#its bad but its good but its also bad but did you know its good

[purplestanleypinkblanket]

First Kiss With Logan:

Pairings: (DP3 Vers.) Logan Howlett x reader

Summary: After a shitty date, you seek comfort from Wade who threw you a ‘Cherry Popped’ party. It ends up making you feel worse, which leads you into the arms of a man who’s grown fond of you. Logan.

Warnings: Kissing, talking about bad date, cursing, brief mentions of drinking, innuendos to "cherry popping", use of the word virgin. Self-deprecating talk in some areas, from both reader and Logan.

Genre: Angst, Fluff

Word Count: 2,388

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You hated that you found yourself, seated across from a man who, frankly, hadn't asked you a single question about yourself all night. You also hated how much this man yapped. God, all he did was talk and talk without even the slightest breath. And you hated that you continued to stay seated. Perhaps you were too kind, or maybe you thought you had no right to leave. After all, the man was buying you dinner. It was hard to shake that kind of guilt. You knew you owed him nothing, that it's okay to leave a shitty date- but a part of you wondered if this was all you had going for you. A shitty date, with a shitty man on a shitty afternoon.

As you spaced out your thoughts drifted back to Logan, you wondered if dates with him were like this. What if they weren't? What if he was kind? Well, slightly kinder than normal. He didn't strike you as the pull-your-chair-out-for-you kinda guy, but you had a feeling he would ask you questions instead of yapping your ear off. Maybe he would ask about your day at work, or what you like to do in your free time. Possibly he'd like to hear funny stories about your family. No, that felt too intimate for a first date. Maybe on a third date you'd share those stories with him.

God, what are you even on about right now? You're on a date with a man buying you dinner and you're thinking about Logan! As your eyes looked over the man, you finally tuned back into what he was saying.

"My ex was fucking crazy! That bitch-"

Aaanndd, you lost interest immediately. The more this dude spoke, the more of a dick he sounded. You couldn't help but feel thankful when the date ended. However, the chime of your phone caught your attention during the walk back to your apartment.

'Hey, sugar tits.' Wade's text read. 'Come over, we're celebrating you getting your cherry popped!' That dick knew you weren't a virgin, he just wanted a damn reason to celebrate. What better way to celebrate then partying over your friend not getting laid? It was a cruel joke you really weren't in the mood for but the image of Logan blowing up balloons with Blind Al, a smile just barely tugging at his usually grumpy face...it was hard to say no too. And Wade knew that- its why he sent you the picture after all.

"Fucking dick." You murmured to yourself as you wrapped your cardigan around you tighter, pushing the front door to Wade's apartment open as you did so. The sight was ridiculous, balloons, streamers, wall decor, banners that read 'Pop That Cherry!' draped off the ceiling. You took a mental note to punch Wade in his smart-ass lip later. But, for now, it was nice being in the comfort of your friends. Yes, even the snarky teenager Negasonic and her girlfriend. You were a teenage girl once, but it still didn't stop you getting annoyed when she nitpicked your outfits. It isn't your fault baggy sweaters and legging were literally a godsent.

You trudged your way through the crowded apartment, hand adjusting your white sweater to cover the tank top under it a little better. As you approached Logan and Wade, you grew more aware of the length of your skirt. Was it too long? Too short? Would Logan think it looked good? God, why did you even care what Logan Howlett, labeled the worst wolverine, thought of you? You didn't think he was the worst wolverine. You'd never say it, of course not, because then he'd know you actually liked being around him! Perhaps it was selfish of you to keep yourself so guarded around him, but you couldn't shake the fear of letting down your walls and risking getting hurt. It was scary. Losing that much control. And over what, a feeling?

A hand extending towards you caught your attention, it was Logan, offering you a drink.

"Thank you." You spoke to him, voice quiet compared to the blaring pop music Wade was playing. He grunted in response, but you swear you heard a 'you're welcome.' You brought it to your lips, casually slow sipping the alcohol over the course of the night. It was fun to dance with Vanessa as Wade and Peter tried to convince Logan to join the group. You couldn't help the laugh on your lips when Wade made a snarky comment about Logan's panties being in a twist, earning a threatening unsheathing of claws from logan. You never fully understood the shame Logan felt, even though you tried incredibly hard to. To you, he was amazing, he was strong, he was...well, to say you only admired him would be a lie.

You wished you could show Logan the way you saw him, the way the world saw him. Sure, he was hot, unnecessarily hot, with large biceps and shoulders that went for days. But he was more than that. He was a grump who pushed people away out of fear of hurting them. And to prevent himself from getting hurt. It was ironic, really. Perhaps you and him were more alike than you thought. After a while in the overstimulating party, you slipped away, moving to stand on the balcony. You hadn't been there long, probably thirty minutes? It was nice, listening to your friend's party as you took a break to look at the city.

"Thought I'd find you here." Logan's rough voice spoke as he walked out onto the balcony, shutting the door behind him.

You hummed in response, flashing him a smile as you looked away. Logan could feel his heart skip a beat at your smile- it was always nice when you graced him with it. He'd give anything to see you smile. Hell, he wished he could make you smile and laugh the way Wade and Vanessa did. They matched your morbid sarcastic humor easily. Something he struggled to do. He approached you, leaning onto the railing beside you.

"Congrats on the...uh..."

"I'm not a virgin."

"Oh..."

The silence was awkward between you. You had to purse your lips to prevent you from bursting out in a laugh. You found it hilarious how just one statement suddenly made him go quiet.

"Wade had-" You spoke, trying to stifle your laugh with your hand. "Wade thought it would be funny to throw a 'cherry popped' party because it's been forever since my last date." You revealed, not able to contain your laugh any longer. "It's actually kinda sweet. In a weird way, ya know, Wades weird way." The corners of Logan's mouth lifted slightly at the sound of your laugh. It had always been his favorite sound after meeting you.

"Guess so." Logan contributed to the conversation, bringing the glass beer bottle to his lips. You looked at logan watching as he looked over the city, your eyes analyzing him. His jaw, his hair, the crow's feet by his eyes from his constant state of scowling. Maybe it was the liquid courage you had drank. Or you finally just decided to give Logan a sense of affection. You loved to shower your friends with affection, often times holding Wade as you two watched tv, or Vanessa sitting on your lap as you gossiped. Logan had seen it plenty of times. God, sometimes you even gave Peter affection. Each time he felt a twinge of jealousy, he wanted to be the object of your affectionate touches. Or the way you murmured praise directed at them after a task- he wanted that.

Your hand reached up, gently soothing out some strands of his beard that were in disarray. Logan tensed under your touch, and you immediately pulled away, guilt and embarrassment swarming you.

"Oh, sorry, I didn't mean to make you uncomfortable." You adamantly apologized, face heating up.

"Don't worry about it." Logan roughly said, silently regretting the way you withdrew so quickly. He watched as you tried to subtly put some distance between the two of you- the sting of rejection clear as day on your face. He hadn't meant to reject you; you were reading too much into it. His mind sidetracked as he looked away, maybe he was the one reading too much into it? "How was your date?" He settled on asking, bringing the beer to his lips.

"Shitty." You sighed, frowning.

Logan nodded, waiting for you to continue. Silence falls between you two and he flashed you an expectant glance. You hadn't realized he wanted you to keep talking until he looked at you.

"Oh, uh, there isn't really much to say." You shrugged, looking away. "He didn't ask any questions, just talked about himself the whole time. Was super annoying too." Logan couldn't help the satisfaction that welled in his chest upon hearing your defeated words. It sucked for you, of course it did. But Logan was so glad the date was bad- that way no one could come in, sweep you off your feet, and away from him. He hadn't made a move on you, and he couldn't decide if he ever would. He didn't want to risk hurting you like he had done the others he cared for.

However, the glance of tiredness in your expression when you had looked at him momentarily...he hated it. He hated himself for being so happy your date was bad, and he hated that he wasn't the one you wanted to sweep you off your feet.

"Like...it isn't hard to make a girl feel special. To make her feel like a princess." You laughed with a shake of your head. "I dunno, maybe I'm just expecting too much?" You looked at Logan as you asked, a need for reassurance present.

Logan stared at you; brows furrowed as he analyzed you. The scowl on his features prominent. Believing you had said too much, or you annoyed him with your ramblings, an apology escaped your lips.

"Fuck, sorry, I shouldn't have-"

"Princess." Logan's comment snapped you from your rushed apology. "Relax." He had taken that brave step closer to you, facing you fully as his side and arm holding the beer leaned against the balcony railing. He was glad you were comfortable enough to unload that on him and he was determined to keep it that way. "I don't mind." You looked up at him, eyebrows furrowed, lips slightly pursed as your mind ran. That was another thing he liked about you. It was so easy to tell if you were thinking. Your eyebrows always furrowed, your lips pursed into a line, and your eyes always spoke a thousand words.

Despite his better judgement, his hand rose, gently flattening the skin between your eyebrows. The gesture was small, yet it held so much intimacy. You had always been picky about who could touch you. You loved to shower your friends with affection, but rarely ever let anyone reciprocate it back. Logan wondered why that was. What had affected you so much that you refused to let anyone even shake your hand. Here he was, though, thumb moving from the area between your eyebrows to his hand cupping your cheek. Your eyes were wide, your throat dry. You had never expected this from him. This gentleness, the way he had observed your furrowed brows...you leaned your face into his hand, unable to help the way you melted into it. It was a chilly night, and, God, was he warm.

Logan closed the distance between the two of you, now standing directly in front of you. His thumb caressing your cheek. As he stared into your eyes, his gaze couldn't help but flicker down to your lips, a red faded stain on them from the lipstick you had worn to your date. They looked so soft, so enticing. And he couldn't help but wonder if that peppermint chapstick you wore 24/7 worked. He had never been one for chapstick, but you seemed obsessed with it. Logan's thumb slipped from where it rubbed your cheek to your bottom lip, slowly tracing it. You subconsciously licked your lips as he traced them, your chest tight. Why was it suddenly so difficult to breathe? Your throat was beyond dry, your face paled under his gaze yet somehow it felt like your blush deepened. The way his eyes analyzed your lip, your eyes, your nose, that mark you had since you were a child...It was like he was memorizing you.

