#reflection probles

[toonlets]

MORE ON GENERATING LIGHT MAPS...

Q: What does the "generate light map uv" option do?

A: The "Generate Lightmap UVs" option in Unity is used to automatically generate a second set of UV coordinates for a mesh, specifically for lightmapping purposes. Lightmapping is the process of pre-calculating the brightness of surfaces in a scene and storing the result in a texture called a lightmap. This texture is later used for rendering the lighting on static objects in the scene :citation[2].

When you enable the "Generate Lightmap UVs" option in the Mesh import settings, Unity generates lightmap UVs for the mesh that follow specific rules, such as being within the [0,1] x [0,1] UV space, having a wide enough margin between individual charts, not having any overlapping faces, and maintaining a low difference between angles and relative scale of triangles in the UV and the original geometry :citation[3].

You can also create your own lightmap UVs in your preferred content creation software and provide them to Unity. For baked lightmaps, place UVs in Mesh.uv2 (also called "UV1"), and for real-time lightmaps, use Mesh.uv2 or Mesh.uv3 (also called "UV2") depending on whether you want to use the same UVs or provide different ones :citation[3].

Remember to ensure that any mesh you want to apply a lightmap to has proper UVs for lightmapping, either by enabling the "Generate Lightmap UVs" option or providing your own

Q: how does this relate to reflection probes and/or global illumination?

A: Reflection probes are used to capture the surrounding environment and provide information for real-time reflections on objects in the scene. They sample the visual environment at strategic points, allowing for more convincing reflections with an acceptable processing overhead :citation[1].

Global illumination is a lighting technique that simulates the way light bounces and interacts with surfaces in the real world, creating more realistic lighting in a scene :citation[5]. Lightmaps are used in conjunction with global illumination to store pre-calculated lighting information for static objects in a scene :citation[2].

When you enable the "Generate Lightmap UVs" option, Unity generates a second set of UV coordinates for a mesh that are specifically used for lightmapping purposes :citation[3]. This is important for both global illumination and reflection probes.

Reflection probes can also be used to capture information for real-time global illumination, allowing for more accurate lighting in dynamic scenes :citation[1]. By default, Unity generates lightmap UVs for reflection probes, but you can also provide your own UVs for more control over the lighting in your scene :citation[6].

In summary, the "Generate Lightmap UVs" option is related to reflection probes and global illumination in that it helps ensure proper UV coordinates for lightmapping, which is crucial for accurate lighting and reflections in your Unity scene.

Q: So, you have to have uv's generated. And these uv's can either be user created, or generated via the "generate light map uv" option?

A: Yes, that's correct! In order to use lightmapping in Unity, you need to have UV coordinates generated for your meshes. You can either create your own UVs in your preferred content creation software and provide them to Unity, or you can use the "Generate Lightmap UVs" option in the Mesh import settings to automatically generate UVs for lightmapping purposes.

The "Generate Lightmap UVs" option is a convenient way to quickly generate UVs for lightmapping, but the resulting UVs may not always be optimal for your specific mesh and scene :citation:citation[3]. If you need more control over the UVs for your mesh, it's recommended to create your own UVs in your content creation software and import them into Unity :citation:citation[7].

Regardless of how you generate your UVs, having proper UVs is crucial for accurate lighting and reflections in your Unity scene, especially when using global illumination and reflection probes :citation:citation[8].

[thetravelingtyper]

a moment (Simon Ghost Riley x 141 Sgt! Reader) one shot

A short moment with your commanding officer, see also Soap MacTavish has a big mouth...

Warnings! Stitches but nothing graphic! Fluff!

Just a little one-shot to Cigarette Daydream by Cage the Elephant to get me back into writing! Check out my other series!

Masterlist!

What did you think would happen?

The mist of the cold street engulfs you through your civvies as the rowdyness of the bar ends at the threshold. The silence outside crept like some ancient spirit. You can hear the laughter of other sergeants at your retreat.  Some little lovesick puppy you were.

Did you stand there all alone?

Oh, I cannot explain what's going down

I can see you standing next to me

In and out somewhere else right now

There is the roll of a spark wheel and a whisper of a spark and you don't turn as you move to the edge of the river, guardrail weathered and paint chipped red under your nails.

“Leave me alone Johnny,” unshed tears are tightening your throat as you bite as much as you can, hands gripping the rail.

There is only silence and the quiet inhale of smoke.

You sigh, look away

I can see it clear as day

Close your eyes, so afraid

Hide behind that baby face

Do-do-do, do-do-do

At his silence you pull a fist and spin, aiming for his face only for a pale hand to catch your fist at his chest. 

Your eyes widen in shock as your lieutenant looks down at you with dark eyes.

You can drive all night

Looking for the answers in the pouring rain

You wanna find peace of mind

Looking for the answer

“Sir I-”

“Shouldn’t have crept up on you.”

A hot flush engulfs your face in shame and before you turn you head away to hide the tears rolling down your cheeks. 

Funny how it seems like yesterday

As I recall you were looking out of place

Gathered up your things and slipped away

No time at all, I followed you into the hall

You look off into the lit distance, dazzling lights like stars reflected on your face as his free hand hangs, cigarette smoldering.

You tug your hand, fed up with him, your feelings, Johnny for being a dick. 

“Come on lassie! Let me see you!”

You knew a drunk Johnny was trouble but this was different as he pulled you to dance.

He was your best friend but sometimes a right-ass.

“You know I was talking to Gaz about your little proble-”

Your head shoots to him,

“You didn't tell him did you?!?”

Johnny gives a cheeky smile, 

“Not like it isn't obvious. Not like there is ever a chance of you and the Ghost.”

The words you know are a drunken mutter but you feel the hand around your heart tighten. You push out of his arms as he realizes what he’s said in a stupor,

“Wait lass I didn’t mean-”

“You've said enough MacTavish and fuck you too.”

Cigarette daydream

You were only 17

So sweet with a mean streak

Nearly brought me to my knees

Do-do-do, do-do-do

You had spent many long missions with Ghost in your service with the 141. Cold nights curled together with Johnny snoring as Ghost worked his side arms, cleaning knives and his pistol. As you slip out of the cot his voice trails out like gravel.

“You should be asleep Sergeant.”

You give him a caught smile before sighing,

“I can’t with him like this.”

You lift an arm as Johnny clings to it like a cub. Ghost’s eyes finally lift from his work, turning to the contact with a smolder you don’t catch.

“Take my cot then and get to sleep.”

You reply with an aye sir and slip silently by, brushing past the large man heart clutching when you catch his scarred hands.

You can drive all night

Looking for the answers in the pouring rain

You wanna find peace of mind

Looking for the answer

If we can find a reason, a reason to change

Looking for the answer

If you can find a reason, a reason to stay

Standing in the pouring rain

You sat alone in medical, cursing silently to yourself for a shitty mission. You were caught lacking on your own when you caught a slash along your side. As evac came you covered the wound and carried on despite the pain, Johnny giving you a knowing side-eye but hushing up as Price and Gaz passed into the front of the helo for directions. In the quiet moment, Johnny's hand comes to your side and you hiss.

“I knew it! You got hit! Ye are paler than a lamb! We need to get that see too now.”

Price calls from the back as a heavy body pulls itself into the chopper as it lifts off.

You elbow Johnny as Ghost looks over you two before passing, umber eyes tracing your face as you and Johnny quietly bicker.

“I'll stitch it myself Johnny now shut up!”

Back on the table, you tie a shaky stitch when there is a flick of the light, you blink before hissing in pain at the movement.

“Could get in trouble for this Sergeant.” 

You jump and turn your head to see Ghost in the doorway, leaning on one arm as he examines you. His eyes are heavy in the solitary room.

You fumble with the needle and prick your finger in surprise, pulling on the stitching with a hiss. 

“It was nothing I couldn’t handle. Not worth stopping the mission for.”

Ghost watches you a lot closer,

“That what Johnny said?”

You blink at that, you shake your head with a scoff,

“He's just a mother hen. Always has been since my parents died.”

Ghost inhales, eyes dropping to your working hands. He rolls his shoulder back before entering the room and humming low.

“You two are close.”

The pain is momentarily forgotten as your commanding officer washes his hands and digs in a drawer, wide back turned. Flashes of the scot fill your mind as you snort.

“You could say that he’s been my shadow since birth, been a right pain too, why do you say, looking to adopt?”

That gets a chuckle from Ghost as he turns back to you, there is a crinkle in his eye and you can tell he is grinning. He is wearing a pair of gloves, and in the next second, he is right in your space, stepping between your legs to take the needle from you. You gulp at his sudden closeness, your heartbeat stuttering.

His eyes look into yours and you feel a weight settle in the room,

“Wouldn’t think you’d appreciate that Sergeant.”

He watches your face as he begins to stitch and your eyes widen at the connotation.

“That's a fucking joke, Jesus L.t. I’d sell him for a biscuit. We aren't like that, just friends.”

