#how to create mind map

[genvibezstore]

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[skeletalheartattack]

...am I just losing my mind or did yer icon become evil? I don't remember that BeAst behind Boe

yuuuump always been behind me

[arcticmist0324]

One thing that is difficult about writing historical fiction is when you’ve set your story up in the same time frame as major historical events, which you KNOW would be on your characters’ radar yet they don’t impact the plot. What is too much? What is too little?

[gender-euphowrya]

blue prince is gonna make me set up a conspiracy theory corkboard with red string wall

[iraprince]

gonna show u guys a little opalescent highlight hack i threw together today

rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS

THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!

in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:

more granular rambling beneath the cut!

u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.

example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.

anyway, back to rambling about this specific method:

i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.

since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.

also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao

[buildthoughts]

Minecrafters Using Reference

Reference as in real world architecture, not other minecrafters' builds, though that's a fair way to learn too. Studying real world architecture gives insights about designing buildings, while studying other minecrafters would give insight into how to accomplish certain effects in Minecraft.

I didn't have more than passing interest in architecture before watching mcyt, but now whenever I'm outside, I'm evaluating the buildings around me. Do I like their shape? color? Any interesting details? Any wear or texture? And above all: How would you do that detail/shape/etc in minecraft? (please note: I don't even play minecraft)

Rendition and Inspiration

There's a minecraft project called BuildtheEarth that's replicating the earth in minecraft on a 1 to 1 scale. There's some fantastic builds on there.

On hermitcraft, Joe Hills is known for creating to scale renditions of real world places/objects. In season 10, he's tackled a project of massive scale with Bell Labs. He used a map from the library of congress to layout all the shapes!

These are examples of renditions/replicas/copies/whatever you want to call it (Although Joe's doubles as a community build area in place of massive parking lots).

Then there's using the buildings for inspiration. This may involve just taking bits and pieces. Or maybe you just take a color palette. Or maybe just the shape. Maybe you don't take anything but vibes. As a general rule, I think having multiple sources of inspiration is important so the new build doesn't end up feeling like a rendition instead of its own thing.

Bdubs in season 9 used the bakery from Kiki's Delivery Service as inspiration for his mud cafe. It can be seen in the wood framing, the stairs, the archway, the shape, the shed, the chimney designs. But the colors, the composition, Bdubs made changes that made it his own and combined the addition to his previous shop Moss o Menos.

The aesthetics of Geminitay's season 10 base is based on the video game Dredge. I feel like the most obvious influence is in her research castle and fishing boats. She used inspiration from the spooky sea creatures in the game to create a uniquely frightening angler shop.

In Pearl's Build a Day series, she did a week focused on real world places. Here's the one she designed after a countryside home in Australia (her home country):

Goodtimeswithscar in season 7, when starting Aqua Town, based his shop on old department stores:

I like looking at his Aqua Town builds in comparison to his Scarland Main Street facades, which draw additional inspiration from Disneyland:

I feel like, comparing the builds you can see how he's grown; he's learned new detailing tricks, found colors and textures that work better with the architecture style. The main street has a similar layout to Disneyland, but his buildings are all unique.

Mogswamp is working on a massive build that's based on architecture drawings from Renzo Picasso:

He's incorporating groin vaults from roman architecture too!

I think builders learning about existing architecture is so good. It can give them so many ideas to add into their toolbox. It reminds them of small details that give builds life, like small sheds, some pipes, porches. And the builds don't need to be realistic; My mind goes to work by Shovel and Joel. Or everything Mumbo has done in season 10.

[icewindandboringhorror]

Other Misc. Rambling Thoughts on the topic:

(~ !!!!!!!!! if you're just reblogging this post for the Poll section, please reblog the original post without this addition* lol. ~)

(*not that there's anything super personal or weird about the addition, just that it's meant to be kind of casual Side Commentary, not really part of the Main Point Of The Poll, so it would feel kind of weird for it to be emphasized by being included in reblogs unless the reblogs were explicitly about the side commentary, etc..... if that makes sense.. ANYWAY!)

It's neat to read the written descriptions that people are mentioning in the tags, since it's almost like I can see or conceptualize the idea as well, but it's just.. I'm not SEEING it.

Like for example: I can imagine a vase, it's a muted mint green and slightly translucent, elaborate golden birds sprawled down the side in streaks of thin rough watery paint, the base material shimmers gently in the light, there's a small chip where it's cracked on the handle, etc, etc. .. But as I'm thinking about this I see literally nothing.

It seems like perhaps some people can visualize an object first, and THEN describe what they see. But I sort of work backwards. I am building the object in my mind, I can never see it, but it's a collection of concepts. Rather than visualizing all details as a whole at once, I am adding each detail one by one, building onto the IDEA of the thing.

The vase doesn't have a crack on the handle because I just automatically visualized a vase with a crack. It was more that I cognitively understand the concept of a vase, what they tend to be made out of, how they tend to look and feel, the properties they have. So based purely on that knowledge, I can imagine "a chip is something that a vase could have, it would look this way and behave this way" - more like... I'm constructing a bullet point Fact List about the object rather than seeing it.

So if you tell me to imagine an object, I can, in a way, imagine that object in great detail, but it's just.. I'm not SEEING those details, more just knowing it's qualities in a purely conceptual way. Sometimes in the tags when people are like "yeah I can see the skin of the apple, texture, little dots on the surface" it's like… I can imagine that too, I can know it's there, but just with no visual attached.