You wanted to say something, anything. Preferably something sarcastic and witty. No words came to your lips regardless of the fact that your mind was working overdrive. Time slowed as his thumb gently pulled your lip down, encouraging your mouth to part as his hand cupped your chin now, guiding you closer to him. He leaned down, face inches from yours. He paused there, however, waiting for your permission because he knew that you needed that variation of control to feel safe. He wanted to make you feel safe, he wanted you to know you were safe. That he had you. You brushed your lips against his, slightly closing that gap between you two. He took that as permission as he pressed his lips to yours fully. It was gentle at first, as if he was scared that at any moment you'd disappear. Or worse, break.

Your arms moved to wrap around his neck, pulling him close as you held onto him. His hands finally rested around your waist, the kiss growing stronger as he deepened it. People claim that you would feel fireworks during a kiss, but that wasn't the case at all. You felt electricity against your skin that was against him, but the most powerful feeling was how right it felt. Like you were meant to be there, in his arms, kissing him, holding him. He had broken the kiss, opening his eyes to stare at you.

Logan wondered if he'd ever be able to let another person get close to him. He was certain Wade would've been the only one- a victim of the circumstance's kind of thing. But he sure as hell was glad that today he was the one who held you attention as he pressed another kiss to your lips.

[schoenpepper]

Despite Everything (It's Still You)

Intro: When he looks at you, he sees everything he could have been.

Warnings: bad grammar, awful writing, not proofread, kinda angsty, more platonic im pretty sure cus its not specified if ur lovers, might be ooc idk and idc, everytime i write idia i feel 10 years older because i cringe at my own internet slang

A/N: Done! Last request is finished, hope you like it worm anon. On my end, this is super rushed and it's not like, my fave ever so ehhhh.

Masterlist

Riddle thought he’d found a comrade in you. Out of everyone in Twisted Wonderland, he’d thought you would be the one to understand him.

He sees it in your posture, always straight and never slouching. You’re good with academics, a diligent student. Like Riddle, you’d gone through life with the iron fist of a well-meaning parent, so surely, you understand him, right? You agree with him. You believe that rules are important to be upheld lest society fall into chaos. It’s such a refreshing feeling to find a person who, like him, thinks that structure and stability are core values of a proper community.

But you don’t. You don’t understand. No one does. His consciousness is flickering between ink and reality. He’s slipping into the grasp of the phantom and he feels himself slowly being consumed. He’s being devoured. Right before the overblot, even you had stood against him. Why? Riddle wasn’t wrong, he was never wrong—the rules aren’t wrong. Because if they are, then what did he lose his entire childhood for? So you must be the one at fault. This is your mistake. You just don’t understand. You tell him that the rules and the competence and the structure matter less than people. You try to convince him that there’s a better way of living. Is there?

Riddle doesn’t know why. He’d thought you were a comrade because he saw his own experiences in yours, but he’d never been so wrong. While he was still caught up in the chains of his mother’s words, you’d already broken free from the cage. You help him to reclaim the shards of childish wonder he’d never been allowed to have. You help him learn how to breathe, how to relax. Little by little, you bring him onto your path.

He doesn’t understand you anymore.

Leona doesn’t have any opinions about you. You never really talked to him at first, and he can respect that; you don’t go out of your way for bothersome, meaningless things.

Every time he sees you, you’re sleeping or slacking off. Whatever, it’s not like he can judge you for it. You also have a real competitive streak for spelldrive, and your wit’s not half bad, especially when compared to the muscle heads in his dorm. Clever and snarky, talented and strong. He can respect you. Maybe just barely, and he’ll never admit it, but he sees a part of himself in you. So, a sort-of equal. He’s still better than you though.

The taste of sand lingers on his tongue as it swirls in the air through the storm. There’s a part of himself he can no longer control. It makes him wrap his fingers around Ruggie’s throat and Leona… He doesn’t want this. But he can’t stop. He can still recognize you on the edge of his vision. Weren’t you just like him? At birth, everything good was handed right over to your older sibling, leaving nothing but scraps for you. You found it unfair too, didn’t you? So why are you standing against him? This is his chance to be someone worth more than his birthright. Why…are you not agreeing with him?

Leona tried to stay away from you. But call it his instinct or whatever; he can’t seem to avoid you at all. The second prince of Sunset Savanna is awestruck by your words. You tell him that birth doesn’t determine everything. You tell him that you’d learned from your own past. That you can still make something of yourself without that which was given. You sure are chatty now, but who is he to stop you?

You’re not his equal. You’d long since left him in the dust.

Azul sees you as an opportunity. He likes you, really, because you know how to do business and you find a way to compromise that doesn’t step on either person’s lines.

It’s not difficult for him to find out about your past, and to be honest, he’s greatly delighted to find out about all that you have in common. Did you feel the way he did when he was isolated and bullied? Did you feel his pain? You were an outcast too, weren’t you? But wow, look at you (and him) now! It’s rare he sees someone as diligent as himself, as cunning and as smart. Resourceful and oh so benevolent, you’d fit right into Octavinelle!

He’d steered himself long ago; he would never be weak again. He had long, long since forgotten humiliation and defeat. But he’s here again. This time, defeat was brought by your hands. Azul had thought you were allies. Business partners, at least. Why betray him like this? Don’t you get it? He’s powerful now! Why try to stop him? Why did you succeed? He’s left in the aftermath of heartache and debris. He doesn’t know why he did the things he did, but he’s sure that he was so close to being all-powerful. Perfect. A being so beautiful and flawless and strong… You took that chance away from him.

Azul wants you out of his life—your presence now is only a reminder of everything he could have been, and everything he failed to be. Unlike him, you’ve already moved on. You’ve learned to forgive your tormentors, and most importantly, you’ve learned to forgive yourself. You tell him that it was never his fault, but that revenge was never meant to be the answer.

He finds that he had nothing in common with you, after all.

Jamil is perceptive. Next to the one who’s attracting the attention of the whole room with a bright smile and sunny disposition, he finds a kindred spirit in you.

You seem responsible enough, and like a mirror, he sees you taking care of that person the way he does with Kalim. It’s easy to pierce through your act because he knows how to do it too. Seemingly not too smart, not too dumb, not too strong, not too weak. You’re good at pretending to be average. Like Jamil, you’ve lived a life of servitude. Are you tired of forced humility? Of feeling like your life isn’t worth anything when compared to the one you serve?

He’s tired too. He’s so, so tired. Why was freedom unreachable to Jamil right from the moment he was conceived? Was he unworthy of a life unbound by shackles? You’re looking at him like he’s a stranger. Jamil looks at you like you’re a mirror. A mirror that’s shattered, and damaged, and every piece is covered with ink and regret. You know what he’s been through, so why are you in his way? You should be an accomplice. Do you not yearn to be your own person? The phantom is whispering promises he knows it won’t keep. But nothing is more tempting than just…one day of happiness. Of his own happiness.

Jamil is inevitably drawn to you. You live so brightly; you see your master as a friend. You tell him he doesn’t need to do the same. That the only thing he needs to do is find a way that works for him. And you’re asking about things he hadn’t thought of before. An employment contract? The legal status of slavery in the Scalding Sands? Wait, you’re serving that person out of your own volition in exchange for salary and other related benefits?

In you, he sees a light at the end of the tunnel.

Vil approves of you. Like looking in a mirror almost, he sees beauty and a passionate drive to remain beautiful in every single way.

You’re a person with a consistent goal and a persistent drive to do better and be better; a hard worker with tenacity like that of the Queen herself. You are no potato. You are a diamond that has found a way to shine uniquely, and like him, you are already a master at your chosen profession. And yet, he sees the trophies and the medals are all silver and never gold. It is frustrating, but Vil knows that you as well know what it’s like to always be second best.

He’d worked so hard. He’d tried his very best. Professional music and choreography, styling and costumes. He’d set up a multi-week boot camp for his team members in order to whip them into shape. It’s all swept away by that person. Again. And again. And again and again and again and— No. No more. He will take matters into his own hands. But you stand in front of him with a familiar determination, only this time, you’re determined to stop him. Rook had betrayed him and now, you do too. Is he not worthy of a victory? Not even once? The blot is so, so ugly. But if it means he’ll get to wipe out everything that’s opposed to him, he’ll take that blot and use it to his own advantage. Like the queen who’d disguised herself as an ugly witch in order to take down the princess; everything can be sacrificed for the sake of ultimate beauty. If you’re not with him, you must be against him.

Vil apologizes sincerely for his faults. He knows he was wrong, even if it hurts his pride to admit it. But you accept him so easily, so readily, he can’t believe you’re acting like he’d never even hurt you. You forgive him. You help him accept his losses and continue to strive. Because you’d been in his position before, but you’d grown to be happy and appreciate the wins in life instead.

You are no mirror image of him. You are better.

Idia’s never been this happy before; through his screen is someone who just gets him. You’re good at games, and an introvert too? Score!

It’s not like, ever, that someone who vibes with his genius just comes strolling through his life, so Magicord bears witness to long, late night chats about anything and everything. You’ve got some real fucked up childhood trauma too, big mood tbh. It’s easy to spill his guts out over the internet, because even then, you still don’t really know him. You like the games and animes that he likes, and he’s so glad that for once, there’s a person out there who’s lived through the same villain-arc that he has.

He can’t rebuild the world if so many noobs are trying to stop him. Why? What’s so wrong with wishing for a world that can fit him and Ortho right in? Why is that too much for him to ask for? Why are you, the person he thought was his cool moots, acting up too? Don’t you like Ortho? Bro…no…you’re not actually doing a protagonist monologue rn, are you? Seriously? You think you can defeat him and his phantom through the power of friendship? Lolz, you’re so lame. If the world was a fairytale, he wouldn’t have been born with this dumb curse. If the world was a fairytale, he would never have been trapped in STYX with no way out. If the world was a fairytale, Ortho would still be alive. But it’s not. So he’ll remake it to be the story he’d always dreamt it to be.

Idia thinks you’re 110% cringe, like actually barf-inducing. But you did kinda save him or whatevs, so he can put up with you. Like, begrudgingly yk. You’re just such a weirdo. He really thought you were just like him, but no. You’ve had therapy. That’s like, actually wild. You try to counsel him too, talking about feelings and whatnot, and how to move past grief so that it no longer consumes you from the inside out.

So it turns out you didn’t have a villain arc like Idia did. You’re the main hero.

Malleus finds you absolutely delightful. To see another who can speak to him without fear or nervousness is a marvelous thing that he cherishes.

