#poison critical

[rockanroller]

I just can’t get over loser baby it’s so horrible like “so what it you’re getting SA and on wanna break yourself, get over it you’re not unique” that is not the song you go after bombarding the audicence with SA that’s very male gazette, like this is the stuff feminists talk about when SA are made with a male gaze. The worst part is that it’s the best episode so far because it has better pacing, more character focus on Angel and no subplots or exposition dumbs and the scene with Valentino in the dressing room was ENOUGH to convey sexual and physical abuse we didn’t need so see the SA scenes, again if you have a rape fetish than all power to you you’re not exempt from criticism when people especially SA survivors don’t wanna see it

yeah i haven't seen it all yet but i caught poison on my feed w/o sound and it was rough. it felt fetishistic to me, like they wanted to get a rise out of the audience, and maybe that was the intent, to make the audience like... "sexually uncomfortable" but i don't personally agree with that being a good approach for portraying SA, in the same way i also don't believe you have to show someone violently dying an explicit gory death to portray grief.

some ppl believe in that type of content, or the "importance" of it, i personally don't bc it just makes me sick and i don't need to witness something that intense in order to empathize with a character. it just makes me not want to engage that content.

i agree w/what you're saying that there was enough there w/Val just being in the dressing room. there was also enough in Addict, and enough techniques used in other content that portrays SA, to show that it happened or Angel's discomfort with it/how it affected and still affects him w/o a lot of the more hefty visuals they used. ((and if anyone's worried: i don't recall seeing any explicit genitalia, things were "insinuated" but they were still insinuated more intensely than i personally felt was necessary--with visuals like jerking bodies in full or partial view.))

[ernestbruce]

Poison Critical podcast

[craycraybluejay]

I also heavily resent the ever-present implication in mainstream media that at all touches on trauma that we cannot have any sympathy for Bad Victims. That it's evil to write a sympathetic Bad Victim. Hell, that it's bad to portray one at all at times. Writing a victim of trauma who's an addict or self-destructive is already an edge case-- writing trauma survivors who end up actually hurting someone else, being chronically "treatment"-resistant or having inconvenient ptsd, perpetuate the cycle, or are just kind of a total dick is considered an evil move. Instead of like. An actually complex and interesting artistic choice.

Idk. It pisses me off a lot how often Bad Victims[TM] are brushed under the rug and if you dare to speak of them/make art of them, let alone SYMPATHIZE with them you're an irredeemable monster. And that's just fictional characters. Don't even get me started on the way people treat actual people who have ptsd in a way that's at all inconvenient and problematic in their opinion.

[genericpuff]

All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (The Twist)

Alright y'all, I've been waiting a hot minute to talk about this because I wanted to see how it fully panned out before saying anything about it. And it's not even specifically about LO, but I do think it's very adjacent to it in a way that I'm sure you'll be shocked to hear. Much of it speaks to how we prop up white writers even at the expense of POC.

This is 'the twist' attached to my first post that I made just a couple hours ago that concerns an entirely other topic but I feel ties into this subject very well.

If you haven't heard, there's this author who recently fucked around in the Del Rey publishing scene.

Her name is Cait Corrain.

In the original tweet calling this person out, names were not dropped, but it was made very clear that what Cait did was unacceptable behavior.

You can read the entire thread that started it all from Xiran here:

There's also a GREAT recap thread from one of the affected authors, Bethany Baptiste:

I want to make it clear that Cait Corrain isn't just a debut author.

Cait Corrain is - or now, was (foreshadowing is a literary device that-) - a debut author who had an agent, a publishing deal with Del Rey (an imprint of Random House which is a MAJOR publisher) and even an upcoming Illumicrate deal - meaning, her book was going to be packaged in a monthly loot crate subscription shipped directly to people's doors, quite possibly one of the best marketing deals a debut author could ever get, usually unheard of in this industry. All the pre-reviews were strong and positive.

Cait's book was literally set up for success. All she had to do was sit back, relax, and watch the fruits of her labors roll in. She had written the book. It was ready for release. The hard part was technically over.