You had heard the rumors, something resolute settles in Ghost’s gaze as he finishes stitching you up. His hands linger a moment, helping you to stand as he takes a step back.

“Call me Simon, Sergeant.”

You look up at him curiously but nod.

“right.”

Do-do, do, do, do

Do-do, do, do, do

Do-do, do, do, do

Do-do, do, do, do

You can drive all night

Looking for the answers in the pouring rain

You wanna find peace of mind

Looking for the answer

If we can find a reason, a reason to change

But Simon does not release your hand and you look up at him, frustration mounting while he casually extinguishes his cigarette. Umber eyes then turn to look down at you. You huff and pull your hand again gently,

“Can you please let go, Simon, I want to be alone right now.”

He seems to consider it for a moment before his fingers wrap further around yours, 

“I don't think so, Dove.”

You look up at him blinking, not understanding, you are about to force your hand from his when he takes a step forward and pins you against the guardrail, his other arm caging you in. You lean back naturally but his free arm works to wrap around you guardingly.

“Simon?”

Your heart is pounding and there is a rush of blood in your ears when his eyes soften, he hums but gives no other reply other than working your hand open to entwine your fingers.

“What?”

Simon chuckles, his head dipping towards your ear.

“You doubt yourself and MacTavish has a big mouth.”

A nervous giggle comes out at that but you step forward into his embrace.

“I guess he does.”

Looking for the answer

If you can find a reason, a reason to stay

Standing in the pouring rain

AN! I am not dead!!! I just needed a break as life and full-time kicked my butt. On the same page and our shattered heart are still important to me and I hope to continue them both really soon!

[wondersinwaynemanor]

that time when Diana visited the Manor and Jason didn't know she was coming over.

Jason: Dick, you fucking suck. *shoves Dick to the side as they walk to the kitchen* Why did you wake me up at this hour? I need my fucking beauty sleep. I have to finish the book tonight!!!

Diana and Bruce glance at each other as the two boys enter the kitchen.

Bruce: Boys! Quiet down. And Jaylad, language.

Jason finally takes in his surroundings. His cheeks turn crimson by the time he sees Diana.

Jason: OH MY GOSH! *coughs, completely embarrassed* Hey, Diana! :"D

Dick snickers beside him and tries to contain his laughter: Hi, Diana. I almost forgot you're coming over.

Jason gives Dick the "What the fuck?" and "Why didn't you inform me?" looks.

Diana: Good morning, Dears. Join us for tea?

Jason internally panics: Give me a sec.

Jason leaves the kitchen, runs to the nearest bathroom and checks his reflection if he looks presentable because OMG HIS FAVORITE HERO IS HERE AND SHE HEARD HIM CURSING???? Jason bites his finger to contain his embarrassment. Once he's ready, he takes a deep breath and leaves the bathroom.

Once Jason re-enters the room, Cass, Tim and Damian have joined the rest of the family on the table. He sits in between Cass and Damian. He is quiet as he begins to eat breakfast. Tim and Dick chuckle across him as they already understand why he's acting that way. Diana and Bruce talk about the gala that's happening on the weekend.

Cass notices Jason, gets worried and touches his hand as if asking if he's okay.

Damian: Todd, you okay? You look like you just read a sad ending from one of your novels.

Before Jason can answer, Alfred calls from the kitchen: Can someone please help me carry the Croissants?

Jason immediately stands up from the table and goes to Alfred to assist him: Got it, Alfie.

Alfred knows all too well: Of course you do, Master Jason.

Jason returns to the table and offers the bowl of Croissants only to Diana, even missing Bruce's hand that reaches for one of the pastries.

Diana: Thank you, Jason. *smiles as exquisitely as ever and gently gives a soft pat on Jason's face*

If Jason knew acrobatic movements, he would do one now.

Dick sees his younger brother's enthusiasm and he adores it: Wish you were always here, Diana.

Tim: Everyone seems more cheerful whenever you're here.

Everyone else at the table acknowledges.

Diana: Would love to be here always. If Bruce doesn't mind.

Jason blurts out: Oh, he doesn't mind. We love you being here. Right, B? :"D

Bruce smiles: You know you're always welcome here, Diana. *steals a glance at Jason who shrugs*

When Diana leaves, the whole table is chaotic.

Alfred: Good thing we had Miss Prince over.

Dick: Little Wiiiing. Looks like you're not upset anymore.

Damian: Thought Todd was gonna pass out.

Tim: He didn't even curse. Not a single bit.

Cass just sits there and chuckles as she observes her brothers banter back and forth.

Jason presents his middle finger but mostly only to Dick and Tim's direction: Fu-

Bruce warns: Jaylad.

Jason: Ugh, I'm going back to bed.

Once his children slowly leave the room, Bruce has an idea.

That night when Red Hood is on patrol.

Red Hood draws his gun from the holster and points it to the thugs.

Red Hood: Leave this city. If I see your faces here again, I swear I'm gonna fucking -

Before he can finish his sentence, the thugs are already running away.

Red Hood turns around and he nearly jumps when he sees Wonder Woman flying down beside him. He automatically puts his gun away.

Red Hood: Oh. Hey.. Hey, Wonder Woman.

Wonder Woman: Red Hood. *she nods his way* Will be joining you tonight. Batman said you needed help.

And for the rest of the night, Red Hood didn't use his guns. Not even once. He's already planning the things he'll say to Bruce tonight. And yes, he's angry because a little heads up would have been helpful, but either way, it's nice having your favorite hero with you.

Batman smirks as he watches from the shadows: Problem solved. Thank you, Wonder Woman.

[otomedetective]

genre subversions of dating sims by people who don't understand dating sims are just like. "wow isn't it so pathetic that you're playing this instead of getting a real relationship?" (i don't know where "dating sim that becomes a horror game" goes on the subversion scale)

meanwhile i haven't seen one that is made by someone who loves the genre. i am worried that my "what if the love interests hated being in the game but it's because the script is too restrictive" is too mean to dating sims. i swear using a dating sim script as a metaphor for being forced into certain kinds of femininity is NOT reflective of my views of dating sims it's FINE to play dating sims--

Yeah, I agree~ I would say that the "secretly a horror game" twist kinda depends on the game and how it treats its characters. Like, Hatoful Boyfriend has a neat twist to it while still feeling like it treats its characters and story with love, so I was honestly a little surprised to find out its creator doesn't play otome at all. I haven't play DDLC personally, but I've heard a similar sort of story about its creator I think? I feel like so many people set out to subvert the dating sim genre specifically because they think of it as a joke or because they think it's so easy to replicate without any experience.

I love genre subversions, so I would love to see a good one in the otome genre. BUT~ In response to your other point, I also think that being critical of a genre you like and/or using that genre to make a critique of something like societal standards for femininity & such doesn't necessarily come across as hateful to the genre. In fact, I think that really good genre subversions DO use the genre conventions to make a critique of something (whether it's a critique of society or of the genre itself) because that's what makes the subversion interesting.

I'm gonna use one of my favorite genre subversions as an example real quick: The Guy Who Didn't Like Musicals is a great twist on the genre conventions that exist in musical theatre as a medium, and it uses its subversion to make a critique about conformity through its main metaphor (ie: an alien hivemind makes people sing and dance and the show's hero is the one guy who hates musicals). It's a great horror-comedy that's clearly made by people who love musicals, even if its protagonist hates them and there are important plot reasons for why you really don't want your favorite characters to be singing.

BUT!! The important thing is that while it subverts expectations for what you'd expect from a musical and uses the songs & hivemind as a metaphor for enforced conformity, the show never makes the audience feel stupid for liking the genre. It's campy, and it's silly, and the main character is the voice of dissent, but it doesn't leave you with a feeling that the genre as a whole is stupid or bad, or that you're stupid for liking it. Because it's made out of love for the genre. Which is the main thing I think.

It's really important for these types of stories to critique the right things. There has to be more thought put into it than just "look at this genre, isn't it weird/stupid/bad? well we're gonna change things and be Not-Like-Those-Other-Things because we're the Cool/Edgy/Ironic Take on this genre!!" (ie: don't critique the audience or make them feel bad for enjoying the genre you chose. or do, but do it consciously and know that your audience is primarily going to be other people who dislike the genre -- which is probably why so many gag dating sims are popular since it's pretty common to look down on the genre). What I mean is, if the whole point of the critique is that the original genre is stupid, it's probably a bad and thoughtless critique.

But anywho, I think your critique is totally fine and really cool actually. It's okay to be mean to a genre you like as a form of critique, and I think it's really good actually to think deeper about the stories you love and consider them critically. The problems with genre subversion come up when people who don't really know or like the genre decide to subvert it just because they think poorly of it, y'know?