You are no fae or long-lived species, but he finds you fascinating. You are intelligent and wise beyond your years. You are powerful in your own right. You are familiar, in every sense of the word. Even your experiences seem to be shared. You’d been orphaned too, and experienced loss and grieved. You’d mourned for far too many loved ones who have left before you. Do you see the present as he does? Do you embrace the past as he does?

The world is a sad, sad place. He would like to change it. Into one with happy ever afters, into one where there is no hunger and no poverty. There will be no suffering. In his hands, he will mold the world into one that is kinder to its people. There will be no death and separation. He’s had far too many of those, enough to last his long lifetime. He’s not wrong. So why…why do you stand against him, weapon pointed towards him? The only thing he wishes for is permanence. Do you not see the vision? There is so much sadness in the world, why do you choose to wake from your beautiful slumber and face it head on? No matter. He will help you, even if you deny him.

Malleus is more than happy to take your hand when it is outstretched towards himself. You teach him so many things he hadn’t realized before, like how to cherish the present and treasure each memory more than attempting to find a solution to make them everlasting. He had believed wholly that he was right; that the answer to death was a long period of dreams in which everyone lives in a happy ending. He had believed you to be similar to himself—he is wrong about many, many things.

You’ve always looked to a brighter future than he could even imagine.

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[loggiepj]

To Love A Lannister

chapter 13 | chapter 14

"We'll arrive at Sunspear in a week's time," Oberyn announced, approaching you leaning against the railing on the quarterdeck, facing the vast ocean ahead.

Darkness had started to loom around the ship, waves almost as black as a squid's ink. The sun was almost a quarter visible as it was being consumed by the horizon, obliterating any light. The only thing shining across the distance was the red patch of sky encircling the edges of the sun. If it weren't for the torches surrounding the deck, you wouldn't be able to see the Dornishman standing beside you. "How do you feel about that? A lot has changed since we left home."

"Indeed," you said. "I thought I'd look forward to my warm bed and the fresh air of Dorne back home. Now, it seems like I'm terrified setting foot on some land I thought was my birthplace."

"You don't have to be," he assured you. "You're not alone, you know. And your sister is the Queen—"

"She doesn't even know who I am, does she?" You turned to look at him.

Oberyn shrugged. "She will. In time."

You sighed, avoiding his gaze. The sky had turned blood orange. "And I . . . I don't think I'm worthy to be a Targaryen as much as I'm a Martell."

"Don't be so hard on yourself-"

"I'm a bastard, if any, I'm just good at being a bastard. That's all I'll ever be. You know, I think I probably prefer being a bastard, with no one expecting me of anything—"

"The blood of Rhaella Targaryen runs through your veins," Oberyn interjected. "You don't know yet of its importance but you will in time."

"I—" You immediately stopped talking upon seeing Cersei walk around the deck, with a handmaiden following behind her, her eyes on the horizon beyond, witnessing what little of the sun left before it was devoured by the ocean.

"Because of her, right? You've grown fond of her," Oberyn said, sighing. "You're even wearing her damn necklace."

As if she knew you were looking, Cersei turned towards the quarterdeck, her eyes meeting yours in a tensed gaze. Your hand grabbed against the wooden railing a bit too hard. Oberyn was far from wrong. It was because of the Lannister woman.

This was all too easy and perfect if you were just you — a bastard from the Martell house. You would serve Cersei, even if your family would despise you. But sometimes, people fall in love with someone they can't have.

You missed the Queen Mother terribly, her striking green eyes piercing right through yours, observing what you two could possibly be talking about for making you frown that bad.

All you wanted to do at that moment was hold her, and tell her that you still wish to marry her if she also felt the same about you.

"I . . . I do," you confessed softly, avoiding Cersei's eyes. "She's . . . She's my weakness."

"It will pass, Y/n."

You then turned to glare at Oberyn. "What's that supposed to mean? When you fell in love with Ellaria, did it pass too?"

"That's different, Y/n. You think Cersei will feel the same about you if she only knew?" Oberyn scoffed. "The Lannisters were one of the houses that ended the line of Targaryens. They even paid mercenaries to assassinate Queen Daenaerys herself and she's in another continent. If Cersei knew you were Daenaerys' sister, bastard or not, she'd kill you herself. Did you forget what they did to Robert's bastards?"

Cersei had now walked towards the stern, staring into the darkness ahead. Her golden hair billowing against the wind was the only brightest thing in that ship.

"All I'm saying is," Oberyn went on. "You ought to be careful. End it while it's still early. Cersei is a woman of ruthless nature. She wouldn't see you through."

Oberyn then placed a hand on your shoulder before he left.

You sighed, right hand curling into a fist on your side, mind fighting between leaving and heading towards the woman down below. Yet, the heart wanted what it wants as you began to climb down the stairs leading to the stern.

"You said you'd always want to have your own ship one day," you started, approaching Cersei, her perfume infiltrating your nostrils. The wind gently blew the Queen's hair against all directions, and it was such a wonderful sight.

Cersei raised a hand towards the handmaiden, making the latter bow before leaving you both alone.

"You remember," she replied, her eyes still on the dark horizon.

"Of course." You smiled, walking closer. "How could I not? Did it meet your expectations then, Your Grace?"

"It's not my first time riding a ship, although a lot has changed. The waves are somewhat smaller than I remember years ago. And the sunset has never been that red before."

You were now standing side by side with the Lioness, your hand on the railing, at least an inch away from where Cersei's hand was.

"It hasn't for a long time. People in Dorne believe that red skies are often associated with warnings or change. That whenever a sky is as red as blood, any decision you put forth on that day should be carefully done, unless you don't regard any bad omen coming your way."

She chuckled softly. "And what do you say to these beliefs?"

Cersei turned her head to look at you, expecting your reply, a glint in her eye.

Your eyes never left hers, travelling from her mouth back to her eyes. "I . . . I just think that it's such a beautiful occurrence to see. And I don't care about the consequences."

Cersei stopped smiling, understanding you weren't talking about any Dornish myths or beliefs anymore. Both of your fingers were barely brushing, distance diminishing each second. It would seem apparent that you two were leaning forward to each other.