But I guess the racism brainrot got to her because as it turns out, since April - for EIGHT MONTHS - she's been making alternate accounts on GoodReads to review bomb the indie and debut works of her friends and peers, most of whom were POC and did not have the same opportunities set up for them as she did. There are loads of receipts to back this up that you can find in those above threads ^^^

To say that this is appalling is an understatement. This was an intentional and deliberate act of racism by a white queer writer who claimed to be "jealous" - of what, I can't imagine - so much so that she deliberately sabotaged her peers, people who had supported her and her book.

And then when she got caught? She doubled down on it and claimed it was a "friend", also an alternate account she made up.

The exchange between her and this made-up person is actually the funniest shit out of this entire thing, it's so poorly written and as soon as people noticed the time stamps were out of order, that was when it truly cemented her newfound clown status.

"oooooh he's standing right behind me, isn't he?" energy right here LMAO

yes keep expositing cait, that's really selling the "this is a genuine conversation that really happened with a real person" bit 🤡

Anyways, it became abundantly clear that Cait was just going to continue to dig her heels in over something she caused.

This has been a hot topic in the UnpopularLO Discord, not just because of how crazy of a situation it is that we had to talk about it - and we have people within the community who work in the literature and media sector - but because we noticed one very telling thing in the list of series that she had review bombed in her very own personal act of wrath.

You see, Cait made one fundamental mistake that led to her undoing - she didn't just review bomb the works of her peers, she positively reviewed her own book and others.

What's her book about though?

It's an Ariadne x Dionysus retelling set in space.

It's literally another "modern retelling" of Greek myth.

And wouldn't you know it, guess who else created a modern retelling of Greek myth that she included in her positive review raiding while she was sabotaging the work of her actual peers?

Now, I think it goes without saying that what I'm about to say should be taken with MOUNTAINS of salt, I'm sure a lot of you are reading the headline and going, "Ugh, really? You're gonna make this about LO? Could you give it a rest already???"

I need you to understand, with the current state of Rachel's fanbase and 'modern' Greek myth literature as a whole, at this point Lore Olympus - and the works that are literally inspired by it such as A Touch of Darkness - has basically become the shopping cart litmus test of basic decency. It's like when someone says they like Harry Potter - you can't take it automatically at good faith anymore, because there isn't a whole lot separating someone who simply liked Harry Potter as a kid and still rewatches the movies from time to time from someone who fully supports the politics and agenda of J.K. Rowling. No, not everyone who still watches the movies or reads the books fondly is a TERF by default, but it's justifiably a reason for suspicion when the consequences are often too dire to risk.

There's this thing that's been happening in the LO fanbase that I frankly saw coming, but has really recently started to hit its peak. It's what I call the "Kanye Effect", where the comic has become so absurd and backwards in its misogyny and white feminism that the only people who seem to be left supporting LO are the people who are legitimate white feminists and misogynists - because all the normal level-headed people fell off the comic ages ago (or transitioned into the critical side of the community).

I mentioned it in my last post, but it bears repeating - Rachel's fanbase has literally been shipping Hera, a victim of abuse, with her abuser, Kronos. I'm really hoping a lot of them realize how fucked up that is now that Hera herself has called it what it is - abuse - within the comic, but I also can't count on the LO fanbase picking up on that or even noticing it with how quickly people swipe through it each week, it's very apparent at this point that most of LO's readers don't know how to chew their food and don't pay attention when Persephone and Hades aren't onscreen.

But I'm digressing. Or am I? We're talking about Crown of Starlight after all. The debut Dionysus x Ariadne sci-fi/fantasy romance that was quite literally advertised using Lore Olympus as its baseline-

This. This is what the ongoing cultural erasure and white feminist uwu-fication of Greek myth is doing to the literary zeitgeist surrounding Greek myth as a whole. This is why we criticize Lore Olympus and works like it that are created by disingenuous people who only seek to use the assets of Greek myth material as a way to shoot themselves up into fame and stardom. This is why we demand better standards in the literature and webcomic industry, so that people like Rachel and Cait can't use their privileges to quite literally erase the source material that they used to make themselves famous in the first place.

If anything, Cait's actions didn't just affect the people she negatively review bombed, or the people she was affiliated with, but also the people she positively reviewed. While I don't support what Rachel creates, she wasn't the only one who Cait went out of her way to review positively from her alt accounts, there were many others as evident in the Google Doc - but all this really does is tarnish the legitimacy of these books and their ratings by artificially jacking up their numbers that are advertised to others.

