I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.
So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.
Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.
Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.
Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.
And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.
They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.
When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.
Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.
Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.
Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.
Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.
And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."
He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.
He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.
Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.
He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.
This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.
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don't you forget about me (part four)
(part one)(part two)(part three)
Eddie wakes from a thankfully dreamless sleep, his head on his pillow now, which is somehow far less comfortable than Steve’s solid chest. Speaking of… Eddie looks around; Steve isn’t there at all anymore, and Eddie is alone. He’s disappointed, though not entirely surprised, that Harrington’s left him again despite his promises.
In fact, he’s honestly more surprised when less than two minutes into his wallowing in the empty room, the door is pushed open by none other than Steve Harrington carrying two trays of food, one balanced on each hand like a goddamn waiter. It’s kind of adorable, actually, Eddie thinks, and that thought surprises him a little too.
“Oh, you’re awake! Good morning.” Steve sets one of the trays on Eddie’s lap. His smile is bright, though there’s a slight, uncertain wobble to it. “Shitty hospital food and shitty hospital TV, right?”
“Right.” Eddie’s face breaks into a grin, something light unfurling in his chest. He glances at the plate of gross food on his lap then back up at Steve, and he admits, “You know, for a second there I thought you’d left again.”
Steve shakes his head as he settles into the chair beside the bed with his own tray. “I promised you I’d hang out today. I’m a man of my word.”
“Good.” Eddie smiles and grabs a remote off the bedside table, turning on the TV. “Now for our mealtime entertainment, let’s see what’s on the shitty TV today.”
The television starts blaring some old black-and-white rerun of I Love Lucy. Eddie’s immediately about to change the channel, but then he notices the way Steve’s eyes have lit up. “Hey, that’s not shitty TV!” Steve says. “I used to watch this with my mom all the time when I was a kid.”
Eddie snorts. “Of course you did.”
Steve gives him an indignant look. “What’s that supposed to mean?”
“Nothing.” Eddie shakes his head evasively, shoveling a forkful of rubbery scrambled eggs into his mouth so he doesn’t have to say anything else.
Steve just rolls his eyes, almost affectionately, like they’ve had conversations like this before. He chews on a flimsy piece of bacon and makes a face, nose scrunching up. “Ugh, you really weren’t kidding about the shitty food, though.”
“Nope,” Eddie laughs, “I really wasn’t. Thanks for catering it though.” He swallows down another mouthful of food, and then adds with a little less levity, “And, uh, thanks for last night, too - for calming me down. Don’t think I’ve said that yet.”
“Oh, yeah, of course.” Steve gives a small smile, shrug, slight shake of his head, a tiny pinch between his brows like he doesn't quite get why Eddie even feels the need to thank him for that. “That's what I’m here for. I just hope I didn't cross any boundaries or anything, holding onto you like that.”
Now it's Eddie's turn to give him a confused little smile and a head shake. “No, of course not. That was exactly what I needed.” He attempts to add some humor back into the conversation, jokingly quips, “Although, to be fair, I never did think that King Steve would ever be caught dead in a bed with The Freak.”
Steve had hazarded another bite of his breakfast, trying the eggs this time, only to choke on it at Eddie’s comment. He coughs, hits his fist against his chest, and hurriedly takes a sip from the water bottle on his tray.
“Jesus.” Eddie tries not to take offense, assuming Steve’s reaction to be one of disgust at the double entendre. “That bad of a thought, huh?”
Steve shakes his head and clears his throat, face flushed. “No, no, it’s not that, man. Food just went down the wrong pipe, is all.”
“Uh huh…”
“Seriously.” Steve gulps down some more water, quiet for a moment before adding, “You know I’m not King Steve anymore, right? Haven’t been for a while now, since even long before your memories end.”
“Yeah, I know. You ditched Tommy H. and Carol your junior year, and then Nancy Wheeler dumped you and Billy Hargrove stole your crown and bashed your face in your senior year, I remember,” Eddie recalls. “But for the most part you were still well-known and well-liked, still this popular, pretty, rich boy jock all the girls still drooled over, so.” He shrugs. “Always figured ‘King’ still fit.”