Until Ellaria coughed behind you, stopping you both. "Supper is ready."

~~~

Being a Martell, you thought travelling by water would have made you immune against seasickness, but maybe it was the remnants of The Mountain's strength that had weaken you.

The trip to Dorne would take almost a week, and it only took three days before you started feeling nauseated. Going back and forth to the head just to eradicate the upset churning in your stomach had drained your energy. Ellaria had took mercy, bringing you a bucket to use beside you.

Cersei's presence was the only thing that made it bearable. You would join her at the dining cabin at night time, talking for hours that even Oberyn had almost fallen asleep on the table.

On the fifth night, you had excused yourself from dinner and surrendered to the confines of your cabin. Maybe it was the way the ship was swaying against the huge tides from the forecasted storm or the stale food you ate during breakfast. Either way, you had secluded yourself to recover.

The Queen Mother was having none of it though, knocking against your door some time later that night and bringing you a steaming hot bowl of soup.

"It's Venison," Cersei said, as she sat on the side of your bed. "I had our cook made it. Hot liquids can help calm an upset stomach. Tommen would always have them when he's sick."

"Thank you, Your Grace," you replied, straightening yourself as you leaned your back against the headboard of your bed. "You shouldn't have troubled yourself."

But instead of giving you the bowl, she insisted to feed you with a spoonful, leaning closer to you. With cheeks flushed from the act of endearment, you let the woman coddle you.

"You never come to me as someone who gets sick travelling by sea," she teased, a smile on her face.

"Well, I normally don't," you argued, making the Queen laugh.

"Quit being cocky and let yourself be taken care of."

One of the Dornish servants suddenly barged through the door, eyes wide upon seeing you not alone. There was a crate of supplies for your wound on her arms.

"Leave it," Cersei ordered, making the servant drop the crate unto a table nearby.

After you have finished the bowl, Cersei brought her hands to the hem of your tunic, attempting to pull it off you. Heart skipping a beat when you felt her fingers brush against your skin, you immediately stopped her, wrapping your hand around her wrist. "What are you doing?"

The Lannister woman smirked as she stood and walked away instead, taking the crate of supplies from the doorway. "I'm changing the dressing of your wound."

After a few moments of hesitation, you finally let Cersei get rid of your tunic. Her eyes softened upon the sight of her necklace's golden lion pendant on your chest and the bruised skin, now had gone purple close to healing.

She then began delicately cleaning the wound on your chest, her thumb purposefully brushing your nipple, every touch bringing you shivers. You swallowed, cheeks red as you attempted to move away from her.

"Stop moving," Cersei said, giggling.

"Stop teasing me then," you countered back.

After she had managed to change your dressing, you noticed a tent growing under your breeches. Everything seemed to freeze at that moment as you quickly took one of your pillows to hide it when Cersei was looking away.

Yet, there was nothing the Queen could miss as her curious eyes began wondering why there was a pillow on your lap. She sat back on the side of your bed, leaning forward and closer to your body.

Her sultry voice near your face made you harder than you were before, your cock straining painfully from the weight of the pillow. "Do you also need help with something else, My Lady?"

"Your Grace, I don't think—"

"Stop thinking," she whispered into your ear, her hand slipping inside your breeches and stroking your hardening cock. "Just breathe, Y/n. Let yourself go. Take pleasure in my hand."

Letting out an embarrassingly loud groan, you threw your head back against the headboard, eyes rolling deep into the back, hands clutching against the sheets on both sides.

Cersei's eyes darted towards your cock when she managed to pull it out from your breeches, twitching against her touch. It had never looked this painfully hard before, you thought you wouldn't last a second longer.

"You have a pretty cock, you know," she cooed, her lips nipping the skin on your jaw and neck. Her hand moved expertly, squeezing you tight as if milking you, and she did manage, her thumb tracing over the small cum leaking from your head then spreading it on your entire length.

"Cersei. . ."

The sound of your whimpers made Cersei turn to stare at you, observing your every reaction, with your eyes shut close and mouth agape. "You looked so prettier under my control."

"Cersei, I'm close. . ."

"Good," she said.

You opened your eyes to see what she meant, but what you saw only made you lose it. The Queen took the entire length of your cock into her mouth, bobbing her head up and down in a fast pace. The sight itself, the wetness and warmth from her mouth and the moan she let out when she took you made you explode right into her.

And she took it all, swallowing everything there was to milk. You cursed profanities into the silent night, grunting your release, releasing a lot more when she took you deeper.

It seemed like eternity when you had finally come down from your high, watching Cersei clean your shaft before licking the side of her lips from any residue. She then tucked your cock back into your breeches and leaned forward back to you.

"I would have hated wasting a single drop," she finished with a smug smile on her face.

I truly appreciate your continued support in reading my stories. You can help me create more stories by supporting my writing thru this link. Thank you so much ❤🥰

[that-sarcastic-writer]

Hi can u please write about domestic life with Bills Eric Draven? Can there be fluffy and smutty moments? Tyyyy

Boy can I??? I’d be DELIGHTED. His domesticity is all I think about. He’s the sweetest, kindest and most loving bf and you can’t change my mind. I got a little carried away! Hopefully this is what you were wanting! Enjoy doll!

Bf!Eric x gf!reader. Explicit sexual content under the cut, minors dni, oral (f receiving), p in v. brief mentions of drug use, mostly fluffy relationship stuff

It wasn’t entirely easy. You and Eric. The circumstances under which you met and the nature of the both of you was quite dysfunctional. You were chaos, and he was a mess. But it worked. The two of you. You worked perfectly. You weren’t sure what it was, you had never been able to maintain a healthy relationship with anyone. But it was almost like you were meant to be together. If you didn’t believe in the whole soulmates thing, you started to believe it when you met Eric.

He was so unreal, so out of this world. He was always by your side, fingers laced with yours, arm thrown over your shoulder. He always had to be touching you, whether it was something as little as holding your hand, or going as far as putting you in a matting press when he fucked you, because he hated the idea of not being as close to you as possible. He never meant to, he didn’t even know what it was. He just did it one day. Your knees damn near next to your head, your body nearly folded in half as he draped his body over yours. You didn’t even know your body could bend this way. But god this you like it. How deep he could be this way. And you had him so close you could hear his little sounds, his hard breathing and his soft grunts.

He always felt a little bad, manhandling you around like you were nothing. If he wasn’t bending your body in ways you didn’t think were human, he was putting you in a headlock as he took you from behind, one arm draped around your neck from shoulder to shoulder. He just wanted you close, afraid you’d run away. But he sometimes forgot to take it easy on you. You always assured him you were more than happy with him, that he wouldn’t hurt you. Deep down it made you all kinds of earn to know you could arise such passions from him. For someone so morbidly quiet and nonchalant, Eric was very intense and passionate lover.

“It’s okay, baby. I got you. You’re doing so good.” He would tell you, his voice soft and quiet in your ear, grounding you as his cock fucked you into nothing. “I just want to make you feel good, hm? Just want to make you feel good. That’s what you deserve.”

“I don’t deserve this. You’re too good for me.” He would say, his lips on your cheek as quiet moans spilled from your lips. “You’re just so… I can’t believe you’re all mine.” His name falling from your lips would be the end of him. So soft and desperate for him. He didn’t have much experience before you, but now he just can’t get enough of you. He wanted to be all over you at all times it actually upset him when you had to leave or when he did.9

But he was also oh so kind, so gentle and patient with you. He always followed you around like an oversized puppy, quietly listening to whatever tangent you would go on about. You could be cursing up a storm (albeit not directed at him) and he would take it with a straight face and big eyes. And it was often that nothing more but his presence would calm you down, center you.

“How do you do it?” You asked him one day, hot tears staining your face after a day of one stressor after another. Eric had managed to get you on the couch where he silently sat you down on his lap. You almost immediately curled up into his lap, legs tucked under you and your head on his chest. You felt an almost instant sense of relief and peace fill you, and you were sighing deeply, feeling your heart slow its fast beating.

“Do what?” He asked you softly, his fingers massaging your head calmly. You rested your hand on his chest, eyes closed.

“This. You calm me down. I was crying two minutes ago and now I feel… okay.” You felt him shrug under you and when you looked up he had a smile on his face. That smile could make you forget any grief or sadness you might have, because none of it really mattered.

But it wasn’t just him who could bring you peace, you were his, too. His lows weren’t as intense or visible as yours, but when he was at his low, he was at an all time low. He wouldn’t speak, he wouldn’t eat, he would just go about his day like a corpse, eyes dead and empty and his mind elsewhere. You understood he had his issues too, so you tried to be there for him without pushing him. You were more subtle. You’d make him dinner, you’d invite him to watch a movie with you. And you’d tangle up with him on the couch as you all but forced him to eat, and you’d talk to him about your day. But something so small always meant so much to him. He couldn’t help the way he felt, he couldn’t help his negative thoughts that drove him to do drugs in the first place, but having you around to remind him someone in this world loved and cared for him, it made it all a little bit easier.

Eric started to bring you flowers one day. Every week once a week, he could come home with your favorite flowers. He alternated colors. With a sheepish smile he’d stand in the doorway with his hands behind his back. And the way he would look at you when gushed about how pretty they were was like he was looking at the most beautiful thing in the world, the only one that mattered. And to him you were. Seeing that smile on your face was the only thing he ever wanted to do.

“You like them?” He would ask as if it wasn’t obvious, but he’d do it just to hear you giggle and watch you all but skip to put them in water. “Yeah? I saw them and thought about you.”

He always thought about you. There wasn’t a single waking second where he didn’t. You were good for him. And he knew that. He didn’t need anything else to fill the emptiness in his chest because he had you. You had filled that hole and he made sure you knew that everyday.

Eric had many ways to show his love and devotion for you. He wrote you poems, he drew for you, you had so many sketches you have started to run out of places to hang them, but this one was by far his favorite. He could spend literal hours between your legs. He absolutely loved it. He was absolutely obsessed with it.

“E-Eric.. Please.” You were shaking, sweating, incoherent as his tongue circled on your clit, his long fingers fucking you through your, fourth, fifth? You stopped keeping count. He had been down there for an eternity. He just kept asking for one more, just one more and he’d leave you alone. But it wasn’t enough. He was quite obsessive with the things he wanted.

But he figured he’d have to give you a break eventually. He was also painfully hard.

“I’m sorry baby.” He muttered softly as he crawled up your body, using the back of his hand to wipe the mess you had made, but his plush lips were still bright red and glistening. “You know I get carried away sometimes… You’re just so..”

He would kiss your face, brush your hair, soothe you back into a functioning human being. It wasn’t often that Eric vocalized his thoughts, but in moments like this when he felt safe and comfortable enough to be vulnerable, he would tell you all about how pretty you were, how talented you were, how much he loved you.

Eric was always full of surprises. He was quiet and nonchalant, but he was impulsive. You learned that very quickly.

“Baby?” You heard Eric call out to you as he came into the loft. You sat on the computer as you listened to one of his recordings. He had asked you to help him out since he really wanted to start pursuing his music and art now that he actually had someone that supported him.