I guess rather than SEEING something and going ''ah. I know what this looks like because I have seen it''. I more just skip that visual step entirely and go ''I know what this looks like, I just randomly have a list of information about the concept in my mind.'' etc. Maybe similar to how sometimes in dreams, even though a house may look completely different and be in an entirely fake 'dreamlike' environment, you just somehow KNOW intuitively that it's meant to be your childhood home or something. Even when it looks nothing like it in reality. There's a built-in base knowledge of the properties or information of some things within a dreaming mind, etc.

--

This also makes me wonder about like.. how storytelling and myth is so important to cultures all across time. Or how this could tie also into concepts of religion.. etc. etc. If so many people really can kind of conjure these vivid images in their mind, then maybe that's part of why certain things are so meaningful to them? Like a "religious experience" being something you can actually really SEE/feel/lingering with you in your head, rather than just abstract words on a page, detached purely theoretical ideas, etc... hmmm

.

Plus also just for average emotional stuff too, even outside of broader cultural conceptual attachments..

Like, I don't think there's a direct 1 to 1 link (obviously not all people with mental illnesses that significantly reduce their emotional or expressive capacity also MUST have aphantasia or vice versa), but it's interesting as someone who DOES also have a much more lessened emotional range/pretty flat affect/etc. etc. to think like.. Maybe I WOULD be more emotional, in a way, if I could have these vivid experiences..?

Perhaps memories would hold deeper significance if they could really stay with me vividly. Or storytelling would evoke more of a deep emotional reaction to me if I could really picture and feel the things that are going on. If things were more TANGIBLE in my brain, rather than always merely conceptual highly abstracted ideas.

Kind of like, it's probably easier to get over the death of a pet or something, if after not seeing them for an hour you already don't remember what they looked like (beyond just a vague fact list of traits), and you have no vivid memories or mental reminders of them (beyond just factual information stores). COGNTIVIELY you can appreciate the idea of their absence, of course, you still miss them, but there's just no remaining visceral sensory ties. A very "out of sight, out of mind" sort of thing in terms of attachments, memories, emotions, etc. Maybe certain things are easier to "get over", when you're not having constant mental sensory reminders that occasionally rekindle your feelings about the event or etc.??

(like for example, maybe someone could remain angry about an argument longer if they could vividly replay it in their head over and over again. VS just like.. 'Yes I can factually recall the fact I had an argument, and I do have knowledge stored about what precisely was said, but any sort of sensory data such as sights/smells/feelings, etc. from the actual moment of the event are long gone and can never be conjured again in my mind." etc.)

Which again, I think lessened emotional permanence and image permanence in the mind are NOT inherently linked, can all be caused by different things for different people. And, since I can't visualize anything in my head, maybe I'm misunderstanding how it happens and the effect it may have on stuff like remembering things you miss or replaying arguments, etc. etc. But it's still a little interesting to think about, if they could influence each other to some degree.... :0c --

Lastly, It's also weird because I'm actually pretty good at estimating distance and spaces? I can quickly assemble furniture without an instruction manual, pretty easily have a concept of how much space a chair may take up in a room, how two mechanical parts might fit together - BUT, I am literally not actually visualizing anything. I cannot see 3D objects in my mind at ALL. It's like.. just based on the pure List Of Facts About Things Which I Have Observed.. I can intuitively go "oh this works like this/this is this size" just because.. I know it's that size. I don't have to see anything to know..?

But then on the other hand, I'm terrible at directions without a map (I guess because a 3d outdoor environment has WAY more complexity than like.. "Will this square fit into another square?"etc. lol ).

BUT, I also draw/sculpt/etc. entirely without references, and seem to do mostly okay at that..? Like.. I can't even remember the last time I actually used a reference or looked at anything whilst drawing. It's all muscle memory, and me just adjusting as I go until something "looks right" on paper, I never have a set image in my head (or external reference) before hand.. Hrmm....

AND.. I used to say that I had a photographic memory when I was younger, which I know NOW is not true (I always thought it was just an expression, not that people could literally see things in a photographic way). But what I was describing is, I do often associate information with imagery, just... without imagery....

Like "Oh, I know that I took my medicine earlier today because I have a distinct memory, a snapshot of a moment in time, of me rattling the pill bottle in my hands as I looked up at a stop sign while in the back seat of a car". When I say this, I can't ACTUALLY see/feel/hear a pill bottle, or vividly picture a stop sign, but it's more just a factual recall, of. Even though I don't see these things, I know they happened, the information of them happening (me hearing a sound and also looking at a stop sign at the same time) has been stored in my brain as a memory, a collection of linked facts. --

As for other senses, I cannot taste or feel anything in my head AT ALL.. wild that some people mention that. I mean, again, I can have a purely factual recall as if reading a textbook, knowing the information of 'X item typically has X texture, therefore I can imagine what it may be like to feel it' or 'X usually has this taste' etc. - but I can never actually experience those senses in any capacity in my mind alone. I would say audio is my strongest mental sense (maybe a 2.5 or 3 (if it were translated onto the above scale where 1 is most vivid and 5 is nothing)), then visual (4.5 at most, usually 5), and then taste and smell and such are just complete 5, absolutely nothing, I didn't even know people could experience taste or feeling just in their mind alone.. lol...

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[littledes1re]

Behind the tree

Pairing: Oldman!Joel miller x Fem!reader

Summary: Joel and you are assigned for the days patrol and after he was interrupted that morning he wants to take care of it. Aka he fucks reader against the tree.

