#i keep making posts about her..

[eruhamster]

It wasn't the dragon.

[magicpiano]

DCxDP AU where Dani fakes being an alien.

Dani's obsession with travel also left her with a desire to know more about the places she couldn't travel to, like Krypton and Mars. Considering the vast majority of both those populations are dead, it was easy enough for her to befriend some ghost aliens. From them she learns about their culture and language.

At some point one of her new friends jokes that her ghost powers kind of function like a mix of Kryptonian and Martian biology. She laughs. It is just a joke.

At least till she is in danger. The GIW finally found her. She is scared and desperate and tells a lie. Dani screams out, "Superman, if you can hear me, I am Kryptonian too and they are trying to capture me. Please help."

She doesn't actually expect this plan to work. It was a last ditch hail Mary. She figured she would (fully) die here, but even if he was on the other side of the earth he hears her and comes to her rescue.

But see, actions have consequences and now that she is safe she needs to keep the lie going. It is a good thing her alien ghost friends are willing to help her create a fabricated story about how a Martin and a Kryptonian managed to get to earth, have a child, and for some reason aren't around anymore.

It is not an ideal situation, but being an alien is legal while being a ghost isn't, so what's a girl to do? If there is one thing a child who travels the world alone knows how to do, it is lie and bullshit their way through any situation.

Meanwhile, Clark and J'onn are thrilled and fighting each other for custody.

[choccy-milky]

seb vs. clora's Childhood Friend™️ 😇🥰 ((from my new chap! ao3/wattpad))

[courtmartialme]

woag .. otp

[hellafluff]

Garrus' interactions with Shepard post-Thessia are so fucking well written. Everyone else is telling Shepard they're sorry or doing a soft sad voice asking if she's okay but Garrus has this moving little speech about how losing a fight isn't the end of the war and I just. He's so fucking good. He knows what Shepard needs to hear and has the experience to back up the things he says. He's so good to her

[luna-lovegreat]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[nellasbookplanet]

I know that after Downfall the perspective of 'the gods are a FAMILY' has permeated fandom on both sides of the kill-all-gods argument, but frankly that isn't all they are and acting as if it's suddenly their only motivation flattens both them as characters and the narrative they (and bells hells) are in.

The Wildmother and The Raven Queen didn't 'let' Lolth get away with nabbing Opal and killing Cyrus because she’s their sister. Come on man, we've already seen that the primes are plenty capable of opposing and fighting their siblings on the side of mortals (is the calamity a joke to you??). I'm not saying the primes aren’t capable of picking the lives of their betrayer siblings over mortals (downfall showed as much) but that's not what the situation with Opal and Lolth was about in the slightest.

They let Lolth 'get away with it' not because she’s family, but because this is the very rare instance of them not only having the same goal, but of them actively fighting for their lives. As far as we know that has only happened once before on Exandria, and that time they also entered a truce to defend themselves. The vast majority of the time, the primes picking their siblings over mortals won’t happen because mortals can’t actually threaten the gods (normally), making the 'they're family argument' a moot point. The primes won’t necessarily agree with Lolth's methods, but they won’t go throwing away both hers and their own champions in a meaningless struggle when they need all their strength to stop the fucking apocalypse.

[hollytree33]

THE HIGH PRIESTESS

Annnnd her third card, hope y’all like her!!!

1. Hanged Man 2. The Chariot

Next

[liam-summers]

3.08 | “Lovers Walk”

[ANGEL. The Reason. 😭]

[mourn-and-watch]

one thing that is fascinating to me about merrill's arc is the way narrative manages to convince a big part of the fandom that she's immature and irresponsible and overall stupid. what we know about merrill and what we actually see on screen is that she successfully avoids possession for 6 years while working closely with a demon, almost every time she participates in some magic/spirit-related discourse she acts calm and confident and has some interesting input, she actively uses her knowledge of dalish lore and tradition to reason with her keeper, and that she actually did make progress with fixing and studying an ancient long forgotten artifact no one knows particularly anything about. but then an old woman who's never been shown to be an undeniably wise and reasonable figure, a guy who got willingly possessed with no awareness of possible consequences and whose whole mindset is still deeply andrastian and a bunch of people who know nothing about magic start judging and doubting her and everyone's like. yeah. she's so fucking dumb.

[wtftaylr]

here have some Sadie Knox (my Courier Six) infodumping bc i am insane abt her rn

Sandra "Sadie" Knox / 5'2" / 34

Sandra Knox isn't her birth name, she got her first and last name separately from books she's read over the years.

Sadie is a scientist who worked as a courier and an overcharging con-artist repairman to save up caps to fund her research. She carries a notebook with her at all times, always scribbling down notes as it helps her think and process information.