With a smile, you took your headphones off and went to greet him, but you immediately frowned when you saw him hold something wrapped up in his hoodie.

“Hey, whatcha got there?” You stood up, approaching him with narrowed eyes as he broke out a smile.

“I’m sorry. I just found it, I just.. I felt bad.” He pulled down his hoodie to reveal a precious little kitten. A black ball of fur coating its little face. Your heart immediately sank and you wanted to cry.

“Oh my god, Eric.” You took the kitten into your hands and your eyes started watering as you hugged it. Eric wasn’t sure what to make of your reaction. Did you hate it? Were you upset?

“No, baby, I’m sorry. I found it outside, it’s kinda cold and it was drinking from a puddle. I didn’t want a car to hit it. We don’t have to keep it if you don’t want to, we can take it to a shelter or something.” He started to mumble, a hand coming to rub the back of his head and his lips fell open when he saw a tear fall down your cheek. He approached you, reaching to grab your face. “Please don’t cry.”

“No… No Eric I’m not..” You sniffled, laughing softly through your tears as you leaned into Eric’s chest while still hugging the now purring black ball of fur. “I’m not upset at all. It’s just… I’ve never had my own pet before. And it’s so cute, can we keep it, please? It’d be our little child.”

The way you looked at him with big pleading eyes made him feel so warm, he never thought he’d feel something like this. He smiled, nodding as he pressed a kiss to your forehead.

“Of course we can keep it. He’s kinda cute, right?” Eric chuckled as he scratched the little one’s head.

“Or she.”

Your little ball of fur wasn’t the only thing you and Eric shared. You got so many matching tattoos it was concerning. Your friends and family had even told you it was odd to get tattoos with a guy you had been dating for only a few months. But it didn’t matter to you. You didn’t know why, but deep down you knew your connection with Eric was out of this world. So what were a couple tattoos? You loved that you had a physical reminder of your connection with him. The feelings deep within your souls were forever marked on your skin, and you wouldn’t have it any other way.

Truth was, Eric loved tracing each and every one of your tattoos. He traced his fingers over the fine lines, traced the words, he traced his lips over them too. He particularly loved the ones on your back and on your stomach, the ones no one but him could see. They were his little secret.

You matched each other perfectly, in every way.

[gilverrwrites]

at this point we should give dick a sionis!reader and call it a day 💀 all the batboys have one now except for him (but I have no idea what his plot would look like compared to the other three)

Yeah, Jason and Tim dating with his kids and now Bruce sleeping with his ex-wife, Roman’s hatred of them is becoming more and more justified. . Can I also just add that Roman would be the most miserable girl dad. Imagining him with his 3 bastard girls and ex wife who he's still hung up on but can't win back fills me with joy and its becoming a full on AU in my head.

Anyway, okay, so hear me out with my pitch; Jason/The Rebellious child, Tim/The Favourite child, Dick/The forgotten child

Specifically, one who has tried so hard all their life to not be. Even more specifically, a dancer, a singer, maybe a triple threat. It’s not that you need the attention, you’re good at what you do, you get the parts, you have a small fanbase, you’ve won some minor awards. But just once you’d like to look out into the crowd and see your father or your siblings out there cheering for you.

You try so hard to be supportive of the rest of your family, always there for everybody. You listen to your rebellious sibling and your father bitch about each other constantly, you help them mend their bridges. Rebel is notoriously flaky, but you always step up and cover for them.

You help the favourite study. You were the only one who knew when they started seeing Tim and you helped keep it a secret.

You attend all your fathers parole hearings, all his club launches. You wear the stupid clothes and play the happy, smiling child whenever he wants to show his kids off at events.

But no matter how much you do for everyone, they never return the favour. As soon as you bring up an audition you need help with or a new show you’re in, everybody dips. Nobody takes you up on the free tickets you can get them. When you were training, Roman footed the bills and told all his buddies about his kid the dancer/singer/whatever, but not once did he show up to a single one of your recitals.

But one day, at one of his stupid galas, Dick Grayson catches you dancing by yourself on the patio outside and is instantly smitten.

“Where’s your dance partner?”

“Oh, haha. Can’t you see him? He’s right here.” You jokingly gesture to the air.

“Ah of course, hello sir. Mind if I cut in? Not at all, please be my guest.” He puts on a silly voice as he answers himself before offering a hand to you. “May I?”

And you’re sceptical at first, but you take his hand, and you let him whisk you off. You dance around in circles all evening, laughing and joking, and getting to know each other. You have the night of your life, but dating Dick Grayson seems like a bad idea, it’s not that you don’t want it, it’s just that your dad would so not approve. So, you resolve to move on, but will always remember that magical night.

Until a few weeks later, you step on stage and spot him front and centre in the audience looking elated. And although it's downright euphoric for you to see him there, you're not prepared to face him. Alas, he comes to your dressing room straight after the show anyway. Reaching you before you can sneak out, and confronting you about never calling him back.

You explain your hesitations and that golden child part of his brain understands, his heart aches for you. But he so selfishly wants to see more of you, so he gently mentions how your dad doesn’t seem to care what you do... and hey, maybe he’s out of line here and if you want to tell him to take a hike he will but all he wants is a chance to be a part of your life, can’t you spare him one date? Please?

And damn is he hard to say no too. So, you concede. And one date becomes two, then three, and so on…

It doesn’t take long for you to fall hard and fast for him. C’mon who wouldn’t?

He’s handsome, and charming, funny, smart, and superb dancer to boot.

But what really does it for you is how badly he really does wants to be a part of your life. Dick Grayson wants to dance with you anywhere and everywhere; At galas, in the rain on the way home from a date, in your kitchen at 3AM.

Dick Grayson could listen to you talk about anything and everything all day long. Doesn’t have to be performance related, but he likes it best when it is. He especially loves reminiscing about his circus days with you.

And though his job may get in the way sometimes, Dick Grayson wants to be front row at every single one of your shows. He wants to clap the loudest, and bring you flowers, and tell all of his friends, THAT’S MY BOO up there! From the moment he met you, Dick Grayson could never, ever forget you.

How we feeling about this concept?

[masterqwertster]

I so agree, with your thoughts about Ashton!

It's odd, to me, that Ashton in particular has garnered so much hatred. If you look back on all of Taliesin's characters across every campaign, he's ultimately not that different in personality from the others, save maybe Caduceus. Percy, Molly, and Ashton are all people who have been deeply beaten down by the circumstances they were forced into, and they gained a rough exterior to protect themselves because of it.

They're snarky, and try to act aloof to keep people at an arm's length, but at their core, they still have bleeding hearts that love much more deeply than they probably wish they did. In other words, they are interesting, multilayered characters, that don't just have one note. It's strange then, that these same characteristics are so widely celebrated with Percy and Molly, but are treated as reasons to hate Ashton in the same breath.

Taliesin is a master at making characters that make you think, and I think Ashton deserves to be celebrated as such, just as much as the others!

To be honest, I can't speak much of previous PCs' reception since I only got into CR Tumblr around Bells Hells arriving in Yios, but I think the difference is framing.

Taliesin has stated that his through-line on his PCs is the characteristic Confidently Wrong.

I would guess that the reason Ashton is catching flak is because:

a) they've got shit Charisma and Taliesin plays that as Doesn't Know What to Say and/or Doesn't Know When to Shut Up. Which on a disillusioned/cynical punk is... abrasive to say the least. They tell their truths with little to no filter, or much thought at times about how true those things are for others. Meanwhile, Molly and Percy are charming in carny and nobility ways respectively, while Caduceus has a calm, homey charm. Ashton is semi-intentionally off-putting, and pretty constantly cranky to some degree from chronic pain.

and b) Recently, Ashton is Confidently Wrong about a subject any attentive watcher can tag as being wrong and has major consequences on the world if acted on. Like, yes, you don't want a heartless, powerful murderer to push the Doomsday Button. But your group of caring, weak(? not really anymore) chucklefuck friends pushing the button doesn't change its doomsday nature or really make it any better. Also, all your information on what the Doomsday Button does exactly is suspect. I don't think any of the other's Confidently Wrong subjects were so potentially devastating for more than themselves or their parties rather than the globe. It's easier to grant grace when you're fucking over less people.

Now do I wish Ashton would get a clue that releasing Predathos is bad, period? Absolutely. But I also have been watching him and when they get an idea in their head, he tends to stick to it until proven wrong (think the Spark mess. Fearne hesitated last second, Ashton didn't). And the idea in their head right now is: The gods need to leave, their thrones need to be destroyed.

I think part of Ashton's rage at the gods that fuels this idea is wanting someone to blame that isn't himself for his shit life, and finding the gods a good target for blame, as Taliesin has mentioned on 4-Sided Dive before. And I think part of it is that FCG did a lot of proclaiming to be on the anti-Ludinus/Predathos stuff to save his goddess, and then he died as part of their missions, and then Ashton was shown a video about how the gods absolutely will sacrifice their followers to save their own asses. Which is kind of the situation FCG died in, if you slant it a bit and act like FCG wasn't mainly choosing to save their friends in the moment rather than the gods long-term. So it probably feels better to Ashton to throw some of that anger about FCG making the sacrificial play that he's been trying so hard to prevent at the gods who FCG was trying to serve.

And I get that not everyone wants to do the analysis on why Ashton is picking the path he is. That they don't want to take time to acknowledge his lack of social graces and the bias of his views, and would rather just get to attacking the faulty, insensitive rhetoric Ashton's spouting at the moment. But like, there's reasons Ashton is the way they are, and it doesn't hurt to acknowledge them even as you hard disagree with what's being said or strived for.

[hellodragonkit]

Beetlejuice Beetlejuice Opinions and Points.

SPOILERS... obviously.

Ok I watched the movie, and ... some things that are my own personal thoughts and possible points I noticed. And some things I have seen others point out to where this is just my over all opinion and its kinda long.

The backstory lets not forget beetle is a unreliable narrator as proven by the first movie as Julliard and Harvard did not exist while he was alive, and unless he was possessing someone when they graduated its unlikely he said the truth. - so I don't think he gave us the full backstory. Maybe yes he did marry her, but given he never dies on screen and previously stated point. I just find it hard to believe that he drank a poison then had enough strength to chop her up as much as she was, if it was actually effecting him. i find it far more possible he had already been poisoned so often he was immune at that point. and was just pissed his new wife tried to do him in. Also in first movie it was suggested with the red mark he hung himself... maybe he tried to take over the death cult and had to do himself in for a quicker death?

the Newspapper. Yes it did say people were falsely accused of offing themselves at death, I think this was to help clear up the plot hole that would have been with Astrid's dad. And maybe be a red haring for Beetle. Next few points are BeetleBabes related so if you don't like the ship, please move on.

He gave her autonomy in his power. During the therapist scene when he "sewn" her mouth shut, it was less truly sewn and more duct taped. She had the ability to remove it, yeah he had it stick long enough for a gag, but not much more. He didn't force her.

The Contract and Nullification of it. Beetle wrote the contract, and he worked as a dead con man for years, he knew the handbook inside and out. He wrote up the contract for Lydia to sign and save her daughter, knowing there was a Massive Loop hole. even blowing a hole in the "back door" of the Neither to insure the loop hole was as big as it could be the second he had her sign, obviously with a bit of theatrics for both signing and explosions. But would we expect anything else from him?