“Right…” Steve raises his eyebrows as Eddie lists off these events of his life, looking at him with a smirk of barely-hidden amusement. “I forgot you were obsessed with me.”
Eddie’s jaw drops in exaggerated offense. “I was not obsessed with you.”
“Were too,” Steve taunts.
“Was not.”
“Were too.”
“Was not.” Eddie chucks a piece of bacon at him.
Steve gasps indignantly as the bacon slaps him in the face and tumbles onto his lap. “You child!” But he’s laughing, retaliates by flinging a forkful of eggs back at Eddie.
The conversation devolves into a full-on food fight, shrieking and cackling as they pelt each other with flying bits of eggs and bacon. It turns out shitty hospital food serves far better as ammunition than it does as anything actually edible.
A nurse chooses the exact wrong time to decide to come in and check on Eddie, walking into the room at just the right moment to be caught in the crossfire and hit with a stray chunk of egg. Both boys freeze.
“Uh oh…” Eddie mutters under his breath. Just his luck - it’s not the young, nice nurse, Katie, who always laughs at his jokes, but Nurse Margaret, the old, mean one who he’s never once seen crack a smile. She flicks the egg bit off her shoulder, leveling them with a stern frown as she marches over.
Eddie casts a furtive glance at Steve who looks back at him, lips twitching like he’s trying not to laugh again, and Eddie feels mirth bubbling back up in his own chest too. He has to look away from Steve again before he loses it.
He sucks his lips in, clamping them together between his teeth to hold in his laughter, and he stares up at Margaret with a thin-lipped, guilty, upside down smile as she chides them both for making a mess and scolds Eddie for exerting himself and risking reopening his wounds. Steve mumbles an apology and starts cleaning up the scattered bits of food strewn about the room while Margaret double checks that Eddie hasn’t, in fact, reopened his wounds or gotten worse in any way. Once the nurse is satisfied with both the state of the room and the state of Eddie, she whisks away what’s left of their food trays and stalks out of the room with one last disapproving look over her shoulder.
Then and only then does Eddie risk eye-contact with Steve again, and the two of them immediately burst back into laughter. Steve nearly doubles over with it, leaning against the trash can where he’d just been dusting off his hands. “Oh my god,” he chuckles out. “Her face when I hit her with that egg? I was so sure she was gonna kick me out.”
“Nearly gave mean old Margaret an aneurysm, and that was just from hitting her shoulder,” Eddie snickers. “Imagine if you hit her in the eye or something.”
Steve does his best impression of Margaret’s angry scowl and reproachful huff, and Eddie cackles. He laughs so hard his sides ache and his injuries hurt, wounds aggravated by the movement of his laughter, but he doesn’t care, the pain far too distant beneath the cushion of painkillers and positive emotion he currently feels so high on.
“You’ve still got some egg in your hair,” Steve notices with another amused snort as he pushes himself away from the trash can and approaches Eddie’s bed again. He plucks the offending bit of food out of Eddie’s curls and smooths down the hair where it had been stuck. “There.”
Steve’s fingertips brush ever so lightly against Eddie’s cheek when he fixes his hair. It sends a pleasant sort of shiver down Eddie’s spine, turning his laughter to breathless giggles just for a moment. “Thanks.”
Steve flicks the egg chunk into the trash before sinking back into the bedside chair with a soft sigh and a warm smile. “God, I missed this,” he says, “just laughing with you.”
“Yeah.” Eddie returns the grin. For him, of course, this is the first time they’ve laughed together like this, but he has to admit he’s already rather fond of it. “Can’t remember the last time I’ve laughed that hard.”
Steve’s smile turns nostalgic, like he can remember the last time Eddie laughed like that, like he was there for it. “It’s a good look on you - laughter,” he says, so quietly Eddie almost feels like maybe it wasn’t meant for him to hear. And Eddie can’t help but think that laughter is a pretty good look on Steve too, all rosy cheeks and shining eyes.