Sadie is morally gray; a bit selfish and tunnel-visioned in her ways. Once Sadie has a goal, big or small, she’ll stop at nothing to achieve whatever it is. She has a unique way with words and can get you into trouble and out of it in the same sentence. This skill has saved her ass an insurmountable amount of times.

Due to her borderline extreme goal-contentedness, despite caring for those she loves and keeps close to her, she often comes off distant. Sadie has always had a rough time showing that she cares and her gestures can come off as awkward or forced. Her autism might be (is) partially to blame for this lol. Those willing to work past this awkwardness and allow her to adjust are rewarded with a ride or die friend for life.

She's got a reserve of pent-up rage. Though she can be quite irritable from minor conveniences [ex: she drops a pencil on the ground > emotional dysregulation from adhd rises > she's LIVID- ok she's fine now], she's not one to lash out at someone she loves. Her rage is kept internal and it weighs heavily on her shoulders.

Once speaking to Yes Man [before confronting Benny], she figures trying to get in on Benny's scheme is the opportunity she's been waiting for -- the prospect of a steady flow of caps excites her.

Oh and after her visit to BIG MT, she decides to help the Doctors by occasionally bringing them Mojave shit to research.

Sadie: look at the size of this legendary deathclaw hand. These things are large and terrifying, and despite the best efforts, nests continue to pop u-- Dr. Borous: the size of that hand.... Dr. Borous: it reminds me of my time in AMERICAN HIGH SCHOOL, when RICHIE MARCUS took his HAND to my FACE and BEAT ME SENSELESS behind the school. the AMERICAN HIGH SCHOOL-- Sadie: [patiently waiting bc she doesnt know when, or if, it is appropriate to intervene]

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[emdotcom]

Yeah, so while I was on my "I'm going to read into Vanny/Vanessa as much as possible" journey, I noticed an odd quirk in her animations in how she moves. At first, I thought it reminded me of a ballerina, 'cause she's kinda tip-toeing, & she has this way of keeping her head & chest in one place as she moves, but I looked again & realized --

That's not ballet! She's doing a tight-rope act. Like, look at this one:

This is like standing up on the wooden boards before you do the actual tight-rope walking, & the ring leader is hyping you up as you do some fun movement for the crowds. &, then, these:

These are all instances where she walks with one foot directly in front of the other. In that third, she's doing the "woaaah" wiggly-ass balance movements & everything, as if she's swaying up at the top of the tent, even though she's down on solid ground.

Idk, I feel like the way her feet are placed isn't accurate (pretty sure they should be pointed left & right, not both forwards...) doesn't make this 100% correct, but I like it. It also connects back with her first SB teaser, wherein she's up in the rafters.

[poisonousquinzel]

"harley quinn's never had a good design in the last deca-!" WRONG dropkicks you through a brick wall

[microclown]

I've been stuck on viewing Maggie as Crowley's mirror, and for most of the show I like that interpretation. But once I started thinking of Nina as Crowley's Mirror in the ball scene specifically, I made a connection....

Aziraphale is playing God here. He has a vision- a happy romantic evening where people speak Victorian English, dress nicely, dance, and fall in love -and he wills everyone present to conform to his plan. But Nina doesn't conform. Nina feels like something isn't right. She asks questions.

She asks Aziraphale what's going on, why she doesn't feel sad when she knows she's sad, and Aziraphale doesn't give her a satisfactory answer. He tells her that the important thing is that she's here. She's here to play a role in his great plan. To dance in his ball.

So she expresses her concerns to Maggie. Maggie hadn't seen the issues at first, but she listens to Nina, and Nina gets her to acknowledge the absurdity of the situation just a little bit. Listen to their conversation at the dance again. It sounds SO MUCH like the conversations we've heard Crowley and Aziraphale have a thousand times during their 6000 year dance. Crowley calling out heaven, asking questions, trying to get Aziraphale to consider the absurdity of it all. Aziraphale mostly defending heaven, but listening, and sometimes acquiescing.

And this all falls in line with a point I've made before - In season 2, Crowley's relationship with Aziraphale begins to mirror his relationship with heaven. Aziraphale shows a pattern of not listening to Crowley the whole season, but especially in this scene. Crowley tries to ask him what is going on, and alert him to very real danger, but Aziraphale is dismissive. He is blinded by his desire to see his plan to fruition.

And just so we're clear, this is not an Aziraphale hate post. Rather, I think it might give us some insight into where God is coming from. Because Aziraphale's actions may be dismissive and controlling, but they are motivated by love. Misguided, certainly, but with all the best intentions. I have a feeling, when we finally meet God, it will be a similar story. And maybe both She and Aziraphale will learn that sometimes to love means to let go.