Delia calling him: when Delia died, she called him asking to go to Lyd's wedding. He did so no questions no strings. Any other deal he always asked for something in return but for Lyd's step mom he didn't charge a dime, possibly because he felt Lyds would be upset if she missed it, and didn't get to say good bye.

Rory Beetle obviously didn't like him, could tell he was scamming Lyds, and yeah he probably could have sent him off but instead had to prove to Lydia why that guy was bad, hence why he used truth serum. He need to make sure she wouldn't go back to that guy once he was gone again. It was even hinted he heard her talking in the graveyard rushing to the church that she was not ready to marry.

He planed to go away. His song at the end, was not one of love and togetherness. MacArthur Park is more of loss and remorse. He was saying Goodbye to Lydia! Not permanently anyway

He set up sending away Deloris and helped the contract become Null When Deloris burst in through the door, the wind didn't effect Lydia, or Beetle, or Delia but the book slid to Astrid as easily as it had moved away, He moved it to her, conveniently on the page to summon sand-worms and how to brake the contract.

He stalled for the cops I find it funny how in the first movie he summoned a Man of the cloth and the guests. But this time he had both, and unlike the first time he wasn't rushing... he took his time to sing a whole song and to let the Neither cops show up, possibly also baiting Deloris to take care of her but I'm still not sure on that bit. ether way He had won, he had Lydia, the pastor, and guests. But instead he did a song and dance, a song that I already pointed out was one more of goodbye.

He let Lydia send him away. Beetle loves to make a entrance, he also may love to make a exit. he has also shown he can silence someone for just saying his name once. But instead of silencing her or taking over her voice as he had before. He started a dramatic plea, showing her he was getting sent away, showing her he was going to let her send him off.

The ending given the fact he may have over heard about Rory, And all the other notes, he could probably see Lydia wasn't wanting marriage at that time. But I also feel... he just likes the chase. What fun would it be if the Coyote already caught the road runner? he didn't mind her sending him away, because it means he could keep trying to get her to call him willingly. Over all this is just my ramblings that I don't have any friends irl who may appreciate them or be able to properly counter lol And if you made it this far thank you. And I hope you liked the movie as much as I did.

[blixabargelds]

things you said while we were driving plssssssss (4 whatever ship u so desire)

hellooo did this for clegan specifically for me and @swifty-fox's au we've been cooking we lov this version of our boys hope u do too gdfjff vague context: modern au where they are both unwell 🙃 this also ended up being 1.5k whoops

cw anorexia

John finds him in their usual spot. The camera nestled in the far corner of the yard hasn’t worked for months, operating solely as a fear mongering tactic. There’s a nook beneath it, tucked between the outside wall and the yard fence. It’s a good place for hiding. For trading cigarettes for gum, for kissing. Gale has only used it to hide lately. He sits against the wall, pulling at the hem of his fraying t-shirt, watching the strange glide of his pale skin slide over the bones of his hand, flexing his knuckles. There’s a rustling in the foliage beyond the fence. Gale looks up, expecting to see a rat, and instead comes face to face with John for the first time in weeks. He’s grinning. Gale blinks at him, bewildered, heart kicking in his chest, as John is grinning right at him. He’s got a beanie pulled down low despite the summer air, and he’s brandishing honest to God bolt cutters.

“Jesus, John,” Gale says. 

John winks as he cuts the fence. “C’mon, baby. We’re goin’ for a ride.”

...

“You look worse,” John says, tapping his restless fingers against the steering wheel and fiddling with the stereo. 

“Ain’t as bad off as you,” Gale says. “What’s with the moustache?”

John laughs. Turns to Gale with eyes gleaming. “Straight razors, baby! World is your oyster.” 

Gale rolls his eyes and smiles. He drops his head back against the carseat, pulling his sweater closer around his body as the breeze rushes in from John’s open window. There’s some upbeat old song rattling its way out of the tiny speakers, John singing along loudly as he vibrates in his seat. Gale rolls his head on his neck lazily to look at him. He seems okay. Curls grown past his brows, flopping down over them in gorgeous, loose spirals. He’s got shadows under his eyes, purpling and deep, but he’s boundless with energy that might be infectious if Gale weren’t so hungry. He watches as John dances in one place, grin still plastered below that stupid little moustache.

“You okay, Bucky?” 

“Peachy,” John smiles at him. He squints, then, looking at Gale with scrutiny, and far too much time with his eyes off the road. “You okay?”

“Mm,” Gale says. He shifts a little, feeling his seatbelt dig into his hip bones. “Better now you’re back.”

“Huh?” John says over the roar of the wind. “Sorry, what was that? You gone soft on me, Buck?”

Gale groans in false irritation. Says quietly, “Heard me the first time, John.” 

John throws his head back and laughs. Leans out the window like a dog and hollers down the open road, one hand on the wheel and the other on the door, and Gale drags him back inside as he swerves. The midday sun beats down on the hood of the car, trees rushing past, and as Gale settles back into his seat he watches, and tries to identify them. He grows tired after a while. Tucks his legs up and leans into the passenger side door, eyes drifting shut. 

“Where we goin’, Bucky,” he says, keeping them closed.

“Takin’ you on holiday, doll,” John says. “Gonna find you a diner and feed you up. Or you can watch me, because I’m fuckin’ starving. Then we’ll get a motel, one of those ones with the heart shaped beds. And I got a friend down South, real sweet kid, you’ll like him, Buck, you’ll really get on. He’s kinda loud, y’know, but I know you like that, really, and he’s got all these fuckin’ baseball cards. Which ain’t your thing, I know, but, he’s real sweet. Lives with his boyfriend, Kenny, he’s got the biggest garage you ever seen. But we’ll get the motel first. One of those ones with a claw foot tub. But we’ll get to a diner first, ’cos I’m starving. You starving, doll?”

Gale hums in vague acknowledgement. The motion of the car rocks him into a nodding state, and he thinks he might sleep like the dead with nobody interrupting to check on him. 

...

“Buck.”

Gale shrugs off a hand on his shoulder. 

“Buck.”

Gale groans, tucking his face further into the loose hood of his sweater, turning away. 

“Shit- Gale. Gale.”

“Wh’sit?” Gale mumbles. 

“Aw, Jesus, thank God,” John is saying, continuing to jostle Gale roughly from his doze. Gale shivers as he comes to, entire body laden with the aching remains of sleep. He can’t seem to shake it off fully. He opens his eyes, sees John’s pinched face swimming in front of him. They’re still in the car, but it’s stopped moving. “You fuckin’- been parked here half an hour, baby, you wouldn’t- fuck, you’re freezing.”

Gale is. He becomes aware of it like falling; gradually, then all at once, full-bodied shudders ripping through him, making his teeth chatter. He hugs his arms tighter around himself, fingers brushing against his shaking ribs. He looks groggily out of the window. The light outside is milky, but not as if it’s fading- more like it’s just begun to birth.

“Wh’re are we?” he says. His jaw is clenched against the chill in his bones, pushing his words out in odd slurs.

“Uh,” John’s head whips around. As he comes further into focus, Gale can see the shadows under his eyes have darkened still, a vaguely wild expression in his face. “I don’t know. Been drivin’ all night. I think- fuck, I think I had the window open too long or somethin’, Buck, I turned around a while back and your lips were all blue.”

Gale absently presses trembling fingers to his mouth. “’M fine.”

“We gotta find that diner,” John says. “Hey, Gale, look at me. When’s the last time you ate, huh? Can you remember for me, darlin’?”

Gale scrunches his eyes shut again. Tries hard to think. “Y’mean solid food.”

He hears John hiss. “Ah, shit.”

Gale grunts around the pain in his stomach. “Don’t go back, Bucky, please.”

“We’re not, don’t worry, I wouldn’t,” John says. He’s shuffling around, now, and Gale reopens his eyes to see him leaning into the back of the car, knocking aside various debris and pulling out a bag of chips. Gale wrinkles his nose, and shakes his head. “Look, I know you’re stubborn, but I’m freaked out, alright, baby. You don’t look so hot, Buck.”

“’M fine,” Gale says. He musters up more conviction, sitting straighter in his seat despite the stiffness in his spine. “Just give me a jacket.”

“I haven’t got one, Buck, it’s fuckin’ July.” John drops the bag of chips, continuing his root around until he finds a can of coke. Gale sets his jaw at the glaring red of it. “Just half. Buck, c’mon. American staple, huh? Goes with the whole trip. Just a bit of sugar, baby, then we’ll find that heart shaped bed. It ain’t half as bad as that shit you get back there, is it?”

Gale’s nostrils flare. John’s impossible when he’s got a bee in his bonnet, and Gale takes the offending can if only to shut him up; get him driving once more. He cracks it suspiciously. Takes a sniff. 

“Windin’ me up, now, Gale, it ain’t gonna hurt you,” John says. He turns to the wheel either way. Shoves the key in the ignition and looks back at him with a pointed scowl.

“You ain’t never cared before,” Gale says. He’s still looking at the tab of the can with disdain. 

“Never been this far from fuckin’ medical advice with you before,” John says. “Didn’t think I needed- fuck, was this stupid?”

“Jesus, Bucky,” Gale says. “It’s fine. I’m fine. Look.”

Gale bites down on his bravado. Inhales deep and shaky, fingers denting the can with the force of his grip, the little click click click of the bending metal pacing with the thrum of his heart. He takes a sip. Nausea washes over his tongue like thick honey. Every sugary pop of the soda on his taste buds tingles all the way down to his empty, clenching stomach, heavy in it, and poisonous. He hasn’t tasted anything so good in years. John’s eyes are boring into the side of his head as he turns the car out of the shoulder. Gale drinks down another gulp, larger and stinging. So, so sweet. He lowers the can, licks his lips, gathering the stray, sticky droplets, and tries not to moan in wretched pleasure. He turns to John instead, watching his jaw grind against the tug of a smile.

“Okay?” Gale says. 

“Okay when you stop damn shakin’,” says John. 

He puts his hand on Gale’s leg, leaning past the gear stick as they veer back onto the highway. His long fingers reach around to the soft underside of Gale’s knee, his thumb brushing gently at the lower part of his inner thigh. Gale tries not to bounce his leg at the feel of sugar filling his veins. 

“Heart shaped bed, huh, Bucky?” he says. 

John smirks at the road. “Drink your fuckin’ soda.” 

Gale curls his bony fingers over John’s hand on his thigh. Grimaces, and takes another sip. 

“There he is,” John says. “Y’alright, aren’t you?”

“Yeah, Bucky,” Gale smiles. “Told you so.”

[lovely-cherubs]

Dear Vanitymoth,

Do yourself and favor and keep Murder Drones, the fandom, Uzi, V, and N's name out your mouth. As of now, your takes and opinions regarding the show and its characters have been awful to the point where my brain was making toast in the bathtub.

Let's not also forget that you're HEAVILY biased towards J and most of your videos are spent complaining about her and not about the topic of of the video to begin with. If I didn't know any better, I'd assume you got Chatgpt or even that toxic waste of metal herself to write your scripts. In case you didn't realize it, your ideal vision of what Murder Drones should be is NOT what Liam wants. Liam is an actual writer and Murder Drones is more than just being "edgy and dark".

Your misogyny towards Uzi and mischaracterization of N is ridiculous and lets me know that you didn't actually watch the show. N doesn't have an "obsessive savior complex". If he did, he'd have an inflated ego, something that he DOESN'T have.

Let's not also forget how you said that N and Cyn were a ROMANTIC COUPLE?! Sweet home Alabama! (I know that incest is illegal in Alabama, but I had to use that phrase for this situation). You're a perfect example of one who lacks media literacy and neurons in this fandom and I really hope we don't have more reviewers who are just as bad as you.

Your entire points lead to "if this show doesn't meet MY expectations, then it's bad.", which if you also didn't know, ISN'T a good mentality for a reviewer. Sincerely, please stop making reviews on this show if you don't have any ACTUAL good points. And this also applies for TADC, Hazbin Hotel, etc.

Signed, lovely-cherubs

[nynyhaha]

Do you think Chrollo expected the Troupe to last 12+ years? The expectations set at the start largely determine his current views. How good did they do?