Making Greek myth fanfiction or fun creative retellings was never the problem, but it's now being sabotaged alongside so many other genres and mediums by toxic white individuals who can't even keep themselves from committing hate crimes, let alone create something purely for entertainment that's transparent in its illegitimacy, lest it destroy the illusion that these people are qualified to speak over those whose voices are being stifled, often by these very same people. Many of these writers get caught and are still allowed to continue what they're doing - that was certainly what we feared with Cait.

Until today.

It was revealed today that Cait's book will no longer be featured in the Illumicrate May 2024 box.

Del Rey has dropped Crown of Starlight from their publishing schedule.

Daphne Press will be hopefully following suit.

And, most telling of all, Cait's own agent has severed ties with her.

For anyone not familiar with the inner workings of the publishing industry, Cait has essentially been blacklisted. Without an agent or a publishing house, she'll have to entirely rely on her own resources through self-publishing. Unless she manages to sneak her way back in under an alias (which I wouldn't put it past her to try) she no longer has access to the mainstream publishing industry that was already guaranteed for her before she let her 'jealousy' get the better of her.

Her career was already made for her. She had a red carpet laid out for her debut. Her book was getting good pre-reviews and she had quite literally nothing keeping her from her success. The best thing she could have done was nothing. Somewhere in her head, she made up a threat that didn't exist, and sealed her fate in acting on it, a self-fulfilling prophecy.

I think in these situations such as with Cait Corrain, Rachel Smythe, and - also recently and relevant - James Somerton, we need to become increasingly aware of how white voices are still overpowering POC voices, not just in their actions, but in the opportunities they're given over others which they then use to further stifle the voices of those they feel "threatened" by or feel entitled to speak over. While neither James nor Rachel have used sock puppet accounts to "take out the competition" (at least as far as we know lmao) James did quite literally steal the words and voices of queer writers who were deserving of their time in the spotlight, and Rachel's work is being quoted as "rewriting Greek myth" as if its blatant gentrification and appropriation should be marketed as some sort of positive.

It's all too common for these deeply-rooted prejudices to rear their ugly heads and for the people who carry them to act out in this way while justifying it as "jealousy" or "a mistake". This isn't jealousy. This isn't a mistake. This isn't someone "starting drama". This is genuine, targeted hate, with the intention of snuffing out the voices of others who should be empowered, not silenced.

All that time and effort, and for what? Racism and petty jealousy? It just goes to show, it doesn't matter how many opportunities you're given, how high up on the ladder you already are - it won't fix the deeply-rooted insecurity and racial pettiness that spurs people on to do such horrible things.

I've spent enough of my time and words today talking about Cait, and James, and Rachel. So to end this off, I want to join in with all the others who have highlighted the books that were review-bombed by Cait, and help in uplifting them so they can have successful debuts. I'll be pre-ordering a few of them, so I'll be happy to make dedicated posts for them in the future after they release. Please consider purchasing them for yourself if you want some new reading material <3

The Poisons We Drink by Bethany Baptiste:

So Let Them Burn by Kamilah Cole:

To Gaze Upon Wicked Gods by Molly X Chang:

Mistress of Lies by K.M. Enright

Voyage of the Damned by Frances White:

(I'm sure there are plenty others so if I missed any here, please let me know so I can add them here and check out their books!)

If there's any silver lining to this, I hope that it makes people aware of the media they consume and who it's being created by. I hope it makes people more willing to seek out the books that aren't getting the same opportunities as Cait Corrain and Rachel Smythe. I hope it's a wake-up call to the industry that matters like this need to be taken seriously and that POC writers are still being silenced under their own noses. And most of all, I hope it's a reminder that we shouldn't even need at this point that this behavior is not okay, no matter what level a person climbs to - that just because someone is part of one minority doesn't mean they're not capable of sabotaging another. It sucks that that has to be said, it sucks that despite these groups being so intersectional there are still people within them who submit to their deeply-rooted insecurities and find ways to feel threatened that they use to justify hateful behavior.

Having a platform is a privilege. It should never be weaponized against your own peers or those who you simply feel "threatened" by for no reason beyond your own imposter syndrome or doubts or internal struggles. Because as much as you may feel like you've earned where you are, that never gives you the right to weaponize your opportunities against others who were never given those same opportunities in the first place. "Feminism" is not using your power to crush "other women". "Progressiveness" is not exclusive to the progress that only benefits you.

