AITA for firing my 18 year old from his job?
I (M33) have my son (M18) working for me nonsalaried in the family business since he was 10 years old. We had our share of arguments (regarding the job and other personal matters) and he started to live with his friends in another city ever since he moved out for college. He has his own job there too (with his roommates), but since it's a city away, his college, other job and personal life has making lack on the job I gave him lately, (even though he should be absolutely capable of assuming both responsibilities).
So last month when he showed up late to the job again, I told him that this job is serious, that it's a war out there, and I need my second lieutenant, anything less than total devotion is a waste of time and fired him off the job. After that, he told me he was leaving, I asked him to give his uniform back, and we haven't spoken with each other ever since.
I thought (and still do) that was the most logical conclusion to make but ever since my fight with him, a close family member (M??) (that helped me raise him) said I was out of line and I have “impossible standards” regarding my children, at pretty much the same week a friend of work called me asking if I didn't go too far this time (he knows about the altercation because my son visited him to ask advice about the matter). Also, the same family member who I mentioned previously refuses to talk to me without any snark or bitter remark as some form of “punishment” ever since my fight with my son.
My son hasn't called yet about the matter and I won't call him either.
On an unrelated note, I also just adopted another child (M12) and put him to work in the place my eldest had in the family business, and he's (my eldest) been acting extremely upset over that even though he tries not to show it. I don't understand why, since he couldn't do the job and my youngest wanted it. It just felt logical to put another person to do it.
TLDR: My son was unable to be a reliable person to keep the unpaid work I gave him ever since he was a child because of his other job, college and personal life in another city so I fired him and put my other new adopted son in his place and now work colleagues and family members has been implying I'm an asshole for it
AITA?
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There’s a lot of discourse in fandom about Sansa, Arya, and Cersei’s attitudes toward power and traditional femininity. I’m super curious to see what you think about Sansa and Cersei in particular, especially since we didn’t get a Cersei POV in Gale of Wolves. What does Cersei think of Sansa establishing power in her own right in the North? Does she still crave power for herself? I always thought that Cersei sees her sexuality as a tool or weapon but otherwise is pretty disdainful of women in general. She’s got internalized misogyny in spades.
In Sansa’s case— do you think she still dwells on what she learned from Cersei (either what she was told directly or lessons made indirectly)? I’m thinking about the battle of the black water in the books where Sansa thinks : when I am queen, I will make them love me; in a pretty stark (pun unintended) contrast to Cersei’s rule by fear. I see Sansa choosing to utilize her traditional femininity by wielding soft power that in turn becomes hard power. In your fic, she goes to each of her bannermen, she learns about them, she shows that she cares and probably uses a lot of court/ lady of the house skills she learned. Stannis doesn’t understand it at all, but Sansa has a stronger position in the North than he does anyway.
These are such great questions — I can say that the lack of Cersei POV in A Gale of Wolves was very deliberate, because she gets her own POV chapter in the next section of the story and I wanted her to be a little more opaque at this point. Because you're right, Cersei's going to have a LOT of feelings about Sansa getting control of the North while she's still just the Dowager Queen (even though in this story she's decidedly not going to the Sept's dungeons or enduring the Walk of Shame Atonement). Right now she's so convinced that Sansa murdered Joffrey that everything else kind of simmers under that, but I do think there's a certain degree of envy that Sansa can claim the North for herself and be unchallenged in that, when even her own daughter Myrcella will have some difficulties in laying claim to Casterly Rock (which will get resolved in the next section, but it's still not straightforward because Westeros And Essos Hate Women). There's also a lot of confusion there, because Cersei doesn't have a home the way Sansa does; she grew up in the Westerlands and lived most of her adult life in King's Landing, but what she craves is power and safety, not necessarily a home. So Sansa's motivations themselves are baffling — why fight for the North, a useless great vast nothing? Who could possibly love that place?