Now Ofc he’d want it to ✨last forever✨ or as long as possible,but how long did he think they’d actually get to live?

Chrollo in yorknew carries himself with a confidence that the Spider will live on way beyond him,we somewhat feel like the adventure is only starting. But at the same time he is lost and doesn’t really know the direction the Troupe is heading in.

At the start he mentioned offering up their lives in order to: -find Sarasa’s murderers and get revenge -free Meteor City from crime/mafia so that no child can be kidnapped again

We know the troupe later also broke the deal where Meteorians are exchanged for money. This is a significant achievement,it implies the Spider provides enough money instead,and it hints at the fact that the previous points are already done,that Chrollo has achieved what he planned.

Those were things that he was ready to die for,things for which the others were also ready to sacrifice themselves. And that’s what they kind of expected,right?

My theory is that they greatly surpassed their expectations.

If they were still fighting for any of the above,we wording have this sense of directionless roaming around that is present in the yorknew arc. The Spiders seem to be beyond the theme of revenge unless it directly affects them. Uvo even said he hates those who fight him for revenge reasons (and I wonder why).

Maybe little Chrollo would’ve marvelled at the progress he managed to make in those years,but he probably couldn’t know how it would affect his psyche. He knew he’d become a “villain” but he probably meant that he’d be fighting for a noble end using bad means. What is that end now?

The Spider needs some sort of plan to justify its existence. For its death to be a tragedy,it needs the will to live and some goal to achieve. Or is it a question of a candle stump losing its flame once it’s burned down?

Should the Spider just retire?

If they have achieved all of their previous goals,the answer could well be yes. Sadly those goals aren’t milestones that you have to reach once and for all,but Meteor City’s safety is fragile and needs maintenance.

And yet,it’s never stated as the reason why the Spider has to keep moving. Maybe to the characters it’s obvious,but we as the audience can only speculate. Also it would make the problem way too simple.

“Oh the Spider is still needed back at home” Ofc it is,duh,but that’s not enough to satisfy the quest for meaning.

It would be interesting if the Troupe started out as a team that’s some sort of necessary evil (and the backstory chapters present it in such light) but now that all it’s done it’s no longer necessary so just evil, but they don’t see it as such.

You know,a band of child soldiers that grew up and is now terrorising the world because their original purpose is completed.

But how is the Troupe unnecessary when it’s the solution to the Mafia problem? It’s rather that they don’t know how much more that can do and how much of that will matter at the end.

No one is forcing them. All of their duty is “self inflicted”,they chose to carry that burden.

Are they suffering from success?

Chrollo thought on the way to avenging Sarasa he might loose his own life or some of his friends. He made that commitment still,and then they all survived. Ok,they lost number 8 & 4,but those weren’t original members and it’s still lucky that the rest made it all the way to yorknew. Yk,after they’ve already done what they wanted (and yes,they have already found the murderers,fight me on that, I KNOW its the truth).

So Uvogin and Pakunoda didn’t die on the way,but after they’ve arrived at the top.(But at the top there was nothing :()

Is that to say that they could’ve hopped off and lived a safer life? At this point they were unable to. Much like Chrollo,they might not have a proper self outside the Spider. AND YET the reason it hurts so much is because they died for the Spider after it lost its main goal. This is why Chrollo quickly needs a reason to ground it all since they couldn’t have died for nothing.

There must be a reason why they’re still doing this other than “we can’t otherwise”, right?

RIGHT?

In conclusion, Chrollo is what happens after one survives the “Kurapika arc” and completes his revenge. He might be free to live on,but after he threw away his life and morals already,this existence looses meaning and so do all deaths for the sake of it.

[roachfun]

This is probably a wild thing to get but your “Gojo should stay dead” post has got my unmedicated ass vibrating.

(I’ve only read jjk0, besides that literally all of my exposure has been via 3 video essays and fanfic… I basically got into the series backwards and tbh it’s an interesting experience…)

And tbh I agree with you more than not. Even though the view I have of the character is so fucking warped because jjk fanfic is too the gills filled with smut.

Because what I’ve gathered from the video essays and the few bits of fanfics that actually tried getting into his mind… is that the man is gd tired.

A god complex the size of the sun, that’s only ever been challenged once by one of the few people he ever formed a genuine connection with, and it was challenged as that person was leaving him. That incident may have motivated him to change, but that change was predominantly if not exclusively external, he didn’t really do much self reflection.

After Geto left, Gojo did better (became a teacher, warding Megumi, not letting Yuta be executed) but he didn’t work on being better (god complex, recklessness, belief that his way is the only way with no real consideration for the effects those decisions have on others)

He’s selfish, arrogant, and reckless, he doesn’t seem to take much of anything seriously and that may be a persona (again, I haven’t actually read jjk yet… the ending of mha did the characters, narrative, and audience so gd dirty I need to know how jjk ends so I set my expectations accordingly) but I can very much see this man never really developing his sense of empathy because he never really had any stakes… like he has some understanding, but the god complex and the fact people around him constantly reinforce it… he can’t put himself in other people’s shoes, there’s a detachment from reality that would read as delusional for anybody else, but he has spent his entire life being told he is the strongest with nothing ever being able to prove him wrong.

Than on the flip side of that god complex, honestly for a good while, and still sorta kinda… to me he reads as passively suicidal. (I know “Word of God” can be controversial regarding character analysis because of its absence in the base text) but the fact Gege’s rough rundown of Gojo’s daily schedule was basically “he sleeps for about 3 hours and spends the rest of his time working, his sweet tooth is actually somewhat practical as he uses sugar as a stimulant.” That’s not good for your noggin. Add the isolation caused by his status and his god complex, I see him coming to the conclusion that the only way he should die, is in battle.

And he did! Even if wasn’t in the “final sacrifice that ensures he becomes a legend” sort of way I think he would’ve hoped for.

But that also felt… right? (Certainly not fair, Gege openly admitting he kills off fan favorites for the shock value does dampen the possible emotional impact that could’ve been achieved… but I digress)

Every time Gojo fights, and I mean properly fights, he’s smiling, it’s a game to him, a chance to show off, to assert his dominance and reaffirm his status… so him dying so suddenly that his legs are still standing as his upper half falls to the floor, he’s lying there choking on his own blood as he bleeds out and Sukuna saying it “cleared his skies” (weird phrasing, but I think that’s a cultural/translation thing) it could’ve been a gut punch of a tragedy that amped up the stakes of the final conflict! The protagonists’ trump card is gone in a handful of panels and a flick of the wrist! He’s bleeding out on the ground as the big bad seems to reach a moment of genuine inner peace! But the backtracking and Gege’s history lessened that significantly

tbh I wouldn’t be surprised if it turned out that Shonen Jump had something to do with it… the motivations for Gege’s writing choices are questionable to me (it feels spiteful and cheap) but they’ve been consistent until now, what changed?

Anyway it is… 5:45 am… I should be asleep, but I’m here vomiting character analysis based on partial information in your inbox… I hope you have a good day/night/whatever is appropriate for when you receive this

I hate that you had me read all that, but I couldn't agree more with most that you said (except maybe where you call him selfish and I lowk think geges killing system is fair and I like it a lot but🤷).

Anyways, I don't know how to really respond to this since you basically did all the talking lol (plus I'm tired from reading all that and just got out of school).

I do have a question tho. how did you start with jjk0??? Like how does something like that happen. Also you haven't watched the anime or anything😭???

Anyways, thanks for dropping this essay on me have a good day/night or life in case we never speak🩵

[thefaiao]

seeing your clowns made me go feral since my fixation is cringe and clown flavored

Who let you cook like that who let you cook AUTHHFFH UR ART IS SO COOL IM BEING DRAGGED AWAY

You’re hatching is so fucking inspiring since it’s soMETHING I try to do in my own work I LOVE UR ART

would it be fine to ask what brushes you use? I love ur values also, you’re so so good at shapes and form WAAAA I LOVE UR STUFF. I did dig up an old ask you made iirc, but I’m not sure if it’s changed

Hey! Thank you very much. I'll go through the brushes I use for each program: Drawpile

From what I understand most of these are MyPaint brushes... but I only know them as drawpile brushes because that's what I use. Main ones I've used lately is Irregular Ink and a default brush for coloring

I don't really change the size of irregular ink much and the pressure doesn't matter that much. It has high stabilization which I haven't changed, but I'm sure you could get away with lowering it. For the other brush I'm pretty sure it's a default one that I slightly tweaked (drawpile is a bit bad about communicating what brush exactly you are using to you.) I quite like it because it feels like playing with clay, makes it easy to map out the volume. I use it for those lineless pieces I do from time to time too. I change its size a lot while drawing. I've also used these two, one of the pencil brushes and a second one I stole from Jokioro that I have no idea what is called

I used the first one for the D'arce I did a while ago and the recent VTMB piece. It's great at emulating sketchy graphite pencils, I like layering it to do multi-colored hatching rendering. The second one I don't know how to use super well yet but it's probably my fourth most used as of late. It works very weirdly so if you wanna figure out how to make it work I recommend looking at how Jokioro draws. Clip Studio I bounce around a lot with all the brushes, but I use a loooot of stuff from the Frenden pack. Mainly Meeko Leako for lining and even coloring, it has a great texture to it, very fun

This has been my most used brush for years. It's great for super straight lines and produces a great difference in value between quick lines and thick lines. I haven't used it as much since I picked up drawpile more recently, but it's amazing! Other than that I use the default G-pen when I just want simple lines without much texture

It's a bit ugly at a glance but I think if you lock in it's great for super clean lines, just trying to get the point across without much noise. I also like coloring with it at times, when I'm going lineless. SAI Binary pen. Use the binary pen. It's the best brush ever made

It just feels super right to draw with it, it's so simple but it makes your lines look super slick, and it's just a binary pen. I guess they just got the behavior down perfect for it. But yeah, love this brush. IRL I've always used these archival ink pens in different sizes for basically everything I've done traditionally, and of course just a simple number 2 pencil for sketching and such. I've used a bit of charcoal recently, and been wanting to deep into darker pencils for detail, but this is still the default. I also will probably try out dip pens sometime

That's all I can think of immediately, but I always like to mess around to try and find another great brush, and you should do the same even if you end up using these a lot.

[mariacallous]

There was a moment that struck me, and I think it would strike you too: Donald Trump openly praised Viktor Orbán, as he has done repeatedly in the past. But he said, explicitly, Orbán is a good guy because he’s a “strongman,” which is a word that he clearly takes to be a compliment, not derogatory. You’ve written about the strongman fantasy in your Substack, so I’m curious: What do you think Trump is appealing to here?

Well, I’m going to answer it in a slightly different way, and then I’ll go back to the way you mean it. I think he’s tapping into one of his own inner fantasies. I think he looks around the world and he sees that there’s a person like Orbán, who’s taken a constitutional system and climbed out of it and has managed to go from being a normal prime minister to essentially being an extraconstitutional figure. And I think that’s what Trump wants for himself. And then, of course, the next step is a Putin-type figure, where he’s now an unquestioned dictator.