I wish only the best to those who were affected by the actions of Cait Corrain. You deserve to be heard and seen and appreciated for the work you do and the abuse you've had to tolerate. I look forward to your debuts in 2024 <3

[anistarrose]

the thing I keep coming back to about TAZ Balance, I think, is that there's heroes — lots of them, even — but there's not really a hero, not a singular one. when our characters try to save the world all on their own, and oh, do they try, their arcs — while eventually culminating in happy endings, for the most part — are, at the time, cast as tragedies. lone heroes, in TAZ Balance, are invariably tragic heroes.

Lucretia can't gather all the Grand Relics and defeat the Hunger on her own. Barry can't find Lup, much less sway Lucretia from her plan, on his own. Lup, crushed by guilt, sets off to neutralize her greatest mistake without even facing her family as she leaves, and that decision sets the story into motion in the first place. their intent to spare their family, to shoulder the burden alone so no one else will have to, fixes little and leaves them isolated. lonely. trapped.

even Magnus, rustic Folk Hero of Raven's Roost, fails to avenge the community that took him in. he sets off on a solitary mission to do so, never opening up about his pain to even his closest friends, but he never sees Kalen again. yet, maybe not too late, he learns, or rather, remembers — the strength to protect and avenge others comes from the strength to ask for help. the last thing helping anyone is trying to do this alone.

Lucretia assembles the Bureau, and as soon as she sees a way, brings Tres Horny Boys back under her wing. Barry, the very same day that Lucretia recruits them, sees the Phoenix Fire Gauntlet surface, and realizes it's time to put his trust in his family again — he shows himself to them soon after, and even with him putting up a facade, that's progress. and Lup, with endless time to reflect, is possibly the first of all of them to see where she went wrong. she won't be making that mistake again.

there's not a singular hero of the story, because taking on the burden of saving everyone is no task meant for one person. there's "our heroes," Tres Horny Boys, and there's the secondary, "secret," but no less important heroes who complete the ranks of the IPRE, but none can defeat the Hunger — nor reunite their family, nor vanquish an old foe — without leaning on each other, and on the new bonds they forged on this cycle. leaning on Johann, Kravitz, Team Sweet Flips, and the whole ensemble; every single connection that convinced them not to flee but to fight.

accepting that none of them can, that none of them should, be the hero alone — that's what averts the tragic end. the Hunger, terrible as it is, is wholly united, sharing and amplifying each other's despair. the only way to victory is to rely on each other, to care for each other, to learn how to be cared for, and to let your loved ones grant you hope.

[biracy]

Once u learn to be critical of rhetoric that relies on associating [supposed bad thing] with some form of psychological and/or neurological "damage", u really notice just how prevalent it is on here. Everyone you don't like is delusional, they're insane, they have brain damage, they need to Check The Carbon Monoxide Detectors, they need to Get Help and Go To Therapy, [form of media and/or communication] is literally brain poison, they've had their attention spans destroyed, they're "small brain" or "smooth brain" or "brain dead" or whatever. So many people on here remain seemingly incapable of criticizing someone's actions or views without needing to insinuate that the "problem" is neurological, "in the brain", unchangeable, fundamental. I should not have to explain why it is insensitive, nonconstructive, and oftentimes straight-up ableist to tell someone that they must have "brain damage" because you got into an argument with them online.

[resisteverything]

You know what I don’t get about Poison? It’s an attempt at a pop hit. It has a constantly repeated chorus with little variation, doesn’t forward the plot, is general enough to have been a fansong rather than part of the plot, literally rips off a fan made pop song, has a living tombstones remix, is a single on spotify, its literally a pop song with none of the qualities of a show tune, it’s like Hazbin hotel is trying to make the rape song a radio hit.

Why? Addict was a pop song but it wasn’t also a show tune, and it wasn’t about rape, it was about Angel as a character and his life, and there was a sense of melancholy but not that of being a rape victim.

I get the idea of poison, it’s basically “all you wanna do” with less satirical edge and a more serious tone, but it’s just handled so weirdly.

