bending his knees and and allowing his daughter to be freed from his grasp, legs straightening up again as he pat your shoulder. "Thanks, kid, I'll see you later."

All of these nicknames were blurted from his mouth like nothing — first it was doll, now kid, and it just left you anticipated for what he would grant you next with. That though stuck to your mind like a nail screwed by a hammer, watching as he took his jacket and folded it in his arms, swearing that he gave you one last glance before he unlatched the door and shut it behind him — leaving you to bathe in the first touch he acted on you, his effortless terms of endearment, and the two resembling daughters he relied to be cared of.

Spiraling. You had to be spiraling.

Your hours spent with the children were calm. They had warmed up to you pretty fast and had dragged you nearly to every spot of their home. Up the stairs where their shared bedroom stood at the hall, a couple of bathrooms downstairs, a storage closet, the showcase of weaponry, and even Ghost's bedroom. They declared his room was some kind of secretive hideout, only being in there a limited amount of times, but urging you to take them in there along you. It was going to be difficult to get out of the pressuring so, having your own fun, you let them explore around his room — like you were a cool older sister, or mother, to them.

The title "Mother" exclaimed from one of the girls, ultimately leading into them repeatedly a series of them calling you variations of mom, mommy, mother, throughout the night instead of the name you had given them to call you. You weren't extremely irritated with it, you actually found it slightly adorable considering that they didn't even have a mother and latched onto you as some sort of female parent never obtained, nonetheless it was practically harmless and brought no harm down on you.

Baking cookies, some sort of role-playing they convinced you to star in, doing their hair in all sorts of girly ribbons and accessories almost made you feel like you were a little girl again — it had drained them out pretty easily but gave them a sense of girlhood, giving no offense to Ghost. A vision crossed your mind, eventually spearing your mind, that you were the real mother to these girls. A female figure to look up to and issue them a full family with a packed set of two parents. It had been drilled to you the other half of the the night, you kept a close eye on them as they had gotten ready for bed and prepared themselves under the covers.

With a deportation of reading a shabby bedtime story and a few ruffles to both of their heads, you finally had his home to yourself. Anything you wanted to do was accessible, easy-to-do, but with no danger of waking up the girls. Exhaustion was present, though, with all of your lone ideas to-do in mind you ended up on the couch. Your head tilted in one palm as you legs crossed under the skirt of your dress, the illuminations of late-night talk shows on television glowing your face in shades of dissimilar hues.

Staying up and waiting for Ghost to walk right through the front door was starting to become a challenge. Blaming his daughters for putting you in a state of pure fatigue was never the right thing to do, although it was easy to admit. Your eyelids were heavy with one more glance at the clock, which read a quarter to nine, meaning that this night could come to its finale and you could see that face of his — physically, up-close, like you did three hours ago.

As you were right at your breaking point into a slumber the doorknob trembling and echoing into the room where you were buzzed you awake. Stretching over the arm of the sofa and sloping your head to where the door was visible, knob had stopped with the commotion, the door silently opening a crack before blew open. To your relief and satisfaction it's the man who've you longed for the entire day, like a depressed stay-at-home housewife. His jacket is thrown on a nearby table as he could only stare at your laid figure over the couch, eyes squinting.

"Welcome home."

"Appreciate it. Are the girls upstairs?" Ghost asked with a finger pointing to the floor above.

"All knocked out."

"Jesus, what did all of you do?"

"Just a little girl-fun, that's all, baking — stuff like that." you said with a no-teeth grin.

"I could only thank you again for that," he sighs and pulls out a couple dollar bills stuffed in the jean of his pocket. "You don't have any idea how hard it is to get those two asleep."

"Really? They're like little angels, they loved me."

"I bet they did," he said while setting your pay on the coffee table. "Here, an entire hundred stack."

"Hundred?"

"You deserve it, do you not?"

"I'm only a part-time babysitter, Mr. Riley, not a full time worker."

"Yes, but you're a good girl, are you not? Going through all the trouble to make time for me and my kids — so I can assure you this is my pay for you, think of it as a prize."

"God, well, thank you." you said, processing his terms of good girl, heat rising to your face. "You really love those girls, don't you?"