“How did we become friends?” Eddie asks, before his previous thought can take any sort of root.
The nostalgia in Steve’s expression only grows. “It was the beginning of June, start of summer, probably only a few weeks after your memories stop. I was working at the Scoops Ahoy in Starcourt, that new mall that had just opened, and you wandered in,” he says, looking at Eddie with a teasing glint to his eyes, “because you were obsessed with me-”
“Was not,” Eddie protests immediately.
“Were too,” Steve laughs. “Anyways, you saw me in my stupid little sailor uniform trying and very obviously failing to chat up a girl at the counter, and you came in just to laugh at me, actually.”
“Okay, that does sound like me,” Eddie concedes with a grin. He probably walked in there just for the sailor costume alone, if he’s being honest with himself. That’s something he’d kill to see - just for a good laugh, of course. “Do you still have that uniform? It might, you know, jog my memory a little if you were to bring it in one day,” he suggests slyly.
“You and that uniform, man,” Steve scoffs and shakes his head like this is something they’ve talked about many, many times before, enough for it to become a predictable sort of annoyance, a longsuffering inside joke. “No, I don’t still have it. Threw it out first chance I had, not to mention it got totally ruined when the- uh, when the mall burned down.”
Eddie’s eyes go slightly wide. “The mall burned down? While you were there?”
“Yeah- well, sort of,” Steve falters, a shadow falling over his expression, and he shakes his head again. “It’s kind of a long story, and not the one I’m telling right now.”
“Right, yeah, shit.” Eddie waves his hand as if to erase everything he’d said before. “Forget I mentioned it.” He, more than anyone, understands not wanting to relive bad memories right now. “Continue the other story. How did we go from me making fun of you to us being besties?”
The shadow lifts as Steve returns to that memory. “Oh, yeah. I told you the show wasn’t free and that you needed to order something or leave. So you bought a milkshake, which I somehow managed to end up completely spilling all over the both of us when I tried to hand it to you. You were livid,” he chuckles, “thought I’d done it on purpose, even though I definitely hadn’t. I felt so bad I insisted on helping you clean up. You were icy about it, but you let me show you to the sink in the backroom and accepted the jacket I lent you so you wouldn’t have to walk around with ice cream stains on your shirt all day.”
“That’s quite the meet-cute,” Eddie jokes. “Are you sure you’re describing our friendship and not some rom-com chick flick you watched last week?”
“Nah, true story, honest. It wasn’t a rom-com,” Steve says, and though he smiles, there’s an odd sadness to it too. He shakes his head and continues, “Anyways, you clearly warmed up to me after that because you came back the next day to return the jacket and apologize for being a bit of a dick before, and then you gave me this whole ‘you’re actually a good dude’ speech and told me to give you a call if I ever wanted to split a joint or something. I took you up on it that same night; it had been a rough day at work and I figured why not, so I came over and we smoked and we talked and we got along like a house on fire - better than either of us expected, I think. And that was our thing, then, after that - smoking and talking. Sometimes weed, sometimes just cigarettes, and sometimes we just smoked and didn’t talk, and then sometimes we just talked and didn’t smoke; until eventually we started doing other things together too besides just talking and smoking, we were just hanging out. At that point we were friends, practically inseparable, and then we-” Steve stops himself, a shade of melancholy reentering his dim smile once more. “We only got closer from there.”
“That sounds nice…” Eddie tries to remember it, really digs deep in his mind for any sort of spark of memory or recognition in Steve’s words, but it’s empty. It all just sounds like a story to him, doesn’t settle anywhere real. It’s a good story, sure, one he’d like to experience, one he aches to connect with, but a story nonetheless, only words, only fiction. “I wish I could remember that.”
“Me too,” Steve says, and Eddie hates how sad he looks, hates even more that he’s the cause of it.
“Well, I guess we’ll just have to make new memories, then!” Eddie declares with a theatrical amount of enthusiasm as he flashes Steve a bright grin, all in the hopes of chasing that sadness back off of his face. “Won’t we, my friend?”