[slutdge]

"but mcr and green day mean so much to queer people!!!" wow thats sad, i hope the people in my community get better taste. still not punk music.

[shyjusticewarrior]

People who think Jason and Tim don't/can't care for each other because of their rocky start are gonna lose their minds when they learn what Selina and Ivy's relationship used to be like.

[its-elvish-for-two]

Whumptober Prompt 13:

Part 1 of a little collection of the Mighty Nein helping out a very battered Caleb...

(no spoilers please, I'm only up to ep.59)

[rockanroller]

Honestly episode 4 wasn’t too bad, and this coming from someone whose been SA. surprised Ralph isn’t credited as a writer some this pretty much is just there fan comics and Valentino animatics, like viv stole all their ideas lol.

introducing Valentino is episode 2 was a bad idea because he’s voice performance is the absolute worst, they stepped it up in episode 4 by not giving him many lines and putting a voice filter on him. The stuff with Husk was ok, I can’t see them as a ship I just see them as the friend Angel needs and not a boyfriend, I didn’t think they’d drop his backstory so soon into the show and honestly I’ve seen fans do better lol

Loser baby is a nice song but not something you’d sing for someone whose been SA and is on a self destructive path. it’s a song that should’ve been saved for Charlie and Husk. Poison was definitely voyeuristic like if they wanted to show the mental effect it has on Angel they could’ve showed the aftermath of him beat up, crying just having a full blown panic attack like they did with addict. Idk why they villanious and disrespect sex work so much lol it’s painted as a negative and something to be shameful about,

Animation was really good, just these designs are so ugly

that's fair. i've seen some saying it's absolutely god-awful, while others have said it was good, or it was ok and they can see the potential / the aim but the execution missed the mark, etc.

idk if i'll be able to watch it anytime soon, lots of what i've seen has left such a rotten taste in my mouth/stomach that i'll have to give myself a few days or weeks before i attempt it.

they...put a voice filter...on Valentino...? what kind of filter?? what??? i can also understand seeing Husk and Angel more as friends than boyfriends. even tho i haven't seen the episode, the bits and pieces that've come across my feed have given me that same impression.

for Loser Baby i haven't heard it but i got the same impression you did, and the concept of it being a Husk and Charlie song sounds like a *much* better and more fitting idea. Loser Baby *felt* like it was attempting to do a "this sucks so make the best of it" or "you'll only be seen as trash so embrace it" empowerment thing but all i've seen and heard it seems to feel more "it won't get better so don't try" or smth like that.

i just caught Poison on my feed w/o the music and it was rough. i def agree with you that if it'd been more like Addict it would've been better, but this felt very "sex sells" and i don't think that's the right "rise" to attempt to get out of your audience when touching on SA, it felt more like...i feel like there's term for it i'm forgetting but it's like a type of masochistic/pity fetish where the narrative attempts to get the viewer sexually invested in a tragic character if that makes sense? idk how to explain it, i'll make a follow-up post if it comes back to me.

animation was fine from what i saw, seemed to be the most consistent (so far) but it still suffered from the quick / constant unnecessary and jarring camera shifting the rest of the show suffers from imo.

ty for sharing your thoughts!

[ganondoodle]

sorry i keep coming back to totk rants, but something that utterly baffles me from a game design perspective especially is

who, in their right mind, would think to put similar objectives with the same characters in the EXACT same place as its previous game when already reusing the same exact map (no, single rocks springkled around isnt a meaningful change, fight me)

like from a purely logical point of view its just ... not logical?? and TWICE so when most players will have played the previous game, so now that the exploration, which was the main driving point of it, isnt as satisfying simply bc you know most locations and what is what, the thing you need to do is subvert it as in you go to that location and theres something else now or something that leads to a new reveal, but not NOTHING either, bc you likely cared about what youd find- the satori mountain was such a cool mysterious place, so now you head to it to see what is now and its nothing but maybe an obvious treasure chest? thats both lazy (i realy use that since its way overused by people missusing it) and just ... it might be meant as a lil nod so that there isnt nothing at all but to me it feels even more condescending as if there were literally nothing instead