"They're my pride and soul." he said while taking a seat next to your half-laid body, dipping the cushion of the couch. "I only want the best for them, that's why I chose you to look after them."

"Me, why?"

"It's difficult to explain, and a bit strange but — you've always reminded me of my past wife, kind and loved her kids, soft spot even for the people she didn't really know."

"I didn't know I could resemble someone so much." you said, mouth going dry.

Ghost laughs. "Yeah, she was quite beautiful too, like you."

"Was that a compliment?"

"Why wouldn't it be? Hell, love, you've got the looks any man you could fall for.

His hand comes to gently rest on your thigh and you look up at him through droopy eyelids, this didn't feel real. This couldn't be real, right? It couldn't be proved as false when his calloused fingers started rubbing tender circles into your skin, eyes of his own half-lidded and crinkling around with the tar-like paint staining skin. You and him were playing a dangerous game, pent-up tension right in here in his living room, a man by all means older and more mature than you've ever been — it was so easy to give into him so fast.

"You like that, huh?" he keeps his voice low and continues the strokes on your thigh. "You ever been touched like this, dollface?"

"No, sir."

"Mm. I liked the way you called me sir, honey. Come here, sit-up."

You balance yourself on twitching elbows and Ghost moves in between your thighs, his body weight heavy compared to your smaller physique as he lifts the cloth-edge of his balaclava for you, revealing a light stubble peppering the anatomy of his face and somewhat coarse lips that pressed up against yours. Your hands hoist to caress his face, kneading into his sinking cheekbones with each move to intensify the kiss. His pink muscle of a tongue forces your lips open and laps at every crevice of your mouth — your arms linking around his head, his fingers once at your thighs now under your skirt and massaging in circular motions at your fabric-clothed cunt. Small whimpers of shame leak into the kiss, evolving into moans, his massaging enhancing with every finished motion.

Ecstasy ran through your veins, pulsing with adrenaline and contentment. Your legs are fragile, trembling, alongside your cunt flourishing a moistness in its fiber confinement. The man of your daydreams no longer is just a fragment of your delusional head, but right where you've longed for him to be, taking and compelling you to be obedient for him. Only him, always him.

The ministrations on your veiled cunt withdraws and drags a moan from the depths of your throat. One of his hands instead crawl underneath your pushed-together legs and the other supports your back. You dive into his lips with a hunger once more and he manhandles you so delicately despite the tough behavior, you're drunk on the taste of Ghost as he works through the house up the stairs, through the hallway, and brings you into his room where you once stood earlier — the click of the lock confirms your status, you're safe as long as you're with him.

His hands pressing into the flesh of your body is loosened up as he lays you gently on the mattress as if you were created of porcelain — which did have some sense in it bearing in mind that you, essentially, were his doll of a girl by his own words. Defines of his eyes stream your body up and down, towering over you in height, yourself much more reduced and small. Fingers assist you with stripping your dress, leaving you in an arrangement of panties and bra complimenting every curve and bow of your figure. He curses mutely under his breath, huge palms cupping and kneading at your breasts, his knees resting on the bed.

Your whimpers are more pristine and clear to his naked ear. Looking through your languid-like eyes, a bulge is positioned right at his jeans, and his shirt had been ripped off of him — possibly during the time where your eyes had been closed to immerse in his touch.

"Such pretty tits, love." He said with a grunt. A deep guttural grunt.

"They're all for you, mister, always have been."

"Not mister, not even Ghost — Simon to you, and it's going to be Simon when I'm pounding into this tight little cunt of yours."

His words add on to the wet arousal staining your panties, swearing a second heartbeat could be felt, a throbbing and senseless feeling.

"You like this pair?" Ghost asks, nudging at your panties.

"Not important." you reply through short, cut breaths.

With your consent, he takes both of his hands, ripping the fabric in half. A gasp delivers from your open mouth — both at the cold air's impact on your exposed entrance and the material ripping apart. He has a look in his eyes that resembles a feral animal, one that is undomesticated and always in a repetitive state of hunger. Ghost backs you up to lay against his pillows to allow more space for him to climb on the mattress with you. He wastes no time with leaning himself down and hooking your bare legs in a hold around both arms, resting right at his broad shoulders. Those same eyes of hunger peer up at you with the bottom half still exposed from the bruising make-out session.