Warnings: 18+, pinv, unprotected sex, oldman!joel, big age gap (joel is 60 and reader is 24-25), big praise kink, slight somnophilia in the beginning, softdom!joel, ddlg undertones, daddy kink, slight overstimulation, very sensitive reader, reader cries, darcyphilia, probably incorrect use of the tlou jackson map and patrols lmao

A/N: basically porn without plot (this is how I grief okey leave me alone😭😭) also shorter than the rest of my fics! Wrote this in one day so there could be mistakes😔😔

No signs of clickers there, no signs of runners else where. It was quiet in the little abandoned area just south from jackson. A big, dense and might as well beautiful forest, with the quietness tiny bit too suspicious but you guys were not just lucky. It‘s the one area that never really had a problem with infected, every troop that gets send comes back with no munition wasted and no interesting story to tell.

So you and joel checked every little corner as best as possible, wandering in absolutely nothing. Luckily it wasn‘t cold anymore, the weather slowly getting warmer and the snow was already almost melted.

„We gotta go, joel. S‘nothing here. M‘bored.“ you told him, releasing a breath from your lips.

Joel looked at you, his eyes going up an down your body, his mind drifting, the bulge on his jeans still visible from earlier. He woke up as usual, rolled you over, wanting to fill you, fuck you and cream in you before the day started as he always does. But a loud knock on the door disturbed him. His cock, laying in his palm just inches away from your pussy, pulsed and pulsed until his brother, tommy screamed from the door, that you two were late for patrol. A gruff leaving his lips, he packed himself into his shorts again, his dick never going soft. He knew you were both going to be irritated the whole day if you two didn‘t fucked in the morning.

So as fate wanted, you two went on patrol, the irritation, annoyance was completely visible in joels demeanour. You in the other hand were feisty, feeling needy and whiny. Just a big cloud over your head, wanting to be taken care of by your old man.

You thought joel didn‘t hear you so you wanted to repeat yourself but before even opening your lips you were quickly grabbed by him and pushed into a big tree. You yelped, the little branches on the wood stratching your back as without a word joel started to pull down your Pants with your panties. His rough attitude and handling made you immediately obligate him as you started to help him take of your shirt and tug down your bra so your tits were released.

„Daddy.“ you mewled, holding on to his huge frame as he didn‘t even looked at you before pulling his zipper down and releasing his cock. He jerked it in his hand, the head looking aggressive red and oozing with pre cum, understanding that he needs it now because he couldn‘t in the morning.

His other free hand went down your pussy, the rough fingertips landing on clit, rubbing a few circles before he opened your lips with his two fingers, creating a ‚v’ form.

„Stay still now. Y‘need this as much as I do.“ with his fingers still opening you up he carefully entered you, his tip going in softly as he let go of your lips and let them get used to the stretch.

Your breath hitched, feeling finally full like you needed since the morning.

As he pushed himself completely in you, he only saw your eyes roll back and your mouth spilling moan after moan. Cunt split open and stuffed, your legs shook, gripping him for dear life as you unexpectedly cum on his cock, just resting in your cunt.

„Yea, s‘what I thought. Couldn‘t get her sweet stuffing in the morning, now she is cumming without me even doin‘ something“ he whispered softly, cupping your cheek with his hands, hushing you, taking his time to calm you down.

You were his sensitive girl, always feeling overwhelmed, the tears already forming in your eyes while he gently took your legs, put them up so you could wrap them around his torso, this making his cock go deeper, making you release a cry into the woods.

And oh he knew how much it was for you, all naked while he was still clothed, middle in the woods, no blankets covering you, goosebumps all over your skin and him starting to thrust into you, immediately finding a fast and hard pace. His hands were tightly on your thighs and hips so you would not slip away from him while also simultaneously moving your hips into his ones, using you like the pliant doll you are always for him.

„There we go, angel. Feels good huh?“

„Uh huh.“

„Couldn‘t hold it till jackson, baby. Daddy‘s sorry.“ he groaned, seeing your glassy eyes look up to him as your body moved against the tree, your tits going up and down. His hand softly connecting with your cheek again, stroking away the tear.

You didn‘t except it from him, took you by surprise. Even tho joel wanted to always fuck you, he never did outside. He always kept you for himself, overprotective, never leaving you out of sight. The wood behind you was making you uncomfortable, you were whining around, the cold making you shiver against him as he groaned into your ear, his thrusts never letting up. Sometimes you didn‘t believe this man was in his 60s.

„S‘okey, daddys almost there. Almost there honey.“ he noticed your uncomfortableness, the goosebumps, the sweet tears in your eyes he loves so much, just not stopping.

„Such a good girl— my good fucking girl baby.“ he pinched your chin between his fingers making you look at him, making you nod your head so you knew you were his good girl. The pleasure was building up, while you still couldn‘t concentrate fully to his thrusts, you were losing yourself in his pretty brown eyes and his praise echoing in your head as you let out a cry, seemingly close to your release.

„that‘s it, I know, angel. Daddy knows.“

Gaze never leaving yours, his thumb landing on your clit, rubbing the nub just the way you always like, to make you cum. „Daddy.“ you whined around, your face burying into his jacket, inhaling his scent making your head just more clouded.

„Look at ya, bein‘ so good to your old man, making him fuck this little pussy in the woods huh? Takin‘ it so well, makin‘ daddy proud.“ he groaned into your ear, leaving wet kisses around your neck and your cleavage. His thumb sped up, feeling your pussy clench on his cock, legs shaking as he tried his best to concentrate in hitting that one spot inside of you.

„daddy—daddy. Please.“ you cried out, overwhelmed with the pleasure and his thumb on your clit. You held on to him for dear life, head shaking from left to right.

„Shh, shh, baby. I got you, daddy‘s got you. C‘mon now baby, let it all out.“ he cupped your cheek, making you look into his eyes again and that was all it took as your body completely shook, your mouth turning into an ‚O‘ shape and your pussy clenching repeatedly on his cock.