satori isnt here anymore? thats weird if its always been there, so you go find a cause, maybe theres a fissure somewhere you can enter a large cave system, an hidden entrance to the underground that reveals there is something corrupting the place somwhere nearby but not exactly in the same spot- make it into a bossfight at which end satori gets cleansed- maybe it got captured and taken somewhere else, to a place that was kinda neat but didint serve a big fucntion in botw like maybe it was dragged somwhere into the big tabantha canyon, or to the forgotten temple

you try to visit rito village but the snow and cold there got so bad that you cant even reach it without special gear, and when you do reach it its utterly frozen in thick ice and not a single soul is there, the perch of vah medoh is knocked over building a bridge as a subtle hint as to in what direction perhaps, its intriguing bc clearly they have to be SOMEWHERE, maybe they tried to use vah medoh to evacuate but bc its losing power and doesnt have a skilled pilot they crash land it into the mountains, now trapped there and due to the storm not able to send anyone out to get help, maybe some did but they didnt make it and you can find them on your way and rescue them, and bc of the storm being so bad no one can get out and no one can get in (except for our special boi linky ofc) and even after the storm has weakened they dont immediately go back and act like everythings normal, maybe theres an extra mission afterwards helping them rebuild the village but not exactly the same as it was but fortified, different to account for things like this happening again, establishing the crashsite of vah medoh as a second outpost, or a temple, to thank it for bringing them out of immedaite danger but couldnt go all the way

theres so many places that are so clearly modeled around botw that are entirely unused now bc they had to remove all things shiekah for no reason, the holes they left jsut being holes where somethings clearly missing or some chest with a gem in it while the new shrine thing is within view distance a few meters away, might as well have put them in the exact same place bc it really doesnt make a difference

(like alot of those ideas im using for the rewrite which changes many things but you get the point right??)

and its even worse imo with the building stuff, bc now you dont even have to journey there you can fly glide and literally drive there instantly like a giant skip button so you cant even appreaciate the way to it, you skip to one important part to the next

and then points of interest are REPEATED AGAIN, like with shrines and lightroots and settlements and big mines- that is the opposite of satisfying gameplay, you dont have to explore shit bc its all in the same place which is probably why they only did tiny changes to those few spots and nothing else bc they knew most people would run right to those so it gives the illusion of changes (which are half reversable or barely a change at all) and even those are STILL meaningless

its right up there with having even MORE grind with less substance to it than in botw, the shrines and krogs got a lil old but at least the environment, its subtle storytelling etc were something- and totk just bloated everything with more little meaningless collectables while not changing anything meaningfully (and instead pretends that some things where never there and those new boring things were always there)

more shriens with shorter puzzles or none at all, more krogs with the same reward system, over a hundred tiny caves that all blend together bc they are all so similar and you really only do them for yet another colelctable for old gear and ONE cool new one with a bad effect after which the things collected become uselessreally, souls to collect to buy you a single armor set, rewards being largley reused old stuff from botw (imo you should have a chest in your house, yes YOUR house, that got most of the standard versions of botws armor in it so you dont have to buy it all again??? but you gotta think of going home first and dont have to use it- make new versions of them alternatively so you can choose if you want the old one or new one and also LEAVE ONE AT YOUR HOUSE WITHOUT HAVING TO SELL IT SO YOUT INVENTORY ISNT AS ENDLESSLY SCROLLING AS YOUR STUPID ARROW BAR)

theres new effects from food and armor thats largely useless (like the attack when hot?? why wouldnt you you jsut combine an armor and a potion- put on hot armor and drink an attack potion? its way more efficient no?? idk i found it to be yet another effect thing to bloat my inventory especially when NPCs keep giving you shitty effect food)

the whole sonanium (zonaite?) collecting with multiple ways to convert it into yet another currency??? huh???? AND have it be the thing for you to autobuild with?? when you need it upgrade your battery which takes an insane amount of those stones?? wells, while finally an actual well are NOW ALSO LIKE A COLLECTABLE and im gonna take a wild guess that the reward is utterly disappointing too

the fairies are all blocked by much more annoying means than in botw (like i wouldnt want to carry those NPCs three meters away in their little cart antoehr time please) and the amount of material AND MONEY NOW you need is so much higher for no reason (if its their attempt to make the game harder its the lamest way to do it)-

all while instead of expanding on the foundation of botw they ripped it out to build a new one while pretending they are both there (im so so slaty about this .... a sequel like this should expand upon the stuff of the first game, both in theme, narrative, mechanics and more and not ... replace it with slightly different versions of it while abandoning everything established before and really only using it as a way to skip having to make you care about some characters bc you might still care about them from the other game)

i could go on, as always lol, anyway, i really really dont get why this got into the final game ..