For the rest of us, I think he’s tapping—in a minor key—into inexperience, and that was my strongman piece that you kindly mentioned. Americans don’t really think through what it would mean to have a government without the rule of law and the possibility of throwing the bums out. I think we just haven’t thought that through in all of its banality: the neighbors denouncing you, your kids not having social mobility because you maybe did something wrong, having to be afraid all the damn time. African Americans and some immigrants have a sense of this, but in general, Americans don’t get that. They don’t get what that would be like.

So that’s a minor key. The major key, though, is the 20% or so of Americans who really, I think, authentically do want an authoritarian regime, because they would prefer to identify personally with a leader figure and feel good about it rather than enjoy freedom.

You mentioned the word banality, which makes me think of Hannah Arendt’s theory of the “banality of evil.” What would the banality of authoritarianism look like in America?

So let me first talk about the nonbanality of evil, because our version of evil is something like, and I don’t want to be too mean, but it’s something like this: A giant monster rises out of the ocean and then we get it with our F-16s or F-35s or whatever. That’s our version of evil. It’s corporeal, it’s obviously bad, and it can be defeated by dramatic acts of violence.

And we apply that to figures like Hitler or Stalin, and we think, Okay, what happened with Hitler was that he was suddenly defeated by a war. Of course he was defeated by a war, but he did some dramatic and violent things to come to power, but his coming to power also involved a million banalities. It involved a million assimilations, a million changes of what we think of as normal. And it’s our ability to make things normal and abnormal which is so terrifying. It’s like an animal instinct on our part: We can tell what the power wants us to do, and if we don’t think about it, we then do it. In authoritarian conditions, this means that we realize, Oh, the law doesn’t really apply anymore. That means my neighbor could have denounced me for anything, and so I better denounce my neighbor first. And before you know it, you’re in a completely different society, and the banality here is that instead of just walking down the street thinking about your own stuff, you’re thinking, Wait a minute, which of my neighbors is going to denounce me?

Americans think all the time about getting their kids into the right school. What happens in an authoritarian country is that all of that access to social mobility becomes determined by obedience. And as a parent, suddenly you realize you have to be publicly loyal all the time, because one little black mark against you ruins your child’s future. And that’s the banality right there. In Russia, everybody lives like that, because any little thing you do wrong, and your kid has no chance. They get thrown out of school; they can’t go to university.

We don’t imagine how a regime change is going to be at the dinner table. The regime change is going to be on the sidewalk. It’s going to be in your whole life. It’s not going to be some external thing. It’s not like this strongman is just going to be some bad person in the White House, and then eventually the good guys will come and knock him out. When the regime changes, you change and you adapt, and you look around as everyone else is adapting and you realize, Well, everyone else adapting is a new reality for me, and I’m probably going to have to adapt too. Trump wants to be a strongman. He’s already tried a ​​ coup d’état. He makes it clear that he wants to be a different regime. And so if you vote him in, you’re basically saying, “Okay, strongman, tell me how to adapt.”

Yeah, we could talk about Project 2025 all day. This new effort to bureaucratize tyranny—which was not in place in 2020—could really make the banal aspect a reality because it’s enforced by the administrative state, which is going to be felt by Americans at a quotidian level.

I agree with what you say. If I were in business, I would be terrified of Project 2025 because what it’s going to lead to is favoritism. You’re never going to get approvals for your stuff unless you’re politically close to administration. It’s going to push us toward a more Hungary-like situation, where the president’s pals’ or Jared Kushner’s pals’ companies are going to do fine. But everybody else is going to have to pay bribes. Everyone else is going to have to make friends.

It’s anticompetitive.

Yeah, it’s going to generate a very, very uneven playing field where certain people are going to be favored and become oligarchs. And most of the rest of us are going to have a hard time. Also, the 40,000 [loyalists Trump wants to replace the administrative state with] are going to be completely incompetent. When people stop getting their Social Security checks, they’re going to realize that the federal government—which they’ve been told is so dysfunctional—actually did do some things. It’s going to be chaos. The only way to get anything done is to have a phone number where you can call somebody at someplace in the government and say, “Make my thing a priority.” The chaos of the administration state feeds into the strongman thing. And since that’s true, the strongman view starts to become natural for you because it’s the only way to get anything done.

Timothy Snyder Explains How Americans Might Adapt to Fascism Under Trump

[frozen-orbit]

Being unaware sometimes has its perks. Because i didn't know what the title of TDP season 7 was when i first watched season 6, and i went through the whole thing wondering what it would be, cause all of the primal sources had been used already. It was not until episode 9, when Aaravos explained what was needed for the spell to free him from the pearl, and he mentioned an object related to each primal source and then said that it also needed love, that i thought "Well of course! Season 7 is gonna be 'Love'! That's it!". And then... well... i found out i was not quite right 😭................................ Or was I? 👀👀👀👀

I don't think this was unintentional. In fact, the more i think about it, the more i realize how closely related both of the concepts of love and dark magic are within the story. I know at this point of the show this might be obvious, but hear me out.

There's this idea of what love is, that has been constantly portrayed throughout the series. Sacrifice. Quotes such as "i did what i had to do", "i would do anything for you". We hear these kind of phrases and many of us immediately associate them with love, whether it is romantically, platonically, filially, etc. But also, almost all of these quotes have been said in the show referencing the act of dark magic.

And what does dark magic require? The unthinkable, atrocious actions, sometimes betraying your own morals for a greater good. Oh, but isn't that admirable? Isn't that romantic? To have someone destroy themself in order to save you? Why, that's the greatest act of sacrifice anyone could do! They did it for love!

This may be a distorted idea of what love is, but we can't deny the fact that these kind of actions are perceived as acts of love, both in our society and in the TDP storyline. And it's really interesting because those are like opposite concepts: love is good, dark magic is bad; love is life, dark magic is death; yet somehow, they've managed to put them together and the line between one another has become so blurry. Are they really that different? If any despicable action could be done in the name of love, wouldn't that be just as dark? Wouldn't that also corrupt one's soul?

Honestly, i'm so excited to where the writers would go with this, but i don't know if it'll be that much in the face. My guess is that some character would do some huge sacrifice that would divide opinions on whether it was an act of love or an act of iniquity. What do you think?

[l0stfoster]

Hey its paul anon again (thanks for the name 🫡) sorry ive been bombarding you with questions but I absolutely love this au and i love everyone to bits

So, can you go into more detail about darry and paul . Like, as much info abt them as you can throw at me those two are my boys . Like how did they officially get together , how did Paul go abt moving in and whats that situation like .

Also, when Paul is like kicked out and cut off from the family, does he end up just,, losing everything? I mean like, did his parents even let him get his belongings or did all he have was the clothes on his body and trauma. I would imagine his parents had control over his bank account too so they like shut that down too so he’s out here broke as fuck JHSJSHSJ sorry im just yapping

Anon never apologizes for asking I'm so open to answering them bc I love this au and I adore that so many people like it too. Parry fans are eating good bc the writers love Cursed!Parry just as much. I'll answer your questions ab them before I yap. To be totally honest, those two did not ever really make it official. Doing that requires two things they lack; emotional openness and no internalized homophobia. They both told themselves for the longest time that it wasn't a relationship... even after they started saying "I love you" in Latin and Fae respectively (Paul knows Latin bc spells, Darry knows Fae for obvious reasons), or when each other realized managed to figure out WHAT the other was saying,, or when they started sharing a bed and waking up intertwined,,, or when they started using far too affectionate pet names,,, or when things became far too intimate for it to be casual. They never actually make it official, one day they just slip into calling each other their boyfriends. The most official it ever got was when they flat out went "Oh yeah, we're dating" to the gang. The gang was making bets on that, by the way. Pony said weeks, Soda said a month, Steve said two, Two-Bit said a year. Ace got it right down to the date and time, nobody knows how she did it. They have no anniversary because they have no fucking idea when they really "got together". Paul never truly moved in either, he kinda just went from crashing there whenever his car wasn't an option, to taking up the couch almost every night, to sleeping in Darry's room, and eventually, it was just an unspoken thing that he was officially a member of the household. They have to kick him out for the day whenever the social worker comes to check on things, cause Darry can NOT take the risk of some kind of bad outcome to his mere existence. OK MORE GENERAL PARRY - Being with Paul reminds Darry that he's only 20 and still allowed to be something other than "the adult" sometimes. That brings a whole KIND of happiness that he can't describe. Dude's tail is fucked up due to physical trauma but that bitch wags so fast with Paul. - Darry on the other hand just generally grounds Paul. He's so used to the way of life that was on the west side that everything going on there is overwhelming sometimes. - They're very bad with vocal I love you's in English but they will say that shit ALL the time in different languages or through their actions. - Uh after Paul got jumped and had his letterman jacket stolen, Darry gave him an old denim jacket of his own bc Paul hated having his arms out in the open. - Pony audibly gags every time they're lovey-dovey. He's not homophobic unless you're Paul and Darry. - They'd shotgun cigarettes when they were younger (and the only reason they don't anymore is the account of Darry wanting to keep the fact that he smokes every rare occurrence on the down low) - Darry's purring has healing properties like a cat's purr (all of the brothers' have it actually) so this mf will just drag Paul down to cuddle and purr. - They are.. so down bad for each other. Darry does anything and Paul swoons, and they've def had an interaction that goes something like this: Paul, knowing Darry cant lie: "How do you feel about me right now?" Darry, immediately: "I'd marry you if I could." Paul & Darry:

As for being kicked out, Paul's parents quite literally just. Booted him, barely a warning. One minute he's arguing back for the first time since their keeping up appearances at the police event, and the next he's being dragged by the arm and shoved out of the house with threats of being killed if he dares to show his face back there. Just like that, all of it's pretty much gone; save for the clothes on his back and whatever he'd been carrying-- which was really only his car keys and his wallet. He was sleeping in his car for a bit until Two and Pony vaguely got on his ass because Darry's calls were going to voicemail and he was stupid enough to let it slip that he wasn't living at home anymore. Pony, being Pony, snitched. Can't have shit with that little gremlin around- so after finding his dumbass after having had the equivalent of an aneurism over suddenly being ghosted by Paul, Darry extended the offer for Paul to stay with them. He doesn't mind it being a permanent solution, but Paul is.. less fond for a few reasons; so he tries not to impose much while he looks for work. (He does eventually get something sorted out, so yippie! Helps with the bills what a guy) FORGOT TO ADD. He sneaks home at one point to try and get some of his shit because he knows where the spare key is, but gets cold feet at the door because he genuinely doesn't know if his dad will keep up with that threat.