„Yea, s‘my good baby. S‘my baby. Daddy‘s just behind, hon.“

Groaning into your neck, his thrusts grew more sloppier and sloppier as he bit down your neck, finally cumming inside of you, releasing all that pent up stress from the morning and stuffing you full of him and only him.

You breathed out, hugging him just tighter as his dick grew soft in you.

„you‘re crazy, daddy.“ giggling into his ear, making him chuckle. He gently made you stand up on the ground again, holding you so you don‘t fall because your legs were still shaking.

As he wanted to put on your panties, he softly plunged two fingers into you, so the dripping cum would not get wasted, earning a sigh from you. He thrusted these fingers, one two times into you and then pulled them out, helping you put your panties on and the rest of the clothing.

He took his bag on his back again, giving you your weapon back and gave you a sweet kiss on your forehead.

„Now I want some black coffee, baby.“ he murmured and you giggled, nodding your head knowing when your back in jackson he will have his coffee while you sit on his lap and read a book, enjoying the sweet silence together.

Oh to be peewpaws girl, sitting on his lap and reading a book while he drinks his coffee😔😔😔 Thank you so much for 400 followers!!🫶🏻🫶🏻

Taglist: @vickie5446 @a-goose-on-mars @thatgirlmendo @ihearttdilfs @pickyeater13

—>if you want to be added to the taglist pls let me know!!

My Masterlist!!

[professorcalculusstanaccount]

Tintin Tarot - A Fool's Journey, Part One. A collaboration with @josephscoat who knows a lot about tarot and other spiritual and cultural topics. They're a very talented writer too, so go check them out!

They first pointed out how perfectly the Fool tarot card mapped onto Tintin himself, and it led to me illustrating the Major Arcana as Tintin characters. I'm surprised Moulinsart hasn't released an official Tintin tarot deck yet, though knowing them if they did they'd probably just reuse existing art...

I wanted this set to reference the Rider-Waite tarot deck, as it's iconic! I tried to keep as much symbolism from this deck as possible, while incorperating a lot of appropriate Tintin references. It was important to us that none of these felt like a stretch, so we tried our best to find the best fit for each card, including the card's reverse meaning!

The Fool - New beginnings, taking risks, embarking on a new adventure, independence and blind faith. He even has a little white dog. Of course Tintin is the Fool! The yellow tights indicate he moves forward with self confidence, even if forwards means off a ledge. He carries a white flower, symbolising purity.

The Magician - Manifestation, creation, resourcefulness and inspired action. Calculus's inventions behind him are a nod to each element - the shark submarine represents water, the moon rocket represents fire, the sound weapon represents air and the white roses he creates for Castafiore represent earth! On the table we have Didi's sword, a bottle of Loch Lommond whiskey, a pentacle and King Ottokar's sceptre. This card is my favourite!

The High Priestess - Mystery, intuition and the subconcious mind. Madame Yamilah was the obvious pick, being canonically psychic! I incorperated the curtains from the theatre she performs at, as well as the columns Haddock knocks over, now in black and white to represent light and dark.

The Empress - Motherhood, protection, femininity. There aren't many parents in the Tintin universe, probably by design. Mrs Wang came to mind. I used phoenix motifs in her headress as in Chinese culture they are symbols of femininity, and are distinct from the fiery immortal birds from Greek mythology.

The Emperor - Fatherhood, authority, structure, control. Mr Wang runs a crime fighting organisation and is Didi and Chang's stern father. Dragon motifs represent masculinity, and I referenced ancient Chinese armour as a symbol of protection.

The Hierophant - Tradition, conformity. The Prince of the Sun sticks closely to ancient laws and traditions, but like the card's reverse, is open to new approaches, such as when he takes in Zorrino. I gave him some elements of the priest's clothing to symbolise the Prince's role as a religious leader.

The Lovers - Partnerships, duality and unity! Despite being identical, the Thomsons aren't related. They in fact come from different countries - one is from France and the other is from Switzerland. Me and my friend confirmed this fact at the Herge museum in Belgium! The card's reverse meaning, disharmony and loss of balance, is also very much in line with the Thomsons. I included the internet famous Gay Lions in the background!

The Chariot - Direction. Control. Willpower. These are the perfect descriptors for Arturo Benedetto Giovanni Giuseppe Pietro Arcangelo Alfredo Cartoffoli, the Italian driver that helps out Tintin and Haddock in the Calculus Affair. He may have only appeared for a few pages, and I may be the only person to get this reference, but he is a perfect fit. He drives.

Strength - Compassion, bravery, endurance. Not only has Chang demonstrated these qualities in Tintin in Tibet, he's had to endure a lot of hardship throughout his life, being orphaned, swept up in a flood and watching his home get torn apart by imperial forces. He still comes out the other side patient and compassionate, being one of the few people to recognise a form of humanity in the Yeti, and possibly being the one to change Tintin's entire political journey! Chang is draped with juniper berries.

The Hermit - Laszlo Carreidas is a lonely and isolated millionnaire who goes through a huge personality change. Being drugged with a truth serum makes him more honest and open. His base personality before his development fits with the card's reverse - isolation and a loss of direction.

Wheel of Fortune - Alcazar and Tapioca's conflict is an endless cycle of war for political control. The Wheel of Fortune represents cycles and inevitable fate. Reversed, it represents a lack of control - both Alcazar and Tapioca cycle between having absolute power and no power at all. I dressed Tapioca as Anubis as a nod to the original card!

Justice - I picked Miarka to represent Justice as she and her community are wrongfully accused of crime due to being profiled. Instead of a sword she weilds the golden pair of scissors she is accused of stealing, and the gemstone representing a third eye is the Castafiore emerald. The owl, a symbol of wisdom, and the magpie from the Castafiore Emerald sit beside her.