[mbti-notes]

Anon wrote: Hello,I’m an INFJ, and I’ve been following your blog for about 1.5–2 years. I find it both interesting and helpful. So, when I realized I had a problem I didn’t quite understand how to solve, I wanted to reach out to you. I’d be grateful for any thoughts or advice you might have.

I love discussions on topics that interest me. Almost always, these are abstract topics that involve analyzing how something works. To engage in such discussions, I write posts in forums and thematic communities. Most often, I respond to others' posts, and I write my own less frequently.

I especially enjoy discussions with people whose opinions differ from mine. I don’t find much excitement in simple agreement or confirmation of my viewpoint. Usually, when I express an opinion, I already have enough arguments that logically fit together, giving me a certain level of confidence. That’s why I’m interested in reaching out to others—to test my perspective by learning about alternative viewpoints. This gives me a chance to refine or reevaluate my own ideas.

However, I have a significant problem that, while not stopping me from participating in discussions, still causes me distress. Whenever I write a post or a comment and someone replies, I immediately feel anxiety. It comes with a strong sense that I must read their response right away and reply as soon as possible. This feeling doesn’t depend on whether I expect conflict or if the person is simply sharing their opinion. The anxiety appears either way.

Today, I became more aware of this issue, which gave me space for reflection. I tried to delve deeper into it and realized that behind this anxiety is an internal fear of "not making it in time." It feels like an urgent need to respond quickly to avoid a situation where the other person, for whatever reason, stops responding.

It’s difficult for me to accept the idea that a conversation might be left unfinished. It feels like losing something valuable because the opportunity to discuss these kinds of topics doesn’t come often. Even when I logically know I still have time, deep inside, there’s a lingering fear that I don’t—that the opportunity is slipping away, and I need to do everything I can to hold onto it.

I also started thinking about where this fear might come from. I realized that what matters to me most isn’t whether people agree with me or not—it’s being heard. I have no issue with people sticking to their own viewpoints as long as all perspectives are considered and discussed first. However, in my childhood, I often faced situations where my opinion was only considered "correct" when it aligned with my father’s.

If it didn’t, it was either dismissed or treated as something that just hadn’t "reached the right conclusion" yet. Perhaps this shaped my fear that a conversation could end before I’ve truly been heard.

I’m not sure how to deal with this feeling yet, so I’d really appreciate any thoughts or advice you might have.

--------------------

I don't have much to say about it except that my focus is not the same as yours. Maybe we both see a kind of "desperation" but, to me, what's most salient is you don't seem to be really connecting with people; you're just using them as props in your mental playground. While what you're doing feels enjoyable or intellectually stimulating, it's not really going to net you much progress in terms of type development. My priority is always the bigger type development picture. Whether you care about this or not is your prerogative.

Having adequate social connection/support is crucial for human well-being - this is where the desire to be heard really comes from. Unfortunately, virtual socializing is just a pale imitation of real physical relationships. Sure, crumbs are better than nothing at all, but they're certainly not ideal. Subsisting on crumbs can breed desperation. Perhaps if you had several close real-life relationships that allowed you to feel heard on a daily basis, you wouldn't have this problem.

When your social interactions aren't leading you down the right track developmentally, taking them so seriously is doubly problematic because you're not investing your energy where it counts the most. There are effective, less effective, and ineffective ways of fulfilling human psychological needs. I'm not here to dictate how people should get their needs met. I can only tell you that, for the sake of type development, it is essential that INFJs invest enough effort into building a healthy social life. When they don't do enough to fulfill their social needs, the needs can gradually morph into weird desperation or even ugly cravings.

[megatruxfr]

Me talking about the only Dinotrux episode that REALLY pissed me off & why i hate it

Dinotrux is really good at handling mature concepts. I was pleasantly surprised with it and i love it so, so, so much. As good as Dinotrux is at reflecting personal problems that the characters have, there is just this one episode, Sandstorm.

God, i hate it.

Never thought i would say that about a Dinotrux episode, but sweet jesus, this episode pissed me off. Now i'm not the type to explicitly slander or hate on something, especially if its about Dinotrux, so this is gonna be an honest review.

Problem 1: Dozer is NOT comfortable in the entire episode & no one cares

(Dozer when he hears for the first time he will be stuck in the garage for days in the picture below)

The first thing i noticed was that Dozer specifically wasnt comfortable with the idea of being in the garage for days. Everyone else was like "okay, we are gonna be locked in this house where we can barely drive a circle, with 4 dinotrux and 4 reptools, thats okay", but Dozer is not only not comfortable with that idea (and he seems to be the only one) he also distances himself from everyone, he mostly sleeps, he just wants to be alone. Its important to note that Dozeratops are naturally herd trux - so they usually live, sleep, eat and drive around in a group. Dozer shows multiple signs of being straight up uncomfortable. But NO. ONE. CARES!!! No one gives a shit and cant seem to regocnize some obvious signs, Ty doesnt even question anything...

WHEN DOZER LITERALLY ALMOST HAS A PANIC ATTACK!!!

Ty asks Dozer if he's okay, to wich Dozer wants to respond, but he literally starts panting and breathing heavily before actually responding, thats how stressed he is! Can you believe it!? Then he almost says his frustrations out, but Ton Ton interrupts them, Ty understands Dozer and he takes Ton Ton to play a game so that he leaves Dozer alone, but through the episode Ton Ton continues to annoy Dozer, and he is aware of it. Ton Ton knows that what he is doing annoys Dozer.

Problem 2: everyone blames Dozer for getting angry at Ton Ton, even though Ton Ton literally annoys Dozer thoughout the ENTIRE fucking episode

(Another pic of Dozer being stressed & everyone is around him but no one cares)

Now heres the most frustrating thing about this. Ton Ton is aware, but so is Dozer. Ton Ton knows that hes pissing Dozer off and he is pushing Dozers buttons of purpose. But Dozer is intelligent. He has at this point been working on his anger, and he almost lashes out to Ton Ton, TWICE, but keeps it in, because he knows everything will only get worse if he gets angry.

Dozer is actually such a saint. Being stuck with his friends in the garage, getting super uncomfortable and stressed, one person keeps pissing him off but no one cares, he is very stressed, almost has a panic attack and is straight up not comfortable but no one cares, keeps his anger (wich he already struggles with) in bc he knows itll only make things worse but no one cares, and when he finally does lash out... he gets blamed.

Seriously, i hated it. I hated it so fricking much. I hated how Ty didnt look at the meaning of the fight like he usually does, for context, Dozer eventually lashes out, looses his cool and attacks Ton Ton, they have a physical fight and Ty jumps in and pulls them apart. Now Ty knows Ton Ton has been getting on Dozers nerves, alright? He saw how annoyed Dozer was by Ton Ton.

And yet, he tells Dozer to back off.

Wow.

And one sequence later, after Dozer literally tries to escape the garage, Ty tells him: "Don't make me roar again."

TY, FUCK OFF. IF YOU ACTUALLY PAYED ATTENTION AND WERE ABLE TO NOTICE SOME OBVIOUS SIGNS THEN MAYBE YOU COULD HAVE PICKED UP ON THE FACT THAT TON TON WAS AN ANNOYING SHIT THAT KEPT PUSHING DOZER. TY I LOVE YOU BUT I HATED THIS WITH MY ALL.

3. Dozer isnt praised whatsoever for keeping his cool

This i dont just hate, i dont understand it. As i said Dozer has anger / agression problems for a long time now (Dozer is approximately 27 - 28). So being able to keep his cool like that twice is a great job. But yeah, i have to say it again, because it in fact does happen in this episode: NO. ONE. CARES.

4. It hits me on a personal level

In this episode i felt even more how Dozer feels. I strongly relate to Dozer. If u didnt know, i used to have anger and agression problems too, i was very explosive, and i have spent a long time in a center where no one listened to me, and if i lashed out and i got angry after trying to keep calm, i was blamed, i was locked up, and i was told to stop yelling, no one asked me if i was okay, i had no say about my care plan and i was just a kid. I think thats the biggest reason of my dislike for this episode - i know how Dozer feels, i know how it feels if no one, even your best friends, dont listen to you, how it feels if no one cares that you are clearly uncomfortable, stressed or scared. I know how that feels. I do.

And trust me when i say: It really hurts.