Success; Steve seems a little startled by Eddie’s sudden gusto, but he laughs and smiles, the real kind this time that shines in his eyes again. “Yeah, I guess we will.”
Eddie does his best to keep the conversation away from their past after that, not only in an attempt to keep the light in Steve’s expression but for his own sake too. It’s a strange thing to be reminded of the fact that he shares a history with someone and has no memory of it, to be around someone who seems to know everything about him while he feels as though they’ve only just met.
For the most part, hanging out with Steve is nice and fun and easy - there’s something so natural, familiar, about the way they talk, the way they banter, the way they sit together even in the silences. But sometimes Eddie will say something that makes a sadness flicker in Steve’s eyes again, or sometimes Steve will say something that makes Eddie wonder just what secrets this guy knows about him and his skin crawls with that old discomfited itch. They’re both quick with a joke, a redirection, whenever the other’s expression falters, though, like Steve is trying to make sure Eddie doesn’t feel uncomfortable just as much as Eddie is trying to make sure Steve doesn’t feel sad.
Other visitors come in and out of Eddie’s room that day too: Dustin stops by with a portable cassette player and some newer heavy metal albums that came out during the period Eddie no longer remembers, which brings more than one source of entertainment as it also incurs Nurse Margaret’s wrath again when they listen to it too loud. Wayne drops in with some actually edible fast food for lunch and a deck of cards, playing a few rounds of a few games. Nurse Katie checks in on him to redress his wounds and she laughs at his stories of annoying Margaret. Even Steve has to leave a couple times, says he has errands to run or needs to pick up Robin from work, but he promises to be back each time and each time he is.
Night has fallen now, and it’s just Eddie and Steve again, Steve sitting, as always, beside Eddie’s bed as they watch whatever cheesy old movie is playing on TV while Eddie fights off sleep. He fears it still; each wave of drowsiness that washes over him is met with a shiver in his heart that breathes ice into his veins and freezes him awake.
After about Eddie’s hundredth attempt to suppress a yawn, Steve turns off the TV and looks at him. “Are you tired?”
“No,” Eddie says, only for his lie to be almost immediately undermined by another traitorous yawn. “Alright, yeah, I am, but- I don’t want to sleep,” he admits. “I don’t want to dream.”
“Oh.” Steve’s gaze softens, sympathetic. For the first time unprompted, not waiting for a nightmare or for Eddie to ask like he always had before, Steve moves closer and takes Eddie’s hand. “I’ve got you, you know,” he says, the statement fierce in its sincerity. “It’ll be alright. I’ll fight off your nightmares with my bare hands if I have to.”
Steve’s hand is warm against the chill in Eddie’s blood, the heat of his skin seeping in to thaw his fear. “I don’t think a nightmare is something you can fight,” Eddie says, cracking a smile, but looking at Steve now, he can almost believe it.
There’s a new sort of spark in Steve’s eyes, protective, devoted, and it burns the way a fire in the hearth of a home burns, like something dangerous made safe just for him. Eddie suddenly doesn’t doubt, somehow, that Steve could fight off anything, even something as intangible as a nightmare, if it was threatening Eddie. With Steve here holding his hand, he somehow doesn’t doubt that not a single thing can hurt him. Not a single thing would even dare try.
And not a single thing does.
No nightmares make their way into Eddie’s mind that night, no bad memories stir in his subconscious. That night, instead, he dreams of Steve.
(part five!)
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tales of the passerine - danny fenton being bruce wayne's first kid
okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.
Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.
It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.
(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)
There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.
It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.
Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.
Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.
He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.
At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.
This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.
Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.
Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.
Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.
("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.")
("I'm so sorry, the loss must've been terrible.")
("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.")
(Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)
Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.
Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.
Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.
Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.
Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".
(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)
Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.
He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.
Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.
Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.
At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.
He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.
Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."
And there it is. There's his out.
Danny, just as quietly, replies; "I'll keep that in mind."
The ball starts rolling.
Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.
He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.
It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.
Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.
He breaks the lock by hand.
Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.
The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.
And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.
I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"
I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.
Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.
But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.
Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.
Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.
Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.
Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.
And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.
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