[flamingpudding]

Code: GHOST

It all started when a number code flashed across the screen of the Batcomputer while Tim was working on a case.

7 8 15 19 20

Flashed across the screen several times to the point it made Tim think that someone somehow managed to hack into the Batcomputer. It was also a number code he was not familiar with at all. So Tim reported it back over their comms in hopes that maybe one of the others knew what the numbers meant. Because all he managed to figure out from it was that the number code was an alert on the Batcomputer, one that came with coordinates that lead into the middle of nowhere.

Tim was about to join the discussion Dick and Jason were having on it when Bruce silenced them all apruptly speaking up.

"Answer code 2 1 20, sent them to the coordinates attached. I will be in the cave in ETA3 and take over from there."

The sudden silence on their communication line spoke volumes especially when Tim new the numbers was a simply code for Bat. He still did what Bruce asked him to do but that didn't stop the questions running through Tim's mind. He watched on the screen of the Batcomputer how the moment he sent the code in return, Programs started like on autopilot. A map opening that contained nothing at first but then changed into a map of a whole good damn city. Tim could only gap at what was happening on the Batcomputer before Bruce appeared and pulled him away from his seat to take over himself.

Bruce without a beat of delay started to input more codes and apparently access codes too as more and more windows opened on the Batcomputer. Tim did not realise that with time Dick, Cass and Damian had joined him as they watched Bruce work away on the Batcomputer. At some point an audiotrack opened but all they could hear was only static. They thought Bruce was going to run it through one of the noise filtering programs.

But to the shock of them, Bruce suddenly triggered a hidden compartment on the console, causing it to flip over and reveal communication link build in a way non of them had ever seen before. It was silver with green accents and looked far... older and less sleek than any of the ones they used. It was clearly not designed to stay completely hidden if put into your ear.

They watched how he simply put that earpiece on and then replayed the audiotrack.

The batkids shared a look of confusion. Non of them sure what to make of the situation until suddenly Bruce stood up from the Batcomputer.

"Prepare for a rescue mission. Nightwing, Orphan and Robin will come with me, the rest of you will stay in Gotham." Was all the man said before storming of towards the Batplane.

"Bruce what is going on?!" Dick instead of going to prepare asked stoping the man before he could get away from them. "What is the meaning of that code? Aside from the fact that simply translated it means ghost."

Bruce eyed the batkids present for a moment before letting out a grunt. "Ghost is finally ready to join the family."

"Ghost?" Tim echoed confused, never having heard that alias for any of them.

"Father what do you mean, 'join the family'?" Damian chimed in clearly frowning with suspicion.

The man eyed them once more his eyes going over each of his children, it looked like he was contemplating telling them more for a moment before he stood to fully face them and let out a sigh. "Like Clark, I too have clone child."

There was a stunned silence. No one speaking up until Dick did. "How long...?"

"14 years ago"

The silence continued as they all did the mental math. Once more it was Dick who spoke up first, clearly stunned. "You had a clone since I was eleven and now is the first time I hear of that?! You never bothered telling any of us?!"

There was a long suffering sigh. "We got to Danny before he was aged up, he was a normal baby even if created in a laboratory, so it was best for him to grow up normally, with the league we arranged for him to be sent to selected family since I had my hands full with you and-"

"Danny?!" Dick cut in. "His name is Danny? Does he even know about us?"

"Dick." Bruce called out his tone warning. "Of course I kept an eye on Danny's life. And I did made contact with him when the time was appropriated considering some of the things that were happening for the boy as he grew up, however he is not aware that he is a clone and it will stay that way. He will get to know all of you once we finished this rescue mission."

Before Dick or any of the others could say anything more Bruce spoke up firmly again. "Get ready now, we do not have any more time. Anything else will be handled later."

[eiilese]

what if the strawhats had different roles on the ship⁉️ i swapped everyone’s roles except for luffy because i can’t imagine him being anything but the captain

these are loose redesigns since their canon designs don’t really read as their roles all that much to begin with. some extra doodles and ideas for this in the cut !!

nami, vice captain: i took a lot of inspiration from her beta design!! canon nami already bosses everyone around so she fits right into the role. she wields an extendable staff (usopp still makes it for her); she lost her arm over the time-skip like how zoro lost his eye. i LOVE drawing cargo pants and boots, so she ended up with a sorta bottom-heavy design. frankly it’s probably not her style but i like how she looks

zoro, the cook: my foolproof logic is zoro uses swords = good with knives. he does not use katanas to cut produce however, just normal knives. i was trying to go for “sweaty ramen guy” with the towel around his neck. the majority of the shit he cooks would probably be drowned in alcohol. he also wears his bandana the majority of the time now!! it completes the ramen guy look

sanji, the sniper: i also took inspiration from his beta design for this!!! he has guns!! and perfect aim of course. i was going for more of a mafioso look so germa 66 would be like, a mafia organization on top of all the other villain shit they already do. he has two guns but i didn’t draw a holster bc that’s annoying🤞 he lights his cigarettes with his guns. how would that even work? don’t ask me

usopp, the navigator: his artistic talent lends itself to creating perfect maps! he also still tinkers, making nami’s staff as well as having a specialty for compasses. he uses a slingshot still (no perfect aim we gotta nerf him) and shoots weather-related projectiles. his goggles serve as binoculars, they can zoom to several different distances. i drew him in his zou outfit purely bc it’s my favorite one