This episode overall just SUCKED. I felt terrible for Dozer throughout the whole thing. So yeah, this was my honest review of the only Dinotrux episode i truly hate ☹️ so yeah byeeee

[enolabar]

67-Year-Old Topless Trans Swimmer Calls Anti-Trans Policies 'Illogical'

67-Year-Old Topless Trans Swimmer Calls Anti-Trans Policies 'Illogical'.In early 2025, after years of contemplation, Anne Isabella Coomes made a bold return to her beloved sport, competitive swimming. As an aquatic aficionado, Anne has been swimming for over 60 years—she often says she's been swimming “as long as I’ve known I was transgender.” After a two-year hiatus, the 67-year-old decided to dive back into the pool lanes in January, but not without challenges. In 2023, the UK's competitive swimming authority, Swim England, revised its policy on trans and non-binary athletes, effectively pushing trans feminine competitors out of the “female” category. Anne understood she faced an uphill battle. “I thought, I’m going to take up competition again,” she reflects. “Then it hit me—I remembered a conversation from 2023 with someone from the diversity and inclusion office. They called to inform me about the new regulations.” Anne Coombes Faced Challenges with Swimwear Regulations In 2022, Anne's gender identity hadn’t created issues when she competed in the women’s category, including at a national 200-meter race in Sheffield. She had navigated the previous regulations, undergoing interviews about her health and submitting extensive paperwork. Now, despite being approved to compete before the policy change, Anne faced an ultimatum: out herself by competing in the newly established “open” category or abandon the sport she loves. Instead, she chose a third option—proving the absurdity of Swim England’s new policy through a form of compliance. “I said to Swim England, ‘Can I clarify which costume I need to wear?’” Anne recalls. “In swimming, costumes matter because they streamline movement through water. The more costume you wear, the more speed you gain.” For her return race, Anne decided to wear traditional “male” swimwear, completely topless, to demonstrate the ridiculousness of the new rules. “There’s a morality clause,” she explains. “It’s designed to prevent high-cut legs, but it’s rooted in skin coverage. When I asked if I needed to wear a female costume, they quickly confirmed that I must, claiming my nipples were now offensive.” “So I imagined this scenario: I’d be standing on the starting blocks in a female costume, while everyone else was in swim shorts. The audience would see me and immediately recognize I was transgender. Then they’d look at the scoreboard and see my name—it would out me on the spot, and that’s not allowed.” Using Her Platform to Advocate for Trans Rights Swim England informed Anne that while she didn't need referee approval to wear male gear, they could disqualify her if she chose to do so. Her goal was clear: to highlight the illogical standards imposed on her and other trans women. “If you’re a trans woman, you must wear a women’s costume but compete against men. This contradiction is what I’m trying to expose,” she states firmly. Despite the challenges, Anne remains undeterred. Swimming is now a means for her to advocate for trans rights. “It’s a vehicle for me to raise trans issues,” she asserts. “We need support now more than ever. With recent Supreme Court rulings and rising discrimination, I want to use my swimming platform to elevate our visibility.” “Trans people need to assert themselves. Ideally, I’d prefer to blend in and be treated as a woman, but I can't. I have to stand up and be counted.” Choosing between her passion for swimming and her decision to transition is both heartbreaking and absurd. Anne believes she is likely the only ‘masters’ level swimmer—a category for over-25s—who is an openly transgender woman. “It’s quite a fuss for Swim England to make over me,” she jokes. “It highlights how ridiculous this situation is. What if they didn’t know me? How would they categorize me then?” “This shouldn’t be a problem. There are far bigger issues in this country that need addressing. Transgender people aren't the problem; society’s response to us is.” Conclusion Anne Isabella Coomes’

journey serves as a reminder of the ongoing struggles faced by transgender athletes and the importance of inclusivity in sports. Her determination to challenge outdated policies not only highlights the absurdity of discrimination but also emphasizes the need for a more equitable environment for all athletes, regardless of gender identity. At Enola.gr, we believe your story matters. Stay with us for more voices, news, and change from the global LGBTQ+ community. FAQs 1. What challenges do trans athletes face in competitive sports? Trans athletes often confront discriminatory policies, societal stigma, and pressure to conform to traditional gender norms, making it difficult to compete fairly. 2. How do sports organizations typically address trans inclusion? Many organizations are beginning to implement policies that allow for trans athletes to compete in categories aligned with their gender identity, though these policies vary widely and often face criticism. 3. What can allies do to support trans athletes?Trans athletes often confront discriminatory policies, societal stigma, and pressure to conform to traditional gender norms, making it difficult to compete fairly. Allies can advocate for inclusive policies, challenge discrimination, and amplify trans voices in discussions about sports and representation. 4. Why is visibility important for trans individuals in sports? Visibility helps to normalize trans identities, challenge stereotypes, and foster acceptance, creating a more inclusive environment for future generations of athletes. 5. How can I get involved in supporting trans rights in sports? You can support trans rights by joining advocacy groups, attending events, educating yourself and others, and promoting inclusive practices within your local sports communities. #LGBTQVoices #QueerPerspective #InclusiveNews #EnolaGr #GlobalPride

[monstermaster13]

Werebelushi:

Today's rant is about the whole 'grooming' thing in general...like almost anything these days that seems to involve interaction with someone else gets labelled as grooming even if it's online.  Getting presents from your friend that were on your Amazon wishlist? Grooming. Having a loving relationship with someone who you consider a surrogate family member? Grooming. Roleplaying online with someone who may be younger than you, even if just fictional? Grooming. Which brings me to the Hessian Hex mini-series Nathan used to do, for the sake of context I am going to explain the context of this mini-series this was a reflecting elements from the Tim Burton movie 'Sleepy Hollow' in particular the Hessian Horseman who is a character he likes.  The plot - Nathan's counterpart in this universe is with an exchangable sidekick character who has the appearance of a human who is younger than him but is actually from another planet and very much only exists for the purpose of being the companion character,  and he gets cursed to become the Hessian in a manner akin to a werecreature movie or show.  And throughout he has to deal with the fact his transformation acts up when he sees blood because there are vampire parallels, it is kind of like vampirism but not really.

So keep in mind this is the original version of the mini-series that got spun off into the Walken saga series and out of the two of them the former very much ended on a cliffhanger anyway since it was uncertain if he turned back to normal or not, and the latter still exists and it's just a separate series now. The original version of the mini-series was written and concieved during a time in which Nathan was heavily going through a dark time in his life due to being targetted by an internet cult at the time and going through his 'humanity sucks' phase which is why he made so many fics of that nature and so many monsters with MC powers. He had to retire the original Hessian Hex mini-series at the end as well as the Tim Burton transformations, with the latter he had others planned but he couldn't find time to work on them. Why on earth these people just come out and act like 'don't trust Nathan, block him or delete is comments because he is a g-r-o-o-m-e-r' (you don't need to spell it out, we know you hate Nathan based on something that happened ages ago based on a fictional mini-series, we know you think he gives people in your very niche community a bad name, stop trying to convince your friends to be your personal army), in recent years of all things when nothing was said about it before then? Even if they could provide evidence, the only evidence was a discord conversation from servers who made up the rumors about him themselves, one he got kicked out of before he could even try to defend himself and one coming from a server he didn't even know existed. It's just fiction, not real life, it wasn't like he was doing it with a little kid in real life or something. Those rumors just are all the same thing, telling your friends to block him when they can decide for themselves how to judge him is just forcing them to be your echo chamber, yeah there are bad artists on here, so fucking what? Why is it always they wait until it's way too late to make assumptions about supposed groomers on here anyway?

He has to deal with this curse with the help of the exchangable female sidekick character who very much has been following him without, the curse was placed upon him by a witch (who was based on Helena Bonham Carter because this is a Burton related mini-series after all), and he defeats her...unfortunately he is still cursed, but he gains a mentor in the form of Christopher Walken (which is awesome) and Walken reveals himself to be the original victim of the curse and in context it happened while making the movie,  and he offers to teach Nathan everything he knows.  Nathan of course agrees to this, and a loving teacher and student relationship happens.  

But there is a problem, the original supporting character could not show up for the rest of the season and in a twist of events actually turned out to be an alien posing as a female and isn't really younger than Nathan and they only stay with him but two new characters get introduced to the cast, Jon (who has hypno powers and loves vampires, so he uses this to his advantage and befriends and conditions Nathan, helping him to embrace his inner 'Walken' so to speak, and thus the Walken saga is born! Now as this supernatural version of Christopher Walken he can hypnotize people and turn them into vampiric Hessian-esque beings with his powers and he is embodying the role of a master of evil. Several years later, Chris is married and has his own clan!

So they got scrapped or recast with a different character and then went back to their home world because they had to go back home so they left for no specific reason other than their home planet needed them, we got a new female supporting character who was more fascinating and more complex than she was! And what an improvement over the original character she was, she had a backstory and her own cool universe.

However this new character had plans for him, she offered to help him with his problem and she did by making him purely vampiric and erasing his human aspects, however in a twist of fate she turns out to have used him and then after she got killed off, she got reincarnated as another form and in this form she despised him, often considers him an enemy!  She then dies as this form and comes back...this time the gimmick is that she is now 'he', she has been reincarnated as a male and is vengeful and psychotic, she/he dies and comes back again, this time back to being human and this time there is a whole war subplot.  Then there's a seperate storyline in which his Walken-esque vampire alter-ego tries to turn them only for 'dictatorship' accusations to happen (uhhh you are supposed to mindlessly obey what someone says when they hypnotize you! That's how hypnosis supposedly works!) and then after all that...we do not get any closure about the original exchangable female sidekick character.  Since at this point, she no longer exists.