The note you make about Cersei using her sexuality is interesting, because I think that's prevalent in the books (I'm not sure since I haven't read them), but really not at all present in the show; in fact I think you can argue that Cersei's whole canonical path in the show is a slow stripping away of her "female-ness," which she hates so much — all that talk about how she should've been the man, how no one could tell her and Jaime apart when they were little, how her appearance and dress grows progressively more masculine. Which I always thought was interesting if you see it as a reaction to trauma: so much of what is done to her is because she's a woman, because she doesn't have power in her own right, and so she reaches for whatever simulacrum she can get. It doesn't work in the end, of course; it never does. But it's a nice dream.
I do agree that Cersei's a misogynist, but...so is everyone in this world, really. Even Dany, even Arya, even Sansa — the world of Westeros is predicated on the inferiority of women, and women themselves have to swim in that water even if they're swimming against the current.
As for Sansa, I think there's a LOT of fascination/repulsion when it comes to Cersei. One of the biggest mistakes the show ever made was never letting Arya or Sansa see Cersei one last time; sure, it's realistic that you don't get closure with your nemesis/abuser, but narratively it would've been so much more satisfying than crushing her with big rocks. Because Sansa's right, in the show where she says she learned a lot from Cersei; in many ways, Cersei was far more her mentor than Littlefinger ever was.
But you're right on the money in re: how Sansa rules, which is not the way a king would rule or the way the wife of a lord would rule, or the way any of the women in power she's met have ruled. It's not feminine so much as Sansa-esque; she is feminine, for sure, but I think a lot of what she does (both in my fic and on the show) is less about gender and more about thoughtfulness. I always think about the comment she makes to Royce about lining the new plate armor with leather when the southern soldiers wouldn't have thought about it, or how she makes Jon the exact replica of their father's cloak just from memory. Sansa is very, VERY good at noticing details and remembering them for later, however irrelevant. Having someone like that in charge of your kingdom is pretty handy.
I think one of the interesting things I'm going to do with the fic is explore some of the lessons that Cersei learns from Sansa — because she'll have time in this fic to see Sansa's method of rule working, and perhaps get enough intel to find out why it does, at least in part. And I don't think Cersei is foolish enough to pass that kind of opportunity up.
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The colors of the copper on blackberry dye seem to have shifted from maroon to a very rich milk chocolate brown--which I will hardly complain about, since that's a hard brown to get. I do hope I get something more permanently reddish/purplish with alum--that's what I'll try next. I'm just waiting for the 9 pounds of raw fleece to arrive.
Last night I carded a lot of that blackberry dyed fleece and then put it on the blending board with about half of the white (which was the previous distaff dressing) as a little stripe to one side. Idk, just curious how it'll turn out and seemed more interesting to spin that way. Carding first definitely helps with consistency--both colors were willowed first and put on the blending board, but only the brown was carded as well, and it is much easier to keep smooth and least kind of even.
The one improvement of this phone camera over my old one is that it has a timer setting, so I can actually show where my hands normally are (sometimes anyway). Fairly comfortable although my distaff hand is starting to cramp. Might just be one of those days or might be too heavy for me, but the shape at least is good.
You can probably see that the white is still all over the place, but the brown is pretty even, just with lumps still on occasion. Also, the new height of this spindle means it's perfect for lap spinning rather than impossible to lap spin with, so I'm very happy about that.
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how jade & the harpers look according to my brain:
jade — skin is a warm tan, smooth to the touch. beauty mark beneath the corner of her right eye. wavy, black hair that stops just below mid-back, cut in layers for volume. lips are plush, usually painted with red or nude gloss. long eyelashes. green eyes with golden flecks that convey her emotions and thoughts better than words can. a small tattoo of a pink lotus flower on her left breast, and a faded scar on her sternum from vandal savage. lean, curvy build, but one cannot accurately gage her strength by looking at her, unless they’re prone to underestimate. gold hoops, gold bracelets, gold necklaces—all gold jewelry.
roy — sporting a perpetual tan, one might call him sun-kissed. auburn hair that lightens to ginger in the summertime, straight and pushed back by sunglasses. nose is crooked from one too many injuries. silver hoops or studs in his ears, depending on the day. eyes the color of a lake, blueish-green. light dusting of freckles on his skin, particularly his back. beard that tows the line between stubble and scruff. the physique of a rugby player; thick arms and legs but softer stomach, broad shoulders. several scars all over his body, most notably the bullet wounds & surgery scar on his chest. two tattoos: navajo one on his right arm and lian’s initials over his heart.