chopper, the helmsman: he would predominately use heavy point while maneuvering the wheel. i changed his hat up to look more like a sailor’s cap, with an anchor symbol instead of an X. to be honest i don’t have much else bc helmsman doesn’t bring much to my mind :(

franky, the musician: ROCK N ROLL BABY YEEAHHH come on his stage presence is unmatched. he’s still a cyborg, he has instruments all over his body like apoo does but they were installed manually. his personality changes depending on what genre he’s playing but rock n roll is his default B) (ex. classical calls for a refined gentleman)

robin, the shipwright: her devil fruit gives her as many helpful hands as she needs! she developed nami’s arm (definitely installed some random shit she did Not ask for). she has a robot mecha that she’s able to pilot all by herself using clones. i changed her orange sunglasses to goggle eyewear

brook, the doctor: the irony of being nursed back to health by a literal skeleton 💀the irony of being the doctor of the rumbar pirates yet being the only survivor, saving no one from the poison 💀 i went for a plague doctor look! IM VERY HAPPY WITH HOW HE TURNED OUT i was really tempted to give him the plague mask too, but i feel that would’ve changed his appearance too much compared to the others

jinbei, the archaeologist: the shape of this man demands a little pair of round glasses on his face. he’s an intellectual i tell you!!! plus still a fishman karate master. the history of joyboy and fishman island being so intertwined is how he developed an interest in history

[frailsituation]

Tips for building immersive plots

1. Start with your core idea

• Every plot begins with a spark—a question, a concept, or a character. Build from that seed.

• How? Ask, "What excites me about this story?" and focus your energy there.

• Example: A story about a magical curse could explore themes of redemption or betrayal.

2. Brainstorm freely

• Don’t start by thinking about structure. Instead, write down every idea you have—plot points, character traits, world details—without judgment.

• How? Use mind maps, lists, or “what if” questions to expand your ideas.

• Example: “What if two rival kingdoms were forced to unite to stop a shared enemy?”

3. Map out key events

• Divide your plot into beginning, middle, and end, and identify major turning points. These events should shape the character’s journey.

• How? Use the three-act structure, or simply think in terms of setup, confrontation, and resolution.

• Example:

Beginning: A thief steals a sacred artifact.

Middle: The artifact begins to curse them, forcing them to seek help.

End: They must choose between keeping the artifact’s power or destroying it.

4. Plan with cause and effect

• Immersive plots follow logical progression. Ask yourself: “What happens because of this event?” for every key moment.

• How? Make sure each event impacts the characters or world.

• Example: A hero saves a village → the village leader reveals a secret about the hero’s past → this drives the hero to confront their estranged parent.

5. Flesh out your subplots

• Subplots add depth and make your world feel real. Tie them to the main plot for maximum impact.

• How? Use subplots to explore secondary characters, add emotional stakes, or introduce twists.

• Example: While on a mission to defeat a villain, the hero struggles to repair their broken friendship with their ally.

6. use story beats to stay organized

• Break your story into smaller moments: inciting incident, midpoint twist, climax, resolution.

• How? Write one sentence for each beat to outline the flow of your story.

• Example:

Inciting incident: A cursed item bonds to the protagonist.

Midpoint: They discover the curse is tied to a powerful enemy.

Climax: They must sacrifice their freedom to destroy the curse.

7. Think of immersive twists

• Twists keep readers engaged and make your story unforgettable. They should feel earned, not random.

• How? Ask, "What would surprise the reader but make sense in hindsight?"

• Example: The mentor helping the hero turns out to have caused the conflict in the first place.

8. Build emotional stakes

• Plot isn’t just about events—it’s about how those events affect your characters. The stakes should feel deeply personal.

• How? Tie the plot to your protagonist’s fears, desires, and growth.

• Example: A hero who’s afraid of failure is forced to lead a mission where the cost of failure is catastrophic.

9. Create a planning routine

• Writing immersive plots takes time and refinement. Set aside regular sessions to brainstorm, refine, and test your ideas.

• How? Use tools like storyboarding, sticky notes, or apps like Scrivener to organize your ideas.

• Example: Start each session by reviewing your previous notes, then tackle one section of your plot.

10. Test your plot

• Once you’ve mapped out your story, summarize it to see if it holds together. Does each event flow logically? Are the stakes clear?

• How? Share your outline with a friend or writer’s group for feedback.

• Example: “A reluctant hero must destroy a magical artifact to save their world, but doing so will cost them their memories.”

Follow for more!

[theambitiouswoman]

How to Stop Procrastinating by Managing Your Emotions

Procrastination happens when we delay doing things, and it's often connected to our emotions. Feelings like being afraid to fail, feeling worried or stressed, getting bored, or lacking motivation can all contribute to procrastination. To stop procrastinating and get more things done, it's important to learn how to handle our emotions better.

Boredom:

Break the task into smaller, more engaging sub-tasks.

Find ways to make the task more interesting or challenging.

Set a timer and work on the task for a specific amount of time, followed by a short break doing something enjoyable.

Feeling Overwhelmed:

Prioritize tasks and focus on one thing at a time.

Break the task into smaller, more manageable steps.

Delegate some parts of the task if possible or seek help from others.

Use tools like to-do lists or task management apps to stay organized.

Anxiety:

Practice deep breathing or mindfulness techniques to calm yourself.

Challenge negative thoughts and replace them with more positive and realistic ones.

Start with the easier or less intimidating aspects of the task to build momentum.

Set realistic expectations and remind yourself that it's okay to make mistakes.

Self-Doubt:

Focus on past accomplishments and successes to boost your confidence.

Seek support or feedback from others to gain reassurance.

Remind yourself of your skills and capabilities to tackle the task.

Use positive affirmations to counteract negative self-talk.