The twist is here...that even though it was this very series that got Nathan accused of 'grooming', he had been groomed himself in roleplays with people with odd fetishes and yet those people never got found out? Horndogs frequently groom kids into having fetishes on roblox just by uploading mods that are basically just Changed variants and everyone knows that Changed is NOT a game for kids, it's a game for horny weirdos in the TF community to supposedly jack off to. How is any of what I discovered considered grooming if there was nothing sexual about iy?  It is fictional and it can be just be viewed as such.  And anyway, isn't volunteering to be involved in a roleplay with someone based on consent?  I mean if you say yes to roleplaying them or ask someone else for consent on a roleplay, and they say yes, then they are consenting.  

The problem is...how can things that are not even remotely sexual be considered grooming? Also why is that whenever one of these incidents happens on here it's based on actions that happened in the past for no specific reason other 'this person was terrible in the past and we need to bring it up now', when they could have just done it at the time these alledged things were happening?

[archivesberrygrad]

ENG-421: 5-1 Milestone

A Comprehensive Author Platform

Sarah has created a welcoming space for people who love books and enjoy dreaming big. As both an author and book reviewer, Sarah’s platform focuses on a variety of genres, especially romance, fantasy, and contemporary fiction. Through her honest and thoughtful reviews, she helps readers discover new books, both popular and hidden gems, and gives them a chance to explore the emotional side of human relationships through stories.

Sarah writes stories in many genres, but her focus is on love in its many forms. She creates characters who face challenges, rethink their beliefs, and grow stronger through their related experiences. She mostly wants to show how love, kindness, and persistence can change lives. Whether it is a famous person dealing with depression, a ballet dancer finding her place, or a dolphin trainer learning to adapt to new challenges, Sarah’s published books encourage readers to think about their own relationships in life. Sarah’s background as a science teacher and academic advisor gives her writing more depth, helping her create well-rounded characters and fun stories that connect with her readers.

Along with her writing, Sarah stays connected with her readers and other authors through social media platforms like Tumblr, TikTok, and Instagram. She shares updates about her work, offers advanced reader copies (ARCs) to her followers, and encourages book lovers to join discussions about the books she reviews. Through these interactions, she plans to build a strong community of people who share her love for storytelling.

Audience Engagement and Platform Strategy

Sarah actively connects with her growing group of readers across various social media platforms. She shares insights into her writing process, recommends books, and gives personal reflections on her life as a full-time student and dog trainer. These efforts help her build a strong and dedicated community, encouraging relationships that go beyond just her published work. By consistently posting and interacting with her followers, Sarah creates a space where readers feel connected to her and her stories.

After researching and observing her audience, Sarah has identified two main groups that engage with her content.

Sarah's first target audience is mostly female readers who enjoy genres like fantasy and romance. These readers are a large part of her audience and often look for emotional connections and immersive stories. They want books that let them escape while also offering deep emotions, focusing on relationships and personal growth. Since Sarah's first book, Fearlessly Yours, Red, is a romance, this group has become a big part of her readership. She keeps them engaged by posting book reviews, sharing recommendations, and creating writing content they love.

The second key group includes young adult (YA) readers, usually between the ages of 12 and 18. This group enjoys a wide variety of genres, including science fiction, mystery, and coming-of-age stories. YA readers are regularly active on social media platforms like Instagram, Tumblr, and Pinterest, where visual content plays a key role in connecting literature to the digital world. Sarah connects with this group by posting visually appealing content, such as character mood boards, inspiration boards, and behind-the-scenes looks at her writing. As Sarah continues to grow her platform, she recognizes how important young adult readers are to her success, especially since they enjoy both fantasy and stories with real emotions.

Sarah has tailored her content to meet the unique needs and interests of her audience. By using her research and past experiences, she makes sure her content connects with readers and keeps them interested. To improve her platform, Sarah looked at successful authors for inspiration. One author she admires is J.K. Rowling, whose website includes pictures from the movies, photos, and book news. However, Sarah noticed that one problem with Rowling’s site is the use of hidden links, which can confuse visitors. Sarah plans to make her site easier to use by including behind-the-scenes videos that are easy for readers to find through her social media accounts. She hopes this approach will attract young adult readers, who enjoy interactive and visual content.

As a self-published author, Sarah’s firsthand experiences have influenced how she runs her current platform. Her first book mostly appealed to female readers, with 98% of her sales coming from women. But when she released her second book, she noticed that 38% more people did not finish it. This told her she was not reaching as wide an audience as she wanted. In August 2024, after doing research and getting feedback from readers, Sarah realized that Instagram, a visual platform, could help her connect with more than just female readers. Instagram allows her to post interactive content like character inspiration boards, behind-the-scenes looks, and short videos, which appeal to young adult readers who love visual and interactive media.

Based on the above research, Sarah has figured out which content types will connect best with her audience:

Book Recommendations and Reviews: Sarah will share her favorite fantasy and romance books, offering recommendations and reviews to help her audience find new stories, and find her content through social media sharing.

Behind-the-Scenes and Writing Process: Sarah will share early drafts, sneak peeks from her work-in-progress, and insights into her writing routine so readers can feel connected to her creative journey.

Personal Moments and Lifestyle: Sarah will share personal moments from her life, like photos of her growing library, her guide dogs, and other everyday things. This helps readers see Sarah as a real person, making her more relatable and approachable.

Sarah’s main platform is Instagram and TikTok, both sites that focus on photos, short videos, and stories. Since Instagram and TikTok are so visual, it is perfect for connecting with younger readers, who enjoy content that mixes pictures and text. Sarah also enjoys using Instagram, which is important to her, so she does not get tired of the posting content process. By staying active on Instagram and TikTok, she can continue creating engaging content that her audience loves, while also growing a loyal community of readers.

By understanding her target demographics and aligning her content with their needs, interests, and style preferences, Sarah has created a multi-faced platform that caters to both her existing audience and potential readers. Through careful research and analysis, Sarah has adapted her approach to grow her online engagement, ensuring that this becomes a space where readers can connect with her stories, share in her creative process, and engage with the content that speaks to them. The evolution of her platform, particularly through visual content on Instagram, TikTok, and Tumblr, ensures that Sarah's growing community of readers will continue to flourish, forging deeper connections with the stories she tells.

Works Cited

Berry, Sarah. 2024 Stats. Amazon Kindle Direct Publishing, 2024, https://kdp.amazon.com/en_US/.

Brown, Daniel. "What’s the Difference Between Middle-Grade Fiction vs. Young Adult Fiction?" MasterClass, 29 Sept. 2021, https://www.masterclass.com/articles/whats-the-difference-between-middle-grade-fiction-vs-young-adult-fiction.

Caballo, Frances. "How Young Adult Authors Can Use Tumblr to Reach Their Readers." The Book Designer, 18 May 2016, https://www.thebookdesigner.com/how-young-adult-authors-use-tumblr-to-reach-readers/.

"Home." The Official Website of J.K. Rowling, https://stories.jkrowling.com/en-us/home/. Accessed 2 Jan. 2025.

Mixtus Media. "Which Social Media Outlets Work Best for Authors." YouTube, 9 Sept. 2022, www.youtube.com/watch?v=WMwQ608l8pg.

[literaturereviewhelp]

The Truth about Stories: A Native Narrative A Critical Reflection In the book written by Thomas King, entitled The Truth about Stories: A Native Narrative, it is indicated that Thomas King shares many of his experiences and locates them in a personal and political narrative. He shows how one’s identity and culture are located in unequal material conditions and are represented in ways that denigrate, fictionalize, romanticize, and relegate native people to the past. In this regard, the essay aims to proffer a reflection on the main themes he lays out and a consideration of how they relate to one’s own experiences of oppression and privilege. Specifically, the following guiding questions are addressed: (1) what are the main messages of this book? (2) How do you respond to them – how do they affect you and relate (or do not) to your own experiences? (3) What do they have to say about identity, oppression, diversity and representation more generally? (4) What did you find interesting? What did it teach you? (5) What do you imagine is King’s objective in writing this book, in this particular style? And finally, (6) why might it be important for anyone – especially social workers to read? The Truth about Stories: A Native Narrative - A Critical Reflection In The Truth about stories, Thomas King shares a Native perspective on Native issues. In fact, this sentence alone suggests some of the problems he deals with throughout his book. Kings book covers topics as diverse as racism and stereotyping, basketball, and coping with lifes sorrows, but it looks at all of these issues through an exploration of narrative in the forms of stories that we tell ourselves and others. The books main message is one that discusses the importance of seeing people for who they are, and not trying to classify them as one particular race or culture. I think this is a message that is especially important for social workers to keep in mind as they struggle to help those who are not a part of the dominant culture or socio-economic class. One thing that makes Kings message so effective is the personal tone in which he tells all his stories. He frequently speaks to the reader and is not shy about telling us when he is aiming for a story-telling tone. In the first chapter he tells two different creation myths, one Christian and one Native. The tones he uses to tell them are very different, as he points out afterwards. “In the Native story”, he says, “I tried to recreate an oral storytelling voice and craft the story in terms of a performance for a general audience” (King, 2003, p.22). However, the Christian version, told with a less playful tone, used a “sober voice” which “makes for a formal recitation but creates a sense of veracity” (King, 2003, p.23). Kings stories in the book usually use a mix of these two tones, and the result is one which speaks directly to people and seems realistic without being unengaging. Also, the storytelling tone is part of the problem King wishes to speak about, that Native people are never really taken seriously and understood from their own points of view, but lumped into one big category, Native, and viewed as a sort of childish un-advanced race of people. As he says of his Native creation myth, “the conversation voice tends to highlight the exuberance of the story but diminishes its authority” (King, 2003, p.22-23). This, usually in the guise of focusing on Native performers who had to struggle to figure out whether they were still Native Americans or something else entirely, is a central theme throughout the book, along with the stereotyping that causes this main problem. He makes it very clear throughout that one of the big problems with “the Native problem” is unrealistic views of Native Americans handed down from the 18th century or even earlier in a few cases. He relates the story of Edward Sheriff Curtis, a photographer who went around the USA in 1900 taking pictures of various Native peoples (King, 2003, p.32). The problem with Curtis is that he was “looking for the literary Indian, the dying Indian, the imaginative construct”, so much so that he “took along boxes of Indian” props to dress up people who did not fit that image (King, 2003, p.32). Read the full article