[ghor-dranas]

Pick a Tearror!

Not enough people are listening to Midst imo, so I'm going to do my level best to fix that by making this poll! Please choose a tearror to be afflicted by.

All of these are canonical, and this doesn't even come close to covering the weirdness of the Fold from which tearrors originate. Please, if you think these sound fun, go listen to Midst.

[burr-ell]

percy is the model train guy and fjord is the model ship guy, together they have the SICKEST miniature room

[kerosene-in-a-blender]

Edgar: As a doctor I cannot ethically condone poisoning your employers using any substance I might know of

Edgar: However I appear to have mislaid this medical text about common poisons and their effects and I cannot control what whoever finds it does with the knowledge contained therein

[inamindfarfaraway]

How much do you think the Signal’s debut shook the supervillains, and indeed all criminals, of Gotham? He destroyed their longstanding definition of a Gotham vigilante. All the rules went out the window. From now on, apparently anything goes.

[Early morning in a plain, modest safehouse. Jonathon Crane cracks his eyes open, yawns, slowly gets up and groggily shuffles to the kitchen/dining area, where he takes out a cup and prepares to use the coffee machine. Behind him his scientific equipment and notes are arranged neatly on the counter. A relaxed Duke is taking photos of them.]

Duke: (jovially) Good morning.

Jon: Good morning.

Jon:

Jon: Who the hell are you?!

Duke: I’m the Signal! (pats symbol proudly) The newest hero in town.

Jon: (blinks, still half-asleep) Like… the Bat-Signal?

Duke: Yeah, I’ve got this whole light theme going on.

Jon: But - it - it’s 6:30 AM.

Duke: Yep. Turns out crime doesn’t just vanish when the sun comes up, so I patrol in the daylight hours. The night shift has seven people; the day shift should have at least one, right?

Jon: But you’re a Bat! Bats don’t do that!

Duke: Actually, some species of bat, like fruit bats, are diurnal. I got precedent.

Jon, on the verge of a breakdown: Okay, okay, look. I have lost a great deal of sleep lately evading capture by the frankly ridiculous number of vigilantes active at night. You’re a teenager, a student with a very strenuous job. Surely you understand what sleep deprivation feels like.

Duke: I do.

Jon: Just please, please let me have my coffee.

[A weighted pause. Duke narrows his eyes, then softens.]

Duke: You get one cup.

Jon: Thank you.

[He makes his cup of coffee and lovingly inhales the smell. Just as he’s about to drink it, Duke bats it out of his hand like a cat. It smashes on the floor.]

Jon: YOU -

[Duke quickly cuffs him.]

Duke: Stop! Making! Trauma: The Inhalant! That’s all you have to do, man!

***

[Duke is fighting Poison Ivy in her greenhouse of killer plants.]

Duke, popping out the blades in his escrima sticks: Your vines are no match for my bat-chet blades!

Ivy: Great, another one who puns.

[She sends a new wave of vines, but he gracefully slices and weaves through them. Too gracefully. His reflexes are faster than even Batman’s. Curious as scientists are wont to be, she halts her attack, and then suddenly, silently strikes with a vine straight at the back of his head. He cannot possibly sense it coming. He ducks.]

Ivy: Wait… oh God, you can’t predict movements before they happen with crazy extreme ninja training like Black Bat, can you? I’m not fighting another Bat like that. No way.

Duke: Oh, no, no, no, don’t worry. I’m not nearly as well-trained as Black Bat. I just have superpowers.

Ivy: You what?

Duke: I’m a metahuman. I’ve got superpowers.

Ivy: But you’re a Bat! Bats don’t do that!

Duke: I get that a lot.

Ivy: Well, what superpowers?

Duke: I’m not telling you all about my powers - I’m literally fighting you - but basically I can process light differently. Part of that is seeing where it’s been, the past, and where it will be, the future. I call it ghost vision.

Ivy: How far into the past and future? Hours? Months? Years? Can you see before your birth or after your death? Can you predict other people’s deaths? Watch the rise and fall of civilizations?