lian — face is her mother’s but younger, softened by lingering baby fat, and dotted with a light smattering of freckles. skin is a light, warm beige. hazel-colored eyes and full lashes. dark brown, nearly black hair with a brown balayage, usually tied back in a ponytail or braid unless at an event or hanging with friends. double pierced ears and a cartilage piercing on the left ear. she smiles like roy. athletic build, only a few inches shorter than jade but gaining on her. couple of scars on legs and fading bruises from playing sports (lacrosse, skateboarding, etc.). always has one headphone in her ear. combines metals when she wears jewelry.
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Yes, I would be very interested hearing your head canon (@tim-ribbert-56) (in response to this post)
I have decided for my personal entertainment that Clarisse de Cagliostro is related to Lupin III, and here's why.
-pulls out Arsène Lupin's Wikipedia page-
In the novel La Comtesse de Cagliostro, a young Arsène Lupin (at the time going by the name Raoul d'Andrésy) was courting Clarisse d'Etigues, a young lady of a well-to-do family, and trying to win her hand, despite her father's disapproval.
Throughout the course of the novel, Lupin meets and falls in love with Joséphine Balsamo, aka the Countess of Cagliostro, and abandons Clarisse in favour of her. To clarify, Joséphine is not actually countess of anything, she is (or claims to be) a descendant of Giuseppe Balsamo aka the Count of Cagliostro (who was also count of jack shit), a famous conman from the 18th century.
Shenanigans ensue, which I will not go into in details on, but oh my god I am insane about Raoul and Joséphine, I want to dissect them and study them under a microscope. It turns out Joséphine aka Cagliostro is evil as fuck, Raoul/Lupin realizes that and goes back to Clarisse (whom he had previously abandoned like an old sock, I fucking hate this guy), marries her, and a few years later has her kid.
Unfortunately Clarisse dies in childbirth, and Joséphine, who was still around and very very pissed at Lupin (and jealous as hell of Clarisse whom, may I mention, had never personally antagonized her in any way whatsoever, Joséphine is just fucking bonkers). Joséphine also kidnaps Lupin and Clarisse's son, Jean, and raises him as her own son. (I have not yet read the following novel The revenge of Cagliostro so I don't really know what Jean's deal is, I just know he's an antagonist).
The following is my headcanon, based on these events. In the universe of Lupin III, Joséphine Balsamo was actually countess of the small kingdom of Cagliostro (maybe Giuseppe was count, maybe he conned his way into becoming count, maybe he bought the land and built a fake kingdom with a fake history, who knows).
After the events of The revenge of Cagliostro, Jean settles down in the country of Cagliostro, gets married, has a child, and that child will later have a daughter of their own, who they name Clarisse, after their late grandmother. Clarisse de Cagliostro, of Lupin III: The Castle of Cagliostro fame, would thus be the great-grand-daughter of Arsène Lupin, making her Lupin III's cousin/niece/whatever you call this specific degree of separation.
I am choosing to make Clarisse de Cagliostro a great-granddaughter of Arsène Lupin, rather than a granddaughter, because Arsène Lupin was very young when the events I described unfolded: he is 20 years old when he meets Clarisse d'Etigues and the whole Cagliostro debacle happens, and 25 by the time Jean is born. I'm assuming he had Lupin II much later in his life. So Jean and Lupin II (half-brothers) would have a significant difference in age, and so Jean's hypothetical child (grandchild of Arsène Lupin, so of the same generation of Lupin III) would be much older than Lupin III. Clarisse de Cagliostro is younger than him, maybe around the same age if you stretch it, so she's have to be a great-grandchild.
Now I need to read The revenge of Cagliostro and study Arsène Lupin's wikipedia page in more detail to determine when exactly Lupin II was born and who his mother was. And also where Albert's family branched out, because the fact that he's called D'Andrésy should theoretically place him as a descendant of Arsène Lupin's mother but not of Arsène Lupin himself; but Jean was also going by that last name, so who fucking knows.
No I am not insane I promise, I am just a gigantic nerd.
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