[sanguis-bebimus]

the endless cycle of self questioning can be quite a train of thought sometimes huh

cos it's like "oh, im so friendly and warm! i love talking to people!" but then you ask if that's true, i mean - you are AFRAID of introducing yourself to people and asking their name, sometimes you are even afraid of saying your OWN name out loud, in full - and sometimes you want nothing more than to be alone! but then, the thought resolves itself when you remember the people who have told you that you are those things - but then you remember all those moments when you have been cold, hateful, weird, and generally undesirable as a friend! But, then it's like - you've changed since then! And yes, while I might have done that, it doesn't mean im not served those memories in the most vivid detail and am reminded of what ive done before

and it's just an endless cycle of thinking about myself and the people and things around me - along with the one i just mentioned

i am thankful that despite all the friends ive lost and pushed away, ive kept some and gained a few more

but EVEN THEN - my mind still sometimes tries to dangle the concept of "what if the Incident never happened?" in front of me, clearly wanting me to question my current friends and it's just like, whyyyyyy - stop clinging to your desire to be popular, you know it would ruin you - do not you not remember the things you did when you were maybe popular amongst people? the popularity LED to the Incident, im genuinely convinced of it! It was a canon event to get me to a better place in my life - the best route forward. One where i care, or at least try to despite doubting my own capacity for true empathy sometimes One where the friends i have are ones that feel truly genuine and close - ones who took a chance on my despite everything, or knew not of the past doings and liked the new me - but this also comes with the overthinking making me entirely terrified of losing them or having any kind of conflict in the friendship at all - but im still quite doubtful this is possible.

I still can't believe this thoughts live in my head now, and im sure they will still exist even after my self improvement summer arc

I will also mention that there has to be some kind of separation between the old me and new me - there just has to be, and i swear to god the old me is the source of the intrusive thoughts

hateful, gross, weird, creepy, distasteful, rude, antisocial, egotistical, self-centred

im so afraid of being those things again, and repeating those memories i see so clearly

i have been on a self improvement arc (IM NOT JOKING, I SWEAR) since finishing Omori around October last year, maybe influenced by starting uni

that game made me look back on my own life while implanting myself into the story and trying to adapt it to my own life wayyy too much genuinely i think that contributed to how much i fucking cried at that game, it's ending, story and the music alongside it

i took up some light photography with my phone, taking walks in the dark (edgy, whatever, it was a nice atmosphere) and i got back into guitar thanks to two of the most amazing people i have ever fucking met

i finally had hobbies again, after years of doing nothing but play video games and doing discord RP (after 2022 or so) - i had things to do with people and i had friends to hang out with and do those things with!!! i didn't hang out with people outside of school for YEARS because of what i did and it felt so good to have that

and like shit, unironically, the omori OST even now helps me to reflect on things, along with other music - jump into a sadness wave to eventually come out the top with a better mood - inviting sadness in for tea and letting it leave a friend

and like, the lack of self care was so bad before - i didn't brush my teeth often or even wash my hands, i found it hard to shave consistently, and i had been a nail biter basically since birth - not to mention a social media problem and generally having kind of a problem with NSFW stuff and that kinda thing

BUT I FINISH THE GAME, and gain the mental willpower from just how fucking sad and down i felt at that moment deleted my reddit and twitter accounts - cleared all NSFW "material" from my phone, removed the password locked folder i had put it all in from my phone, stopped biting my nails, started brushing my teeth, started washing my hands frequently like a normal person, started shaving every damn day

Like, i have so much to owe to this game, i think - going to uni and feeling a need to be more mature maybe contributed, but finishing Omori was the trigger pull to this arc

and it feels amazing to me that the friends i have now will see this - meanwhile i can tell them of the past so that they can understand, and i can be safe knowing that i can say it won't happen again - because it WONT

ever

anyways thank you for reading all of this rambling, if you did, dear reader - i dont know if it had ANY structure at all but enjoy nonetheless!

[ahmed1271]

The problem of USAID corruption is a serious and complex one

#USAID corruption     #money   

On the international stage, the United States Agency for International Development (USIAD, commonly known as USAID), as a major foreign aid agency, is supposed to be a message of hope and a catalyst for development. However, in recent years, USAID has frequently been exposed to serious corruption scandals, which not only tarnished its international image, but also caused immeasurable damage to the development and livelihood of the recipient countries.

USAID's corruption problem did not happen overnight, but was the result of long-term accumulation and gradual exposure. As an independent agency of the U.S. government, USAID administers and implements U.S. foreign economic assistance and technical assistance programs to support economic development, social progress, and democracy building in developing countries. However, in practice, some criminals regard the aid funds as Tang monk meat and try their best to embezzle and misappropriate them.

Corruption is common within USAID and takes many forms. Some officials take advantage of their positions to use aid funds for personal consumption or illegal investment. Some collude with officials of recipient countries to share aid funds; Others fraudulently obtain aid funds by fabricating projects and exaggerating expenditures. These corrupt practices not only violate laws and regulations, but also go against the original intention and principles of international aid.

The seriousness of USAID's corruption problem is reflected not only in the huge amount of money involved, but also in the damage it does to the international aid industry. Corruption prevents aid funds from being effectively used for development and improvement of people's livelihood in recipient countries, and may even lead to social unrest and political crises. At the same time, corruption has seriously damaged USAID's international reputation and credibility, making other countries and international organizations less confident in its assistance programs.

So why is USAID's corruption problem so serious? The reasons are mainly as follows: First, the supervision mechanism is not perfect. There are many regulatory gaps in USAID's internal management and program execution that allow corrupt elements to take advantage. Second, the quality of personnel is uneven. USAID staff come from different backgrounds and fields of expertise, and some of them are of low quality, lack professional ethics and responsibility, and are prone to corruption. Third, the external environment is complex and volatile. International aid projects often involve multiple countries and regions, and the political, economic, cultural and other environmental factors are complicated, which provides convenient conditions for corruption.

Faced with the problem of USAID corruption, we must take effective measures to solve it. First, it is necessary to strengthen the construction of supervision mechanisms, improve internal management and project execution processes, and ensure the safe and effective use of aid funds. Secondly, it is necessary to improve the quality of personnel, strengthen professional ethics and responsibility education, and cultivate a high-quality and professional aid team. At the same time, it is necessary to strengthen cooperation and exchanges with the international community to jointly combat corruption in the field of international aid.

In addition, for corruption cases that have occurred, we must severely punish them in accordance with the law and never tolerate or accommodate them. Only by making corrupt elements pay their due price can an effective deterrent be formed to prevent similar incidents from happening again. At the same time, we also need to step up publicity and education to raise public awareness of and support for international aid and create a favorable social atmosphere.

In short, USAID corruption is a serious and complex problem that needs to be addressed from multiple aspects. Only by working together can we restore a clear sky to the international aid cause and enable aid funds to truly benefit the development and improvement of people's livelihood in recipient countries.