Perfectionism:

Embrace the concept of "good enough" rather than seeking perfection.

Set realistic and achievable goals for each task.

Recognize that mistakes and imperfections are part of the learning process and growth.

Indecisiveness:

Break decisions into smaller steps and make one small decision at a time.

Set a time limit for making decisions to avoid overthinking.

Trust your instincts and make the best decision you can with the information available.

Apathy or Lack of Interest:

Find aspects of the task that align with your values or long-term goals.

Break the task into smaller, more manageable parts and focus on completing one at a time.

Reward yourself for completing the task to make it more appealing.

Stress or Burnout:

Practice stress-reduction techniques such as meditation, exercise, or spending time in nature.

Break tasks into smaller steps to reduce the feeling of overwhelm.

Prioritize self-care and take breaks to avoid burnout.

Feeling Uninspired or Creatively Blocked:

Engage in activities that stimulate creativity, such as brainstorming, mind mapping, or seeking inspiration from others' work.

Start with a simple and basic version of the task to get the creative juices flowing.

Collaborate with others or seek feedback to gain new perspectives.

Fear of Success:

Identify and challenge the negative beliefs or fears that may be holding you back.

Visualize the positive outcomes of completing the task successfully.

Focus on the benefits and personal growth that come with success.

Impatience:

Break long-term goals into smaller milestones to track progress.

Practice mindfulness to stay present and patient throughout the process.

Remind yourself that progress takes time and effort.

Lack of Confidence:

Celebrate your past accomplishments to boost your confidence.

Seek support and encouragement from friends, family, or mentors.

Focus on building specific skills related to the task to increase confidence.

Avoiding Discomfort:

Acknowledge that discomfort is a natural part of growth and improvement.

Break tasks into smaller steps and tackle the more challenging aspects gradually.

Remind yourself of the long-term benefits of facing discomfort.

Overestimating Future Motivation:

Practice discipline and commit to starting tasks even when motivation is low.

Set specific deadlines for tasks to create a sense of urgency.

Establish a routine that includes regular work on the task to build consistency.

[astrologydray]

Ruler of the 5th through the houses

So when we follow the ruler of your 5th house to where it lands in the chart, it tells us where and how you light up the world, how you flirt with life, and where you create joy.

5th House Ruler in the 1st House

You are your own muse.

You’re magnetic, expressive, and romantic just by being. You wear your heart on your sleeve. You’re bold about what you want, and you attract admirers easily. Self-expression, modeling, fashion, acting. Romantic style: Flirtatious, direct, confident. Inner child: Lives in the mirror and loves attention.

5th House Ruler in the 2nd House

Creating beauty = creating stability.

Your creativity is valuable — literally. You may monetize your art, or find pleasure in luxury, sensuality, and security. You want loyalty in love and comfort in your play. Design, voice, beauty, body-based art. Romantic style: Loyal, touchy, gift-giver love language. Inner child: Builds pillow forts, collects shiny things.

5th House Ruler in the 3rd House

Flirtation = conversation.

You woo with words, wit, and curiosity. Your creativity flows through communication — writing, media, speaking, and storytelling. Romance may start close to home or through messages. Journalism, content creation, comedy. Romantic style: Playful, chatty, needs mental stimulation. Inner child: Writes love letters and draws in notebooks.

5th House Ruler in the 4th House

Home is the heart of your art.

You’re emotionally inspired and may keep your art (or romantic life) more private. You create from memory, nostalgia, or family themes. You’re nurturing and loyal in love. Home decor, family storytelling, memory-based art. Romantic style: Deep, emotional, seeks long-term roots. Inner child: Plays house and creates blanket forts.

5th House Ruler in the 5th House

You were born to shine.

This is a natural placement — your life is a stage and you’re the star. You radiate charisma and may feel most alive when you’re creating, loving, performing, or playing. Pure Leo energy — dance, performance, legacy art. Romantic style: Grand gestures, playful, irresistible. Inner child: Center of the show, covered in glitter.

5th House Ruler in the 6th House

Romance + creativity = daily devotion.

You’re a low-key romantic who shows love through service, acts of care, and consistency. You create in a detailed, thoughtful way. Routines and rituals inspire your art. Crafting, healing, daily creativity, self-care. Romantic style: Devoted, nurturing, likes to “do” for lovers. Inner child: Loves task-based games and helping out.

5th House Ruler in the 7th House

Romance is your purpose.

You’re the definition of a hopeless romantic — you want partnerships that feel like poetry. You create best in collaboration and shine when you’re loving or being loved. Collaborative art, relationship themes. Romantic style: Balanced, magnetic, needs 1:1 intimacy. Inner child: Plays “wedding” and loves storybook love.

5th House Ruler in the 8th House

Art = alchemy. Love = transformation.

You love deep, intense, passionate connections. You’re creatively powerful, especially in the realms of healing, shadow work, and sexuality. You might attract karmic lovers. Erotic, taboo, healing, psychological themes. Romantic style: Intense, loyal, spiritual-bond energy. Inner child: Obsessed with secrets, mystery, magic.

5th House Ruler in the 9th House

You flirt with the world.

You’re a globetrotter of love. You fall for minds, cultures, and experiences. You’re inspired by travel, philosophy, and freedom. Romance may begin abroad or feel spiritual. Teaching, travel, spiritual storytelling. Romantic style: Inspiring, free-spirited, long-distance queen. Inner child: Loves adventure, fairy tales, maps.

5th House Ruler in the 10th House

Romance = recognition.

You’re public about your passions. Your art, your love life, or your children may be part of your career path or reputation. You crave partners who match your ambition. Fame, legacy-building, influential art. Romantic style: Mature, responsible, but needs admiration. Inner child: Dreams of being famous and successful.