Duke, whose ghost vision currently goes under a minute both ways: That’s for me to know and you to… (stares into the middle distance) I believe, never find out.

Ivy: (raises hands) I’ll go to Arkham.

***

[Duke kicks open the door to Edward Nygma's hideout.]

Duke: Give it up, Riddler, I've got a... whoa.

[He trails off as he takes the space in. There are papers - plans, to-do lists, riddles, ciphers, trap and gadget blueprints, maps and more - everywhere, in stacks, folders and scattered loose across every surface. A bin in the corner is overflowing with crumpled pages. Intricate model traps line a shelf, one fallen on the floor. One wall bears a large corkboard with green and purple strings connecting annotated pictures of the Batfamily, including a screenshot of Oracle's digital logo. Edward himself has not reacted whatsoever to Duke's entrance. He's hunched over at his desk, typing away at an expensive computer setup. On one side of him sit many energy drinks, on the other is a massive pile of empty cans. All this detail requires Duke's night vision to see, because the lights are off and the curtains are closed, the only light the computer's cold glow.]

Edward: (only briefly looking up to give him a haughty stare) Yes, yes, the Signal, I've heard. Rest assured, it will be my utmost pleasure to obliterate you in a battle of wits. I just need to finish a couple of things.

Duke: When was the last time you slept?

Edward: (slightly hysterical chuckle) Please. I have transcended my mortal weaknesses thanks to intense focus, indomitable drive and the miracle of stimulants, much as I presume you Bats do. You're in no position to lecture me on getting enough sleep. I mean, you're late, so you're clearly not on top of things.

Duke: What?

Edward: You're meant to be a daytime hero. It's a little late for that, isn't it?

Duke: (concerned) It's 8:00 AM.

[Edward blinks and looks at the clock on his screen. He frowns. He stands up, strides over to the window and opens the curtains, flinching at the bright morning light. Duke notices that he has deep bags under his eyes and looks even more tired than Jon did, but his movements are as energetic as ever. He stretches and winces from back ache.]

Edward: Ah. So it is. ...What day is it?

Duke: (more concerned) Monday?

Edward: Monday?!

Duke: Okay, you've clearly been in the zone for a while. And I know being autistic can make it hard to recognize and interpret your body's messages. When was the last time you ate?

Edward: None of your business. I'm perfect condition.

[He picks up another can. Duke punctures it with a batarang. Edward scoffs and throws it down in indignation.]

Duke: I don't think you should have any more of those. (scans the rooms with X-ray vision) Oh my God, there's no food in here. Did you forget to buy it? Listen, if you come quietly, I'll get you a full breakfast on the way to Arkham.

[Edward is distracted, rummaging through his rooms in search of food.]

Edward: Of course I have food, Duke. It's right... it's somewhere around... (finds the fallen model) oh, I was looking for this!

Duke: No, with my powers I - you know my identity?

Edward: (still distracted, talking increasingly fast) What, like it's hard? I know everyone's except Oracle and the Red Hood. If Jason had survived, he'd be a perfect fit, but he's dead. Now, true, Stephanie is still alive when I distinctly remember visiting her grave, but those are completely different situations. There was a motive to fake her death, to escape the criminal overlords she'd angered with that gang war; I cannot find any such benefit from Jason's faked death and relocation. Stephanie was gone for, like, a year. Jason has yet to return after most of a decade. Even -

Duke: You visited Steph's grave?

Edward: She was a brilliant adversary, I had to pay my respects. Anyway, even if Jason's death was somehow inexplicably faked, he wouldn't have chosen to live only as the Red Hood. Especially who the Red Hood was at first. That would mean sacrificing his close familial relationships and becoming his beloved father and brother's enemy. And why would he ever be a crime lord? It's a radical betrayal of all his values, and based on his backstory, he should resent organized crime. And Batman would never fight his own child. None of it makes any sense! But I can't figure out what else could work. Is he really just a random person the Bats took in in adulthood? So that's been weighing on me. And also -

[He trips over a folder and, weak and lightheaded, crashes to the floor. He's so exhausted that merely lying on a flat surface has him sleeping soundly in an instant, resting his head on a stack of paper. Duke stares at him incredulously.]

Duke: I'm buying you breakfast.