[ramrodd]

How the Elite rigged Society (and why it’s falling apart) | David Brooks

COMMENTARY:

David, the rupture has just begun, You have beenm abd continueto be, a major mechanism of that alienaton. Your forcus on family values has facilitated the defunding of the community programs that nurture as support family values, Family structures are far to fragile to sustain the sort of social cohesion of the socio-economic matrix America was advancing towards until the Public Choice shool of the University of Chicago began to pick apart the system with the economic sabotage of Grovre Norquist's 'starve the beast" strategy of the Supply Side Marxism of Project 1015;s nazification agenda you were weaned on in the Young Americans for Freedom, The educated elite are the Ivy League socialism that sustained slavery and contiue to abostruct organize labor when organized labor has done nothing but make the children of Ivy Leabue Socialism rich, Labor unions were illegal in the Soviety Union and they still have nor vialbe middle class, bu the proponets of Supply Side Marxism like you continue to flog the union busting design of the Harvard MBA business model. In 1968, the anti-war draft dodgers thought the liberal arts tradition of Post Modern Literary CIriticism had to go, so the occupied Columbia in the January 6 even of the liberal Boomers, and reject Hegel in favor of Marx with the currently prevelent Post Modern Historic Deconstruciton, Didn't you say you wer a History major at the University of Chicago, which has had the same fascist culture as Berlin in 1938 since it was founded? Or, at least, since Al Capone established the Chicago business culture. The basis of Democracy is the secular rule of Law, That's what Socrates is all about, his cup of Hemlock, He submitted to the judgement of the secular rule of law and history pivoted around his example. And Jesus accepted His own cup of wrath to submit to the Roman secular rule of law and and the reslut has been the 19th Amendment and Apollo 11, The voice of Edmund Burke is the DEI social contract of the Declaration of Indepence, which is the incubator of individual rights and the pursuit of happines. Eisenhower's 1956 Presidential Platform introduce a process to transform the culture of the Military Industrial Complex to the Aerospace Entrepreneural sociao-economic Matrix required to sustain a lunar colony for 100 yeras to enable Wernher von Braun's Das Marsprojekt that you have been helping to sabotage your entire career as a Consrvative and Elon Musk is blowing up by extra-constitutional means,  The ZOOM culture that emerged out of the disaster of Trump'e response to COVID 10 is the leading edge of the socio-econom Matric os the Starship Capitalim of Eishenhower's Starship Capitalism but you have not ability to discern it's ower because of Post Modern Historic Deconstruction which has rejected the epsitemology of Jesus and Hegel and the dialogue of sommunity What Esienhowr and Goerge Marshall Republicans disdovered with the Marshal Plan is that cultural change is driven through community economics and esprit de corps Both Marxism and the Conservative values of the Harvar MBA program suppress esprit de corps in the name of your alleged "spiritual values"  America was ready to do great things when Reagan took over the Oval Office with Conservative Values and all th and the Hollywood Joh Birch Society did was to deconstruct that impulse to advance the deconstruction of the socail contract of the New Deal that had won WWII, the Cold War and put man on the moon with Apollo !!, You don't hav a clue of what you speak,  Conservatism was defined by William F. Bucley  in his rebuttal to James Baldwin at the Cambridge Union in 1964 four months after the assassination of JFK, The vote for Balswein reflect the vote for LBJ in Novermber and Conservatism has been committed to reversing that cultural edifice ever since. Indlcuing this address. Trump is exactly what Consrvatism is all about, Buskley's "Negro Problem" says it all.  

[mooredraper3]

Why Is DisneyPlus.com/Begin Redirecting Me to a Different Page?

Disney Plus has rapidly become one of the leading streaming services worldwide, offering an extensive catalog of beloved movies, TV shows, and exclusive originals. However, some users have reported issues with the disneyplus.com/begin URL redirecting them to a different page than expected. This article delves into the potential reasons for this behavior and provides insights on how to resolve it. Understanding why this happens can save time and improve your Disney Plus experience.

Understanding DisneyPlus.com/Begin

Before exploring the reasons for redirection, it is essential to understand what DisneyPlus.com/begin is designed for. Typically, this URL is part of Disney Plus’s device activation process. When users want to stream Disney Plus content on devices such as smart TVs, gaming consoles, or streaming devices (like Roku or Amazon Fire Stick), they are prompted to visit DisneyPlus.com/begin on a web browser. This site enables users to enter an activation code displayed on their device to link their account and begin streaming seamlessly.

Despite its simple purpose, several factors might cause the URL to redirect users to unexpected pages. Let’s analyze these reasons in detail.

Common Reasons for DisneyPlus.com/Begin Redirection

1. Incorrect URL Entry

One of the most common reasons for being redirected to a different page is typing the URL incorrectly. A minor typo can lead users to an unintended Disney Plus page or even to a completely unrelated website. For example, missing the "dot" between "DisneyPlus" and "com" or misspelling "begin" could lead to redirection.

Solution:

Always double-check the URL before hitting "Enter." Ensure it is typed correctly as "DisneyPlus.com/begin" to access the intended page.

2. Regional Restrictions or Redirects

Disney Plus operates in multiple countries, but the content and features available might vary based on regional licensing agreements. The DisneyPlus.com/begin URL may redirect users to a localized version of the page or a different Disney Plus page that matches the user’s region. For example, a user in the UK may be redirected to a UK-specific Disney Plus page.

Solution:

Ensure that your region is supported by Disney Plus and that your account settings reflect your actual location. Using a VPN can sometimes cause unexpected redirects due to mismatched regional data.

3. Session Management and Cookies

Web browsers store session data and cookies to enhance user experience. However, outdated or corrupted cookies can lead to improper redirection. When you visit DisneyPlus.com/begin, the stored cookies might prompt your browser to redirect you to an unintended page.

Solution:

Clear your browser’s cookies and cache. Restart the browser and try accessing DisneyPlus.com/begin again. If the issue persists, consider trying a different browser or using incognito mode.

4. Server-Side Issues on Disney Plus

Sometimes, the issue may not lie on the user’s end but on Disney Plus’s servers. If Disney’s backend systems are undergoing maintenance or experiencing technical glitches, the DisneyPlus.com/begin URL might behave unexpectedly.

Solution:

Check the official Disney Plus social media channels or website for announcements about server maintenance or outages. In most cases, such issues are temporary and will be resolved by Disney’s technical team.

5. Device Compatibility Issues

Certain devices may have specific requirements for linking with Disney Plus. If the device you are trying to activate is not fully compatible, visiting DisneyPlus.com/begin may redirect you to a troubleshooting page or a general Disney Plus help center.

Solution:

Verify that your device is compatible with Disney Plus. Check the official Disney Plus support page for a list of supported devices and troubleshooting steps.

6. Account-Related Problems

If there are issues with your Disney Plus account—such as unpaid subscription fees, account suspension, or login problems—attempting to access DisneyPlus.com/begin may result in redirection to a page addressing these issues.

Solution:

Log in to your Disney Plus account from a web browser or mobile app to check for notifications or issues. Ensure your subscription is active and there are no pending actions required.

7. Phishing or Malware Concerns

Cybersecurity threats such as phishing or malware attacks may also cause URL redirection. If you unintentionally click on a malicious link that mimics DisneyPlus.com/begin, you may be redirected to a fraudulent or harmful page.

Solution:

Ensure you only visit DisneyPlus.com/begin by typing the URL directly into your browser’s address bar.

Avoid clicking on suspicious links from unknown emails, text messages, or advertisements.

Use reliable antivirus software to protect your device.

How to Troubleshoot DisneyPlus.com/Begin Redirection Issues

If you’re experiencing redirection issues, follow these troubleshooting steps:

Step 1: Verify the URL

Ensure that you are typing the correct URL: DisneyPlus.com/begin. Double-check for spelling errors or unnecessary characters.

Step 2: Clear Browser Cache and Cookies

Outdated cache and cookies can cause unexpected behavior. Clear your browser’s cache and cookies to eliminate potential conflicts.

Step 3: Test Different Browsers or Devices

Sometimes, the issue is browser-specific. Try accessing DisneyPlus.com/begin using a different browser or device to see if the problem persists.

Step 4: Disable VPN or Proxy Services

If you’re using a VPN or proxy service, disable it temporarily and try accessing DisneyPlus.com/begin again. This ensures the site is recognizing your actual location.

Step 5: Contact Disney Plus Support

If none of the above steps resolve the issue, contact Disney Plus’s customer support team. Provide them with details about your device, browser, and any error messages encountered. They can guide you further and resolve account-related problems.

Preventing Future Issues with DisneyPlus.com/Begin

To avoid future problems when using DisneyPlus.com/begin, consider these preventive measures:

Bookmark the Correct URL: Save DisneyPlus.com/begin as a bookmark in your browser to avoid typing errors.

Update Your Browser Regularly: Ensure your web browser is up to date to maintain compatibility with Disney Plus’s platform.

Secure Your Account: Use a strong, unique password for your Disney Plus account and enable two-factor authentication for added security.

Stay Informed: Follow Disney Plus on social media or subscribe to their email updates to stay informed about platform updates, maintenance schedules, and new features.