5th House Ruler in the 11th House

Rebel lover, visionary creator.

You’re into unconventional love, collective art, and community expression. You may create with or for others, and romance may begin in friendships, groups, or online spaces. Futurism, social impact art, collaborations. Romantic style: Unique, freedom-loving, experimental. Inner child: Builds imaginary worlds and group games.

5th House Ruler in the 12th House

Secret muse, soul lover.

You may keep love private or fall in love with unavailable people. Your art is spiritual, mystical, and comes from dreams or deep emotions. Love feels fated, karmic, or otherworldly. Film, music, poetry, dreamwork, mysticism. Romantic style: Elusive, deeply emotional, spiritual bonds. Inner child: Lives in fantasy realms, sensitive AF.

[sourcherryandsprinkles]

Cregan stark is in awful mood but his wife knows how to set his mood. What could be better than being naked in bed for only him to see and use.

No smut in this one (sorry), but Cregan smut is coming!!

Warnings: 18+, nudity,

my taglists are here + you can send requests here at any time

—

Over the past weeks, an influx of ravens came from Castle Black and the Wall. According to the messages, a large force of three thousand wildlings from beyond the Wall had launched major raids to force their way south of the Wall at Queensgate. The movement was led by a wildling chieftain called Sylas the Grim.

Being Warden of the North, it was Cregan's duty to take care of the matter. He spent most of his days in his drawing chamber, strategizing with his council or writing and sending ravens to rally what able-bodied men were left to his banner and combine forces against Sylas. 

You could see that he was under a lot of pressure and stress. He was tense too, resulting in a quick temper. Before last night, you never saw Cregan snap at a servant for bringing him mutton stew when he asked for beef. You apologize to the poor servant on your husband’s behalf when you crossed paths with him in the corridor, telling him Lord Stark had heavy matters on his shoulders at the moment and that he did not mean his bad mouth. 

Following that incident, you decided it was time to help him take out that pent-up tension in ways only you knew. 

After supper, you went up to your chambers and set everything. You lit candles and added more logs to the fire to warm up the room, creating a cozy ambiance. Although the bed had been made by the maids in the morning, you arranged the pillows just right and smoothed the fur pelts, making sure everything was perfect.

Once everything was ready, you sent a servant to request Cregan’s presence in his chambers. He would not be pleased to be disrupted, but he'll change his mind when he sees what's awaiting for him. 

Your heart was pounding with anticipation as you disrobed. Using a wet cloth, you wiped your body from the dirt of the day and rubbed some rose oil on your skin. Then, you climbed on the bed, the pelts soft on your skin, and waited for your husband. 

In the drawing chamber, Cregan was sitting and massaging his temples as his eyes scanned the countless numbers on the many maps spread out before him. His heavy cloak was draped over one of the unused chairs. When the knock on the door came, he let out a sigh. 

This better be important, he thought. 

‘’Come in,’’  Cregan said with irritation in his voice.

The door creaked open and a young male servant stepped shyly into the room. 

He bowed to his lord politely. ‘’My lord. Lady Stark requests your presence in your shared chambers.’’

Cregan raised an eyebrow, a small frown on his face. He glanced at the pile of maps, and then back to the servant. ‘’Did she mention why?’’ he asked the servant, his face stern.

‘’She did not, my lord,’’ the servant replied. ‘’She just said it was important, my lord.’’

With a sigh, Cregan stood up from his chair. ‘’Very well.’’ 

Back in your chambers, you listened carefully to the sounds outside the doors for Cregan’s footsteps. When you heard the familiar heavy footfalls, you leaned back on your arms and wiped your giddy smile from your face.

The door creaked open, revealing the dimly lit chamber on the other side. Cregan’s gray eyes scoured the room in confusion, taking in the soft candlelight and the warm fire crackling in the hearth. 

He stepped inside, opening his mouth to ask what it was that you wanted, but your sweet voice filled the room first. 

‘’Good evening, lord husband.’’ 

Cregan turned his attention toward his bed, all thoughts leaving his head when he saw what greeted his eyes. He couldn't help but stare at your naked beauty, laying on the pelts that covered his bed, his eyes roaming over your form with a mixture of desire and awe.

The northman tried to speak, but at first, only a hoarse croak came out. Clearing his throat, he spoke again, his voice thick with need. ‘’What is the meaning of this?’’

You ran a hand up your stomach, painted with lines from your last pregnancy, and over your full breasts, tracing your fingers across your nipples. You gave him a mischievous grin, feeling his eyes burn into you. 

‘’It has come to my attention that you’ve been very stressed and tense lately with all that is happening at the Wall. I took it upon myself to give you a way to unleash all of that pent-up stress by offering myself to you, to take however you wish,’’ you explained. 

Cregan’s gaze was still glued to your hand as it explored the curves of your body. His jaw clenched as he took a deep breath, feeling a tent form in his breeches from watching the movements of your fingers. 

Since the first raven mentioned Sylas the Grim arrived at Winterfell, sex got pushed to the side to treat the urgent matter. And now Cregan was feeling the consequences of his negligence. He’s never been this painfully hard since puberty knocked on his door at four and ten. 

You felt a rush of heat over your body, Cregan’s eyes fixed intently on you with lust and desire, as if he were hunting his prey. He took a seat on the edge of the bed, his body tensed and taut as if ready to pounce. 

‘’You have no idea what you're getting yourself into,’’ he said in a deep, rough voice and a slight smirk playing on his lips. 

You leaned back against the pillows, offering your body to him. ‘’Show me.’’

—

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