You feel a mushy lick bumping at your clit, causing your back to arch to the ceiling with a high-pitched moan, who knew such a motion could make you so submissive in a short span of time. The palm of your hand is instantly cupped around your mouth like a guard as Ghost continued his ministrations on your lips — no longer kitten licks but long, dragged out ones that had your eyes rolling into the back of your skull and struggling to muffle such sexual noises deprived from your mouth for the sake of his daughters fast-asleep down the hall.

"You taste like heaven," he grunts. "You're such an angel, making those sweet noises all for a guy like me."

"Only you, fuck, you feel so good." you whined, fisting the bedsheets at your sides.

"That's my girl."

The slant of his nose stimulates your clit while he proceeds with his longer, stroking tongue advances reaching deep inside your cunt. Your surroundings are heated with an addition of pure wetness, sweat, and mess clogging your brain up. His tongue provides you with a pleasure even your own fingers couldn't drive out of you, drool pools at a corner of your mouth while his grip on your legs hardens, strokes of his tongue becoming more aggressive — driving you quicker over an edge, your stomach in knots and oversensitivity. Your vision starts to blur out once you realize you can't control the sounds that he forces out of you, his tongue again and again savoring you as if you were his last meal on death row — he was desperate and willing to lap up your juices staining his face and your inner-thighs, Ghost was just as deprived as you were for him.

A thick sensation adjoins his tongue and nose, overwhelming sparks of emotion possessing you. The palm around your mouth is useless at this point, it lays flat and abandoned as a fist clutching at the sheets, moans chased out humiliatingly. You needed to come, come for him, for your own sake — but that was hard to think about when Ghost was mouth-fucking and finger-fucking you at the same exact time, much like some pornographic type video. A cliche one.

You were squeezing around whatever he stuck in you next — his tongue, his fingers, his tongue, or an combination, you were with no doubt tight and squeezed around any of his body parts.

"Fuck, you gonna come, sweetheart?" he asked, muffled with your clit puckered between his lips. "It's okay, come for me, just like that."

"Baby! Oh my go-"

Your back arches to an impossibly high rate when the knot in your stomach unties itself willingly, a wave of arousal gushing in streams on his face. Audible whines fall from your lips as you fall back right in contact with the plush of the bed. Sweat and the scent of sex reeks around you and Ghost, your chest rising with each hefty breath that is fished from your lungs. Your blurred vision is somewhat returned to its original shape, enough to make out Ghost — with his bare chest and your arousal at his face, tongue used to make said arousal transpire licking around at it, and his inked forearm. He was sticky and sweaty, a little tired, but obtained the right amount of stamina to be right inside you, just like he had wanted.

"Simon." you heaved out below, his fingers pressing into your hips. "Fuck me, please. I need you so bad, needed you ever since you've first moved here."

Ghost releases a low grunt and within a few seconds, he's messing with his belt — shakily unbuckling it and shrugging his pants to the floor. His boxers are no place of concealment, the prominent outline of his bulge protruding beyond the fabric, the sight provoking you to press your thighs together and rev-up that weakness present in your knees. He tugs at the waistband and slowly, painfully, lowers the border bordering item down — his cock almost immediately coming to press against his lower abs, at his lower stomach, really giving you the idea of how big he was. His balaclava is fully suited back on his face as the he leans down to give a final stream of soft kisses at your stomach through the mask, a hand pumping from the base of his cock to the tip.

"You want this, angel?" he groans with his pumps before he releases himself from his hand, positioning the tip of his cock right at the entrance of your swollen cunt as he provided a pre-fuck with only his tip. "Want my cock deep inside your pussy, pounding you into the mattress?"

"Oh god, I do, want you to fuck me as if I'm your wife, your pretty little housewife."

With one unforeseen jolt of his hips, he slams into you, your tight walls fondling him as if you were made for him. Your arms link around his torso as he moves his hips slowly, nails etching into the muscles of his back.