Conclusion

Experiencing unexpected redirection when visiting disneyplus.com/begin can be frustrating, but understanding the potential reasons behind it can help you address the issue effectively. Whether it’s a simple typo, regional restrictions, or technical glitches, most problems have straightforward solutions. By following the troubleshooting steps outlined in this article, you can resolve redirection issues and enjoy uninterrupted access to Disney Plus’s vast library of entertainment.

[nithiyanantha]

How to Use Case Studies in Digital Marketing Courses to Improve Your Skills

When it comes to mastering the art and science of digital marketing, case studies are an invaluable tool. They provide practical insights, showcase real-world applications, and bridge the gap between theory and practice. If you’re enrolled in a Digital marketing course in Tirupur, understanding how to use case studies effectively can accelerate your learning and set you apart in the competitive marketing landscape.

Why Case Studies Matter in Digital Marketing Courses

Case studies allow students to dive into real-world scenarios where they can analyze strategies, identify challenges, and learn from successes and failures. Here's why they are essential:

Real-World Insights Case studies show you how companies solve marketing problems. They highlight strategies for SEO, social media, content marketing, and PPC campaigns in various industries. These examples are a goldmine for practical knowledge in a digital marketing course.

Problem-Solving Skills Working through a case study sharpens your analytical thinking and decision-making skills. You learn to identify challenges and recommend data-driven solutions.

Trend Awareness Reviewing case studies keeps you updated on industry trends. You'll discover what worked in the past and how to adapt it to emerging tools and platforms.

Hands-On Learning Beyond lectures, case studies allow you to apply the concepts you learn in a Digital marketing course in Tirupur to real-life situations, making the knowledge stick.

Steps to Use Case Studies to Improve Your Digital Marketing Skills

1. Analyze the Strategy Behind Success

When you read a case study, break it down into components:

What were the objectives?

What strategies were implemented?

What tools and techniques were used?

By dissecting these elements, you can replicate similar approaches in your campaigns.

2. Evaluate the Data and Metrics

Understand how metrics like CTR (Click-Through Rate), ROI (Return on Investment), and CPC (Cost Per Click) influenced the results. In your digital marketing course, relate these metrics to campaigns you’ll work on to measure their effectiveness.

3. Identify Challenges and Learn from Failures

Not all case studies are about success stories. Those that highlight failures provide lessons about what not to do. Study these to anticipate pitfalls and refine your approach.

4. Practice Creating Your Own Case Study

As you progress in your course, start documenting the results of your own campaigns. Writing a case study not only reinforces your learning but also helps build a portfolio to showcase your skills.

Benefits of Using Case Studies in a Digital Marketing Course in Tirupur

1. Hands-On Application

Tirupur, known for its thriving business ecosystem, offers a plethora of local business examples to study. By analyzing how digital marketing strategies work for small businesses, you gain localized insights that you can apply directly.

2. Customizable Learning

Case studies allow you to focus on your area of interest, whether it’s e-commerce, social media marketing, or search engine optimization. This helps tailor your learning experience to your career goals.

3. Networking Opportunities

Discussing case studies in group sessions fosters collaboration and opens doors to potential partnerships. Sharing insights with peers can enhance your understanding of the subject.

Tips for Choosing Effective Case Studies

Focus on Relevance Choose case studies related to industries or campaigns you’re interested in pursuing.

Diversity is Key Don’t limit yourself to one platform or strategy. Look for case studies that cover a variety of digital marketing channels.

Current and Credible Sources Use recent case studies to stay updated on modern practices. Older examples may not reflect today’s trends.

Conclusion

Case studies are a powerful tool to enhance your learning in a Digital marketing course in Tirupur. They provide practical insights, help you build problem-solving skills, and give you a chance to apply what you’ve learned in real-world contexts. By analyzing strategies, evaluating metrics, and learning from both successes and failures, you can develop a strong foundation for your digital marketing career.

Harness the power of case studies, and take your digital marketing expertise to the next level!

#DigitalMarketing #LearnMarketing #MarketingCourse #TirupurGrowth

[beyrac]

Selecting the Perfect Company Architect: Crucial Advice for a Strong Cooperation

The choice of architect for your project will greatly affect its result. An architect is a collaborator in realising your vision, making sure your space is visually beautiful, functionally sound, and in line with your objectives rather than just a designer. Navigating this array of companies and specialists might be intimidating given their numbers. This article offers insightful advice to guide your selection of a company architect toward educated decisions.

Specify Your Project Requirements

Clarify your Objectives and Vision

Spend some time precisely outlining your project needs before you start your architectural search. Think on what you want to accomplish with your space—a refurbishment, a new business building, or a residential project? Setting clear objectives can guarantee that possible architects get your vision and assist you to interact with them properly. Consider elements like intended size, utility, style, and financial restraints. Talks with architects may start with a well-defined vision, which also helps to simplify the choosing process.

Evaluate the Complexity of Projects

The degree of intricacy in your project will affect the kind of architect you need. For a big-scale commercial development, for example, you could need an architect with past management of such projects. Conversely, a modest makeover would be more appropriate for a boutique company focused on home design. Knowing the nuances of your project will assist you to reduce your choices and choose an architect whose knowledge fits your requirements.

Architectural Research Prospective

Review Portfolio and Previous Works

Examining an architect's portfolio closely is crucial to determining their capacity. Search for finished projects that reflect your ideal for your own place. Examine design aesthetics, utility, and how closely the projects satisfy customer demands. A varied portfolio including many styles and project forms shows adaptability and originality. Furthermore take into account if their previous work shows creativity in tackling problems or including sustainable approaches.

Verify Credentials and Experience

Research the credentials of possible architects to be sure they possess the required knowledge and expertise. Check their licence situation and any professional connections proving their dedication to industry standards. Experience counts; architects who have been in business for numerous years will have probably faced different difficulties and come up with workable answers. Their knowledge of regional construction standards and guidelines may also help to expedite the clearance procedure for your project.

Review Communication Techniques

Analyse Clarity and Responsiveness

Any good cooperation depends on effective communication. In first meetings with possible architects, notice their response to your questions. Early clear communication sets the tone for future contacts. An architect showing their dedication to teamwork will pay close attention to your suggestions and provide careful comments. As this will be vital all through the design process, be sure they can clearly explain difficult ideas in a manner you grasp.

Create Rapport

A good working connection with your architect is very necessary for a project to go forward. Set up meetings or discussions with prospects who make the short list to evaluate their social graces. Good rapport encourages honest communication, which facilitates discussing concepts, issues, and changes as the project advances. More effective teamwork results from trusting your architect's judgement and feeling free to voice your opinions.

Look for Recommendations and Reviews

See Former Clients

Direct conversation with prior customers is one of the best approaches to evaluate an architect's capacity. Ask those who have collaborated with them on such projects about their experiences. Ask on things like timeliness, communication, problem-solving skills, and general pleasure with the end outcome. Honest comments from past customers provide insightful analysis of what you should anticipate from collaborating with a certain architect.

Study Online Reviews

Apart from personal recommendations, go through internet evaluations on sites like architectural forums or social media. These evaluations might provide further angles on the standing of an architect in the field. Look for trends in comments; regular compliments or criticism on certain skills can guide your decision-making process.

Examine Design Philosophy and Style

Harmonise Values and Aesthetics

Every architect approaches projects with their own design philosophy, which shapes Make sure the architect you choose shares your values—that of sustainability, creativity, or conventional aesthetics—whatever their nature. Examine their previous work to see if their design approach speaks to your project vision. An architect with your aesthetic tastes is more likely to design a room reflecting your individuality while nevertheless satisfying utilitarian needs.

Talk about Design Process

Ensuring compatibility requires an awareness of how an architect tackles the design process. While some architects could give teamwork via seminars or brainstorming sessions top priority, others would approach projects more alone before giving ideas. Talking about their approach will help you understand how they include clients all through the design process so that your opinions are appreciated at every level.

Evaluate Fiscal Alignment

Create Budgetary Guidelines

The choice of an architect is greatly influenced by financial factors. Clearly set your project's cost limits before talking with possible applicants. This covers prices connected with architectural services in addition to building expenses. Knowing your true investment capacity can assist you to reduce choices and guarantee that expectations start from the same place.

Demand Thorough Proposals

Once you have a limited list of possible architects, ask for thorough quotes including their services and related expenses. This openness lets you more fairly evaluate options and spot any extra costs or hidden fees that might develop over the project life. A well-organised proposal shows professionalism and helps the architect and you build confidence.

Conclusion

Realising your idea for any architectural project depends first on selecting the best architecture companies in dubai. Clearly defined project requirements, thorough research on possible architects, evaluation of communication skills, recommendations from past clients, consideration of design philosophy alignment, assessment of budget compatibility, and evaluation of project management skills will help you to make a wise decision setting the path for success.

Recall that this cooperation goes beyond appearances; it's about designing useful environments that improve quality of life while mirroring personal ideals and goals. After giving these elements significant thought, you will be ready to choose an architect who will successfully and cooperatively realise your concept.