"Fucking hell, I can feel you squeezin' around me, love," he pants out, thrusts developing into a more faster pace. "This pussy is so good to me..."

"You're so fucking big, fuck."

Ghost jackhammers his cock into you, pressing his face into the crook of your neck, your legs squeezing around his waist. Your mouth widens with each moan and whimper he could drain you of — he pounds into you, fucking you like an animal rabid, sinking fully inside with each thrust of his hips. There's a composure and steady rhythm he keeps, allowing him to punctuate each of his plunges with his cock kissing at your cervix, his hand moving down to your clit. His thumb rolls over the bud and correlates it with how he fucks you, your nails digging at the skin of his back.

"Want to put a baby in you," he groans as his hips rock faster, nearly knocking the breath out of you, his fingers ghosting over the imprint of his cock in your lower stomach. "We'll have a perfect lil' family together, such a pretty little mother to my kids. You would let me do that, yeah?"

He's pistoning his hips in-and-out of you, your cunt naturally squeezing around him as your whines grew in pitch. His words held so much meaning — an entire family with him? Spending a lifetime with the older man you've adored from across the street? It had sounded more like paradise, anything that you've ever wished for in life. He knew he loved you so much, and you knew you loved him as equally, so much that he could imagine your cunt all full of his seed — stomach swelling with his child.

You nod as an agreement and he grunts, thrilled at the idea of you and him birthing something so intimate with each other. A family, your family, his family. It was a scheme he never thought he would be overly-obsessing, despite his disagreement with it during his time serving the army. But he dropped it, as long as he had you, and a devoted life.

"Want that so bad-" you squeal out, the sensation of a knot in your stomach on its last support heels, each of his drilling thrusts pulling you nearly to a climax. "Wanna have your baby, yours forever." Your phrase comes out slurred as the knot is broken of the last support it was on, sending you back into another session of short paradise.

"You're so beautiful. Going to breed this pussy with all my cum, honey." He sinks into you more erratic as he feels the walls of your cunt grasp abnormally tightly around him, his head going bare and distorted, the only initial thought in-tact was to keep the flow of thrusts he had fabricated — though, said flow was quickly dismembering.

His fingers of projecting veins running up his knuckles that were conveniently gripping your hips with such a pressure molded your skin into his contact easily. Your moans coming from a thrown back head against his cologne-scented pillows merged with Ghost's persistent heavier grunts — it's almost like a choir, using two valid voices, and delivering some sort of out-of-tune melody but with a hint of great profound beauty behind it.

The sensitive nipples of your breasts rub up right against his sweat-sheen chest in company with the dog tags strewn around his neck swaying in your face. He's leaning into you and has you caged in with no escape, his flow of thrusts gone, both of you desperate for a release. His muted breathing is irregular and heavy, your legs trembling and weak encircling his waist. His name is on your tongue and it leaks into the air, chanting it like your life was depending on it at the moment — depending on him. The lewd squelching of the head of his cock kissing your cervix, his noises combined with yours, the slapping of skin-on-skin — all of it was such an erotic sight to the human eye.

His head is back resting in the expanse between your head and shoulder, balaclava raised to expose the area of his lips once again, the warmth of those lips stamping sloppy, wet kisses into your neck; you squeal out as you're driven to your breaking point, a rush of arousal pressuring from your cunt and spraying onto his lower abs while he douses his cum deep into your swollen cunt. His own high-point doesn't stop him from sneaking a few more smaller thrusts for a bit, assuring all of his seed stays remains inside you.

"Fuck," he mutters, voice breaking off, his knuckles are ghosting a shade paler than white while he keeps purchase on both sides of your hips. He's stuttering over breaths as he tries to catch up with them, eyes falling to your immobile self. Your mouth is vaguely unfastened with breaths taken, eyes nearly closed, body slightly shuddering with the collisions of his cock still felt up inside of you — leaving your filled cunt fluttering around nothing.

"Too rough on you, sweetheart?" He asks, raspy.

"I think I'm okay, besides —you made my night even better."

He chuckles, a rare vision coming from a man like himself. "I'm happy to assist with that."

"Also," you imposed a dopey grin on your lips. "You should ask me for favors more often."